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#no one has an idea of how to combat them
the-raven-song · 1 year
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We know pre-serum Steve got into a lot of fights and Bucky always pulled him out, but imagine: Steve was never very strong but he had enough muscle that as kids, he could wrap his legs around Bucky’s waist from behind and attach himself to Bucky’s back and they could swing fists and fight like some sort of four-armed monstrosity.
This ‘tactic’ worked alright in the war when they switched places and fought close combat. Steve could reach up and cover both his head and Bucky’s with the shield when needed and Bucky got a higher vantage point to shoot from.
Now after Hydra and post-recovery, the tactic comes back. During a fight, Bucky turns and runs full out at Steve’s back, and Steve is still keeping a mental record of where Bucky is at all times so he just braces for impact. Bucky easily clambers up to wrap his legs high around Steve’s waist, pulls a knife and a gun and then they’re back fighting. Steve gets surrounded and spins in place and enemies get either a shield or metal fist to the face.
Bucky can’t carry Steve as long as Steve can carry Bucky, but when it is Bucky doing the carrying, he’s still able to move quickly and efficiently and the pair of them are a nightmare because what are you supposed to do when Captain America is coming at you with the Winter Soldier on his back or vice versa???
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hippiichi · 9 months
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me watching video essays on the theory of creating horror (as in analytical theory not matpat game theory) and being like ah yes i can use this for my dnd campaign yes...
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note-boom · 2 years
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you know, we're so focused on the whole soukoku scene when they fought lovecraft and steinbeck (obviously so cause that was an EPIC scene) that we're completely forgetting the fact that kunikida and tanizaki fought them and won first...
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dravidious · 1 month
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You're more amazing than catchphrases
90% of all Yugioh card effects are either "move a card from one zone to another" or "negate an effect" so I made a bunch of combat keywords so that monsters can actually be interesting on the field.
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#asks#custom cards#also i managed to make them all different subtypes and get exactly 2 of each attribute so that's cool#anyway i'm barely even exaggerating about the 90% thing#“add a card from deck to hand” “special summon a monster” “destroy a card”#so much stuff is just moving cards between zones#and a lot of the rest is just “negate a card/effect” “effects can't target this” “can't be destroyed by effects”#just moving cards around or preventing cards from being moved around#how about actually caring about the battle phase?#yugioh's combat mechanics are really different than magic's so directly translating stuff like menace or haste doesn't work#but the difference also means there's so much opportunity for different abilities like Tricky or Stealthy or Guardian!#some translate fairly well like Vigilance into Resilient and Double Strike into Double Attack#and some are practically 1-to-1 like Deathtouch to Venomous and Trample to Piercing#Assist was an awkward one#the concept is so clear and simple and cool: it lets your monsters team up to attack together!#but mtg's Banding shows how that simple concept can be very difficult to translate into clean rules#even its spiritual successor Enlist had to specify “nonattacking creature without summoning sickness”#which i think is one of the only times that the term “summoning sickness” has appeared on modern cards#yeah i just checked and the only other cards that mention summoning sickness are stuff that involve creature-lands#i went back and forth on how exactly to word it before i decided to go the shortest and cleanest route of “spend this monster's attack”#which is also the most confusing wording if anything remotely unusual happens#heck it's not even clear whether it works while in defense position!#the idea is the same as Enlist: you can only use it if the monster COULD attack#so anything that prevents it from attacking also prevents it from assisting#but honestly if i were in charge i wouldn't even print this keyword because its wording is either too long or too confusing#also the Wrath effect appears on a few existing cards like Flame Wingman and i like it#Piercing also already exists in a kind of pseudo-keyword state#“if this monster attacks a defense position monster inflict piercing battle damage to your opponent”
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meownotgood · 1 year
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au where I help aki heal his inner child by forcing him to play all of the games I hyperfixated on in my youth
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gothamcityneedsme · 11 months
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scrolling ao3 and saw a vtm/batfam crossover and suddenly im completely normal
