#once i color the sketches digitally i’ll post them i’ve got so many of them | Explore Tumblr Posts and Blogs

phoenotopia · 4 years

Text

2020 July Update

Things have gone slowly... again.

The good news is that the game is now submitted to the console "authority" and it's entirely off my hands. Once it gets through the console "checking" process, it can get a release date and we can sprint towards release. Until then, it'd be at least a month's wait or more until I hear anything. Understandably, their checking process is impacted by Corona, so wait times are increased.

On my end, I was also slow to submit the game. I submitted it late late June, since I ended up spending 7 weeks fixing bugs (and not 2-3 weeks like I estimated in the last blog post). There were just SO many bugs - now squished, thankfully. Since this is a blog post, I'll talk about what kind of bugs I've been fixing.

The other thing that slowed down the submission process was simply due to unfamiliarity with how these submissions proceed. There were pages and pages of stuff to read, guidelines to follow, and legalese to wade through. It really made me wish I had a publisher to guide me through the process. But I was able to clear it with a couple days work. I had an impression that the submission process went like A->B->C->D, with no room for concurrency. Turns out I could have done steps B & C at the same time and sped things up by 2 weeks... So that's that. I'm taking that as a lesson for next time.

The Console Revealed

What is this console that I talk about so stealthily? So that this blog update isn't completely unexciting, I'll reveal which console I've been working on until now. Drumroll please!

It's Switch!

We actually got the Switch dev kit in late 2017. From my understanding, around this time in the USA, the Switch kit was quite hard to get for indies as it was just starting out and high in demand. So I was surprised that my application got approved. I didn't know it then, but the game would still need a few more years of development...

Tweaking performance and fixing bugs

Here you can see my "expert" playtest setup. Since the Switch is more powerful while docked, I needed to playtest it in handheld mode, so I could catch and profile any problem areas where the framerate was unsteady. The most common thing that caused framerate drops were areas that went overboard with lighting. For these areas, I'd tweak or swap out the lights with alternatives that looked similar while also being less computationally intensive. Maintaining 60 FPS is a must!

An old camera (Nikon D3100) trained at the screen recorded my playthrough and would let me rewind to any moment a bug occurred. It could only record in 10 minute chunks, so I'd have to repeatedly repress the record button. On the plus side, because it's so old the movie file sizes were small and convenient.

The number one bug that I tracked and fixed in the past two months was what I dub the "Gear Ring De-equip" bug. The Gear Ring functions as customizable shortcut keys for the player to map items and tools (see an old video demonstration HERE). Through regular use of the inventory, somehow the equipped items on the Gear Ring would be de-equipped. It was an elusive bug since the de-equip event would happen very quietly and you would only suspect something had gone wrong much later. By then, the trail had gone cold and you weren't sure if a de-equip had actually occurred or if the player had simply de-equipped the item themselves. Two other playtesters noted that something left the Gear Ring in their playthrough, but I dismissed them. "Are you sure you didn't just de-equip it yourself?" It was a bug that bred mistrust and discord. I didn't truly believe it until it happened to me...

Luckily, with the camera setup, I was finally able to track it. In the literal 67th video, I caught a live instance of the bug occurring. After which, it was all too easy to recreate the exact same inventory and gear ring setup and replicate it.

(With this exact item layout, combine the 2nd item with the 14th item... and viola! Gear Ring de-equip!)

After fixing this bug, I then proceeded to fix it 5 more times. Every time I fixed it, it would later reappear through a different mechanism.

Why do bugs like this happen? Underneath, there are two lists of items. Tools on the right and items on the left. Items can occur multiple times because they're consumable. Both lists start counting their indexes with the value 0. However, both items and tools co-exist on the gear ring. So to uniquely identify an entry you need both the item ID and the data index. Failure to check both data types resulted in bugs like the Gear Ring de-equip. Now throw in a bunch of item operations that can confuse the system. You can split items, combine items, swap items, or discard items. The more freedom you allow, the more ways there are for the system to trip up.

If you didn't get all that, that's alright. It was needlessly complicated. Imagine doing more and better and with less code and less bugs! Such a thing is possible if you start with the right design. I'm definitely taking notes here on how to design inventory systems for next time. In the meanwhile, I'm very confident I've squished all inventory related bugs.

Other bugs squashed and features implemented in the past 2 months include the end game arts not unlocking properly, collection percentages climbing beyond 100, stray doors floating in the sky, low HP sfx blaring when loading different files, balance tweaks on bosses, a max HP display when the menu is open - too many to count really! It was only after I fixed them all that I was confident enough to move forward with submitting the game. I apologize for the delay this will cause!

PC version back in progress

You may recall in the March 2020 update I talk about how in pursuing the Switch version, I unwittingly ruined the PC version. Well, since the game is "done" now and I'm waiting for it to go through the checking process, I've started working to reclaim the PC version.

And there is some good news to report. The PC version can compile again! Of course, it will need to have some work done, since it was late 2017 when I last had a functioning PC build.

The opening menu is broken, the underlying save file system needs to be updated, and the controls... oh Lord, the controls. Controls were probably the #1 factor in pushing me to pursue a console version first. There are just so many controller options. Even just the usual suspects are numerous: Xbox, Nintendo, Sony, Logitech, Hori, 8Bitdo, Steam...

One of the number one complaints received regarding the flash game (which was keyboard primarily) was that I didn't allow controller rebinding to start. It was then that I learned of the vast array of different keyboard types.

(Ever heard of an Azerty keyboard?)

I shan't make the same mistake twice! One of the things I'll definitely tackle is the Right/Left face button feud when it comes to which should one should be 'confirm' and which one is 'cancel'. I want to allow the player to choose which is their "YES" and "NO" preference and allow that to overlap other actions like Attack or Jump.

Even after control bindings are taken care of, some things just won't translate well. The right control stick is currently used to access the gear ring and for fishing. Keyboards have no right stick. Aiming the crossbow with a full 360 degrees of range is done with the left control stick - if keyboard only, would the crossbow simply be locked to the 8 cardinal directions? What about those tutorial prompts with button graphics (e.g. "Press 'B' to Jump"). If using the playstation controller, it'd need to be the CROSS symbol. How many button graphics are we gonna load into the text module? What if the player, mid-playthrough, decides to swap out controllers? Indeed, there are many issues to tackle where controls are concerned...

Perhaps I'm overthinking it because even some AAA games get this wrong (Dark Souls has 'B' as 'Yes' on Switch, and it's not remappable, which I find quite annoying). I've seen games on consoles where the controls wouldn't mention the console's controller at all but instead mention a mouse and keyboard. Or, if you remapped the controls, the tutorial prompts still showed the old control bindings, making for a confusing experience. I definitely want to do the controls justice, so this will take some time.

Phoenotopia DISCORD Channels

Ryan and Firana have been running a Phoenotopia discord since late 2017, which I promoted on this blog once. It's been a couple years and it turns out that the old discord link I promoted expired. It's long overdue, but their channel could use another shoutout. Here's their channel : https://discord.gg/cnjrYST

Also, Khalid recently reached out to me about creating a Phoenotopia discord as well. I see no reason why we can't have 2 or more discords, so he has created that one with my blessing as well. You can find his discord here : https://discord.gg/cfnsCwy

I personally don't use Discords, since I'm very busy and there's too much new tech to keep up with. I hear there's a Tik Tok now? Should I create a Tik Tok for Phoenotopia? Hmmm...

Anyway, if you'd like to chat with other people who are similarly enthused for Phoenotopia, do check them out!

Fan Arts

We have five new fanart submissions this time around from regulars and new alike.

Cody G. returns with this pair of sketches of Gail. One seeks to answer the question, "how is Gail so strong?" Cody's answer is that under her sleeves she's actually really buff! This might be the most ripped rendition of Gail yet. Also, in the right drawing, the letter 'E' kinda melds with her bat, making it look like a keyblade!

What if Gale was a Shrek character? A new artist, Samu Kajin, from tumblr answers that question with a rendition of Gail sporting ogre style antennae. Samu Kajin says she can be called "Gaek" or "Shrale". I like the poncho!

Shafiyahh returns with a pretty portrait of Gail. Unlike their previous digital pieces, this one was made with color pencils! I like how her hair blends pink and purple colors together, and this pattern is also present in the eyes. Reminds me of a certain character. And the eyes are so sparkly despite using color pencils! Major props!

Negativus Core also returns with this relevant image of Gail, masked and running, presumably from Corona. It gave me quite a chuckle! I like the angle and tilt of this run pose because you can see the sole of her foot - that's how you know she's at full sprint! A skillful blur localized to her left foot show's just the right amount of motion. Gotta love the robot's expression too!

A rare 3D art has emerged. Dany Q crafted this adorable figure of Gail that is as cute as a button! I like how well it translates the pixel character over to 3D, capturing the 3 stitches on her shirt and even catching her stray strand of hair. It kinda reminds me of a Wallace and Gromit character, so I can picture it moving and animating in that unique claymation style.

Next Time

I'm ~80% confident we can clear the Switch console checking process and drop the trailer with a release date before the next blog post. But once again, if things go slowly, you'll hear from us in 2 months...

57 notes · View notes

m-ziliak · 4 years

Note

Do you have certain materials you prefer? Like a certain type of paper, pens, etc.?

If you’re practicing, use the cheap crap! Use printer paper and ballpoint pens and RoseArt and Reeves! Always practice with the cheap stuff and save the good quality materials for when you know what you’re doing. For stuff I prefer for myself now... Paper. When working in sketchbooks I really like Canson Mix Media. It has some tooth to it and I really like that. I also work a lot with markers and it holds up to them really well. I have Strathmore Mixed Media books, too, but they’re really smooth and I’m not very fond of that. Seems like it would be better for blending, but I always feel like the pencil or ink is going to smear or feather. For comic book paper I really like Canson as well. Doesn’t bleed, doesn’t feather, I just wish it had some more layout markers. (Though I can just do that with a ruler.) Pencils! Been using Prismacolor Col-Erase for a long while now, usually in Light Blue and Carmine Red. Please note that Carmine Red doesn’t erase well and is kinda a pain in the butt. I used to draw in Non-Photo Blue, but it was too light when I was inking and I’d have a hard time seeing my sketch and scanners would still pick it up. If I’m doing warm-ups, thumbnails, or just sketches I’ll use anything. Normal pencils, ball-point pens. Anything. Pens. For inking I usually go for Sakura Micron. Comes in a bunch of sizes and I go through them like candy. They can handle a decent amount of work, have pretty durable nibs as long as you’re not stabbing the paper. I also like their brush pens for filling in. I used to use Copics as well for inking, but they were too expensive to upkeep and I didn’t really like how they felt. (I had the metal ones that you could refill. Heavy pens.) I also used to use Stabilo and I kinda hated them. Did my first comic with them and it looks like shit. Feels like holding a pencil, though. I might try them again now that I know how to use pens better, but for now I’ll stick with Sakura. Oh! I also use Sakura Gelly Roll for white ink, but I’m not super fond of it. I just need it for fixing mistakes. I’ll look for a better white ink pen later. Markers! If you wanna get into markers, use Ohuhu. They’re cheap, they dry out in a year, and they come in a ton of colors. Good to practice with. Right now I use Copic Sketch and I like them a lot. I have some that have dried out too soon, so I might try to revive them again, but overall I like them. They blend nicely, they don’t usually feather or bleed too bad, they come in a verity of colors. I like them. I’ve also used Faber-Castell, they’re okay. I’m not really fond of them. They never seem to dry out which is nice. Don’t blend very well, but that may just be me. Sharpie I hate. Never got the hang of them. Hate the smell, hate the colors, I don’t like Sharpie. I know other people that can make them work, though, so that’s definitely me. Other art stuff! I use Mod Podge to glue things, usually paper to whatever I messed up on so I can re-draw it. Bad idea. don’t use Mod Podge to glue things. Coloring over it will also make it look weird. Get a quark-back metal ruler. Keeps the ruler from slipping around. I have a cheap glove-thing I got for free when I bought a tablet to cover my hand and keep me from smearing stuff. I used to have a SmudgeGuard brand one, but the elastic gave out on it and for some reason the woman who ran the store didn’t believe I had small hands so she sent me the wrong size with a letter that an adult can’t have hands that size. I may try to sew my own one day. But it does keep the pencil and whatnot from getting messy. Computer stuff?? For taking photos and posting them to Insta, I use SnapSeed for fixing contrast and white-balance issues and LINE Camera for editing out stuff like eraser dust or little things like that. For digital art I use Photoshop CS6 and a really out-of-date version of GIMP. Like, so old. Super old. I don’t actually have a scanner and haven’t for a long time now, so I can’t really do any digital art. I’d like to get back into it, but I’m also VERY rusty. I never draw digitally and I should really try to get better at that. I want to try out Clip Studio Paint, but that’s a bit expensive for something I don’t know if I’ll like so maybe I’ll use their free trial. Drawing tablets I’ve used have been a Wacom Graphire3. From 2004. It was a good little tablet until it died. I have a little Wacom Intuos. It has a giant scratch on the surface, but it works fine. If I do any digital art, I usually do it with that. I also have a Huion Kamvas GT156HD. I hate it. It worked properly once and never again. The wires are a pain in the ass, setting it up is even MORE of a pain in the ass. It’s constantly running in the background for no reason, the pens can’t hold a charge, and it freaks out if you have drivers for other tablets installed. No matter how many times I uninstall and reinstall drivers it never works right. It’s a pain to change pen settings, I just hate it. Haven’t used it for two years or so, it was a huge waste of money.

#Anonymous

3 notes · View notes

minyoongleschimjoongles · 5 years

Text

Preordained: Introductions V

When Zara Met Seokjin

Pairing(s):Poly!BTSxOC, Sub!BTSxOC,

Warnings: Implied sexual situations, Mentions of sexual situations, implications of Dom/sub relationships

Notes: This might have been the Introduction that I had the most trouble with, because it’s the chapter where the AU-ness of Preordained really starts to come in.

Intro: Taehyung, Jungkook, Yoongi, Namjoon

The addition of Namjoon immediately eased most of the tensions between the boys. He was a natural leader, excellent at talking things out, and his instinct to sort out the arguments to spare Zara the stress was strong.

He also expressed the need for the guys to get to know each other better outside of being Zara’s Soulmates, because that would help ease the friction between everyone.

Zara’s grades, which had suffered under the stress, quickly returned to normal, and Namjoon’s intelligence also inspired Zara to actually focus on school again instead of wasting all her time with her menagerie of beautiful boys.

At this moment, she sat in her painting class, wondering why, exactly, the film class that was normally the next room over was crowded in with the rest of them. The easels an stools had been pushed against one wall, leaving as much room as possible for people to stand. Zara, always early for class, had hoisted herself up onto the only fixed counter top in the room, crossing her legs under her.

When the teachers had done a mental headcount of their students and assured that most, if not all of them were there, they called for attention.

“Good morning, everyone,” Mr. Lee, the film professor, clapped his hands twice. “I know you’re all wondering what’s going on here today. Well, I’ll tell you. Ms. Do and I have always combined our classes when it’s time to start thinking of final projects.” He paused for the groans as the students realized what was happening. “Yes, that’s right, you’re going to have partners, but we’ll get into that later. Right now, we want to explain what the projects are. For my students, you’re going to be making a Youtube channel! You can do whatever you want for your channel, any subject at all. My only stipulation is that your partner must be included in some way. Your partner is your Muse, so to speak. This is why Ms. Do and I have lovingly named this The Muse Project. For my students, the final presentation of the Youtube channel is worth 30% of your grade, and the painting students will get extra credit on their own final projects.”

“Now,” Ms. Do took over, “the project for my students is, of course, an art show, though not a normal one. Instead of canvas paintings, the pieces displayed in the end-of-semester art show will be digital photographs of paintings done on your partner’s body. Your partner is your canvas, and your Muse. The art show is worth 30% of your grade, and the film students will get extra credit on their final, as well. We will now tell you who your partner is, so please listen carefully. Afterwards, you’re free to leave and get to know your partner.”

There was nervous chatter as people started looking around, wondering who exactly their partner would be. Zara sat up straighter in her spot, ears straining to hear the names being called over the talking.

“Underhill Zara and Kim Seokjin.”

A ridiculously handsome young man with an obscenely white, straight smile raised his head, scanning the crowd for the student with the obviously American name. When he caught Zara’s green eyes, she waved a hand in greeting and he started to make his way through the other students towards her. He held a Canon Powershot in his hands like it was a lifeline, already recording. Already, Zara’s mind was filled with ideas for the paintings she’d have to do on this Kim Seokjin.

When he stopped in front of her, his blinding smile widened.

“I got an American! That’ll be interesting for a video subject.”

Without missing a beat, Zara said, “Maybe I’m Canadian.”

His smile dropped a fraction, startled.

“Oh..”

Zara snorted and smiled at him. “I’m just kidding, Kim Seokjin.”

He let out a slow breath, the smile returning.

“That was mean, Underwood Zara.”

“I’m sorry, I’m sorry! You were recording and I couldn’t resist.”

Jin nodded, pointing the camera at her.

“Say hello to the world, Zara.”

“Hello to the world, Zara.”

Jin grinned and turned the camera on himself again.

“My partner Zara is apparently a comedy genius. So, Zara, how old are you?”

Zara hopped off the table, taking this question in stride. In America, people found it inappropriate to ask someone’s age, but in Korea, Zara found it was one of the first things people asked.

“I was born October 12, 1995.”

