#seeing the improvement in my art and stuff from the last comic. that was only feb guys. its been 8 months and ive gotten So much better

[thatone-highlighter]

“Do you know how tiring it is to have to reforge a bond every single time I change hands? Maybe being the Gem of Intelligence means I have to deal with so many egotistical mongrels one after the other with no breaks in between, and maybe you’re the first to actually treat me like a person!”

Felt like doing something funky for the one year anniversary of @maldito-arbol ‘s fic Ill Be Your Best Friend, second in the Were Just Human series!

Ive done this comic before but i thought it would be fun to do it a second time to compare and its such a good scene overall so. Its crazy that its been a year, it both feels like too long and not long enough. Im so glad i decided to read this series it is so good the writing is amazing and the characters are all so complicated and interesting, and of course all the people I’ve met and become friends with because of it! so i just wanna say thanks Mal, for deciding to write this i guess, this fic has been amazing it was a wonderful thing to look forward to every second Friday and its crazy to think i could have easily never met you or anyone else in the server or not if it hadn’t been for this series. So thanks and i hope this comic shows even a bit of my appreciation for you and your fic

And to anyone who hasn’t read the series, you should!! I Love fic 1 Marcy’s unreliable narrator and her mumbling habit keeping me on my toes trying to keep track of everything. The girls’ powers and the introduction to the gems and everything that happens with that is just *chefs kiss* amazing, and don’t even get me Started on fic 3 i cant even say anything without spoiling! So if you haven’t read it, go read it! Its such a good series and the writing and characters are incredible and agh! And if you have read it, read it again i don’t care its so good i could re-read it endlessly

#i did not intent to get this sentimental in the post but! its fine we deserve it <3 #bestie you do not KNOW how hard it is rn to not vauge about this. its a secret its gonna be so cool #hhhaargh! im rlly happy with this comic actually. might put it in the server seprately also becausem #i dont know if tumblr is gonna rip the quality like its done in the post maker i can see every individual pixel its awful #seeing the improvement in my art and stuff from the last comic. that was only feb guys. its been 8 months and ive gotten So much better #so proud of myself besties frfr #i was so terrified i wouldnt get this done in time but i finished this morning i was So happy #im gonna schedule this for when i Think ibybf1 would have come out but i wasnt oaying super close attention to the when at that point #i just knew it was while i was at school and id get home and read the chapter. you see mal the reaidng in class didnt start till we talked<3 #feel free to male fun of me if i emd up getting this time wrong. also its gonna be so funny and nerver wracking if we get in vc #and yr reading when the time this is gonna post goes by. i cant wait to see ur reaction to this hehe #almost didnt do this considered doing it in feb for like a one year thing and make it for ibybf11 birthday but nah #len talked me into this im glad it did thanks bestie <3 #uhhhm yeah so. hope u like this. hope it makes you all go insane. some of the inconsistencies just Happened some were intentional #Tree Man Posts #duck art #ibybf #wjh #marcy wu #sentimentality #yes im adding that one what the FUCK happened in this post #i think that quote is a good one i already used the nickname one last time #i Could post now but where the fun in that #gonna break down sobbing if Mal’s at work when this posts

[laurzzz]

Robo-Boyfriends AU (My Sona Version) - Effort

Woe word-less comic be upon ye! I think it's very fitting with my sona being mouthless LMAO. I haven't worked on RBAU in a short while so take this thingy before I continue to work on MO again :thumbsup::thumbsup:

Explanation/vent under the cut (it's VERY long, so know you've been warned)

I'm tired. I'm tired of pretending it doesn't affect me at all. I'm tired of not wanting to express genuine frustration on my blog. I've been trying my best to keep my blog and every other platform I have as a place of escape for myself. I want it to only be filled with mostly good and optimistic things. I already get enough crap and more in my private life, I don't want to see reminders of them in places where I want to escape. Which is why I've been pretending to not see the numbers, that I don't feel under appreciated, that I don't vent as much when I want to or when I do I'm quick to delete them.

I know that many artists online go through this and have expressed their frustration on this experience-- where they put in so much effort and time on their works and they barely get any feedback or interactions or when they do get feedback it's often on the works they don't even put that much effort in. I love RBAU and Cloud Nine.. they're my AUs that basically gained the most traction here but the time and effort I gave to making those comics and random pieces of gradient-themed drawings don't even compare to the rendered pieces or the animated works I've made for them.

As much as I appreciate the reblogs and comments on the posts that reached so many people, I often wonder why it's always the works that I didn't put my all into. It makes me feel discouraged... not in continuing to draw or make creative work, but to actually put in more effort. But if I'd do that--stop putting in more effort-- then I would only make myself even more miserable as I don't like stagnation. I hate stagnation. I hate getting bored of the things that mean so much to me. Sharing my art and improving on it means too much to me.

But it's weird because I tend to observe the interactions with other blogs. They look to put in so much effort and make such beautiful rendered pieces that I adore and yet they are appreciated as deserved. While there are artists who make "shitposts" (their words) who also gain so much traction and appreciation. This observation makes the voices in my brain start correlating the quality of my work to the interactions. If I'm being completely transparent, I get these thoughts a lot. But I also don't believe them. I don't want to believe them.

Before anyone starts saying "ohhh you shouldn't attach your appreciation of your work from external factors" etc etc-- I KNOW. I am FULLY aware. I'm completely aware and have rationalized this situation over and over. That this is just how the internet goes. That these are factors I don't have control over. That my work is gold and it doesn't have to be determined as such by numbers. That someday the people who appreciate my works will find me. I. Know.

Still, knowing these things doesn't make the feelings disappear. It's like I want to be mad, and cry at the same time but also understand that I just can't really do anything about this but let it be. It's as if the more I care about a project, the less likely people will. I don't want to pretend like I don't care about a project just for it to be appreciated. But I also don't want to feel as if I'm not getting as much appreciation or attention that I think my work deserves.

I've been experimenting with my works and how I post them here on Tumblr and on YT since last year. The ones that are shitposts are seriously what gets more attention AHAHAHA I am laughing with frustration. Look, I love making memes and poking fun with characters as much as the next viewer and artist but by god. I can't just keep churning out funny haha low substance stuff in exchange for interactions. That's not the kind of artist that I am. I like making things that has lore; that has depth to them. Like how I tend to make lore heavy AUs right after getting my silly, lighthearted works blow up just to remind myself that the relationship I have with my works will not grow if I keep chasing after the interactions, the numbers by prioritizing quantity over quality.

Or maybe people just don't like my ideas? I guess that's a possibility too. Maybe my ideas just don't resonate with people enough. It's not "consumable" enough. Or maybe they don't like my art/writing/animation style. Yet more factors that's out of my control. But I also get told that people like my art, my writings, my animations. And they mean so, so much to me. But it just doesn't add up sometimes, y'know? If people like my work and stick around because they like my art no matter the fandom then why don't I see it? Thoughts like these make me feel so ungrateful actually.

I'm sure there are many people who look up to me as an artist and think how "popular" I am. I've been told this so many times. And yet, I don't feel either of those as strongly. Hell, even as I type this long vent out, I feel like people will not even care. Or worse. Perhaps they may think I'm focusing on the wrong things or think I'm being insecure and jealous of other people's well-deserved appreciation from others.

For the record, I am not. I think every single (actual, not AI) artists put in so much effort and love to their own works most of the time and if they get appreciation for it then I'm sure as hell that they've been seeking for it too and now that they're getting it and it's there then they should bask in it and rejoice. They really should.

Sigh. This is getting far too long. I'll stop here. I hope my words and my thoughts came out clearly. I'm writing this out late at night. Don't worry, I'll still be putting in the effort I've been putting in lately. I'm still going to work on MO, and give my best to make Assassin Eclipse's design to be as on par with Assassins Sun and Moon. I'm still going to write and continue the lore in the fic. I'm still going to animate the lore-heavy Welcome Home animation I've been working on slowly day by day. I just wanted to let this all out. Venting it to my friends just seem to not be enough. I gotta express it where people can see it. I think this is just my last straw too. I've been holding out for so long and 2024 really hasn't been that kind to me lately that I just can't anymore.

Anyway, the next post will be much lighter, I promise.

#sorry i focused too much on my dca related works but this also applies to all the other fandom stuff ive created on here and on YT #oh also #thank you and shout out to xit #i was having doubts on posting this before i sleep tonight #but her recent answered ask unintentionally gave me courage #hey xit! if you see this i think youre cool #robo-boyfriends au #but with my sona instead of y/n #dca fandom #fnaf sun #fnaf sundrop #fnaf daycare attendant #laursdraws #cw vent

[feyspeaker]

Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.

hey there! thank you so much!!

ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!

nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.

drawing/painting from life will teach you better than anything.

I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.

Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.

The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.

I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.

there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.

I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.

There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.

A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.

It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.

I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.

#ask

[joelhappyhil]

It's been a month and a half, here's a update for DAWN before the new year.

(This was taken from an update on my Kickstarter)

Hello everyone, and happy holidays!

I'd first like to give an apology for the lack of substantial updates, especially regarding DAWN's progress after the Kickstarter's end. I've shown many small updates on my Twitter and Discord but felt it would be annoying to send out emails for each of those teasers. I've created this post as a bulk progress update before I release a major update to the playtesting material (more on that later).

Art

I would like to share the thing that's taken most of my time and funding since the Kickstarter ended: the ordering and use of new art for the book.

This is only some of the work that's been done so far, but since this art is meant to represent player options, I felt it was good to show you all these as examples of what's been completed, as I assume most of those reading will be looking to play the game as players.

Playtests

I've been spending a lot of time on balancing the game, with combat tests being hosted on my Discord every week. These have resulted in a lot of reworks and changes to the mechanics that will be apparent if you read the version that was publicly available during the Kickstarter's run. Here’s some examples of reworked Techniques (renamed from Power's since the KS) and new ones that have been well received by testers.

Design and Copy Editing

You may have noticed from these screenshots, but I've also taken a try at reformatting the game to better reinforce the comic book look, with new fonts and improvements to the page layouts, while better managing the negative space.

I feel I've made a lot of progress and I'm getting closer to the final pdf, but there’s  still quite a bit of quality checking that needs to be done. (The GM parts of the book especially).

I'll be aiming to release a Final playtest document on my Itch sometime before or around the new year. It'll be the most complete version so far, but will still be missing a lot of art  fluff text, and short stories I plan to add at the head of each chapter. As the name implies, this should be the last freely available version I release before 1.0, where I'll start working on the physical layout for printing and start on the supplements funded in the KS.

Conclusion

If you got this far I'd like to thank you. I've spent quite a few years on this project and never thought I'd be able to get this much funding for it, or for any of my books, really. To show my appreciation, here's the current book cover for that final playtest document. I'm not sure if it'll be the same when the update comes out, but I felt like some of you might enjoy seeing its current version.

Again, thank you all so much, I'll be updating you again when this stuff becomes available.

- Joel Happyhil

#indie ttrpg #ttrpg #dawn #kickstarter #indie stuff #ttrpgsolidarity #game design

[likesdoodling]

It has been a while since I started digital art,

Quite a while.

So here is a 'progress over the last two years' since I gained access to a drawing tablet.

:D

This is my first ever digitally illustrated piece- compared to my latest one-

So, a little bit different.

I do think my art took quite a jump around June 2022, when I took a break from my Steve comic strip, (for obvious reasons- it was about Technoblade's polar bear so...) and decided to try practicing gesture drawing to see if it helped my general anatomy knowledge. This is before,

And this next one is after.

The most obvious change here is that I switched to using thinner lines. There is a gap of about two months between these.

This was when I realised that you could improve art by practicing it (mind-blowing I know), and then started to do just that. Some other notable jumps forward would be when I discovered the airbrush-

Well, discovered a new method of shading with it anyway.