#Shitpost#You don't understand this is better than a usual vampire au#THEY COULD BE A COTERIE. AND ALL. DIFFERENT CLANS#and like. If the Robins were turned as kids then they never grow up#aka bruce still has an adoption problem#also this like. Idea of like. 1. Upholding the masquerade (they must be anarchs??)#and 2. Using Batman and Robin to help them maintain their humanity and combat The Beast though#3. Like if they arent supposed to use their powers#idk man im like. Thinking#i read the words 'brujah jason todd' and suddenly went insane#ALSO torador dick grayson 10000%#You know bruce is a ventrue. also i think alfred would be his sire#alfred is like. ex camarilla just trying to have a peaceful life#Not sure what damian should be. Whatever Ras is probably. Ras is probably like. A primogen or CLOSE to being one.#so hes probably feelng The Torpor or whatever its called. The calling. Thing.#i sort of like the idea of Ras/Talia/Damian as gangrel i think#tim. Hmmmm. ventrue is too easy so hes got to be something else#Not sure how he wouldve been turned atm.#ok Tremere would be so good tho#Cass.... I want to say a very funky malk. Or a nostaferatu?#Steph im not sure.#Lol realizing that Damian is probably the most powerful of the family because hes probably like 5th gen???#like. Actually making Ras a primogen feels op so like. Cain-Primogen-RasSire-Ras-Talia-Damian#Thats considered 5th gen iirc because Cain is 0?#meanwhile like. Alfred could be like 8th ish#making Bruce 9th. And everyone else would be in the teens#oh maybe steph is a thinblood
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knaveofmogadore · 1 month
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Kfkdks
#messages from knave#im making breakfast and im gonna list my observations from three years of weird living situations#younger siblings of big age gaps will see most interactions as a form of soft combat until trained out of it#but when actual clmbat happens they're used to not having any sway so they don't actually know how to act in arguments#siblings with codependent relationships have their own internal langauge that they apply to others. not sure if they realize they do it#but they'll hold you to the same rules they've mentally created for each other without explaining them#siblings of ALL stripes will approach situations with a set idea of how communication works. and even if it's not a logical way to communica#they'll expect you to also communicate in that way. and if you can't or refuse they'll shut down and communication stalls completely because#they can't fathom doing it any other way except the way they and their siblings socialized each other to do it#siblings with adversarial relationships don't take outside advice and will take attempts to give advice as manipulative. not their fault#oldest siblings are the most conflict averse people on the planet. oldest sinlings say#'is anyone gonna balloon this situation out of proportion by avoiding it for as long as possible' and not wait for an answer#siblings who were regularly appointed as hall monitors will see any interaction with you as transactional#a hallmark of a dysfunctional sibljng relationship is someone who thinks telling you NO is worse than going through a situation they do not#wanna be in. and then they'll complain about it endlessly#and then they'll be like 'i don't want favours from my parents because they'll hold it over me' and never make the connection on their own#people cannot anticipate your needs with their minds. they are sometimes going to ask you to be a part of things you don't wanna#you're NEVER gonna be able to live in a world where people will stop asking you to be a part of things that's not feasible#had one say once 'people should just know not to ask me along for plans I can't get to people should know not to invite me'#and you know dude that's just now how stuff works. there's a difference between 'x cant drive so they can't help me move my dresser' and#'i know xs work schedule so i shouldnt infomr them of group plansnon the off chance they could make it so they don't feel left out'#people with hyper competitive siblings can't fathom that other people won't know how to do stuff. i don't just mean athletes but siblings#with that scarcity mindsetnin general like they can't handle people not having the same knowledge base they have. it's a survival thing#and NO having a life of suffering doesn't make you correct all the time has literally anyone else watched heathers#youngest siblings always have the most deranged dating stories and the oldest in a set of age gap siblings always has the WORST taste in men#< that's directed at my sister and no one else that's a personal diss not a real observation#only children have one thing. theyre SUPER weird about splitting the grocery bill#food is NOT communal to only children I've learned firsthand. Also they'll be perfectly fine sharing anything else BUT food usually#weed. loans. bathroom supplies. dishes. ect. but NOT food#meanwhile sibljngs are a little TOO comfortable chowing down on stuff they didn't buy. bad roommates are bad roommates
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lilislegacy · 26 days
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did anyone else ever find it odd how easily zeus offered percy godhood? and how it almost seemed like he secretly wanted percy to accept? well i did, and after thinking long and hard about it…
i don’t think percy understood what turning down godhood really meant
demigods do tasks for the gods because they don’t have to follow any rules. they aren’t controlled by anyone or anything. demigods are a strange hybrid - not god, not human. they are in between the laws of immortal and mortal. they are not supposed to exist. yet they do, which is what makes them so extraordinary.