Jin’s face lit up, keeping stride with Zara as she left the classroom. “Ah, I’m your Oppa! I was born December 4, 1992.”

Zara nodded, “Don’t be surprised if I forget to use the Oppa title. Two of my Soulmates so far are older than me and I drop the title all the time.”

Jin almost fumbled the camera as he did his double take. “Did you say two Soulmates?”

Zara let a frustrated little sigh. “Yeah, I have Seven, but I’ve only found four so far. I know, I know, I’m a freak.”

“No, no! I don’t think you’re a freak! But...maybe we should cut this part out of the video, it’s so personal.”

“I’d appreciate that.”

Jin nodded, and as the two of them continued to walk, Jin continued asking Zara questions. His intentions for this first video was a vlog-style, get-to-know-each-other kind of thing.

“So, I’m warning you right now, there might be a lot of boys in here.”

Zara and Jin stood outside her dorm room, Zara preparing to open the door.

“Thanks for the heads up,” Jin nodded, “Go ahead and open it, Zara.”

“Well, you can’t show everyone the passcode to my dorm, Seokjin-oppa,” She grabbed his wrist to turn the camera away from her keypad, and immediately felt the tug on her wrist. The angle she’d managed to get the camera to before realizing Kim Seokjin was one of the Seven showed both of their faces in the shot.

Upon editing that particular bit of footage, Jin would lament the way his handsome face reddened, eyes wide and jaw dropped. Though he’d file Zara’s face away in his memory, knowing her soft smile and twinkling green eyes would lift his spirits for the rest of his days.

“Oh.” Jin said. Zara released his wrist. “Well, this is an interesting plot twist to the video.”

xXx

The boys welcomed Jin in immediately, absorbing him into the group with no complaints. Several of Jin’s videos had already been posted, including the now viral first video, “Finding My Soulmate.”

People just loved watching Soulmates come together.

Zara was always the main focus of Jin’s videos, but the rest of Zara’s Soulmates were inevitably involved as well. Jin’s favorite videos to film were standard vlogs, chronicling his new life with Zara and her Soulmates. He’d even given Zara a camera of her own so that she could film when he was in his own class and Zara, ever the accommodating Soulmate, performed this task dutifully.

Of his classmates’ channels, Jin’s channel was the most popular. Zara had a feeling that it had something to do with the many handsome boys that were featured in it, but she never brought it up. Whatever the reason, Jin’s fan base saw a massive increase in the first month.

Today’s video was the first day that Zara would be painting on his body, so he lay on the floor of her dorm, his arms pillowing his head and his camera recording everything. Zara was already astride his legs, though she didn’t seem to know yet what she wanted to do yet. Her fingers were tracing along his spine, though, and it was starting to put him to sleep.

“Seokjin-oppa,” Zara leaned forward and pressed slow, open-mouthed kisses against his back, and a pleased, tired rumble vibrated through him.

“Zara,” he warned, though there was no actual bite to his voice, “We’re filming a painting video, not an accidental sex tape.”

She was still kissing him, and he felt her smile against his skin. The blatant flirtation between them was certainly on purpose, Jin having noticed subscribers reacted well to it. “Who said anything about accidental?”

Another rumble, and Zara laughed, sitting up and pulling the paints she’d set aside closer. She’d had to go out and buy a supply of body paints for this project, not willing to risk damaging Jin’s beautiful skin with her acrylics.

Without opening his eyes, Jin asked, “What did you decide on?”

“I was thinking we’d go right into the difficult stuff, oppa. A big galaxy, yeah?” She traced an image across the planes of his back with her pointer finger, relishing in the goosebumps that rose up.

“Mm-hmm,” Jin really was falling asleep under her ministrations.

She took the black paint and sketched out a few abstract shapes on his back, feeling him shiver once or twice at the temperature of it. Once that was done, she began to fill in the spaces, first with black, then with the many colors of space. Each stroke of the brush lulled Jin further into dream land. It wasn’t until he felt a hand squeezing his ass that he jolted into alertness.

“That,” he said, “doesn’t feel like paint.”

“You caught me,” Zara laughed, laying next to him and showing him the photo of his back. It looked like she had painlessly ripped his skin open to reveal not muscle and organs beneath, but an explosion of color, pinks and blues and purples stretching across his back.

Zara watched him as he stared at the photograph. His jaw was dropped in awe, his eyes soft.

“Well?”

“It’s beautiful, Zara.” Conscious of the still-wet paint on his back, Jin threw his left arm around Zara’s waist to tuck her into his side. “Anything you draw is beautiful.”

“It’s not hard to create something beautiful when works of art like you are sharing my bed at night.” She gestured to the still-rolling camera, “People worldwide call you handsome.”

“Well, obviously,” Jin gave her a smirk, “It was only a matter of time before people realized how truly beautiful I am.”

“You’re not at all conceited,” Zara teased, kissing his jaw. “Now turn off the camera, before we really do make an accidental sex tape.”

@babyboytae1 @snowythellama @bewitch3dforivar

81 notes · View notes

comicteaparty · 4 years

Text

June 13th-June 19th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from June 13th, 2020 to June 19th, 2020. The chat focused on the following question:

What is your physical and digital workspace like when you’re working on your story?

🌈ERROR404 🌈

LOL it really depends on what stage I'm in of the process - My storyboarding space is at home, as comfortable as I can be, a beer and some food at the ready and pure silence. The cats have to be freshly fed, otherwise I'll be harassed and lose my headspace entirely LOL. I usually work on my story boards digitally, just at a very small scale, with my script/outline on my computer and working on my ipad! The double screen helps a LOT, although i would just print out the script if I had access to a printer, haha. When I'm working on the actual page itself, it's a very different story. I usually just try and work on it in tiny little batches during the day when I'm stuck at home, and usually work around the animals as best i can, lmao. Truthfully, I really prefer to be in a coffee shop when I'm working on finishing pages, it makes me so much more productive than i am in this house with so many things to take care of right in front of me, but, obviously, that's a bit difficult to do these days. ;; I usually reserve food and drink until after I pass a milestone in inking/sketching to help motivate me to keep going for as much as I can before taking a break, and I need some kind of music or video playing in the background to keep myself from being absolutely bored out of my mind. My shading process, since it's in black and white, is very easy and i can finish it in one setting, easy, no matter what I'm working with. I also work digitally for my pages, of course, although I don't need more than my ipad and clip studio for it!

DaeofthePast

freshly fed cats

🌈ERROR404 🌈

They are BEASTS when hungry, the little bastards (love them)

I may only work in peace when they're post-food napping lmao

DaeofthePast

we only have one, but same

LadyLazuli (Phantomarine)

I work almost entirely in the corner of my IKEA couch at home I used to work at a proper desk with a Cintiq, but when I switched to Procreate on an iPad, I migrated to the couch and surrounded myself with a nest of clothes and blankets and books and... here I am, bein' cozy. With terrible posture But when I was between jobs last year, I did rent a little coworking space down the street so I could get out of my pajamas and go get comic stuff done there. It was a godsend. I like drawing at my favorite coffee shop every so often too, but I tend to hide my work while I draw, and there, everyone can look over my shoulder The coworking space had a tall artist desk that was rarely used, so I often grabbed that one. Not cheap, but to stave off cabin fever, heck yes, worth it.

🌈ERROR404 🌈

Ahhh I've been really thinking about getting a studio space one of these days I really shouldn't rn, with my finances as they are, but I could REALLY make use of one recently

LadyLazuli (Phantomarine)

I loved the space I used last year. They recently had to close for... current-event reasons... and are going to reopen with all sorts of plexiglass barriers between the desks I feel so bad for them. Good studio spaces are wonderful, I would support them again if I ever was out of a job!

🌈ERROR404 🌈

it's good they've found ways to make it safer, though!

carcarchu

My old workspace was in the basement of my home in canada and it was always perpetually freezing even in the summer and i was frequently visited by spiders so my current workspace is a huge improvement in that regard. I do miss my old ergonomic desk chair though. I'm definitely not the kind of person who can draw in bed or on the couch. I need to be in workmode and having a designated space just for that is necessary for me to get in the right headspace for that.

DaeofthePast

my workspace rn is just my desk with my laptop and my drawing tablet. my laptop is stacked on top of a pile of books so i can see the screen (otherwise my tablet blocks my line of sight). it's kinda simple

chalcara [Nyx+Nyssa]

Depends. I have a Cintiq Mobile Studio, so I can draw pretty much every where and sometimes in the oddest position, but most of the time I am on my desk with the cintiq hooked up to a second monitor so I don't have to look down so much.(edited)

Holmeaa - working on WAYFINDERS

For Wayfinders: Thumbnails are somewhere cozy and the only physical work. Me and Q sit and plan them out together. The rest of wayfinders are made on Photoshop, and flat colors in clip paint studio. In the world I would love a nice studio place in an office with others. During corentine I have been working from home, and I am not that good at it, being quite the extrovert. Before corentine I was in a artist residency where I worked on Wayfinders which had a workstation and all the programs we could need. It is so nice and me and Q are going to return there when it opens up again!

Miranda

I have an iPad so usually on the couch, cozied up with coffee and pillows and blankets. But sometimes at the table. But usually on the couch like the gremlin I am

FeatherNotes(Krispy)

I have a large drafting table, a mini drafting table, and a lapdesk in my papasan when we ink/draw! Toning and letters are all done on the desktop in its own space

Miranda

I need to get a good lap desk. But that sounds like a grand setup!

Eightfish (Puppeteer)

My first time hearing about a lapdesk

Omg I need one

FeatherNotes(Krispy)

They are the best things ever Mine has just the pencil holder !(some come with cup holders and its a waste of space imo)

Joichi [Hybrid Dolls]

Wow I like your setup of the drafting tables

FeatherNotes(Krispy)

I wanna show pics of them....if im allowed in this chat?

Joichi [Hybrid Dolls]

I hope so, I'm not sure which channel we can post studio photos at? I did see some did before?

FeatherNotes(Krispy)

Ill post in shop talk since creator babble gets archived

Tuyetnhi (Only In Your Dreams!)

my current space is uh.... a bit better than my last one. I used to work on an old writers desk for a decade and I did most of my comic work sitting there cramped up with my desktop taking most of the space. Now I have an L shaped desk where I have my desktop on the shorter end. The longer end it's my pen, pencils, and watercolor stuff. my display tablet occupy the space at times so switching from digital and traditional without worrying about setup hassle is a lot better than what I dealt with before lol.

I'm glad the days I had to curl up and draw with no privacy are long gone now

kayotics

I’ve got a little drafting table where I draw all my comic pages. I’m messy with my pens so they’re kind of strewn about until I start to lose them. Then I put them back. I’m not particularly neat. I spend most of the comic process off the computer, so most of my digital work is just on an iPad where I can sit anywhere. I try to keep good lighting around my drafting table and there’s always loose eraser shavings all over.

Natasha Berlin (Pot of Gold)

I got myself a lil corner desk by the dining table. Not as well-lit as I'd like, but it's decently ergonomic and I started putting posters on my wall Plus I can leave work mindset easily by turning off my computer and forgetting about the dark corner in the dining room XD(edited)

sssfrs (JOE IS DEAD)

My desk is really sloppy and covered in all kinds of junk. I have a harmonica, a ball of yarn, a bunch of ink bottles, etc on my desk. I have my sketchbook under my tablet and usually a notebook somewhere for writing. My tablet sits to the right of my laptop (on top of sketchbook) while I'm not using it and when I'm using it it goes over my computer keyboard. I sometimes have a glass of water or some food sitting to the lefthand side

Eightfish (Puppeteer)

The only thing I wanna share about my workspace is this

once i spent over three hours looking for that damned pen

never again

🌈ERROR404 🌈

Ajkdhfkjs the models for hte magazine im crying

Cronaj (Whispers of the Past)

Oh my God

shadowhood (SunnyxRain)

mad giggling

Deo101 [Millennium]

youre gonna manage to lose the string

Tuyetnhi (Only In Your Dreams!)

omg

Eightfish (Puppeteer)

i know in my heart deo is right but still i hope

Cronaj (Whispers of the Past)

You should weld a metal chain to it

Eightfish (Puppeteer)

Watch me lose the whole tablet

Cronaj (Whispers of the Past)

Oh nooo

I believe in you!

TaliePlume

My workspace is a black table with a white, yellow, blue and green tablecloth with 3 black chairs. It's next to the kitchen. On it, is my laptop and the left side is my clipboard, 3 blue folders full of writing. Then above it, is 3 sketchbooks and another blue folder from a class that I took in community college.

June 16, 2020

sagaholmgaard

I have one long desk at almost three meters. On the left side is all my coffee and tea supplies, in the middle is my work space and on the right is my dining table xD I get everything done from there, despite having a mobilestudio so I COULD sit anywhere and work, lol. It's a blessing during holiday seasons to be able to bring it everywhere, but at some I like my designated working space. Although I am moving in a few weeks, so who knows what my new workspace will be

Moral_Gutpunch

My workspace is anywhere I can draw or write. It's more of a "Will I be interrupted over something petty or stupid" issue than space. Not that I don't want more space.

Mitzi (Trophallaxis)

My workspace is a big, broken corner desk I managed to lug out of an old apartment when it was gonna be trashed. Before then, I'd just draw in bed. I don't remember, but I'm pretty sure the folding chair I sit at is a similar affair. It's got a Dollar General throw pillow on it so I can at least say I'm trying to save my back. The top of the desk is a mess of mostly old bottles and cans, pencils, incense ash, and my old tarot deck. I love this setup dearly. This is the first time I've ever had my own desk space, much less a space I can decorate or leave as messy as I want. Got my own art up on the walls with sticky tack and all! Also the cat's scratching post is directly behind me, because we've learned the cat won't use it unless it's as in the way as possible. What can ya do, lol.

Cronaj (Whispers of the Past)

Oh cats...

Desnik

I got spoiled with an adjustable desk. It is six feet long, and has a whiteboard top for noodling with dry erase markers

my main computer is set up on an adjustable stand so it floats over the desk, and then I have my cintiq, which we tried to mount on a similar stand but then it was just too heavy

I keep my dice collection nearby because fidgeting helps think things through sometimes

and rolling to make odd decisions never hurts

lately during the quarantine I've been sharing the office with my spouse so we've had to establish rules over when it's okay to bug each other(edited)

oh yeah and we also have a whiteboard installed in the office, and it rules!(edited)

Shizamura 🌟 O Sarilho

Mine is pretty simple: I have a laptop that's long stopped being portable and is now mostly just sitting at my desk at all times and a 19 inch Ugee as my display. I usually keep a lot of stuff on top of my desk, but it's mostly just a mess because I have been using it for work too for a while now

Cronaj (Whispers of the Past)

I suppose I'll talk about my setup too :) My main setup is where I do digital art. I share an office with my SO, so we both have workspaces on opposite walls from each other. I work on a corner desk that holds my beefy computer, two monitors, and a Huion Kamvas GT-191. That's where I draw my comic and pretty much everything else done digitally. Ngl, it's a mess right now. I have comic notes and location floor plans in sketchbooks and DnD character sheets spread out all over the surface, and random pens and sticky notes. In the corner of the room, we have a nice large-format printer where I produce prints for conventions. I actually sketch my pages on an iPad pro in Procreate, so during the sketch phase, sometimes I'll just bundle up on my couch and do it, or before quarantine, sometimes I'd sketch on the go. My other workspace (which hasn't gotten much love as of late tbh) is a drafting table in the corner of our living room. I keep a tabletop easel on it and my Copic markers, as well as whatever I'm working on at the moment. (RN it's some ink washes.) The drawers hold all my ink, pencils, erasers, etc. Next to the drafting table is where I keep all my large charcoal, graphite, and oil pastel drawings (mostly school projects), and my large paintings. Other than that, I have a nifty little cart where I keep painting supplies :) I will say, this setup is by far an enormous improvement from my previous setups.

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #creator interview #comic creator interview #creator babble

1 note · View note

mysticsparklewings · 4 years

Photo

Draw This In Your Style!

Draw/Recreate This In Your Style, post the original art alongside it (on platforms that support it, elsewhere you can just link back to the original instead), and either tag it with #dtiySparkle or tag me, MysticSparkleWings (xxMysticWingsxx on Twitter) directly and I'll retweet/share/etc. it! No deadline, just create at your own pace!

____

You know, I constantly go back and forth on "celebrate milestones!" vs. "don't be that person that won't shut up about how many followers they have and the numbers and etc." Mostly because I usually find it annoying from other artists, even if I don't find the artist themselves annoying. It's complicated. I know it's important and in many cases helps grow a following further, but it also just gets exhausting, you know? Both to see it and to try to do it.

Still, I've been wanting to make a "Draw This In Your Style" (DTIYS) for a while now, but it didn't seem like the kind of thing to just do on a whim. It felt like there should be a reason for at least the first one, provided it went well enough to make me want to do more. I noticed a few weeks ago that I was approaching 1,000 followers on Twitter* and I saw an opportunity, knowing that 1. It would take me a while to finish the artwork (go big or go home, yes?) and 2. It would take a few days for the numbers to stabilize so that I would actually hold steady at 1,000+ and not be 1,000 one minute and 998 the next. (Followers go up and down like a see-saw over there)

*Thanks exclusively to Art Shares. I'm very sure I'd still have less than 100 if it weren't for those--and please don't be fooled by that number. 1,000 isn't teeny tiny, but in-depth interaction from a handful of people will always mean more to me than zero or minimal-at-best interaction from thousands/millions/etc, and frankly, my interaction over on Twitter is basically non-existent compared to the interaction I get here on dA, which precisely is why I prioritize dA over all other social media. It means more to me; it feels infinitely less passive.

