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#she lived because we see her again in Star Allies but that would definitely end a relationship lmao
sweetandglovelyart · 2 months
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It’s a little bit late for Valentine’s Day but here’s the reveal of my cursed Kirby crack ship as promised: it’s Dyna Blade/Captain Vul and I envision their relationship dynamic as being like Donkey and Dragon’s relationship dynamic in the Shrek movies.
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fireemblems24 · 9 months
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Golden Wildfire Ch 9
Spoilers for GW up to Ch 9 below.
STORY
Edelgard makes no progress in the war. More news at 6.
Wow, 6 month time-skip. Part 1 finished. Didn't think we were getting another time-skip, but with Edelgard licking her wounds, it makes sense because no one tries to murder anyone when she stays in her own country.
"End of the Alliance" - sounds ominous.
Oh. It's now a Federation. Like Star Trek. But shady as fuck. Because Claude just crowned himself king so he could take more control. Weird how everyone just accepts this. It doesn't really fit the narrative that people don't trust Claude.
So . . . Edelgard's war actually made the Alliance less progressive 😅. Because now the Liecester is just a monarchy.
Claude didn't tell Shez, lamo. It really feels like these two aren't close at all. I feel like Shez is closest to Dimitri -> Edelgard -> Claude.
It would be nice if this was an Alliance focused part and not about Edelgard's nonsense anymore.
There's trouble in Alliance territory with areas that didn't want King Claude and they're rebelling. Honestly, don't blame them. Ohhh, they want to join Faerghus. They like King Dimitri better. Agreed.
This really is heading towards an Edelgard Claude team up, isn't it? With the people who don't want to bow to king Claude wanting to leave and join the Kingdom. Welp, at least it'll be different. And hey, Claude's funeral, not Dimitri's so what do I care? As long as it's interesting and different from VW.
Don't blame Claude for wanting to put down the unrest. Happy not everyone drank the Claude kool-aide. And don't blame anyone for wanting to leave the Alliance. It's kind of a no one is the bad guy here (except Edelgard), unlike with Dimitri with the Western Lords where they are definitely the bad guys.
I don't trust Claude farther than I can throw him though.
MAP/SIDE QUESTS
This "battle suggestions" is interesting, but it makes it seem like Shez is in charge of the whole army lol.
Can someone explain how the "merc whistle" works? It seems like you can take someone's special ability and give it Shez. But you could also equip it on someone else? So I could make someone else invulnerable like Lorenz if I gave it to him? But that person's "ability" goes away? Anyone have a list of what those abilities are exactly?
You can actually tell Claude you don't support his actions (or are unsure). Edelgard routes could never.
NPC says the minor lords now get no say in what happens.
Yep, here it goes. Claude's meeting with Edelgard to ally with her again. At least here Claude's calling out her shit on attacking them for no reason.
Edelgard is so two-faced, denying that her end goal is take over.
"We'll take tangible resources over insincere apologies any day." - Lamo, Claude, if you know she's a two-faced, insincere liar why on earth are you doing this?
I like this version of it better since at least Claude seems like he has two brain cells at least. In SB, he really came across like Edelgard's mindless bitch.
Now he's calling her out for creating her BS southern church lol. Holst called it an "obvious sham."
Arval said Edelgard wouldn't even acknowledge Shez's existence.
Shez is actually not supporting Claude's decisions in cannon.
See, this makes it WAY more interesting. SB/CF cram what you should think down your throat (SB less than CF, but still doing it), but GW is giving it more nuance.
I think I can say GW is by far my 2nd favorite right now.
Oh, another time limit one! I liked that in the paralogue.
Hurt having to fight the Kingdom again.
Judith also calls out Claude, saying he's talking about people's lives like they're just pieces on a chessboard.
Marianne and Ignatz are also upset.
"You let the Empire talk you into buying the whole store." - Judith
Claude claims he's using the Empire right back. I'd like to see how. Like, I think GW is a way more interesting take on this, but I'm honestly super confused why he thinks this is a good idea for the Alliance.
Lorenz also said he's throwing the Kingdom to the wolves for no reason.
Claude drags up ancient history as an excuse. Which is hysterical since recent history the Empire just killed Alliance people.
Seems like Claude just hates the church and that's why he's siding with Edelgard. Even though that leaves it really easy for her to take over and she said she would through non-military means later.
Claude is a complete dumbass here, but at least it's interesting.
Aww, Shez checked on Shamir, making sure she's ok fighting Catherine. This game really ships Shamir x Catherine and I'm here for it.
Shit. I missed Claude x Hilda's B Support. Did I miss something amazing? Does this mean I'll have to play GW again? Not sure I care enough. I like them both well enough and all, but I can really only see myself replaying AG. IDK, maybe one day.
Anyone else find it shady that Claude is killing any noble who doesn't want to follow his new system? I get it, but that's sus as hell. It's esp funny because the Empire is trying to smear Dimitri for taking out the Western lords (who all helped in a genocide), but their allies doing the same to not-evil people is fine.
CLAUDE & SHEZ B SUPPORT
This is going to be funny with how openly Shez isn't trusting Claude right now lol.
They're just talking about him being king and how Shez first suggested that the Alliance had a king.
Claude wants to open up to Shez because she doesn't have any strings attached.
Talking more about Shez's mystery mom who just died of illness. Then she got kicked out by everyone else. Wonder why?
SHEZ & HILDA B SUPPORT
Hilda still lecturing Shez on charging to the front lines, but thinks Shez is skilled enough to handle it.
Hilda compares it to Holst who also leads the charge, unlike most leaders who stay in the back.
Hilda doesn't think her brother is capable of dying because no one is good enough to kill him, and now thinks the same for Shez. No one told the poor woman about arrows.
Hilda now fights more up front but denies it.
Shez can tell Hilda her cheerleading annoys people, lamo.
Welp, that explains why she's ok with attacking innocent people and continuing war because rHeA bAd, because she's convinced herself the people she loves can't die. Ummm. Ok.
SHEZ & LORENZ A SUPPORT
I feel like Lorenz got flanderized a bit in this game. Like, there's not much to any of his supports so far but "I am noble, so I am better." I honestly don't care much about him, but he had more depth in Houses.
Shez expects Lorenz to complain more. But he's just her to brag about why he's grown stronger.
She can assume he did it to get the ladies lol.
But nope, of course not, it's because he's a noble and a noble is better than commoners than he needs to be stronger than her.
He wants Shez to get in trouble so he can rescue her. Ugh.
Shez says that Lorenz fulfilled his oath to get stronger bc Shez only does what she does bc she relies on allies.
That was really one-dimensional, and Lorenz was just unlikeable in it.
HOLST & BALTHUS A SUPPORT
Oh, Hilda's here. So they just squeezed her in his support with Holst to excuse giving her a support with Balthus.
Hilda is worried that Holst is acting weird and thinks Balthus might be behind it because they've been hanging out.
Hilda is convinced that Holst is uncurroptable because he only like things that are just. Balthus seems to hint otherwise.
Seems like Holst is DRUNK. Or just being cringy. Hilda's mad that Balthus set her up so Holst could listen in.
Hilda's embarrassed, understandably.
Holst calls Hilda his "hope." Yeah, I get why she's annoyed.
CLAUDE & LORENZ A SUPPORT
Lorenz points out that his family has always been friendly with the Empire, so this change is no big deal.
He accuses Claude of just copying his father.
He says House Gloucester should rule and not Claude, and says he will be the next king.
Claude accuses Lorenz of his ego being out of control.
Claude suggests letting the people of the Alliance pick the king. Lorenz thinks it's silly until he changes his mind.
Lorenz, rightly, points out that Claude's new position in precarious and its success or failure is on Claude.
Claude is a doo-doo bird though. He thinks that the Empire and King in Adrestia and Faerghus, respectively, are upheld because of "the Goddess's blessing" and not, you know, really complex stuff. Like, both Edelgard and Dimitri face getting thrown out in the two games over things that have NOTHING to do with religion.
That's weird, their support had a picture.
SHEZ & LYSITHEA B SUPPORT
Lysithea feels that their relationship is strained and wants to clear the air. Shez didn't even notice lol.
Shez is a pretty simple character, but I like it.
Oh, wow, Lysithea realized she acted like a brat and apologized. This self-awareness makes me like her a LOT better.
Aw, Shez is helping Lysithea feel mature and older. But then put her foot in her mouth when she referred to people under Lysithea's command as "real adults" lol. Lysithea struggled but kept her head!
Honestly, I like this a lot for Lysithea. Character flaws are great, but they're annoying as shit when they're not acknowledged properly (I still get flashbacks to her awful Ignatz support), but when they're used to show growth, that flaw is suddenly sooo much better.
SHEZ & LEONIE B SUPPORT
Leonie wants mercenary advice.
Lamo, Leonie thinks the bow isn't good enough to be a first-class mercenary. Homegirl's been watching too many movies and not reading enough military history. Mounted archers were unmatched.
So now they're just discussing over specialization vs versatilty.
It's kinda nice seeing Shez in a mentor role.
SHEZ & MARIANNE A SUPPORT
They go out to eat together. Marianne didn't eat her meat and Shez is concerned.
Marianne is now determined to believe she doesn't curse people around her.
Shez encouraged Marianne to just be herself, which Marianne wants but worries about her father.
Marianne accused Shez of talking without thinking and thought it was a good thing lol.
BALTHUS & LORENZ B SUPPORT
Lorenz absolved Balthus of his debts to House Gloucester.
Lorenz credits it to Balthus helping and saving Lorenz on the battlefield.
Lamo, I forgot that Balthus investigated Claude and claimed he found all kinds of dirty laundry.
Lorenz wants him to hold onto it so he can use it later to unseat Claude and take over the Alliance instead.
Balthus is upset Lorenz isn't a lady because he's impressed with him being a scoundrel lol.
MAIN BATTLE
Hahahaha lamo, the Knight of Serios are beating Edelgard's army, which has to be like 5x bigger.
Oh - led by Randolph, THAT explains it. Against Catherine? Pft. Catherine wouldn't even consider that a bout it's so one-sided.
Shez still doesn't understand what Claude's doing. I'm not the only one who thinks these two aren't even remotely close, right? I feel like Shez is way more invested in Edelgard and Dimitri, and like Claude's just some dude who hired her.
😂😂😂😂😂😂😂😂 Claude legit just left Randolph to die, lamo.
I think we just killed Catherine :(
😂😂😂 Edelgard's forces got wiped out. Randolph is really the punching bag of Fodlan. They should've made it Dorothea or something if they wanted us to give a shit.
Yep, time for Claude to get chewed out. As if Randolph isn't foaming at the mouth to invade the Alliance in SB.
It's funny how offended everyone is. As if this didn't happen in real life all the time. I mean, they'd only be mad a noble died because you can make money taking them as hostage.
Is this evil!Claude, the route? Like because he was such a goody-goody in Houses? I still think it's funny it's always Randolph.
xxxxx
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Cancelled Episode 15 "Rebirth"
"Yo mama so fat, dad jokes are about her, cos not even yo dad's mouth can escape her ass!"
-yo mama jokes series
"Well, I'm all for killing and getting revenge on this lizard king, so...what exactly are the exact plans for doing so?" I clarified queries on specifications of Lizard King Killing 101.
"Well, first step, decipher and read the inscription, now I haven't been able to understand it yet, but we do have a Dragon Lord Secret Discoverer here, if you would, madam," Erik remarks sarcastically as he once again takes out the inscription for all to see.
Hydrogenium had prepared a table and chairs for us to sit comfortably while we discussed the suicide mission.
I must admit, her apartment-cave looks to be furnished well, like someone could actually stay here for the rest of their lives.
We're all sitting on the nice wooden chairs that I'm confident are normal plastic chairs just painted to look like wooden chairs but whatever.
And while we're all either hands folded, or placed on the table, or cupped together and to cover our faces, the fox and Erik are busy playing together as Erik is cuddling and petting the fox. Did he just forget that that's a living ancestral person way older than him who can definitely perceive what is going on the same way a human does-
Anyway. It's not like the fox is protesting anyway, hell, it looks to be enjoying it, even. Well we're back to the suicide mission discussion.
Erik placed the inscription in front of the fox girl on the table for her to read while we all stood around her, eagerly awaiting news.
"Well, AHEM," she clears her throat loudly, clearly to assert dominance over us, and begins reading off the inscription.
"This glass tells the tale of old yonder, in a land where beasts and gods wander. There was peace in the land for years gone by, until the one came who was not of an ally. A seed of great power, fell from the stars above, it wielded immense strength, most could only dream of. It started a destructive war, of which thus stoleth the great lion's roar. Gods and beasts all across the land, fought for the jewel, or be turned to sand. In the end, as the dust and smoke all cleared, that which had appeared had now disappeared, for all of power had been vanquished, and only the Lord of all Dragons was there to mourn for the languished." She finished her long sentence.
"Wow, this is why I hate poems, what the hell does that even mean?" Nemean let out an exasperated sigh at A SACRED INSCRIPTION THAT DATES BACK THOUSANDS OF YEARS LIKE YOU CAN'T EXPECT THEM NOT TO WRITE IN SOME CRYPTIC MESSAGE POEM, NEMEAN!
"Basically, it just means that thousands of years ago, there was some ancient powerful seed, that caused all the gods and beasts to fight and kill each other over it, and in the end, only the Dragon Lord survived and emerged victorious..." I explain the inscription in order to save his absolute clueless mind.
"But if he really did kill every single one of those gods and beasts...doesn't that make him extremely powerful? Plus, with this..."seed", that supposed to be a supply of power...there's no way we can take him down, even if every single mortal creature rebelled against him right now," Disparage reasoned some unthought logic into our minds. Right...
"Well, there has to be seriously no way he's able to kill all of them himself, maybe he just waited until all of the others killed the others for them?" I tried to find loopholes in his reasoning.
"But then he would have to fight those really powerful gods capable of killing other gods, and if he can win, then..." Hydrogenium came in to the conversation with her own opinions.
"Or maybe he didn't even kill all of them and just sealed them away," Snowball butted in too.
"Also, this line. "Of which thus stoleth the great lion's roar"? What the hell does that mean?" fox girl asked.
"Hah, maybe the great lion is one of the gods that were sealed away because it was too powerful for the Dragon Lord to fight," I dismissively suggested.
"Well, that might actually be true...in the village, I've heard of an old legend, that there was an ancient lion god whose mere roar could kill gods, but then he got sealed away by the Dragon Lord," Hydrogenium brought in her own knowledge to the potluck.
Well, if that's true, then we'd have the power of a god on our side...if we can even find a way to unseal him...
"Alright...I remember he should be...somewhere in these woods, quite close to us, if I'm not mistaken," Hydrogenium finishes her sentence and takes out a map of the entire forest, even complete with the location of the cave we're in right now. Well that would certainly be inconvenient if an enemy were to catch this map and find out where our secret lab is.
She continues the legend as she studies the map. "This god wasn't like the others, he was too powerful to be killed normally, so the Dragon Lord sealed him away and took his roar. It was said he could manipulate the darkness and turn day into night with a snap of his fingers, he could summon monsters of the abyss and use your own shadow to attack you, and even wield deadly dark poisons!"
Well we definitely want him on our side now then.
"Oh yeah, the poison thing is the second-most famous thing about him, the first being the great lion roar, it's the exact reason why he's known as the...
Black Venom King."
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duxhess-kryzewan · 3 years
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Obitine First Kiss?
- Drowning -
When they had first landed on Corellia, Obi-Wan was relieved to be somewhere that had plenty of fresh water. The last planet they had been hiding on was dry and dusty and even Satine - born and raised on a desert planet herself - had became sick of the terrain.
The novelty quickly wore off the longer they trekked through the jungle. The forestry was dense, the humidity unforgiving. Every breath he took came with the unsettling sensation of drowning on dry land.
Qui-Gon had left them the night before last, leaving Obi-Wan with coordinates on where to meet the following day. He had a contact - a long time ally - who resided on miles away from the forest they were hiding in. If all went according to plan, they would have a new and unrecognizable ship and a safe means off the planet. All he was tasked with was keeping Satine safe in the mean time.
He didn't like to read too much into why Qui-Gon was so keen on leaving them alone together.
"The sky looks like it'll be clear tonight." Satine comments as they move into a clearing.
"It' seems so," He says, "Let's just hope it stays that way."
Storms were frequent and often unpredictable. One minute the sun would be shining, only for the clouds to roll in mercilessly pelt the planet with rain.
"From desert to storm," She huffs, "I can't tell which is worse."
He observes her intently as she walks; how her damp hair clung to her neck, how she would periodically run the back of her hand across her brow line. He sympathized with her discomfort. The air felt sticky, the breeze heavy as it blew past them. Satine had long since abandoned her attempts at maintaining her regality. There was no point anymore. She had been with them long enough to know they wouldn't judge her in the slightest for slipping out of her Duchess façade, and the climate made it nearly impossible to look the part.
Not that it mattered much. Obi-Wan didn't think there was anything that could make her any less beautiful.
He tried to push the thought to the back of his mind. An irrevocable attachment to her was the last thing he needed.
"Can we stop for the evening?" She asks.
He marvels at the gentleness in her voice. Before, in the beginning weeks she had been placed under their protection, she had huffed and whined until he relented and gave into her requests. The near death experiences and friendship they managed to forge over the passing weeks had humbled her some, and gave him enough insight to realize she was more than just an entitled Duchess. He was grateful they had found a way to be more civil to one another.
“As you wish."
They were nearing one of the many lakes that covered the planet anyway; a more than ideal place to set up camp for the night. Fresh water was something neither of them took for granted after their stay in the desert.
When they stop Satine wastes no dropping to the ground and leaning back against one of the trees that surrounded them. Foliage was another thing they both had become more appreciative of recently. The cover of trees, the simple ability to rest against something other than the hot sand, even the always lingering dampness of the soil.
He busies himself looking around around for wood dry enough to start a fire. It was by no means necessary for warmth, but it would be there luck that the temperature would drop with the arrival of night time, and it wouldn't hurt to have a source of light. The stars might have been bright on Corellia, but he would be hard pressed to consider it enough illumination for them.
His mind had been so preoccupied on setting up camp that he hadn't even noticed Satine's absence until a splash broke through the silence.
"Satine?"
He turns just in time to see her disappear below the surface of the water, and for a fleeting moment panic floods through him. What if she can't swim? What if something was in the water? And why is she in the water in the first place?
The relief he feels when she reappears is almost insurmountable.
"What are you doing?" He half yells, trying his best not to let the worry in his voice show.
She grants him an amused smirk, and something about the sparkle in her eyes sends a warmth trough his chest, despite how hard he tries not to let it do so.
"Cooling off, Obi-Wan." She says matter-of-factly, "You may not mind being covered in sweat and grime after trekking through the jungle all day, but I refuse to stew in filth."
He has to repress the urge to laugh. Roughing it may have humbled the young Duchess, but there was always going to be a part of her that was prim and proper.
"I'm a bit more preoccupied with your safety than worrying about my personal hygiene."
He glances to the pile of discarded clothes at the waters edge and is grateful for cover twilight provided him. If Satine could see the blush that colored his cheeks at the thought of her undress she would never let him live it down.
Satine scoffs and swims closer to shore, "As if you have to choose one or the other. Honestly, Obi-Wan."
She was right, of course. He hated the stickiness from the humidity and sweat that clung to his skin, but it hadn't been at the top of his priority list.
"Priorities, Duchess."
She laughs lightly and disappears under the water again.
The fire he was attempting to start was a lost cause, he decided. There was too much moisture for a flame to start. As much as he didn't like it, they were going to have to fair out without one for now.
So he settles for laying out his cloak in the driest area he could find and depositing their items on top of it. Qui-Gon didn't leave them with much, but the few items they did have were more than essential to their survival the next few days.
Obi-Wan decides that, so long as she is content in the water, he'll sit along the lakes edge and meditate. It had been too long since he had a chance to do so, and this was he could keep an eye on her.
​He settles at the waters edge, lightsaber and top layer of his clothing discarded beside him. The muggy air proved to be a challenge when taking a deep breath, but the sounds of the water and quiet of the night soothed him.
That was, until an unexpected splash of cold water hit him.
He sprang to his feet, the sudden chill catching him off guard. Below him, he found Satine smiling mischievously, still partially submerged in the water.
"Have you lost your mind?" He manages to sputter out.
She laughs, "Don't act like it didn't feel good. You know as well as I do the temperature is less than favorable."
He glares at her, but there's something to her smile that almost makes him forgive her. Rarely over the course of their time together has he seen anything resembling genuine happiness grace her. For all of the things that drive him crazy about her - and there were many, many things - there were just as many that made him adore her in ways a Jedi certainly should not. Seeing her smile was one of them.