percy is crazy powerful. of course, there’s the aspect of raw power. he has domain over air (storms/hurricanes), land (earthquakes and volcanic eruptions), and sea (monster waves, tsunamis, floods, basically anything that involves water.) he can control bodily fluids. he has super strength (with one hand, he held up an unconscious annabeth who was being pulled down by both arachne AND the forces of tartarus). he has super speed (he moves faster than bullets in TTC). no matter how badly you hurt him, he automatically heals and regenerates the second he touches water (an ability no other demigod has). he’s an extraordinary swordsman. very skilled in combat and warfare. he’s smart, and thinks of plans quickly. but he also has a great deal of social/poltcial power… i mean, he’s a leader and hero to both the greek and roman camps. if he says “attack,” all demigods, greek or roman, attack. no question. do you have any idea how threatening that is to the olympians? he’s also best friends and has an empathy link with the lord of the wild, which basically means all of nature is by his side too, including all land creatures. he’s also prince of horses, which means pegasi too (both of which are extremely useful in battle). and of course all sea creatures, including the mythical ones like krakens and leviathans. not to mention many of the gods really like him. hermes, hephaestus, athena, aphrodite, and dionysis have all gone out of their way to help him. artemis holds him in high regard, especially since he saved her. apollo literally considers him his friend! and poseidon - his dad, the god who is the biggest threat to zeus - is fiercely protective of him and cares about him a great deal. many minor gods also like him because he demanded them to be given more respect and for their kids to be welcomed at the camps.
percy unknowingly has more power, both physical and social/political, than anyone should ever have. he may have absolutely no idea, but it must scare the living daylights out of zeus. by accepting zeus’s offer to become a god, percy would have submitted himself to the control of zeus. zeus would be his king and ruler. zeus would then have complete control over him.
but percy said no. therefore, percy remains out of zeus’s control.
percy had no idea what he was doing. but thank the gods he made that choice. thank the gods he’s an incredible person. thank the gods percy jackson has no desire for power, because he has more of it than anyone should ever be able to have.
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myrddin-wylt · 11 months
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I’m very tired. you probably heard that Russia destroyed the Kakhovka Dam to slow Ukraine’s counter offensive. here’s something I didn’t quite realize: since this February, the Russians operated the dam in juuuuust the right way so that as much water would build up as possible when the snow melted and spring showers started. and then they blew the whole thing up.
40,000 people may need to be evacuated. I don’t really have the energy to say anything else right now.
Hospitallers Medical Battalion: actual angels can confirm. they’re combat-zone medical services - you know how humanitarian groups like MFS and Red Cross have to pause operations due to the Russians fucking shooting at humanitarian zones? yeah, these guys don’t pause for bullets, they fucking walk into them and they bring out anyone they can.
Serhiy Prytula Charity Foundation: you can choose from a number of various fundraiser projects here, if you’re feeling particularly picky. for those of you who balk at the idea of supporting anything military just please remember that things like vehicles and drones aren’t just for military use, they’re also for evacuation and finding the wounded and they’re fucking vital.
KSE Foundation: similar to the above, KSE has multiple projects you can choose from to donate to. looking at it right now, one of the projects with the lowest amounts of money raised thus far - despite being started in April - is Seeds for Ukraine, which will help Ukraine recover from the ecological devastation Russia has been wreaking (and with Ukraine, the countries that rely on Ukraine’s grain exports that Russia keeps trying to steal).
Come Back Alive: do these guys even need the introduction? they’re Come Back Alive. I’m kissing all of them.
United24: Zelenskyy’s brain child, and the official fundraising platform of Ukraine. Mark Hamill recommends the fundraisers for drones in particular.
UAnimals: Nova Kakhovka’s zoo got... pretty much completely swept away. all zoo residents except the birds have drowned. UAnimals has tried throughout the occupation to keep the animals safe, and they’ve been reporting on the status of the zoo. I don’t really know what to say except that I hope they’re able to save the pets and strays in the towns along the river.
You can find NGOs specific to evacuation efforts in this post; please signal boost it as well. I’ve listed them but am leaving the links for the op post.
Ukrainian FireFighters Foundation
Helping To Leave
VOSTOK SOS
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dcxdpdabbles · 23 days
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DCxDP fan fic Idea: Danny Fenton's Ex
Danny wants to know that he did not go looking for a fight. He merely wanted to have some of the best hot dogs this side of the USA, in Tucker's words. The human world had changed a lot across differnt timelines but his best friend had assure him, this one was particually tasty.
He planned to pop in, hunt down the street cart filled with buns and meat, then pop out of Gotham. He was meant to visit for less than an hour at most.