But...I kinda didn't want that to be the only reason for the DTIYS. It just seemed...I don't know, cliche? Not right, somehow. Fortunately, the Twitter milestone happens to coincidence with I think I've finally stabilized around 300 followers on Instagram (after being stuck between 250 and 290 for months, consistently going up and down 2-3 people at a time), and I've also garnered over 400 watchers right here on dA.

The Twitter milestone is technically the biggest, but honestly, the dA one means a lot more to me. I thank each and everyone one of you, my fellow deviants, for thinking my art is worth the watch.

And I especially thank those of you--I'm sure you know who you are, I won't name names just in case anyone's not comfortable with that--that consistently fav and/or comment on my work. Your support and encouragement are why I keep doing this, despite the frustrations I may have along the way and aside from an innate need to create.

Speaking of which, if you're a loyal Sparkler I think now I'll get to the part you might know me best for; the long description of the artistic process!

Like I mentioned before, I noticed the milestone stuff a few weeks ago and thought now would be as good a time as any to get started on a DTIYS, so I started trying to brainstorm something that would be both fun for me to make and fun for others to recreate. I was having a little trouble on this front, so I took a trip to Pinterest and re-visited some boards I use to save potential draw ideas/inspiration on.

I was thinking I wanted to include a fairy since I've been wanting to get back into drawing them more regularly and fairies-via-Winx-Club is where I got my start here on dA and indirectly into getting more serious about my art in general. I was also thinking something with galaxies since those are usually fun to make and are a good way to make an otherwise plain or simple piece more interesting. I didn't want this to be too terribly complicated if I expected other people to draw it, but I also didn't want it to be too boring. And, of course, I was hoping for something I could lean into my mixed-media prowess with.

All that turned out to be quite the balancing act, but after some scrolling, I had some ideas and ended up with a sketch of a fairy in a teacup, with place-holder wings and a place-holder rose on the cup. The wings I knew would be easier to do the lines digitally (even if the final art was traditional, which I was planning on), and the rose I wanted to be slightly more sophisticated than my typical stencil-made roses, which I thought would also be easier to experiment with digitally. I was right on that front, thanks to some of the public domain images on PixaBay.

Beyond that, my original idea was fairly different from what you see here; I was thinking black hair, a fairly vampiric look, for the fairy, more typical butterfly wings, a red rose on the cup, and then an abstract galaxy wash, more watercolor-y and less saturated, for the background. And to be fair, that's still an interesting idea that I might return to at some point, but even as I worked on and finished the digital linework (fully planning to print them and then do what I wished with them traditionally, as has become a norm for me) something in the back of my mind told me that vision wasn't the right one; Not for this project, anyway.

Fortunately, I was a busy enough bee in between working on the lines for this that I partially had to step away from it to meet other time constraints and I could afford to step away from it and have some time to ponder what I wanted to do.

In my pondering, I kept coming back to the galaxy/constellation thing I've been experimenting with lately (Exhibits A, B, and C ). I hesitated at first since I knew for sure I didn't want to do the whole drawing that way and I wasn't entirely sure how to decided what to do with what.

Of course, after thinking about it a bit more, I decided I'd take a risk in doing the background and wings in the constellation style, and then somehow do the rest in a more traditional way. I'd have some more time to think about that while I was re-tooling the wings digitally for said constellation style, after having discovered that made life so much easier during my previous experiments with it.

I'd know from the beginning that I wanted to do metallic accents (most likely silver) on the cup and saucer, which in this case meant I'd need to use either watercolor or heavy-duty mixed media paper for them, and I definitely had to use watercolor paper for the wings/background. The mixed media will work for the galaxy technique, but the colors don't blend quite as nicely and I was concerned about how that might affect the overall look here.

Still, I didn't want to watercolor the fairy herself at least, which left me with a choice of alcohol markers or colored pencils. I was thinking pencils for the hair for texture, markers for the skin for the lack thereof. But I typically don't like using alcohol markers on watercolor paper. The additional texture feels too rough on the nib and it's almost like I can feel the paper soaking up extra ink.

I also thought that doing the background and the fairy on the same piece of paper was asking for a very big watercolor-y mess, so between that and the paper concerns, that led me eventually to deciding to split them up.

And somehow in there, the idea occurred to me that I could get a bit adventurous (read: crafty) and actually separate the various parts of the fairy and cup out a bit and not only solve my paper problem, but also makes things a little more interesting.

After yet more pondering (if you can say nothing else about my art, you cannot say it isn't well-pondered by the time it's finished!) I settled on having the layers as follows:

background/wings (watercolor paper)

back part of the saucer (mixed media paper)

the fairy (with her arm and bit of hair carefully plopped over the next layer; mixed media)

the cup (mixed media)

the front of the saucer (mixed media)

Or at least that was the plan, and if I discovered problems in this plan then I could adjust as necessary.

So I got to work on the background, which was fairly straight-forward. I layered on paint and blended to essentially my heart's content, and then let it dry overnight since it was getting late by the time I finished it, or rather the first layer. I came back to it the next day and layered on some more paint to fix some blending issues and darken the whole thing up some more.

While that second layer dried, I got to making the lines for the additional layers and cutting them out--uncolored for the time being, as I figured the layering would need to factor into that a bit--and setting how exactly they'd fit together. The only modifications to my plans I had to make, which I, fortunately, had the foresight to do while I was cutting, was to leave two little bumps at the "bottom" of the fairy (where her body meets the cup) so that she could sit probably as both in the cup but also with her hair and arm hanging over it. The little bumps were a sort of "grounding" behind the cup to hold the rest of her in place while the other pieces were wedged on top.

I hope that makes sense, it's a little hard to explain without seeing it for yourself.

Anyway. I'd also had the foresight to transfer an outline of the fairy and cup lines onto the background before I started painting, which helped with making sure everything was placed...semi-correctly...on the final piece.

I say semi correctly because despite my best efforts when I went to glue everything together it looked right in-person, but the digital scan would later reveal to me that in fact, the layered bits had all shifted slightly to the left and curved inward a bit more, like a right parathesis: ) But I'll come back to that in a minute.

Once I was convinced my layering gambit was going to work out, then I started toying with colors and ideas for the layers themselves. The clearest idea I had out of the gate was to do the rose in a galaxy style too, rather than just plain watercolor like I'd originally planned (teal for the leaf though because green wouldn't have fit with the rest of the palette and blue would've blended too well); either way, I figured it wouldn't pose much of a problem on the mixed media paper since it's such a small area. The biggest challenge would be the stars, but even then you could say the same thing: It's such a small area that star dispersion with a pen really wasn't that big of a challenge to make look convincingly like random star placement.

I went back and forth a bit on the other colors, but I ultimately decided that I liked the idea of soft purple skin and dark(ish) blue hair, maybe soft pink lips and a little blush, for the fairy herself. And I also decided to do a little warm-gray shading on the cup with markers, as opposed to just leaving it white.

The lips turned out so nicely I was tempted to try doing the blush with the same markers, but I have very mixed luck with marker blush (sometimes it blends nicely, other times I get a nice line despite my efforts), and so I decided to play it safe and do it later with pencils instead. Fortunately, the rest of the skin and the cup (both done with Copics specifically as that's where I most easily found the colors I needed) went nice and smoothly, as is the nature of markers on this mixed media paper. (Seriously; Strathmore 400 series Mixed Media works wonders with alcohol markers for layering and blending!!)

The hair was a little more complicated because of the color I was hoping for, but that didn't matter too much because half-way through I decided to change things up a bit and I added little bits of pink and purple into the mix, intentionally following the rest of the galaxy-ness of what I was doing. It's not much, but I think it was the right choice.

While I waited to make sure the cup was good and dry, I went to splatter town on the now-dry background, as was necessary for the galaxy look, and then used my phone to shine some extra light on the paper so I could see my lines and dots for the wings. And after giving the white gel pen a moment to dry, I then went back in with my PanPastel, as is custom, to make the wings glow. I have also now learned that a blending stump/tortillon is good for blending out the pastel in a tight space, while a dry paper towel or tissue works to semi-remove it if it goes on a bit too thick.

Everything, after drying, was then assembled and attached to the background with some handy-dandy tacky glue which was fortunately fairly quick-drying for liquid glue, stuck fairly well without me having to add a whole lot of it, and also not a sloppy glue mess everywhere.

I did have to carefully go back over some of my lines for the cup and hair after everything was assembled because I forgot to do so over the metallic paint and pencil wax before assembly, but it also worked out okay since a couple of corners for the hair got snipped a little short, so I could sort-of fix it by extended the corner on the paper underneath. (In hindsight this works a lot better in-person; on the undoctored scan the placement looks pretty off or incomplete)

And of course, with everything assembled, that brings me back to what I was saying about the scan earlier.

Like mentioned, everything had shifted a bit during placement and gluing, and I could more clearly see the lines I had missed in that process on the scan. Unfortunately for me, while in-person everything looks relativity fine, on the (undoctored) scan this shifting made the balance feel way off, at least to me. The fairy and cup were too far to the left, meanwhile, the ring wing stuck out too far on the bottom.

I fiddled and fiddled and fiddled with the scan, using the content-aware move tool half a dozen different ways before I conceded it just wasn't going to do what I wanted, and then my next-best idea was the extend the background to the left a bit. In doing that, I discovered the warp tool worked to my advantage for that, and so I decided I'd trying fiddling with it and see where it got me.

It's still not perfect, but it's better than it was. In the end, I used the warp tool to tweak the angle of each part of the wings and that made up for some of the balance problems without also compromising any of the lines (which was the biggest reason why the content-aware tool wasn't working; it kept messing up the lines or other parts of the drawing in the process). At the very least, I was able to do enough that it only really bothers me now when I start looking for the off-balance-ness.

I also ended up doing some minor touches, mostly just smoothing out certain lines and small tweaks, but once the balance problem was finally somewhat solved it was pretty much done. (Aside from, of course, me then also adding the words on top so people know what this is at only a moment's glance.)

The end result, both scan and traditional. I'm really happy with. The piece is plenty interesting to look at, but it's also not too complicated, especially when you break down the individual parts that make it up. (Literally and more figuratively.)

Thus, I can only hope others find it interesting-but-not-too-complicated enough to try their hand at recreating it. Even if no one takes me up on my "Draw This In Your Sparkle Style Challenge though, I enjoyed making this all the same and I'm really proud to share the art itself with you guys.

Hopefully though at least a few people will take a stab at it and I can focus on that and not explode from impatience in regards to various not-really-art-related things I'm currently waiting on.

____

Artwork © me, MysticSparkleWings

____

#drawthisinyourstyle #dtiysparkle

3 notes · View notes

elven-ariaera · 4 years

Text

Welcome all!

If you’re reading this, I’m assuming you’re familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do. Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity.

For those who are only interested in certain segments, I’ve broken the article into the following sections for you to easily maneuver your way throughout the piece: Art, cosplay, writing, and questions asked by you.

I know I’m no professional and compared to a lot of others I don’t have as outstanding an amount of followers, but if this article can help inspire at least one artist to try something new or learn something they didn’t know, well, that’s good enough for me! I hope you enjoy!

Art

When did you get into art?

I’ve been drawing as long as I can remember, but I do recall middle school in particular being the time that I really started pursuing art. I had to choose between volleyball and art club after school, and guess which one I picked. It wasn’t just academics either. My notebooks were full of fan art of mostly Link and Zelda, but you could find some Kirby, Pokémon, and Naruto scattered in there as well.

Show us your oldest piece of art you have on hand.

Yeah. It’s… Something.

What defines your artistic style?

I think the faces of the characters I draw distinguish my art. I always have a certain way of drawing the eyes, ears, and other features. I always give my females more prominent eyelashes than males as well. Certain clothing as well — The way I draw capes and hoods are distinct. Not to mention when designing my own clothes, I tend to use similar patterns.

Do you practice other styles/have you tried other styles in the past?

I occasionally dabble outside my comfort zone. I’m not necessarily a huge fan of the “Cal-Arts” style, but I’ve tried it every now and then, especially when creating fan art for shows like Steven Universe, The Amazing World of Gumball, and Amphibia. I don’t really do it too often, but I’ve made a piece for my portfolio mimicking several art styles from a variety of different shows just to demonstrate that I can do it if I’d like to.

What levels of artistic education have you had?

Honestly, just high school. I thought I was going to college for digital illustrations but it turned out communication/graphic design was totally different. I actually got into that because I could draw when not many other people in that field could. Of course, I’m always interested in learning outside of school. I learn through watching other artists on social media, seeing how they create their work. Just watching a speed draw can help so much! The way I learn the most, however, is just by doing. Practice, practice, practice!

Show us at least one picture you drew or sketched recently that you did not put on a public site.

I’ve been doing a lot of Fire Emblem doodles for my new sticker line, so here’s Setsuna. Honestly, I just like drawing bust portraits like this.

What is your favorite piece that you have done?

I can’t just pick one! I’ve drawn over 900 things since I first joined DeviantArt (and I’ve been drawing even before then), you want me to pick just one? Haha, I’ll narrow it down to three of my favorites (in no particular order):

I love this one because it was like the first cute drawing of Ivysaur I’ve ever done. Ivysaur was always a tricky pokémon for me to draw, but this was the first time I feel like I nailed it. Ivysaur also happens to be one of my absolute favorites, so that’s a plus.

This is Minerva, a Guardian from my fantasy stories. Every time I drew her prior, I could never quite get the look I wanted. This was the one that I really liked and so I colored it and am very happy with how it turned out.

I don’t know why I just love this drawing I did of Dimitri from Three Houses. I think its the eyes and hair. And the color contrast — especially in the original ink sketch (that I hung up over my craft table.) I just love it.

What is your least favorite piece that you have done?

Again, you want just one? Haha, too many failures. I’ll be fair, though, and post three of those as well.

Here’s one from my early days. I was trying so hard to get the hair all detailed like and instead it came out looking like gross looking veins. Not to mention how atrocious the proportions were. Oh man, I’m sorry past me, I know you tried.

Here’s one I was so proud of: I copied the official art for Twilight Princess and thought it came out amazing. So amazing I titled the piece “Awesomeful Link.” Yeah. Um. Nope.

Here’s a more recent one that I’m not too pleased with. I was so excited about the latest batch of Steven Universe episodes (which I would later learn were a big bunch of filler episodes and that didn’t make anything better) I drew Pearl reciting her ‘big line’ of the trailer. I tried to mix styles and I tried something different with the eyes and all in all it just came out… Meh.

What do you like most about your art?

I like the faces that I draw. They’re always the most fun and I think they come out the best. I especially love the eyes, I go into so much detail on them (even though they’re usually so small when I print them.) I’ve had issues in the past where I made all of my characters look like they had the same face, but I feel I’ve been doing a lot better at individualizing the face of each character and that makes it all the more fun as well.

What do you like least about your art?

The hands. Sometimes I draw them well, but I still struggle hard and sometimes it really shows. For chibi drawings, I don’t really care as much, but on my more “serious” art, I get a little bummed when I’ve got a wonky hand hanging off their wrists. Feet also sometimes give me a bit of trouble, but usually only when I do poses that involve more movement, which is why I sometimes make my art stiffer and I don’t like doing that either.

Have you ever considered taking commissions?

I do take commissions. In fact, I’d love to take more if it were possible.

Are you looking to pursue a career in art?

I do it part-time right now. I’m satisfied doing commissions and artist tables at local conventions. I think I’d like to pursue writing more than art, but I do love art just as well, so part-time is perfect for me.

What do you like drawing the most?

As I mentioned before, faces. I love drawing facial expressions, I feel like it’s the very core of a character. It’s the first thing I notice when I look at anyone’s art, so I always go all out on my own. I also like drawing hair and wrinkles in clothing. I used to be really obsessed with wrinkles and it would always look like my characters didn’t iron their laundry, but I’ve definitely toned it down since then, haha.

All in all, I like drawing human characters the best — or humanoid. Elves, fairies, merfolk; I love them the most. I like drawing animals too, but not as much as people.

What do you like drawing the least?

Once again my answer is hands. They are still as difficult to draw as the day I started.

Backgrounds are also not enjoyable for me to draw. It’s an important part of a piece, but I get so bored drawing anything that’s not a character — which is why you’ll probably notice in a lot of my art that I do a lot of very minimal backgrounds. I’ve been trying very hard not to just take stock photos anymore (with the exception of my Mythical Month art as they’re meant to be stickers,) and I’ve been using games like Skyrim and Breath of the Wild as inspiration with their gorgeous scenery.

Do you draw more fanart or original art? If fanart, what fandom do you draw the most of?

I post a lot more fan art than original — at least I used to, but I also think I have expanded in sharing my original art more and more with my Mythical Months/Mondays. I guess maybe I’d say about half and half.

What medium/program do you use the most in your art?

Digitally I always use Photoshop. Always. As for traditional art, I’ve been using Copic knock-offs (I’m still learning, so I’d rather not waste the money) and the Sakura Micron pens for my ink sketches. I’ve really been enjoying them, actually, it’s very therapeutic. However, no matter digitally or traditionally, I always, ALWAYS start with a pencil. I like mechanical pencils, I don’t like traditional #2 pencils anymore. The thin lead helps me keep control better.

How would you rank your art? (poor, mediocre, good, etc.)

