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#she tried to kill it. it manipulated and lied to her at every opportunity. she mabipulated and lied back. it held a whole ass person captiv
butrememberthesong · 23 days
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i have so many thoughts on the squid entity and i cannot share them with either of my Thoughts People so. skip the tags if you are avoiding endgame spoilers.
#type: thoughts#i saw a post about morally gray characters and like#it's a very complex Guy. but from#tav: aria#'s pov it's both less complex and more complex#and im chewing on their dynamic again#she feels responsible for how everything ends. she can't stand him. he's familiar and almost comforting by the end. the silence is deafenin#she tried to kill it. it manipulated and lied to her at every opportunity. she mabipulated and lied back. it held a whole ass person captiv#for an indefinite amount of time.#like this is not a healthy dynamic. but she has so much regret about how things end#AND THEY WERE BOTH BEING MANIPULATED BY THE BRAIN.#<- critical To Her. bc the brain brought them to the end. thru him. so how much of a victim was he. in her mind she drove him back to the#brain in the end out of his own complete lack of options. to the one thing he wanted to escape. and In Her Mind#she did so by Not Being Willing to sacrifice#ch: orpheus#when presented with impossible odds. she looked for alternatives she *tried*#but when#ch: the emperor#is the one she has to sacrifice when facing impossible odds (the wrath of a would-be god vs the wrath of a would-be god)#it's 'i have to'. BEFORE SHE EVEN KNOWS HOW MUCH LYING ITS BEEN DOING.#(which Actually made her trust it less than she ends up trusting it but#anyway.)#i think its genuinely top five regrets from the entire adventure. its moonrise/yanna/him. shes a little messed up#tav: beithir#playing the role of her ansur it makes everything so much more complicated for her#bc in my canon. when it reacts negatively to Bronze Dragon Bestie it loses some Points.#and then when she finds out *why*. its a very mixed bag. bc on the one hand how could you ever but on the other#i know Exactly how. and that horrifies her.#bg3 spoilers#woetp: fiddlehead soup
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creaman · 1 month
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Idk if I'm allowed to encourage this but everything you said about Kung fu Panda 4 is correct, it not only killed my grandma but massacred my bloodline. The only saving grace of that movie was the cute Dad stuff, and that the theater I watched it in had comfy reclining sofa chairs as seats.
Although you can make the point that Li and Ping 'distract from the film', being the B plot, they are genuinely the only good part of the movie. Again, you could argue that their absense would mean more time to develop the A plot, but their precense is the only funny and charming part of the film and the A plot had plenty of time.
The movie has the same runtime as its predecessors, but chose to spend near all of its time padding out the A plot with spoken exposition and filler chase sequences when it could have been fleshing out The Chameleon as a villain and developing Zhen and Po's dynamic.
Now taking this opportunity to talk about some of the secondary points I didn't get to cover in the primary post (hating is my passion)
Original Post
KFP4 spoilers again
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Juniper City Sequence
A lot of the comedy is generic subversion — A statement followed by a verbal or visual contradiction which is standard, worn out and the laziest most predictable form of comedy.
There was also a scene that actually made me pause the movie and cackle; not from the humour, but from the sheer absurdity; — in which Po refers to himself as “—The Kung Fu Panda!”
Has never previously referred to himself as this
Has never been referred to as that by others
This is a genius scene which takes inspiration from the most memorable sequence in Kung Fu Panda 2, in which Lord Shen utters the chilling line, "You see, I need my Kung Fu Panda Too." (So powerful. Brought tears to my eyes.)
Smarmy. Arrogant. Unearned. Even if this was the Kung Fu Panda I knew and loved, what a pompous way to put it.
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The Staff of Wisdom
It's pretty great. I tuned out all the lore, mostly because the first scene with this object is Po exclaiming "The staff of wisdom!" followed by nothing but exposition.
It's the implication that he's nothing without it, and that it embodies the Dragon Warrior. He's reduced to a staff which essentially has no function until the end. It sticks out in every scene because this meathead carries it everywhere, like its his house keys.
This one is a nitpick, but I think it looks stupid. It was fine in the third film because it functions as a little trophy for him, having defeated General Kai and finding peace with his identity — but it's too small for him, reads like a fucking lollipop and he looks ridiculous holding it because he doesn't use it in most of his scenes so it's just dead weight for the entire runtime.
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The Final Act
This part is a little less structured — I had stopped taking proper notes and started typing 'WHY??' and 'FUCK YOU'.
The Kung Fu Masters. My favourite part of the film, as a Lord Shen enthusiast, was when they brought him in for two seconds and then had him sit in a cage with no spoken dialogue for the remainder of the sequence. Why are they here? Why is kung fu stored in the spirit? (pee is stored in the balls?)
Just tried to talk about the bowing scene again but I just know I'm going to give myself an aneurysm. Postponed.
The defeat of The Chameleon. Among the most memorable villain defeats, we bring you: head trauma.
The Amalgamation. Oh man. Sorcery was already a stretch in the worldbuilding of Kung Fu Panda. Now you're telling me The Chameleon can shift into a huge amalgamation of all the kung fu masters? This has nothing to do with kung fu anymore — artificially inflated as a threat by being... bigger.
Spoilers, She doesn't even do anything with this. Kind of just runs around snapping at their heels.
The Chameleon really doesn't utilise her abilities at all. She turns into Lord Shen to... to kick Po. Not to manipulate him psychologically or anything, but to... kick him. Alright.
They opted to make the fight sequence cool (by having the Chameleon shift between forms for no real purpose) but the fight scene is a nothing burger, in which no real damage is done to either party until Po busts out the pwn stick.
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Closing Statements
I don't hate Kung Fu Panda 4 (blatant lie). I wanted the film to succeed, genuinely. But the state of it now...
Mess. Bury it.
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attonposting · 1 year
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I've always loved the scene on Telos where Kreia picks up on Atton's nervousness and breaks into his head, because so much crazy bastardry goes down in KotOR II while your protagonist's out of the room, and it's the first (...or second, in Kreia's case) major hint that both of your OG companions are not what they seem. It's punchy, it's brutal, and it sets the stage for some incredible reveals down the line. But also... for as skilled a manipulator as that scene makes her out to be, Kreia's threat to Atton doesn't really make sense?
I mean, imagine you're Atton. You've tagged along with this crazy half-Jedi for a while now, escaped a dead facility and a Sith zombie, blown up a planet, got taken into custody, lost your ship. You wanted to split first chance you got, because your life expectancy in their company's looking kind of shit and the less time you spend near Jedi the better, but you're also kinda inspired by them despite yourself, they need someone to watch their back, and there's a niggling feeling that this is the reason that's eluded you all these years - maybe this is why she thought you were worth something. Then this nasty old schutta tears open your mental defenses like plastic packaging and says “You stick with my student or I'm telling on you.” WDYD?
Atton obviously cares what the Exile thinks, yes. And he's very afraid of their reaction to his past. But if he's going to flee, then it wouldn't matter anymore if they hate him, because at that point he's made the decision to never see them again. Now, the threat Kreia makes to him later on, about dredging up the parts of him he tried to bury – that is a threat with sticking power, one that he can't worm his way around. But the first ultimatum is a cage with very wide bars, and they're ones he could slip through if he really wanted to. Maybe he's afraid the Exile will hunt him down, but it's like Kreia says; if the Exile is a Jedi, they won't kill him for his crimes. And if they're not, they won't care that he was Sith.
If the prospect of the Exile hating him is painful enough to keep him from running on its own, then he's already too far gone to run. So no. At this point, Atton's already decided to stick with the Exile. He just maybe hasn't figured that out yet.