He just happened to be at the wrong place and time. It really wasn't his fault! Danny had been minding his own business, using a paper map on the edge of a tall building (his phone had broken in the last ghost fight. Not that it would do any good since it wasn't connected to any living towers), squinting at the streets below, hoping to figure out where he was. The next thing he knew, an angry child leaped out at him with a sword.
Of course, he defended himself! The kid was doing some insane slashes in the air, and Danny had fought enough samurai ghosts to know not to underestimate how powerful a katana indeed was. He had been able to beat the child, encasing his arms in ecto-chains, after a full half hour of combat.
Danny had been dead tired- pun not intended- but just as he thought he was done, a second child had leaped out at him. This one carrying a bo-staff. It took another thirty minutes to beat this one, and just as he was gearing up for a lecture, a third child appeared.
She was wearing all purple and seemed to favor strong kicks. Danny had the bruise to prove it, but just as he could take her down—and stop the other two from escaping since they were attempting to do so—he was attacked by an actual shadow and her red bucket-head friend.
Now, those two were difficult to beat, especially when it was two vs. one. Shadow reacted as if she could predict all of his moves before he even made them, while Bucket Head made incredible shots with his guns covering her attacks.
Danny had already been expelled from his other two fights, so it was a miracle he was able to trick Shadow by allowing more of Phantom to bleed into his fighting style. She couldn't predict the dead!
He ended up on a roof with five children- okay, more like a child, two teenagers, and what could be the early twenties, but they were all young to him. Each was tied up securely with some of his own ecto-chains and glaring- he could feel the hate in their eyes even behind their masks- trying desperately to catch his breath.
"Oh boy, I'm not as young as I used to be. " He gasps between huffs. Maybe Sam was on to something when she lectured them for not having enough greens, normal exercise routines, or even taking vitamins. They really weren't teenagers anymore. "Ugh, I think I pulled something. I need to lie down..."
Just as Danny is allowing himself to slide to the floor, two more shadows jump at him. This time he's far too tired to dodge, and the blue one manages to land a drop kick to his chin. The force has Danny spinning in place, losing his balance, and slamming hard against the roof.
The tied-up children cheer, and if he wasn't a walking bruise right now, Danny would be half tempted to show them all a round two.
"Great Gatsby!" He cries out of reflex, rolling onto his back, ready to take a swing-
"Danny?" a new familiar voice cuts in. The sound is something Danny will never forget, even after all the years they have been apart. He used to fall asleep to that voice, muttering into his hair and warm arms wrapped around him, making promises never kept.
Danny whips his head around to see a man in a bat costume. He squits, studying the strong curve of a very familiar jaw and his voice-
"Wayne?" He blinks. Those lips- so familiar and different all in one- curve into a surprise, but please smile. Yes, that is definitely Bruce.
"Danny, I haven't seen you since-"
"You broke up with me through a letter on the hotel note-pad? A note-pad that I had to pay for since you touched it!?" Danny hisses, suddenly energized with pure, unadulterated rage. The man freezes.
"I, uh, see you're still upset about that." Wayne winces, shuffling on his feet- Bruce Wayne, the little human he found wandering the Infinite Realms, rescued, helped, trained, and had become human again to have the man dump him to "find himself."
Danny knew he found a lot of ladies on his self-discovery trip. He never forgave him. It has been embarrassing to have to return to the Realms to his friends' knowing eyes and his sister's sad shrug.
You knew a human could never understand or live with beings like us. We aren't like them anymore. She had told him. It was bond to end in disaster.
"What is happening?" The bow-staff kid asks
"I don't know, but I don't like it," Blue tells him.
Danny ignores them to glare at the man. "What the hell are you doing here, Wayne?"
Wayne frowns. "You used to call me Bruce."
"I used to do a lot of things, Wayne." Danny stands, gesturing to the group of people he has captured. "Can you kindly disappear again? I'm in the middle of something."
The man makes no move to leave. Instead, he tilts his head. "Those are my children."
"Of course they are." Danny rolls his eyes. "Tell them to not attack innocent tourists-"
"Are you here on vacation? Would you like me to give you a tour?"
The familiar words- the ones from their first date- make rage boil in his core. "Oh, go burn in the worst levels of hell!"
He doesn't stick around for a reply, twisting in a tight circle and ripping a hole into the Realms. He ignores Wayne's call of his name; it's too late- fifteen years too late- and shifts back into Phantom.
He prays he never sees that deadbeat again. Or the family his wife gave him. Not that Danny cares; it's been years, and he could care less what Bruce Wayne and his stupid kin got up to.