Then after that I had a few pictures that I actually still like, despite them being pretty old at this point, the one below is actually from September of 2022-

I mean, the hands are a bit iffy, but the rest looks alright. This was when I was going through a bit of a melanie martinez phase-

This next one was from January of 2023, I'd only just gotten into bungou stray dogs via some random memes on pinterest about this weird brown haired guy who had lots of bandages and who had this running gag with wanting to die- I actually looked him up at one point, but that didn't really explain much. The main one that I remember was 'life is short, so make it shorter, shorter than chuuya~'

Which at the time was just kind of confusing,

Then I watched the show and it made perfect sense.

I'd discovered ascendance of a bookworm in like, 2021, but I hadn't really been doing fanart of it since I was mainly doing dsmp related stuff and I kind of assumed nobody would know what on earth I was referencing. Turns out tumblr has a lot more bookworm fans than I orignally anticipated. Instagram still has no clue. I think maybe one person out of my followers on instagram knows what I'm on about-

Then we've got these two which I am still proud of btw-

The first one is from a dystopian/time travel fanfic called viridian.

The second one was after I learned about rim lighting. It was inspired by a song actually, 'crash' by noevaii. (and yes I found that song from a sad-ist animatic, it was cool) The character isn't anyone in particular. They're both from February 2023.

Then there's probably my most liked picture on instagram, (not tumblr, since tumblr knows about bsd and bookworm, but y'know. This was even sadder than I originally intended since the last half of my comic strip was finished AFTER everything happened)

Then the final conclusion of my Steve comic strip in May of 2023.

I don't think my art really changed much in between those, but eh.

Then I switched to doing a bunch of ascendance of a bookworm stuff to see what would happen and turns out there are way more fellow fans out there than I anticipated-

Then I guess my next breakthrough in tumblr popularity, (even if it might not have been a breakthrough in art skills necessarily) was when things went DOWN in the bsd fandom with chapter 109 and I did probably one of my most liked tumblr posts I have ever done-

If you want to see the rest of that, feel free to scroll down on my tumblr page, the original's like eight pages long-

This was before anyone knew what was going to happen btw.

I still think it's hilarious that I put in chuuya having contacts. My reasoning being, they're on a film set,

It was a pretty interesting exercise in shading in monochrome.

Then I started a 30 day art challenge in October that I didn't get past day six of, but it was still pretty fun. This is the best one of those-

After that I spent most of my time studying for the jlpt n5, so I didn't really do that much art related stuff,

This is one of the two non-commission related pictures that I finished over the two months after I kind of gave up on the art challenge. This one's from November,

Then I finally finished an art commission I'd been working on for the three months prior, as well as studying. Here is an example of the type of pictures I was doing for that,

Then I was occupied with christmas and birthday presents for my siblings, both my little sisters are into ascendance of a bookworm- (completely my fault I am proud to say) so I was able to do stuff related to that, here's a couple of snippets, but you guys don't get the colour version hehe

And one of them has also read the entire fma manga just like I have so-

Anyway, it's been quite a progression since I resolved to master digital art in 2021.

I reckon I've come a fair way since then. I mean. My art skills in general are way better than they used to be. The last two or three years have been pretty interesting.

Also-

Just had to include this one, I'm gonna do a more detailed version but still-

I think it's funny so I'm posting it here. Even if it's not really related to art progression-

#honzuki no gekokujou #ascendance of a bookworm #dsmp #dsmp fanart #mha #skvader #viridian #bsd #bsd fanart #technoblade #rip technoblade #i did like a whole comic strip #but didn't get a chance to finish it before june 2022- #its finished now #but like #still... #anyway #steve now has the protagonist au he deserves #fullmetal alchemist #yeye #ive barely done anything to do with that #fanart wise i mean #but i have read the entire thing #i reckon sheska and myne would be bffs #hope i spelt that right- #you know who i mean #the girl who reads a lot #in fma #yeah #anyway moving on-

[goffilolo]

Art burnout

The last few months kinda sucked. I put a lot of time and energy into some really demanding drawings for the asuyuno week, and even before that I was drawing non-stop for a good few weeks making those multi page comics for the simpweek collab, and the nacht comic sequel. And it’s not that I’m fed up with making art.

I’m fed up with how much my mood was dependent on whether or not the drawings I made garnered a lot of attention in the fandom, which I know we as artists are told time and time again shouldn’t be your priority, but it’s still hard. It’s especially hard when you’re part of a small fandom like black clover (at least on tumblr), which means that I only really interacted with like 3-4 people. And since the fandom is so small there was definitely a severe lack of the type of content I liked, which made me feel the push to keep making the stuff I wanted to see being made, which in turn made me feel even more burnt out, combined with low amount of interaction from people. It’s not so much about the number of notes, but the comments you know?

For a hot minute I was thinking to myself ‘maybe I should start posting my work on twitter’ but that was the devil talking. Instead I’m going to take a break from posting for a while. I’m not giving up on drawing or anything. In fact I do have plans to work on drawing just for the sake of making a drawing that is fun to create, and maybe spend some time on trying to improve. I’m just not going to be posting for a while.

My inbox is still open so I might occasionally pop in and answer a few asks if I vibe with them, and if anyone wants to just talk to me you can always DM me or add me on discord.

See ya

#gothic says shit #black clover

[ninawolv3rina]

So I’ve said this before but I’m thinking about it again….

As far as my book characters go, my art of them is NOT canon. Like, don’t look at that and think ‘the author drew this, so it’s canon!’. The only canon appearance stuff is stuff i *outright state* in the text. So like, for example, Quincy MUST have dark hair, scars on her arms, etc, Marlowe MUST have his plague scar, blue eyes, thin blonde hair, etc, all the priests gotta have black and white robes, but the designs and stuff? Not canon. Headcanon.

I basically view it as drawing fan art of my own characters. Like mine are fan depictions, if that makes sense? They’re subjected to change at any time, some things are even deliberately against canon because I like to draw them that way (Quincy being Very Buff for instance, in canon she’s more wirey).

Idk, i think about it often cuz like, i love the art other people make based on descriptions and some of it has affected how I draw them myself. Now that I’m designing more high-concept stuff for In Perpetuum (which is a lot more artistically minded and inspired, mostly by Dark Souls/Elden Ring and biblical art), I’m like ‘wow i can’t design things that are as intricate and dark as i imagine them’. I am very limited as an artist, the way that i learned has created an eye that leans towards more simplistic designs that are inspired by comics and animation. You can tell i learned from Avatar the Last Airbender, mangas, and X-men comics. My designs reflect that. So like… I see other people’s medieval art and I’m like “Wow i wish i could do that” but when i try they always end up simpler. Anyways, all this to say, in my head Laz and John are more gothic, more medieval, more dark souls. They’re more intricate. They have way more going on, filigree on everything. John is scarier. Idk. I’m going to keep trying to improve and make my designs match my mental image but it’s a process, it always is, always growing.

Just some thoughts!

#long post #writing #spitballing #my shit #in perpetuum #unwanted prophet #the creed of gethin #forgotten lyric #my characters #it’s just stuff like this I’m always thinking about cuz even if I’m satisfied with a piece oftentimes I’m like #‘wow this could be darker or grittier or more detailed’ but that’s just not my style #i remember when i was younger i didn’t know how to look at art without getting jealous #and there’s obv some of that that still lingers but now it’s more like #it drives me to learn and get better #at the same time i feel like I want people to know I’m not satisfied with where I’m at #that i want to be better #idk why it’s important to me that people know

[popculturebuffet]

Into the Spider-Verse Finale: Spider-Man: Into the Spiderverse Review (Comissioned by WeirdKev27)

In Memory of John Romita Senior 1930-2023

Let's do this one last time. I"m Jacob Mattingly, and for the past few months, i've been reviewing the first apperances of spider-men. I've seen them enjoy crackers and milk, knock themselves out on furnaces, drum to deal with their pent up angst, rage, get powers from a spooky god while buck naked, and crumple a pipe like paper in their hand. It's been a long, loving ride into comics that not only got my comics reviewing mojo back but allowed me to share one of my faviorite franchises with you fine folks, many of whom don't usually read comics.

So we've come to the end of this retrospective, a bit later thanks to all the chaos of me using, but appropriatley as the final review i'm doing from the only home i've ever known. After 561 reviews here, it's time to say goodbye and given this is both one of the best projects i've done in my career and one where i've finally started editing better, it feels like the note to go out on.

This review has also been super intemidating to start. I'm an animation and comics nerd.. and Into is easily one of the best animated films AND best superhero films ever. It's also MASSIVELY influental, something I didn't see coming when I walked out of the theater, but really should've and we're now starting to see in earnest now the production cycle has had enough time to catch up to this film being a MONSTER hit. From modern masterworks like Mitchells Vs the Machines and Puss In Boots: The Last Wish to upcoming possible greats like TMNT: Mutant Mayhem, it's very clear studios are now far more likely to break from the standard CG styles and do something fresh, and audiences fucking love it. I hadn't realized till this film how much you could play with animation, from the concept of ones and twos to making a comic book movie look like a comic book. Any time I paused while watching this it felt like looking at a panel. The art here is gorgeous and the script matches it. So the question was both what would I have to say about the film and would I be able to live up to it? The only way to find out. is to take the leap. So join me under the cut as we swing into the spider-verse once again and see what makes this film so great 5 years later. Also as a heads up spoilers for the sequel will be present so if you somehow havne't seen it, you've been warned.

Let's Do This One More Time.... To get into why this film happened we have to get into Sony's treatment of spider-man. Said treatment has been a near neverending cycle of doing something right with it.. only to do something that shoots what they did right several times in the foot, stabs it and lights it on fire. Sam Rami makes two great spider-man films? Let's overly interfere with the last one and weigh it down with a lot of stuff it didn't really need. Amazing Spider-Man was decent with two tremendous leads in Andrew Garfield and Emma Stone but had some places to improve like peter being a skater boy she said see you later boy? Let's get complicated with it, overly focusing on Peter's Parents, including PLANNING TO HAVE PETER'S DAD SHOW UP ALIVE, a mysterious man in a trench coat from a tie in novel, and make harry osborn into this.

It's hard to decide which is worse. I mean their both worse than that time Harry Got a Mustache in College

A very high bar no doubt, but it's hard to decide if modern pale emo kid or GNEEE GNEEE I'M THE GREEN GOBLIN GNEEE GNEE was worse. Though I think we all can agree sony deciding "You know this pathetic weirdo we just had kill one of our most popular characters? LET'S GIVE HIM A MOVIE" is just.. one of the most baffling decisions they've made. Popular Anti-Hero with his own history, rogues and dynamic outside of spider-man Venom makes us an unexpected hit? Let's give him a sequel.. which was actually logical. So naturally they also decide "let's make OTHER spider-man villians and anti heroes into their own movies" I mean who DOSEN'T want a kraven movie?.... me.. me don't want that. I want Kraven IN a movie, but why. And the less said about morbius that dosen't involve Matt Smith giving one hell of a performance or weirdly dancing to show off his impressive abs the better.

Why wasn't the film just... Matt Smith as a more villianous version of morbius? A riddle for the ages. The point is sony has a GOLDEN franchise.. but often has no idea what to do with it. It's why when this film was pitched they were trying badly to find something to do with it, hence Venom. So since they had an animation division that while not terrible only really had one franchise of note, head of spider-man stuff Amy Pascal went to two of the men who'd made one of the most succesful animated films of the time and who were on a high point in their career and asked what they would do. These men.. were Christopher Lord and Phil Miller. The two had had a rocky start in their careers, show running the cult hit Clone High, which while well loved to the point we finally got a new season this year that was pretty dang good, wasn't exactly a big hit. Eventually though the two broke out with 21 Jump Street, a film no one had a ton of faith in hearing about it, myself included. The film was a comedy reboot of the old series, lampooning the whole premise and lamp shading the hell out of everything from this being a reboot, to our heroes not remotely passing for high schoolers, to high school drama itself, and not only revived Lord, Miller and Stars Channing Tatum and Jonah Hill's careers. This naturally got a sequel, which was not only even better and more meta, cumulating in a hell of an ending lampshading the idea of this being a franchise, we also got one of the funniest scenes in the history of film. And yes that's a hill i'm wiling to die on.