So if it's not an effective threat, why does Kreia make it at all? Well... perhaps it's for the same reason Kreia calls him a fool and a murderer at every opportunity and repeatedly warns the Exile about his intentions. She wants Atton to doubt himself. She wants him to feel trapped so that he resents and fears the Exile; she wants him to struggle with his feelings of inadequacy so that he doesn't approach the Exile on honest footing and takes his frustrations out on everyone around him. She wants him to lie about his past so the Exile will distrust him.
Kreia is strongly against the Exile forming human relationships with their crew and pushes against every companion that has or seeks a close connection with the Exile – she plays up the split loyalties of Visas and the Handmaiden, she dehumanizes Bao-Dur, she derides Mical and insists he doesn't see you as a real person, she rails against every single romantic relationship the Exile might seek. Atton is Kreia's first competitor for influence on the Exile and he's either an extremely loyal friend or hopelessly smitten. She doesn't want Atton to mold you, she wants you to seek her counsel, so she does everything in her power to undermine Atton so that he ruins his own chances. And it's not totally successful (as long as you don't go low influence...), because Atton still admires the Exile more than he resents his situation, and he does come clean... but it doesn't fail either, because he won't admit his feelings until he's on his deathbed.
(And if you do go low Influence, it works completely – Atton is so trapped and isolated that he turns to Kreia as a confidante, as the only one who understands him in all his ugliness, and becomes her loathing disciple like Sion before him.)
In short, Kreia's such a good manipulator that she can coerce people into behaving how she wants them to by pretending to coerce them into doing something else.
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eletricheart · 1 year
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The Salvatores
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*image creds to the owner
How your story with Katherine Pierce started.
Word count : 617
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Every supernatural being knows of her, even fear her. After all, she's not called "survivor" for nothing.
When Katherine went after playthings most would pity the souls that fell for her trap. Some went as far as to bet on how long they would last.
At the time Mystical Falls was like any other witch hunting city, pathetic. But Katherine wouldn't judge a book by it's cover, the religious ones are always the funniest to break.
So she decided to pay a visit…and that's how she met the Salvatore's. Siblings rivalry, so easy to manipulate, it was almost her fate to play with them.
It started slow, some courting here, some hypnosis there, everything was right on track. Well…until you happened, a foreign friend of the brothers, honorary sibling as they say.
Katherine isn't stupid, she knows when to stay away, but something about you was just enchanting. She obviously didn't let go of the brothers, she liked the control, the passion, she needed it.
However, during free times, she often caught herself watching you. Always so observant, so quiet.
You would go on nature walks, never alone, but only with one or two as company. Nothing out of the ordinary ever happened, no magic, moonlight transformation, sometimes you would even walk in the sun with no jewelry.
These things made her wonder what was so different. Patience was never Katherine's virtue, so eventually she followed you, waited to catch you alone and made her move.
It went as usual, some flirting here, some hypnosis or so the vampire believed there and soon enough you were hers.
The rumors and bets started, which of the three would Katherine choose, which would die first. All were interested in how this story would end, even the vampire herself.
She was intelligent, ambitious, brave, a true survivor. But she was a victim of something that everyone has been, love. Of course she didn't know at the time, the longing stares, the casual affection, the delicacy, Katherine treated it all as part of the game.
When the new device was created and the common folk started hunting the supernatural, she saw an opportunity ready to be taken, an unfortunate death. The Salvatore's were easy to dispose of, she liked the Stefan boy but not more than she loved herself. Damon was a love sick puppy, the vampire couldn't care less.
And there was you, stupid you, with funny jokes and future plans. Oh how she hated you, how she hated the fact that the great Katherine Pierce looked for you amongst the chaos, how she hated that you were gone.
The vampire tried to forget you, she found more toys, but no one would replace you.
After a century she saw one of your friends, it all came back as if no time had passed at all. So she went after him, she questioned, tortured and killed him so many times.
He ended up speaking, as they always. You were alive, a sorcerer he said, a powerful one.
Therefore, Katherine asked about that night, just to know for sure that you abandoned her, but you never did. You went after her, you fought your family, your friends, you really tried to help her. They couldn't risk you, so they lied, they said Katherine was taken and killed, they heard your cry, your begging, until they heard you stop.
You left the country and no one has heard from you ever since.
To say the vampire was mad was an understatement, she was vivid, she wanted everyone to pay for what they did to you.
She wanted to find you.
So she would find you.
Therefore a new bet was placed, for when you meet again, which city would burn.
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masterlist
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tremorsmackenzie · 1 year
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was rewatching the last few episodes of season 1 and got to feel the grant ward experience (tm) all over again. after finishing the finale, i kinda have to work it off, so here is a rant about everything that pisses me off about him.
he lied to everyone about everything from the beginning, killed so many good agents and friends and random bystanders, kidnapped skye so shed decrypt the harddrive, and still seriously thought he had a chance with her, after the people he works for literally almost killed her. he flirted with her during that kidnapping, he tried to get empathy from her while an agent he just killed was hidden in the supply closet with his blood ruining the linoleum. and then he tried to get her to feel sorry for him, because it was hard for him to make all those choices. those choices being to kill her friends and destroy the only family shes ever had. he still saw himself as the victim, despite being the worst most psychotic perpetrator he could ever possibly be. literally working for hydra and killing people just because his boss told him to. this one scene in the plane describes him perfectly, even before season 2 dove into these characteristics in detail. he is completely beyond saving.
one of the central mechanisms of his character is that he wants approval, and will do absolutely anything - anything - to get it. that ruthlessness was inside him already. garret didnt exactly manipulate him into becoming what he was. he took a dysfunctional juvenile, dumped him in the woods for 6 months, where he survived by raiding cabins and presumably killing their occupants all to impress garrett when he returned, and then he joined up with hydra for the same reason, and presumably that stayed his main motivation. and he cared so little for anything else that he continued to be willing to do anything, from murder to kidnapping to using other people to fuel his delusions to rescuing hive, an ancient inhuman hellbent on consuming earth just to "punish" shield for how they treated him.
and that desperation for approval came from the way his family and especially his parents were, and thats what may meant when she said that they all had trauma and it didnt turn any of them into psychopaths. his sad backstory explains why he is the way he is, it doesnt excuse it and it doesnt excuse the actions he takes in the present, at any point he couldve done any amount of self reflection, recognized what he is, and chosen to better himself, and instead he chose to keep blaming the rest of the world for his misdeeds, and thats on him.
yes, its tragic, he was groomed into the man he became. its not his fault that he is who he is. but he is that man, and its gone far beyond what garret pushed him to be. he chose to do all these terrible things and to keep serving him, to ignore every opportunity to even just stop and walk away, and he is making his own terrible choices even after the man who groomed him is gone. he is a twisted delusional sociopath, a murderer, who uses other people to support his narrative that actually hes some kind of hero and everything bad he does is someone elses fault, who desperately clings to the narrative that he is the victim and because of that hes allowed to do whatever, and who would rather burn the world before acknowledging any of that.
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coolcattime · 1 year
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I think I have figured out a way where we can have our cake and eat it too, when it comes to the danga au, because capsize losing her friend, brother, and everyones trust in one round is way too good of an opportunity to pass up.
So to make it fair they flip a coin to see who does what job. Thanks to the even probability, Capsize was going to become the blackend with Red as her scapegoat. They make a plan on how everything will go down, and they end up choosing Al (I feel as though him and Red wouldn’t get along but you could probably say that about Al and anyone really).