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"Bruce, I say this with all my heart, what the fuck was that?"
"That was the one I let get away."
There is a moment of silence before Damian speaks up. "I demand to be taken out of my misery. Mercy, kill me now, Drake."
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solarpunkwarlock · 10 months
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Ways to Live in Direct Opposition to Capitalism
I am by no means an expert in any of these things I’m gonna talk about, so keep that in mind! I am just making a compilation of things I know of that we can do to lessen the stranglehold the capitalist lifestyle has on us while enriching our lives, our surroundings, and the lives of others. Please add anything I miss or correct anything I may be getting wrong! Anyway here goes!
Use what you have, fix what’s you can, make what you can, accept from others, thrift what you can, and finally purchase as a last resort.
This is advice I have seen float around here a couple of times that can apply to a lot of things including clothing, furniture, food, and more besides. It’s meant to be done roughly in that order as it applies to what you’re wanting/needing/doing. It’s about preventing waste, promoting self-capability, having a heightened reliance on your community, and consciously rejecting the ingrained habit many of us have to just purchase things or services.
Here’s where you can read about growing an indoor garden!
Here’s where you can read about sewing things yourself!
Here’s an online site for giving and receiving items for free!
Here is where you can find a local Mutual Aid to get things from, learn skills from, give do, volunteer for, etc. (in the U.S.)
Be politically active! (from a U.S. perspective)
Vote for every election. Know your representatives and those who will be competing in the next election. Vote without ignorance and without falling for unfounded claims. While operating within the system that actively oppresses us will not bring about the future we want, it can serve as damage control (preventing worse candidates from taking office) and it can potentially create a national atmosphere more open to change.
Here’s a good article about getting more involved in the U.S. political process.
Here’s a site that will show you how to register to vote, when and where elections are held, and more!
Here’s good advice on finding protests in your city!
Here’s some readings on unionizing! It’s your legal right to unionize!
Here’s a more user friendly site for learning about unions!
Be active within your community!
Developing strong, motivated, capable, knowledgeable, and inclusive communities is the ultimate way to combat the relentless and bleak present and future. When you’ve worked on the things above and have gotten good at it (or even if you haven’t gotten good at it yet), start spreading what you know and what you can do with others!
Give your neighbors, coworkers, and friends some of the vegetables you’ve grown.
Invite your community members to volunteer events.
Talk to folks about how to vote, when you’re doing it, etc.
Take part in Mutual Aids to teach what you’ve learned or whatever you may be an expert in! Invite neighbors, friends, and coworkers when you take part in the Mutual Aid!
Accept your community. Take them for who and what they are. Discrimination is the enemy of cooperation. You have much more in common with everyone in your community than a single billionaire or corporation. We’re all passengers on this spaceship earth.
Do it one step at a time!
Obviously we can’t do all of these things at once. Do what you can when you can, and you’ll start to notice real change in your life!
Our online communities where we talk about our visions and hopes are fantastic, but they have little impact if we don’t actually get up and do the real work that change requires.
Want to be better, and keep hope for the future!
Harbor and nourish that desire to be a better person and to be the change you want to see in the world. You need to be hungry for a better future if you plan to make it through the rough times when everything feels pointless and without hope. Reach out to others when you’re down, and be someone others can lean on when their lives get hard.
That’s it! Please interact with this, spread it to others, and add your own thoughts and ideas! It’s important that we do the real work to get the change we crave!
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cinnamonest · 21 days
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I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.
I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.
The most important fact, if you read nothing else, is this:
Most women have rape fantasies.
62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!
The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)
To specifically address common harmful and pervasive myths:
the "go to therapy!" line
Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)
Here are some particularly insightful resources:
1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.
2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).
3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)
4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.
5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.
the "why would you want that?" line
The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.
the "it's only valid for survivors then!" line
On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.
The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.
No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.
ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.
Good resources on the subject of why women have these fantasies and how they are helpful in general:
(X) (X)
The "what you consume will make you do it in real life!" myth
Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.
The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:
1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)
2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.
What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).
Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.
You are not abnormal or wrong for the fictional content you consume or the fantasies you have!
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emmafrostyyy · 6 months
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y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...
sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me
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It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.
She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.
Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".
They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.
In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.
Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.
She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.
Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.
I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo
Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.
I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.
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They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.
They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.
Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.
Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.