And even THAT woudn't be it as the two would go on to make the Lego Movie, a film that was both stylistically brilliant, hilarious and used the property brilliantly AND followed that up with The Lego Batman Movie. The two had a clear talent for taking a property, doing something fresh with it while honroing what worked so they were a no brainer to ask to do this. As for why would they.... IT'S SPIDER-MAN. If I got offered to make a movie about spider-man i'd do it. Who wouldn't?

Ironically though while Miller and Lord had the creative vision, something even I didn't know till recently is that they didnt' direct the film. In fact out of them only Lord wrote the film, co writing it with Rodney Rothman, who also co-wrote 22 Jump Street which as established above, is quality as hell. Rothman's Resume up to Jumpstreet isn't really anything huge, having done writing stints on underclared, the short lived ups animated sitcom Game Over, and having been a writer on Letterman, the last of which i'm mostly noting because he proudly revealed he was the one Chris Farley threw in a dumpster, but he clearly just needed more of a shot as both films he's co-written prove.

He also wasn't flying solo in direction, with his co directors, while also inexperinced in directing for the most part, having far more animation experince. First up is bob perschetti, who did the story for the original puss in boots and a smaller film called the little prince, and did tons of storyboard work for dreamworks, having worked on Shrek 2, Monsters Vs Aliens, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit, which I previously covered. He was also an inbetweener on a smorgasboard of disney films.

Finally we have Peter Ramsey, the only one to have directed a theatrical film before this with Rise of the Guardians, and was a storyboard artist on a list of flims so massive and prestigous i'm just going to let this wikipedia screencap speak for itself.

Yeahhhh. See I point out the lack of direction credintials not to shame them, sometimes it can take decades before you get your shot, but more because it's so utterly shocking that as experinced as these guys are only one of them had directed before this. The film is gorgeous and groundbreaking.. and makes it that much more baffling it took this long for these three guys to get such a big , well deserved shot and given all have projects going on right now, I couldn't be happier.

So the production itself seemed to go smoothly for the most part. The only exceptions were Sony nixing a cameo from tom holland (as they found it confusing) and something massive: one year out from the film being released Lord and Miller felt the film wasn't working and thus decided to rewrite it. This itself dosen't seem too bad, a year seems like a lot of time... but in animation terms.. that's hardly anything and also heavily involved taking what they already had and figuring out how to recontextualize it. If you couldn't tell from going that far, the duo were fans, having read spider-man comics and done research for it, picking thier spider-men carefully. The results.. well the results are nothing short of amazing, spectacular or peter parker.

Taking the Leap: As I mentioned earlier Spider-verse.. changed film animation. This isn't hyperbole either; if you look at the bulk of this year's animated films their all more stylistic with many, TMNT: Mutant Mayhem and Nimona in paticular, using a combo of 2d and 3d animation and it stretches into last year two with The Bad Guys and Puss in Boots and in 2020 with Sony's own Mitchell's Vs the Machines. More studios are experimenting with their style and trying something diffrent and what's more remarkable is that.. they aren't just 1:1 copying spiderverse. Many have taken it's sketchy style sure , but no one's doing it the exact same way: Spider-Verse often resembles a comic book, TMNT a sketch book and nimona something else entirely. Each is drawn and rendered.. but each in a way all it's own.

It's not to say films before this didn't have their own style: as my friend Kammie pointed out in a long conversation about animation recently, Dreamworks has always had it's distinct character models and before this The Peanut Movie (one of my faviorite cg animated films ever) and Rango both tried to play with it. Peanuts in paticular also took a stab at emulating the comics it's based on. The problem was while both films were gorgeous.. neither really took off. Peantus was a modest success, but the Schultz family had no interest in a sequel, while Rango didn't really land at the box office. And when something fails hollywood tends to blame the work itself and not circumstance or

Spider-Verse broke that by not only being a mainstream hit but one that really worked the animation as hard as it could. It gets .. incredibly technical and even I wasn't aware of how much till going to tv tropes but simply: most animation is done on ones or twos. Ones means a unique image every frame, twos means a unique image every other frame. You usally use one or the other. Spider-Man.. does BOTH, which is as exausting as it sounds, using 2s on the characters and 1's on the character work to give it a more dynamic vision, and shaking it up when needed, such as having miles on ones for most of the film , the rest of the spider people on twos, and then miles on twos after the what's up danger scene. It's a LOT of dedication and that's not even getting to how every spider-person has a slightly diffrent animation style. The results are eye candy in it's purest form: every pause is a panel, every action catches your eye, everything works. And the panel part is paticuarlly notable as the crew did their damndest to make this LOOK like a comic in motion. It's something that , as many great comic book movies and superhero films as we've had.. you simply cannot do in live action. So if it's so obvious why did it take till 2018 to do?

It's likely other suprehero animated films had the idea.. but there was no way in hell they were getting the budget to do it. And if you've seen say the incredibles, mask of the phantasm of megamind, those budgets are already pretty damn vast for their times. Animation is a great medium.. but when it comes to film... the big studios get complacient really fast. Animated Films are EXPENSIVE and a huge swing like this is a radioactive spider-risk. It's why up until spider-verse most studios have stuck to their guns: Disney and Pixar have ocasoinal style shifts but you can genuinely tell when a film's by either stuido, Illumination basks in it's cheap but effective house style, and Warner.. well warner just dosen't give a shit in general why would it here. Dreamworks is the only one that really shook up styles and even then until this year they didn't shake up how they aniamted. After all if it works.. why fix it. And before anyone asks, no i'm not saying "ALL THESE OMVIES ARE TERRIBLE FUCK THEM AMIRITE". I'm saying that the industry got complacent and it's something I, an animation critic, didn't even realize till spider-verse's effects started being felt. Animation really did change because this one film took a leap and it's only for the better: Mutant Mayhem looks to be the best tmnt adaptatoin ever, a VERY high bar from an obessive tmnt fan like me, Nimona looks awesome, i've heard good things abotu Ruby Gilman from Kammie, and Puss In Boots was fucking magic. And while they all likely woud've ben good regardless, this leap has really changed things and hopefully will continue to from here on out as more and more new films catch up lead time wise. To quote Kammie

"The new giants of major western movie animation are Sony and Dreamworks, they're willing to innovate and take risks where most other studios falter and resort to retreading old territory or using stock plots. Do they still innovate technicalogically? Yes. Does that matter when you make movies that only look slightly more realistic than the last one you did? No. We don't go to animation for realism, we go to it for escapism, to see worlds that are utterly impossible and larger-than-life characters, find places that we can only visit in our dreams, to see sheer spectacle that's not possible in live action. Animation more than anything is only limited by technology, and it's a testament to it that most live action films have CGI, a form of animation, involved in making them what they are."

But animation is only half of it. How's the story? Good: But that's pretty obvious so let's go into our characters and what not shall we?

Miles Morales: Anyone Can Wear the Mask

So first up danger is our hero.. well one of many but Miles is our focus and was a perfect choice for it: his arc in the comics is a coming of age story in the vein of the original and ultimate spider-men (the latter being miles predecessor), and really explores what it means to be spider-man: in the comics Miles rejects the idea outright until peter dies.. and he realizes with great power comes great responsiblity and that he can be what peter was.. and then has to settle into the harsh realities of being spidey as well as the good it brings. Bringing a character like that into a story with a bunch of other spider-man all showing what it could mean with diffrent people was genius. The film also nicely tweaks things to make an already good story better. The first is miles age: in the comics he's currently 16-17.. but started out as a 13 year old. The idea worked, both to seperate it from the 16 year old peter he replaced and to make the danger that much more horrifying as it's happening to a much younger person and make some doubts about him doing it more understandable, but it works better to have miles as a teen here, to have him grown up just enough to understand a lot.. but still question who he is. It also allows the nice parallel of getting his powers around the same age as peter.

Another is that in the comics while Miles gets into brooklyn visions by lottery.. what that means for him really isn't focused on. It's hard, but he adjusts to it fairly well and the issue is more having to spider-man from a heavily montired private dormintory. Into instead explores what it would really mean for a kid from a working class family having to leave all the people he knew and grew up with to go to a fancy prep school where most of his classmates ignore him at best. In the comics Miles at least had his best friend going with him: here's he's just alone in an unfamiliar place he badly wants to leave.

I also like that his getting into the school isn't ALL luck. While he literally won the lottery, and yes they really do lottery children's chances for a better future and yes it's fucked up, his mom makes note of him passing the entrance exam and while trying to flunk out delbieratley, his teacher notes he got an exact zero... and then gives him a 100 as to get the answers THAT wrong.. you have to know all of them. Miles is a smart kid.. but he just hates where he is because he's alone. It's not helped by his.. let's say complicated relationship with his dad. Jefferson.. is not the most likeable guy. He's more than the comics where he's an out and out anti-mutant racist douchebag who outright abandons his son when he finds out (he DOES get better, but it's still a dick move), but he's still a domenering presence: when Miles brings up wanting to leave the school Jefferson is admant on him staying. He refuses to really.. empthaize with his son, being mad at his habit of putting up nametags, not really supporting his grafiti art (another deft addition to the character It ruly love), and not really getting him. Jefferson MEANS well: he wants miles to have a life jeff didn't. Like in the comics i'ts heavily implied Jeff didn't really start with anything nor did he or Aaron have the best life, having to steal to survive. He grew past it while Aaron embraced the criminal life style, but it's clear Jefferson WANTS his son to do better.. but is so stubborn and controlling he can't see that miles is miserable and that he needs to stop putting his foot down and start actually listening. The school WILL be good for miles in the long run.. but it's hard for him to see that without anyone helping him. It's easy to see WHY Miles prefers his uncle. Aaron davis isn't the best person, and we'll get to that.. b ut it's clear he loves his nephew and encourages him in school. It's just Aaron also takes the time to LISTEN, to try and gently push miles, asking him what he actually likes about the schol, encouraging him to make a move on his crush. Grnated the shoulder touch is a very awkward move no one should try and I never would, seriously don't touch a woman without their permission folks, but he means well with it. He also wants better for Miles.. he just respects miles more as a person. And with Miles feeling like one person but being shoved in another direction... being spider-man was the last thing he needed. Something I like about Miles as a character both here and in the comics.. is that being spider-man DOSEN'T make his life better at first. See even if most spider-men eventually get the lowered boom of someone they love dying, most get to at least enjoy it first. Looking back at the origins, Peter getting his powers takes a young nerd with no power and gives him all of it, Spider-Ham got a surrogate mom and teh power to crumple other peoples pipes like paper in his hand, while NOir's origin was.. less than ideal

He still got the power to fight back against a corrupt world, and Gwen much like peter got a power high. Miles.. never gets that in either version. In the comics he's utterly terrified and here he not only gets that.. but also gets humilated: trying the touch fails..as it likely woul'dve anyway, and instead messes up gwen's hair in the short run and makes it kick ass in the long run, sends him running in a panic from school security, and gets him stuck to about 80 dozen things. It shows the part most spidey origins and a chunk of superhero origins skip: that while getting powers is fun.. the learning curve usually sucks. Instead of the power high.. miles is just terrified by what he is and what he must do now and has no idea what he's doing. While most spider-man get the good of it first and have to learn the harsh realities of being a superhero later, usually with some horrific death, miles is one who from the get go realized with great powers comes a spinerett load of trauma. It's something the next film will deconstruct, but for now it's simply stripping that back and showing that while anyone can be spider-man.. it's not exactly a fun job as it is on paper.

So Miles goes to try find his uncle and when that fails, goes to the place he got bit by the spider..

Because he gets thrown into a supervillian battle, meets the real spider-man, and gets a hard truth from Peter Peter: You're like me. Miles: I don't want to be. Peter: I don't think you have a choice, kiddo.