A while after, they’re both doing they’re own thing and Redbeard starts thinking about the plan and how unlikely it’s going to actually work. Between the witness that needs to be taken care of before hand (I assume Alva’s the one being bodyguarded) and the worry that while Capsize could take Al in a fight, it’ll most likely end up way too messy and his sister will end up way too bruised to actually lie. Not to mention that winning as the blackend hasn’t worked for those that have tried before them. And while yes, they have something the others didn’t and that’s each other, it doesn’t stop him from worrying that it won’t be enough.
During his time alone, Redbeard gets an opportunity. Now, Red is not an idiot, but there wasn’t much forethought put into it when he lied to Tom about Capsize wanting to see him. When he led the other to where one of his very first pranks were done. And then he left the room a mess and alone.
When Tom gets discovered, Capsize knows who did it, because Red followed what was supposed to be her part of the plan, perfectly. Capsize understands just how smart Sonja is, so they’re going to have to be smarter and now a lot more careful.
In this scenario, Martha continues to be the baddie and gets to try to manipulate Capsize since she’s going to be in such a hopeless state afterwards. Although, I do think after a bit Sonja would try to empathize with her and reach out, regardless of what she did, Capsize ended up losing a lot more than she gambled.
I love this so fucking much. Like, I knew I'd have to wait a while to answer cause like work, but I opened my document to update this into the sheet because it's just such a good idea.
Honestly I love the idea of them creating a plan to get one of them out. Like it's selfish obviously, but it makes perfect sense for the two of them, because the likelihood of one or both of them getting murdered increases with every motive so at least this way one of them has a chance of surviving. Them deciding by a coin flip is such a good idea, because neither is going to want to doom the other. Also yeah, I imagine neither of them really like Al. Maybe Tucker likes Al? To a point. Jeriah probably likes him.
Skipper getting nervous about the plan, not because he'll die but because Capsize probably will, is just so in character. Because it honestly isn't the best plan (but like when is there is a good plan to kill someone), and the more he thinks about that, the most that gets stuck in his head. (Also yes, Alva is the one getting guarded by Al. Though I've been imagining she only agrees to it because he'll keep Andor at a distance).
Him them going for Tom makes sense since he needs someone who both will come with him without any questions, and isn't going to put up too much of a fight. It didn't feel good killing him, neither did framing the scene, but if there was one thing he was ever good at it was following a plan to the letter.
Capsize is honestly working double time during the investigation, making sure to "investigate" while also trying to plant some of her own evidence. She knows Sonja is getting suspicious, but it's better for Sonja to be suspicious of her than for Skipper to die.
Oh, I love this idea for group antag Martha. She's forming the student council a very normal support group. Honestly, I think Martha might actually get some hooks in just from being the first person to reach out to Capsize. This is not great for Sonja, since Martha definitely starts laying down the idea that Sonja betrayed her. I think I can see Tucker reaching out as well, since I think he's the most likely to call the rest of the group asshats for basically exiling Capsize because I can see him basically going the logically route that she has no reason to kill her anymore.
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joylinda-hawks · 9 months
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Does anyone remember Quiming's Eighteen Moves? WOH, Episode 33, Part 3. WKX holding Bai Yi in his hands stands in front of the gathered as a symbol of justice. He asks the assembled WKX if they remember any fighting technique and introduces it. The elegance and ease with which WKX performs the movements of this forgotten technique impresses the audience. ZZS is closely watching WKX. WKX is the epitome of a young dragon fighting for his place on the throne. ZZS still doesn't know what WKX's plan is, but they are proud of it. Some masters recognize the technique of Zhen Ru Yu from the Valley of Healers. Master asks WKX what this has to do with ZRY. Ironically, WKX replies that they remember ZRY. In a firm voice, he tells WKX what happened to his father after his father tried to save RX. Almost screaming, WKX asks the gathering where they were when ZRY was killed by the evil Ghosts. This accusation hits hard, because no one in the assembly is blameless. The sect master on Mount Emei asks who he is in relation to WKX - ZRY. WKX simply replies that he is his father, Master refuses to believe it, saying his name is Wen. WKX responds by explaining that his father's name was Wen, and he took the surname Zhen out of respect for his master. After the exile of his father, at his request, the son took the surname Wen. Master Zhi Yin accuses him of insulting ZRY. WK x calmly relates that a year after his birth, her sect sent his parents a Baijiai outfit as a gift. WKX adds that he didn't get a chance to say thank you for the gift. Master finally understands that she was wrong. ZJ tries to convince her that WKX is lying. He accuses WKX of getting the ghosts to pretend to side with ZJ in order to accuse him later. He accuses him of planning it. WKX doesn't say anything, just listens intently, wondering what lies ZJ will come up with. ZJ knows he's on edge, he knows he has to do everything in his power to convince the audience that he's been accused of something he didn't do. He emphatically claims that Ghost Valley is a master of discord, adding that GC has been deceived by the spirits and wrongly accused. Disgusted, WKX listens to these nonsense explanations with a smile on his face. However, when ZJ's allegations cross a line, Shen Shen speaks up, claiming that he has no right to mention GC's name. ZJ takes the initiative and accuses Shen Shen of dealing with Ghost Valley. He adds that the SS was a spy. The Scorpion King can't believe what he's hearing. ZJ publicly accuses the SS of what he himself did. The assembled conference participants start talking, they are shocked by what they heard. WKX and King Scorpion confirmed their suspicions. The Scorpion King wasn't much of a shock, but what he heard made him not regret his decision. He still didn't trust WKX and had his plans, but ZJ completely betrayed his trust. Now all he had to do was wait for further developments. I divided this long scene into several parts. What I want to convey here is that sometimes it's not worth trusting people you think are trustworthy. I want to focus on the issues of honesty, honor and trust. Over the years, ZJ slowly peaked with his skills of betrayal and manipulation. He used every person he could and every opportunity to get to the top. He seemed kind and empathetic, but that was a facade. He deceived many, only ZZS and WKX showed who ZJ really is. This scene should teach us not to trust implicitly everything we see and read. It is worth checking things that raise doubts and analyze the facts yourself. What seems real to us is not always true. Facts, analysis of the situation, knowledge of aspects of the event and conclusions contradict the original assumptions. ZJ beautifully shows us on stage the degree of manipulation of facts and uses the ignorance of the whole situation of strangers to create an alternative version of events. That's why this scene is important. And that should give everyone a lot to think about these days. Also, GJ has a fantastic smile and ZZH is such a quiet, icy beauty.
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testudoaubrei-blog · 3 years
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Well, it’s not quite a master’s thesis, but this is (the first of) a series of posts on why Catra and Adora are the best love story in the history of kids TV animation and maybe the greatest love story in the history of TV. This may in some ways be faint praise - romance on TV is generally not very good compared with books or movies. Often it’s just some will they/won’t they sexual tension that is defused by getting characters together and re-heightened by breaking them up. TV is full of nearly shark jumping pointless dramas like Sam and Diane (Cheers, holy fuck am I dating myself, though that was technically before my time), Ross and Rachel (Friends, which was no Cheers) etc, but also some less annoying couples like Ben and Leslie (Parks and Rec) or Amy and Jake (Bk99) who are mostly just kind of cute and fun. Other shows, like the X-Files, teased viewers for years with unresolved sexual tension. In kids shows most romances are, appropriate for their target viewers, mild, sweet relationships based more on self-conscious flirting and blushing than on complex and conflicted feelings or deep passions - which is pretty realistic when the characters are young teens or even mid-teens. Some of these relationships are really well done - Finn and Flame Princess, Dipper and Pacifica (yeah I ship them), the early stages of Katara and Aang (before the showrunners imbued this childhood crush with cosmic significance), Steven and Connie, etc. Catra and Adora, though, are different. Their love story is not a side plot or a sub plot, it’s the heart of the show. It isn’t a childhood crush, it’s a very messy and passionate relationship between two young adults. She-Ra is an emotionally complex lesbian romance just as much as it is a thrilling action/adventure show. Everything about their relationship is baked into the show’s plot, its themes, hell even its musical score. The dramatic tension between Catra and Adora is not the result of stretching out a flirtation for ratings, but a coherent dramatic arc that runs through the entire show. As Noelle said, he made Catradora so central that execs couldn’t take it out without ruining the show. And the show is better for it. In this series of posts I’m going to try to show why, as well as showing why She-Ra is such a fantastic love story.