I always say I think my art is “above average.” I know it’s not bad, but I think it could always use improvement. I don’t know if I’ll ever get to a place where I think my art is phenomenal, but I’m content with it, it makes me happy, and that’s all that matters.

List at least one of your “artspirations.”

My art style was greatly inspired by Naruto, Fire Emblem, and Zelda. I always liked more proper body proportions with that hint of anime inspiration. I like bigger eyes on my characters because they help convey emotion so much better, but I also don’t like the oversized baby eyes outside of the occasional chibi style. Avatar: The Last Airbender was also a great influence since the creators did exactly what I like to do and execute it wonderfully.

What do you think you could stand to improve on?

I feel like I can always improve on everything that I do in my art. There are things I’m good at, but I don’t feel like I’ve mastered anything in particular. Then there’s hands and feet again which I definitely need to work on. Lastly, motion. I want to be able to draw more fluid character motions. I’ve been working on it with my original art that I don’t post online, but hopefully I’ll start incorporating it into all my work.

Do you have a shameful art past? (recolor sprite comics, tracing art, etc.?)

Ugh, yes, YES! I admit I was so bad at first, but I also think that’s just how we learn. I used to do a lot of tracing. I started first just full-on tracing images off my computer — That’s right, I’d put the paper up to the computer and trace it like that. Then I started using bases, which was better because at least I had to draw all the details like hair and clothing by myself. Then I finally worked up the courage to stop using them completely. I’d use references, but I would force myself to figure it out by eye rather than copy it straight from the source. I’m happy to say I haven’t been tracing since my late middle school- early high school years.

Cosplay

How many years have you cosplayed?

My first cosplay was when I was fourteen, and I’m twenty-five at the time of writing this article, so eleven years now. Wow.

How did you get into cosplaying?

I honestly don’t know. I was invited to a convention where I heard people dressed up and was like “hey, I want to try that!” I guess it was because I didn’t really do Halloween as a kid and I was so deathly terrified of costumed characters as a toddler that I never took an interest until high school.

How many cosplays have you done?

That’s funny, you want me to remember how many cosplays I’ve ever done. A lot. According to my photo collection, I’ve done about 60 different cosplays (59 exactly if I’m counting correctly.)

What was your first cosplay and why did you choose it?

My first cosplay was Osaka from Azumanga Daioh in her blue summer uniform. Azumanga Daioh was my second ever manga series and my cousin and I were so obsessed with it. She even went as Yukari with me to the convention (though only, like, two people knew who we were.) Tomo is probably my favorite character, but I related personally more to Osaka, being the air-head that I am. I also didn’t have to really style my hair (because that was an era before I used wigs.)

What is your favorite cosplay you’ve done so far?

It’s a tie between my Trainee Link (Hyrule Warriors) costume and my Royal Guard Link (Zelda: Breath of the Wild) costume. Both are alternative costumes for one of my all-time favorite characters that I hand made all the really detailed pieces all from scratch. Link has always been a special character for me to cosplay, but these two are my favorites.

What is your least favorite you’ve cosplayed?

Rapunzel (Tangled). I was obsessed with her at the time which is why I wanted to cosplay her originally, but my dress was not the best and I didn’t look good as her. At least I think so. It was the only costume that made me feel insecure.

What cosplay is the most uncomfortable or troublesome?

Okay, I love this costume and character to pieces, but my gosh the struggles I go through for Pearl (Steven Universe). Blue Diamond (Steven Universe) is the worst in terms of how long it takes me to put my makeup on, but Pearl is right behind her at about 2 hours being my best time. However, the thing that makes Pearl more troublesome to wear is one thing and one thing alone: armsocks.

They look great and prevent you from having to dab makeup all over your body, but I literally couldn’t even hit the home button on my cellphone and it’s not like I could just take them off like gloves. They’re attached at your middle and putting them on is a hassle on its own. Getting your fingers into each tiny socket is so time-consuming. Now imagine this while also being coated in body paint. Plus, having white be the color of the stockings, you have to be conscious of everything you touch because it will stain and show. Because of all this, I refuse to use the restroom dressed as Pearl, and while that is “in character,” it is not healthy and totally NOT recommended you do that.

What is your most comfortable cosplay?

During the winter, Ravio (Zelda: A Link Between Worlds) for sure. It’s like wearing a giant snuggie. However, in summer, it does get hot very quickly (which is why I literally only wear biker shorts and a tank underneath if I ever do take it out on a hot day), so I only wear it in summer if I know there will be AC. Heatstroke is a real thing. Miss Frizzle (Magic School Bus) is probably the best all-year cosplay in terms of comfort. It’s just a dress, stockings, and a wig really.

But in all honesty, most of my cosplays are relatively comfortable. There’s really nothing that I’ve been so uncomfortable that it’s made my physically ill or scarred me physically. My health is important to me, and should safety should always come first.

How do you research the cosplay before you make it?

I look up lots of reference images. I need an image of the front and back, though if it’s not available, I just improvise based on the images I do have on hand. After that, I kind of just wing it.

Do you sew your cosplays yourself?

A good majority of them, yes. There are a few exceptions to this, though: My Disney princesses are all bought since I use them in performances and want them to be durable if children come and tug on the outfit. Pearl, also being a performance cosplay, I did buy as well. For her second reformation outfit (the sleeveless with the ribbon) I got specially commissioned to look and fit me just right whereas her movie/future appearance (jacket and mom-jeans) I literally found at a thrift store. I also love to find costume pieces at thrift stores. Whether I use them as is or make alterations, they make life so much easier when you make a good find for a cheap price. Leni Loud (Loud House) is probably my favorite thrift/sew hybrid. I found a base dress, altered the top and added strap sleeves, put lace around the edges, found a blingy pair of sunglasses, bought earrings and painted them, and made bows for sandals I already had. The most expensive part of that cosplay was the wig I bought from Arda (and it’s always worth it to buy from them in my opinion.)

When I make a costume completely from scratch (like Ravio, Thranduil, any of my Link cosplays) are when I really love the costume and character and want to take on a challenge and bring it to life myself. They also tend to have pieces that can’t be altered from your everyday clothing, but that just makes me work harder and learn more!

How did you learn to sew?

My grandmother taught me how. Osaka was my first cosplay, but my mom altered it from a tee shirt we found at a thrift store and a lucky skirt find. Kabuto Yakushi (Naruto) was the first cosplay I made from scratch (and I won best novice at the convention I wore it to — even with my terrible wig, haha.) She showed me how to use patterns when we made that and my Ayame Sohma cosplay, but after that, I scrapped using patterns and I basically just eyeball everything now. It’s totally not recommended, but I’m a little weirdo and just prefer to do things the way I do. Still, I wouldn’t be able to use a sewing machine if it weren’t for her. Thanks, Nanny!

Do you make your own props?

Most of them. I don’t really use props too often as I find them cumbersome to lug around a convention (which is how I thought of the Fire Emblem, Gravity Falls, and Skyrim book boxes to store your stuff and add some extra flair to a costume.) The few props I have made include Link’s sword, his trainee shield, his original shield from Zelda 1, and Soren’s Wind Tome (which I used for Laurent (Fire Emblem: Awakening) because I didn’t finish Soren (Fire Emblem: Path of Radiance) yet…) Then there’s my prized cosplay prop; Victreebel for James (Pokémon). That was all thanks to my fleece hat business in high school that taught me the skills to build that thing.

I actually think the only prop I store-bought was my Hylian Shield because it was so lightweight and easy to carry, plus I was dreading doing all those details at the time. Maybe one day I’ll make it from scratch, but for now, I’m content with my store-bought.

Do you style your own wigs?

Yes. I have been improving my styling skills a lot more since I first started. It was always a more difficult task for me, but I’ve been practicing more and more. The first one that I attempted on my own was my short-haired Rapunzel. That was basically just giving it a haircut, though. My first real styling challenge was Breath of the Wild Link. It took a long time, but I actually had fun figuring out his hair.

For most of my costumes, it’s really just the bangs that need that extra pop, to which I use Got2B gel and spray. Does the trick every time and keeps everything in place. For those who are wondering, though: No, I did not style Pearl’s wig. I am not ready for that kind of gravity-defying styling. That was all E-Bay.

What skill has been most useful for making your cosplay?

Well, sewing mostly, but other skills that have come in handy for me personally have been painting, crafting, makeup, styling, and overall decorating. Probably other stuff too, just nothing more I can think of off the top of my head.

What is the hardest thing when making a cosplay?

Probably figuring out how things connect. This is the main reason I’m timid when it comes to armor. I’ve been getting better, but I’m still having trouble figuring out how everything attaches and how to put on these kinds of costumes, which is why my Skyrim Elven Armor has been put on hold.

What was the biggest screw up you’ve had making a cosplay?

I’m not sure if I had any major crisis’ when it comes to making cosplays, but I’ve certainly had my fair share of irritating mishaps and mistakes. I can’t tell you how many times I’ve accidentally sewn the sleeves on a costume inside out about 4 times before I finally got it right.

I’ve cut holes in my clothing, I’ve sewn sleeves on too tight, and I’ve even completed a hat that took hours just for it to wind up being too small when I put a wig on. I guess most of the major issues I’ve had with sewing are measurement issues, so my advice to you is to always measure and try on your costume as you go. Don’t wait until the day of the con to try out your new cosplay.

How often do you injure yourself while making a cosplay?

Not too often, I occasionally prick my finger with my sewing needles, but I haven’t had too many serious injuries. I think the worst was when I slashed my thumb with the exacto-knife when making my first shield for Link. Needless to say, there was a lot of blood.

Do you try to stay cheap or do you splurge on materials?

I am a frugal soul; if I can save, I will. That’s why I thrift so much. However, on a costume I’m really passionate about, I will spend more to ensure the quality. For example, I spent a little more going to a more shimmery material for Royal Guard Link. It cost about $50 for the blue and red material, which to me, is a lot (and that was with coupons). However, the results were 100% worth it. PS, Michaels and Joann’s ALWAYS have coupons. I totally recommend downloading both apps.

I also stand by that with wigs and contacts. I love Arda, their quality is great, but they are more expensive than Amazon. Contacts I don’t mind spending more for as well since the quality is VERY important in this case; they are going on your eyes, after all.

However, as I said, I am absolutely not opposed to going cheap. If you can make it work, make it work. My Nyo!Austria (Hetalia) cosplay came out very cute and it was literally made from bedsheets. From using mostly thrifted and recycled materials, a lot of my cosplays came to around an overall price of around $30. Some of these costumes include Mega Gardevoir (Pokemon), Tomoyo Sakagami (Clannad), Spyro (Spyro the Dragon), and Luan Loud (Loud House.)

Cosplay can be totally affordable, you just have to be creative and think a little outside the box sometimes to make it work.

Have you ever cosplayed with a partner or group?

Yes, a few times. I’d love to do more group cosplays, but we all have to think of something we all like. Luckily, two of my very good friends decided they would dress up as Steven Universe and Amethyst to go with my Pearl this year for Comic-Con and it was such a great experience! I’m trying to convince them to do others as well, such as The Loud House and The Magic School Bus with me as well, haha.

Do you try to act in character?

Always: but I don’t always succeed. It really depends on the character. Pearl I could roleplay for days. It’s probably because I connect so much with her and performing as her doesn’t hurt either. Dee Dee Magno Hall says her favorite lines to say are peoples names, and after giving it a shot myself, I totally see why. I even practiced Garnets “Stronger than you” monologue in Pearl’s voice and tone (in case no one volunteered to sing during our karaoke event) and it always makes my friends laugh.

The characters that stump me a little more are the more serious characters I choose to portray; Link, Laurent, Thranduil (the Hobbit), Belle (Beauty and the Beast), just to name a few. I’m kind of a goofball/airhead so those characters clash with my personality a little bit, but I am getting better. Blue Diamond is surprisingly the easiest of these types to stay in character for.

That being said, I love being the outgoing, oddball characters. Like I said, Pearl is second nature to me, as well as Anna from Frozen. Back in my Hetalia days, Austria and America were my go-to guys. I could act as them forever, and my friends and I literally lived as them for a while with how much we role-played. Most of the Disney Princesses it’s pretty easy for me to stay in character, especially (like I said before) Anna, Sofia the First, and Merida.

How do you react to cosplayers dressed as a character from the same anime/game/etc?

If there are some good character opportunities, I will role-play on the spot, but more often than not I will ask if we could all get a picture together. There were so many fun interactions with other Steven Universe cosplayers when my friends and I did our little group, but one of my favorite interactions was probably when I was dressed as Laurent and I stumbled across a Miriel cosplayer and I just shouted out “MOM! I FINALLY FOUND YOU!”

Do you try to duplicate your character’s expressions, walk, movements, etc?

I can talk the talk (mostly), but I have more trouble walking the walk. I’ve been trying to replicate movements better, but facial expressions I have trouble with (ironic as it’s my favorite part of drawing.) I’m not as photogenic as I’d like to be, as you could probably tell by most of my pictures being the same face, but I definitely am striving to improve on that.

What was your funniest experience of acting in character?

Okay, there’s a lot that I could share, and eventually, I want to do an article solely on cosplay “in-character” experiences, but the one I HAVE to share right now is a recent experience when I was dressed as Ariel from The Little Mermaid.

I was performing at the family day event my church helps out at my pastor’s air force base as Ariel, and after my sing-a-long, my makeup was a little smudged. I asked a volunteer where the restroom was so I could touch up before I headed back out to the crowds. I thought he’d take me to a private restroom, but he brought me to the public one where there were families waiting outside. They noticed and the dad joked “See? Even princesses have to go.” to which I laughed and gave my best Ariel shrug to play along. I went inside, fixed my makeup, and went back outside.

It wasn’t long, so the family was still outside the men’s room. As I walked by, the man’s son shouted out “Ariel, congratulations on going pee-pee!” to which I bursted out laughing. Everyone was. I mean, if you gotta congratulate a princess on using the bathroom, you picked the right one! After that, I did explain that I was just putting on makeup but I appreciated his enthusiasm and thanked him for it.

Do you compete in cosplay contests?

All the time. I love them. Whether I win or lose, I always get something out of it. I learn tips from other cosplayers, get to meet so many interesting people, and those times I do win I get prizes which is always nice as well. Most importantly, though, the memories that are made there are the very best part.

Have you won anything?

I have won quite a few. I have three trophies, a medal, a few certificates, and have won a cash prize as well. My first win was my second convention as Kabuto where I won the best novice trophy. My most recent win was for Ravio in August of 2019 with best in show. It’s amazing, I never thought I would get this far, but I’m so grateful for everything I’ve been a part of.

Again, it’s totally not about winning, but I’ll admit that it does feel really nice to have my hard work appreciated. Just as drawing, I still feel like I have a lot of room for improvement in my cosplay, so winning a few contests here and there definitely helps my low self-esteem.

Do you prefer skits or walk-ons?

I’ve only ever done walk-ons. I’ve never had anyone to do a skit with and I don’t think I could pull one off on my own. I’d love to do one eventually, but for now, our panels are good enough.

How many friends have you made because of cosplay?

Quite a lot. My Instagram is full of cosplayers I’ve met at conventions and I love seeing their cosplays and drawings, it’s all so inspiring!

Do you attend photoshoots and meet-ups outside of conventions?

Occasionally. I’ve never done a professional photoshoot (though one day I’d like to,) but I have attended a few meetups. I’ve done one for Steven Universe, Once Upon a Time, Disney, and I actually accidentally walked into a Fire Emblem: Awakening one dressed as Laurent, so that worked out.

What is the funniest reaction you’ve gotten cosplaying from people outside of the community?

The best one was when I was dressed as Link and my friend and I were on the subway. There was a mom and her kid sitting across from us and she pointed to me and said to her child, “Look, an elf! You see? Santa’s got his helpers out all year round, so you have to be good!”

I also had another wonderful experience outside of a con dressed as Link, though it’s not as funny but more just a sweet memory. It’s quite a bit, but luckily I’ve already written about it for Zelda Universe so I’ll just link it here for anyone who’s interested.

Name a few cosplays you’re planning to do next:

I’ve got to get Soren (Fire Emblem: Path of Radiance) done soon. I’ve been wanting to do this cosplay forever and I did start it, but I need to finally finish it. Dimitri (Fire Emblem: Three Houses) is also on my list to do next. Not sure about who else I want to do for sure, but some ideas that have floated around in my head have been Tilly Green (Big City Greens), Anna with her Frozen 2 look, Princess Peach (Super Mario), and a Thalmor Mage (Skyrim.)

What is your dream cosplay?

Princess Zelda from Twilight Princess. I’m still too scared to try to cosplay her. I bought a cheap starter costume that I was going to build off of and it wasn’t turning out the way I wanted, so I put it off again. One day I’ll feel confident enough to make her costume, but until then I’m totally satisfied with my Link cosplays.

What do you take into consideration when picking a character to cosplay?

Honestly, I just have to love them as a character and the costume itself has to seem do-able. I mean, I’m totally not opposed to buying cosplays if I really want to be a particular character, but like I said, making it means all the more to me. It’s my display of affection towards that character, the creators behind them, and the series as a whole.

Is cosplay serious business for you?

Yes and no. No because I don’t do it for money, likes, or internet fame. I do it because it’s fun and what I like to do. Yes because I go all out when I cosplay. I do everything I can to get the look the way I want it and I put my blood, sweat, and tears into it when I make them by hand.

What is your favorite thing about cosplay?

Everything: Dressing up as a character I love, roleplaying them, taking photos, just everything! I would do it more often if I could!

How do you want to grow as a cosplayer?