“I was meditating."
"You do that quite enough."
"Its an integral part of connecting with the force."
Satine rolls her eyes, "Yes, so you've reminded me many times."
They had managed to cultivate something close to a friendship during their time on the run. Qui-Gon had insisted that he try and get along with her, both for the sake of their mission and for the sake of the Duchess.
He's sure neither Qui-Gin or himself could have anticipated the less sudden feelings that would blossom between him and the Duchess. Feelings that most definitely went against the code.
It scared him that part of him didn't care.
"Swimming in a random lake on an unfamiliar planet doesn't seem very becoming of a Duchess," He counters with a smirk, "Especially one so preoccupied with appearances."
"Neither is being on the run with a Jedi, but I've had to learn to adapt with what's given to me."
Her smiles falters for a moment, and suddenly he's filled with guilt. He could feel her emotional struggle through the force; how much anxiety and guilt she carries for leaving her planet in the midst of a civil war.
"I'm sorry," He says, "I didn't mean to imply anything."
The smile returns. It's softer, more understanding, but there all the same. He likes to see it on her.
"Forgiven," She stands, the shallow end of the water only reaching her waist, "Though I would appreciate your assistance."
She reaches out a hand towards him, all while he tries his best to ignore the way her wet underlayer of clothing clings to her. He hopes the cover of nightfall masks his blush.
"As you wish, your grace."
He takes her hand in his, fingers gripping her smaller ones tighter than what was strictly necessary, and just as he goes to pull her up onto dry land she roughly yanks him towards her.
He topples into the water, barely managing to catch his balance before he was submerged completely.
"Satine!"
She backs up quickly into deeper water, swimming away from him with a newfound sense of urgency. It doesn't stop the laughter though, or the wide smile she wore. It was the first time he's seen her that amused, and if he wasn't so distracted by his sudden frustration he would marvel at just how beautiful happiness looks on her.
"Have you gone mad?"
Satine laughs some more, "Oh please, it's just water Obi-Wan. You're doing little more than bathing and cooling off. Master Qui-Gon wouldn't be too pleased if I was left alone because you suffered heat stroke."
It was pointless to argue that the temperature wasn't near hot enough for heat stroke to actually overtake him and, though he would never admit it, the cold water did make him feel a great deal better.
"I'm not much use as a protector while unarmed and in the water." He decides to counter with, though he knows its a weak point. If the situation suddenly became dangerous he would just as well protect her here as he would on dry land.
Satine doesn't answer him and instead disappears once again below the surface of the water. The sky was clear, but not even the planets stars could provide him enough light to see where she had vanished too.
He had grown accustomed to the many facets of her over their time together. There were versions of her he learned how to handle; from a stubborn Satine to a solemn one. A mischievous Satine however was uncharted territory, and he didn't know whether to fear her or be amused by her.
There's only inches separated them when she ascends out from under the water, and he quickly settles on terrified.
He's utterly terrified, because never has another person looked so beautiful to him as she did in that moment. Lips parted slightly, wide eyes staring back into his.
"Satine..." It's a warning, but he knows deep down his heart isn't really in it.
"Obi-Wan."
She's kissing him then. Gently; a ghost of a touch that he almost isn't convinced is real. Her lips are cold from the water, breath warm against his skin.
Before he can think better of it, his hand finds hers under the water, his other sliding up the slope of her neck and coming to cup her cheek.
"We shouldn't be doing this." He whispers against her.
Satine pauses for a brief moment, "No we shouldn't."
He wonders what it says about them that neither make a move to stop.
It crosses his mind what Qui-Gon would say if he found them like this; pressed together in shoulder deep water, disregarding the promises both of them made to their people and to themselves.
Her hand slide up the back of his head and tangles into his hair, her fingers grasping his Padawan braid tightly between them.
"We should stop." Satine says before kissing him hard with a newfound sense of urgency.
"We should." He agrees, kissing her back with just as much force.
Her legs suddenly wrap around his waist and it renders him breathless. The code was cracking around him with every passing second, and yet, he couldn't bring himself to stop kissing her.
It dawns on him then; that he has fallen irrevocably in love with Satine Kryze.
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ratingtheframe · 3 years
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10 Films to watch this Valentine’s Day if you’re single as hell.
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If anyone or anything is making you feel worthless on the Capitalist Holiday that is Valentine’s Day because you’re single AF, then don’t fret because it means one of two things;
You’re happy enough with yourself to not need anyone else.
You’re allergic to people.
Though mine is both the former and the latter, I can still get down to a good romance movie now and again. Now I’m not talking about those horrendous rom coms that Netflix seems to be churning out every damn minute, but those emotionally invested, earthy and well written dramas that has you ugly crying into your bathrobe for 17 minutes straight (me at the end of Her.). Here is a compiled list of some of the best romance films I’ve seen over the years and how each one doesn’t showcase an abundance of clichés and brands them as “acts of love”.
A Star is Born (2018 or 1953, take your pick)
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I’ve found that both the 1953 version of A Star is Born with Judy Garland and the 2018 newer version to be a perfect and well rounded love story. What makes this love story so fierce is the vulnerabilities and downfall of its characters, which even though there are many sad moments, it perpetuates and strengthens the acts of love shown in the film. Both versions are similar in that they follow a woman who’s rise to fame as a performer becomes overshadowed by her jealous partner, who is also a notable celebrity. In the 2018 version starring Lady Gaga and Bradley Cooper, Gaga’s character Ally is helped by a country singer, Jackson Maine to become a successful singer and icon amongst the music industry. As she rises, Jackson falls and the character dynamics and intensity between them is a fitting love story. I was thoroughly bawling at the end and I guarantee you will too as Lady Gaga’s rendition of Love Again was the true scene stealer of the film. 
Call me by your name (2017)
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I have an incredible bias towards this film and it has nothing to do with the film’s context or characters or even Timothée Chalamet The reason why I feel so connected to this film and proclaim it as my favourite film of all time is because of when I watched the film. It’s almost like seeing a film about a political event right after it's happened; you have this rush and connection towards something that’s actually affected you in the real world. I had the same feeling with Call me by your name after going through a rough and confusing patch whilst trying to get over someone I thought I truly loved. Turns out I didn’t (thank god) and yet Call me your name was almost like a shoulder to cry on. It’s a film that’s taught me to love and love hard but most importantly, not beat yourself up or try to distinguish the pain felt by true love. If you haven’t been fortunate to catch this beauty of a film, it follows two men, Elio (Timothée Chalamet) and Oliver (Armie Hammer) and their brief relationship in the summer of 1983 in Northern Italy. 17 year old Elio lives with his parents and his father (Michael Stuhlbarg) is a scholar who invites students from outside the country for the summer in hope of passing on his wisdom to them. This is when Oliver arrives, a handsome twenty something American who becomes the infatuation of Elio. 
I’ll never forget the first time I heard the monologue that Elio’s father gave his son at the end, explaining to Elio why he shouldn’t feel embarrassed by the pain he felt after loving Oliver:
“We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to make yourself feel nothing so as not to feel anything - what a waste”
That, ladies and gentlemen and all in between, is what love is.
Her. (2013)
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Once again, another film about love that had a profound effect on me because of when I watched it. Her. follows the story of Theodore (Joaquin Phoenix) and his search for a story using an A.I to help him write. However, after getting to know this A.I named Samantha (Scarlett Johansson) and hearing the way she adapts and shows emotions, he soon falls in love with it. Some may deem this as rather sad (which it is) but I think it speaks to bigger constructs like internet dating and letting go of people you loved thus diminishing the fantasy and world you created for the two of you. This part of the film got to me a stark way as I felt the pain of letting go of not only a person, but a fantasy, just like Theodore had to do in letting his past partners go. Her. is truly beautiful, with some great production design, cinematography and acting.
Portrait of a Lady on Fire (2019)
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The absolute queen of love stories would be Céline Sciamma’s Portrait of a Lady on Fire, a film about the romance between two women in the late 18th Century. Definitely not a narrative you see every day or one that’s been painted in such a way (pun intended). Marianne (Noémie Merlant) is commissioned to paint the beautiful and stubborn Héloïse (Adèle Haenel) and the portrait is to be gifted to a suitor of Héloïse’s from Milan. But instead of getting the painting done and sending it off, Marianne and Héloïse unexpectedly fall for one another at a subtle and well timed pace that had me gawping at the screen the entire way through. Slow, sensual and moving is Portrait of a Lady on Fire and I would definitely say is one of the best LGBTQ plus films ever made to date.
Broke Back Mountain (2005)
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Ang Lee scooped up a BAFTA, Golden Globe and Oscar for his direction on his adapted screenplay of Brokeback Mountain. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) form a romantic bond after shepherding alone together on the side of a mountain. Once their time herding sheep comes to a close and they return back to their respective lives, it's clear that their bond is stronger than they had anticipated. They live in constant fear of their relationship becoming apparent to those around them, which leaves one of them taking matters into their own hands. A controversial yet extremely successful film of its time, Brokeback Mountain does a fabulous job of showcasing the consequences and despair of love using two of Hollywood’s finest actors.
Carol (2013)
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It’s difficult to fully appreciate LGBTQ plus films set in the past as they mostly focus on the persecution of homosexuals as opposed to the love they wish to express. However, this was pretty accurate of the time and it's only very recently that we have begun to accept one another’s sexualities and genders fully so much that we play these stories out on screen without the persecution part. Carol is a film directed by Todd Haynes and stars Rooney Mara and Cate Blanchett. I found them to be an extremely intense pairing whilst they unravelled as their characters on screen. Therese (Rooney Mara) works in the toy department of a department store when one day she lays eyes upon Carol Aird, a beautiful and elegant married woman who becomes the infatuation of Therese. Therese throws all caution to the wind in order to be closer to Carol and because of this and the 1950s society they live in, their relationship is doomed from the beginning. I was in complete awe of the way Carol had been shot and created into this sensual and rich drama set in the 1950s. From the costumes, to the lighting to the acting, everything about Carol held weight to it showcasing the devotion of a truly talented director.
Eternal Sunshine of a Spotless Mind (2004)
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Usually I’d pass on a Charlie Kaufman film, seeing as they make no sense, however I felt that it was time I delved into this cult classic starring Kate Winslet, Jim Carrey, Kirsten Dunst, Mark Ruffalo and Elijah Wood. It’s a really well made film with a clear and distinct message to it that’s represented in some phenomenal filmmaking techniques. The plot line of this film follows a man trying to erase a past lover and his memories of her get wiped away physically before your eyes on screen. It made me wish that I could do the same with people I’ve liked in the past, but the contradictory of this would be the trauma of eventually ending up with someone you had already met in another life. I haven’t experienced a break up nor felt the pain of one, though I could judge that this film tells that experience really well.
Moonlight (2016)
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Moonlight is one of few films that I would genuinely worship if it were a religion. It's also one of the films that I outwardly shame people for not having seen, as it is truly a masterpiece and film lover’s film. Deep, emotionally connected, colourful, harsh, moving and eye opening, this film takes you on an emotional rollercoaster through the eyes of Chiron and the three stages of his life that have carved out his essence as a human being. Not only that, but he falls in love with another boy at his school, and when he does, he’s hurt rather badly. Literally. Moonlight is the definition of profundity and was awarded the top prize of Best Picture at the 2017 Academy Awards. 
Loving (2016)
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When I think of a truthful and honest testament of love, the film Loving comes to mind which is a fitting title for such a delicate yet strong story. The film is based on a true story of an interracial couple, Richard and Mildred (Joel Edgerton and Ruth Negga) being banned from Virginia in the 1950s for choosing to be together. If that ain’t a true sacrifice of love, then I don’t know what is. Choosing someone you love over your own home is an unfathomable thing and certainly shows the strength that this couple had in facing the judgements of others whilst remaining emotionally truthful to themselves. 
The Shape of Water (2017)
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The Shape of Water is a strange yet enlightening love story between Eliza, a deaf woman (Sally Hawkins) and a creature being tested on in a laboratory. Awards season went mental for this back in 2018, winning four of the THIRTEEN Oscars it was nominated for. I would categorize it as quite the niche film and wouldn’t usually think that such a film could be garnered with Oscar success. However everyone who worked on this film really pulled out the stops in creating an entire new world and perspective that has many layers to it, as well as an abundance of conflict and dynamics for audiences to lull over. The relationship between Eliza and the feared swamp monster that’s being cruelly tested in the laboratories where she works, is heartfelt and honest, which is strange seeing as Eliza’s virtually in love with a monster. The casting in this was outlandish yet it really worked as all actors in this melded well into the story as their prospective characters. It also has one of the most touching endings to a film I’ve ever seen.
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And there you have it, ten Romance films for you to enjoy this Valentine’s Day. Watch them all at once, or maybe just watch one. Whether you watch it alone or with someone, it doesn’t really matter!
Lots of love
Ang x
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superman86to99 · 3 years
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Superman #85 (January 1994)
Cat Grant in... "DARK RETRIBUTION"! Which is like normal retribution, but somehow darker. On the receiving end of Cat's darktribution is Winslow Schott, the Toyman, who suddenly changed his MO from "pestering Superman with wacky robots" to "murdering children" back on Superman #84, with one of his victims being Cat's young son Adam. Now Cat has a gun and intends to sneak it into prison to use it on Toyman. She's also pretty pissed at Superman for taking so long to find Toyman after Adam’s death (to be fair, Superman did lose several days being frozen in time by an S&M demon, as seen in Man of Steel #29).
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So how did Superman find Toyman anyway? Basically, by spying on like 25% of Metropolis. After finding out from Inspector Turpin that the kids were killed near the docks, Superman goes there and focuses all of his super-senses to get "a quick glimpse of every person" until he sees a bald, robed man sitting on a giant crib, and goes "hmmm, yeah, that looks like someone who murders children." At first, Superman doesn't understand why Toyman would do such a horrible thing, but then Schott starts talking to his mommy in his head and the answer becomes clear: he watched Psycho too many times (or Dan Jurgens did, anyway).
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Immediately after wondering why no one buys his toys, Toyman makes some machine guns spring out of his giant crib. I don't know, man, maybe it's because they're all full of explosives and stuff? Anyway, Toyman throws a bunch of exploding toys at Superman, including a robot duplicate of himself, but of course they do nothing. Superman takes him to jail so he can get the help he needs -- which, according to Cat, is a bullet to the face. Or so it seems, until she gets in front of him, pulls the trigger, and...
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PSYCHE! It was one of those classic joke guns I’ve only ever seen in comics! Cat says she DID plan to bring a real gun, but then she saw one of these at a toy store and just couldn't resist. Superman, who was watching the whole thing, tells Cat she could get in trouble for this stunt, but he won't tell anyone because she's already been through enough. Then he asks her if she needs help getting home and she says no, because she wants to be more self-sufficient.
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I think that's supposed to be an inspiring ending, but I don't know... Adam's eerie face floating in the background there makes me think she's gonna shave her head and climb into a giant crib any day, too. THE END!
Character-Watch:
Cat did become more self-sufficient after this, though. Up to now, all of her storylines seemed to revolve around other people: her ex-husband, Morgan Edge, José Delgado, Vinnie Edge, and finally Toyman. After this, I feel like there was a clear effort to turn her into a character that works by herself. I actually like what they did with Cat in the coming years, though I still don’t think they had to kill her poor kid to do that -- they could have sent him off to boarding school, or maybe to live with his dad. Or with José Delgado, over at Power of Shazam! I bet Jerry Ordway would have taken good care of him.
Plotline-Watch:
Wait, so can Superman just find anyone in Metropolis any time he wants? Not really: this is part of the ongoing storyline about his powers getting boosted after he came back from the dead, which sounds pretty useful now but is about to get very inconvenient.
Don Sparrow points out: "It is interesting that as Superman tries to capture Schott, he at one point instead captures a robot decoy, particularly knowing what Geoff Johns will retroactively do to this storyline in years to come, in Action Comics #865, as we mentioned in our review of Superman #84." Johns also explained that the robot thought he was hearing his mother's voice due to the real Toyman trying to contact him via radio, which I prefer to the "psycho talks to his dead mom" cliche.
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Superman says "I never thought he'd get to the point where he'd KILL anyone -- especially children!" Agreed about the children part but, uh, did Superman already forget that Toyman murdered a whole bunch people on his very first appearance, in Superman #13? Or does Superman not count greedy toy company owners as people? Understandable, I guess.
There's a sequence about Cat starting a fire in a paper basket at the prison to sneak past the metal detector, but why do that if she had a toy gun all long? Other than to prevent smartass readers like us from saying "How did she get the gun into the prison?!" before the plot twist, that is.
Patreon-Watch:
Shout out to our patient Patreon patrons, Aaron, Murray Qualie, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Dave Shevlin, and Kit! The latest Patreon-only article was about another episode of the 1988 Superman cartoon written by Marv Wolfman, this one co-starring Wonder Woman (to Lois' frustration).
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Another Patreon perk is getting to read Don Sparrow's section early, because he usually finishes his side of these posts long before I do (he ALREADY finished the next one, for instance). But now this one can be posted in public! Take it away, Don:
Art-Watch (by @donsparrow​):
We begin with the cover, and it’s a good one— an ultra tight close up for Cat Grant firing a .38 calibre gun, with the titular Superman soaring in, perhaps too late.  An interesting thing to notice in this issue (and especially on the cover) is that the paper stock that DC used for their comics changed, so slightly more realistic shading was possible.  While it’s nowhere near the sophistication or gloss of the Image Comics stock of the time, there is an attempt at more realistic, airbrushy type shading in the colour.  It works well in places, like the muzzle flash, on on Cat Grant’s cheeks and knuckles, but less so in her hair, where the shadow looks a browny green on my copy.
The interior pages open with a pretty good bit of near-silent storytelling.  We are deftly shown, and not told the story—there are condolence cards and headlines, and the looming presence of a liquor bottle, until we are shown on the next page splash the real heart of the story, a revolver held aloft by Catherine Grant, bereaved mother, with her targeting in her mind the grim visage of the Toyman.
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While their first few issues together meshed pretty well, it’s around  this issue that the pencil/inks team of Jurgens and Rubinstein starts to look a little rushed in places.  A few inkers who worked with Jurgens that I’ve spoken to have hinted that his pencils can vary in their level of detail, from very finished  to pretty loose, and in the latter case, it’s up to the inker to embellish where there’s a lack of detail.  Some inkers, like Brett Breeding, really lay down a heavier hand, where there’s quite a bit of actual drawing work in addition to adding value and weight to the lines.  I suspect some of the looseness in the figures, as well as empty  backgrounds reveals that these pencils were less detailed than we often  see from Jurgens.
There’s some weird body language in the tense exchange between Superman and Cat as she angrily confronts him about his lack of progress in capturing her son’s killer—Superman  looks a little too dynamic and pleased with himself for someone ostensibly apologizing. Superman taking flight to hunt down Toyman is classic Jurgens, though.
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Another example of art weirdness comes on page 7, where Superman gets filled in on the progress of the Adam Morgan investigation.  Apparently Suicide Slum has some San Francisco-like hills, as that is one very steep sidewalk separating Superman and Turpin from some central-casting looking punks.
The  sequence of Superman concentrating his sight and hearing on the  waterfront area is well-drawn, and it’s always nice to see novel uses of his powers.  Tyler Hoechlin’s Superman does a similar trick quite often on the excellent first season of Superman & Lois.  The full-bleed splash of Superman breaking through the wall to capture Toyman is definitely panel-of-the-week material, as we really feel Superman’s rage and desperation to catch this child-killer.
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Pretty much all the pages with Cat Grant confronting Winslow Schott are  well-done and tensely paced.  While sometimes I think the pupil-less  flare of the eye-glasses is a cop-out, it does lend an opaqueness and mystery to what Toyman is thinking.  Speaking of cop-outs, the gag gun twist ending really didn’t work for me.  I was glad that Cat didn’t lower herself to Schott’s level and become a killer, even for revenge, but the prank gun just felt too silly of a tonal shift for a storyline with this much gravitas.  The breakneck denouement that Cat is now depending only on herself didn’t get quite enough breathing room either.