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b1rds3ye · 8 months
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AAAA i loved that 141 + masked reader one!! omg you're filling my head with mask ideas now...
what if reader had one of those LED masks that showed different facial expressions? just walking around going ":D" ":]" "^-^" "?" ">:(" as a substitute of their real expressions. omfg imagine them coming back from a mission and price is praising them on their work or smth and they just hit him with the "uwu"
I'm glad so many people are liking the prompt, I had a lot of fun with it too!! This is very much giving me Watch Dogs 2 Wrench but also Rina Tennoji omg there are so many legendary masked characters-
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The rest of the 141 were confused at first. While the mask provided anonymity, there was also the benefit of hiding facial information to an enemy. But now with these LEDs your emotions could be read like an open book, but ultimately they found it endearing.
Soap in particular loves your mask. Johnny loves surprising you to generate "!"s over the eyes and finds himself smiling every time your mask switches to a new emotion. As demolition expert, he prides himself over the one time he got you so riled up that an error message flashed across your mask. He's also genuinely curious about the mask and will gladly try to help if there are any technical difficulties or if you want a hardware upgrade. He's also the most unnerved out of the 141 if you ever turn the LEDs off, immediately by your side to comfort you as he can no longer read your mood.
Gaz doesn't often provoke you but he does find himself snickering whenever your expressions change from others. It's also an easy way for Kyle to keep track of how you're feeling, even when no one's around your mask automatically goes ";-;" when you're feeling down and he'll check up on you. Whenever he does make a joke though, he's immediately looking to your mask to see if someone will appreciate his humour. He also wishes you turned off your mask more during missions, the little angry face your mask makes isn't intimidating in the slightest and he can't risk getting distracted cooing over you during an op.
Ghost is very curious. Your own mask has him wondering if his own needs a bit of an upgrade - perhaps an LED skull mask with a moving lower jaw. Simon's heart warms up a bit at how you've picked a mask that's still so comically expressive, he enjoys interacting with someone that's so upfront with their emotions. He won't admit it but he finds it cute how your mask goes "-_-" whenever he says one of his horrendous "military humour" jokes. He's considerate of your mask and ensures that there is no water or liquids nearby.
Price's first concern was practicality (how the hell were you going to use night-vision?) but once the mask seems to work without a hitch, he now checks on your mask to not only gauge your mood but as a visual indicator of the overall atmosphere among the rest of the task force. You're now his favourite person to praise. He doesn't give it freely of course, but most of his subordinates will try to hide their smiles as they glow under his praise as they keep up their tough soldier persona. You though? The sudden "! o !" and then consequential "^_^" as you walk away with a hop in your step is probably the sweetest thing he's seen in his entire military career.
It's all fun and games until you turn off the LEDs - usually done in dark/covert missions or when you're interrogating the enemy. That's when you're truly unreadable, a masked terror. As you eliminate enemies in close combat the last thing they will see is their own face contorted into absolute terror as it is faintly reflected like a memory against the bottomless darkness of your visor.
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Masked Reader Masterlist Call of Duty Masterlist
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targaryenluvs · 3 months
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— PROTECTOR
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pairing: yandere!percy jackson x fem!gf!reader
summary: percy can’t seem to grasp the idea that you can survive just fine on your own.
warnings: arguments, combat, injuries, kinda backwards views/manly views, kind of dark (protective) jealousy, obsessed?? smothering/coddling
a/n: basically he can’t stop worrying, lmk if u want a part 2! sorry it’s short - i already did part two heheh just now
PART TWO
specially for the amazingly talented @lady-ashfade
percy was incessant.
ever since you’d reached camp and gotten settled in, he seemed to be everywhere. whether it be in the mornings at breakfast, at training, when you hung out with your friends, your boyfriend always found away to be right there with you. spacial boundaries be damned.
everyone noticed, they all chalked it up to adorableness. the two of you couldn’t stand to be apart from each other for too long, how adorable was that? but that was only the start. the following along you could put up with, it was quite easy to escape when needed. letting him talk to your friends and get engrossed in the gossip of the ares cabin. excusing yourself from him for lady reasons which never failed to make him red in the face.
it wasn’t as if you were sick of him or anything but you felt smothered. everywhere you turned he was right there, shining smile and ready to talk your ear off. you figured as your relationship progressed and he made more friends, that he’d have his own time.
why would he need friends when he has you?
but your rude awakening came in the form of a training session with a friend.
harry was one of the first people who welcomed you into your cabin, open arms and a warm smile. and percy hated him most. he hated the fact that someone else was able to provide you with the comfort he assumed only could originate from him. anytime the two of you were hanging out hed always inject himself in between the two of you.