I want to learn how to make more. I want to build armor, I want to learn new makeup and hairstyling techniques, and so much more. I’m happy where I am, but I know I can be better. I will watch others and learn from them and push myself to try new things!

Are you willing to answer questions and help other cosplayers?

Absolutely! I may not be a top dog of cosplaying, but if I can help someone with something I’ve learned along the way, I’m more than happy to help!

Writing

When did you start writing?

I started in middle school as well, I used to write a Nintendo fan fiction called “The Kirby Show,” where Kirby and his friends would get into wacky sitcom scenarios. They were really just knock-offs of the television shows I used to watch back in the day, but hey, everyone’s gotta start somewhere.

As for my original writing, I started that more in high school. I still wrote a lot of fan fiction at that point, but I was starting to develop my own characters as well. I thought it about time to think of my own creations, and I did. I remember I was in my Godmother’s car when I thought of the main three characters and since then the cast has expanded so much, their stories are much better developed, and the lore is much more solid.

When you were a beginning writer, what did you write primarily? What do you write now, primarily? (i.e. romance, fan-fiction, poetry)

As mentioned before, I started out writing stories about characters that were not my own. Now I do all original writing — well, aside from my work at Zelda Universe. There I get to write about all the unique aspects of one of my favorite game series of all time, so there’s that as well. Writing there has helped me start writing little fandom topical posts for my own blog, such as top 10’s, reviews, and other things along those lines.

How often do you write?

I make it a habit to try and write at least a half-hour a day. If I’m really on a roll, I could write up to a few hours a day before I get burnt out. Even though I’m not always writing, I’m always developing the stories in my head.

When is your favorite time of the day to write?

I always write a half hour before I go to bed. The later it is, the more ideas keep rolling in. With my early hours for work now it’s harder to stay up late, but that doesn’t stop the ideas. I just gotta push myself a little harder to start earlier to have more time before I need to go to bed.

Do you have a writing muse? If so, who/what?

Not in particular. I always just write about what I like and incorporate different aspects of my life into it. I guess I’m my own muse in that sense? I don’t know. I just write what I do know.

What is your most popular lit piece?

Out of all my public pieces, I’d say either my “Animal Crossing Diaries” series or my “Endless Ocean” screenplay. “Vagabond” gets some decent attention as well, which is nice, but honestly, I’d be happy if there was just one person enjoying my work, so I really can’t complain.

What is the piece you are currently writing?

Out of my public blog works, “Vagabond,” from my Zelda Universe collection I’m working on a character piece on Colin from Twilight Princess.

What is the piece you most recently finished?

On my blog that would be my “Top 10 Favorite Fire Emblem Characters” list. For Zelda Universe, it’s actually a piece about Fire Emblem as well — It was DS week, I could write about whatever DS game I wanted to, of course I have to sneak in some Fire Emblem.

What piece are you most proud of?

While “Vagabond” definitely needs some more work, out of all the pieces I’ve posted publicly, that one is the one I am the proudest of. If anything just for Kurt and Maerwynn. They are two of my favorite characters to play around with and I’m so happy that somehow I was allowed to think these two up.

In my more private works, my fantasy story is my pride and joy. I feel so blessed to have been able to come up with these characters, and I do hope that someday I will be able to share them, whether on a television screen as I’ve always dreamed of in a novel of some sort. One day, maybe.

What piece are you most disappointed in?

It’s not so much disappointment, but rather I’ve grown so much in my work, it’s very hard for me to look back at my first romance story. It’s a little cheesy and the dialogue is a bit clunky, some of the actions that my characters had performed totally go against what their characters have become now after spending a lot more time with them. It’s something I would love to revisit and maybe even go public with, but it’s going to take a lot of work.

From all of your stories, who is/are your favorite character(s) and why? (try to limit it to 3)

Since I only published “Vagabond” online, I’ll stick to characters from this story in particular.

Maerwynn is definitely a favorite because she’s got a lot of qualities that I wish I was bold enough to enact myself. She speaks her mind without a care of what anyone else will think, even if it’s blatantly rude. She goes for her goals, even if they may seem ridiculous, and she pursues them with great passion and ferocity. Even with this rough and tough exterior, she’s still got a softer side that she’s just discovering in her new life at the palace. Now, I wouldn’t ever recommend being like Maerwynn ALL the time, but there’s definitely is a time and place where we could all be a little bit more like her, I think. Her confidence is the thing I admire most about her.

Kurt I connect with as well. Again, he says all the things that we all wish we could get away with at one point or another, but he knows he can because he’s royalty. However, he’s got so much going on underneath the surface as well with the complications of his past. He’s learning to open up, connect with others, and understand his feelings. Despite feeling restricted by the laws of his kingdom and the traditions of the royal family, he finds his own way to feel free and be himself.

What is the best compliment you ever got on your writing?

My best friend who I’ve been sharing these stories with for as long as we’ve known each other told me the nicest thing not to long ago. I always laugh at myself for going so crazy in-depth with the lore and characters of my fantasy world, but she told me how she’s admired that and the love and care I put into each little thing was what made it so great. It really meant the world to me to hear that and I can’t thank her enough for all the love and support throughout the years!

What is your main goal in writing?

I don’t know if there’s one main goal in particular, but I suppose if I had to pick just one, it would be to show good through the works of my characters and hope and pray that it inspires others to be like them. Kindness is growing scarce in the world, and if I can just inspire a little bit of it in someone, I suppose that’s all I can ask for.

Have you ever been published?

No, but I am aiming for it. Once I complete Vagabond, give it another revise myself, and hopefully find an editor to give it another look over, I’d love to find someone to publish my book or even self publish on a platform like Amazon. Just something to get my work out there.

Questions asked by you

Who is an artist that you look up to? There are a few artists online that I follow who I just adore their work. Three that come to mind in particular are Bianca Roman-Stumpff, Bellhenge, and TheStarfishFace. Their art is so different from mine, but I think that’s probably why I love it so much (if that makes sense?) They each have such a unique style and great subject material, I highly recommend giving them a look!

What did you think of “Frozen 2”?

I loved it. No secret that I’m a huge Frozen fan, so I was bound to like it. I was actually really nervous about how it was going to end, but I can say (without spoilers) that I am 100% satisfied with how it concluded. Also, Kristoff finally gets the spotlight that he deserves, thank you, Disney.

However, as much as I did love it, I do totally admit I do see flaws in it that could have been improved on. That being said, there was that in the first movie too and I stilled loved it. The characters have enough charm to keep the film entertaining throughout and I just adore them!

What does your family think of your art?

My parents have always encouraged me about my art and I know my grandmother loves it; I gave her a sweater with the art she liked of mine last Christmas and my mom says she wears it all the time. The rest of my family knows and supports my art as well, I never really had any issue with my small art business and the family.

Any memorable cosplay experiences at a con?

So many. I’ve shared a few before, but I think I’d like to make a whole article on the great cosplay experiences I’ve had! There are so many to talk about and stories to share.

Is there a type of art that you would like to get into? I’ve seen a lot of people doing wood carving and burning, but that looks insanely difficult.

I’ve actually been considering wood burning, haha! It does look difficult, that’s why I’ve been hesitant, but maybe in the future I’d give it a shot. I think they’d make my Skyrim wood pieces look legit.

I’m really up for trying anything. If money wasn’t a thing, I’d have tried a lot more by now. In the future, I’d love to try needlepoint as well!

Recently, I had been asked about some of the work that I do, and I thought a fun way to just that was to fill out a few questionnaires. Here I talk about some of the high and low points of doing what I do, what inspires me, and my process of creativity. Welcome all! If you're reading this, I'm assuming you're familiar with my work as either an artist, cosplayer, writer or any of the other creative things I do.

#art #artist #ask #author #cosplay #cosplayer #Q&A #writing

2 notes · View notes

catbatart · 5 years

Text

CATBATART’S ALTERNATE SOCIAL MEDIA ACCOUNTS

I should have done this WAY earlier in this whole ‘tumblr is going down’ debacle but I guess I didn’t actually worry I was going to be much affected until today? That’s when I woke up and saw more porn bots had reblogged my shit overnight than literally any other time before.

Let me make it clear that I will continue to try to post SFW content on tumblr as long as this hellsite will let me. I have way more active and engaged followers here than I could have ever hoped for, and tumblr has been an amazing platform for me until recently. However, I’m afraid I could be booted at a moment’s notice and I’ll need another hub to post NS/ FW art on, so here are some other places to follow me:

QUICK LINKS

PATREON (ns/ fw art) TWITTER MASTODON (ns/ fw art) INSTAGRAM FACEBOOK FURAFFINITY (ns/ fw art) ETSY DEVIANTART

WHAT TO EXPECT

--PATREON: Obviously my personal favorite place where you can support me. ;P Patreon is the only way to get guaranteed commissions every month, and I’ll be posting more NS/ FW content there come the new year. In the past, I’ve done patron exclusive stream doodles and art games as well! Once I get my student loans paid off (sometime next year, knock on wood,) it will also be the primary hub for updates on my Dark Fairy Tale Comic, Blight.

At the lowest pledge tier of $2, patrons get: -48 hour commission priority -participation in polls and most importantly -access to my Patreon Discord which is like a mini social media in and of itself! There is even a sub-channel for D&D and Looking For Group Table Top games!

Other sites/descriptions and giveaway info below the cut!

--TWITTER: Prrrooobably going to be my next most active site, though by the nature of twitter, there’s going to be a lot of retweets from other artists and random passing one liners that I think are funny. You all probably know how to navigate twitter better than I do, so if you join me here, bless you as it will be a learning experience. For now, I only intend on posting SFW content here, but that might change in the future.

--MASTODON: This will be my hub for general art AND where I’ll be posting NS/ FW art! It’s still a small site with a small community, but I’m really enjoying it thus far! I know it’s a hard sell to get people to join new social media sites, but if you can get over the weird instance selection on sign up, I highly recommend you give it a shot!

--INSTAGRAM: If you like traditional art, sketches, WIPs, and cats, this is definitely the one I’d recommend checking out. Though I try to post digital art there from time to time, I really use my instagram primarily for traditional art. I also feel a lot more comfortable posting AESTHETIC CAT PICTURES there than I do my other platforms. :P

--FACEBOOK: That’s right! I have a business FB page just for art. Sometimes FB is the ONLY form of social media that people have! This is the closest thing to my Wholesome Christian Social Media that you guys will find (as I have family members who follow me there, HAHAHAHA-) but it’s also my best site to find updates on events and conventions I will be at!

--FURAFFINITY: Hey guys, did you know your friendly neighborhood CatBat has had a furaffinity this entire time? It’s TRUE! It’s something that I find intimidating to dip my toe in, but it has one of the best in-site commission platforms I’ve ever seen to be honest. I’d love to try more YCHs and maybe...like...adoptable designs??? at some point? Anyway, support over there would be MASSIVELY appreciated.

--ETSY: Not exactly Social Media, but a great place to check if you’ve ever wanted to purchase original content and work from me! I’ve got prints, originals, woodburning projects, and coloring books up there!

--DEVIANTART: Yes. Ya girl has a dA. And has since like 2005ish but I deleted my old account and started a new one like 8 years ago. I was born to the dArkness. Molded by it. But now it’s primarily used to post finished works and use them as quick portfolio links for zines and conventions. Follow here if you really only wanna see polished finished works!

That’s about it for my various accounts. I’m probably going to try to stagger giveaways across them over the next few months, (starting with Twitter in January/February) since until now, I’d put most of my eggs in the tumblr basket and it’s going to be rough trying to build that up anywhere else.

As an artist, it’s wonky and rough to explain. Your follower base is your life. It’s how you make your living. And for me, it goes beyond that. I’ve made SO many new friends- many of whom I’ve had the pleasure to meet IRL- through this platform. It’s so DUMB seeing what’s going on. I’ve long touted Tumblr as being my favorite social media site for it’s specific format and how it promotes sharing and community in ways most of these other sites don’t.

But it looks like that’s kinda crumbling. :T

#art #social media #tumblr purge #patreon #twitter #mastodon #furaffinity #etsy #instagram #facebook #deviantart

180 notes · View notes

shock777archive · 5 years

Text

I got this question on deviantart, and I felt like reposting my answer here, in case anyone is interested :P

THIS IS GONNA BE A LONG REPLY BUT BEAR WITH ME LOL When I first started drawing/am I self taught : I've been drawing since kindergarten. Anime specifically, since I was about 8 years old. so that's been uh...18 years since I've started drawing in the anime-esque style? I am self taught on these areas. I picked up a digital artist tablet at the age of 13 or so, (it was a wacom Graphire 4 4x5 in) so it's been 13 years of digital art practice i've gotten in. I have picked up several how to draw books over the years until i surpassed some of them. But even now i'm constantly referencing tutorials and poses, looking for ideas and color palettes, etc. I have taken some schooling in college for art. I took beginner's drawing and color theory and maybe a little of art history but that's about it before i quit lmao What inspired me to draw in the first place/what I first drew: The thing that inspired me to draw in the first place was my favorite cartoons. from a very young age i knew that cartoons weren't real, but it fascinated me that actual people could create almost living people. I related to cartoons, and even though they were fake characters, I just loved the idea of creating a whole world of my own. So I took up drawing in kindergarten. First things I drew were flowers, rainbows, trees, etc. But My first biggest undertaking was powerpuffgirls. lol This was the series that started it all. Began drawing tons of powerpuffgirls stories and oc's. For the next few years I would watch different things like all the standard cartoon network shows. But I watched yugioh and dbz and other anime things too. What also got me into anime art style was the online game neopets lol Their faeries designs ( http://images.neopets.com/games/pages/icons/screenshots/586/4.jpg ) kind of had an anime resemblance, so I started drawing those for a while. When I was 8 or 9 years old my father bought me my first how to draw manga book (this one in particular: https://www.amazon.com/Art-Drawing-Manga-Ben-Krefta/dp/1841931713 ) looking back on it, this book is terrible and the anime in it is so ugly looking lol. However, i used that thing religiously and began making my own characters like a blue elf girl and a human friend of hers. ( in fact, here's the post. i tried redrawing them recently lol: https://shock777.tumblr.com/post/145898896143/finding-old-art-is-the-best-cause-you-can-redraw ) ...Then the real transformation began once I started watching Teen Titans when it aired in 2003. I was 10 at the time. That show started my love for japan. The language interested me and I began researching Japanese songs and trying to sing along to them. I didn't know what the words meant, but the artistic style and meshing of western cartoons and anime of the show really piqued my interest. My earliest drawings of them suckedddd XD; As Teen Titans drew to a close near 2006-2007 ish, I picked up Naruto and then it was all over since then lol my anime style and weeb days really came into full force lol I thank naruto though. I learned how to draw more realistic anatomy as opposed to cartoony anatomy. It was a very wild ride, but it's all documented here on my deviantart page as I got this exact account around the same time! I started posting my work in 2008, so you can go back far enough into my gallery and see the progress XD; I keep the old cringe up because it just motivates me and hopefully others, to keep drawing and keep going farther! :) PHEW lol long history there XD I do have some of my old art!!! If you wanna see some, I've posted a little here: https://shock777.tumblr.com/tagged/old-art plus I already said there's a few still on my dA gallery haha Tips I can give to you: 1. And I think this is most important, JUST KEEP GOING. It's soooo tempting to quit drawing when things aren't going right and when you're not happy with how your art looks. Trust me, every artist I've ever known including myself have gone through this. It's so easy to compare your work to someone else's. The thing is, we're all in this together. No one expects a newborn to be able to file taxes or drive a car lol. We all have to evolve and change, and that change comes from consistent work. Art isn't an inherent talent, it is hard work that is honed over several years of blood, sweat and tears lmao JUST KEEP GOING. as I've mentioned, my old cringe art is still on my dA page. Back then when I was younger I was less concerned with things being perfect and I spam posted almost every doodle. And I began a "fanbase" i guess because of those days and my consistent posting. I've had this freaking deviantart page for 11 freakin years. If I had stopped drawing whenever I felt my art was imperfect or not good enough, I would have stopped posting around 2009. so...just keep going. And I'd even dare you to post your "shitty doodles" that you think aren't that great. Because you never know what someone else will see in it that you don't. Be confident, and never give up! 2. Soak up any tutorial and really focus on studying your favorite artist's styles. If there's something you want to replicate in your art that someone else is drawing, try to see how they do it. sometimes artists have tutorials posted and sometimes they don't. I have a few posted on my youtube channel ( https://www.youtube.com/playlist?list=PLRB9xQBsGpfetNJbmXWZ1fL9d5IlqQs1w ) and some in my gallery. Don't exactly copy some things stroke for stroke, but try to add your little spin to something. Like sometimes I will see art senpai drawing a specific eye style I wanna replicate, but I don't like one part of the process. So sometimes I'll just add my own little addition, or just omit that process completely. Usually though, if the art style isn't necessarily super unique, you can copy a lot of mainstream styles without anyone really griping saying "oh you're just copying so and so's art style". It's important to look up to art senpais i think. They make me want to try harder lol 3. Take an art class if you're able. Color theory really helped me grasp things that I never had before. LIKE REFLECTIVE LIGHT FOR INSTANCE. I never drew that shit but now I do because DUH it's so freaking obvious lol It also helps to learn what colors neutralize others, complementary colors, analogous ones, etc. It's nice to have an eye for what matches together and to know the principles of art. I still have a lot of work to do when it comes to perspective, which we did cover a little in class lol but work on your own pace. If your college near you offers a class for beginners, take it if you're able. it will help you view things differently. 4. Copy realistically. Like, I'm talking look at a freaking object in your room and try to draw it. Once you can draw it semi realistically, you can then add your own little stylistic choices to it. Like so many artists who draw chibis or cartoony things, they more than likely know the proper proportions of people and anatomy. But they draw the proportions all whacky and it creates their own style. However it does help to know how they work in reality lol 5. TRACE OVER POSES. Sometimes I do this. I'm not saying to trace someone's art, but if you see some kind of pose on say a google image, or a stock photo, try sketching over it to get a feel for where the joints connect if you're working on anatomy. It reaaaallly helps you memorize where the arm would end, or where the torso connects to the hips. 6. Take advice and criticism well. If someone sees something you don't about your art, they may be on to something. It's not wrong if someone gives you a heads up that a proportion seems lacking or something seems too big or out of place. It will actually help you to see what others see. Sometimes we get in the habit of drawing something a certain way and it's hard to break that habit especially if you've drawn the same thing several hundred times. It will help you in the long run to just accept that you're always going to be improving. You'll never be perfect at drawing, so what do you have to lose? Just keep walking forward and learn what you can. 7. Flip the canvas. This is more or less a digital art tip, but please flip the canvas to make sure the proportions are not off. lol A lot of professionals have to flip the canvas until they get a feel for where things are placed. Another good tip is to use a stabilizer of some kind to draw straight lines. Paint tool sai has one at the very top of the window. It helps tremendously. 8. Draw what you like and don't feel bad for not drawing everything everyone else likes. Don't sacrifice your morals or your personal desires for something everyone else likes. If you're paid to draw something you don't like, thats another thing. but don't let people pressure you to draw stuff that you don't want to. You'll be much happier, and build an audience that is much like-minded to you. Be considerate of what your audience likes, sure, but remember at the end of the day, art is something to express one's self. Art is not and should not be a job. Even if you get paid money to draw or design things, it's important to take a break and draw something for yourself every once in a while. Be self indulgent, and treat yo self from time to time :) And uhhh...that's all I can think of for the time being. :') let me know if you have any further questions or if I need to clarify anything :) Thanks again!