First off, let’s talk about how Catra and Adora’s character arcs are foils for each other, and how they come together and apart through the series. This is actually a post that I’ve been working on for a while but I keep summarizing the show rather than cutting to the chase, so I’m not going to recite many plot points so much as sketch out what’s going on with the dramatic structure at the time. But also, let’s talk about what each character’s arc is saying, and how they are commenting on each other. Spoiler alert: Catra’s arc is a subversion and critique of stories of empowerment through ruthless self-assertion and revenge, while Adora’s arc is a subversion and critique of chosen one narratives and stories of self-denial and self-transcendence.
When the show starts, Adora and Catra are shown as rivals and friends - their first scene starts the recurring motif of them reaching out for each other as one of them dangles above an abyss, as well as establishing their flirtatious banter and easy camaraderie. We quickly learn that these two young women plan to conquer the world together. These scenes and later flashbacks show Catra and Adora as deeply enmeshed in each others lives, to the point where neither of them (but especially Catra) have clear identities outside of one another. There is so much genuine love on both sides before Adora leaves, but also resentment, envy and fear, especially on Catra’s side, as well as a protectiveness on Adora’s side that deprives Catra of her autonomy. They are both being abused by Shadow Weaver - Catra physically  and emotionally, Adora emotionally. It wouldn’t be too much to say that Shadow Weaver holds Catra hostage to control Adora (this is why critiques that Adora abandoned Catra to be abused are actually kind of messed up, since they accept Shadow Weaver’s premise that Adora is responsible for what Shadow Weaver does to Catra). In addition, Catra and Adora actually see the world incredibly differently. Adora already sees the world in terms of right, wrong and her destiny to right wrongs - this is why it’s important for her  to accept the Horde’s obvious lies - she couldn’t keep living if she didn’t. Catra, on the other hand, sees the world solely in terms of survival and personal loyalty - everything for her is about preserving herself and the person she cares about - Adora.
Then, when Adora finds the sword, she leaves because it’s the right thing to do. Catra doesn’t even have a concept of ‘the right thing to do’ being something she should care about, or perhaps, something she can care about as an irredeemably evil, awful fuck-up. So at Thaymor neither one understands where the other is coming from, and Catra and Adora begin to part. This is the first turning point in their relationship. Adora chooses duty over what she desires, Catra chooses to protect herself (such as she sees it) and nurse her sense of betrayal and abandonment.
Their relationship until Promise is a kind of weird Frenemy thing that is fascinating to watch and sold me on the show. Neither one wants to fully admit to themselves that the other is now their enemy, neither one has given up on changing the other’s mind. Each is furious at the other, and desperate to see her again at the same time. There’s a lot of heartache and just as much sexual tension, especially at Princess Prom. Both of them come alive when they fight each other (more about that in a later post). But they’re already growing apart - Adora embracing her destiny as She-Ra, Catra rising in the ranks for the Horde. Adora now has the purpose she always wanted, plus other friends and a sense of being chosen to do something great, while Catra now has power - the means to protect herself from people like Shadow Weaver as well as the vindication she had always been denied, and even the opportunity to beat Shadow Weaver at her own game.
The next turning point is Promise. Holy fuck, this episode. It’s an episode that is even more heartbreaking after you’ve watched the show because you know just how much worse things are going to get, and yet, it’s a necessary part of both of their character arcs. Even through season 1 Catra and Adora had remained very much enmeshed in each others lives in an increasingly fucked up way as they grew apart but refused to turn away from each other. Even though they aren’t -exactly- a romantic couple (Adora doesn’t recognize and acknowledge her feelings until the last episode of Season 5), Season 1 of She-Ra is one of the worst breakups I have seen on TV. As I said in a couple of previous posts, this is the kind of shit that the Mountain Goats write songs about. Everything that was poisoning their love for each other even before episode 1 bubbles to the surface and combines with them fighting on opposite sides of the war to make a truly fucked up situation. In the end, it’s Catra that makes the choice to turn away from Adora. This isn’t a -good- decision. It’s spiteful, and destructive, and based on an outright deluded understanding of their relationship (inspired by Light Hope’s manipulations and her own issues), but it’s in some ways a necessary decision. Catra has been so wrapped up in Adora for so long that she isn’t going to be able to figure out who -she- is without cutting Adora out of her life. And the same is true of Adora.
But each of them do this in about the worst way possible. Catra embraces destruction, ambition, manipulation and outright cruelty, turning the tactics of her abusers against them and against everyone around her. She first triumphs over Shadow Weaver and manipulates Entrapta into trying to corrupt Etheria itself. Meanwhile Adora ‘lets go’ and commits herself to the self-denying mantle of She-Ra. Over the next several seasons, their respective paths will nearly lead both Catra and Adora to their deaths (in the Season 4 finale).
For the next season (counting season 2 and 3 as one) Catra and Adora are still closely linked, but as enemies. Still, there’s more than enough flirtation between them (that ‘Hey Catra’ in the first episode of Season 2 is something else), and especially on Adora’s side we see her hold back with Catra, and often take responsibility for the harm Catra inflicts, just like she had when they were kids. Yet they still drift apart - after facing off every other episode in Season 1, they spend less and less time on screen together through season 2 and 3. Catra continues her ascent to power and descent into villainy while Adora becomes more of a stressed out mess as she takes the fate of the world and the wellbeing of everyone she cares about on her admittedly broad shoulders. Catra’s one moment of vulnerability is rewarded by Shadow Weaver’s betrayal and her exile, then Catra triumphs in ruthless badass fashion through sheer desperation and aggression. In the Crimson Wastes, we see Catra at her most independent, and she almost seems happy. But once Adora shows up and Catra hears about Shadow Weaver, she’s sucked back into the worst of her resentments, and she makes very clear that being happy is less important to her than making sure Adora is miserable.
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This changes everything. Catra completely breaks with reality and tries to kill Adora, herself and the world rather than lose to Adora and Shadow Weaver (I do think it’s important to remember that she does that after Shadow Weaver nearly kills her). Catra betrays everyone around her when she exiles Entrapta, threatens Scopria and lies to Hordak. Then she flips the switch. When Adora tries to fix things, Catra fights to her own death to make sure that the world disintegrates with her. For her part, Adora fights first to understand what is wrong with the world and then to fix it. Finally she tells Catra that destroying the world is her choice and she has to live with it, decks her, and then sees her off with a death glare once the portal is closed. With this, Adora writes Catra off even if, as she says later, she never never hated her. By doing that, Adora casts off the guilt that had dogged her and takes responsibility for her own life rather than someone else’s - this is actually a huge step for her, and one that will become more important in Season 4.