It's not Blonde Peter being harsh or cruel.. he's just honest. You can try running away from powers, trying to live a normal life.. but eventually it catches up with you. Peter's tried to quit multiple times.. but it dosen't stick because great power, great responsibility. He can try and give up, leave it to other guys.. but at the end of the day having this gift means using it wisely.. and in miles case having it also makes him a target. And Miles ALMOST gets a mentor.. but then peter dies and gruffly tells Miles "You gotta save the world now slugger". Oh and not two seconds later he nearly dies getting chased by a superman. And he wasn't even supposed to be here today. Honestly I didn't even realize till I sat down to write this but the first half hour or so of the film.. is pretty bleak for miles. He gets power he dosen't want, has to watch the world's greatest hero die, and is left in charge of a major task that someone with a decades more experince died trying to do. Oh and he was told to keep it secret and can't tell those he loves. His life is just one hard long cruel cosmic joke.. and the sequel makes it even worse given we now know the spider wasn't even supposed to bite him and he gets BLAMED for watching someone die. Also just to get this out of the way now, while I was calling bullshit on Miguels claims Miles was responsible for Peter's death in the theater, I did watch the scene carefully just to throughly debunk this. And shockity shock... Peter would've died whether miles was there or not. The goblin suckers him slightly due to miles.. but it's nothing that really slows him down or injures him. What ultimately leaves peter at deaths door and weak enough for the kingpin to do his finisher on the poor guy is getting ganged up on by Prowler and Goblin, and then slammed into the collider. Aaron would've been there, Norman would've been there.. this all was supposed to happen, as tragic as it was. Fate changed by Miles getting bit.. but it changed this world at least for the better as it'd probably be gone along with 5 more spiderpeople and incalculable innocents. So in conclusion: eat a dick miguel, let's move on.

So with that Miles is left shattered and wonders home.. and Jefferson is warm and supportive and just kidding: he tells miles he made a commitment, rio has to give him a look like "come on" and when asked if he hates spider-man, while his child is clearly shaken by SOMETHING, his reponse is "well yeah".

And with the power of hindsight this .. really underlines why Miles has confidence issues the rest of the film. Why he struggles with his powers: he was already feeling out of place in his new school and having most of what makes him who he is questioned by his dad, and then he goes through spider-puberty and watches the world's greatest hero get body slammed into a science machine, gets yelled at by said hero that

Watches said hero get mob executioned by a villian he now has to stop, and then gets chased by his top enforcer while spooky but dope as fuck music played. It's a miracle Miles hasn't had a full on nervous breakdown after all this, let alone gets up, and decides he HAS to press on, visiting the memorial and realizing that no one else is going to come do this.. I mean they will but what makes it work is he dosen't know that yet. All miles knows is the one thing keeping the city from falling apart is gone, and he's the only one who can do this and as rightfully scared and afraid and alone the poor boy is... he has to try. He may not be quite ready to take the leap.. but he's ready to put a foot off the roof.

While miles has plenty of deadly and superior foes to fight.. his ultimate enemy is himself...

.... metaphorically this movie. Miles has the heart of a hero.. but is so scared by being one and so sure he CAN'T do it that it's a self fufilling prophecy. It's something expertly shown in how his powers work: he can't get his hands to stick or unstick on queue or his camo to work unless he needs it to flee. His powers are acting on his panic and anxiety. As peter points out with the sticking, it only lets go when you relax and Miles can't relax, he can't relax cuz he's a boinger.. and because you know, he's in a VERY stressful situation. Most spider-men at least get a few simple crooks before they get to the supervillians. Miles has to fight the sinister six on his first day. I'ts easy to see why he can't trust himself: if a peter ten years deep in can't do it, how can he? It's telling the one time pre-what's up danger miles really masters his abilities fully is with web swinging, when he just has a chance to relax and learn.

It's not helped by Miles essentially seeing the ghosts of his future right in front of him: Through Peter Prime, he's seen he can die easily. Through peter b. he sees even if he dosen't being spider-man might destroy his personal life. and through gwen he's seen how he could grow isolated and alone through tragedy. He sees his possible future in two people he grows to love, one platonically one nto so much both who we'll get to, and it scares him. It doesn't help Peter. B is the ONLY spider person willing to give him a chance: while Gwen likes him, she thinks he's not ready and the others all expect him to be spider-man NOW dammit, when all of them had a much less steep learning curve. Except Peni, her learning curve was basically "Suprise we released the spider your dad made into this room! Enjoy being radioactive!"

Into The Spider-Verse is ultimately a film about how others expectations of you can eat you alive.. and the only way to really escape that.. is to be yourself. Not to IGNORE that other people exist or be a callous jackass, but to trust in yourself you'll make the right call. To trust you to do the right thing when things are their darkest.

And it's ironic that what finally gets him to have faith in himself.. is the person who seemed to have the least faith in him. In the end the person who enrcourages miles is Jefferson. While miles has been having his arc.. Jeff has had his own, as miles has been mia since meeting peter. b, and then found his brother dead.. and blamed miles as spider-man for it. Thankfully this gets cleared up enough, but it clearly rattled Jeff enough to realize that holding fast and trying to be constantly authortive and unbending.. isn't working and never has. It's only by opening up does he not only finally close the gap with his son, even if that comes AFTER all this because you know, webbed up mouth and all, but makes miles finally have some confidence in himself. And the speeech itself is just.. beautiful.

Jefferson Davis : Look, sometimes... people drift apart, Miles. And I don't want that to happen to us, okay? Look, I know I don't always do what you need me to do or say what you need me to say, but I... I see this... this spark in you, it's amazing, it's why I push you. But it's yours, and whatever you choose to do with it, you'll be great.

I'll also give Brian Tyree Henry credit as he's just perfect in the role, being a hardass.. but in a way that makes it clear he's not 100% dick and here him opening up.. is beautiful. And it's really what miles needed: While Peter. B wasn't a TERRIBLE mentor, trying his best to encourage miles, what miles ultimately needed was the simplest message: be yourself. Which yes is INCREDIBLY common in animated media. But it's done well here. It also makes me wish the cut line with peter used in the trailers was used here as it really gets to the heart of the film: Don't do it like me, do it like you. Miles problem was that he tried too hard to be what others wanted and that people pushed him to hard to be somethign else, wether that meant instantlly accepting a hard situation in his new school from his dad or instantly fitting the role as spider-man from the other spider-people. it's only when he's told just.. do it his way that he finally can accept it.. and can finally CONTROL it. What I like is that while in a lot of other superhero films, miles suddenly being able to control his powers would be an asspull .. here it's CAREFULLY set up: Miles coudlnt' really control them because he was scared. It's once he lets go of his fear of death, fear of failure, and fear of himself.. that he can take a leap of faith. His ascendency to spider-man is also one of the best sequences in any animated movie. Not taking notes on that. It just is.

Every fucking second of this is perfect. "What's Up Danger" itself is dope as fuck, and perfectly fits the song. Black Caviar's beat is pure magic and Blackways lyrics perfectly fit the confidence Miles finally has. Their a bit rougher than him but fit who he is NOW: he is the amazing, spectacular, the ULTIMATE spider-man. After a whole film of doubting himself, not knowing where to go or what to do or if he can do this... HE CAN. And he WILL. There's so many great moments: him spraypainting the costume, taking one of peter's looks and making it is his own with his own talent and passion, the now iconic upside down falling shot that graced every trailer, and him swinging and wall jumping through new york, finally embracing his power... all capped with him lifting the mask, panting in exaustion... and then smiling. He's got this.

The insuing big damn heroes during the brawl with the sinister six is great. He shows up invisible, easily turns the table on liv and shows up, and it's also heartwarming how rather than tell him to go home or any other such nonsense.. everyone is HAPPY he's here. They didn't put him back because they didn't like him.. they kept him back because they didn't want him to die stupidly. NOw he CAN fight and has the confidence and skill to.. their happy to have him.

I also like how while all the spider-people ge ttheir moments and we get one hell of a three on one battle between doc ock , miles, peter and gwen, the final fight, the true final test.. is miles alone. Everyone gets to shine as the villians get whittled down to one.. but ultimately the final battle only works if it's miles alone: one final test as spider-man: Miles vs Fisk. The All-New All-Diffrent Spider-Man vs the man who murdered the original. The Kingpin of Crime Vs your Friendly Neighborhood Spider-man. It's a truly harrowing fight, one where Miles is often overwhelmed, but does what all spider-men do: get back, keep fighting. Do everything he can. With jeffersons support one last time miles goes from a scared child.. to catching this thief just like a fly.. complete with bug zapper. The touch of using the.. well shoulder touch is fucking amazing, hilaroius, heartwrenching.. and awesome. The man who killed his uncle, who nearly destroyed new york is down. The universe is saved... all thanks to brooklyn's own friendly neighborhood spider-man. Miles ends the film sure of himself, happy and with his father accepting him. He misses everyone.. but he'll see them again. He just might come to regret it but hey.. that's for next time.

As a quick epilogue, I ALMOST forgot to mention but Shamiek Moore is fucking perfect in the role. While Donald Glover would've been a great fit, Moore brings a youthful energy that perfectly fits the character. Moore handles the characters journey, the humor, and the heartbreak all beautifully.

Peter B. Parker, the Spectacular Spider-Mess

While this film is focused on the new kid on the webs, Lord and Miller still decided to include the Spider-Man everyone was familiar with. In fact.. they lean INTO how familiar we are to play with peter as a character. When they give their stories for the comics brilliant origin sequences, they both know to just.. gloss over most of the stuff we're familiar with.. and to basically apologize for the emo peter dance. Lord and MIller clevelry use the rami films as a refrence point. Then they do something ENTIRELY new in terms of adapting peter at this point: this peter.. has been at this for a while. It's something Insomniac would also use for their universe and honestly.. is quitely brilliant. In the comics.. peter HAS been at this for about a decade.. exactly how long has been kept vauge, but he's always pushing 30. Most adaptations though want to start with peter fairly early in his career: while some cartoons like Ultimate, Spectacular or Animated Series start with peter mid career, it's still fairly early and before he faces most of his arch enemies. It also makes sense: after all if your making a spider-man universe from scratch, why would you start with him already knowing how to fight these guys? The comics have the advantage of years of continuity, so writers can do what they want with the bad guys basically. But since a new continuintiy means you can do the latter from the top, why would you start in the middle of your story? It CAN work as shown here and with , while I sadly can't play them because no ps4 or 5, the insomniac games, but with the latter it works to the games advantage to have you play a peter whose already a kicker of ass first class.

Here though instead it's used for something even the comics often have their hands tied from doing: to show just how TIRED spider-man would be after a decade of this. While Blonde Peter is great at the job, has a loving aunt, and an adoring wife... he's still so very tired. He says so when fighting Prowler. It's clear the heir of "I can always do this, i'm spider-man" is as much a coping mechanism as it is determination. It explores the idea that peter's drive to keep going, to do the imposisble would wear him down eventually.. and given the crap he has to go through in the comics because writers think there needs to be added DRAMA, you can't blame him. Peter. B shows where this leads.. a peter who has 80 tons of broken bones, stopped taking care of himself, and is slowly falling apart after Aunt May's death, cumilating in pushing MJ away after she wanted kids.. and he was scared of it. Which given what his life is like is actually understandable. It's also a type of fear the comics have only been able to explore in AU's: editors have been dicks about the idea of peter having kids, and the one time he seriously was about ot have one before it was kidnapped, he was retired.. then it got kidnapped and disappeared because clone saga. Here we see the fear he'd have.. and peter sabotaging his own life as MJ seems relcutant as he is to divorce and the peter left in the aftermath is crying in a bathtub in his full costume

This is a peter who ONLY has being spider-man and we see how deeply unhealthy that is. Part of what makes Peter Parker so great, what's kept spider-man enduring.. is relatablity. Peter struggles with the same stuff most of us do: holding down a job, crappy bosses, relationship issues, juggling family with your life, friendships getting complicated... it's the ballancing act of having a regular life and also punching the kangaroo in the face while he's at it that makes spider-man compelling and it's finding new ways to do that, from having peter teach at his old high school to having him actually get a science job, that makes this character endure. Here though.. it's just Spider-Man and we see how unhealthy that is: May is dead, he pushed MJ and likely anyone else in his life away... peter only has being spider-man left, and action can be a reward but it can't give you a fulfilling life. This is a peter whose just going through the motions and badly broken. It's very telling that when Miles tries to use "With Great Power Comes Great Responsiblity" , the HEART of what spider-man, any spider-man, woman or ham, is, Peter responds with a very harsh "DON'T finish that sentence. I'm so tired of people using that". He's a peter whose so far to the edge he's willing to leave miles world to die just to get back to a life that's deeply miserable. In most cases spider-man would swing at the right thing but Peter B is just so very tired he just wants to go home.

