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#polish farmers
The Polish farmers are now resorting to blocking roads all over Poland. I presume they think their message wasn't loud enough, but that is not the case, it's just that their cause is misinformed and their acts objectively evil.
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head-post · 1 month
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Polish farmers to suspend protest at Russian border over upcoming Easter holidays
Polish farmers suspended a protest action in the village of Grzechotki on the border with Russia because of the approaching Easter holidays, Polish Radio reported on 24 March.
Farmers are surprised by the amount of goods entering the European Union from Russia. Jerzy Salitra from the board of the Warmia and Mazury Chamber of Agriculture said:
“The European Union has not yet decided to ban grain imports from Russia to the Community. Trade with Russia is constantly ongoing. They transport a lot of things, including gas, and not just liquefied gas, one driver said he was carrying methane.”
It was originally planned that the farmers would block traffic at the Russian border crossing for at least a month, allowing one vehicle per hour through. At the same time, the blockade of the border with Ukraine, which Polish farmers reinforced on 20 February, continued.
On 24 March, a representative of the State Border Service said that Polish farmers prevented trucks from leaving Ukraine at the Yahodyn and Rava-Ruska checkpoints.
Poles also do not allow lorries from Ukraine to pass through the Uhryniv checkpoint, the spokesman for the State Border Service Andriy Demchenko said.
Read more HERE
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marietheran · 2 months
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Given how much stuff blaming Poland for helping Russia as regards the case of farmers' protests and closed borders I've seen recently; here's my translation of a more balanced article I've read:
"(...) The protesting farmers demand that we immediately broaden the embargo to all farm produce. They say that only when we give the Ukrainians no choice will they become more humble in their negotiations. Certainly, our Eastern partners, independent of the fact that they are at war (if anything can be independent of that) are difficult interlocutors. (...)
Only that the current difficulties are hardly caused by the import of food from Ukraine to Poland. The reason is trivial - Ukrainians prefer to send their goods to wealthier EU countries. This, next to the falling prices of agricultural products globally (which is completely independent of Ukraine, let us add), is the main source of our problems. Polish farmers are losing markets in Western Europe, and it must be remembered that as much as 80 percent of their produce goes there. Even if the Polish government banned the transit of Ukrainian food, contrary to all EU rules, it would still reach the West through other channels.
The only alternative is to convince the European Commission to introduce quotas, as before the outbreak of a full-scale war. However, let us not delude ourselves that the Commission will do it. Again, the reason is trivial - it is not Ukrainian farmers who export agricultural produce, but international agroholdings that have been operating in Ukraine for years. Holdings that belong to companies from Germany, France or the Netherlands, and which do not have to comply with the strict standards introduced by Brussels beyond our Eastern border. In fact, it is in the interest of these entities to weaken their competition in Poland. (...) The war in Ukraine has, paradoxically, become a perfect excuse to let agro-oligarchs into the EU market.
However, this is still but a piece of the full picture. The above-mentioned companies make money on Ukrainian land and from the work of Ukrainian farmers, but Kiev does not receive much of it because these companies are registered in tax havens. Today, President Zelensky's administration is fighting with the Polish government not so much on its own behalf, but in the interests of Western corporations. Maybe they hope that they will get something extra from Berlin or Paris in return, but I am afraid that this belief is quite naive.
To sum up, it is not Ukraine that is the source of Polish farmers' problems, but the global ownership structure in this sector. If our politicians wanted to solve this problem, they would have to convince our producers to consolidate, because today Polish farms are much too small and unable to compete even with European giants. However, bearing in mind the fact that farmers have not been keen on such voluntary "cooperative" consolidation for years, the government would have to do it forcibly. Can you imagine, Dear Reader, that any Polish government would announce the collectivization of agriculture? [Note: the last time this happened was under the communist government forcibly established by Russia]
Me neither. This, however, means that Polish agriculture will systematically decline. Politicians of various stripes will throw accusations around and look for scapegoats, because no one will dare to admit that there is really little that can be done about it.
[He goes on to say that perhaps something might be done, but since he doesn't offer any ideas anyway, I'm cutting it off here]
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lady-nightmare · 2 months
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OFIARA MEJZY NIE ŻYJE – OSZUST UCIEKA Z SEJMU❗ROLNICY ATAKUJĄ POLICJĘ I ...