Season 4 is in many ways the nadir of their relationship. They only see each other once during the entire season, in Fluterrina, when Adora tries to blast Catra, much to the latter’s shock. There’s a sense in that scene that Catra is trying to have the same flirtatious enmity she used to have with Adora, and Adora is having none of it. Catra almost seems hurt by this, which is an early hint at how isolated Catra is beginning to feel. Catra spends the rest of the season at her highest and lowest. On the one hand she spends most of 12 episodes winning by every standard she has ever claimed to care about, besting Hordak himself in single combat and making herself co-ruler of the Horde and coming within a day’s march of ending the Rebellion. In many ways it is the ultimate empowerment fantasy - the abused young woman has defeated her abusers, showed up everyone who doubted her and forced everyone to respect her. But I think it’s striking that the show starts with her and Adora dreaming of conquering the world together and in Season 4 Catra nearly succeeds in conquering it alone, almost like she was trying to live out her old shared fantasy while proving she didn’t need her former best friend. 
At the same time, Catra is clearly miserable. She’s always been unhappy, but in Season 4 we see her completely isolated and lying to herself and everyone who will listen in a desperate attempt to justify her actions. Turning the tactics of Hordak and Shadow Weaver against them to gain power and then against Scorpia and Entrapta to maintain it haven’t vindicated Catra, they’ve made her more and more alone as Entrapta is exiled and Scorpia drifts away. Meanwhile Catra reaches out to Double Trouble, and her interactions with them reek of a kind of desperate desire to have someone in her life (the feeling of their interaction is of an unhealthy casual relationship where one partner becomes emotionally invested and the other takes advantage of that while denying the other the closeness they desire). As people leave her, one after the other, it becomes clearer and clearer that Catra doesn’t want power at all - she wants connection, friendship, love, and power is a very poor replacement. As I said in my long Catra rant, Season 4 is both her ‘Walter White as a Catgirl’ season and the beginning of her redemption. Everything comes to head when Sparkles destroys everything Catra has tried to achieve, Double Trouble delivers those harsh truths and Horde Prime shows up and makes it all irrelevant, just highlighting how futile all her struggles and sacrifices and crimes have been.
Meanwhile Adora spends Season 4 becoming her own her and her own woman. After telling off Catra, she grows more and more disillusioned with Light Hope and critical of Glimmer (though the latter has more than a shade of her old habit of taking responsibility for others - Adora’s development is not linear). She’s gained the courage and confidence to strike out her own path, not just follow a destiny. At the season’s end she once again breaks with her best friend to do what is right, and discards the destiny that she was being prepared for. But in this case she isn’t chasing one packaged destiny for another, instead she’s making her own choice and literally shattering the thing that she thought gave her life purpose. It’s badass, and heartbreaking, and along with decking Catra and jumping after Catra into the abyss (see below) it’s the perfect Adora moment.
In many ways Season 5 starts with Catra and Adora farther apart than they have ever been. They aren’t even enemies anymore, they’re completely out of each other’s lives. And both Catra and Adora are lost at the beginning of Season 5 - Catra is useless and alone on Prime’s ship, completely defeated despite ostensibly being on the winning side, and she goes through the motions of her normal plotting without any particular conviction and none of her normal flair. Meanwhile Adora is even more miserable and self-destructive than usual, throwing herself at Horde Bots and working herself until she drops of exhaustion. In a very real way they both stay lost until they have a chance to help the other. Catra takes responsibility for what she’s done and what she can do, saves Glimmer (at least partly for Adora’s sake), apologizes to Adora, and sacrifices herself. Adora only seems to come alive when she decides to turn around, face Prime, and save the cat. And when she does, Catra and Adora’s arcs, which had separated so completely in season 4, come crashing back together to end the series.
Adora during Save the Cat is such a contrast with the uncertain, hesitant and self-destructive wreck we’ve seen so far in Season 5. This is possibly her craziest plan in 3 years of mostly cazy plans, but she never wavers or questions herself. Even when Chipped Catra appears and we see Adora’s heart break while we watch, Adora doesn’t back down or relent. She keeps at it even as the tears stream down her face. She fights better trying to save Catra without She-Ra’s powers than she fought at the Battle of Bright Moon with them. Catra’s just about as desperate - we see her cry and plead, and now is probably as good a time to any to point out how amazing a job both VAs did throughout the show, but especially in this episode, and how good a job the board artists did. 
Seeing each other for the first time in a year, and only the second time since Catra blew everything up, Catra and Adora are probably the rawest and least restrained we’ve ever seen them. There’s barely any banter, no bravado, and no pretense that they are anything other than two women who desperately need each other (Prime doesn’t help with ‘You broke my heart’.) Then Catra is flung to her death, Adora jumps after her, breaks both her legs in the fall (we see her crawl to Catra, as though she couldn’t walk) and becomes the real She-Ra. It’s such a triumphant and deeply queer moment seeing a woman transformed into a warrior goddess to protect the woman she loves, and it’s the reason that, as dark as it is, Save the Cat is my Comfort Food episode.
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Let’s not sleep on Taking Control, though. This episode is like a microcosm of what this show does best, especially the A plot with Catra and Adora. Catra’s reversion to lashing out at everyone and her refusal to be open to Adora shows just how much of a struggle this whole ‘being good and trying to connect to people’ thing is. Catra’s outburst gives Adora a chance to stand up for herself and refuse to be Catra’s punching bag, while also not trying to control her. Adora’s ultimatum gives Catra a chance to reach out to Adora (quite literally), and allow herself to be vulnerable. In this episode, we see just how far Catra and Adora have come since the messed up stew of their relationship in Season 1. Adora lets Catra be responsible for her own actions; Catra lets herself be vulnerable to Adora and takes responsibility for her actions. They’re both better people and better friends and better partners than they were, and the show has shown this in a strikingly nuanced and realistic way. 
The important thing to note in the next few episodes of Season 5 isn’t just how much closer Catra and Adora get to each other and how much they flirt (So much. So much, y’all) but just how -happy- they are. We see both of them transformed in the other’s presence. Basically, since they’ve parted, both Catra and Adora have been defined in no small part by how miserable they often are. They have both had their triumphs and their lighter moments, but there’s been a sense of melancholy dogging both Catra and Adora since episode 1. And now that they’re together again, that lifts, somewhat. Catra’s verbal barbs have lost their venom, and she can openly show how much she cares for Adora and even Bow and Glimmer. She’s still herself - snarky, cynical, somewhat devious - but she’s not engaged in a self-destructive zero-sum struggle with everyone around her. Meanwhile Adora has spent 4 seasons being a neurotic and sometimes nearly joyless mess who takes responsibility for everything and often doesn’t let herself enjoy anything other than the odd BFS group hug (exceptions include trying to uh...impress Huntara and reveling with the butterfly ladies of Elberron in Flutterina).  Around Catra, though, she’s a cocky, swaggering jock who gives as good as she gets. It’s a side of Adora we’ve only seen hints of before, and one that’s so much more confident and joyful even as the world is ending around her. Apart, Catra had tried to protect and vindicate herself with power and conquest, while Adora had tried to forget herself in duty and sacrifice. Together, they can be themselves again. This dynamic is crucial to the show’s portrayal of Catra and Adora’s romance because it doesn’t just show how much they love each other, but how they’re -good- for each other now that they’ve grown as people, and that they are so much better than they were when they were apart.