#me #my art #art tips #long post

7 notes · View notes

dotzines · 5 years

Photo

Artist spotlight: Lizz!

✿ Twitter ✿

Header source: [X]

Introduce yourself Hi, I'm Lizz and spend 99.9% of my free time drawing because it's something I hold dear to my heart. I'm into a variety of series, including but not limited to IDOLiSH7, AoT/SNK (anime-only), Xenoblade, and Fire Emblem. Most of my drawings are centered around these series~ When did you start drawing? Are you a digital or traditional artist? I started drawing when I was four, but I didn't take drawing as a regular hobby until June 2017. I initially started with traditional art with colored pencils, but now a majority of my full illustrations are done digitally. Do you use any traditional mediums? If so, which are your favorites? While I don't do much traditional art due to focusing on digital, I do enjoy traditional art! Most of my traditional art pieces are kept to sketches and brainstorming, but sometimes I like to ink them. If I'm feeling in a mood for traditional, I like to play around with watercolors and acrylics!

image source: [X] Why do you prefer traditional over digital? (or viceversa) I prefer digital drawings because of the cleanliness of the art and how easy it is to clean up drawings! While digital art does get its flack for its "shortcuts" *cough* ctrl + z and transform tools, I found that digital art has helped me explore more ambitious compositions both lighting and pose-wise. In traditional art, there aren't as many colors to play around with, and I've had times where I wanted to draw full body pieces but I either ran out of space or it was hard to draw the small details. I enjoy digital for the large canvas sizes, how easy it is to draw smaller details, and the options available for coloring! Traditional art is still valid, but I'm more accustomed to the workflow in digital pieces. What do you think is the most challenging part about being a traditional/digital artist? At first, when I was starting out digital art, I had to get used to the disconnect between looking at the screen and the tablet. However, I feel that the biggest challenge with digital for me personally is not letting perfectionism take hold. While digital has several tools to help correct and edit changes as needed, it's very easy to get absorbed in it and not actually get anything done. Sometimes letting go of perfectionism is the hardest part. What inspires your pieces? The fandoms that I partake in provide the ideas, and my friends and fellow artists inspire me to keep going. I love logging into Twitter and Discord and seeing the art that my friends post and watching their journey. My pieces take inspiration from the series and the artists that I enjoy.

image source: [X] Explain your "everyday" drawing process Once I've found an idea I would like to draw, I like to sketch! Sketching is always the toughest part for me since there's still some things I don't quite understand about anatomy, but once I've got the sketch done, I'll probably finish the piece if it's something I'd like to continue and go through the process of line art, base colors, shading, background, and secondary lighting. I try my best to keep the number of WIPs I have ongoing to a minimum in order to ensure productivity! Do you have an artist you admire (or more than one)?

I have a few friends who make really nice art: https://twitter.com/ShiroHunter - Beautiful colors !!! Their pieces are so vibrant and it's honestly so inspiring to me and I just love looking at their art in general. https://twitter.com/CakeCaptorLily - I love her dedication to sketching her favorite character and she's showed me how powerful doodles can be when getting better at drawing at a particular subject~ https://twitter.com/stardastarly - I love her colors!! The shading and lighting of each piece is always something I look forward to seeing and the textures created by the shading is... so good. https://twitter.com/crimzonlogic - A traditional artist who specializes in watercolor! I love the composition and just.. everything about Crimzonlogic's art. Please support all four artists I listed above, they're all super skilled and work hard!But in general, any art that I retweet/like is inspiring to me and has some quality that I would like to strive for, whether if it's the composition, the coloring, or their style! Is there an artwork you are most proud of? Why? It's been a month since I've drawn Tenn in his Heavenly Visitor outfit, but I still like the piece overall. While the details were quite a challenge to overcome, I'm glad I paid attention to the small details! I love getting small details to look good, even if it's a minor touch in the grand scheme of things. I also tried new coloring techniques here, and I'm super happy with how clean and simple it is.If you want to support the piece on Twitter, here it is! https://twitter.com/LizzIkanaka/status/1113501420303437825

Do you listen to music (or tv shows/films/anything else) when drawing? Yes! I've been listening to the Attack on Titan soundtrack, TRIGGER's songs (they're a unit in IDOLiSH7!), and vocaloid songs a lot~

image source: [X] What makes art interesting for you? Honestly, knowing that "I made this" is a feeling I will never get tired of. With every piece, I feel like I've learned or refined a skill and knowing that I'm able to bring ideas into reality is what makes art interesting to me. What do you do when art block strikes? When I experience art block, it's usually because I can't execute the idea in the way I intended, rather than being at a blank for ideas. I usually like to restudy the fundamentals and practice the things that give me difficulty in order to combat art block! What’s the most valuable art advice you’ve ever received?

Hmm, it's not necessarily pertaining to "making" art, but to take breaks and take care of yourself! Don't push yourself while drawing. I think it's important to remember that in order to draw, being healthy and being able to handle it is key. After all, if you push yourself too hard and don't stretch or don't take breaks, you might not be able to draw anymore!

#Lizz #artist spotlight #red zone artists #red zone

1 note · View note

kriss-the-writing-nerd · 5 years

Text

11/11/11 tag game

Answer 11 questions, make 11 new questions, tag 11 persons!

I was tagged by @waterfallwritings for this! Thank you, your questions were really interesting and fun to answer! o(^▽^)o

(Sorry if I got a bit lengthy, it was just so nice to do something not university related after exams!)

1. How do you come up with ideas for your WIPs?

The heavy artillery from the get go, eh? *cracks knuckles* Okay, to be honest, I'm not sure. I've never really thought of it, they're just there, clamoring for attention (plot bunnies are my best ally and worst enemy). I definitely have bouts of very intense inspiration and days when I just,, can't. Even if I know where the scene is going, how it's going, and why, the words aren't there. Or they're all wrong. (This is when I default to writing ugly-crying emotional breakdowns or sex. Likely both.)

Working out a story is a game of association laced with concepts and core elements for me. Like this: dragons (core element) + mountains (association) + tribe/clan (concept) + shapeshifting (association/concept) + relocation/settlers (core element). And that's basically my dragon wip.

Eld's story is based on a Doctor Who quote "demons run when a good man goes to war". Ren and Kuro grew up with me; at some point they just started acting on their own - I just throw shit at them and sees what shakes loose at this point. (They have five kids! How???? did that?? happen???)

(I'm a sucker for prompts. My brain can see a single word and just, run of with it hollering in glee.)

2. How do you get past gaps in the plot?

Urrrrgh, I have to get past them??

I struggle, is what I do. Typically I let it sit, soundly on the back-burner in my mind, until I've mulled through my story to the point where the hole is gone. (This takes months, and with my sci-fi wip I ended up rewriting the dang thing completely at the third draft after eight years of working on it. Scrapping it was painful.)

Or I try a different angle. Sometimes it works.

3. What motivates you to keep writing?

I love writing. There's really no more significant reason than that. Writing allows me to express myself, create and explore worlds and characters who wouldn't exist otherwise. And it lets me just exist without any layers. When I've been hurting, writing has helped me get the pain out with no more than tears.

And I love words and languages; the way we have about 10 different words to say "snow" (partly because Swedish mesh several words into one but still) and maybe 2 (3?) for heat. That there are groups of languages with the same ancestors that are so close; how absolutely amazingly different they can be (I just learned "y" is not considered a vowel in English and I'm???? Completely blown. What. What do you mean it's not a vowel. Are you sure???). And languages with different alphabets and ones that use pictures to represent ideas instead of sounds! And sign languages!!

And idioms! It's so cool how idioms can carry words of wisdom, caution and reassurance, and rarely can be translated (classical examples from Swedish "There's no danger on the roof" and "The rain is standing like sticks in the ground") because they lose their connections to the cultures they are used in.

The universes in my head are as full of life as the real world and not nearly as anxiety-inducing. I have stories to tell. And you know that feeling when you’re in the zone and everything is flowing and you’re writing 10′000 words in a go? That.

4. Do you do any other kind of creative writing?

I dabble in poetry? Like, very sporadically and with mixed results. I have a friend into slam poetry who opened my eyes to it, too.

(Would fanfiction go here too?)

5. Do you have any other creative hobbies besides writing?

Urngh, yeah, too many. If I’m not reading, my hands need to be moving or I’m an unhappy bean. Though, writing is the only thing I never put down. Ever.

Okay, so, I draw (badly), both on paper and digitally. Mostly landscapes. I also try to make house sketches/plans. And I paint (a bit better than I draw), prefer oils or acrylics over water colors. My partner and I also paint miniature models when there is time.

I also crochet and knit, and I love origami. I roleplay (Dungeons & Dragons, whenever the DMs have time), and I play the violin (and piano) and write simple music for myself.

I garden if there's time in the spring and during summer, and I absolutely love these little fairy-gardens that have been popping up everywhere. On that note, I have more houseplants than I have space for.

I'm also thinking to start up a little thing making bracelets and bead strings for fidgeting. I needed some kind of stim toy to be able to focus and I wanted something silent with many different sensations to keep me entertained. I hunted around a bit but eventually made my own and they turned out pretty nice!

(I also like to bake, especially pies and breads.)

6. What do you do when you’re stuck on a scene and don’t know how to get it out / write it?

I slam the key words in. And then I ignore it until it stops fighting back so much.

Or I backtrack. Sometimes I've written myself into a corner unknowingly.

Sometimes I drop a wip that's giving me grief and work on another, or I use word/idea prompts to get me started.

7. How do you decide how to end your WIP?

God, please tell me because I don't hecking know. Should I do an epilogue? Should I leave it open/ambiguous? Should I just cut it off and leave the next step to the reader? Should there be a "true" ending, with goodbyes (actual or metaphorical)?

Urrrrrrrrgh. Good Lord, endings.

8. When in the process of writing do you decide how its going to end? Or do you kind of just wait til you get there?

Either I know from the start, before I write the first words, or I wait. Which tends to mean frustrating the hell out of myself. I have started to go through my wips (whether original or fanfiction) and give them all bare-bones outlines, because not having endings is a big problem for me.

9. Why did you decide to join writeblr?

Basically when I decided I had had enough of the "join to see more" button or the "sensitive material" warning. And when I realized there was a really nice writing community here I could maybe become a part of. (A major reason was actually @concerningwolves advice posts.)

10. What’s your favourite food?

(CW: Maybe skip if you’re vegetarian/vegan/you’d rather not read about meat.)

Chinese deep-fried chicken with sweet-and-sour sauce (not the spicy chili kind, the actual pineapple and tomato juice based kind) with rice. No question about it.

Mom's "blodbröd med fläsk" is a close runner up though, but we only eat it once a year, at the midwinter solstice. It's homemade Swedish tunnbröd (hard thin-bread) with blood instead of water in it that you dip in boiling water to make it soft, with white sauce, and fried, thoroughly salted pork.

(Believe me, some country-side Swedes in the northern parts are still pretty pagan about the sun coming back, me included. It's a big deal when you go between no night/darkness and then very little/no sun.)

11. If you had to kill off a character in your WIP, who would it be and why?

People are dying right and left in most of them already, since three include large-scale wars, so there's no shortage there.

But if I had to choose a main-character or a directly supporting character? (MY BABIES! NO.)

I think Ren, from the sci-fi wip, because he would be free from both responsibility and physical and mental pain. (My boi is a wreck.) It wouldn't be unlikely either. But at this point it would destroy my story! 😂 Less story-destroying would be their foster-guardian Sandra. It would still force me to write a completely new arc, but it would be do-able.

Although, regarding the fantasy wip Firestorm, Kebarock dying in their war would crush Sunling. That could be done without losing the plot entirely. Hmmm.

Puh, that was a lot of thinking! Okay, I'll be tagging.. @concerningwolves @weaver-of-fantasies-and-fables @adorhauer @focusdumbass @sleepy-and-anxious @els-writes @meteorwrites @sebastian-writer @telvivere @thescribesloft and @aceymichaelis No obligation to do this of course! <3 (And if I tagged you and you’d rather not be tagged in games, I apologize, please let me know)

And here are your questions if you want to:

1. What about your wip makes you smile?

2. What's the hardest decision you've had to make in regards to a wip?

3. What text font do you prefer writing in? Or do you write by hand?

4. Are there pets in your wip? If not, what pet might your character(s) keep?

5. What AU would you love to see/write for your wip?

6. Is there any type of music/a song in particular that you associate with your wip?

7. Are you a night owl or an early bird/When do you write?

8. Favorite beverage?

9. Where do you prefer to write? At home? In a library? On the bus/train?

10. What are your first 3 to 5 associations with the word 'writing'? Why those?

11. What do you do when you're bored?

Hope you enjoy! o(^◇^)o

#11/11/11 tag #11 asks tag game #tag game #ask game #writing related #writing community #writeblr community

1 note · View note

goodbysunball · 6 years

Text

Best of 2017

Countering the truly embarrassing news cycle of the past year was the deluge of great new music released upon the world, so much so that I’m leaving a good chunk of more than deserving albums hanging. To simplify everything, this is a compendium of what was played most around here, along with a handful of new-to-me reissues/archival releases.

I skipped doing the rap recap this year because my list was so pathetically brief, and doing so seemed both short-sighted and irrelevant. That being said: Quelle Chris’ Being You Is Great, I Wish I Could Be You More Often was my favorite album, followed by Starlito’s Manifest Destiny and Playboi Carti’s vapid, relentlessly fun album. Goldlink’s “Crew” featuring Brent Faiyaz and Shy Glizzy was my favorite song, like everyone else.

Full list of 30 records below. We’ll do better next year.

12. Mount Trout, Screwy (self-released)

This unassuming, digital-only gem crept up on me as the months turned cold. Scraps of paper with notes written on them are held afloat by spare guitar lines; elsewhere winds whip in and chaos overtakes clarity. Lots of the lyrics sound like half-thoughts that forced themselves out after extended periods of solitude, sometimes peaceful, sometimes anguished. Screwy rewards patient attention without dragging you through the mud - but it’s there, should you need to cool off.

11. Group Doueh & Cheveu, Dakhla Sahara Session (Born Bad)

The intriguing pairing on Dakhla Sahara Session turns out to be one of the best surprises of the year, and easily one of the most listenable. Cheveu’s robotic yet effervescent contributions are immediately recognizable, as are Group Doueh’s swirling guitar lines and sweeping vocals; the two fit in and around each other, explosion welded together into a foundation for a colored smoke tower.

10. Leda, Gitarrmusik III-X (Förlag För Fri Musik)

The two people behind Neutral put out a lot of music this year, most of it well worth hunting down despite its highly limited, premium price barrier. I can’t claim to have heard everything, but by my count the two best were Neutral’s När mini-LP and Leda’s limited-to-100 Gitarrmusik III-X LP. Most of this sounds like King Blood collaborating with Robert Turman, looping machinations mixing with heavily distorted shredding, all of it recorded in a metal-walled bunker. Doesn’t sound like much on paper, but when you arrive at “Gitarrmusik VIII” and “IX,” time just about stops. (If you missed out, “Gitarrmusik I” and “II” are available here.)

9. The Body & Full of Hell, Ascending a Mountain of Heavy Light (Thrill Jockey)

The first collaboration between these two heavyweights was a slow grower, both bands clearing the land by seeing how far out they could push their respective versions of extreme metal. Ascending, then, is the sound of the two bands communicating as one. The immediate standout is “Farewell, Man,” exactly what comes to mind when one imagines what kind of song the Body and Full of Hell could write together. But tracks like “Our Love Conducted With Shields Aloft,” all free drumming, violently humming noise and sandblasted vocals, hint at a broader, uglier horizon.