While I appreciated that the ending of this issue avoided an overly simplistic, Death Wish style of justice, this issue extends this troubling but brief era of Superman comics. The casual chalk outlines of  yet two more dead children continues the high body count of the  previous handful of issues, and the tone remains jarring to me.  The issue is also self-aware enough to point out, again, that Schott is  generally an ally of children, and not someone who historically wishes  them harm, but that doesn’t stop the story from going there, in the most  violent of terms. In addition to being a radical change to the Toyman  character, it’s handled in a fashion more glib than we’re used to seeing  in these pages.  The mental health cliché of a matriarchal obsession, a la Norman Bates doesn’t elevate it either.  So, another rare misstep  from Jurgens the writer, in my opinion.   STRAY OBSERVATIONS:
I  had thought for sure that Romanove Vodka was a sly reference to a certain Russian Spy turned Marvel superhero, but it turns out there  actually is a Russian Vodka called that, minus the “E”, produced not in Russia, as one might think from the Czarist name, but rather, India.
While it made for an awkward exchange, I was glad that Cat pointed out how  her tragedy more or less sat on the shelf while Superman dealt with the "Spilled Blood" storyline.  A lesser book might not have acknowledged any  time had passed. Though I did find it odd for Superman to opine that he  wanted to find her son’s murderer even more than she wanted him to.  Huh?  How so?
I love the detail that Toyman hears the noise of Superman soaring to capture him, likening it to a train coming.
I  quibble, but there’s so much I don’t understand about the “new” Toyman.  If he’s truly regressing mentally, to an infant-like state, why does he wear this phantom of the opera style long cloak while he sits in his baby crib?  Why not go all the way, and wear footie pajamas, like the lost souls on TLC specials about “adult babies”?
I get that Cat Grant is in steely determination mode, but it seemed a little out of place that she had almost no reaction to the taunting she faced from her child’s killer.  She doesn’t shed a single tear in the entire issue, and no matter how focused she is on vengeance, that doesn’t seem realistic to me. [Max: That's because this is not just retribution, Don. It's dark retribution. We’ve been over this!]
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tinysushimark · 3 years
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Silence (Nomin)
Angst, swearing (like once), 2.3k words 。◕‿◕。
this is a work for @kokonomi 's summer event!!
The wind blew across their faces and he smiled at the woman beside him. Probably a genuine one or a fake one. He did not know which. 
“Jaemin, catch!” Jeno shouted and his hands automatically reached the object which was thrown at him, the curve of his mouth slowly disappearing.
“Caught me off guard there man! What if it hit my baby’s face?”
“I knew you would have caught it.” The boy in front of him said, his arms draping across his best friend’s shoulder.
Best friend, nothing more and nothing less. 
Let’s look at the definition of best friend. A person who knows all your secrets, they both had one secret which they had not told the other. Two people who wouldn't lie to each other no matter what, but they had lied, probably multiple times. Two people who never hesitate to talk about their feelings, but they had hesitated. The question is, were they even best friends at all at this point? Was it true that there was nothing more than friendship between these two? 
Were those stares across those halls just of a best friend? Were those urges to kiss the other just those of a friend who cared? Were those “you can have my juice, I don't like it anyways,”  just the concern of a best friend?  
Yet they were still  best friends and there was no doubt about it. Two boys who did everything together, both good at studying, amazing at music, showed excellence in athletics and brilliance in other co-curricular activities. When they entered high school, Jaemin had seen his best friend driving a car through the gate and his heart felt alive. The red car looked brilliant and so did Jeno. 
Jeno had discovered Jaemin alone on the benches of the basketball court, his eyes were focused on the sky or so Jeno thought. Jaemin had not  felt anyones’ presence until his friend had coughed, his eyes lay on him for a second and his eyes curved ever so slightly. 
“What ya looking at so carefully? It's not like you know the names of constellations.”
“Wondering how and why I ended up this way.”
“What way?”
“Alone, even with people around i am alone.”
“Aren't we all a little alone after all?”
“Lonely enough to feel it rip through your chest, ever felt it my friend?”
“No.”
“Those stars are lonely too, they never get to talk to another one and all we see them as are shiny objects in the sky.” His eyes then fell on Jeno, who was trying his best to comprehend, “I must sound crazy, I should seriously take a shower, I am all sweaty.”
That was the moment that Jeno had felt it for the first time, the urgent need to tell Jaemin that he was not alone afterall, the need to pull him closer and kiss him because words could probably never express how the noirette felt for the blonde man who was walking towards the changing rooms, head hanging down. 
The walks they took together somehow ended up lengthening itself as they grew closer each day after the basketball tournaments. Jeno tried his best to make Jaemin know that he was never alone and he had the noirette beside him whenever he needed.  
The fall came over and summer was long gone, the two of the boys had the time of their lives during the summer, they were the spotlight at most parties, Jaemin's father had taken Jeno out to their farm and they had both sat under the moonlight, gazing at the stars together. Jeno had remembered every word that Jaemin had said the other night. The sand felt cold and the yearn to be held by Jaemin lingered in Jenos’ body. They both had slowly inched closer, Jaemins arms wrapping around Jenos figure, a small smile adorned his features.
“Feels good.” Jaemin had said, his nose nuzzling into Jenos dark hair, the hair which he had started to feel comfortable around. The boy who made him feel full again, the regrets of the past which he had forgotten about with the boy, the small smiles he would pass filling him up with warmth to his once cold heart. Above all, Jeno was a companion whom Jaemin had yearned for, an ally in the many people, a familiar one in the bunch of people he met everyday.
Their freshman year had passed and the boys were now sophomores, the two were popular even amongst seniors as they both had excelled in all fields and had brought the school a great deal of pride on several given occasions. The boys would always open their lockers with the expectation for it to be filled with small notes to long love letters, all with small chocolates and cheering notes. 
That summer too, like the last one Jeno had gone to Jaemins farm and the boys had spent a week together. When school had started, two new girls had transferred to their school, extremely beautiful and full of charms, Ki and Amelia. 
Ki had taken a liking to Jaemin when she had seen him play the piano during music class, Amelia had taken a liking to Jeno when she had seen him help another girl in the library with her books. 
Ki approached Jaemin and confessed about her feelings, a summer full of delight, the stars seemed beautiful and the flowers smelt its best the night she had given them to Jaemin, her head had hung low, a small blush across her cheeks. 
“I like you, do you wanna go out with me?”
A small grin had made its way on Jaemins face, “If I say I don't want to?”
“I will make sure no girl ever looks in your direction again,” Ki had said, her demeanor changing, she slowly tipped near Jamenins ear and whispered a string of words which Jaemin would have never thought he would hear, “You're mine  Na Jaemin, I will never let another woman lay her eyes on you. Only mine and I never lose what's mine to other losers.”
“It's mine because it's beautiful, no one else can have what I have, I want you and I am not giving you to anyone else.” Her eyes dug holes into his relaxed ones, his arm draped across her waist pulling her closer than she already was, his breath fanned her face, “I am not your plaything baby girl.” 
“You are more than my plaything, you are my ambition.” Ki had said her eyes then fell to his lips and she pulled him closer, satisfying the hunger she had felt in her chest. He found all of it amusing and decided to play along, what was the harm in a little play. He kissed her back passionately. 
“Mine.” She whispered in between the kiss and Jaemin’s hand slowly rubbed her nape, “All yours.”
That night Jeno was unaware of the fact that Jaemin had held someone else in his arms, he had slept away and thought about the night on the farms, the one where Jaemin had held his hand as they ran through the fields in the night, their bodies covered in sweat, the nightlight brightly shining on Jaemins milk skin.
The next day Jaemin had smiled at Jeno who had entered the school, his eyes met Jaemins and his features relaxed as he walked towards him, only to be blocked by a girl who held Jaemins arm and smiled. 
“Hey Ki!” 
“Hey boyfriend's best friend!!” 
"Boyfriend?" Jeno's face twisted, an unpleasant feeling taking over him.
"Yeah, we are together now." Jaemin said, a smile on his face as he shut the locker and slid his arm around Ki.
Jeno tried not to let his emotions pour out, he swallowed his displeasure and smiled, "I'm happy for you dude. Will you not tell me how it happened?" 
"Since when do we tell each other this childish stuff?" Jaemin had smirked at him and patted his shoulder.
During lunch, he saw Ki and Jaemin feed each other whilst he sat alone beside them, reading his book. 
"Jeno!" Ki had squealed, "There's this girl, she wants me to set you up with her, what do you think?"
"Depends on who the girl is."
"Jenna from B section."
"What makes you think I'll date her?"
"She's nice."
"Is she? She's an exact copy of you."
"So? Am I not nice, puppy?" Ki said in a cooing tone and Jeno just smiled and shook his head. "No, I think you misunderstood me, I don't like you because you're Jaemin's type." 
"Oh, I thought I was universally likable." Ki had said as twirled her hair around her index finger, just the sight of her near Jaemin had made Jeno's blood boil.
Every moment when she would kiss him, or tiptoe to fix his hair, Jeno's jaw would clench in order to hold his anger in. Jaemin wasn't a stranger to how Jeno was feeling, he knew what his best friend was thinking inside out.
Ki had a strong presence and she was also Na Jaemin's girlfriend now. Everyone paid attention to her and tried to stay in her good books, while Jaemin and Ki became the hot topic of campus, Jeno usually found himself alone in the library for hours on end to make sure that he stayed away from Ki as much as he could. 
Amelia had seen her loop and had slipped right in.  She started off by sitting beside Jeno and passing him occasional smiles, and then slowly and steadily she started talking to him about studies, those talks turned into walks home and slowly Jeno had found himself interested in Amelia.
Amelia was everything which was correct for Jeno, she would listen to him talk and she admired him, she wished to be together with him and Jeno had felt satisfied by the amount of affection she had showered on him. He felt needed, something he had never felt with Jaemin, but he still longed for Jaemin.
Jaemin saw Amelia and Jeno walk together home, to the library, the football court, and then the basketball court. His attention from Ki slowly shifted to the one he really wanted. Playing does not last more than mere days you see, dear reader. 
Even when the four of them sat together for lunch, Jaemin and Jeno would spare each other glances of jealousy and love. The urge to hold each other grew more and more as days passed, Jaemin was also getting sick of Ki and her small tantrums. 
One night when Jeno and Amelia were sitting together opposite the setting sun, his hands had found their way to her waist and he had kissed her to forget all about the one he loved. That is when he knew that no matter what happens, Jaemin was his answer. He needed Jaemin, and although he had known it all along he had pretended not to know. 
He never knew how much he had pushed Jaemin away before that night, Amelia had cursed at him for not even knowing his own heart, but who knows their heart through and through?
None of us.
When he saw Ki and Jaemin smiling at each other in front of his beloved's room, his eyes felt numb and he felt a pang in his heart. That was the day he decided that, no one knows their heart through and through, so Jaemin did not deserve to know the calls of a desperate confused man, who does not know what he desires, Ki was a woman who would treat Jaemin right, she had goals. What would Jaemin do with Jeno, a man with no desire or ambition. So he had walked away, just like every other time when he avoided Jaemins gaze through the hallways as his lips were connected to Ki’s.
The football tournament had come by and the boys had not spoken to each other through practice, when the both of them settled at the bleachers with their drinks, a strange silence had fallen upon the both of them. One that they had never felt before, it was deepening and seemed almost cursed to be in. It was as if none of them were even allowed to break the silence, their best fit being to walk away as soon as they could. 
For days they kept walking away from the silence but it was not long before the curse had played its course, the burst of anger fell upon Jaemin and it was finally time the silence had broken.
“Who the fuck do you think I am Lee Jeno?” 
“ You're Jaemin.”
“You broke up with Amelia and never told me.”
“Do you need to tell a person they are blind if they can't see? Or do you let them believe that the entire world is pitch fucking black?”
“Stop your stupid riddle games.”
“I am the one playing games?”
“What do you want me to say?”
“Nothing, just leave.”
“And if I don't want to?” Jaemins eyes fell upon Jenos, his body tensed as he inched closer to the noirette, his hands tugging at his hair, slowly pulling him closer. Their breaths mingled and before they knew it they found each other's lips on one another. The kiss was passionate and a little drunk on love and life. The warmth rushed back into their hearts as they held each other daringly close.
Ki had stood frozen on the ground watching the two men kiss each other and that is when she decided it was best to leave the two alone. The next day she had seen a flash of regret in Jaemins eyes when he told her everything that had happened on the court and he explained how Jeno was the one for him.
“I will always remember this summer, Na Jaemin.” She kissed him on the cheek  and smiled, “You made it beautiful.”
Then she had left, letting the two boys complete their sweet love song, one she knew would last forever.
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Out Of Time ~ 4
MAIN MASTERLIST
Out Of Time MASTERLIST
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< previous chapter
Word Count: 2,325ish
Summary: Steve comes back bigger and with permission to take Y/N with him.
Warnings: none
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Steve was gone before Y/N woke up in the morning. She understood that he probably thought that was best for both of them, but she couldn’t help but be a little angry at him. She went to work that day, and the weeks following, with a plastered smile on her face. She struggled to do what she had promised Steve she would do. All she wanted to do was curl up in her bed and cry until she couldn’t feel anything anymore. It was her day off, and she was planning on doing just that, when a knock sounded at her door.
“Coming!” She shouted as she slowly got off her bed. The knock impatiently sounded again. “I said I’m coming!” The knock sounded for a third time just as Y/N had reached the door. She pulled it open. “I said I was coming! Couldn’t you just—“ 
She stopped speaking at the sight before her. A large, blonde man in military uniform stood at her doorstep. Y/N studied him. He was all too familiar, yet not at the same time. When she meet his eyes, that’s when she realized who was standing at her doorstep.
“Stevie?” She gasped.
“Hey, Y/N,” he smiled. 
“What— How— You— You’re taller. An-and you—“
“I got chosen, Y/N/N. They actually chose me. And it worked.”
Y/N was speechless. She turned around and began pacing around the living room, leaving the door wide open for Steve to come in. He came in and carefully shut the door. Y/N silently paced as tears formed. She wanted him to come back, she had literally prayed that they wouldn’t choose him. And look what had happened? God laughed at her and made sure he became the chosen one.
“Are you going to say anything, Y/N/N?” Steve timidly asked after a few minutes of pain staking silence.
“What do you want me to say, Steve?!” Y/N stopped pacing, turned to her brother, and yelled. “Congratulations? Well, congratulations! You successfully became a science experiment and got to join the army! You get to go to Europe and be shot at! Hurray!”
“Y/N—“
“Don’t, Steve. Don’t try to make excuses.”
“I wasn’t going to make excuses. I was going to tell you that I’m actually not going to be heading into battle anytime soon.”
“What?” 
“They— um… they think that I should go around the country selling bonds.”
“Selling bonds? Why?”
“You didn’t see the paper?”
Y/N shook her head. “Haven’t wanted to… I’ve been afraid of what it might say.”
“I went after a Nazi. Saved a child. The story went Nation wide. They think that because of it, I’ll be able to sell bonds.”
“So… you’re not going to be shot at?”
“I still want to go and fight, and if this is how I get there, I’m okay with it.”
“How long will you be gone?”
“I don’t know. But I got permission to take you with me. If you’re willing.”
Y/N sighed, running her hand over her face as she looked at the ground. “What I am suppose to do?”
“We’ll find you something.” Steve took a step forward. “You won’t be useless. I just…” He set his now large hands on her arms, running them up and down in comfort. “I just need you there with me. I need my sister’s support and I need to be able to take care of you.”
“Is this because you’re bigger than me now? Now that five minute difference is going to matter?” Y/N chuckled. “Yes. I’ll go with you.” 
Steve pulled her into his arms. It was definitely going to take some time for Y/N to get used to how large Steve had become. She wrapped her arms around his large frame. 
“I guess I finally have a big brother,” she teased.
“Hey! It’s not funny,” he laughed.
A week later, Steve and Y/N were in a large theater. It was filled with people. Steve was dressed in a red, white, and blue costume. Y/N was watching him as he stood at the center of the stage, just behind the curtain, trying to prepare himself to go out and face the crowd. She could tell he was nervous. Senator Brandt’s aide was there to make sure that Steve didn’t bail.
“I don’t know if I can do this,” Steve second guessed, letting out a deep breath.
“Nothing to it,” Brandt’s aide said. “Sell off a few bonds, bonds buy bullets, bullets kill Nazi’s. Bing bang boom. You’re an American hero.”
“It’ just not how I pictured getting there.”
“The senator’s got a lot of pull up on the hill. You play ball with us, you’ll be leading your own platoon in no time. Take the shield.” Steve put on his mask and grabbed his shield.
“You got this, Steve,” Y/N walked up, smiling encouragingly at him. “Go get ‘em.”
Steve gave a nervous smile before taking another deep breath. Senator Brandt’s aide was clearly done with how long it was taking him, and pushed Steve onto the stage. The singers began singing and dancing as soon as he was out there. 
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Y/N moved to the side of the stage to see better. Steve was nervous, clearly, and hadn’t memorized his lines. But he stayed up there, through it all. Afterwards, he signed autographs, with you right behind him. Life went on this way for weeks. Traveling to different cities around the country. Steve was embracing the name of Captain America and finally memorized his lines. The ladies were obsessed with him. Men wanted to be him. Children idolized him. You watched from a far, opting to just be Steve’s moral support, which was definitely needed. 
By the time November rolled around, Steve, Y/N, and the rest of the Captain America crew started touring Europe. They were touring the Allied military camps there. Y/N was confused how a man playing dress up would help cheer up the soldiers, but Senator Brandt insisted that Steve was needed there. And if Steve was told that he was needed, he was going to be there. Y/N was currently standing backstage, watching Steve get made fun of by the soldiers.
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 She cringed as they yelled at him to bring the girls back out. Brandt’s Aide quickly ordered the girls back out and Steve came backstage.
“Don’t worry, pal,” Brandt’s Aide put a hand on Steve’s back. “They’ll warm up to you. Don’t worry.”
Y/N rolled her eyes as Brandt’s Aide walked away and she made her way towards her brother. “I knew we shouldn’t have come,” she stated. “Why would soldiers need a man dressed in tights to come and speak to them?” Steve glared at her. “Sorry, it’s just the truth.”
“I know…” Steve sighed as he took off his helmet. “I just believed that coming here would do some good…”
“No. You believed that by coming here, you would see some action. And don’t try to lie to me, Steve. We’re twins. I know you better than anyone else, sometimes even yourself. You just agreed to this tour to try to have an opportunity to fight.”
“Can we drop this right now?” Steve questioned as he pulled on his trench coat and grabbed his sketch book. “All I want is some quiet.” 
He turned around and headed to the back stairs. Y/N sighed as she watched him sit down and begin sketching. Rain started pouring, almost in perfect timing. Y/N eventually moved a chair to sit behind Steve and began reading a book. 
“Hello, Steve,” a British female voice broke the twins out of their thoughts. The woman came up from behind them, taking off her rain coat.
“Hi,” Steve looked up at the woman and greeted.
“You must be Y/N, Steve’s sister,” the woman smiled. “I’m Peggy.”
“Hi,” Y/N greeted. Steve had mentioned Peggy a few times in the past few months, aways blushing and stuttering. She could now understand why.
“What are you doin’ here?” Steve asked the woman.
“Officially, I’m not here at all.” Peggy just above Steve. “That was quite a performance.”
“Yeah. Uh… I had to improvise a little bit. Crowds I’m used to are usually more uh… twelve.”
“I understand you’re ‘America’s New Hope’?”
“Bond sales take a ten percent bump in every state I visit.”
“Is that Senator Brandt I hear?”
“At least he’s got me doin’ this. Phillips would have had me stuck in a lab.”
“And these are your only two options? A lab rat or a dancing monkey? You were meant for more than this, you know?”
“Oh, he knows,” Y/N muttered. “He just wishes he was out there fighting instead of dancing.” Steve hesitates. Obviously waiting to say something, either to Peggy or something about his sister’s comments, but stops.
“What? Peggy pressed.
“You know for the longest time I dreamed about coming overseas and being on the front lines,” Steve said almost wishfully. “Serving my country. I finally get everything I wanted, and I’m wearing tights.”
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They’re interrupted by an ambulance honking. The trio turned around to watch the wounded soldiers be taken out of the ambulance. Tears form in Y/N’s eyes as the possibility of Bucky ending up that way. At the possibility of him returning to her in a coffin.
“They look like they’ve been through hell,” Steve stated as they still watched.
“These men more than most,” Peggy said. 
“What happened?” Y/N asked, unable to look away from the wounded men.
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“Schmidt sent out a force to Azzano. Two hundred men went up against him and less than fifty returned. Your audience contained what was left of the one-o-seventh. The rest were killed or captured.”
“The one-o-seventh?” Y/N and Steve questioned at the same time, suddenly standing up. They looked at each other. The one-o-seventh was Bucky’s division.
“What?” Peggy wondered, standing up as well.
“Come on!” Steve insisted, grabbing Y/N’s hand as they ran through the rain to the command tent. Peggy followed behind, holding her coat over her head. “Colonel Phillips,” Steve addressed as they entered the tent.