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Until Shadow Weaver shows up. Their old abuser reintroduces tensions but even then things are different than they were. Now Catra isn’t just resentful of how Shadow Weaver prefers Adora - she’s  protective of Adora, which is clearest in Failsafe when she calls Shadow Weaver out for being willing to sacrifice Adora. And while Adora takes the Failsafe, it isn’t to follow her destiny or because she has a death wish - it’s because she loves her friends, and she is the only one who has any hope of doing this and living (though Catra’s suggestion that Shadow Weaver take it is a good one). And finally, when Catra leaves Adora, it isn’t because she hates Adora, nor, despite what she says, is it because she really thinks that Adora chose Shadow Weaver. At least, not exactly. It’s because Catra loves Adora, and can admit that to herself, and can’t stay around and watch the woman she loves sacrifice herself rather than choosing Catra. Before Catra leaves, she asks Adora ‘What do you want?” It’s a question that echoes Shadow Weaver’s speech in Episode 1: ‘isn’t this what you always wanted since you could want anything?’ As much as Adora has grown as a person, and defined herself and stood up for what she thinks is right, she still has never answered that question - it’s never been ‘what do I want’ but ‘what do I have to do?’ and that’s how Adora answers Catra’s question. This is Adora’s last gasp as a self-transcending hero, letting go of what she wants (not that she ever dared articulate what that was) in order to do what must be done. And it nearly kills her and dooms the universe, because Adora can’t be the hero that she needs to be by being anyone less than herself.
But it’s losing Catra that inspires Adora to tell off Shadow Weaver for good (not that she’d ever really warmed to her after season 1). And it’s love for Adora that inspires Catra to stand up to Shadow Weaver and demand that she do the right thing. In both cases, Catra and Adora aren’t just standing up to their abuser, but holding her to account for the harm she’s caused, and it’s the love that they have for each other that inspires them to do this. In Catra’s case in particular her refusal to let Shadow Weaver weasel out of finding Adora is a much greater triumph over Shadow Weaver than beating her up and breaking her mask in Season 1 - it’s proof not so much to Shadow Weaver but to Catra herself that Catra really is better than this and that she deserves better than this. It’s not turning her abuser’s tactics against her, but truly holding her to a moral standard and demanding that she do the right thing.
And then there’s Catra and Adora together at the heart. Catra has already come back for Adora and stayed to the end, choosing to die with her even if she can’t share a life together (not out of some death wish, but because Adora needs her). And Adora, who’s been avoiding answering the question for three fucking years, finally let’s herself want Catra when Catra finally confesses her love (breaking the last of her self-protective shields) and asks Adora to stay -for her-. And by admitting what she wants, Adora can truly be at peace with herself and be the hero she needs to be, lesbianism saves the universe, The End.
So anyway, that’s how Catra and Adora’s stories are woven together and how they compliment and comment on each other. Narrativiely, Adora and Catra start together, come apart, find something of themselves, and truly find themselves and each other when they are reunited. Thematically, they are critiquing seemingly opposing narrative tropes - empowerment narratives and narratives of self sacrifice. But by showing the flaws in both types of story and showing how neither self-seeking empowerment nor self-negating self sacrifice can actually make us happy, She-Ra asks and answers more profound questions than most prestige dramas for adults do. I’ll get into how the show sells the idea that the power of love can bring us happiness (and save the world) in a future post. But next up, I’m going to celebrate just how much Catra and Adora’s relationship revels in ambiguity, complexity and contradiction and so tells a grown up love story in a kid’s show.
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muichiroslover · 3 years
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Heyo could I request a ban x reader
Where ban and y/n first started dating before elaine so when elaine got into the picture she was a little jealous of their relationship and would try and break them up. And so one day ban and y/n got into an argument, the next day y/n and all of her stuff was gone. Elaine thinking it was a perfect time to take ban tries to comfort him but all he can think about is y/n. So eventually he finds y/n and apologizes in which y/n forgives him.
HAPPY ENDINGG
(Srry If its 2 long u don't have to do it if u dont want 2) (also I do not hate elaine xD)
Hi hi!! Yes I love this idea I love me some angst with happy ending 👀 I hope this is to your liking butterscotch!! <33 enjoy (●’◡’●)ノ♥︎♥︎
(Sorry it’s a little late ☹︎)
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Pairings: Ban x reader
Warnings: Mentions of blood and wounds (not bad)
Genre: Angst with happy ending
_______________________________________________
You and ban had been a couple for as long as you could remember, at first it was kind of hard to approach him when you guys first met but when you guys had warmed up to each other you guys were absolutely inseparable
You guys did everything together and you were so well known your couple name around towns were “The bandit couple”
As you guys explored the world one night Ban brought up news about this drink that could give you immortality, using the sly line
“Then we can be together forever”
To which you laughed and hit him playfully, but he was entirely serious, you sighed and ended up agreeing to your adventurous boyfriends plan, if it wasn’t real at least you guys would have a fun time
So you guys began your journey to the fairy kings forest, when you guys had finally got to the tree you looked up and groaned
“That’s a huge tree, do we have to climb it?” You ask and he snorts as he already begins getting his hands and legs ready to climb
“You don’t have to, you can wait down here” he says smugly and you glare at the back of his head
“No I’m coming, I might as well see it through” you mutter annoyed to which he laughed
“That’s my girl” he says and you look away in embarrassment, feeling flustered at the comment which almost sent the blue haired man flying off the tree in amusement
As you guys climbed and finally made it to the top a girl, a little one at that looked at you both with a straight face as she puts her hand up and a huge wind blows you guys off
You scream in fear as you get blown far back and far above the ground, Ban grits and teeth and clicks his tongue as he grabs you as you guys start falling and takes the impact
You quickly got off of him and looked at him, tears almost in your eyes
“Oh my god! Ban! Ban I’m so sorry I didn’t mean for you to take the impact! Ban!! Ban-“ you frantically said to the man on the ground who’s eyes were closed
“If you keep calling my name out like that it’d be plain bullying if I didn’t wake up” he groans as he slowly sits up and you quickly hug him to which he chuckles and embraces you back
“Alright let’s try again” he says and your eyes widen slightly
“But ban-“ you begin and he just looks at you with his normal goofy smile you can never turn down, you sigh, deeply may I add and look at him
“Okay..I trust you” you say and he grins even wider as he grabs your hand and stands up as you guys started running towards the tree
The same thing happened a few times, it hurt, a lot but Ban never let you get too injured, always taking the impact of the fall even if you tried to fight with his grip in the air
The last time you guys got up there Ban grabbed his weapon and your eyes widen slightly thinking he was gonna attack the little girl
But he manipulated his staff and instead grabbed the cub with his weapon, You gasped as you two got quickly bounded by trees and the girl took the cup from Bans hand
The girl stands in front of you guys seemingly doing something then she lets us both go, Ban started explaining why you guys wanted immortality and those of such, You didn’t expect him to tell her his whole life’s story but
“Well shes too strong Y/n, let’s just go back” he says smiling at you as he holds out his hand, you smile lightly and nod as you grab it and you both head back down the tree
You guys were camping near the tree those days you were climbing it, you decided you’d stay another week since the fairy kings forest is actually quite pretty and you wanted to explore a bit before leaving since this opportunity may never come again
One night as you laid asleep in your sleeping bag you felt moving, you opened your eyes groggily to see your boyfriend quietly leaving the tent, you thought nothing of it, maybe he was going to pee or he was extra hungry or there was something dangerous nearby