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fattributes · 29 days
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Pierogi Ruskie
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astrolavas · 11 months
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Because of you I hate Hunter now. Tomatoes are disgusting and anyone who likes them are my mortal enemy. How could you
NO TOMATO SLANDER IN MY HOUSE !!!!
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unhonestlymirror · 1 month
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Yk, in Ukrainian, there is a phrase "анус собі заблокуй", I think it suits here perfectly XD
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bluehairedspidey · 1 year
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illustratus · 1 year
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Evening Prayer of a Farmer by Artur Grottger
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mesquitecandle · 7 months
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Been a long time since I played SDV, but running across a character creator and a profile maker made my hands move.
Not my first character, though.
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head-post · 1 month
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Polish farmers blocked road connecting Warsaw and Berlin
Polish farmers blocked two border crossings on the border with Germany on Monday, local police said.
EU farmers, including Poles, are demanding a change in the restrictions imposed on them by the EU’s Green Deal climate change plan, as well as the re-imposition of customs duties on agricultural imports from Ukraine, which were cancelled after the outbreak of military conflict in February 2022.
On Friday, the European Commission made concessions to farmers by proposing to relax a number of rules on leaving land fallow or rotating crops.
On Monday, farmers blocked the Swiecko and Gubinek border crossings on the border with Germany. A local police spokesman said the blockade began on Sunday and would last until Wednesday. Marcin Maludy, a spokesperson for the police in nearby Gorzow Wielkopolski, said:
Traffic in Swiecko and Gubinek is blocked, you cannot travel in either direction.
Read more HERE
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his-writing-blog · 4 months
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Jak ostatnie dni | Shane x nb!Farmer
Shane wasn't it the best mood right now. It has been raining for three days, which meant that the summer was about to end. That meant he had to get back to working even more than full time. Yoba, he's gonna miss having more time to spend with Jas or sloping around the house. As he was walking by Emily's house, someone ran past him almost pushing him down. He yelped but easily steadied himself.
The person slowed down a bit and turned his head around. "Sorry!" And with that they bolted again towards the staircase by the clinic. Ah yes. The new comer. Marvin, or something. They've been living on the old farm for almost half a year now. They were quite a wierdo, in Shane's opinion.
From what he heard from Marnie, they hadn't been socialising at all with anyone. They only talked to Pierre, Robin and her in matters of buissenes. All other interacctions were shot down with them telling how busy they are.
Looking at it from Shane's perspective, he wouldn't fucking care if they didn't almost crash into him. He frowned and yelled at their back. "Watch out, douchebag!" They didn't even look back at him when they dissapeared behind the building.
Shane shook his head and slowly continued forward. As much as he hated his work, he needed the money. He looked at his feet and kicked the pebbles laying on his way. He was already soaked and battered. Shane couldn't wait for visit in the saloon after his shift. He wondered whether he should get himself beer or beer. Tough question, he said to himself trying to light up a bit.
It wasn't a long time before he was by Pierre's store. Shane stopped by the board and looked at the news. It was 26th day of the month, which truly meant only three days and ofically the autumn would start. He sighed and continued onwards.
Shane barely stepped out behind the store when he heard someone shout out "Look out!" and something crashed at him with full strenght. He automatically shut his eyes and grabbed the mass. They fell to the ground.
Shane grunted in pain and opened his eyes to see who was so careless. The problem was, that all he saw was white. At that moment Shane was almost sure that he was left blind by the accident, untill the whiteness got creased and moved with the huff of the person on top of him. As Shane was about to move, a mixture of a few scents hit him hard enough to left him stunned for a bit. He smelled the younggrass, a bit of the salty ocean breeze and, the most impactful, the scent of the ground after a storm. Those scents mixed with the smell of the rain on the concrete messed with his senses. A few second passed before he noticed that the person rolled off him to the side and that the smell was gone.
"Oh shit, are you alright?" The person was now kneeling over him. Shane looked over them. Of course it was the new farmer who could be running around so carelessly at this time. As he tried to sat up, they grabbed his arm and steadily helped him up. The scent hit him again and he couldn't help himself but look the newcomer up and down. They were quite young, probably still in their twenties. They had tanned skin, longer dark purple hair and big hypnotizing lavender eyes. He could swear that they almost glowed in the gray of the day. They wore a white shirt under brown jacket and jeans.
"Maybe we should go to the clinic? I think the doctor will take us in if I tell him what happened." The farmer was getting worried over the lack of any response from the man. Shane imidiately shook off the wierd feelings and shot up to his legs.