“Well, if it isn’t the Star-Spangled Man with a plan,” the Colonel sarcastically said as he sat at a desk. “And what is your plan today?”
“I need the casualty list from Azzano.”
“You don’t get to give me orders, son.”
“I just need one name. Sergeant James Barnes from the hundred and seventh.”
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Colonel Phillips ignored Steve and pointed to Peggy. “You and I are gonna have a conversation later that you won’t enjoy.”
“Please tell us if he’s alive, sir,” Y/N begged. “B, A, R—“ 
“I can spell,” the Colonel cut her off. He looked at the trio before looking back down at the stack of papers in his hands. He stood up, carrying the papers with him. “I have signed more of these condolence letters today than I would care to count. But the name does sound familiar. I’m sorry.” 
Y/N gasped, hand coming up to cover her mouth as she held in a sob. Steve stood there, tall, not letting that be the end of the conversation. He also didn’t want to show his hurt or weakness, though he held onto Y/N’s hand tighter.
“What about the others?” Steve questioned. “Are you planning a rescue mission?”
“Yeah! It’s called winning the war,” Colonel Phillips stated.
“But if you know where they are, why not at least—“
“They’re thirty miles behind the lines. Through the most fortified territory in Europe. We’d lose more men than we’d save. But I don’t expect you to understand that, because you’re a chorus girl.”
Steve’s jaw clenched. “I think I understand just fine.”
“Well then understand it somewhere else. If I read the posters correctly, you got some place to be in thirty minutes.” Colonel Phillips walked away as Steve looked at the military map, clearly showing where the men were lost.
“Yes, sir. I do.” Steve quickly led himself and Y/N out of the tent and into the show tent.
“Steve,” Y/N whimpered once they were alone inside.
He quickly let go of her hand and pulled her into his chest. That’s when she let loose, let all the tears out. Y/N had never told Steve what had happened between her and his best friend, but it didn’t surprise Steve to see her acting like this. Bucky was her friend too. 
“I have to do something, Y/N,” Steve whispered.
“Please, no.” She gripped onto his shirt. “I can’t lose you too.”
“I’m sorry.” He pulled away and began changing and packing somethings. “I have to try and save the guys that are left.”
“What do you plan to do?” Peggy asked as she entered the tent, shaking off her coat. “Walk to Austria?”
“If that’s what it takes.”
“You heard the Colonel, your friend is most likely dead.”
“You don’t know that.”
“Yes, we don’t,” Y/N cried. “But if you go in there, you’ll most likely die too. And then where does that leave me?”
“Colonel Phillips is devising a strategy,” Peggy stated. “If he detects—“
“By the time he’s done that, it could be too late!” Steve walked out to a jeep, the women following behind. “You told me you thought I was meant for more than this. Did you mean that?”
“Every word.”
“Then you gotta let me go.” Steve jumped into the jeep.
“Steve! Please!” Y/N pleaded, grabbing onto his arm. “Please don’t leave me.”
“I’m sorry, Y/N.” He leaned down and placed a kiss on her forehead. “I have to do what’s right.”
“You can’t drive there, Steve,” Peggy stated. “I have a better way.”
next chapter >
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itsclydebitches · 3 years
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Hello, everyone! Can you believe this is the third time I've started the recap for this chapter? Between a dying computer and a mass edit during my monthly state of, "Oh my god get rid of everything we can't let people know that we wRITE!" this project is cursed. This is the version though, I can feel it. Be positive!
Now, where were we? It's been some months (RIP) since I last posted, so I wouldn't be surprised if everyone's forgotten what's going on in this insane novel. A quick recap before the recap then: new teams have formed, no one is happy about it, Sun and Velvet went off to a shady club run by The Crown and — shock shock, surprise surprise — got themselves into a heap of trouble. That's the long and the short of it. We have to wait a while to find out what happens to them though because this chapter is focused on Coco.
We learn that Professor Rumpole has sent Coco and her new team — Team ROSC — out into the desert to take care of the grimm around the city's borders. To say that Coco is disappointed in this assignment is an understatement. We learn that they've been at this for a week straight and have gone without showering or a change of clothes that entire time (no one packed a bag?), so for a second I was hugely sympathetic. You know this vine? 
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I feel this vine in my soul. Give me hot water and hot coco or give me death. Besides, work is work and dangerous, physical work without a break or basic comforts is incredibly taxing. Toss in the extreme heat of a desert and I'd be pissed at everything too, no matter how important my work was. That's human.
Yet instead of humanizing Coco like this, it turns out she doesn't care at all about the hardship involved. It's fighting grimm that she's annoyed by. She thinks that "Searching for the person or persons kidnapping innocent people for some unknown but dark purpose was way more useful than fighting Grimm far from the city" and I'm just like, Coco, honey...
Do you know what your career path is?
IT'S TO KILL GRIMM.
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Okay, there's admittedly a justification here, but it's a stupid one. Coco goes on to say that "This area was called the Wastelands for a reason." She's snarky about it, saying that it wastes “her time, her talent, and her patience," but the real takeaway is that it's, you know, a wasteland. Deserted of grimm and of people. What's the point of defending an area that doesn't need defending? A huntress' job might normally be to fight grimm, but when those grimm aren't around and kidnappers are, that's a whole new set of priorities.
The problem with all this is that the Wastelands is definitely not deserted and it's definitely not as far from the city as Coco would like to imply. In just a few paragraphs an alarm is going to trip and Coco will find six grimm roaming in a pack. Then she finds a person. Then that person says she needs to get back to see someone in the city within half an hour. So there are grimm, there are people about, and this area is apparently close enough to the border that you can get back to the city proper, on foot, and then get wherever it is you’re going in a bustling metropolis... all within half an hour. By that logic these grimm aren't out in the boonies, they're right outside everyone's door.
Yet Coco isn't convinced, saying that "Post Beacon [killing grimm] had been for a noble cause, but this just felt like … busywork." I cannot possibly emphasize enough that this is the job she signed up for. Not to be a detective specializing in missing people, not a war hero always on the front lines of a battle, but one of many huntsmen who perform the daily, routine, very necessary task of protecting the people from grimm. With "protecting" covering both immediate threats and preparatory work that ensures more threats don't come about — like taking care of grimm outside before they become a larger threat. You know what would have happened if Beacon had a daily chore of students killing grimm within a few miles radius of the school? There would have been far less grimm charging a mass of unprotected students when negativity unexpectedly skyrocketed.
And, as always, I am aware that Rumpole is the likely villain here. From a writing perspective, this is very much presented as her getting Coco out of the way so that she can go about her nefarious deeds in peace... but that doesn't erase the fact that the task itself is a sound one. Rumpole's motivations don't matter here, only Coco's annoyance that she... has to do her job?
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I mean yeah, everyone complains about their job to one extent or another, but can you imagine if you stumbled across a firefighter complaining about all the kitchen fires they've had to put out lately? "It's so boring! There are much better things I could be spending my time and talent on. I mean, that inferno that took out a city block last year? Putting that out was noble. But routine fires? House fires? Giving lectures on how to prevent fires in the future? Ugh, I can't believe the department expects me to do this grunt work." Meanwhile, you're sneaking off, hoping that this firefighter is never called to your house, nursing mild worries about how much they're romanticizing the recent tragedy that took so many lives...
Complaints about the job turn into complaints about the teams, which makes far more sense for Coco's character. Anyone's, really. Despite my insistence that it's a good thing they're learning to fight with people other than their three besties, that was absolutely a sudden and rather traumatizing change, just given how attached the teams already are. I'm not at all surprised that Coco is struggling to cope.
She says she misses her friends, obviously, but also "surprisingly, Coco missed being in charge."
...That's supposed to be surprising? Coco, you love being in charge! How is this in any way a revelation?
Apparently it is though, stemming from how bad Reese is as their leader. As with so many things in RWBY, I find myself disagreeing with a perspective that's presented as a fact: "She liked to lead by group vote, which wasn’t leading at all." Yes... it is? We could go down a rabbit hole of literal definitions — to lead is to direct, to direct is to regulate, to regulate is to direct again — but ultimately our understanding of a word does not adhere to the dictionary alone. It's a knowledge built on experience and I would hope that everyone's experience with the term "leader" includes that person considering multiple perspectives before making a decision. A leader doesn't impose their view on a group without due consideration of their preferences and needs — that's a dictator — a leader guides the group based on feedback and their personal knowledge. If that feedback and knowledge results in a standstill, or if their knowledge outweighs preferences, they are the deciding vote because the people have previously said, "We trust your decisions" through the act of making them leader in the first place. 
Asking for a group vote isn't avoiding leadership, it's an act of leadership. Reese decided that these situations warranted a majority rule. She further decided that whatever they settled on was indeed an appropriate course of action. Leadership skills are required to assess a situation and determine whether it's appropriate to vote on in the first place. If I announce to a group that we're voting on whether we go to the movies or the museum, I've done the work to determine that both of these choices are of roughly equal value and roughly equal availability. I haven't hit on any snags like, "The only movies playing are mindless blockbusters and I want this to be an educational outing" or "The museum is too far away. We'll never make it to dinner on time." Figuring out that a group can vote is its own kind of work. This avenue is particularly useful when the group is of roughly equal standing. With a few exceptions (like Ruby and Jaune) huntsmen classmates are all the same age, underwent the same training, and have had the same combat experiences. This isn't a case of one elite huntsmen lending their knowledge to an otherwise green party, it's a school randomly pointing at a somewhat outgoing individual during orientation and saying, "You. You're leader material, I guess, even though you've done little differently than the person standing beside you." Someone has to lead and Vacuo's switcheroo proves that anyone can be the leader if they're just put in that position. Coco claims a group vote is just "passing the responsibility off to your team" and yes! You want to share the responsibility because you are a team. They are a group of four equals working together with one person to guide them, they are not a boss with three subordinates. Why wouldn't Reese utilize the skills and ideas of those teammates? When making a decision, why wouldn't she see if everyone believes it's a good idea to do Thing A as opposed to Thing B? Unless Reese is outright ignoring her own ideas, beliefs, or gut feelings to cater to the others — which there's no reference of — this is good leadership. She's assisting her team in making decisions as a whole, rather than arbitrarily imposing her view on three others of similar skill and experience.
Yet Coco acts like because Reese doesn't go, "We're doing Thing A! End of discussion!" it's not leadership. Which, frankly, says a lot about how the RWBY-verse sees leadership as a whole.
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I realize I'm rambling a great deal, so let me quickly provide a different media example. I'm currently immersed in Star Trek: Voyager and in season two, episode 14 "Alliances," Captain Janeway is faced with a difficult choice: align herself with a violent and so far untrustworthy species, or risk traveling through this quadrant of space without any allies. At first she's entirely against the idea of an alliance, going so far as to say that this isn't a democracy. She's the captain, dammit, she makes the decisions! But her first officer begs her to reconsider. Then the crew express disappointment — even disgust — that she won't consider this alternative. Then her chief of security, being a Vulcan, provides a persuasively logical argument for why an alliance is worth the risk... Long story short, Janeway finds herself in the minority and changes her decision accordingly. She attempts to garner an alliance and the fact that she was right — the species wasn't trustworthy and the alliance fails — is entirely beside the point. She realized that the majority voice matters. As far as we know, Reese is already practicing what Janeway learned.
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ANYWAY the point is none of it matters because these characterizations are a mess. Coco also throws out that Reese "dressed like she was a twelve-year-old hanging out at the mall" and supposedly acts like one too. We're not given any examples of what that behavior looks like and, sorry, but I'm not personally inclined to judge someone based on their fashion sense. It would be great if this story actually engaged with some of the flaws the characters demonstrated, rather than just throwing them out to exist in this unacknowledged void.
Not that Coco's fashion-focused personality is really that important. Truly, the best thing about all this is how contradictory Coco's own thoughts are. She also listens to her teammates... except when she doesn't. She know when to go with their ideas and when to dismiss them for her own... except when she gets it totally wrong. As with so much in RWBY, this doesn't feel like the author giving Coco deliberate flaws that the story will grapple with down the line, it just comes across as a nonsense philosophy about leadership we're not meant to examine too closely. Coco gets to make references to the fact that her own, supposedly superior leadership is filled with holes, but heaven forbid she engage with that. 
She ends all this with the thought that no matter what she might decide, she trusted her team to "do what she demanded of them” and is now extending that courtesy to Reese. This I'm inclined to praise Coco for. No matter what she might be thinking, it doesn't appear as if she's tried to undermine Reese (well, not yet. More on that at the chapter’s end), and she doesn’t appear to be refusing to listen to that leadership, even if she doesn't like how it comes about. As we're about to see, Coco has her team's best interests at heart, no matter the challenges they're facing.
Her thoughts turn back to her old team and we get... this.
Velvet was with a team that didn’t recognize her awesome capabilities. Fox was withdrawing, having lost his family for the second time. Yatsuhashi was going mad with worry about Velvet and his teammates, knowing that he couldn’t be there to protect them, and worrying he would accidentally hurt someone on his new team.
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This is so unnecessarily dramatic. First, how does Coco even know any of this? Because it's been heavily implied that the old teams are barely in contact with one another. See: Velvet refusing to loop anyone in about the club and Coco stuck in the desert for a week. Second, why aren't they in contact, at least those who aren't on away missions? The entire group is acting as if changing teams means they're no longer allowed to be friends — family, as Coco puts it — when the relationship between Team RWBY and Team JNPR creates the opposite expectation right at the start of the series. Clearly, people from different teams can be close. Yatsu's worry that he might stumble using his semblance with new people is the only conflict that holds up here. Everything else has fairly straightforward solutions. Velvet needs to prove herself to new people. Yatsu needs to text Velvet if he's that worried about her. And Fox "having lost his family for a second time" is a pretty ridiculous exaggeration. You're attending the same school! Your family is still living down the hall if Vacuo has dorms like Beacon! In what world are these students unable to interact largely as they did before? They're acting as if the school has outright barred them from hanging out, rather than doing what will no doubt occur the moment they graduate: force them to work with different people. Just catch up with Fox over dinner! 
Honestly, this chapter is pretty short, I'm just continually bewildered by this story.
To get back to the actual plot, something trips a sensor the group has set up and Coco responds to the situation in what I think is both a smart and empathetic manner. Previous experience has taught her that it's likely just a lizard, so she doesn't want to wake up her team for no reason. Disagreements aside, she cares enough to let them rest — "They’d probably appreciate the extra sleep." However, if it's a "rare case of something she couldn’t handle alone" she'd immediately call for help. Great plan! It's not often in this novel that I feel like I enjoy the characters, but this little moment actually had me liking Coco. Which, yes, I realize is a complicated claim. Characters should test the reader to a certain degree, mirroring all the personalities we see in real life, including biased, mean, or contradictory people. It's often a good thing to write a character that your reader is frustrated with. That can be the point! The problem with Myers' writing is that it isn't the point. Coco, as the former leader of our heroes in this tale, should be someone we enjoy spending time with and her flaws should be the basis for growth, or an acknowledgement that she is an imperfect, but well-rounded person. As it stands, flaws in this novel just sort of... exist? They bop around in the RWBY universe with almost no acknowledgement from the narrative or other characters, leaving the reader with little to nothing to take away from the text. Is Coco correct in her judgement? Is this a bias she needs to work on? Is she putting on a facade and her natural instinct to care for her team is the real Coco hidden underneath? Who knows! She’s just frustrating to read about most of the time and nothing comes of that. 
Regardless, she heads out into the desert, using the night vision glasses Velvet made her. 
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Now see, this would have been the perfect thing to introduce before Velvet was fixing relay towers after the expert was injured. Remember how I said the novel didn't do enough to establish Velvet's own expertise? Not that a pair of goggles is really comparable to fixing a communications issue, but it still would have gone some way towards convincing me that Velvet is this super impressive tech gal, capable of handling any and all situations that might come her way.
But no, we get this impressive display of skill after Velvet's knowledge was needed in a pinch. 
The glasses help Coco navigate the terrain, allowing her to both see in the dark and zoom in on things in the distance. This allows her to spot the six jackalopes that tripped the sensor, as well as the woman currently fighting them: Carmine, a villain from After the Fall that I know nothing about. Ah well. Note though what I said at the start, that Coco's dismissal of this assignment is based entirely in its supposed uselessness. Yet now here we have a pack of dangerous grimm and an enemy to content with.
Also, this is where Coco moves from kindly teammate to overconfident fool. She said she'd call for backup if she needed it... and she clearly needs it! From what I can gather, all of Team CFVY lost to Carmine last time they met up. But now she wants to risk fighting Carmine alone? Go get the others!
She doesn't, of course. Carmine doesn't notice Coco at first. She's talking about how she has to get back into the city. "He’s going to kill me if I’m not back to the Mirage in thirty."
As said, this also implies that Coco isn't nearly as far out as she initially suggested. If Carmine can feasibly finish this fight, cross the desert, navigate who knows how much of the city, and meet up with the mysterious "he" all in under half an hour, then Coco is patrolling pretty much right at the walls. AKA, the area that absolutely needs to be grimm free.
Luckily for those of us who are reading the books out of order, Myers gives a quick recap of Carmine's significance. Last book she had kidnapped Gus and "held off the combined might of Team CFVY in the desert” (oh hey, I was right), presumably escaping afterwards. Now here she is again, likely up to some new, nefarious deed. 
Our of curiosity, I googled to see what she looks like and... 
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WHAT IS THAT OUTFIT? 
Coco watches as she works to keep on top of the six grimm, debating whether she should help or walk away, but when Carmine is taken unawares, Coco acts without thinking, throwing herself into the fray.
Sometimes decisions were like that—your body already knew what to do while your brain was still processing the situation. Only in this case, Coco’s body wasn’t necessarily the clearest judge of character. Her brain would have said that Carmine didn’t deserve her help.
Now see, this is a scene I can get behind. The entire RWBY-verse is based around a type of superheroism: people with unnatural abilities, fantasy weapons, and extensive training devote themselves to protecting the people from various threats. Yet too often RWBY fails to convince me that these people are actually heroic, taking the standard flaws of a character and unknowingly exacerbating them to the point where I think, "Is this meant to be a commentary on the anti-hero? Or a critical look at these fantasy formulas? Because we've got the elements of that here, but no indication that the authors realize they're writing something other than that standard story." But this? This works for me. Coco, as a huntress, is so conditioned to help others that her body responds instinctively to someone being in danger, regardless of who that someone is. She outright admits that if she'd had the chance to think about it she would have decided against helping Carmine. The fact that she recognizes this and move anyway says a lot of good about her. Well done, Coco!
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We see later that Carmine probably didn't need the help, but between the two of them the grimm really don't stand a chance. What's interesting though is how chummy the two are while defending themselves. Coco comments on Carmine's tendency to talk to grimm (like she does) and Carmine freely offers information about her movements, the fact that she lost her other sword, and that her partner, Bertilak, needs to "recharge a little" before getting back in the game. Carmine asks Coco if she'd like to team up with her instead (she does not) and the two have a number of flirty exchanges to top things off:
“I’ve been dreaming of a rematch with you,” Coco said.
“You’ve been dreaming about me? I’m flattered.” Carmine winked.
***
“Hot date with the Crown?” Coco asked.
“Don’t be jealous, darling.”
I bring all this up not as a criticism of the buddy-enemy dynamic (it's a favorite of mine), but simply because of something that happens next. Before we get to that though, I admit that I am on the fence about the flirting. Given that I haven't read After the Fall (assuming this characterization exists there), I know that Coco is a lesbian mostly via RWBY cultural osmosis, rather than through the text. This is one of the few (the only?) times that I've gotten a hint at her sexuality, yet it's associated with predatory behavior. Carmine, her enemy, is the one who turns an angry dream into a flattering one, the hot date with the bad guy into something to be jealous of. I'm honestly struggling to remember what, if anything, Coco has had to say about women in this book — this is what comes of such slow recapping and I acknowledge that this is entirely my fault — but I'm nevertheless discomforted by knowing Coco's canonical status, knowing RWBY's struggles with queer rep, and then reading a scene where the most overt representation thus far is the bad guy twisting Coco's words into something sexual.
I'm no purist. Give me a good enemies-to-lovers fic any day of the week, but that doesn't mean that kind of dynamic is the best to pull from in a franchise already facing heavy criticism for its queer rep.
Especially since the moment the grimm are gone Carmine turns her sai on Coco.