“are you trying to burn your marshmallow?” harry laughed at your words whilst retracting his stick, “no but i like it crispy, chocolate melts easier with it.” the two of you had a long day, training with new campers and helping them settle in with luke. even if you didn’t have to, solving a dispute with the ares kids. and even solving the mystery of the stolen shoes. percy had been in the infirmary as a punishment for being out later than usual and accidentally falling from a tree.
he was trying to make sure you were safe in your cabin.
he’d been annoying the apollo kids into letting him out early and at some point they couldn’t take it anymore so they let him go. coming to see you, he didn’t expect to find you sitting next to harry, sharing a marshmallow. of course most people would just see it as a normal sharing but for percy? he wanted to drown the boy. who does he think he is? making a move on his girlfriend just because he’s in the infirmary?
“y/n.” his stern voice drew you from your conversation as you got up, “perce! you’re okay!” you smiled as you walked over to him, percy’s eyes were still trained on the kid. “perce?” you waved your hand in front of his face as percy grabbed a hold of your wrist and pulled you along, “what the hell? if you want me to come with you then just say so!” you were infront of his cabin now and he did not look happy, “i’m stuck in the infirmary and instead of coming to visit me, you’re hanging out with him?” his voice was filled with disgust, as your expression screamed puzzled.
“i was the first person who visited you! straight away, but you were unconscious for hours! there’s no point in me sitting there, since it’s not going to help you. so i got out of the way and let them do their work. my world doesn’t stop spinning because you’re not there percy.” you were too busy looking at him, his curling fists going unnoticed.
“i’m your boyfriend, not him. i don’t want to see you around him.” your hand slapped over your mouth as you laughed, from far away you might’ve seemed insane. your hands clutched your head, then abdomen as you laughed, “ahaha! oh my god! you’re crazy! you don’t own me, nor control me percy. if you want to be my boyfriend, you need to learn that i am my own person. when you change your attitude, then come back to me.” you walked away from him, before turning around.
“and until then i’m not sleeping here.” you ran inside to pick up your clothes and bag as percy stood in the doorway, “are you serious?” you clutched all of your belongings, as if he’d try to steal them, “yes i am.” surprisingly he let you go, watching you walk back to your own cabin.
the rest of the night he spent thinking of how he could get you back in his grasp. capture the flag was tomorrow, and he had a plan to make you see just how much you needed him.
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tryslora · 1 month
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On Writing Combat and Sex Scenes
Today I want to talk about writing sex and combat (and no, I do not mean combative sex). This post is inspired by a few recent events:
Once, a long time ago, I read a blog post that said “if you can write a combat scene, you can write a sex scene” and that was mind-blowing for me because while I was well-versed in writing erotica, I couldn’t write combat to save my life.
More recently, at Boskone, I participated on a panel about writing combat, and the research involved there-in.
Even more recently, I had someone look at me say, “You’re not a gay guy. How do you write gay sex scenes?”
So. Let’s begin.
I get it—sex and combat aren’t interchangeable. But at their core, they have some strong similarities which can be leveraged while writing. Both are intense, high drama, and can involve a lot of anxiety and quick thought. Both tend to narrow focus down to the moment and the current feeling and action. Both are heightened emotion and physical reaction. Both can involve actions that lie outside the author’s personal experience.
I started writing erotica when I was a freshman in college. I posted it online (does anyone remember rec.arts.erotica?) and was surprised (and pleased) by the compliments I received. Turned out my readers were not expecting the idea of emotion being entangled in their erotica. They were invested emotionally in how the stories went, and how my characters felt. Since I was writing from the point of view that made sense to me at the time, they were het stories from a female perspective, and they were very focused on the emotional connections and how the physical events heightened those emotions.
Male readers were surprised by the intensity of the feelings that these stories gave them (as opposed to pure arousal). It got me thinking about how I wrote, and why I wrote, and I tried to talk about it some at the time. I was eighteen. I was still a new writer. The internet itself was new. I wasn’t entirely certain how to frame it, but I remember getting one comment where a guy was surprised at how struck he’d been by the moment in the scene where everything shuddered to a halt due to an event in the story that interrupted the action, and I replied that that was because I wasn’t writing about the sex. I was writing about the character’s reaction to the sex.
Which has always been how I write. At the time, that was my only tool: put myself in the character’s mind, and write what they feel. If that’s affection and attraction and physical reaction, write that. Tangle it up, and hope the reader feels that entanglement.