But he's still spider-man.. and eventually realizes as much as he wants to.. he can't leave miles there and he can't leave this world to die. The movie is also good in not letting peter dangle off the edge of being absolutely awful too long. He refuses to save the world at first.. but it's clear Miles gets to him right away. He's still a mess.. but he's also Spider-Man. He's also peter parker. And May raised him better. The relationship between Peter B and Miles.. is fantastically done, with Miles slowly opening up his new mentor and Peter B slowly rediscovering what he actually liked about the job... and that maybe he CAN be a dad and spider-man. We see his humor slowly come back, him swatting the cape away from miles, gleefully pointing out what to do. He's still not the BEST teacher, wanting miles to just wait.. but when miles has to come along, he's grumpy for a few seconds then roles with it. We start with Peter. B seeing how worn down he is...but here we see all the experince and skill of his blonde counterpart. He's still the science nerd who can memorize a complicated password and can't grasp that miles can't. He's still a mess, trying to flirt with what turns otu to be his aunt's ex.. and also doc ock, but we see a subtle change, cumilating in the heartwarming scene of him and miles swinging together. peter may be a mild dick and a human disaster.. but he's a good man. By the time all the spider-people are together and doubting miles.. peter. b is the only one who sees how much this quest means to hte boy and is advocating for him. To them Miles is in over his head.. but Peter sees the spark in miles Jefferson does. He sees a kid who was thrown in the deep of this and the last thing MIles need is 80 people telling him he can't do it. It's likely that, just like Blonde Peter, Peter. B sees the pain and confusion that comes from starting as spider-man clear as day and if he can help miles avoid that, he will. Jake Johnson is phenominal in this role, helping show the depth behind this kind of peter. It best shows after the house fight: While Peter is trying to get Miles to stay behind and is willing to die to save his world... he's doing it for MOSTLY noble reasons. Miles really WASN'T ready and as Peter pointed out, he needed to be ready to just take a leap of faith. He's gone from wanting to abandon miles because he dosen't care.. to leaving him behind because he dosen't want his surrogate son to die horribly trying to fufill a promise he's not ready for. Granted like I said it's mostly noble: its very clear Peter. B is also doing this.. because he feels himself expendible. He has nothing to go back to, the others do. Miles has more to live for. If he dies staying here... what's he leaving behind? It's what makes his ending so rewarding: He sees miles finally take that leap and as I mentioned before he's nothing but happy Miles finally has got it and fights alongside his new son, realizing maybe he does want kids. He still plans to stay behind.. and the student becomes the teacher, with Miles pointing out he can't.. things with MJ aren't broken.. he still has time to make it right. He still has something to live for. It's hard.. but so was becoming spider-man for miles. If Peter. B is ready to die for this dimension.. he can live for MJ and for his protege. So he ends the film making up with her with Mj's smile showing she welcomes him back.. and as we'll see he really gets his happily ever after. But we'll get more on that next time.

Vault of Spiders

So now we've come to the other spider-people. First up our most prominent, Gwen, whose mostly taken 1:1 from the comics: She became Spider-Woman, then learned the great power great responsiblity lesson the hard way when she fought the lizard.. and he died revealing peter parker, her best friend who just wanted to be like her, leaving her alone. There's more to it, but that's best left for the next film when we get her origin in full. Gwen is done well here: the punk haircut fits her perfectly and Hailee Steinfeld is unsurprisingly awesome as her and gets Gwen's loneliness, standoffishness, and badassery perfectly, and we see her slowly open up to miles, with her doubts coming off less as bein ga jerk and more as being worried for him. We also get some nice subtle bits: while she mentions her best friends.. only WE know her best friend was a peter, and that being surrounded by about 4 of him and having to talk to aunt may, who she's also close to in her dimension, is likely a LOT for the poor kid. She also gets some genuinely cute moments with miles, from their first meeting in class, to the disastrous touch (and the later great brick joke of "you don't get to like it"), to the bus scene). Orignally the two WERE suppposed to be a couple.. but i'm glad they left the more overt romance for the sequels, as the films packed enough as is and it gives it more build. It's clear there's an attraction there.. there just isn't time for it given the possible dimensional apocalypse. That's what sequels are for.

That said I do think had they focused on just three spider-persons we might of had more of an arc for Gwen... instead we get a lot of personality but not who she is. I'd be harder on this.. but to the crews and the next batch of directors credit, they realized this and in the next film, and likely extending into Beyond, she's the deutragonist. So it's hard to be on this when they realized what they had next go round. The other spider-people on the other hand.. feel like a massive wasted opportunity. Casting wise it's all pitch perfect: Nicholas Cage is perfet for a noir parody and is utterly hilarious, John Mulaney's everyman voice is perfect for spider-ham, helping emphasise how weird this is, and Peni's serious nature and anime stylings are something the beloved Kimiko Glenn gets down perfectly. I was so happy to see her in a movie this size. And adaptation wise.. 2/3 ain't bad. Spider-Ham is pitch perfect from the source and Peni, while having her anime stylings here focused on a bit more, still has her science background and driven nature. Noir Peter though.. yeah while he's not TERRIBLE on his own in terms of actually adapting the character... it's wince inducing. I don't mind not going 1:1 and given the limited screen time I don't mind playing into the noir nature for laughs. My issue is more that Noir's world is so insanely dark, THAT could've been played for laughs instead. I mean again THIS is how peter gets his powers there.

Just have Nicholas cage casually rattle that off. I get not bringing up the rampant death but it just feels like a missed opprotunity to not really use anything from the actual comics other than the costume. The rubix cube joke is great. So you have three all time great performers.. but they don't get much to do. I was among the fans disapointed they weren't in the sequel, and only not as much as some others because I figured they were saving them for the sequel.. and after seeing the film and it's cliffhanger, that turned out to be EXACTLY it. It's a bummer they aren't in across but given how much it crammed into it's long runtime and how much it has left to go, and how the mystery of why noir and ham weren't with the society's whole creepy philosphy when their friends drank the kool aid is a neat hook.

They get great bits, Noir saying he has to burn his hand to feel something, Ham getting side eyed by the other two when he mentions he was a pig bitten by a spider.. which for those who didn't read the rest of the restrospective if your wondering ..

We also get a great drmatic bit. Originally in the scene where everyone sympathizes with Miles, Spider-ham made a stupid joke about his uncle frankfurter. it was funny.. but kinda wrecked the scene. So they instead switched it with one of the most heartbreaking lines in all of animation, which Mulaney NAILS.

Just the devistaition on that pig's face. And i'm hoping we find out what the fuck the story was there in Beyond.. but i'm perfectly happy with not knowing. Because it makes it that much more devistating. We don't know what he lost. We just know he hurts and that the hardest thing about being a spider-man.. is you just can't save them all. So naturally ham got a spinoff, Caught in a Ham. Caught in a Ham.. is decent a theatrical style short that explains what ham was doing. It's.. fine.. the various villian puns are fun and it clearly takes a lot from warner, but the animation is ENTIRELY cheap, and the villian, dr crawdaddy is just... what. Seriously you have so many fun animal versions of spideys rogues and better new foes.. and this is what you go with. And no making fun of how lame he is dosen't work. That jokes been done a lot. You have to do it well and they really didn't. Dr Crawdaddy is bad but it's not hialriously bad. Caught in a hami s okay but it was a massive disapointment and Mulaney deserved better.

So now we have those who can spin a web any size and catch a theif just like flies covered, we have to talk about one of spider-man's most important aspects The Superior Foes of Spider-Man

Look spider-man is popular for a lot of reasons: a deep facinating character no matter whose wearing the mask, a varied, visually intresting and cool power set, the idea that anyone can be spider-man. All this is true. But one of the biggest.. is his Rogues gallery. Spider-Man easily has one of the best rogues galleries in all of superhero fiction, with only batman providing competition. Just off the top of my head you have Green Goblin, Hobgoblin, Doc Ock, Electro, Beetle, Boomerang, Scorpion, The Kingpin, Rhino, Hammerhead, Tombstone, Shocker, Vulture, Kraven, Mysterio, The Lizard, Stegron the Dinosaur Man, The Spot, The Gibbon, Mr Negative, The Enforcers, Mountain Man Marko, Chance, Venom, Carnage, Hypno Hustler, Rocket Racer, Sandman, The Tinkerer, The Prowler, Lady Electro, White Rabbit, Overdrive, Hydro Man, Chameleon, The Iguana, and of course his greatest enemy PAUL.

Or Maybe it's Zeb wells. Who knows? The larger point is spider-man has a LARGE pool of villians to tap, so Lord and MIller's Solution: GRAB AS MANY AS POSSIBLE AND DO WHATEVER. Yeah while like i've said The Kingpin has a full sinister six going, even if sadly never 6 at once as one dies and he kills another, it still counts as their still all under him and just let me have this for once dammit. Seriously if it's not an ongoing cartoon, they will NOT give us the sinister six. Even far from home came as close as we've got and still didn't think maybe one more? LET ME HAVE A PROPER SINISTER SIX IN MY SPIDER-MAN MOVIE DAMMIT.

That said they really only focus on three of the six: the other villians in Fisk's posse are more there just to hit things and give us enough villians so every spider-man can have a turn. And given Spider-man has guys like the rhino that would fit the mold better I question why they went with Green Goblin and Tombstone. With the former i'll admit to being biased: Norman Osborn is one of my faviorite super villians and Harry is certainly somewhere on the list. One of the first spidey comics I read was Amazing Spider-Man #39, and it's followup #40, one of the best spidey comics of all time and with one of the best covers too

This was boosted both by the first Rami film, where Dafoe does a truly amazing job, and the ultimate comics where Norman , while bulking up a bunch is a serious horrifying threat. Here.. h'es just a dummy dum dumb and I get it to a point, part of it is to emphasise the alternate nature of miles universe: in most the green goblin is spider-man's greatest threat, here he's just one of many and while a challenge, not his arch enemy or even in the running it seems. It just dosen't work for me. I'm fine with making some changes, but this one just didn't qutie work. He does look really impressive though and I do get this is likely a me thing and it dosen't really HURT the film, so while I may not like it a bunch I can't say it's as bad as some adaptation changes. I'ts no "Peter dosen't have change for choclate milk and gets thrown it by the robber who kills uncle ben" or making harry osborn into some sort of gneeing snot monster.. and that's bEFORE he takes the goblin drugs.

Tombstone also isn't handled the best, as he's fairly smart and chilling in the comics. I don't take it as personally but it's still iffy to take a black man and make him subservient to a white man. That never plays well. Hammerhead would've been a better choice and still been visually distinct. I

Finally we have Scorpion who I DO like, nicely meshing maximus gargan, the ultimate scorpion who simply had super strength and a scorpion tail styled chain, with the regular one, so now the tail is attached to hima nd baadss, but he's still mexican and still awesome and he gets a great fight with Peni and Porker.

That said while I have my quibbles.. the main three villians.. are fantastic and give me plenty to gush about. We'll start with the big guy. Like with the Green Goblin (and the Hobgoblin, who sadly still hasn't gotten a big movie role as of this review. Someday...), i'm a HUGE fan of the kingpin and he's one of my faviorite super villians. No question. Wilson Fisk is a truly amazing character with tons of layers, intimdating style and intresting dynamics with both spider-man and dardevil. From his first apperance under john romita to his latest crashing on Krakoa , he's a devious mastermind whose trained his body to perfection. Granted I grew up with Spider-Man TAS, where they cleverly made him big bad, so I had a good first intro, but most adaptations handle him well and what little iv'e seen of the mcu version in hawkeye (I still need to watch netflix daredevil) is fucknig magical. Denofrio is great.