8. Bad Breeding, Divide (Iron Lung/La Vida Es Un Mus)

One of the year’s nastier hardcore records, and a reminder that the shitstorm at home extends across the Atlantic, too. The band’s got enough chops to rip through every track here - check out that stuttering riff on “Anamnesis,” and how it comes roaring back after a quick respite - but the best songs close each side. The screaming of “Now what?” that concludes “Leaving” is chilling, and serves as one of the best summations of this mess of a year.

7. The Terminals, Antiseptic (Ba Da Bing)

I’ve been hankerin’ for more Steven Cogle ever since that self-titled Dark Matter LP, and if that’s one of your favorite records of recent yore like it is mine, you oughta get your mitts on Antiseptic. The long-running band is absent Brian Crook, but he is ably replaced by Nicole Moffat, who also appeared on Dark Matter; her violin seeps into the empty pores, creating a dense, beautiful atmosphere ripe for Cogle’s powerful vocals. The deal’s done by the time “Edge of the Night” hits.

6. Taiwan Housing Project, Veblen Death Mask (Kill Rock Stars)

Wrecking crew led by Kilynn Lunsford and Mark Feehan brings the heat, here as two parts of a six-piece ensemble. The ten tracks on here range from caustic to catchy (”Eat or Be Eat” into “Luminous Oblong Blur” for the former, “Multidimensional Spectrum” for the latter), accentuated by sax blurts and ever-present static grime. If that ain’t enough, lyrics acidic enough to melt bone make Veblen Death Mask a complete meal worth droolin’ over.

5. Sida, s/t (Population)

The Theoreme LP that came out last year turned into one of my favorites this year, syrupy-thick industrial body music from one Maissa D. She fronts Sida, and she turns in the vocal performance of the year on their first LP. She seemed more restrained as Theoreme but that’s all out the window here; "Qu'Est-Ce Qui T'As Pris?” ups the ante and things don’t slow down from there. The band, for their part, turn in a burly and caustic punk/no wave hybrid that does all it can to keep up. An aural steamroller.

4. Omni, Multi-task (Trouble In Mind)

It was a real mistake to not include Omni’s deceptively catchy debut Deluxe on my year-end list last year, so when they came back and made an even better record, credit is due. Not sure how Frankie Broyles doesn’t sprain his wrist or let melodies go off the rails, but his snappy drumming and spindly guitar work are the stars of the show. The lyrics slyly present a general malaise with modern romance, and when it all clicks, like on “Supermoon” into “Date Night,” strap in.

3. Bed Wettin’ Bad Boys, Rot (R.I.P. Society/What’s Your Rupture?)

Ready for Boredom was a great album full of weary-headed anthems, and it looks like growin’ up hasn’t come any easier for these bedwetters on Rot. The Boys left their glam rock tendencies (i.e., “Sally”) behind this time, and they stick to making gruff pop songs for people whose weeks slip by uneventfully more and more frequently. Songs like “Plastic Tears” and “Device” are urgent and unbelievably catchy, and whoever did the vocals on “Work Again” needs more time at the mic. The Replacements are still a good reference point for these guys, but after two rock-solid albums, it’s time they get to shed that flattering-yet-overbearing label and lay claim to this sound that they’ve perfected.

2. Dreamdecay, YÚ (Iron Lung)

Man, Dreamdecay are so good. They’ve softened the edges from N V N V N V but they’re even more potent this time around, figuring out how to include big slow-moving guitar riffs in a nominally punk framework. Songs like “Mirror” just about leave you on the floor with the guitar theatrics, while “IAN” is a one-way ticket to the stratosphere. All of it sounds incredible, and I think Andrew Earles said it best, so I’ll let him do the honors: “YÚ could easily rearrange how someone thinks about music… in that unforgettable way that stays with the experiencer forever.”

1. Aaron Dilloway, The Gag File (Dais)

What more can I say about The Gag File? I have gushed. Not only a complete statement of an album, but one of the only records to force a localized shutdown when it’s on, keeping everything else at arm’s length. A world unto its own. Clear the cobwebs out.

7″/12″

Anxiety, Wild Life 7″ (La Vida Es Un Mus)

There’s a good bit of cornball humor present in Anxiety’s lyrics and credited band member names, the sort of thing that has persisted/pervaded a lot of modern punk and hardcore. But these guys sell it, and more: with better (read: less juvenile) lyrics, sly and self-deprecating; a monster vocal performance (”Dumped” especially); and a blistering intensity that oughta put their peers on notice.

Bent, Mattress Springs 7″ (Emotional Response)

Bent’s been on my radar since their Non Soon tape, and this year they dropped the Snakes & Shapes LP, every bit the shifting, shambling and at times annoyingly silly experience Non Soon prepped me for. The Mattress Springs 7″ came soon after, and compressed all the best parts of the LP (including “Mattress Springs”) into several minutes of leaky roof drums, hypnotic bass lines and smothered, frantic guitar parts.

Crack Cloud, Anchoring Point 7″ (Good Person)

Whereas Bent are happy to let their songs droop and flow, Crack Cloud come across as almost militaristic in their approach. Perfectly rehearsed, not a hair out of place, and yet as urgent as anything released under the banner of post-punk in the past however-many-years. The first three jagged and dense tracks whip in and cut out, just in time but somehow just too soon; “Philosopher’s Calling” is the payoff.

Hothead, Richie Records Summer Singles Series 7″ (Richie)

The Richie Records Summer Singles Series once again distinguished itself in a household where 7″s aren’t really given the time of day. Sure, Writhing Squares Too breathed life into krautrock in 2017, and David Nance’s "Amethyst” is kingdom come on the right day, but Hothead? Their shambling take on two covers (and a quick sketch) netted them the gold.

Mordecai, What Is Art? 7″ (Sophomore Lounge)

Mordecai is one of America’s great treasures, ain’t no way around it. Their Abstract Recipe LP on Richie from this year is great, reclaiming the highs of Neil’s Generator while pushing further from their influences - but the two disparate sides of this 7″ compress everything great about the band into a tidy package. The A-side rambles out of the gate in the same way Abstract Recipe does, whereas the B-side goes all Don Howland: low fidelity, downtrodden but toe-tapping. Buy everything they’ve recorded.

Mutual Jerk, s/t 7″ (State Laughter)

“He’s really a nice guyyy” begins the A-side track “He’s Harmless,” and hoo boy you better sit down for this one, because that bass line is not quitting anytime soon. Feeble excuses pile up, a disinterested defense of a friend presented with a mocking snarl until the constant pummel causes the dam to burst. The flip cynically covers comfortable suburban lifestyles and macho hardcore, two new takes on No Trend's vast influence, but not quite reaching the impossible heights of song-of-the-year “He’s Harmless.”

Neutral, När 12″ (Omlott)

Neutral’s self-titled LP quickly turned into a favorite here in the early months of 2017. The duo kept busy all year, eventually releasing this mini-LP that favors electronics over guitars. The brittle backbone is the perfect support for Sofie Herner’s fragile yet mechanical vocals, a fitting soundtrack for a walk home so cold your eyelashes freeze. Shadow music that lacks a distinct time or place but leaves a flood of sensory overload in its wake.

Scorpion Violente, The Stalker 12″ (Bruit Direct Disques)

“The Wound”’s slow ooze remains one of my favorite musical moments of the year; there’s a reason it’s the only one you can’t stream via Bandcamp. Pay up, because if any modern label deserves your money, it’s Bruit Direct Disques.

The Shifters, “A Believer” b/w “Contrast of Form” (Market Square)

Brilliant little single of downer pop from the Shifters, whose self-titled cassette gained them a lot of Fall comparisons and was previously mined for a 7″ by It Takes Two. But it looks like they’ve got ambitions beyond the record nerd cadre: both songs are immediately satisfying without imparting a sticky sweetness - who can find fault with that?

Straightjacket Nation, s/t 12″ (La Vida Es Un Mus)

This is the punk record of the year for me, one that maybe got lost in the deluge of releases from La Vida Es Un Mus. If you wanna learn about effective vocal delivery in hardcore, please see “2021.” Eight tracks, all meat. Please tour the US.

Reissue/Archival

I don’t really feel too qualified to comment on music largely made before I was born, especially since I am the owner of several 2017 reissues with flowery press kits that I will probably never listen to again. But if you’re gonna be a sucker, let a sucker clue you in to these tried-and-true slabs deserving of any and all accolades. Unrepresented here, somewhat criminally, is the Black Editions, a label doing really amazing work reviving the P.S.F. catalog.

The And Band / Perfect Strangers, Noli Me Tangere split 7″ (Look Plastic/Noisyland)

Noli Me Tangere is two sides of barely-music from early ‘80s Christchurch, with this new edition featuring extensive liner notes from George Henderson, he of the And Band (and perhaps more recognizably, the Spies and the Puddle). Both sides showcase a coupla outcasted NZ bands supporting each others’ avant-scrawl, as inspirational as it is baffling.

Byron Morris & Gerald Wise, Unity LP (Eremite)

Freedom music, full of raw intensity (”Byard Lancaster did push-ups when not playing”) and fiery exchanges. The two sidelong pieces are demanding of your full attention, repaid in kind with chills so deep you’ll swear a spirit passed through ya.

Cosey Fanni Tutti, Time to Tell LP (Conspiracy International)

Gorgeous reissue with a foil-stamped gatefold and a huge booklet full of ephemera from the recording period. Less Throbbing Gristle menace than new age shimmer, especially on the B-side; the gentle ascent is the natural conclusion once you’ve lived through the stunning title track. Cosey, take me away.

Die Tödliche Doris, “ “ LP (États-Unis)

Brutally minimalistic post-punk from early ‘80s Germany, painstakingly restored by the Superior Viaduct sub-label États-Unis. The A-side is full of blistering, manic bursts; the flip smoothes things out, allowing ideas to stick around, proving this approach works in both short- and long-form. Call it ZNR meets DNA.

Harry Pussy, A Real New England Fuck Up LP (Palilalia)

Two live sets, one on each side, both monstrous and in shockingly high fidelity, especially given the circumstances detailed by Tom Lax and Tom Carter on the sleeve. The show from T.T. the Bear’s is the performance I always want (”Harry Pussy took the stage and sandblasted the night into oblivion”) and rarely get.

Khan Jamal Creative Art Ensemble, Drum Dance to the Motherland LP (Eremite)

Capping off a brilliant year for Eremite was a beautiful reissue of Drum Dance to the Motherland’s cosmic transmission. All of the hyperbolic reviews ring true when “Inner Peace” stumbles into a groove, but my favorite part is the almost painfully shrill horns on the title track.

Meat Thump, “Metal Gun” b/w “Left to Rust” 7″ (Coward Punch)

Coward Punch Records kept the memory of Brendon Annesley alive with a couple of archival Meat Thump 7″ers this year. The earlier one was good, but didn’t quite hit home; here, “Metal Gun” could be twice its length, and “Left to Rust” rambles down my spine in the same way that still-great “Box of Wine” 7″ does.

V/A, Oz Waves LP (Efficient Space)

I did not have more fun this year than when I was dancing along to this record like a poorly operated marionette, which was every time “Will I Dream?” started. Efficient Space continues to deliver the goods I didn’t know I needed.

31 notes · View notes

journeysintowebcomics · 6 years

Text

Lettering in Webcomics - a Reference Post

Imagine you have finished the perfect artwork for the latest update for your webcomic. You feel so proud about it you want to hang it on your wall. You want to post it immediately! You want everyone to see it! But before you can do that, you need to add dialogue between your characters.

And that’s where you get stuck. No matter where you place the speech balloons, you’re covering too much of your drawing. It all looks badly placed. You accidentally make a speech balloon that goes from side to side of the frame. It’s a major disaster! What did just happen and how can you avoid it? Let’s answer those questions now.

The charm about comics and webcomics is that they’re a combination of text and images. It’s true its main strength is the fact the reader can look at the art depicted, but a webcomic is never complete without dialogue or text.

However, filling your webcomic to the brim with text and dialogue is not how webcomics work. It’s rare to find the exception to these rules, such as Homestuck, and even then it’s only because of the difference in format. It’d be tedious to read a webcomic that has paragraph after paragraph crammed in a single frame!

As if all that wasn’t enough, you also have to remember that if you place the text badly, it’ll make the reader overlook the art you worked so hard on or even get confused, cardinal sins in this type of work. If you strive to be a webcomic author, you must understand how to place dialogue and text properly. That’s what this post is here for! Here are some handy tips that will allow your webcomic’s text shine without sacrificing anything in the process!

GREAT! WHERE DO I START?

Not so fast, enthusiastic creator! Lettering isn’t something you add in the end. You need to plan this carefully from the beginning. Webcomics are a visual medium, and that’s a double-edged sword. You can communicate a lot through art, but there’s not much space for dialogue unless you plan carefully from the very start. You can’t clutter the page with line after line after line!

That’s why, before starting to draw the page, you need to be aware how much dialogue you’ll have this time. Write it somewhere, analyze how much space you will need. Keep in mind the text is a piece of a larger picture, so to say. You can’t let it overshadow the rest of the page.

I’M DONE PLANNING.

Congratulations on completing the first step! Now you may start drawing. Whether you sketch on paper or digitally doesn’t matter, what matters is that you sketch. Why? Because this way you can plan where you’ll place the speech balloons. It’d be a shame if at the end your dialogue covered too much of the art, this can be easily prevented if you sketch. While you draw, imagine where you may be placing the speech balloon, and avoid drawing too much inside that small area. You also may adjust the size of the frames, leaving enough space for the speech balloons without having to sacrifice part of the art.

So you got your art done! Well done, now place the speech balloon. There are many speech balloons you may use, depending on what you want to communicate.

These are more like guidelines, the most used meanings for these type of speech balloons. You as the author of the webcomic have the liberty to adjust speech balloons according to your style and needs. You could modify speech balloons to make them fit a character. Color, shape, font, all that are qualities you can change according to situations. You’re the one who has the last word on the matter!

---Guilded Age

To keep your speech balloons orderly, try to accommodate the words in the shape of a square. Avoid long lines, occupy as little space as possible with the speech balloon. Make sure the tails are pointing at the character who is speaking. It doesn’t have to touch the character; all it needs to do is point in the general direction the character is at.

Angelica Maria, the author of Solstoria, mentioned this as her usual technique on how to accommodate text inside a speech bubble:

I try to keep the text in a speech bubble looking like a "Square", so for example

"Oh no, I'm being

held accountable

for my actions!"

The middle line can be extended slightly depending on the shape of the bubble. This is just something I keep in mind, it's not something you have to follow to a T or anything. I just want to make the lettering look somewhat good.

Wait, but how to position the speech balloons? Generally, it’ll be better to position them in a way that’ll guide the reader’s eyes in a natural direction – left to right, in other words. Take this for example:

---Girl Genius

See? The speech balloons are positioned in a way it’d be easy for the reader’s eyes to move towards the right. The dialogue always starts on the top left corner and moves either in an arch towards the bottom right corner or in the top and bottom parts of each frame. It’s not a requirement to set your speech balloons this way, but it’ll certainly make it easier for the reader to read!

To put it in a nutshell: as a rule of thumb, remember to direct the balloons placement in a way that leads from left to right or from top to bottom.

Another thing you have to remember and keep in mind if what font you’ll use for your lettering. What kind of font would be the best for your dialogue? Any font that’s legible at small sizes will be good. Maybe Comic Sans would be your first thought because, just as its name says, it was created for comics, and that is because Comic Sans is meant to be readable at small sizes. That doesn’t mean you have to limit yourself to using Comic Sans. There are many other fonts that could be useful to you!

I recommend you take a look at this website. It has many fonts that can be used in the comic book industry, and most of them would be good for your webcomic, no matter the genre. Some are paid fonts, but there are many fonts that are free to use and can be useful to you.

Here, take a look at some fonts you could use! Compare and decide!

Personally, I like how the Back Issues font and the Kid Kosmic font look!

Generally, it’s recommended you use all-caps in the webcomic, as it’ll be easier to read. Most of the fonts you’ll find for comics often only have capital letters, so most of the time you just will have to type without worrying about activating the all-caps function.

I HAVE THE FONT AND THE IMAGE. NOW WHAT?

Open your sketch or finished image in your software of choice. For the purpose of this post, I’ll suppose you have Photoshop. Most software you can use for these purposes have the same basic functions, so it doesn’t really matter.

Create a new layer above your image. This layer will hold the speech bubble itself – the writing will go in a different layer. Don’t start drawing ellipses or circles yet! Instead, write the text you want to use, and place it where you want it to be, and the size you want it to be. If the text tool didn’t automatically create a layer when you used it, manually make a new layer and place the text there. It’s a good idea to have one layer for each speech bubble, don’t lump all speech bubbles in the same layer.

Once you have the text written, you can make the speech bubbles themselves! The quick option would be to use the ellipsis tool and fill it with white color, but the result will end being rather generic. How about you try to draw the speech balloon by yourself? Use a tablet or, if you don’t have one, use the pen tool. It may take some practice, but this should give your webcomic a more professional look.

You don’t have to make the balloons perfectly round. As long as it’s decently round and doesn’t look like something splattered all over your image, you’ll be okay.

Remember to leave some space around your text, though! Constricting your dialogue into a speech balloon smaller than it is not a good idea.

See?