Now, fast forward several years, and take a little side trip onto a tangent wherein I learned something very important about writing craft.
I was reading Syne Mitchell’s End in Fire, I think it was, and I kept having panic attacks. Now, I did most of my reading late, often when I woke in the middle of the night due to stress, or just because my brain refused to rest. I was in a rough place in life in general, with a lot of external work stuff going on and very small children. I wasn’t sleeping well. And it took me some time to figure out why I was struggling to read a book which I actually loved (and when I read it later in life, I enjoyed it greatly).
It was the sentence structure.
In order to induce the emotion of the scene, the sentences were short. Sharp. Quick. There was no time for the reader to breathe, much like there was no time for the heroine to do anything but act. The reader was caught up in the rising tension, to the point where my anxious, sleep-deprived brain, caught a panic attack from it.
The technique was brilliant.
Now back to our original timeline, wherein I read a post about how if you can write combat, you can write sex scenes. This post assumed that more people felt comfortable writing violence than sex. I was the reverse. I’d been writing about sex for over a decade when I saw this post, and it made a light bulb go off in my brain.
If writing sex was like writing combat… was the reverse also true? Could I improve my skills at writing battles by analyzing what worked when I wrote erotica?
So I tried doing just that. Back then, I found combat overwhelming. There was so much going on, and I was trying so hard to write good description that I lost all of the intensity. I was focusing on everything that was going on at the same time.
Thinking about how sex scenes were all intense emotion and narrowed focus, I applied that to my combat scenes. I wrote only what the point of view character experienced, and tied everything to their actions and reactions. I thought about how they breathed, how they moved, how they thought. I used those short, sharp sentences as they processed the scene. 
That doesn’t mean I forgot about everything else going on in the scene. That’s impossible. After all, in any story the things the character doesn’t pay attention to might be as important as the things they do focus on. Stuff still happens, and there is still fallout. I needed to know what else was happening so that if the character moved from one place to another, or did something that put them in the path of a different part of the action, I could have them start processing it.
But it also meant that on the page, out of sight was out of mind. Everything narrowed down to the now. The immediacy. Suddenly my combat scenes snapped into focus.
During the panel at Boskone, all of the panelists had experience with different fighting styles (fencing, street combat, and of course, me with taekwondo). I spoke about how for me, that narrow focus is very real when I spar. I know there are some people who naturally see a move or two ahead while fighting; I don’t. I am stuck in act and react mode. Can I kick them now? Can I attempt a head shot? Oh, no, circle back and away or they’re going to hit me… that’s how my brain works during a sparring match.
It’s not like a total blackout—there should be a vague awareness of things around the character. Sounds in particular, or sometimes flashes of movement. Something distracting can catch the attention of the fighter, but the personal fight will always pull the character back.
Combat feels easy when I’m writing like that.
Of course, there’s still the question of writing about something if I’ve never experienced it. As someone did point out to me: I am not a gay man, so how does that affect writing sex scenes? I’ve also never fought with a sword. Brawled. Fought from horseback. I have, however, held a blade, shot a gun, shot an arrow, rode a horse. I have a vague idea of how these things work, much like I have a working knowledge of sex in general.
So yes, research gets involved. Sometimes research is observational, sometimes it’s reading (there’s so much good stuff out there). I highly recommend video for combat scenes—find things that have the feel that you’re going for, then put yourself in the place of the character you want to write about. Practice. Work through the ideas of how things fit together, and what your character will (and will not!) know during the fight.
If you need to, stand up and block the scene by thinking about how you would experience it. What can you see, and what is out of sight? If someone is coming at you with a blade, what are your options? How do height differences affect you? Yes, I have asked friends and husband to help me block scenes. 
“Stand right there and show me what it looks like if you punch me. Okay, so if I do this then…” Yeah. It’s a thing. But it works.
When doing your research, remember that movie fighting (and hell, movie sex scenes) isn’t realistic. It’s meant to look good. For combat, if you can find re-enactments, or sparring videos, I highly recommend taking a look at those. 
Anyway, the point is: I don’t have to have shot someone, and I don’t have to have had gay sex in order to write about them. What I do need to know is how it feels emotionally to do those things, and I can extrapolate that from what I do know. I need to know enough about the details so I can get it right, and that’s where research will help me. Also, use language to create emotion. Because emotions are where we grab the reader, and how we pull them into the scene.
Combat and sex aren’t so different when it comes to writing, and the personal experience. Now, go forth and write!
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