Ignoring it you let yourself fall back into a deep slumber
But as the days and nights continued he kept sneaking out, you started getting suspicious so on the 4th night he snuck out you waited a little bit pretending you were sleeping and after a few minutes you slowly crept out of the tent
You looked around whispering your boyfriends name, this could be a huge misunderstanding after all
You went all around the forest and no sight of Ban
You went back to the tent and looked in, maybe you missed him?? But nope he wasn’t in there
You finally stopped in front of the tree and looked up, remembering the girl that resided there, logically speaking she was older then both of us since fairy’s live longer
“He didn’t” you whisper, you didn’t want to think, no you absolutely were wrong, must be seeing the wrong picture
Your boyfriend of years and hardships is not sneaking out at night to meet up with another girl, no it sounds absurd even thinking about it
‘I’ll just climb and check and I’ll be wrong, I’ll take the wind blow’ you think nodding your head reassuring yourself
You start climbing up the tree as quietly as possible, when you finally made it up and peaked up your mouth fell agape as you saw Ban and the girl chatting and laughing, all close
It surprised you so much that you lost grip on the tree and fell back, you rolled down the tree as if it was a hill, your limbs flying to and fro as you finally hit the bottom
You groaned quietly in pain
“What was that?” Ban says as he stops his conversation with Elaine hearing a soft thump
Elaine looks to the side
“ I didn’t hear anything?” She says and Ban shrugs as they continue to talk
You on the other hand shakily get up as you look at yourself, your arm was bleeding but you don’t know from where, your left ankle was sprained for sure, and your back was killing you it probably had a horrible bruise forming
A tear slipped out as you limped to the tent, you sat down as you grabbed bandages and started cleaning your wounds, the blood was coming from a gash just below your shoulder, probably from a sharp branch
You put a stick in your mouth as you took a deep breath, you grabbed some of Bans alcohol and poured it over the cut, you bit down harshly on the stick but no scream made it through, tears can’t say the same though
You spit out the stick as you breathed hard, every breath of air seeming like you haven’t had oxygen for a while, you take a bandage and wrap it around your arm securely
Usually you would make herbs for wounds and etc, but your hands were shaky, mind a daze and eyes blurry from tears
You wrapped up your sprained ankle and just let your back be in pain because there wasn’t much you could do about the pain back there
You sat silently in the tent waiting for your boyfriend to arrive, he did not arrive till the morning, about an hour and a half before you would usually wake up
When he opened the tent and saw you staring blankly at his empty sleeping bag he went to you and was about to touch your shoulder to ask you what was wrong but you jerked back
He was surprised as you looked at him, your eyes puffy, a huge sign you were crying
“Y/n what-“
“Where were you last night Ban?” You ask and he goes silent
“No in fact where were you the past 4 nights??” You ask and he sighs
“Y/n I just went out to explore and hunt, the foods not gonna come to us-“
You scoff, tears forming up, if he’s lying then is it true that he..
“You’re lying Ban, you’re lying to me” you grit out and he looks at you a little confused but mostly surprised
“What?”
“You were up there in that tree with that girl..” you say dangerously quiet and he sighs his head falling as he realizes he’s been caught and it looks totally wrong too
“Y/n..” he begins and you shake your head
“No no dont Y/n me, why did you lie and why were you sneaking out?!” You shout
“Y/n we were just talking I swear, I lied because I didn’t know how you would react-“
“HOW I WOULD REACT? HOW WOULD YOU REACT IF I WAS SNEAKING OFF LATE AT NIGHT AND MEETING UP WITH SOME GUY BAN?? HUH??!” You ask pushing him back but you wince as the wound near your shoulder moves
Ban notices this then notices the bandage on your arm and ankle
“Y/n what happened?” He asks quickly as he pulls your ankle into his palm to examine it, but you pull it back quickly
“You’re not even answering me, I-I can’t believe this, I can’t.” You say as you lay down in your sleeping bag, you were extremely tired from staying up the whole night already
You laid on the opposite side you usually lay on because of the wound on your other shoulder and thankfully it was the side not facing Ban
You guys didn’t speak for the whole day and when night came you woke up only to see Ban gone
“Y-You’re kidding” you whisper, you quickly get out, you run to the tree as you go up the route you began to remember with your mind at this point
You climbed up skillfully fast ignoring the roaring pain in both your ankle and shoulder, you peaked up and not to your surprise you see Ban and Elaine speaking under the oh so romantic fairy lights
With no sound you climbed back down, you walked to your tent and went in, grabbing your bag you grabbed your herbs, bandages, clothes and canned foods, leaving some for Ban even in your mood
You rolled up your sleeping bag and dig the dirt under as you grabbed your bag of coins, you and Ban always hid your money in case of any intruders, you guys were bandits after all
You take your money and put it in your bag as you get out the tent and leave
Ban returned back in the morning, he had asked Elaine what he should do to fix things and what a girl usually would like in this type of situation, you guys had never fought so bad to the point you didn’t speak the whole entire day
He was scared you were actually done with him, he had a few picked flowers in his hand and he took a deep breath as he opened the tent
But his eyes widen when he sees your stuff gone and your sleeping bag rolled up, he drops the flowers as he looks around frantically
“Y/N?? Y/N WHERE ARE YOU?!” He yelled, he ran everywhere around the forest looking for you, but you were no where in sight
By the time night fell he still couldn’t find you and it felt like his whole world was collapsing in front of him, he couldn’t think and he couldn’t even yell anymore bc he was sure he lost his voice by how loud and long he was screaming your name
He quickly wiped a tear that rolled down his cheek as he quickly climbed the tree, Elaine looked over at him worriedly
“You didn’t come at our usual time I was worried” she said and looks away blushing slightly
“She left Elaine! She left and I can’t find her anywhere” he says as he falls onto his knees and the tears finally come out
“She left me Elaine I-“ he says hoarsely
Elaine frowns sadly as she goes over and hugs him
“Well Ban...maybe she wasn’t the right one..there’s other people who can make you happy” she says
“Her injuries, she had bandages on her right arm and an injury on her ankle as well! She can get really hurt out there I have to find her” he cried
“Ban she left you, maybe it’s time to move on” Elaine says hintfully and lets go of Ban as she flies to the cup, she gives it to Ban and smiles at him
“Really?” He asks and she nods blushing a bit, he drank it slowly and when Elaine wasn’t looking he poured some inside of a glass bottle
“Ban I like-“ Elaine begins but Ban gets up
“I’m sorry Elaine I think this is the last time you’ll be seeing me, I checked every inch of the forest last night so that means Y/n has left the forest, I’m gonna be leaving as soon as I make it to the tent and get my stuff” he says to the girl who’s face falls in despair
“W-What wait but Ban she-“ she began
“She left? She had a good reason, if I was in her position I’d be upset too I can’t blame her” he says running a hand through his hair
“B-BUT SHE-SHE” Elaine tries to plead but stops when she sees Ban smile at her
“No matter what she did or does, she’s the only one my heart races for, in life or in death Y/n is my one true love so...wherever she goes I’ll chase her” he says and with that he jumps off the tree
Elaine falls to her knees as she watches the spot Ban once stood in, her head falling down as tears fell on to the tree
Ban had gotten to the tent and began packing all his stuff he got his money bag from under his sleeping , though he wonders where you hid yours and leaves
He travels for towns and towns looking for you, he had finally found you but much to his dismay you got captured since you were injured and were in a pretty tight situation as you were on death row
He watched as you and other prison mates were in a yard just doing your own things, you were laying on a bench staring at the sky
“Pssst”
You look up quickly and look around not seeing anyone, you were about to lay back down
“Pssst Y/n!”
You look around again noticing the familiar voice
“I must be going crazy” you mutter as you hold your forehead
“You’re not! Look over here!”