Liev Schriber though.. might be the best. He gets Wilson perfect: He has his cocky attitude.. but also his cold detachment. He can brag about starting the collider one minute.. and casually tell his right hand man to "go kill that guy". He can joke.. but ther'es never a moment on screen when your not deeply worried about him being there. There's not a moment you don't get WHY this guy was strong enough, smart enough and nightmarish enough to finish spider-man. I also love the design taking from a comic by the legendary bill sienkiewicz of x-men fame

It perfectly fits and while his proprotions are off.. it helps sell how diffrent he is from everything else. This man commands every room he's in and is a true giant, a looming reminder of blonde peter's death and the ultimate obstacle in our heroes way.

What I like though as while they easily could've just made Fisk evil and called it a day.. it's VERY clear how well the crew understood him.. as they also humanize him. Fisk isn't igniting the collider to make money selling multiversal hot dogs or something. This version lost his wife vanessa and son richard during a fight with spider-man: she saw what he really was and left... and they sadly died in a car crash. It's a great twist too: the comics have always had Vanessa, when she was alive, be the one thing that could pull fisk back from his crime... if only for so long. She never liked it , never accepted it and never wanted it. Richard was a grown man hwo hated it but then joined it then betrayed his dad and got killed.. it's a whole thing. Richard Fisk is a mess.

Fisk is at his core a man who just wants what he lost back but is so blinded by a combination of Trauma Goggles (a term kammie came up with) and his own ego. He can't accept that it was his fault a tragedy happened, that his wife had every right to run and that it was simply horrible, cruel timing that killed his wife. It's the horrible irony in all this: Wilson Fisk is a man who needs to control everything so badly he will rip time and space apart to get back what he lost.. but can't accept that there's NOTHING he can do to fix this, and that it was always his fault. It's who Wilson Fisk is and who he'll always be. It's most heartbreakingly shown when the same events play out again, just with a new vanessa and richard.. but he just can't accept HE'S the bad guy in all this and he drove his family away. In the end he's left with nothing, his empire crumbling, his family gone.. simply because he coudln't let go.

Now onto his right hand man, Aaron Davis, The Prowler. Like Kingpin... hang on.. something seems mi

[THREATNING DUBSTEB BLARES]

Better. Anyways, I was a huge fan of the Prowler. See back when I was in I think middle school, possibly earlier I had this book.

I wouldnt' mind getting another copy or the updated edition at some point. I also had these for X-Men and Fantastic Four. It's part of what really got me into these characters, but the spidey one was near and dear to my heart even as it sadly eventually fell apart. It was a lovely big ole book with profiles for all of spidey's villains, some of his side cast, and what have you up to the early 2000's. It was great.

So it's there I met the Prowler... Good Ol Hobie Brown

Yeah before another hobie became your friendly neighborhood anarchist, the original was a window washer who really wanted to invent, but this being the 60's and many a man being a classist or racist, Hobie instead came up with a pretty brilliant scheme: rob a building using his various inventions and a badass looking disguise, and then return the money for a reward as Hobie Brown.

Unfortunately the building he picked was naturally the Bugle, his old workplace (Though to JJJ's credit, when Hobie had an altercation with his boss, Jonah took hobie's side. Jonah may be many things but Racist isn't one of them)... and he was VERY lucky that it was peter parker, having to pull his punches for obvious reasons , he encountered. Hobie thought he'd killed the poor guy, naturally he hadn't and when encountering peter as spider-man later, not knowing the connection, he confessed and explained things. Peter being peter, and once unmasked seeing Hobie really wasn't that much older than him and had been through the shit, let the guy go and Hobie eventually had a happy ending. So how does aaron fit into this? Well like i've said in this review and covered previously, Miles comes from the Ultimate Universe, so given the prowler had a dope as hell costume, name but not a lot of use, he was perfect to refit as Mile's first archenmey and most personal nemisis.

Uncle Aaron in the comics.. is a bit of a dick. While I plan to cover this arc at some point, as it's REALLY good, Aaron after some time in mexican prison, finds out there's a new spider-man and having stolen the spider in the first place and actually seen it bite miles in this timeline, puts two and two together... and then tries to blackmail his nephew into working for him to make himself the new kingpin, the old one having been blown up with a rocket launcher by Mysterio.

He also died but rather than go out heroically , as we'll get to.. he went out because his suit backfired because he was stupid enough to kill the man who made it while trying to murder his 13 year old nephew.

Yeah it's a lot, and again i'll get into it some other time, but the film made the understandable decision to take about 5 to ten percent of there, and used that percentage to make him infinitely more badass.

This Aaron is an experinced supervillian, one who gives Peter trouble and has awesome theme music. The Prowler in the film is animalistic, moving at less frames than the other characters and being purely terrifying. It sells what Miles is facing: an unstoppable killing machine who just wants him dead. Which completely contrasts who Aaron is off duty. To him.. this is just a job and killing people is just what he does. Kingpin says jump, he says "what spider-man?". When not he's the cool uncle who gets introduced to fucking hypnotize. He's a smooth guy who while having terrible advice about ladies, also has good takes like "Smart girls are where it's at". The reason Miles confides in him more than his dad.. is easy to see. Aaron actually takes the time to reach miles on his level and try to gently coax miles into not totally hating his new school instead of saying WELL YOU'D BETTER LIKE IT. I mean Jeff is the better person, no question, he's killed exactly no one and for a cop that's impressive, but Aaron genuinely loves and supports his nephew even more than originally. It makes the contrast that much more horrific, that this perfectly kind, cool as hell guy.. can also casually hunt what he can CLEARLY tell is a child like a monster across a subway. It's no wonder finding out who Aaron is really rattles the poor kid.

It also makes his face turn that much more effective: it'd be easy to assume given how UTTERLY terrifying the film made him that like the comics, once Aaron finds out he wouldn't give one iota of a shit that this is his nephew. Instead Movie!Aaron.. is utterly horrified. Mahershla Ali does a hell of a job conveying the man's horror when Miles takes off his mask in a last ditch effort not to get choked to death, with Moore likewise conveying miles pain and desperation incredibly. The animation is also flawless here as you can just see Aaron realizing what he almost did.. and what he's likely done to counltess others like miles. How many kids did he kill simply because they saw something they shouldn't have? The horror is clear... adn the tragedy all the more painful when Kingpin coldly snipes him. All his power.. and aaron dies, encouraging his nephew to keep going and to be better. Aaron is an incredible character here, suprassing the already great original and I look forward to seeing more of ali in Beyond.

Finally we have Doc Ock aka...

The casting was genius idea.. that i'm baffled WASN'T always the plan. Originally Ock was supposed to still be a man and a bit more big lebowski'ish. And while it means we missed out on Steve Buschemi as the green goblin, one of the directors suggested Kathryn Hahn, all around queen of awesome and perfect fit. It also fits the story better: Dock Ock being "Gasp" a pudgy guy who looks a lot like me? Not a huge suprise. But a scientest we simply see in the background and assume is someone shady, but turns out to be dock ock complete with soft robotics tentacles? Fucking brilliant. It plays genre expectations against us: normally the messy haired science lady is on our side, as peter assumed.. instead Ock is fully on board with this scheme and even actively decives kingpin to get it thorugh. Oliva is ock in every sense of the word and is easily our heroes most dangerous opponent that isn't king sized. It takes THREE spider-men to wear her down and a fucking truck ex machina to finish her. Hahn, as usual has a lot of fun with the roll and it's no shock disney wanted to get in on this, and I can't wait for Agatha coven of chaos after her amazing work on Wandavision. Hahn is just neat and Olivia is great. Also nice subtly saying gay rights with Liv being implied to be Aunt May's ex in this reality too. Did it also involve a nuclear explosion on an island off of canada? One can only hope.

Odds, Ends and Sick Beats

So character wise we only have a few left to go over. First up is Rio, Miles supportive kind mom. She dosen't get a ton to do here but what we see is great and like Gwen, it's clear the writers realized they didn't use her as much and the sequel dives into her more and makes her just as important as her husband.

Then we have Ganke. In the comics, Ganke is miles lego loving best friend, his closest confidant and he helps ease the tension of being spider-man.. but given said tension drives the whole plot here, I get why they eased back. The other reason.. is understandable if disapointing. See the MCU Version of Ned Leeds, Ned Lee.. is basically Ganke. Close friends with our spider-man? Likes lego? bit of a nerd? Serves as his "guy in the chair". All check. And ned is great, he's fantastic and if I ever get to the mcu trilogy, i'll defintely have plenty good to say. It just meant Ganke had nothing to really do and is thus off to the side for these films. It's disapointing but I can understand it.. and he still gets a great scene in the spider-people trying to avoid him.. also Peni was blushing like mad. I need followup on this ship next film crew.

We also have Stan's cameo.. which is heartbreaking, but man was it good and it served as a great tribute to the man without being meant as one. It also gently jabs at his huckster nature with the no refunds sign. Oh stan... I miss you man.

Finally we have the films soundtrack. It's so damn good and it uses music beautifully: It has standouts like What's Up Danger, which i've talked about. Sunflower which thematically fits the film and the miles gwen romance, and Hypnotize, which perfectly sums up who aaron is when he' s not stalking children like some sort of feral cat man. I was going to talk about it more in depth, but it's just fanatastic.. and frankly this review is both horribly behind as is. It's a great sountrack and an all timer, both in the music made for it, the ones chosen for it and the backing tracks. Stupendous

So that brings us to the end of this long look.. and it should go without saying by this far in.. this film is a masterpiece. It's great as an adaptation, phenominal on it's own, groundbreaking, and I'll be revisiting it again and I feel terrible I didn't because I noticed so much more the second time around. This project has been a lot.. but it's also been some of the most fun i've had ont his blog. As i've already announced... we will be doing this one more time for beyond, and possibly again for across' theatrical release as that seems like it's not going to be as soon as Sony hopes. Either way i'm still shooting for the films current release date in march, so we'll be back with this in november or december with some other spidey plans in the mix as well. So thanks for taking the leap with me.. and hopefully you'll stick around. Until then... thanks for reading... and remember.. anyone can wear the mask... especailly you.

#spider man into the spider verse #spider-verse #miles morales #gwen stacy #peter b parker #lord and miller #the prowler #aaron davis #spider-man #sp//dr #spider-ham #spider-man noir #comics #animation #kingpin #wilson fisk #olivia octavius #doctor octopus #tombstone #the green goblin #norman osborn #scorpion #maximus gargan #jefferson morales #rio morales #ganke lee

[wolfieworld]

4/6 Diary: Dead Projects

it's hard to acknowledge why something isn't working when you're in the middle of it, sometimes it's hard to even know why. There's a few plots that have been in my brain for years that I've rewritten and rewritten and rewritten with little success. I think a big part of failed projects is actually over-estimating ones own capabilities, for example I plan out mechanics that I don't have the experience to achieve, or characterization too far from my own experience that its not fun to write. I often plan out stories that require a lot of research and I feel like I can't write until I know everything-therefore most writing doesn't get done and what does is full of holes. It's kind of embarrassing to look back at stuff and just think "I didn't know what I was talking about at all."

Sometimes shit just doesn't work out. In the words of Pretty Boy Detective Club giving up on a dream can be more beautiful than achieving the dream itself.

Probably 90% of everything I try doesn't work out and it's been on my mind lately that that's a good thing. Of course in an ideal world we learn from finished works bc there are things from those you can only learn by sharing with others and by wrapping up a story and by saying goodbye to your characters but there isn't such a thing as an ideal world and everything we do we learn from whether other people see it or not. There is something special you learn from unfinished projects, the types you choose to put down forever, which is you are forced to acknowledge precisely why it could not get done.

These are all images from 2 retired vn/comic projects.

These projects are prisons for some of my best and worst writing, full of ideas with no through-line or real objective, and no real thorough understanding of these characters who I loved just collections of feelings and images and facts I thought were cool.