This is the "something that happens next" that I referenced above. It's weird to have them attacking one another after a whole scene of pretty genuine companionship. Coco doesn't help Carmine as a consequence of defending herself, she willingly gets involved. They tease one another. Carmine appears to answer her questions honestly. There's both implied and overt references to how well they work as a team. Then, suddenly, Carmine is outright trying to kill Coco, not just with her sai but by burying her alive. It's not the sort of banter that Ruby and Roman used to engage in, trading fake compliments and, in Roman's case before his death, legitimate feelings while attacking one another. Nor is Coco prepared for an attack the moment the grimm are gone, and she's not surprised by it. It’s just this sudden change that feels rather jarring. 
Though it's far from the first time BTD has failed to convey the emotion of a scene. Here's another example rnow. As said, Carmine is attempting to bury Coco alive by moving the sand with her semblance. That's horrifying enough on its own, but remember that Coco is claustrophobic. Yet none of that panic shines through here. She comes across as indifferent throughout the attack, thinking back to summers when her brother tried to bury her while she sunbathed, amazed that she could ever consider this fun. You know who Coco sounds like in this scene?
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At no point during this attack did I get the sense that Coco believes she’s in serious danger, let alone that she's struggling against a long-term phobia. The only time I even remembered that claustrophobia is meant to be a challenge for her is when she throws out the oh-so casual line, "One of her worst nightmares was being buried alive." Oh really? Because it doesn't seem like it! Coco is calm enough to remember that she used to be able to hold her breath for exactly three minutes and forty-two seconds. That doesn't feel like a character fighting against her worst nightmare.
So this scene isn't exactly compelling. Which is too bad because, as said, Coco as some other nice moments in this chapter.
However, during all this we do learn a little more about Carmine. Prior to getting trapped in the sand, Coco comments on how shockingly strong she is. "Carmine should have been at least a little bit worn down from fighting Grimm," but she's not, "She seemed nearly unstoppable now." Coco hits her full in the face, but she doesn't seem fazed. Earlier in the chapter there was that comment about how she previously took on Team CFVY alone and at the end of the battle Coco observes that Carmine "still seemed as fresh as she had at the beginning of the fight. How was she even doing that?" My basic reading comprehension skills tell me that this is setup for something, likely some change enacted by the Crown. Surely the text wouldn't put so much emphasis on Carmine's strength — have Coco questioning it to this extent, framing it as unnatural — unless we were going to get an answer, right?
But this is RWBY, so I'm not inclined to count my chickens before they hatch.
The rest of Coco's team arrives and it's then that she decides to pull the super dangerous stunt to free herself. Yeah, yeah, I get that she's suffocating and needs to do something now, can't wait to be dug out I suppose, but the timing is pretty ridiculous. The cavalry has arrived, yay! Time to blow myself up.
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Seriously. She blows herself up. Using her own semblance, Coco focuses on one of her gravity dust bullets and detonates it, causing all the others in her arsenal to detonate too. It gets her out of the hole and "knocked her Aura down to a dangerously low level."
So... let’s see. Coco can literally detonate a bunch of explosives on her person, after suffocating under stand, after fighting Carmine, after fighting grimm, after a week long mission, and her aura doesn't break... but Yang's does from a single Neo slash?
Okay, RWBY.
Reese and Olive try to attack Carmine together, but end up eliminating one another's attacks. I like that a team actually has some realistic difficulties for once. Coco, however, is internally an asshole, calling them "idiots" and saying that they need to learn to coordinate their attacks. Thing is, she apparently hasn't done anything over the last week to help with that. She's been too busy complaining about Reese's clothes.
Carmine runs off as more grimm show up, drawn by Coco's non-existent panic. To her credit she does thank the others for saving her... but then immediately tries to downplay that. “It wasn’t a fair fight,” Coco spat when Reese (correctly) points out that she's the one who was ambushed. She also starts giving orders and when Reese (again, correctly!) goes to point out that she's the leader, Coco talks over her, saying they can't waste any more time out here because she has reason to believe that Shade has been compromised. She needs them only because she's out of bullets and low on aura, but they definitely need her because "let’s face it, I’m the best strategist around for miles."
Coco's a strategist?
And why does she sound like a villain trying to convince the heroes to work with her? She’s already part of the team!
Putting all that aside for the moment, we're back to this prideful characterization. I liked the well-rounded Coco from a few pages ago who balanced caring for her team with the likelihood of needing backup. Now she's flinching from the idea that she'd ever need help (hello, Sun characterization too) and snatching Reese's role the moment she's given the chance. So much for respecting her position. If the book wants me to believe that Reese is unfit to be leader and this is a golden opportunity for Coco to right a wrong... how about we actually show Reese being a bad leader?
Regardless, yay working together? The chapter ends with them presumably taking out the grimm before heading back to Shade, along with an important revelation. Prior to leaving, Carmine asked Coco why Yatsuhashi and Fox weren't rushing to her aid. It's only now that Coco realizes she didn't mention Velvet. Why? Perhaps because Carmine already knows where Velvet is, which obviously doesn't imply anything good.
And that's the end of Chapter Ten! Can you tell I never know how to finish these recaps? Describing cliffhangers doesn't have quite the same punch as, you know, actual cliffhangers. You all just have to suffer through my mediocre endings with me.
But would you look at that! Turns out the third attempt at writing this was the charm! :D
See you for Chapter Eleven! 💜
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neeterloveschenford · 3 years
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Thoughts on RNM 3x10
Well here we are a day late and a dollar short (they’re killing me having to go in early on Wednesdays). But my lord were we blessed this week! I mean blessed and highly favored!! I can’t believe we are basically watching fanfic come to life. It’s amazing how much goodness we are getting. This is our reward for surviving last season. But I digress. Let’s talk about the best episode of this season! Let’s dive in.
Why you gotta step on Hufflepuff, Heath? Don’t you have any idea how amazing Hufflepuff is? SImmer down son.
I agree with Liz. I dislike the Longhorn tattoo too. (I am from Oklahoma afterall.) But I will not be upset seeing Max naked. He may annoy me most days, but he is a pretty pretty man. And I like how sweet he is with Liz here lately. Apparently this brush with death is making him appreciate the magnificent woman in his life. Growth. It’s a good thing. He’ll probably never completely win me over, but the more naked he is the better. (I’m a simple woman.)
Michael feeding his man! I loved this scene. I love how he just wants to take care of Alex. And I love how Alex wanted more kisses, but Michael had to show off his intelligence. Can’t have the bae thinking we’re not brilliant can we. Alex looked so put out! It was great.
So Anaste and Isobel are cute. Not gonna lie. But it’s too late for me to become invested in them this season. I think she’s just this year’s Forrest to be honest. And there is no way that they are not setting up Kybel. Just the utter joy they have in spending time together. I love them.The way Kyle looked at Isobel when she talked about helping people reminds me of the way that Alex and Max look at Michael and Liz. So I cannot see how they cannot be cosmic. And the way they support each other is fabulous. I think they will have the sweetest love story because it’s not going to be falling super hard super fast. I think Kyle is already starting to realize that he has feelings for Iz. And I think Iz will have a moment like Kyle did last season when Iz propositioned him. She’s going to pursue this relationship with Anaste, then realize she has feelings for Kyle. I can’t wait.
Dallas inadvertently teaching Isobel not to violate people’s minds makes him ok in my book. I like him. I still think Heath’s pretty boring, but we can keep Dallas. I mean, Malex’ll need someone to marry them, why not an alien preacher? And I love the fact that we are seeing him interact with Michael first. Poor Michael is probably the worst choice to stall for time. I just love seeing him try to come up with reasons why he shouldn’t leave.
Sassy Max is funny. Of course he would call it a lightsaber. Makes me wonder if he is an actual Star Wars fan, or if he’s just calling it that because that’s what Michael called the sword.
I’m thinking that we’ve had another instance of things that happen off screen. Kyle was obviously not happy to see Heath. Someone has to have told him that they think Heath was the one who attacked him. Heath had the alien mask on when we saw him, so he wouldn’t have seen his face, and the only other time we’ve seen them iAnd nteract was at Liz’s when Kyle was rubbing the vapor rub on Liz’s chest. Not the type of interaction that would make Kyle freak and lunge for his phone.
I love you Jones, but you need to keep your hands off my Kyle. He’s been through enough! Let my son go!! Also, can’t Liz find a better place to keep her bag of notes? And I’m about done with the sheriff lady. How dare! Arresting sweet Kyle. But look at him trying to protect Isobel! They’re not setting up Kybel at all! Nope.
Seriously Isobel, floating a giant smiley face is not the best way to calm someone down. She’s trying though. I love her no matter what. And Michael baby when will you listen to Alex. He’s the only one who knows how to keep his cool under pressure. Poor Dallas running away.
I love how this confrontation between Malex went compared to the last one they had in Michael’s bunker. They could so easily go down the same path they’ve always taken when they disagree. But they are committed to working things out. They are going to be such a strong couple. I am so excited to see them grow! And Michael listened!!! I’m just so proud of them. They have made so much progress!!
Another Kybel moment! They are going to make me scream if they don’t follow through with this! And you have ice powers was hilarious!!
This was a nice little Echo moment. They are not my favorite. But it was nice to see the hope blossom in Max. I don’t think he’s thought that they would find their way back to each other. So it was nice to see Liz admit that she still loves him. He has something to live for again. Good for you Max.
I still think Heath’s pretty boring. I liked the conversation with Michael and Dallas. They really bonded over their crappy childhoods. I want to see them have a great friendship. I like that they are so similar but have chosen such different paths.
Dear Liz, please learn Jones’ mannerisms. It’s really obvious to anyone that pays attention. That way you won’t have to kiss a megalomaniacal dictator next time.
I like how Kyle says he doesn’t like Max but he still wants to save him. I also really like Theo. I wouldn’t be opposed to a flashback with him in it. I’d really like to learn more about the Triad. Where does that leave Max? Did they look for Dallas back in 1947? So many questions. So many that won’t be answered. So if this equation can make Jones’ reign everlasting, does this mean that Max’s body is immortal?
Never thought I’d feel bad for that sheriff. Maybe she’s going to be like OG Valenti and end up being an ally. Or Isobel will mind scape her. I guess we’ll find out.
Kyle looks so forlorn. And Dallas picked the wrong person to tell that he might have to kill Max. I don't’ care how much smack Kyle talks, he will never let someone kill any of the pod squad. He’s just that good. I also think that the equation in the alien symbols will be something that Alex will figure out. In the OG series, Alex figured out how to translate their language. So I definitely think one of the world’s best hackers could figure it out.
And now we’re getting to the good stuff. This scene was everything I have ever wanted for these two. It was soft, sweet, loving, sexy, and hopeful. They are both so all in with this relationship. I always knew that the moment they were both on the same page, then that would be it. There is no turning back for either one of them. And the fact that they brought back cosmic and the song was chef's kiss! Alex’s face when Michael told him he was home was so emotional. They just love each other so very very much. I have cried every single time I have watched that scene. People at work the next day wanted to know why I was smiling so much. I just can’t believe that we are living in the age of Malex. And the chest kiss. But seriously, can we not let these boys have sex in a real bed? Trust me, things start to hurt after you hit 30. Their backs are not going to like them much longer if they keep this up!
So nitpicky time. There were only two small things that annoyed me in this episode. First was Dallas saying that the Lockhart machine had haunted him for 25 years. If he was 7 when he came out of the pod like the pod squad were, then they would all be 32 now. That adds on at least a year from where we are supposed to be in the timeline. Also, did Michael live with two religious nutcase families? Cause he said he was 9 when he was burned at his exorcism. But he showed Max fresh burns when they were around 13 in the season 1 flashback. I know time means nothing on this show, but if I can remember these things, surely someone on the show should be able to.
Anyhoo, that’s all I’ve got this week. I am now going to go have a small breakdown again about Malex. Hope everyone has a wonderful week! Till next time my lovelies!
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omsrandom · 3 years
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Love is A G̴̢̈́̿L̴̥̋͑Ȋ̶̥͈̥͋̉T̶̢͎̀ͅČ̸̪͍̏H̷̰͚̳͒ Chapter Preview: Speed Metal
for the lovely @insanely-creative-things! Happy birthday! The alternative title for this chapter is: Local Wine Uncle Takes Child to Illegal Street Races
“You know Soundwave is going to offline you if I get caught,” she hummed as she sat in the driver seat. Knockout’s laugh echoed through the speakers.
“If you get caught,” he reminded her. “You can’t stay in the ship all the time Shockie. Even hatchlings got to leave their nest more than you.”
She didn’t have a good rebuttal against that, instead just sitting back as they pulled up into the line. Almost immediately, the person to the right rolled down his window and keyed KO’s arm, making her cringe. “Just don’t kill him while I’m here,” she just asked. “I still have nightmares from when I broke my arm.”
The mech just let out a growl, and they shot forward, leaving her to sigh in resignation.
He was quick, she wouldn’t argue against that, but if she wasn’t bracing herself for every turn, no doubt she’d be slamming her head against the window at every bump. As they came up to the black car, she just turned her head away, hearing the tires squealing and the metal-on-metal crash as the human was sent soaring off a cliff edge.
“He’ll live,” the mech murmured, and she felt tension bleed out of her, replaced with a giddy sense of excitement.
“Then let’s finish this!”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The next day, she couldn’t stop her fifth yawn as she walked down the sidewalk towards where Bulkhead was supposed to pick her up. It would be her first time actually seeing where the physical Autobot Base entrance was going to be, and she messed it up by going out last night.
“You ok?” she jumped as Jack pulled up beside her.
“I didn’t think humans could yawn that much,” Arcee agreed quietly, making her snort.
“Just wait until finals come up,” she murmured. “If they’re anything like what I did online, all of us are going to be pulling 24 hours or more.”
“Ratchet won’t like that,” Jack agreed. “You did online classes? I thought you were homeschooled.”
“Uh, yeah, Up until, maybe, like, I was 12 or 13? Then S-my dad enrolled me online because his job was getting more and more difficult to do at home.” Jack just nodded, not looking too deeply into her answer. “Anyways, gotta go to, uh, Bulkhead? I think?”
“Good luck with Miko,” he chuckled, letting Arcee drive off. She’d deny it to this day that her little huff of laugh was anything more than slight fondness.
Things were… tense, later on. Miko had been blasting loud music through her phone, which helped keep Ashi awake, but… the Autobot base entrance wasn’t what she was expecting. It was a literal mesa base. No wonder they could never find it.
But that wasn’t a real concern. Jack was late.
Arcee made sure he was never late, so why, after two hours of being out of school, was he not at the base yet?
He wasn’t there when she went to the Nemesis portal spot, but no, she wasn’t concerned, ok?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ashie yelped as someone picked her up, holding her in their hands. “We’re going out again Shockie,”
The redhead groaned at Knockout’s words. “I need to get this report done,” she argued. “While I still remember where the base entrance is!”
“One little race isn’t going to hurt hatchling,” Breakdown called from the next room, where he had a buff kit ready to go. “We both know Commanders Starscream and Soundwave will be the first ones to forgive you if a report is late.”
“But it’s still the principle!” she tried to argue.
“Ah ah! We’re going out, and nothing you can do or say will stop it,” the red mech’s words sounded as final as a nail in a coffin (whatever that meant) so she put on a long-suffering face and looked at Breakdown.
“How do you deal with him?”
“I don’t.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Are you getting enough sleep?” Jack asked quietly as they walked down the steps, and she just grimaced.
“Yeah, my brothers are just assholes,” she shrugged. “They like playing pranks on each other and shooting nerf guns in the middle of the night, and Dad put me between their rooms to try and stop it. I just got caught in the crossfire.”
“Ouch,” Jack hissed. “You should tell them to knock it off, at least until Mr. Gregory’s test is done.”
“I’ll think about it,” she hummed.
“Hey, I’ve been looking for you!” Both her and Jack turned around to see Sierra exiting the school. “The race, how great was that? I was like, yeah, go Jack!”
“Race?” she murmured, and Jack’s eyes widened.
“You can’t tell O-,” he cut himself off.
“Jack totally blew Vince out of the water with that sweet bike of his,” Sierra told her. “He promised to take me on a ride.” Something made her blood both boil and freeze.
“Oh?” she just choked out instead, hating how small it sounded.
“Before we met!” he tacked on. “Sierra, this is Ashi, my girlfriend. And Ashi, the race was no big deal,”
“You got that right,” Vince snarled, pushing between her and Jack, forcing her to take some steps back. “If you think you can run with the big boys: the circuit, tonight, 11 pm.” She glanced at Sierra, whose eyes were flickering between her and Jack before the teen’s voice caught her off guard.
“Deal,”
Oh, Primus, she was going to kill him.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
She didn’t go to the Autobot base that day, instead going directly to the ship, to the medbay where Knockout was checking Megatron’s vitals.
“Shockie, what a wonderful surprise! Anything you need dear?”
“There’s a race circuit going on tonight at 11,” she said, getting straight to the point. “I need to be there.”
Knockout frowned. “Even I wasn’t going to have you go out three days in a row. What’s so special about this?”
She swallowed, knowing full well what was about to happen. He was the only one aside from Breakdown and Megatron who knew what the power of the words she was about to say was. “My soulmate will be racing in it.”
Knockout froze before turning to her in an accusing way. “You were supposed to keep us updated if you met them,” he reminded her quietly, too quietly for the mech. “Why didn’t you?” She shifted her gaze to her feet and murmured her response. “That was too quiet for my audio receptors to pick up. Louder now.”
“He’s…” her voice was nothing more than a whisper, but it seemed to echo through the room. “He knows the Autobots… he’s my key to getting behind their defenses.”
“Slag,” Knockout said, and she felt it. “Slaggit, hatchling, you can’t have anything normal happen to you, can you?”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
When Knockout pulled up to the line, she was expecting Jack and Arcee, but definitely not Bumblebee, and the red mech seemed to feel the same as her if the quiet curses seem to say anything about it. “I’ll be quick,” she promised, exiting the passenger door and quickly weaving her way through the crowd to Jack and Bee. “Jack,”
“Ashi!” he snapped around, staring at her in surprise. “What’re you doing here?”
“One of my Uncles is racing tonight,” she stressed, shifting her gaze to Bee rapidly, hoping he’d get the hint. Judging by how pale he turned, he seemed to get it. “I just came to wish you luck, and there won’t be any hard feelings, right? Uncle K can be a bit mean in these things.”
“No hard feelings,” he echoed back. “You’ll be safe?”
“Only if you are,” she sighed, quickly going back to Knockout. “He knows you’re here, but not you exactly.”
“He knows you’re a Decepticon?” Ok, so maybe Knockout was still a bit pissed off at her.
“He accidentally got warped into our ship, and our first words were said while I was in uniform. And then we met out of uniform and it only took a day for him to realize who I was.” she still felt bitter over it, but just shrugged instead.
Somehow, Vince ended up between Knockout and Bumblebee, and she was very grateful for the blackout windows and the redhead teen tried to glance her way. “Creep,” she grumbled, bracing as the countdown started.
In a second, they were off, Bee and Vince instantly duking it out for first and second while Knockout stayed back in a casual third. “He’s not really trying to struggle, is he?” Knockout mused aloud, making her laugh. She did notice he was driving a bit more carefully, and she was thankful for that, even if he was watching Bee’s movements to do it.
Then, Knockout gained on Vince and spun him out, making her laugh. He continued driving forward, obviously trying to get first in what would possibly be the only friendly Autobot-Decepticon interaction for a while, when the yellow bot began to swerve, signaling that he had realized who was behind him. Knockout moved to follow him, and she realized in abject horror he had pulled his ion guns out.
“Knockout,” she warned.
“Relax. I don’t plan on hitting them. Fear is a good motivator.” he fired, and true to his word, every shot missed, and the two Autobot allied quickly left the drainage ditch in favor of an actual road with Knockout still following. Bee was suddenly trailing something, and it took her a moment to realize what it was.
“Oil!” She yelled, but she was a moment too late as Knockout spun, and by the time she was finished, she was feeling sick and seeing stars.
“Primus, Sparkie, you ok?”
She let out a wheeze and held a thumbs up. “Fucking shoot him for me,” she choked out. “I’m going to throw up in the ditch.” Immediately, the door opened, and she launched herself out of his alt-mode and onto the road.
As he started to drive away, she stumbled to the side, where she hung over the rails and…
Oh god, were they really hiding under a bridge?
Jack at least had the decency to look ashamed as he caught sight of her, but it quickly turned to disgust as Vince pulled up and got out of his car. Knockout screeched to a halt, backing up to her.
“It’s the school bully,” she murmured. “He’s an ass and a creep who can’t take no.” Knockout silently transformed, and her phone vibrated from her jean pocket. Taking a glance at it, she read:
Want me to teach a skeeze a lesson then?