"What the fuck do you think you're doing? Running around, not even looking if there is anyone around you!" Shane scolded the kneeling person. "What if it was Evelyn that you crashed into? She wouldn't be able to just shake it off like me!" He grabbed his head and looked impatiently at the farmer.
They looked at him, their mouth open as if in disbelief that Shane could become so angry. They stood up and brushed off some dirt from their wet pants. They looked sheepishly at Shane and quietly responded.
"I am really sorry. You're usually over the bridge by now and there is no one expect the old lady that would be coming out in a few minutes..." They fiddeled with their fingers anxiously. "But I usually manage to get around here in between of you two walking. It's just that my dog managed to run away and went into the woods in the morning. He didn't get far but made me just enough late to throw me off the rythm... And then you were a bit late to pass the store which I didn't foresee. And I am really sorry about that." They rambled.
Shane shook his head and looked him up and down again, this time putting some disapointement behind it. They were a bit taller than him, but only by a centimeter or so. "Just don't let it happen again, okay?" He felt a bit sorry for the farmer. He couldn't imagine what would happen if he woke up and Charlie endes up missing.
The farmer smiled at him brighly and extended their hand towards him. "For sure." Shane grabbed their hand in an awkward handshake. "I'm Marley, by the way." They introduced themselfves. "Hope we could have met up in a different scenario." They laughed lightly.
"Shane." With that he let go of their hand. They smiled awkwardly at him again. But within a second their face got worried and they were again rushing towards the beach.
"I'm sorry, I have to go now." They called after him. "See you around!" And they were gone.
Shane stood there in shock. But as the nine has struck on the mayor's house clock, Shane was pulled back from his thoughts. He's late to his shift, fuck. He ran to the jojamarkt, cussing at the weather, his boss, and the strangely captivating farmer.
Later that day, Shane dropped a whole package of soup when he realized that Marley smellt like everything he loved about summer. Morris did cut his pay from this incident.
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aloisiahalo · 10 months
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My annual Stardew doodle dump jajaja
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unproduciblesmackdown · 9 months
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oh the broadway world review of summer stock (a) loved it as much or more than anyone (b) has as much or more info than anyone and (c) generally has the most vivacity thus far
Summer Stock made its world premiere at The Goodspeed Opera House to a most deserving enthusiastic standing ovation. Based on the 1950 MGM film starring Hollywood legends Judy Garland and Gene Kelly, Summer Stock is a spectacular production with phenomenal dancing, feel-good music, and a sweet story, all modernized for today’s audiences.
Audiences will recognize and love hearing classic songs by Irving Berlin and from The Great American Songbook, including “Happy Days are Here Again”, “Accentuate the Positive”, “I’m Always Chasing Rainbows”, “It’s Only a Paper Moon”, “Me and My Shadow”, “Red Hot Mamma”, “’Til We Meet Again", and “You Wonderful You”. Summer Stock’s writer, Cheri Steinkellner, takes the original film story to a whole new level that both contemporary and classic theater goers will absolutely adore. Steinkellner provides additional lyrics to upgrade the story to first class. It’s hard to believe that she “got the call” to write Summer Stock in October, completed the workshop draft by March, and had the rehearsal draft ready by June for a July opening. Steinkellner clearly works well under pressure - Summer Stock is a diamond.
In the Writer’s Notes, Steinkellner elaborates on the restrictions of bringing the film to stage (like how heavy farm machinery wouldn’t fit up on the Goodspeed stage) and how she tackled answering the many questions that the original film glossed over: “Why is a Shakespearean matinee idol starring in a musical in a barn? What happens when you make show-people wake up at sunrise to muck out the stalls?” and more. She repositioned and repurposed the film’s original songs like “Howdy Neighbor” and “Dig for Your Dinner”, so the classic elements that film fans are looking for are still there - only, frankly, much much better. Lastly, she addresses the challenge of “crafting a [contemporary] story to support a diverse cast of characters with intention, authenticity, and care.” Steinkellner rose to the challenge, knocked it out of the park, and created a great musical in record time.
