Starting off the new year with I think the most background heavy piece I've ever made!
I think Rainwings and Nightwings would celebrate their traditional holidays together after the events of The brightest night. So this drawing is meant to show their cultures kind of blending together during a very joyful time.
I remember talking about this concept with someone on tumblr a year ago but when I went back through my posts I couldn't for the life of me find it - so if your reading this, I remember you and this drawing stems from that conversation so thank you!
Close-ups:
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dreamed about an always sunny episode where frank decides he wants to have one last big night out (which he called the “ultimate frank reynold’s party blowout”) before he euthanizes himself and the episode consisted of the gang taking him to their favorite clubs and mac took them to an underground rave or “gay bash” where dennis slowly realizes that every single person there looks exactly like him (all were played by glenn howerton in various wigs and costumes. he got an emmy nom for the episode)
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everytime i rewatch the "no i mean you. i don't want you to get hurt" scene i lose it a little bit. the eye contact. the face isaac is making. the earnestness in scott's voice. the face isaac is making. the way the camera follows isaac as he watches scott leave. the face isaac is
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u don't sound like ur taking this well
Ya know what? I'm not taking it well!
(vent under the cut)
We can't have a single character that used to be evil have a good, decent, or even proper redemption arc. The writers have proven this over and over with three different Eclipses, Old Moon, Kill Code's shamble of a redemption arc, Old Blood Moon, New Blood Moon, very likely New Eclipse, and now Ruin/Jigsaw.
It is absolutely ridiculous that the writers have decided that, instead of properly putting together a cohesive storyline where someone formerly evil can change and redeem themselves, they would rather go kill-crazy.
I find it absolute bullshit that Lunar is the only 'bad guy' that has ever received a proper redemption arc and, even then, it was never a redemption arc, but instead a realization of being abused and turning to the only other people Lunar had at the time (Monty and Moon).
And, on top of that, Solar is the only person we have seen (besides the one-off with Moonless Sun, who we've never seen or heard about since) that is apparently 'allowed' to be a good person from another dimension. And, as much as I love Solar, I refuse to believe that Solar can be the only person to come from their own dimension to the main dimension and become a part of the daycare family that can be a good person.
I find it absolutely ridiculous that they can't find a single dramatic plotline that doesn't involve making a formerly evil character evil again. Let alone that the writers don't seem to know how to space out or even properly solve dramatic plotlines at all.
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why is no one talking about interstella 5555, the 2003 no-dialogue visual companion anime film to a daft punk album that touches on themes of identity, fame, intellectual property and cultural estrangement. let’s talk about it.
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