Maybe her grin was a bit too feral as she nodded. The mech immediately reached down, pulling him up and tossing him into the air as he transformed. The teen was bound to the passenger seat, and without a thought, she hopped into the driver's seat with a grin. “Let’s go, Uncle K,” she giggled, and Vince’s eyes went wide as he realized who she was. He was knocked out not even a second later, so it was ok.
“What’re we gonna do with him?” she asked. “He’s only a year older than me, so he’s still technically a kid, not an adult.”
“So major body harm is out of the question then.” Knockout mused. “Psychological isn’t though. You said he couldn’t take no for an answer?”
“He’s made me his main target, but there’s probably a dozen other girls he’s tried this with before and it worked, otherwise he wouldn’t be so insistent.”
She finished up the final note just in time to hear cars circling the building, making her sigh. “Fun’s over,” she said.
“At least we got some enjoyment tonight,” Knockout sounded just as disappointed as she felt. She finished folding the papers up as much as she could while they were on the move, and as she finished stuffing them in Vince’s pockets, the sound of a semi-horn made her freeze.
Oh, Primus, they called in Prime??
The large mech immediately slammed them off the road, and it was only Knockout’s quick thinking of tying her down with straps that she hadn’t immediately been ejected as he slammed into a ditch. It left her in a daze, and all she could really do was just lay there, slumped over as Knockout frantically tried to get his back wheels on the ground.
“Stay online Shockie!” he called, thunderous footsteps getting closer and closer. As Prime easily picked Knockout up, she realized how much deep slag she was about to get into when she got back to Nemesis.
The passenger door was ripped off, and Vince was removed, and she could all but feel the disgust from Optimus as he grabbed her as well, throwing Knockout to the side. The mech transformed an angry, desperate look on his facial plates.
“Give her back,” he snarled, but he faltered as Arcee, Bumblebee, and Bulkhead all pulled up. “Slag you! Slag you all to the pits!” He drove off, leaving her alone, injured, and surrounded by enemies.
“Are you alright, Miss Lawrence?” Prime asked.
“Think you broke my ribs,” she murmured. “When you slammed into him.” he might’ve had a mask over his face, but just through his optics alone, she could tell how much that sentence hurt, and she planned on weaponizing it.
“Let us get you to Ratchet then,” he murmured. Bumblebee rolled a window down, showing Jack with a pained face of his own. A morbid part of her wondered if he had felt her pain whenever one of the ‘bots had shot her or not.
“This was my fault,” Jack’s voice was distant as if he was getting farther away.
“We must get these two to medical immediately,” Prime cut him off, and she noted in a sense of vindication that he was jostling Vince around while keeping her perfectly still. “Explanations can come later.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
She hadn’t even realized she had passed out until she woke up, once again in the comically large medical berth, IVs carefully hooked up to her. A glance at the clock told her that calling Soundwave would definitely result in death, so she just carefully turned it off and slipped it under her pillow. He knew how to remotely turn it off if he needed to talk to her.
“Should you not be contacting your parental unit?” Ratchet asked, making her grimace.
“I should’ve done it the second I realized something was off with the race,” she admitted. “Calling this late in the morning would just result in him getting angry at me.”
“Is he not usually angry?” Ratchet’s voice held confusion, so she just tilted her head. “The bruises and cuts across your body indicate you were attacked.”
“Are you trying to ask if my father…?” she trailed off, just staring blankly at him. “I don’t know if you’ve ever noticed when I’m in the base, Ratchet, but I trip over everything. I fell down the stairs a few days ago here and you didn’t react, so I just thought you knew not to get too worked up.”
“I-” the mech sputtered, turning away. “Your ribs are wrapped, no running or exercise for the next two months. Optimus would like to talk to you before you leave about what happened.”
“I got kidnapped, not much more I can say,” she shrugged.
The look he gave her told her she hadn’t been convincing enough.
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hp-nextgen-fest · 3 years
Text
2020 HP Next Gen Fest Reveals!
The time has finally come for the 2020 @hp-nextgen-fest reveals! Thank you so very much to everyone who has made this fest such an amazing success! We were incredibly impressed with the overwhelming enthusiasm you all have for our favorite Next Gen characters. Everyone who submitted stories and art, and those who read, reviewed and recced: You guys are amazing!! It's been really great seeing everybody's fantastic creations, and we hope you all enjoyed the fest as much as we did! Without further ado, here's a list of all the amazing participants who worked so hard to create fabulous things for this year's fest!
ART
@miakagrewup drew AcciDental Magic [Rose, Hugo, & Grandparents | General] Hermione and Ron are called away for a case and left without their usual child-minder when Molly falls ill. Hermione’s parents step up to keep Hugo and Rose, in spite of Hermione’s warning that the two little ones have some big issues with accidental magic. The story is told comic book style, with illustrations and voice bubbles.
@eleonorapoe drew Woke up married! [James Sirius/Teddy | General] They get well and truly bladdered at Albus's stag do and wake up in bed together with matching wedding bands...
@mad1492 drew Sunday Practice [James Sirius/Teddy | General] Teddy thought that morning practice on Sunday was going to be something he would soon regret, but things may turn more interesting than expected.
@julcheninred drew Introduction [Albus, Severus, & Albus Severus | General] Albus Severus Potter gets to know the men he's named for by asking them about the experiences, memories, and motives that shaped their lives.
@garmrr drew Eyecandy [James Sirius/Teddy | General] After months of extensive Auror training, Teddy comes with the Potters to the beach. James. Cannot. Stop. Staring. At. Teddy. Shirtless.
FIC
@cassiaratheslytherpuff wrote We Keep Loving Anyway [Albus Severus/Scorpius | Explicit | 7.1k] After Albus finds out Scorpius is part vampire he can’t stop thinking about being bitten. He can’t stop thinking about Scorpius in general, but that’s been the case since he was fifteen. At least, when it comes to Scorpius he’s used to not getting what he wants. He’s happy with what he has, or at least, comfortable. That is until he accidentally asks for it, then it all starts to change.
@polly-darton wrote The perks of Veritaserum [James Sirius/Teddy | Explicit | 5.1k] James drank a long-lasting version of Veritaserum and is miserable and Teddy is having the time of his life. That is, until they’re both having the time of their lives.
@gracerene09 wrote Thunderstruck [Charlie/Teddy | Explicit | 2.6k] There’s not a lot for dragon tamers to do when stuck inside during a storm, but looking at this particular new recruit―well, Charlie can’t help but think of a few ways they could pass the time.
Quentin_threepwood wrote Hair Today, Hair Tomorrow [Albus Severus/Scorpius | Mature | 1.7k] Away on a book tour Albus Severus Malfoy grows a very creepy mustache, much to the horror of his still at home husband Scorpius Malfoy.
vitruvian8008 wrote Mission in Nairn [Draco/Lily Luna | Explicit | 7k] Lily Luna Potter is paired with Draco Malfoy for her first Auror Mission. On their last night, she decides to act on the lingering tension that had been building up between them.
@nerdherderette wrote No Other Alpha But You [Albus Severus/James Sirius | Explicit | 7.1k] Scorpius Malfoy has applied to be Albus' heat partner. There's no way James is letting that happen.
@aneiria-writes wrote The Scorpion King [Albus Severus/Scorpius | Explicit | 3.8k] Scorpius Malfoy, AKA the Scorpion King, has ruled Britain ever since his father turned his sights to conquering Europe. With his right-hand man and most trusted advisor, Albus Potter, Scorpius has a life of elegance and power. But he's had enough of the beautiful women that usually grace his bed. Scorpius has decided he wants something else in bed. Something more. Scorpius Malfoy wants Albus Potter.
@motherofmercury wrote Islands of the Upper Air [Lily Luna/Luna | General | 1.5k] Lily Luna has never liked her namesake, or her strange and sometimes absurd way of looking at the world. But a weekend full of ancient rituals and mountain forests is an eye opener, in more ways than one.
@shipperysails-bookofspells wrote Expecto Patronum!! [James Sirius/Teddy | Mature | 45.7k] James Potter had always known exactly what he wanted; to open a pub of his own, maybe travel the world, and live a simple life with the only man he’d ever loved. For years he waited, quietly determined to help Teddy see what could be between them. But just when everything he’d ever dreamed of was finally within his reach, it was ripped away in an instant. With Teddy missing, and presumed dead, James is left to pick up the pieces. John has no idea what he wants. He doesn’t even know who he is. But when he hears a strikingly familiar voice – on an otherwise ordinary day – he sets out to discover everything he can about the man that occupies his dreams. And Harry, well, Harry just wants to put his failures behind him. Until a series of unexpected events forces him to reexamine a case that he’d given up on solving. With the help of an unexpected ally, he just might find the answers he’s been looking for.
@lovealpenglow wrote lily's potter [Lily Luna/Lysander & Lily Luna/Draco | Mature | 8.3k] "But what if I keep it? What’s the contingency plan there?” She took a seat next to Lily. She spoke slowly, as if she was thinking about it for the first time, too. “Well, I mean, you keep your baby. You raise it. You love it. It goes on to do wonderful things because it’s a Potter.” Lily snorted. “It’s a Potter?” “Why not? I mean it’s just as much you as whoever is the father. Why shouldn’t it be a Potter first?”
@micheleblack wrote Snaked a Claim [Albus Severus/Scorpius | Teen | 1.6k] Everyone knew Albus was gay from age five when he would dramatically swoon every time Goncalo Flores the Quidditch player was mentioned. Twenty years later and Harry still tells the tale - much to Al’s embarrassment.
@ladderofyears wrote And I Fell Heavy (Into Your Arms) [James Sirius/Teddy | Explicit | 9.1k] When James Sirius Potter travels to America for three weeks, the turquoise-haired Healer Teddy Lupin misses his boyfriend very much indeed. Luckily, Teddy has (sexy) floo calls, charmed obsidian pendants and hastily made chastity promises to keep him busy. Based on the following prompt: Absence makes the heart grow fonder... Right? Smutty phone!sex? Longing letters? All up to you!
@veelawings wrote Dirty Duelling [Albus Severus/Draco | Explicit | 6.1k] Please, Please, Please Let Me Get What I Want (Or — fucked up Dirty Dancing with wand fights)
@eleonorapoe wrote Albus’ Private Lesson of Sex Education [Albus Severus/James Sirius/Teddy | Explicit | 4.5k] Albus has some doubts about sex. Luckily he has an older brother, who can initiate him. How does this lesson go? James will be the teacher, Albus his good and obedient student and Teddy will be more than happy to serve them as a learning tool. In which a delicious Teddy sandwich is served.
@faeheyjesper wrote Four Reasons [James Sirius/Teddy | General | 8.1k] There were a couple of things James should've considered more seriously before coming back to work at Hogwarts as the new Flying Instructor. His dad being the Defense Against the Dark Arts professor there, for one. The fact that he hadn't really flown since a career-ending injury had put an abrupt end to his Quidditch fame two years ago, for another. His ridiculous, teenage crush on Teddy Lupin, his friend and Hogwarts' newest Charms professor, perhaps most of all.
@26timesbrighter wrote An Interlude [Lavender/Victoire | Explicit | 4.9k] Victoire is supposed to be chasing a serial killer, not shagging her uncle’s dead ex-girlfriend.
@drarryruinedme7 wrote Mint & Apples [Harry/Teddy | Explicit | 4.3k] Teddy Lupin's not-quite-wolf has chosen Harry Potter as his mate, that's all. He hasn't got a crush on his best friend's father, really. He also definitely isn't obsessed with Harry Potter's scent.
crazyparakiss wrote This is Love [Albus Severus/Scorpius | Explicit | 24.8k] Most of Albus’s bad life decisions can be summed up in a word: James. When he got a shitty tattoo in the Fifth Year—done by some bloke in a dirty flat—well, that was James’s idea. When he got picked up by Aurors for doing hallucinogens—James was the one who’d convinced him to do them at a party. That time they stole the flying motorbike Dad gave to Teddy—James was the one who insisted it was a rite of passage to drive it over London at dawn. Neither Dad nor Teddy was impressed with that explanation. Now, here Albus is living another bad choice that was born of James’s influence.
@gaeilgerua wrote The Balance Between Studying and Relaxing [Rose/Teddy | Explicit | 3.7k] Rose has been studying non-stop for her upcoming barrister exam. With Hermione attending Hugo’s Quidditch trials for moral support and Ron away on business, there’s only one person available to keep an eye on her. And Teddy is only too happy to take the role.
@r00wscribbles wrote The last ones to know [Albus Severus/Scorpius | General | 5.2k] Albus and Scorpius have a very close relationship. Everyone can see it. Perhaps they are the last ones to know jus how close they are.
@ohdrarry wrote You've Got A Second Chance (You Could Go Home) [James Sirius/Teddy | Teen | 16k] “What about James?” James, dear Merlin, not James, not again. His boy, his son, the brightest star in the constellation of Harry’s patchwork family, not him. “I think he’s relapsed.” – They tried this when James was nineteen and Teddy was twenty five. It crashed and burned. Teddy ran away to Finland and James... well Teddy's about to find out what happened to James, now that he's back two years later.
@maraudersaffair wrote Falling for You [James Sirius/Scorpius | General | 1.2k] Scorpius didn't care about Quidditch until he saw James Sirius on a broom.
@diligent-thunder wrote Heart-Shaped Ottoman [Draco/Teddy | Explicit | 6.3k] Draco has had interns before, but none so bothersome as Teddy Lupin.
@whenshereads wrote Living With Our Eyes Half Open [James Sirius & Scorpius | Teen | 5.5k] James didn’t mean to get his brother-in-law kidnapped alongside him that morning, but that is definitely what happened.
@shiftylinguini and @gracerene09 wrote Faim [Albus Severus/Scorpius | Explicit | 9.6k]  "So, this is the city of love!" Scorpius declared, adjusting the straps on his backpack. Albus wrinkled his nose. "City of pigeons, more like," he corrected, stepping around another fat, grey bird Or: Scorbus go to France.
@articcat621 wrote Unexpected [Lily Luna/Pansy | Explicit | 1.2k] Draco and Harry's engagement party brings about an unexpected, but not unwelcome, event.
@fidgetyweirdo wrote Remember to Forget [Albus Severus/James Sirius | Mature| 17.5k] The moment they kissed, James and Albus knew that they'd never be able to live without this -- too in love to walk away. Years later, and well into adulthood, the possible repercussions of their relationship feel very real and very scary. Without the strength to break it off, they're left with a single solution: a company that specializes in erasing and altering memories. Now the only thing left to do, is to say goodbye.
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sammystep · 3 years
Text
No One Lives Forever- CH13
(AO3 link)
Stardust Crusader Wolf Pack AU
[From the beginning- CH1]
<Previous Chapter    Next Chapter>
New York streets are busy at any time of day and more so this early in the morning, people rushing their way down the street to get to work. Avdol and Joseph took a more sedated pace, letting the stream of humans flow around them like the torrents of a river. The walk to Avdol’s family’s shop was a fair distance from the new apartment but the act of patrolling around the new territory had a calming effect on their instincts. And since there was no real rush, why not enjoy the feeling for a bit?
Avdol’s tests and research the night before had revealed there were no active spells placed upon the pack, but faint magic residue was definitely attached to Joseph and Jotaro. It explained the frequent encounters and led Avdol to believe this was indeed being orchestrated by someone with a grudge against the Joestar line. The spell work was too faded to trace back to the caster, but with some specialized tools from the occult shop they could ward themselves from future spells.
“I still wish we had you examine that hunter from upstate. Maybe you could have traced the magic sooner.” Joseph grumbles as he puts his hands in his jacket pockets and sulks as they walk.
“I’m afraid it wouldn’t have done much good. I’d still be lacking the tools I need. After all, we weren’t expecting to encounter anyone, much less magic users.” Avdol does his best to reassure the older alpha, reverting back to their rolls of alpha and beta from before Jotaro was named leader of the pack. Joseph grumbles a bit more but lets the issue go, relaxing slightly as they continue their walk.
Avdol’s pace quickens slightly as the shop comes into view as they round the last corner. The occult shop occupied a narrow business space at street level, only a single door and large window with the words ‘OCCULT SUPPLIES * TAROT READINGS * WALK-INS WELCOME’ in gold font painted on the glass. Arrays of crystals, decorative knives and card decks lay just behind the glass on display to entice visitors to enter.
A bell attached to the door jingles pleasantly as they enter. From the back of the shop an older female voice calls, “Make yourself comfortable Muhammad, we’ll be out in just a moment!”
Joseph blinks in astonishment before catching Avdol’s smirk as they seat themselves at the reading table. He nods as he laughs a bit, “Right, fortune teller. She always catches me off guard with that. I’m not used to being on the other end of that trick.”
“You know by now it’s no trick Joseph.” An older black woman exits the back room of the store with the help of her cane. Her hair is styled into braids forming a bun on the top of her head, once black hair now mostly grey and silver. He half moon glasses are decorated with a beaded chain that clinks together with her jewelry as she moves.
Joseph just laughs “Well it is a trick when I do it Mrs. Avdol. I assume you know why we’re here then?” She nods and takes her seat at the table.
“My sight has shown me many things in the last few weeks. Your pack has encountered many bizarre things these past few days, correct?” Her kind brown eyes are serious as she looks at Joseph, waiting for his response.
He confirms with a nod and attempts to lighten the mood with a grin as he turns to Avdol, “How did you ever surprise her with birthday gifts?”
“Just because I’m not surprised does not mean I’m not happy, especially to see my only son.” Mrs. Avdol teasingly pinches her son’s cheek as he laughs with her.
“Mother, please!” Avdol brushes off her pinching fingers, “You act as thought I don’t visit!” he gives her hand a squeeze as she takes it back to rest both on the table.
The grandfather clock in the shop chimes 9 o’clock as Avdol’s father enters with a tray of coffee. “Right on time as always dear. Have you started the reading yet?” Mr. Avdol asks as he hands out the beverages.
“How could I concentrate on that if I know there was coffee on the way?” She grins and cackles as her husband takes his seat as well. “Thank you honey. Now…” Mrs. Avdol pulls a box from a nearby drawer and opens it revealing a deck of cards. “Before we get to the reason for your visit, first things first, the reading of your cards.” She slides the deck across the table face down to Joseph and Avdol. “Place your hands on top and we’ll see what fate has in store for you.” They both do as instructed and Joseph swears he gets a tingle in his fingers every time he does this.
“Good. As always, we start with the past, so we understand the context of the present and future.” Mrs. Avdol shuffles the deck a bit before spreading them in an arch on the table and indicating to her son. “Three cards please, Muhammad.”
One by one Avdol turns cards picked at random from the spread, first the tower, followed by the moon and strength. “Ah, so your journey has already been interrupted by calamity. Three powerful encounters behind you, but many more to come.” She picks up the rest of the undisturbed cards and re-shuffles them before spreading them out again. “I’ll draw your present.” The next three cards are even more ominous, the devil followed by justice and the world. “These represent the current danger, though I feel as though these two are more passive at the moment. A long-term danger to your pack.” She says as she points to justice and the world.
“You’re telling me we’re going to have to fight the devil?” Joseph groans and rubs his face, “Seriously? What crappy luck we’re having lately.”
Mrs. Avdol chuckles and corrects him “You know it’s rarely that straight forward. The devil is a subjugator, you will probably be facing a servant sent to fight you.”
She picks up the deck once more but pauses as she’s about to shuffle. A look of deep concentration passes over her features before she hands the deck to Joseph. “I feel you should shuffle this time, Joseph. And pick as many cards as you feel you need.” Mr. Avdol’s eyebrows shoot up his forehead in surprise but he remains silent as they continue the reading.
“Well, this is new.” Joseph is also surprised and quickly takes the cards and starts to shuffle. Instead of spreading them on the table he holds them as he draws a few cards from the middle. As they leave the deck, two others slip with them and fall to the floor face down. He tries to laugh off his clumsiness and quickly pick them up but Avdol stops him, his face serious as he watches his mother pick up the cards and turn them face up on the table. The Avdol family share a look between them before they turn back to Joseph.
“Even accidents hold meaning when reading the cards. These two,” Mrs. Avdol taps the fallen cards now revealed to be the hierophant and the hermit. “Together they represent knowledge and reflection, but that they fell… there will be a price to pay for the knowledge gained.”
Joseph’s brows furrow as he looks on at the ill-fated cards. Mrs. Avdol reaches out to gently take back the deck and his chosen cards, startling Joseph out of his thoughts. His cards remain face down as he asks, “I’m assuming when a psychic tells you there ‘will be a price to pay’, you aren’t talking about cash. What’s going to happen? This is my pack- my family we’re talking about. I’d gladly pay any ‘price’ to keep them safe.”