The story is simple and sweet. Set just after World War II, we meet Jane Falbury (Danielle Wade), a doting daughter working the family farm with her father, Lt. Henry “Pop” Falbury (Stephen Lee Anderson). The Falbury Farm is in trouble thanks to the devious and ambitious Margaret Wingate (Veanne Cox), who has grand aims for a monopoly over the Connecticut River Valley. Scheming with her naive son, Orville (Will Roland), they will stop at nothing to own the farm. Meanwhile, Jane’s showgirl sister, Gloria (Arianna Rosario), has moved to The Big Apple to make it on Broadway. She wins a spot in the chorus line of Joe Ross’ (Corbin Bleu) brand new show. With his sidekick and music director, Phil Filmore (Gilbert L. Bailey II) in tow and a Shakespearean star, Montgomery Leach, ready to take center stage, they hit a snag when they lose their rehearsal space. Gloria suggests uprooting the show to rehearse in her family’s barn. Jane, who is fresh out of farm hands, reluctantly agrees to let the actors stay in exchange for earning their keep. The company’s tight harmonies might not charm Jane at first, but they certainly had us swooning. I won’t spoil the entire plot, but will say that hilarity ensues, hearts flutter, dreams are realized, and it’s wonderful.
When I first heard about Summer Stock, I cynically thought that it felt too familiar. The show is set on a Connecticut farm whose owners have fallen on hard times and risk losing their livelihood. They turn to their Broadway friends, who are amidst the usual uphill battle of making it big in show business, and agree to put on a brand new production in the barn to raise funds to save the farm. It’s based on the film of the same name, features music by Irving Berlin, and includes incredible tap numbers, and spotlights America’s sweetheart Corbin Bleu. Hearing that alone, I’d think this was a copy/paste of Tony Award-nominated Holiday Inn: The New Irving Berlin Musical, which opened at The Goodspeed in 2014 and went to Broadway in 2016. We’ve seen a number of Irving Berlin musicals, including White Christmas, and the most recent Broadway production Nice Work if You Can Get It, starring Kelli O’Hara and Matthew Broderick. So, what more is there to add to this Broadway subgenre? If you’d asked me before, I would argue there’s “Nothing More to Say”. I was very wrong. Summer Stock raises the bar with phenomenal choreography, clever storytelling and humor, beautiful orchestrations, and unparalleled performers.
Speaking of unparalleled performers, the cast is perfection. There’s not a single throwaway line or character. They’re all exquisite gems and I’m running out of words to compliment them all. The “city mice” dancers and ensemble features Erika Amato, Hannah Balagot, DeShawn Bowens, Ronnie S. Bowman Jr., Emily Kelly, Francesca Mancuso, Tommy Martinez, Corinne Munsch, Gregory North, Kaylee Olson, Jack Sippel, and Cayel Tregeagle. Danielle Wade sweetly croons just like Judy Garland and swept audiences off their feet. As I left the theater, I overheard two ladies praising Wade for her stupendous performance, saying it was perfect likeness of Garland, yet even more meaningful. Arianna Rosario, as the sugary sweet sister, is absolutely delightful. Stephen Lee Anderson, as  the veteran and father, tugs our heart strings. Gilbert L. Bailey II and Will Roland had the crowd roaring with laughter as the feisty music director and innocent corporate heir. Veanne Cox, as the melodramatic mother and CEO of Wingate Agricultural Corporate, had the crowd roaring with laughter from the moment she spoke her first line. Not to be outdone, J. Anthony Crane, as the over-the-top Shakespearean star, brought down the house with his entrance alone. Together, Cox and Crane generate instant heat, which is especially appropriate since they rock the stage with Red Hot Mamma. The cheeky, interspersed Shakespearean innuendo is fast-paced, clever, and had the audience hooting and hollering. I would see the show again for this duo.
Last, but far from least, Corbin Bleu, as the show’s director, gives the performance of a lifetime. Bleu radiates pure joy and leads with heart, inviting his scene partners to shine with him. Audiences instantly fell in love with his gorgeous, velvety voice, and, understandably, swooned. Bleu previously won the Chita Rivera Award for Outstanding Male Dancing in a Broadway Show for his portrayal in Irving Berlin’s Holiday Inn, and his transcendent tapping in Summer Stock shows he’s not stopping there. Bleu’s dancing is out of this world! You can’t miss his charming and virtuosic spin on Gene Kelly’s iconic solo dance, featuring the world’s most unexpected dance partner. Corbin Bleu is a national treasure.