What is improvement? I'm not a person who looks at my old art and feels like I've gotten better at drawing, and when I look back at old writing I only really get the sense that I've become less cringe but not become a better writer. I think improvement is more esoteric than becoming better at the skills you use to express, maybe it's just knowing yourself better and playing to your strengths, and crystalizing what you want to say (or finding it in the first place). Aesthetics form naturally from writing and drawings that plainly express what they need too and they are drawn like blood from stone from work that is trying its hardest to be clever.

Personally I find these digital pages from 2020(21?) to be better drawings than anything I've done in the last two years in a technical way but it doesn't matter, I couldn't finish it, and I didn't know the characters. It's just portfolio work, it took me months to do five of them. They're just "cool shots" even though I didn't know it at the time.

As I get further into working on Youth Who Was Killed I'm noticing that cutting corners produces better results, there's more emotion in sketches so why finish a drawing, why design a logo which I'm not good at when I can use a font, why color grade the images myself when limiting the palette to one or two or three colors provides an unmuddied result? This is the kind of laziness you would think would harm 'improvement' but I've found that too much brute force is a highway to burn out, and then you're not learning anything at all.

Making art is a war against human nature I think, cavemen definitely weren't built too instinctually develop a five year plan every new years. However it becomes like less of a war when you work with your nature rather than against it. Maybe. I don't know. I really hope I don't make a blog post two years from now about why I couldn't finish YWWK. If that happens blame ren'py.

i drew my ocs in funny t shirts for the first time in my life so maybe all that stuff i said about improvement being that you become less cringe is untrue, maybe you get more cringe. thats ok with me i guess.

#meow meow meow #youth who was killed #that feels like kind of a scary tag and maybe i should use the acronym i will decide later

[genericpuff]

Do you have any current voice claims for the Lore Olympus : Rekindled characters you've introduced so far?

Also, kinda just curious, you can ignore this one: Are you slightly worried about Rachel finding out you're reworking her story, seeing how she doesn't take criticism well?(genuine q)

LOVE your art work, btw!

Fun question, but unfortunately I don't really have any sort of neat answer to it. I don't tend to think in the realm of voice acting/live action when I think of the characters I write, it's just not really where my brain goes. When I read scripts internally to myself, they tend to just be default imaginary voices that I use. The technical sound of the voice itself isn't so much important to me as the line delivery and how they communicate (so like, 'voice' in the sense of writing rather than auditory). So like, how often do they pause, do they use lots of filler words, do they breathe heavily in between sentences, do they speak in short or long sentences, do they get to the point or speak in run-on sentences, do they speak eloquently with bigger words or do they prefer fast-paced conversation with slang, do they have a stutter or any other vocal block/impediment, do they approach conversations with cockiness or modesty, that sort of thing.

More often than not my inner voice when reading dialogue to myself just tends to be variations of my own voice lmao My brain doesn't have much imagination in that department unless I'm imagining a specific person from the very beginning (so if you ask me to imagine Will Smith's voice in my head while reading dialogue, yeah, I can do that just fine, but if you ask me to do it in reverse by assigning a specific person's voice to the characters I write, I'm just gonna draw a blank LMAO) The only other voice that pitches in on the reading process is my husband when he's doing dialogue exchanges with me (so basically I'll read a few lines of dialogue to him, which will turn into him going "lol imagine if it went like this..." which then turns into us doing casual improv, it makes for a great way to come up with organic conversation or re-write punchlines). But my husband's voice definitely doesn't pop into my head when I'm reading my dialogue to myself, again my brain just automatically defaults to my own mind voice.

If there's a specific actor you imagine when you read Rekindled, though, I'd love to hear it!

Regarding question #2, yes and no? I'm less worried about her (because legally there's nothing she can do about it, it's literally just fanfiction lol) and more worried about her fanbase, people call ULO toxic all the time and yet it's the fanbase who have historically done all the shitty things like doxxing people, witch-hunting, dogpiling, bullying, etc. so I'm basically just waiting for the day that I get a flurry of asks or hate directed my way and I can go "yep, they found out about Rekindled" LMAOOO

But on the other hand, it is just on Tumblr and it's not even really parodying LO, it's basically any other AU fic with the exception of it being in comic form. Like, if someone found an excuse to bully Rekindled on the basis of it just existing, it would be pretty hypocritical (and hilarious) when AO3 is full of LO AU's from people who detest what LO has become just as much as I do. As much as Rekindled was born out of criticism, the comic itself is still just its own thing, telling its own story, none of what's in it is meant to directly mock LO or even outright criticize it - it's just aiming to take things in a different direction than the one LO took, with the motivation of giving the fans who have dropped off LO due to its lowering quality some catharsis (and a new reason to look forward to Saturdays). I think the pettiest thing about Rekindled on its own is that it updates 15 minutes before LO does LMAO

Of course, all that stuff about Rekindled not generating hate will only last if I stick the landing. So far so good, but we'll see how it goes as it diverges further away from OG LO (mostly with the plot as it drops a lot of the things that seemed to be used as distractions especially in S2 onwards, and we're not even really tackling S3 because of how much of a mess it is; we're still very much in the 'prologue' section of it where a lot of it is closer to the OG version, but we'll start seeing more diversions as it goes on).

So, yeah, I am a little worried sometimes about the "what ifs", but it's not a constant fear that lives in my head rent-free. I was definitely more anxious about it when I started, but so far it's been great and I know ultimately that when people do act out in my inbox, often times they're just fundamentally misunderstanding what my intentions are or the fact that I'm not trying to make them hate LO or "dethrone Rachel" (though I do make jokes about that LOL) I'm just doing what many artists have done before me - expressing myself and doing something in my own way with the disappointment I've felt over the past year due to LO.

Frankly, I also don't think any of the problematic stans of LO are even on Tumblr. I find most of the toxicity so far has been on reddit and Facebook (°ー°〃) So I think Tumblr has made for a very safe platform to post it to. I think if it were on Webtoons it would ABSOLUTELY generate a lot more hate, there are other H x P comics that have nothing to do with LO that get harassed by the LO fans just because it exists and happens to be about H x P (as if Rachel herself invented the myth).

#lore rekindled #lore rekindled comic #lore rekindled ama #ama #ask me anything #anon ask me anything #anon ama #lore olympus critical #lo critical #antiloreolympus #anti lore olympus

[leavingautumn13]

What equipment and programs do you use to make your art? Your about says you're self taught, what helped you learn? And does anything specific give you inspiration for your current style or what you'd like to achieve in the future? I really like your art❤️

ahh!! hey, thank you so much!! <3 that's so kind of you to say!!

easy questions first: for digital art i use a wacom intuos tablet and paint tool sai, which is the only setup i've ever used. i've been trying to get into clip studio paint but something about it just doesn't stick with me. i think i need more practice.

for comic panels and lettering i use adobe indesign, and export as png to before putting them in sai.

everything else under the cut so this post isn't miles long

i've been drawing ever since i was a kid, but until middle school i mostly just drew animals or little notebook paper comics about animals. i grew up on a farm so there were lots around, and drawing from life is something i think really helped. like, there's a difference between knowing what a cat looks like and being able to pick one up and see how its bones and muscles fit together, being able to watch it change how it moves around depending on what it's doing, whether it's catching a mouse or playing with another cat or curled up asleep, and being able to break down that anatomy and movement into simple shapes. i'm a pretty visually oriented person so knowing how a thing functions or fits together as simple shapes helps me visualize it in my head and imagine how it would look in different poses or from different angles.

around middle school i moved onto drawing people, again from life while sitting in a cafe or at a park. actually being able to get what's in my head down onto paper in a way that satisfies me is something that i think just took practice. only recently (like, late last/this year) have i been consistently satisfied with the way i draw things.

sorry if that sounds weird or clinical--this is the first time i've been asked to explain how i learned to draw and this is the best way i can think to say it.

honestly, finding my own style has been looking at what i like about other artists' styles and trying to figure out how they achieved that. i did a lot of redraws of other peoples' art as a kid. for me, trying to replicate something makes me really think about why i like the way it looks. i try to lean towards a semi-realistic style--i don't like drawing super realistic all the time, i love cartoons and think they have a lot of character--but i also don't want to lose the underlying anatomy or structure because it helps my brain make sense of stuff. so i try to find the middle of the road, where things are simplified but still structured, if that makes sense.

brief tangent... that's why i draw pokémon the way i do. they're not on model, they're how i imagine they would look if they were real animals, based on the sort of animals they're... uh, based on. so like for this piece, because camerupt is a cow/camel hybrid, i looked at a bunch of pictures of cows laying on their sides, what their hooves and skulls looked like from certain angles, etc. and then i could draw what i wanted.

as for improvements, i need to get better at backgrounds and realistic coloring/lighting. color theory is one of those things that i understand... well, in theory, but when it comes to practice and paying attention to it when i color, i need work. and because i've mostly drawn animals and people my whole life--organic stuff--i find buildings and backgrounds difficult, so i tend to avoid them. and i need to not do that.

#thank you for the ask!! this one really made me think #let me know if you'd like me to clarify anything... i tend to get longwinded and distract myself with tangents. #so idk how clear this is? i really look like the charlie conspiracy board meme trying to explain anything to anybody #bc like there's CONTEXT alright #like i deleted a tangent about how much i love hiromu arakawa and fullmetal alchemist and it was a huge inspiration and #like damn dude that amount of granular detail was not asked for lmao #autumn.ask #autumn.personal

[alena-draws]

(I might be only posting and thinking about Trigun atm, but I'm still very much following bnha, and the last chapter I read just now was so nice! Shinsou my man, and Kirishima too, so good to see you  and I think I'll really like the Toga development) 

(On that note, if you followed me for my bnha content and are now getting flooded with Trigun art, I’m sorry! I’ll always be a multifandom artist and hopping from one fandom to another after some time, but as long as bnha continues I’ll stll be watching the series with great excitement and since I’m convinced we’ll get some real nice scenes still in this final arc, you can be sure I’ll draw some more bnha stuff)

(on THAT note (now it’s getting a bit long) I do feel like I need to apologize a bit for not continuing with my BKDK comic atm. I’m mostly following another series now which is one thing, but the other is that in my free time, there’s lots of other stuff that I want to learn and try out and draw, and drawing comic pages isn’t something I want to improve at the moment. I might just try to be a bit more loose (I don’t need the comic to be perfect and drawn at a same niveau, I just want to tell the story), but I don’t want to make any promises that I don’t know I can follow yet! Technically, I know it’s not necessary to apologize for not creating content, for artists and writers alike, but I know how agonizing it can be when you have a story you like and it stops midway <:)  Ok, that was all! Bye and have a beautiful day!)

(It’s Stampede Saturday so if you follow my main you’ll probably see me reblogging and whining about Trigun stuff later that day)

#text #whoops! longer than expected #bnha manga spoilers #mha manga spoilers #mha 382 #bnha 382 #flip spin start again

[giuliadrawsstuff]

Hi! I love your art 💖 I was wondering what is your opinion about yesterday’s episode. Did you like it? :)

Awww hi! Thank you 💜💜

I loved it!!

I really don't get all the complains I'm seeing here and on Twitter.

Mappa did an astounding job portraying Hange's last moments, staying true to the manga and at the same time making it better and more cinematographic.

The frames are the same as the manga, it appears quicker because animation is always like that, you can't stay on it as long as you want like with a manga panel.

Plus the pace was already quick, they're running out of time, Hange has to buy them some last precious moments to fix the plane and flee. They can't dwell on the single frames too much. It's all part of the narrative.

"Dedicate your heart" is a Levihan scene ofc but it's first and foremost an Hange scene. It's their moment to shine, the big hero departure, the ultimate sacrifice to let the others leave and live.

That's also why I appreciated Mappa making their fight longer, we get to see Hange at their best, first humour (even in their last moments), then determination, then awe at the beauty of Titans and science, then badass fighting like we've never seen before culminating in the afterlife welcome from the other Vets.

I don't think they could have done it better.