Mrs. Avdol pats his clenched fist on the table as Muhammad claps a hand to Joseph’s shoulder. “You know I would tell you if I could see, Joseph. All I can tell you is you will have to make this choice; the rest is foggy. Events are fluctuating around you and your pack.” She turns back to the cards he picked out and flips them face up: the star, the magician, the chariot and the fool. “These however look like good omens. Your pack learning and growing in strength and number. The way forward is a hard path, but the bonds of your pack are strong. If you rely and trust each other and your allies, I predict you will prevail over the enemies I cannot see.” With the reading over she scoops the cards back up from the table and shuffles the deck before putting it back in its box.
Joseph remains tense and contemplative as Avdol turns to his mother again, “Thank you, as always, for the insight. But we need to ask for an additional favor. I fear our enemy, or enemies, have a magic user with them. Would you be able to…”?
“Make you some protection charms?” Mrs. Avdol motions to her husband and he reaches for a tan drawstring pouch that had been sitting on the shelf full of miscellaneous items behind him. The contents of the sack clink gently as it’s placed in front of Avdol. “As I said, my visions have been unusually active for the past few weeks. I didn’t know when you would need them so I prepared them beforehand. Wear these charms at all times and you will be protected from nosey witches and the evil eye they cast on you.”
Avdol looks through the pouch of charms for a moment before taking out and opal earing and holding it to the light to inspect it. “Ah, this spell work should do nicely. Thank you.” He clips the earing to his ear before rifling through the bag and handing Joseph a metal bracelet, silver vines and thorns twisting around the band in intricate knots.
Mr. Avdol rises from his seat and makes his way to the back room with the empty coffee cups as his son secures the pouch in his travel satchel. Mrs. Avdol grabs his attention again, “Be warned, these will not be able to block more powerful spells entirely. Use caution and put up your wards like I taught you.”
“Of course. I’ve already started placing wards on our new lodgings. Now, about the shop… I feel it may be best if you and father left town while we get the situation under control.” Avdol places his hand on his mother’s arm as he implores her to close up shop.
Mrs. Avdol just chuckles as Mr. Avdol returns to the front room carrying luggage with him. Mr. Avdol chuckles along with his wife, “Don’t you know by now Muhammad? Your mother was just waiting to say goodbye to her son.”
<Previous Chapter    Next Chapter>
Author’s Note:
I am alive! Sorry everyone, life got real crazy for me for a while. Had some family health scares (everyone is fine now), work schedule changes, moved, gained a roommate... still adjusting to the new changes but I've found time to write again! artwork is still on pause till I can set up my workspace properly.
Anyway just wanted to say sorry for the long break, but I'm gonna finish this thing no matter what- 13/52 complete so far !
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utterlyinevitable · 4 years
Note
‘Of all the lies I have ever lived, my favorite was you and I” Ethan x MC. ❤️ love your writing!!
thank you so much!🥰  i hope i did the request justice 🙈
For All The Lies
Word Count: 1.4k Warning: lil bit of angst Summary: This takes place two years after OH2. 
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(art by @juliaraeart) ________________________________________
They sat around the fire of the large Cape Cod backyard at Harper’s engagement party. Becca had come as Bryce’s plus one, the surgeon wanting to spend as much time as possible with her while she was briefly back in town. A lot had changed since she accepted a research fellowship across the pond, an easier departure for her since Edenbrook had to make staffing cuts because of a budget shortfall. Becca consciously made the choice to leave the comfort she came to know for an opportunity of a lifetime and subsequently save another person's job.  
She hadn’t seen or spoken to Ethan Ramsey since she accepted a research fellowship. That was two years ago. 
Becca walked into the evening garden party on Bryce’s arm, her petite diamond still shining under the fairy lights. The moment Aurora saw the pair, Becca immediately let go and jogged over to her friend enveloping her in a hug. The two girls had kept in touch over the last few years, even setting up a free movement research programme between their two hospitals.
“What, no hug for me? I thought you loved me,” Bryce pouted at his two friends. 
The women chuckled and opened their arms letting him into the group hug. 
“That’s what I’m talking about. I miss being surrounded by beautiful women.” Ever since Becca left and residency ended last year the usual gang of doctors had spread out all over the globe, leaving Bryce with just one ally at Edenbrook - Elijah.    
One of the attendings waved Bryce over, leaving the two diagnosticians to talk. 
“How was your flight?” 
“Not bad. I’m not jet-lagged at all if I’m honest. Bryce is making sure I don’t pass out any time soon though,” she chuckled before quickly changing the topic, “I can’t believe Dr. Emery’s getting married.” 
Aurora looked directly into Becca’s eyes and said, “Believe me I never thought I’d see the day.” Harper Emery, like all Emery’s, was completely career orientated. Her career had been her longest and only love for as long as Aurora could remember. That’s why when she announced her engagement to the family they all thought it was an April Fools joke. “I’m happy she’s happy.” 
“Me too. Anyone special in your life?” Becca wiggled her eyebrows. 
“Definitely not. I’ll settle down when I’m retired.” 
There was a call for all family members to gather on the balcony for a photo with the happy couple. Aurora gave her friend and sorry smile as she departed. 
Becca timidly made her way over to the bar to grab a glass of champagne. She looked up at the stars shining in the sky and carefully took in her surroundings. She wondered if her own wedding would be as grand and glamorous as this reception. As if thinking the thoughts of her future while in Boston was a charm that summoned ghosts of her past, she heard a gruff clear of a throat from behind her. 
His velvety baritone voice cooed, “Dr. Lao.”
She couldn’t help the smirk that perked at her lips when she heard her name on his tongue - it was a Pavlovian response. 
Rebecca Lao turned around to see Ethan Ramsey apprehensively standing a few feet away, dressed head to toe in his trusty black tux. 
“Dr. Ramsey,” she uttered back. 
In a space of over 300 people they still had such a hold over one another - for time stood still and Ethan and Becca were the only people permitted to move. In the distance a new song began to play from the orchestra.  
Ethan held out his hand, “For old times?”  
Without a second thought she took hold and with a small smile agreed, “For old times.”
The pair planted themselves in a corner of the laid out wooden dance floor and away from the commotion of rambunctious party-goers and attention of others who could misconstrue their embrace. Ethan had his hands respectfully on her waist, while she had her right hand draped over his shoulder and left securely on his chest. 
They swayed back and forth for a labored moment before either of them spoke. 
“Let me see,” Ethan nodded to the jewelry affixed to his chest. For a moment Becca completely forgot about her reality. Hesitantly she lifted her hand and placed it into Ethan’s waiting one. With intrigue and precision he rotated it back and forth, letting the silver diamond catch the light at each angle. “It’s decent,” he nodded in approval.  
“Not too shabby,” she agreed, staring at their interlocked hands. “Doesn’t get in the way and not as distracting.” 
Becca knew she never wanted to make a show of her relationship status, especially in her line of work where she’s constantly using her hands and needing to pull gloves on and off. Anything bigger than 2 carats was too much in her mind. She mindfully thanked her fiance for once again knowing her and her needs better than she herself did.  
“You’ve always been a magpie.” Ethan smirked as he remembered all the times she would get distracted by shiny objects in a shop window, on a screen or even the reflective glare of light.  
She rolled her eyes. 
“How.. have you been?” they weren’t the words he wanted to say but they were the ones their situation called for. He had no right to demand any personal information from her. Hell, he didn’t even deserve the privilege of her company but here she was in his arms after all this time.  
“Busy,” she said with absolutely no humor. “I now know why you preferred a solitary life.” 
Ethan’s face fell with the unintentional sting.  
He pulled his lips back up and pridefully told her, “I read your book.”  
Shock was evident all over Becca’s features. She knew her book was published globally and as an avid reader of all medical journals he was bound to read it. Still, it shook her that after all this time he was still paying attention. “What’d you think? Not as boring as yours, huh.”  
“Satisfactory,” she saw a flicker of mischief dance around his irises. “For a first time author.”  
Becca began to speak, “How -” at the same time Ethan added, “Wh-”.   
She let him continue on with his thought; 
The flicker of light was replaced with a dark cloud as he spoke, “Why didn’t you keep in touch?”  
Becca’s eyes grew heavy with sadness and she tried to look anywhere but at him. “Ethan…” 
He searched her features, using everything he learned about body language from years of doctoring and from knowing her body, for any semblance of an answer. 
All he found was guilt and… something else. 
She went to remove her hand from his and he squeezed it tighter. Her mouth fell agape and turned her gaze to meet his. Blue mimicked brown, both trying to convey all they wish they had the courage to say. Both wanting to mend all the problems they caused and all the decisions they’ve now come to regret. 
The brows above her sorrowful eyes rose, coaxing him to speak. 
Looking at the face of the woman he once passionately cared for, the woman who could see right through his facade, Ethan couldn’t form a coherent retort. He couldn’t think of anything he could say that would make up for all the lost time, all the lost moments. 
She squeezed his hand, egging him on. 
After a harsh inhale Ethan finally relayed the most daunting of words, “Of all the lies I have ever lived, my favorite was you and I.” Finally, after all this time - after all the tears shed he was finally able to say, “I’m sorry I pushed you away.” 
It was as if the admission crippled him, his hands fell from her immediately and he took a step back.  
Becca closed the gap between them once more and placed her hand over his heart. She stared at his chest, remembering the old blissful feeling of their skin on each other, as she maturely admitted, “We were meant to be in each other's lives but not in that way. I know that now, I’m sorry I kept forcing myself on you.” 
“You didn’t force anything.” He shook his head admonishing her words. “I wanted it all, every bit of you.” He placed his hand over her own. His eyes never shifted from her sullen ones that kept themselves fixed on their joined hands. “I’m sorry I wasted all that time lying about my feelings for you. I completely failed you - I know that now.”   
She balled her fist up against him. “Ethan…”  
“Are you happy?” 
“Yes.”  
“I’m glad,” he said with recognition for the most impressive person he has ever met and will ever meet.  
________________________________________
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protectwoc · 4 years
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why all reylos are racist
y’all can go ahead and cancel me now because some of you are not going to like what i have to say and i am completely okay with that.
this recent gq interview with john boyega has incensed me. hearing all the things he went through, from disney and from “fans” and with no support from anyone… i’m livid. sometimes when i think about it for too long i start shaking, i’m so furious. and the response from the reylo fandom has infuriated me to a degree i honestly didn’t know was possible.
some of you may have seen my recent tumblr rampage. it’s reylo bullying hours here on my blog, and i’m not sorry either. one person threatened to post screenshots of my comments, which like… okay? i know what the fuck i said, it wasn’t that long ago. in fact i was going to include the screenshots in this post right here, but they blocked me before i had the chance. sorry. i’m sure somebody has them. anyway…
over the past two days in the star wars fandom we have seen something unprecedented: an outpouring of support for john boyega. both reylos and anti-reylos have joined forces to voice support for john in the wake of the gq interview (and the blm protests, let’s be real, some of y’all would not have given half a fuck if it wasn’t suddenly cool to be antiracist). and this showing of unity is one of the most rage-inducing things i’ve ever seen in a fandom (which is saying something; i have seen some shit).
reylo fandom, full offense intended, but where the fuck do you get off? you’re supporting john now? where was this support when tfa came out and you couldn’t stand the thought of him next to your white-girl-self-insert? where was it when tlj came out and your boy ryan completely sidelined him? where was it earlier this fucking year when y’all twisted a harmless joke (like yall haven’t spent years writing reylo-throne-room-sex-meta BULLSHIT) and ignored the vile racist shit coming from your own fav’s mouth? but you’re supporting him now? now that being antiracist is trendy? fuck outta here with that bullshit.
your fandom is the reason for the vast majority of the absolutely subhuman treatment john has endured over the last few years. your fandom influenced ryan (yes i know what his name is) to write tlj the way he did, you have behaved indefensibly here on tumblr.hell writing and drawing and fantasizing about all sorts of racist bullshit, and y’all have STAYED in his twitter mentions spewing hatred seven ways to sunday. but NOW, without a shred of self-reflection, you’re supporting him? now his experiences are valid?
the way that your fandom refuses to take accountability for its actions makes me see red. y’all stay on some “not all reylos” nonsense and i am SICK OF IT. i’m only gonna say this once, and i want you to hear me: you cannot be a reylo and be “antiracist”. you cannot participate in a fandom that has behaved the way yours has and say “blm, uwu acab.” you can’t. like do you think black people are dumb? that we can’t see right through you? we can.
“but rae,” i hear you whining. “you’re gonna say just because i like two characters together i’m a racist?” and of course not. that would be ludicrous. i think just because you knowingly engage and participate in a fandom that has racism encoded in its dna, you’re a racist. i think because y’all are in bed with racist harassers, racist trolls, and racist content creators, you’re a racist. that’s what the fuck i think. y’all lost the right to “it’s just a ship” me the instant you dragged john boyega into this.
here’s an example: i watched tfa about three days after it came out. i watched the first half, saw the obvious relationship set up between finn and rey, and thought, “aw, cute.” then i watched kylo and rey fight, watch him offer to teach her, and thought, “... interesting.”
when i got home i checked tumblr for finnrey content, saw the outpouring of love from black fans, all the cute fanart and fics blooming, and smiled. then, slowly, guiltily, i searched “reylo.”
BOOM. racism. the things i saw in the tag that night are tattooed on my brain. reylos rejoicing about the obvious rey/kyle pairing because “sw would never put her with that monkey finn”. calling him an “oaf”, “useless”, “bumbling”, “stupid”. reylos joking about how “when they talked about the Dark side, [they] didn’t think they meant that kind of dark.” “woke” reylos pretending to ship stormpilot in an obvious ploy to get finn away from kylo. and in between all of that, cute ship art. fun fics. talented gif makers. and nobody saying shit about the reprehensible behavior going on in their tag.
reylo is built on a foundation of racism. from that first week, racism has been woven into the fabric of your fandom, and it’s been going unchecked. and i don’t mean calling out other reylos. that’s not enough. i mean taking actual steps. y’all have been sitting in a cesspool of racism for five years, and its time for you to get the fuck out or shut the fuck up about being an “ally”. y’all need to leave this fandom.
don’t agree? here’s another story. in 2017, when i still watched supergirl (before i grew taste) i shipped karamel. for those of you who don’t know, karamel is the ship of kara zor-el (supergirl) and mon-el, her second love interest. when supergirl was moved to the cw for its second season, the decision was made to abruptly end her romance with jimmy olsen, played by mecahd brooks (a black man) and replace him with mon-el, played by chris wood, a white man, who was revealed to be, among other things, an alien slaveowner, as well as a playboy and all-around terrible person. and i shipped them. look, i’m not defending myself, but i never really bought the chemistry between jimmy and kara. even though mon-el’s introduction and the way that they carelessly disregarded kara’s feelings for jimmy made me uncomfortable, i thought the way melissa played her attraction to chris wood was more believable (and again, i’m not defending myself, but they are now married so it’s not like i was wrong). so i shipped them. simple as that, right?
well, no. not really. because the inherent racism in the way the writers wrote out her admittedly sweet romance with a black man in favor of a white slaveowner jerk kept bothering me. and finally i decided that it made me too uncomfortable to participate in. i never really reblogged any karamel fandom stuff, but i completely divorced myself from the fandom. i stopped reading karamel fic, and i switched to reblogging exclusively jimmy/kara content until the fandom died out/i stopped watching. i made a choice that real life racism is more important to me than a fucking fandom or a ship, and then i acted accordingly. simple as that.
and i’m not saying you have to stop liking the reylo dynamic. i still like the chemistry between kara and mon-el. i’ve shipped problematic ships before (bamon comes to mind) and i don’t think there’s anything wrong with that (to a point). but there’s a difference between liking a ship dynamic and engaging and contributing to a fan culture of racism. you have to stop participating in the fandom. y’all are in bed with people indistinguishable from confederate-flag-waving-all-lives-matter-touting racists and you don’t feel the need to get out of that environment? there comes a certain point where you have to decide if fandom bullshit is more important to you than fighting racism, and unfortunately, reylos have chosen wrong. that, ladies and gentlemen, is why all reylos are racist, regardless of what they say. roll credits.
except i have more to say, so i’m gonna say it. first of all, i’m not trying to hold myself up as some kind of paragon of virtue. i’m not holier-than-thou because all my ships are “woke” or whatever. chemistry is subjective, and we’re all going to be attracted to different ship dynamics, and there’s nothing wrong with that in theory. what matters is the execution. i finally had to say one day, “you know, this ship and the racist baggage it carries is actually less important to me than battling systemic racism on every level, including the fandom level”. y’all thought being antiracist was gonna be easy? that you wouldn’t have to make some actual changes, to make some actual sacrifices? sorry not sorry to disappoint. and if i, a normal-ass person with flaws and problematic thinking that i’m still dealing with and the whole ine yards, can make that decision, then other people should be required to as well.
(what really irks me is that the karamel fandom wasn’t even really that bad! i definitely could have gotten away with being a karamel stan in 2017. thankfully the supercat and supercorp shippers were doing the lord’s work and bullying them into submission (don’t think i’m letting y’all off the hook either, y’all have got some racism to deal with as well but that’s an essay for another day) but like most of the racism happened at the writing level; the fandom itself wasn’t engaging in racist clownery on the regular. but like the reylos are. y’all see racist bullshit coming from your neighbor, fav fic writer, artist, gif maker, whatever, and don’t say shit? don’t feel the need to distance yourself from them? gtfoh.)
i made this argument earlier when i was on my rampage (which i’m still on btw so don’t clown in my inbox, you will get your shit rocked) but i’m going to make it again because i feel like its important to note. when i pointed out that existing in the reylo fandom while you are aware of its racism makes you complicit in that racism, a white reylo told me earlier that (paraphrasing, my memory’s not as good as it used to be and i did mention that they’d blocked me) “you don’t solve a problem like systemic racism by ignoring it. leaving the fandom would be allowing it to happen.” when i pointed out that that’s police officer rhetoric almost verbatim, she (a white reylo) admonished me (a black woman) not to compare police brutality to a “ship war.” lmao.
look, clearly y’all need a refresher on what “systemic” means. it means, quite simply, that there are systems, large and small, allow for racism to exist, and it also means that allowing for racism to exist on the small scale means expecting it on a large one. like you think police officers spring fully formed from the head with racist ideals already ingrained? no! they learn it and learn to justify it with “well just because my friend made a racist joke doesn’t make me a racist” and “just because i laughed at my friend’s using a racist term in my video game doesn’t make me a racist” and “just because my friend is a racist doesn’t mean i’m a racist” and then we have people watching their coworkers kneel on a man’s back for 8 minutes with no remorse. i’m not gonna solve police brutality by fighting reylos on tumblr, but fandom racism is real racism with consequences on our world, and i don’t tolerate ANY type of racism. and the fact that you are so willing to not just tolerate it but justify it should say something to you.
and not all reylos are like this. similar to cops, good reylos don’t last. i have seen people grow so disgusted by the racism in the reylo fandom that they publicly turned their backs on it, and those reylos i respect. you’ve heard of “the only good cop is an ex-cop” well get ready for “the only good reylo is an ex-reylo”.
(and also like far be it from me to justify a cop but one could at least say they have their livelihoods to think about (not like they couldn’t just pick a nonmurderous profession but i digress) but you reylos can’t even choose between taking a stance against the hateful and unjustified bullying of a man who had the audacity to… get a job (?)... over a ship? come on now.)
the point of all this is, for all their posturing about “being antiracist” and “fuck 12” and “support john boyega”, reylos have decided that a relationship between two fictional people is more important than all the black and brown people who are hurt by that decision and the consequences of that decision. and before y’all pull some “b-but there are POC reylos!” (stop fucking using poc as an adjective, its a noun, it stands for person of color, please use it as such) internalized racism is a thing. busting out your token “reylo of color” (see how easy that was?) is not going to change my mind. all reylos are complicit in the racism of their peers, and being complicit makes you culpable. full stop.
and that is why the public support of john boyega from the reylo fandom has me seeing red. renounce your fandom or keep that man’s name out of your mouth. anyway, this was long and ranty and entirely stream-of-consciousness and i’m refusing to edit it so it’s probably completely incomprehensible to anyone besides me but if you made it this far thanks for reading ig. all reylos are racist, blm, fuck 12, acab, stan john boyega, don’t clown in my inbox unless you’re coming to bully me for being a karamel shipper, which i deserve (or do, i couldn’t give less of a fuck). good night.