The 8-piece orchestra, lead by Goodspeed’s resident music director Adam Souza, performs the remarkable orchestrations, by Doug Besterman, beautifully. The score is demanding, but the musicians don’t let us see them sweat. As much as I’m gushing, I would recommend shifting the show to one hour earlier and give it a little trim. Not a haircutter’s inch, but a discreet tidy-up. As it turns out, I was in slight agreement with the obnoxious subscribers behind me, who disrupted a precious moment to voice their complaints, “This is two hours and forty minutes? Way too long!” I nearly turned to fisticuffs in defense of this phenomenal cast, but chose to deliver an icy, yet effective, glare. I digress, but Goodspeed subscribers are truly spoiled with top-rate performers straight from the Broadway stage. In any case, we could use a couple more developmental scenes to fully flesh out the plot, and I’d be willing to sacrifice by shaving a bit off some of the longer dance numbers (“Everybody Step” and “Dig For Your Dinner”) and songs. (Not too much! Just an inch! And don’t dare recast any characters!)
That isn’t to say that the dance performances weren’t epic: Summer Stock has the best dancing I have ever seen, hands down. The virtuosic ensemble, lovingly called “city mice”, perfectly deliver wildly acrobatic displays all with impossibly high-energy and make it look easy. Director and choreographer, Donna Feore, has made an unforgettable, magnificent Goodspeed debut. Feore makes use of every inch of the stage, making it feel larger than life, and her attention to detail is unsurpassed. The choreography is out of this world! Wilson Chin, scenic designer, set the stage beautifully. The Technicolor New England farm-turned-theater is framed with classic red-sided barn, delicate florals climbing the walls, and hurricane lanterns lovingly displayed as accent pieces. Summer Stock is Goodspeed’s best original production ever. The 12, which opens next, has very big shoes to fill. Summer Stock has its eyes set on Broadway. Does Summer Stock deserve a Broadway run? Absolutely. In this critic’s opinion, it couldn’t get there soon enough.  Perhaps my favorite aspect of the production were the many comedic theater flourishes. Broadway audiences will cry with laughter when they watch the city mice (actors) learn how to play the part of farmhands: “What is the farmer’s motivation?” “E-I, E-I!” Frankly, I want an original cast album yesterday. Finally, when it opens on Broadway, you’ll wish you had seen it at The Goodspeed first.
#this is the full text; the Breaks in [indented format] are from organic ones for ads & stuff on the sitepage#since the way formatting works now has an unbroken [indented text] line as One Block even if there's line breaks & Character Limit applies#fixed up a few name typos i caught....reminds me that i did check goodspeed's site again & someone Did correct ''will reynolds'' lmao#shoutout to not only this review mentioning gilbert / phil but also effectively mentioning the phil / orville duo i know is real & true#also i love that gloria is in the chorus now and not the lead....seems fitting & that eliminates [jane must take gloria's role]#and suggests that mayhaps jane's role is wholly created by/for her which also seems more apropos; thematically anyways lol#i agree re: the charm of calling the ensemble dancers / roles the city mice lol#feel free to have spoiled more plot...loving the Reviewer's feistiness also fr. the fisticuffs & effective icy glares. hooting & hollering#everyone agrees on unshocking points like ''could use a lil polish / honing / tightening up sure'' & ''fewer songs maybe''#here like ''shorter dance sequences a couple of times maybe''....also do recall via that cheri steinkellner interview i quoted#(in a separate post weeks back) that she mentioned her experience in tv serving the need to Write Fast#heard similarly before re: other ppl who worked in tv production then wrangling Shorter Than Usual development periods in other mediums#call that other media....also sure does seem like they can do another run of this show in nyc#between (a) being like ''yeah we want to'' & (b) corbin bleu is there (& others; incl ppl who've been on bway) & (c) nyt critic's pick....#summer stock#will roland#orville wingate#(p.s. i don't get the ''what is a farmer's motivation'' ''e i e i'' lol i get One ref & feel i am missing another theatre related one)
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alo-piss-trancy · 1 year
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I've been getting back into Stardew again recently... Maybe this'll finally tempt me to finish some little ficlets hhh
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indianarrative1 · 2 years
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Dutch Farmers' Protests Spread Across European Countries | German, Italian & Polish Farmers Support
Dutch farmers' protests have spread to more European countries. Now, in a show of solidarity, German, Italian, Spanish & Polish farmers have launched protests. The farmers are protesting about rising costs and govt restrictions put on livestock numbers and fertiliser use in a bid to cut carbon emissions. Watch the video to know more
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