As for Levihan itself, I saw complains about Levi not showing emotions or the "dedicate your heart" scene not being the love scene it should be.

Now, we can compare it with the Aruani moment. That has been changed, the wrist grab has become hand grab, they blush and they're embarrassed, they're teenagers.

Levihan are adults, Veterans trained for a long time to hide their emotions and feelings leaving space for duty and freedom.

You don't need a kiss or a hug to show they're in love (but I'll do it and add it anyway in my drawings 😂)

As much as I would have died to see it myself, we all know it wasn't going to happen. They don't have room for big manifestations of love. AOT is not like that.

And honestly, at least to me, Levihan is in the little things, little everyday gestures and moments that build and strengthen their relationship, the fact that Levi never said those words to anyone else, adding the use of the left hand (the hand of the heart not the hand of duty), speaks volumes about how he feels in my opinion.

Hange's surprise and smile are equally meaningful.

Same goes for Levi's tears. He doesn't need to cry to show his emotions. He's constipated and we know it, but you can see his pain in his posture, in how he's cradling his hands on his lap, in his lack of expressiveness, in the empty stare, in the determination he has to fight once more and not make Hange's sacrifice in vain.

It's not by chance that everyone is screaming and crying when Hange dies, huge tears rolling down their cheeks, faces disfigured while Levi's the only one who stays quiet and silent, almost spacing out. And I think this is very in character (no matter how much I make him cry in my stuff 😂).

It's not easy to adapt from comic to animation and I think Mappa really did their best keeping the line of the manga while improving it and making it better at the same time.

That being said I only have one last thing to say, LEVIHAN CANON 😌

Thank you for the ask and sorry for the pep talk 😂

#my art #levihan #attack on titan #ask #opinion #last episode

[ganondoodle]

Hey, I adore your artstyle mate, I loveeee all the vivid colors and the fact that most of it lacks lines?? You doing the hard stuff, but it paying off 💜

can I ask, as I’d like to get into comic making, how long does it take you to finish a a single panel?

Hi!! thank you very much!! drawing lineart is incredibly frustrating to me so im very glad i was able to make the jump to mostly lineless artwork, tho im very much still at the beginning to learn how to do it xD

to answer your question, i .. cant say really, it depends on what is on the panel, and i always jump around when working on a page, i draw half of the very last panel, then jump to another, maybe i see something i want to change right away and work on the third besides i ... dont know anything about panel composition, i think in movies so i play it and try to pause it on a frame that could work as a panel, whichs is probably why it goes alot slower than normal comics, idk how much to skip gndfjknvgfdjk

im by no means an expert in making comics, you kinda have to find your own way of what works for you, i have done many in the past but all failed, i gave up before getting even one chapter done many times

general advice i can give you is, most importantly, dont wait, i know its daunting to start, but you have to start, even if you dont think you are good enough, you will always change and improve anyway, better start now or you might do it never, and remember, when a page is done its done, i know how tempting it is to go back and redo it, but if you start with that it will only lead to an endless cycle of remaking it over and over

a cause that made me abandon my old projects, was partly lack of support/recognition, but mostly that i was forcing myself to things that werent fun, like one i made in black and white bc i thought you had to do it bc color takes too long, but i live for colors, so it drained the fun out of it immediately

the only "rules" i have set for myself is that its understandable, the flow of the action doesnt flip around too much, speech bubbles are aligned in a way that guides you (of course im not perfect at that either and always learn); i dont jump between pages, i jump between working on panels, but i dont start another page before the previous is at least acceptable, otherwise id get ahead of myself and get impatient, just wanting to skip ahead and neglect older pages; and that i only work on a panel/page as long as it has acceptable quality and is fun to draw, when i notice im getting bored or frustrated i finish it quickly as best as i can and move on, otherwise it might drag the entire project down, which is why each panel or page in 'Destiny' varies alot in quality

i can barely look at the first pages .. or even at the last one i made for that matter, but its also fascinating, how much my art changes within even one update which takes me about a month for 4 pages, since i have set my 'fun' rules at least, it used to take much longer (i wish i was faster, and i could be, but i have a job, and have to look out for my health, both physically and mentally, so i take whatever time i need and draw however much i feel like drawing, no rushing)

my progress so far is that i write a rough script, what happens, what dialog, where it ends, and so on, it doesnt have to sound good, god knows mine are shitty xD but its a good guideline, even if rough! then i make a rough draft, basic panel layout, dialog (it always changes fro mthe script, again its more liek a guideline than a rule ;) ) then i start with actually drawing the first page, my art and way of .. art and writing changes incredibly fast (idk if its for the better lol) so .. by that point i redraw the rough draft version of the page if i see how it works better, rewrite dialog too, and even cut stuff from the rough draft

im not done with the first chapter (im slow af lol), but wrote the script for the second one when my hand was injured and i couldnt draw for a month, once im done with this chapter i will draw the rough draft for ch2, then write the script for ch3 then go and draw ch2 fully, at least thats the plan the more time passes the more i know what the next chapters are gonna be, tho i know the important points long before; right now i have the entirety of the first arc sepeareted into chapters, and the end of it all too, but between there its still a lil blurry and im adjusting everytime i think of soemthing better

anyway, sorry for that long ass ramble, its late and i thoguht about this ask bc im trying to get my want to draw back (not feeling well rn nkfdnkd) so i randomly decided to answer it .. probably in the most unhelpful way possible, alot of stuff noone aksed for lol

anyway, sorry, and goodnight uwu

#ganondoodles answers #i hope i didnt sound too preachy #or soemthing #idk im not good at giving advice #..and my way of drawing changes so fast #whenever i explain sth it usualyl changes right afterwards #and man that feels shitty #like im lying to people #:(

[hypocriticaltypwriter]

I'm not sure if it's some kind of episode, overstimulation, burnout maybe my seasonal depression is kicking in- or if I'm starting menstruation all I know, but it's been a rough month... Maybe it's all of the above, who knows.

All I know is I just need to write out my feelings just a bit, to let some feelings out, you get it?

Art. I'm starting to despise my art with a firey passion. My writing too, I can't finish a damn thing and all my writing and comics go to waste. I'm letting the people who took the time to follow and like, and enjoy my work down.

Theres so many good TMNT artists out there- and great ROTTMNT writers too! I just wish I were up there, I wish I could actually give people content they want. I feel my art is just- nothing compared to all my mutuals and the people I aspire to be.

The worst part is, I thought I was improving. I thought I could be better and get better, but it's just... There. It's nothing, no improvement. I try so hard to draw characters to perfect, try to stick to the right patters and keep to each characters personality so desperately, and I'm only grasping at straws.

Anither this is my OCs. Tamsin used to be a Self Inster that I loved! She's a character that projects some of the things I wish I had ×20.

But now, it feels like sometimes I can't stand to look at art of her. She's just- some other plain, self insert that is in way too much of my stuff when I should just stick to original material.

I know people don't want to see more than just this basic, plain, little to no personality character. I wish I could give that- I just don't know where to start.

I... I'm not having fun. That's the whole reason I wanted tumblr to share my art, and to just wing it and not care what ANYONE thought, as long as I was doing what I loved, it didn't matter.

But here I am, just feeling kinda down in the ditch down a river without a paddle, and it sucks ass.

I think I'm gonna take like- a day or two break from drawing any TMNT stuff. I'll still be online and reblog all that jazz just... I really don't want to draw for a hot minute anything that involves ROTTMNT.

Its been what? Only a month or two since my last burnout post? I know, I'm kinda a lazy ass in this department. For those of you sticking around, thank you so much and hopefully you'll get some art out of me sometime soon this week, just need a bit of time to myself before my self confidence smacks the floor.

#cherry rambles #vent #just venting #kinda venty #rottmnt #rottmnt oc vent

[strymes49]

Free Fall Direct - May 2023

Hello, it’s me! The bird drawer guy. Now that Free Fall is in full swing after finishing up Chapter 1 - Terrifying Awakening, I have a few things I want to share regarding the future of the comic! So I thought I would make it all “””professional””” and make it a monthly thing where I talk about some BTS stuff going on with this project! Y’know, for those who give a flying bird.

So let’s get into it!

💜NEW WEBSITE💜

This is what the home page of the new Free Fall website looks like so far! There will be many changes made of course (i sure do love the times new roman at the top). This time it’s made in Neocities, which means no filthy dirty Wix watermark at the top anymore (sorry wix ily but you were trash)! This also means the comic will now be presented in the “normal” way, with each having its own page with arrows to click at the bottom to go to the next or previous page. Before, you just had to scroll down, but Wix wouldn’t load the entirety of Chapter 1 that way, so now it’s unreadable in that state (especially on mobile where the pages kept getting out of order), and I don’t have the energy to try and fight with a mediocre website host >:P

💜ARTWORK?💜

This website will contain a couple of new bonus features aside from the comic. One of them is the Artwork tab (a reworking of the “Art Gallery” tab from the last one). This time it will contain artwork I’ve made in the past (THAT DOESN’T CONTAIN SPOILERS), as well as concept art of the characters, locations, and other fun aspects of the story! I hope that will be a fun gander to look through, especially as more gets added to it with time! There might even be some cut content as well... oooOOhhh!

💜OST?? Like, MUSIC??💜

Oh yeah, like music.

One of my biggest visions for Free Fall was the addition of an original soundtrack that would play while you read (as an optional thing of course, and the ost would be available on youtube as well). And the OST tab would be the place to listen to any track at any time! It should be fairly easy to implement now on the new website! I’ll even put the old Free Fall tracks on my youtube under the “Free Fall Beta” playlist in there as a little bonus for that!

💜But where’s the characters tab, Strymes?? You can’t have a webcomic website without the characters tab!💜

And you’d be right! But it’s still gone, only because you can now access the characters’ “bio cards” right on the home page to learn about the cast! Under “Click HERE to learn about the Cast!” I have posted it before, but here’s a link to it if you’ve never seen it. It’s a little interactive archive of every character introduced in the story (or is confirmed to be in the story) so far: https://docs.google.com/presentation/d/1EL9yR7b2e2eOQdZzQreuYrbqPrKfnJPKUGI-Pxh4WUA/edit?usp=sharing So that’s all I have to say about the website so far! It’s coming along and it’s been good learning how to code with HTML. A little daunting and overwhelming and gut-wrenching to get everything working... but good.

💜CHAPTER 2 NEWS💜

Now for the stuff you’re really here for.

This is a quartet of characters who are going to appear in Chapter 2. Who are they... and more importantly WHAT are they? You’ll just have to wait and see, nyeheheheheee >:3 There will of course be more of your favourites from Chapter 1 as well. I think you’re really gonna like Bella in this one XD Learning what I’ve learned from making Chapter 1, this should be a MUCH better paced romp with better writing that gets more to the point, while still having good clean dialogue, as well as better visuals (which you might have seen improved THROUGHOUT chapter 1, as that chapter took MONTHS to make lol). With that being said, it might not reach as MANY pages as chapter 1, but hopefully it will be a much more enjoyable experience overall with fun new characters!

💜IN CONCLUSION...💜

I think that’s it for now. Thank you for reading this far if you are somehow here lmao. It means a lot to me and I couldn’t be more thankful for even having an audience for this in the first place. So thank you thank you thank you. 💜😊With that being said, I’m sorry for not being as active on my socials as I used to be. I think I have less of an attachment to constantly scrolling through Insta and Tumblr these days (and I don’t have twitter to rope me back in anymore so maybe that’s a plus all around). I can assure you I am working on more art slowly but surely. I still have so many WIPS it’s not even funny, but I want to shift focus to artwork that I can truly call... well... art.And that means not just posting an oc drawing like “here you go” just to make sure I’m relevant. I couldn’t care less anymore. I am perfectly satisfied with not trying to please the algorithm at every turn, thank you VERY much.Tangent aside, thank you for reading. I’ll see you guys in June with another one of these! Weehee!

#free fall #freefallwebcomic #strymes #autumn #webcomic #comic #ocs #original character #fantasy #adventure #webcomicupdate #freefalldirect