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violethowler · 4 years
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The Heroine’s Journey of Sora
I’ve spent the last couple of weeks writing out my thoughts on Kingdom Hearts and the way the series follows the framework of the Heroine’s Journey. Rather than a bunch of drabbles or a single long-winded post, I’ve decided to break up my explanations of the Heroine’s Journey and the way Kingdom Hearts fits into it as a series of ten essays posted weekly. I will put up a masterpost once all of them are finished, and in the meantime I will have all of them on my blog under the tag ‘Kingdom Hearts and the Heroine’s Journey.’
Due to the length of this essay, I will be putting the full thing under a cut. 
What many Kingdom Hearts fans do not realize is that while Tetsuya Nomura does sometimes make up the details as he goes when it comes to the writing of Kingdom Hearts, he does do things with a plan. 
In the KH3 Ultimania [1], he talked about how he’d had the conclusion of the Dark Seeker Saga outlined by the end of Kingdom Hearts II’s development. In an April 2012 interview [2] with Nintendo President Satoru Iwata, he indicated that he’d had a general framework up to Kingdom Hearts II planned out when the original game was first announced. And in a 2004 interview after the original Chain of Memories was released on GameBoy Advance, he mentioned that he’d already come up with the “last scene” that would serve as the definitive ending of the entire series[3]. 
So while some details may be hard to predict because Nomura comes up with lore and backstory details as he goes, he does have a plan in mind where the overall story is going. And the central arc of the series is entirely predictable once you understand the framework that the story fits into. 
Since the late 1800s, scholars have been studying the common patterns that repeat in stories, legends, and myths across different cultures around the world. One of the most well known templates developed from such research is the Hero’s Journey. In his 1949 book The Hero with a Thousand Faces, literature professor Joseph Campbell published a 17 step formula of storytelling. Campbell held up this framework as the monomyth, an ultimate narrative archetype from which all other stories are derived, and in discussion of his work expressed his view of The Hero’s Journey as a universal framework that showed how people grow from youth into adulthood.
However in the 1980s, Maureen Murdock began work on her own narrative framework. Believing that Campbell’s view on the universality of the Hero’s Journey did not encompass the experiences of every identity like he claimed, Murdock developed what she called The Heroine’s Journey as a critique and response to Campbell’s monomyth. Other authors have shared their own variations of the Heroine’s Journey, but for the purposes of this analysis, I will be focusing on Murdock’s model. Hers is both the oldest one I know of, and the one that I personally have the most familiarity with. Though originally conceived as a therapy tool, the core concepts of Murdock’s template have resulted in its use in storytelling for narratives about protagonists overcoming the ingrained biases and preconceptions of society. 
Some notable examples of stories that follow the Heroine’s Journey template, albeit most with different formulas, include 
Beauty and the Beast
The Hunger Games trilogy
The Princess and the Frog
Tangled
Howl’s Moving Castle
Labyrinth 
Star Wars Sequel Trilogy*
Voltron: Legendary Defender*
*Note: Voltron: Legendary Defender and the Star Wars Sequel Trilogy are examples of 3-act narratives that followed the Heroine’s Journey framework in the first 2 acts only for behind-the-scenes conflicts to result in the formula being abandoned in the final act. 
Despite the name, it is possible in theory to have a male protagonist follow the Heroine’s Journey, much like how you can have a female protagonist in a Hero’s Journey.  While nearly every story I know that follows the Heroine’s Journey template has a female protagonist in the lead role, Kingdom Hearts is the first example that I’ve discovered of a male protagonist following this formula. Sora’s arc across the series follows Murdock’s framework so precisely that I was able to correctly predict the broad strokes of how Re:Mind would go three months before the DLC was released. 
Part I: The Beginning
While the Heroine’s Journey mimics the Hero’s Journey in its early stages, it ultimately goes in its own direction. I plan to go into further detail about the differences between the two in a later essay, but for now I will say that while Campbell’s monomyth describes physical plot points and the themes they represent, the Heroine’s Journey formula focuses on the emotional conflict of the narrative and the psychological development of its main characters. The pattern of the Hero’s Journey is fluid and doesn’t have a fixed central theme, while the core element of the Heroine’s Journey is a protagonist coming of age in a society that consciously or not regards them as lesser because they do not fit in with the expectations of the dominant social group. 
I know that some people who decide to read further will be put off by the fact that the names and descriptions of the Heroine’s Journey feature gendered language and focus on discussions of masculinity and femininity, so allow me to explain. The reason for this is that in a Heroine’s Journey, the protagonist is attempting to conform to a set of traits that the audience’s culture values. In pursuing this external validation, the main character has to suppress a vital part of who they are, cutting themselves off from achieving their full potential. The traits they are suppressing are the ones which are often regarded as feminine, while the ones they are trying to conform to are typically associated with masculinity. We see this pattern frequently in movies where the female lead tries to succeed in a male-dominated career field, only to feel lonely and unfulfilled when she finally gets what she wants because she sacrificed the parts of herself that made her who she is along the way. 
Now that I’ve given you a relatively brief summary of the Heroine’s Journey, I can get down to business and walk people through the steps to this template and how it fits with the story of Kingdom Hearts. Note that this is only a basic rundown of the steps of the Heroine’s Journey and how it relates to these games, and I will be posting additional essays shortly which go into greater detail on the themes, character archetypes, and other different layers of the framework that are present in the series. 
Murdock’s version of the Heroine’s Journey begins with the “Separation from the Feminine”. This is the stage where, as mentioned, the protagonist suppresses a core part of themselves in pursuit of external validation. It often takes the form of the protagonist sacrificing their emotional strengths and focuses exclusively on proving themselves in the physical sphere. Sora has demonstrated again and again that his greatest strength is his empathy and his willingness to make connections with others. It makes him a strong unifying force because of how well it complements the people around him. But because this isn’t something tangible in the same way that physical strength is, he doesn’t see the value of it, believing that without the strength of his friends he’s nothing. 
From the way the other kids on Destiny Islands talk about their competitions, Sora’s focus is on trying to prove that he’s just as strong and capable as Riku is. But he’s so focused on proving himself in physical challenges that he doesn’t notice the signs of Riku’s jealousy that lead his friend into the arms of Maleficent. And we see through Anti Form and Rage Form that Sora is still repressing his own negative emotions in Kingdom Hearts III. His narrow focus on external skills has cut him off from achieving the full potential of his internal ones. 
When Sora awakens in Traverse Town after the destruction of Destiny Islands, we come to the second stage of the Heroine’s Journey, “Identification with the Masculine and Gathering of Allies”. This is where the main character chooses to align with the traits and roles that the dominant social group sees as desirable in order to achieve their goal, and where they acquire the allies who will help them in their quest. With the adults around him focusing on his ability to destroy the Heartless, Sora latches onto the Chosen One status that implicitly comes with having a Keyblade. His interactions with Phil and his disappointment with the status of Junior Hero in subsequent games paint Sora as being focused on heroism in the sense of overcoming obstacles with force. Even Donald and Goofy, in the beginning, are focused on Sora’s value as a Keyblade Wielder in terms of how their fight against the Heartless can lead them to King Mickey’s location.
By setting off with Donald, and Goofy, Sora embarks on the “Road of Trials” stage of the Heroine’s Journey. This is one of the few points of similarity between the Heroine’s Journey and the Hero’s, corresponding to Campbell’s “Tests, Allies, and Enemies” stage. This is where the main character faces the initial obstacles and challenges of their quest. In the first few Kingdom Hearts games we have Sora face off against Maleficent, Ansem, and the Organization, before reuniting with Riku and Kairi in The World That Never Was. The final stages of Kingdom Hearts II correspond to the “Finding the Boon of Success” stage of both the Hero and Heroine’s Journeys. 
Part II: Interlude
In a Hero’s Journey, the Boon of Success is the end of the story. They slay the dragon, save the princess, and go home to live happily ever after. I suspect this is one reason why a lot of gamers in the KH fanbase tend to think of Kingdom Hearts 2 as the best game of the series - because in their minds Sora’s quest had been completed now that he had found Riku and Kairi like he set out to do in the first game. His journey, as far as they were concerned, was done. 
(This may also have an affect on how some fans reacted to Kingdom Hearts III, expecting it to be a grand epic finale that wrapped everything up with a bow and left a completely blank slate for the future of the series)
But in a Heroine’s Journey, the Boon of Success is not the end of the main character’s story. They have achieved their external goal, but they have not addressed their internal motivations for seeking that goal in the first place. And as their story continues, they find themselves facing challenges that their attitude thus far has failed to prepare them for. Finding The Boon of Success typically occurs early during the second act of the story. Usually it is achieved in the second half of Act II, but can sometimes happen as early as the end of the first act. For Sora, this was of course finding Riku and Kairi so that they could all go home to the Destiny Islands together.
But because the protagonist of a Heroine’s Journey has not addressed the underlying insecurities which set them on their current path, they “Awaken to Feelings of Spiritual Aridity”. 
They begin to learn that the conflict they find themselves involved in is not as clear cut as they previously believed, and the challenges that come with this new knowledge are ones that their current way of doing things has failed to prepare them for. They may have found their boon of success, but things quickly begin to go wrong until they are ultimately forced to sacrifice their reward. 
The first game already showed through Riku and Mickey that Sora was not the only person able to wield a Keyblade, but because of his heroic deeds the story still framed him as the Keyblade Master and treated him as having a more significant role to play in important events than anyone else. It’s only after he hears from Mickey of the Keyblade Wielders who came before him that it begins to sink in for him that being a Keyblade Master is not a special Chosen One status. He thinks that because of all that he’s accomplished, he doesn’t need the recognition that comes with the official title, and because of that he’s careless and almost gets himself Norted at the end of DDD. 
His failure in the exam is a blow to his self confidence and shows that despite what he had said at the start of the test, deep down he really does want that kind of external validation. His insecurities and doubts continue to eat at him over the course of KH3, culminating in his breakdown at the Keyblade Graveyard. Outside of battle, we see him bottle up his doubts and other negative emotions because his friends (Except for Riku. More on him later) brush his concerns and problems aside. It is very much like Joy from Inside Out doing everything to keep Rylee happy and refusing to let Sadness take the controls. 
When their current way of doing things ultimately costs them their boon, the protagonist tries to go back to the way things used to be. To return to a simpler time and avoid the pain of the present. When literally going back to where their journey began isn’t possible, a Heroine’s Journey story will use this stage symbolically. The main character will cling to a person, object, or relationship that they associate with a simpler time. But as comfortable as the sense of familiarity they get from that is, it ultimately cannot truly address their inner pain in the long run.
This is reflected in the Re:Mind DLC, where Sora goes back in time in order to find the pieces of Kairi’s heart and bring her back. One of Kairi’s most consistent character traits is her fear of change and desire for things to remain the way they were. 
At the end of the DLC, Sora compares his connection with Kairi to the bond between Ventus and Chirithy, a friendship explicitly strained by distance, time, and Ven’s amnesia. In an interview at E3 2018 [4], Nomura commented about Kingdom Hearts III tying into a theme of childhood friendships changing as one gets older, a plotline that Merlin calls attention to after Sora’s visit to the 100 Acre Wood. And in a 2006 book titled Character’s Report Vol. 1, Nomura specifically calls attention to Kairi’s anxiety about growing apart from Sora and Riku as they get older. [5] All of these details combined frame Sora’s quest to save Kairi as an attempt to symbolically recover the innocence he lost when he began his journey.
But while he is able to find a way to renew his connection to Kairi, it can never be the same as it was before, and attempting to go back to how things used to be is ultimately doomed to failure. By the time he brings her to The Final World at the end of Re:Mind, Sora has realized that he and Kairi cannot stay on the same plan of existence anymore as a consequence of his actions. So he takes her on a tour of the worlds to re-establish their connection before fading away at the end of KH3. Thus, we come to the final act of the Kingdom Hearts narrative. 
Part III: The Future Story 
It is at this point that the protagonist of a Heroine’s Journey begins the “Initiation and Descent to the Goddess” stage. Having failed to achieve meaningful success through their old way of doing things, they must look inward and examine the cause of their insecurities and accept that in order to move forward they need to heal themselves. In this step, the main character travels to either a dream world or a physical location that is closed off and forbidden to them, like the West Wing of Beast’s Castle in Beauty and the Beast. In Jungian psychology, this metaphorical dark cave represents the main character’s subconscious, and entering it triggers a dark night of the soul for our protagonist as they are forced to confront the parts of themselves they’ve been keeping locked away.
While Sora knows in his head that darkness is not inherently bad, he continues to rely entirely exclusively on light, on his connections to others, and has not properly accepted it in his heart. In order to truly finish his coming of age narrative, Sora must learn to balance his inner light and darkness the same way that Riku has. And to do that, he needs to look inside himself and figure out why he feels so badly that he needs his connections to others in order to be strong. And in order to achieve that level of understanding of himself, he needs to understand his Animus. 
Derived from the psychological theories of Carl Jung, the Animus in a Heroine’s Journey is an external representation of the protagonist’s masculine-coded traits in physical form. While not every Heroine’s Journey features an Animus, many of the stories I’ve seen that follow the formula do. Usually the Animus appears in the form of a deuteragonist who often functions as the protagonist’s Shadow, an archetypal character that embodies the aspects of the main character’s personality that due to their immaturity they either aren’t aware or don’t want to acknowledge that they have. 
In order to complete their character arc, the protagonist must symbolically integrate with their Shadow by learning to embrace the parts of their psyche that the Shadow represents. In many stories the protagonist has more than one Shadow figure, all of whom challenge the protagonist by forcing them to become faster or smarter to stay one step ahead, giving their interactions with the main character a push-and-pull dynamic as they drive the main character to grow. Shadow figures who fill the role of the Animus also challenge the protagonist to look inside themselves and examine their own emotional needs. With an Animus, the push to grow runs in both directions, with the main character motivating their Animus’ growth just as much as the other way around. 
In these types of stories, every aspect of the character is tailored to make the Animus and the protagonist fit together like Yin and Yang. In visual stories such as film, television, and video games, the Animus’ entire look is designed to complement the main character and they are framed in the narrative as the protagonist’s equal physically, intellectually, and spiritually. This serves to emphasize that despite their surface differences, much of the conflict between the protagonist and their Animus comes from the ways in which they are fundamentally similar. While their circumstances may have led them to drastically different lives, the characters are ultimately two sides of the same coin, and their character development is driven by learning to balance their contrasting traits.
And within the structure of the Kingdom Hearts series, there is only one character who fulfills all of these qualities in relation to Sora’s journey. 
The same character who Testuya Nomura said in the KH1 Ultimania was designed to balance Sora; [6]
Who series producer Shinji Hasimoto said was part of the core of the series alongside Sora [7], as has been repeatedly emphasized by the number of games where he is given a major focus and is a playable character alongside Sora. 
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[Image Description: Riku walking towards a door to light in the opening of Kingdom Hearts III. End Description]
While Sora and Riku have addressed some of the latter’s behavior in the first game during their conversation on the dark beach at the end of Kingdom Hearts II, they have yet to truly dig deep into why Riku felt the way he did in the first game. Riku has not told Sora about how he felt like he was being left behind and forgotten. And since that conversation, Riku has gone to the opposite extreme, dealing with his emotional problems on his own instead of lashing out at others like he had done at the start. Likewise while Sora has accepted that darkness is not inherently evil he has yet to apply this to his own negative emotions, as seen in Kingdom Hearts III. Neither character has truly achieved an ideal balance yet, and they cannot until Sora completes his journey. 
After the protagonist returns from their spiritual journey, they experience an “Urgent Yearning to Reconnect with the Feminine.” As the main character recovers from their period of soul searching, they embrace the parts of themselves that they had neglected in their pursuit of outside approval. Their Descent allowed them to recognize their value as a person and an individual outside of their ability to fulfill the role that they were expected to fill. Following this realization, they go about “Healing the Mother/Daughter split”. Reclaiming the aspects of their personality they’ve been repressing gives the protagonist the clarity necessary to gain a different perspective on their old way of thinking. This new understanding is what will allow them to find the inner balance needed to truly complete their journey. 
The Japanese version of the “My friends are my power” mantra often repeated across the series is “Connected hearts are my power.” For Sora, who has long relied on his connections to others as a source of strength, he should come to realize that these connections go both ways: that his friends draw strength from him just as much as he draws strength from them. This should help him come to accept that he is still strong and worthy all by himself. Ven’s version of the mantra from the English version of BBS summarizes it best: “My friends are my power. And I am theirs.” After he accepts this, Sora will finally be able to use the full extent of his emotional abilities.
After achieving that new perspective, the protagonist’s next step is “Healing the Wounded Masculine Within”. This is the stage of the Heroine’s Journey where the main character, having come to understand themselves, reconciles with their Animus, thereby symbolically integrating the aspects of their psyche that the Animus represents and permanently healing the rift between the two characters. This will be where Sora and Riku need to have a longer, more in-depth conversation than the one they had on the Dark Magin at the end of KH2. Where they talk about why Riku acted the way he did and finally address the underlying reason for why he was so jealous of Sora in the original game. 
The final stage of the Heroine’s Journey is the “Integration of Masculine and Feminine”. This is the point at which the main character and their Animus finally achieve a perfect balance between them. They are united both internally and externally. There are no more secrets between them, and they are now free to move forward and overcome the main antagonist together. 
Part IV: Conclusion: 
While there’s too many different possibilities to completely predict every twist and turn of the series’ lore in future games, once you understand how Kingdom Hearts fits into the framework of the Heroine’s Journey, the broad strokes of how the story will go in terms of Sora’s growth and character development are entirely predictable. When Re:Mind first released and the rest of the fandom was reacting on Twitter, I was sitting back with a smug smile on my face thinking:
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[Image Description: Emperor Palpatine in Star Wars: Episode VI: Return of the Jedi sitting aboard the Death Star II with the caption ‘Good, Good. Everything is going according to plan.’ End Description.]
While I didn’t expect the precise mechanics of how Sora went about saving Kairi, Re:Mind was exactly what I expected it to be in terms of themes and its place in the Heroine’s Journey framework, and then the Secret Episode came along to reinforce that the next game is going to be Sora’s Descent.
While there isn’t a complete guarantee that the series will continue to follow the formula, I find it extremely unlikely that it won’t. Kingdom Hearts follows the stages of this framework too precisely for me to ever believe it happened by accident. So as long as there is no corporate interference from Disney like what happened to Voltron, I’m confident that Nomura’s plan for the finale of the series will be exactly what the Heroine’s Journey predicts it should be, no matter how unexpected future additions to the lore may be.
Special thanks to @dragonofyang and the rest of Team Purple Lion for everything I know about the Heroine’s Journey. I wouldn’t be as enthusiastic about analyzing the story of Kingdom Hearts if they hadn’t taught me the vocabulary to realize the kind of story that Nomura has been telling right under my nose for the last 18 years.
Sources:
[1] “Kingdom Hearts III Ultimania interview with Tetsuya Nomura”; March 12, 2019
https://www.khinsider.com/news/Kingdom-Hearts-3-Ultimania-Main-Nomura-Interview-Translated-14763
[2] “Iwata Asks: Nintendo 3DS: Third Party Game Developers, Volume 12: Kingdom Hearts 3D [Dream Drop Distance], Part 3: Square’s Intentions”; April 2012.
https://iwataasks.nintendo.com/interviews/#/3ds/creators/11/2
[3] “2004 GMR Nomura Interview 2004!”; Translation by Kingdom Hearts Insider posted May 5, 2012. 
https://www.khinsider.com/news/GMR-Nomura-Interview-2004-2563
[4] “E3 2018: Tetsuya Nomura on If Kingdom Hearts 3 Is the End of Sora's Story”; June 14, 2018.
https://www.ign.com/articles/2018/06/14/e3-2018-tetsuya-nomura-on-if-kingdom-hearts-3-is-the-end-of-soras-story
[5] “Character’s Report Vol. 1 Translations”; Jul 16, 2014
https://www.khinsider.com/forums/index.php?threads/characters-report-vol-1-translations.195560/\
[6] “A Look Back: Kingdom Hearts Ultimania Gallery Comments Part 1″; August 30, 2019;
https://www.khinsider.com/news/A-Look-Back-KINGDOM-HEARTS-Ultimania-Gallery-Comments-Part-1-15519
[7] “How Kingdom Hearts III Will Grow Up With Its Players.” September 24, 2013
https://www.ign.com/articles/2013/09/25/how-kingdom-hearts-iii-will-grow-up-with-its-players
[X] “The Heroine with a Thousand Faces”; June 13, 2019;
https://www.teampurplelion.com/heroine-with-a-thousand-faces/
[X] Murdock, Maureen. The Heroine’s Journey. 1990.
[X] “Maureen Murdock’s Heroine’s Journey Arc”. The Heroine Journeys Project. https://heroinejourneys.com/heroines-journey/
373 notes · View notes