Also, there’s a technique that could make this easier for you. In Photoshop, there’s a special layer effect called ‘stroke’. If you configure it correctly, everything you draw on that layer will be surrounded by an outline. Make sure to configure it so there’s a black border, of two or three pixels wide, and that it’ll be placed externally. Use a brush with a white color to make the speech bubbles, it’ll immediately be outlined, with no additional effort on your part! If you want to recreate these characteristics in new layers without having to open the window again, all you have to do is duplicate the layer while it’s empty. That’ll give the same characteristics to the copied layers!

Those are the basics of speech balloons.

Dialogue isn’t the only text you may use in a webcomic, though. There’s also expository dialogue, like a monologue, thoughts or notes you’re adding to the page, for one reason or another. What to do, then?

---Between Failures

Usually, these are done in these rectangular boxes. These could be considered similar to speech balloons in many ways, and follow many of the tips and rules speech balloons have. When asked, the author of Between Failures said this:

I've only done this two or three times in the entire run of the comic. It's not talking because it would make the character look insane if he monologued out loud to himself for a couple of pages. This is basically just expository narration to set up the premise of the comic in a single page.

How much expository narration is necessary for a webcomic? It’s not like there’s a definite answer to such question or a guideline you need to follow, but it may be worth remembering that webcomics are a visual medium. Sticking to the ‘show, don’t tell’ may be a good choice, since illustrating some of the exposition may help get it across better than text would, with the risk of breaking the pacing a bit. It all depends on the situation, so trust your intuition, ask yourself what you’d like to see!

I UNDERSTAND!

Excellent, I’m glad to hear that.

Oh, right, there’s one thing more you may want to hear about: can you stylize your speech balloons? Give them your own touch? By all means, go ahead! If you feel it’s appropriate for your webcomic and you think it looks good, then experiment all you want. Gauge how the speech balloons look in your webcomic, maybe ask for a few opinions...do everything you can so the end result is something you’re happy with.

It doesn’t have to be anything complicated. Simple measures such as a shadow or a border around your speech balloon can be quite effective to make your webcomic have a distinctive mark to make it stand out from the many, many webcomics available on the Internet.

---Solstoria

I started adding them because I removed the black outline on the bubbles and felt they looked better with a drop shadow and now concrete outline. I also removed the outline of the comic panels of Solstoria in general around that time too! I just did it because I wanted to try something different and I liked how it looked. I know Solstoria isn't highly structured, but I enjoy experimenting with it.

As you can see, speech balloons aren’t something done spontaneously if you want professional results, but the effort will be worth it!

---

I hope everything discussed in this post is of some use to you. Good luck to all your endeavors in the field of webcomics!

#webcomics #webcomic #tutorial #tips #reference #refs #lettering #webcomic creation

9 notes · View notes

nicolecadet · 6 years

Text

Digital Walkthrough – Dragon Thrall

From April 2007. Nowadays I tend to completely work in Photoshop CS, but many of the techniques are the same no matter the software. This is a fairly rambly post as it's taken from notes I made while painting. This is NOT the way I work for client work!!!!! This was a personal face study that I built a painting around. I now plan things!

This painting was completely unplanned. It started out as a gothic vampire piece… ended up something completely different! These are some of the notes I posted to LiveJournal while painting, and subsequently featured in February 2008’s EMG-Zine.

Normally it’s a good idea to plan a painting. You should work out your composition details, color schemes, lighting sources and other technical details, but sometimes it’s more fun just to get in there and paint! Some of my best paintings have been the result spontaneity, experimentation and sheer desperation to fix a mistake! It started out as an exercise in skin tones, turned into a modern vampire piece and ended up having dragons! Hopefully you’ll learn a few things about why planning can be useful, as well as why it can also be fun to follow the rambling path your muse sets you on!

A few thoughts on digital art and painting software:

There is a plethora of information on digital art available online. This article isn’t a basic A+B=C tutorial. It’s more a discussion on the creative process I employ while painting digitally. For this article you will need a basic understanding of Adobe Photoshop or similar software and have access to a digital graphics tablet (or be really good with a mouse!). Access to Corel Painter would be handy too, however you can get similar effects in Photoshop with a bit of experimentation and practice.

I use Photoshop and Painter together. I’m not going to argue about which one’s better – because frankly it’s like comparing a banana with a pineapple! They’re both graphic software programs, however they’re designed for completely different purposes. Photoshop is an editing tool which you can paint with. Painter is purely designed for painting, with a few editing tools thrown in. With each new incarnation the blurring of these definitions decreases. I’m sure that if you experimented enough, you could probably get the result you want in either software.

Setting up the canvas

I started the painting as an exercise in skin tones. I hadn’t worked in Painter for a while and thought it was time to flex those painting muscles again. Unfortunately some versions of Painter can cause files to corrupt in native Painter file format (pre-version 5), so I recommend that you either create your file in Photoshop first, or save the files in Photoshop format (*.PSD extension)

Just like painting on paper or canvas, a blank canvas can be very intimidating. I always lay down a color of some type on the background layer just because it’s something to start with. When you plan a painting it’s a good idea to think about the lighting in regards to the background. If you are painting a scene which is sunny, then a warm yellow or warm blue might be a good choice. If you’re thinking about a night scene then start with a dark indigo or a cool blue. If it’s in a forest you may want to think about a green, while a snow-filled landscape may require a pale lavender-blue color.

As I said, this was a practice for skin tones so I decided on a dark maroon to pick up the dark tones in the hair (I’d planned on painting a redhead). Most of the time I apply a lighting filter, or a gradient to make it more interesting – kind of give it a focal point.

The first character I sketch on a separate layer to the background/ canvas. When painting directly onto the computer with a graphics tablet I generally start with a few lines to work out the placement of the head, eyes, mouth, nose and ears. I then work out a few ‘base’ colors that I will use for the skin. I place ‘dabs’ of the color I use regularly somewhere on the canvas:

A mid pinky-brown color – the base color

A pale yellow/ pink color for highlights

A redder tone of the base color used for cheeks and nose area

A purple version of the base color for shadowing

A darker brown-pink for the deep shadows

A light pink-purple (not shown) for blending in areas where the skin is fine and the veins show through.

In later versions of Painter you get a tool called a ‘mixer’ where you can place dabs of colour and create variants using the mixing tools. If you are having difficulties with colours try using the colour picker on real photographs and see what ‘real’ skin colours look like. You’ll probably be quite surprised!

Once I have the colours and some lines down I begin to paint. For this face I used Painter’s digital Airbrush set at about set at about 10% opacity, 100% Resat, 0% bleed and 0% jitter. I vary the brush size from about 150, right down to 2 or 3. I spent about 2 hours to get to this stage.

A few notes on skin tones:

Every person has a different skin tone and texture – we’re not all a standard ‘flesh tone’, straight from the tube

Men and women also have slight variations in colouring

Different nationalities have different skin tones. Some have ruddy complexions, others a yellow undertone, while some have dark skin. Study photographs, place them next to each other and note the differences

Skin tones reflect the colours around them. If you are wearing a purple shirt, you will get some reflection under your chin depending on the lighting. If you are standing next to a yellow wall, the side facing the wall will reflect the yellow.

The colour of the lighting impacts on skin highlights and shadows. If you use a yellow light, the shadows of the skin are generally the complementary colour (in this case purple).

One thing I remember reading (Don Seegmiller in his book Digital Character Design and Painting) was the fact that the strip across the nose section of the face is pinker than the rest, while under the eyes should be purplish-blue as the skin is so delicate here. I recommend his book for color theory, regardless of the painting medium! In fantasy art, the ability to create convincing skin tones in important, particularly if painting something like a Drow, or even an alien with blue skin

Adding the hair

Hair is basically made from 4 colours which I vary the opacity and size of the bush. The illustration below shows the four colours and the way I build up the hair.

A mid tone

A light tone

A dark tone

A very light tone for the highlights

Why having no ‘theme’ for a painting can be a problem!

Like most sketches where I don’t think about anything much except picking up the ‘paintbrush’, I get to a point where I start wondering about things like ‘does she want straight or wavy hair’, ‘does she wear modern or old fashioned clothes?’, ‘what the heck do I do with the background?’.

At this point I was listening to rock music and it was about midnight so I decided it should be a vampire/ gothic piece. Originally it was just going to be a strapless dress but it ‘felt’ wrong. I added a leather jacket and a cameo choker. I planned on having a night sky, maybe the silhouette of a building. This means that dark blue is going to have to replace the maroon canvas colour. A guy is going to be behind her, all ‘vampy’ and hopefully pretty good looking! I took a break and came back to the painting after some food. I’d been working for about two or three hours and realised that I’d changed the angle of her torso mid painting which is why it is looking odd. This is why it’s a good idea to plan your painting before you begin! You can waste a lot of time working on something, only to realise there is an inherent flaw in the drawing. So I really had a think about where the painting was going… which was feeling like the great digital dustbin in the sky!

Unfortunately I only had a clear picture of the character’s faces so I was basically very aimless when painting. I get bored with details so I moved onto the male character. I knew I’d have to revisit the female character but something was really bothering me about her and I didn’t want to think about it too deeply. I spent about 2 hours working on the guy. Notice that his skin base is slightly more yellow. Guys’ faces are also more angular than females (generally) so I painted in a more aggressive manner, not blending as smoothly as for the female. I also added in some texturing with a ‘captured bristle’ brush.

A note on photo-references:

When I work from photo references I try to avoid working directly from one reference for copyright reasons. Each painting I’ll often work from at least half a dozen images (which I normally collect AFTER I’ve made the initial sketch). I also have a huge collection of images that I’ve harvested from the net, reference books/ CDs, personal photo references.

I also like working with greyscale images and using small images so I can’t rely upon them too heavily. This way I can make the colour up on the fly. I also find that it helps to practice sketching in greyscale. You focus on rendering the form rather than colours, which teaches you a lot about volume, lighting and texture.

Back to the painting

I spent another 2 hours on this (up to about 10-12 hours now). I kind of became obsessed with finishing his face. I put him in a leather jacket and white shirt and played around with where his arm should go, ultimately deleting it. I changed the background colour to a near black colour while I was playing with things. I’m still not convinced about what’s going on in the painting. But I’m happy to let my mood decide what’s going to happen. I enjoy these kinds of paintings because I just let the paintbrush take me where it wills. However it’s getting to the stage where I will need to decide if I’m going to do something with this painting, or just file it as an experiment.

I’ve got more details to do… tidying up his eyebrows, giving his skin some texture around the jaw line, finalising his nose and lips, and one of his eyes is slightly off (shadowing and shape’s wrong… but I’ll fix that up later.)

Vampire goes Renaissance?

I’m heavily influenced by music. When I paint I listen to a variety of music, and often it can influence what I paint. I stopped listening to my Dishwalla album and put on Medieaval Baebes… at which time I thought to myself ‘this is just two people standing together, there’s no fantasy here’. So the painting went Venetian 16th century!

I’ve obsessed over historical costume for as long as I can remember and one of my favourite paintings is Rafael’s La Donna Velata. I deleted the leather jacket and replaced it with a front-laced bodice over a creamy chemise. This costume was popular with working classes as it was comfortable and didn’t get caught up while working. I think it is important to think about the clothes you put your characters in… it is part of their story. It can suggest what they do and their status in society, it can also indicate if they’re light and fluffy, or rigidly straight-laced.

A few hours work went into the dress. It’s not finished yet. This is only the basic form. I’m debating about patterns and colours. The more elaborate fabrics tended to be used a few decades after this dress style was popular, and only by the wealthy, but it’s fantasy so I guess I can do what I like!

Working out the background:

I have decided a night sky doesn’t suit the lighting of the characters, so I’ll do a dawn/ dusk sky. I flicked through some reference shots of skies and started laying down some colours in Photoshop with a large airbrush tool. Not much I can say about skies except for the light will reflect on the characters, which is why it’s not a strong sunlit scene. In this low light there won’t be much reflection or shadow.

I’m still playing around with the idea of having a column behind the male character. The sky’s getting close to being completed. I’ll start looking at the lighting in the painting later on… normally that’s something I do in the planning stages for a *proper* painting. It’s up to about 200MB… time to save a new copy and collapse a few layers I think.

On a side note, I’m not happy with the poses or placement of the characters. They’re too rigid. There’s no connection between them, I need to bring them together somehow. I’ve started to realise the girl’s body looks too small and much too straight on for her head. I’m going to have to repaint whole chunks which will be a lot of extra work. You can do this with digital, however if I’d planned the painting I wouldn’t have to be ‘fixing mistakes’ at this late stage!

I added some columns and moved the characters closer together. Each character is on a separate layer and I often take a copy of a layer to do the modifications (in case I muck it up!) I also do iterative saves… I have 7 versions of this file from various ‘major’ points from within the painting.

I like the placement better than the previous version, but I know that I’m going to have difficulties with his arm placement. I also don’t like her headpiece. I haven’t spent much time on it, but it just looks wrong – far too elaborate. I’ve got a feeling that she’s not the kind of girl to wear masses of jewellery! The pose is still disjointed. Why is she moving away from him? It doesn’t exactly look like a comfortable pose. Is he trying to put on her cloak, take it off, or strangle her? When you paint, you have to think about how the painting could be interpreted.

The home stretch

Unfortunately I sat down and painted in one marathon session (without taking saves part ways through). Inspiration struck and all at once I knew exactly how the painting had to look. All the missing elements fell into place. I had the narrative that went with the painting, I knew why they were standing together. The pose was vital to the scene. I think it is important to know ‘why’ things are the way they are. Sometimes it can be as simple as ‘because it looked right’ or ‘because I want the viewer to feel scared’, but with more narrative pieces, the ones that work best tend to make every piece of the painting into something vital to understanding the whole piece… like clues in a mystery novel.

I ended up moving her directly under his chin and slightly curved into his body and moved his arm so he’s supporting her, rather than embracing her. The sky remained unchanged however the bottom needed a focal point – it was too empty. The forest and cliffs are a scene I’ve used in numerous paintings… they are like an old friend – something quick and easy.The lake came next, and the glow lights (which have no real meaning, but they ‘fit’ with the mood of ‘magic in the air’). It still was looking empty. In the story in my head the character’s connection is through dragons. I’d already planned on giving the female character a dragon necklace and the male character golden eyes, however I think a more ‘literal’ representation of the dragon was needed. The placement was deliberate in that I wanted the viewer to follow the motion from the dragon to the characters and back around.

Often when I’m working without reference (like I did for their poses, I try to work out their bodies in their entirety. Even though it still looks a little ‘wrong’, because of the angle of his body, his shoulder is right behind her hair. I tried extending his shoulder but it didn’t look right either.

I added an Overlay layer to do some lighting along the side of the girl’s head and the columns. There are 13 layers in the final version (after I collapsed the multiple character layers from the previous version).

I thought I was finished. I posted it online, added it to a few galleries, but something was still a little unrefined. So I stepped away from it for a week or two (see further down for the revised version).

Some notes on Composition

I like working with the Golden Mean (also called the Golden Section/ ratio/ proportion/ The Divine Proportion). It’s a way of dividing up a painting so that the image is artistically and geometrically pleasing. It’s based on mathematical principles and can be seen in nature in such shapes as nautilus shells. Below I’ve added guidelines in pale blue that divides the painting into thirds. Notice how the parts of the painting that your eyes are drawn to tend to fall along the lines, with the light in the forest being at a ‘focal point’, where the lines intersect.

The painting’s composition loosely fits into what is called the ‘L’ Composition

It could also fit in with ‘V’ or ‘triangular composition.

The trick is to try and get the viewer’s eye to follow the movement from one point of the painting to the next

Final Piece:

I went back and refined it a little… just added a few more details to the hair, fixed the column and tidied up the tree-line. There are still aspects I’m not entirely happy with, but I’ve spent enough time on this painting… I don’t want to overwork it.

So 20 or so hours later, here’s the final piece and the story that goes along with it:

Text I wrote to go with the painting

The dragon-thrall caught her, its silken threads binding her mind to the golden dragon completely. Kara and the great beast launched upwards as one, pushed from powerful back legs. Muscles flexed as the wings extended fully, capturing the wind and propelling them higher still. Freedom! She threw back her head and laughed, the rumble echoing from the surrounding cliffs. The sun and sky called to her, daring her to fly higher and faster than she could ever dream.

She wheeled to the right as she caught movement in the valley below. Ruby eyes fixed on the deer. Tucking her wings to her side, she dove towards the earth, pulling up just above the forest, the trees bending then snapping back in her wake. Kara could taste the hot, sweetness of the blood. She wanted it, lusted for it, she had to have it. It was a burning pain that drove her.

Something yanked at her. Whipping her head around in annoyance she couldn’t see a rider. Focusing on the deer again she snarled as the strong will commanded her to stop. The hunger tore at her, but still he cajoled her, coaxed her, and compelled her. Snarling and baring her teeth she snapped at the unseen force. Finally he dominated, wrestling control from her. Emotions flitted across her mind – fury, hatred, pain, desire. And then she was in her own body again.

Rhys caught Kara as the dragon-thrall released her. He’d been with her throughout the flight, his golden eyes seeing just as the dragon had.

“Now do you understand?” he murmured, his breathing still ragged from the clash of wills. She shuddered, glad to still be in his steadying embrace.

“It helped, but I don’t think I’ll ever understand them, not the way you do.”

Prints and products are available here from RedBubble , painting can be found in the Dragon Fae Oracle as the Lovers card.

#tutorial #colour theory #painting #digital art #dragon thrall #walkthrough

1 note · View note