You slowly look to the side of the fence you were near and your eyes slowly landed on a bush, soon blue hair popped up from behind the bush and Ban gave you that grin of his
“Ban!” You say, a smile on your face, but you quickly replace it by a scowl and look away from him
He smiles slightly at that
“Y/n come on look at me” he whispers and you begrudgingly look over at him and he smiles, causing you to get flustered and your scowl to shake trying not to smile
“What are you doing here, you better hurry up and escape before they catch you too” you whisper not looking at him, instead watching the guards
He laughs
“As if I would leave you in a jail cell, come on let’s go” he says and you look at him stupidly
“Let’s go? No thanks death row isn’t that bad” you say coldly and he sighs
“Fine, guess we have to do this the hard way” he says shrugging
“HEY GUARDS” He shouts and your eyes widen as you sit up and block him with your body as the guards and inmates look at you
“UHH YEAH GUARDS, UHM YOUR ZIPPERS DOWN” you say and cringe deeply when the guards both look down and one coughs as he zips up his zipper, the inmates laughing
When everything died down you looked at Ban deadly
“Are you crazy?” You whisper
“Crazy for you”
Your mouth closes as you try to not blush but it’s inevitable as your brows unfurrow and a small smile takes over
“There’s that smile I love” he says and you roll your eyes as you huff slightly
“You better explain, I’m not giving you another chance so don’t you lie to me” you say and he nods quickly like a dog, you can basically see the tail behind him wagging
“Now step back babe, you’re boyfriends here to save you” he says smugly and you roll your eyes as you back up
He takes out his staff and in a swift motion breaks the fence, the guards all look over
“HEY” one shouts and you gasp as Ban quickly scoops you up and starts running
“It’s okay! I’ll take this bandit off your hands!” He shouts amused as he runs, he runs into a forest and does many turns eventually losing the guards who had to return back before any other inmates escaped
He puts you down lightly and you cross your arms to which he snorts
“I can run you know” you say and he shakes his head as he leans down and takes out a jar of green stuff
“They’re not as good as yours but they should do” he says and he gently takes your leg as he pulls up the inmate suit and sees your swollen ankle
“Tch stupid guards didn’t even treat it” he mutters as he takes some of the green cream and slowly and gently rubs it over your ankle
You can’t lie this felt really good but
“The first night I went up to try to plead for the youth drink” he says and you look at him
“The second night I went up to try and bribe for the youth drink”
“The third night I spoke to her, I tried to get to know her so she can see we have no bad intentions but one night wasn’t enough”
“The 4th night she had decent trust in me, so we continued talking”
He sighed as he started wrapping the bandage around your ankle softly, you don’t think you’ve ever seen Ban this gentle
“And the 5th night?” You ask and he looks to the side, you noticed a slight blush
“The 5th night I asked advice on what I should do to make you forgive me..” he mutters and your mouth falls agape slightly, it slowly forms into a small smile
“I’m sorry for not letting you explain..” you say and he shakes his head
“No, I can see how this looked from your perspective” he says as he rolls up your sleeves and switches the old bloodied bandages on your arm
You chuckle softly
“So I guess we can’t be together forever” you say sighing and as he rubs the herb cream on your bruised back he raises his eyebrow and pulls out a glass bottle with pink liquid
“Sorry but you’re not escaping me so easily” he says and you gasp as you grab the bottle and look at it
“This is really it??” You say looking back at him and he nods proudly
You slowly open it and drink it, but you didn’t feel that different
“Did it work?” You ask and he shrugs to which you deadpan
That day you both held hand as you jumped off a cliff, when you landed you guys sat up as you laughed and high fived, it worked
After a few months both you and Ban were caught purposely cause life began to get boring, you both sat in the same cell, after 33 executions you both are still alive in confinement
“I win” you say as you cross an all three X’s on the tic tac toe you made on the dirt in the ground
“You’re cheating” Ban replies and you laugh
Soon the door blows open and you two looked over to see a short man with blonde hair, you both smiled as Meliodas smiled back at you two
“Glad to see you two are still lovebirds”
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galahadenough · 3 years
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I finally put together a review of Loki (TV Series). I've always been a huge Marvel fan, a huge MCU fan, but this show was horrific to me. Especially since I saw the show through to the end, I wanted to write a review for the main reviewing websites. I want this side to be heard. All it took was an immense amount of rage to get me to write reviews!
I’m planning on posting it on imdb, Rotten Tomatoes, and google reviews. So far I’ve gotten errors and issues with RT and google, and I’m hoping it doesn’t get lost on imdb. Any other places to leave reviews?
It took me a while to write this. I had to calm down a lot to make it coherent. Then I had to figure out how to condense it. I felt like a review should be my main points, but it took a lot of editing to get it down this much. (Then I had to make an edited version because google has much smaller word limits).
Thanks a lot @iamnmbr3. Your blog was the first one I found on the topic and it was a huge help. The show felt off from the first episode, but I couldn’t figure out why. Your analysis on the show really helped me to verbalize what I was feeling.
Review (except shorter on google):
As a huge MCU fan, I found the show to be intolerable. The plot was slow with way too much filler for the length of the show, and much of the filler felt purposeless. They could have deleted entire scenes or plot points without changing much if any of the story. The creators deliberately made the aesthetic average and mundane, which didn’t pair well with the underwhelming plot. The show relied heavily on slapstick humor, almost all of which was directed at the title character in a manner that encouraged laughter at his pain and stupidity. It would have been better suited for a cartoon, but it would be a cruel cartoon.
The TVA was presented as the better of two evils despite it being a totalitarian organization utilizing genocide and torture, both physical and mental. It felt very reminiscent of the book 1984 with the Thought Police, but the TVA was never truly represented as evil. Not one character opposed them as a hero or from a moral standpoint. All opposition came from a personal or self-serving motive. I’m not wanting every character to be brilliantly moralistic. That would be boring. But you don’t set up an organization like the TVA and say that they are providing a good and needed service, which was the idea the series was based on and ended on.
Mobius has a personality that is very easy to like, but he is very much complicit with the TVA. He happily 'does his job' of genocide and torture. He is Loki's captor, but we are informed he is his friend. When he isn't actively using physical or mental manipulation and torture, he is deriding and mocking him. There was nothing to indicate that they were friends outside of being told that is true. Mobius was never used as a villain by the show despite him fitting the mold well, but he also never has a redemption arc that would have made him a good hero. His reason for working against the TVA is because they lied to him, not because there is any moral reason. His change in alliances happened without much buildup, no gradual discovery throughout the series.
Sylvie felt like a caricature of a character, with very little to her personality other than grit. I was very bored with her. She was a tough, strong, and perfect character that lacked any other depth or nuance. She was called “terrifying” for being female, which felt horrifyingly sexist. She was yet another source of derision and mocking towards Loki.
Loki, the character, was very poorly written. He has always had a great deal of emotional depth that makes him interesting. He was acted with a range from extreme subtlety to riveting explosions of emotion in previous movies. His past is filled with good and bad choices, made with good and bad intentions. He was the villain who tried to be a hero and the hero who tried to be a villain. They took all that away and made him a side character in his own show who had little to no effect on the plot.
For abilities, he lacked his usual physical fighting prowess. He did very little magic, seeming awed when others used magic. His personality and mannerisms changed drastically. His gestures and expressions in this show were over the top and felt clownish, especially for a character that is known for his subtlety. He felt hyperactive and painfully eager to please everyone. His character is known for his manipulations, but his method of 'manipulation' here is to inform others that he is 'ten steps ahead' of them and is going to trick them. I don’t think that’s a good method of manipulation? Plus, the only effect he had on the plot was to slow down the other characters through his bumbling failures.
In addition, Loki was almost always the target of cruelty. This entire show felt like it was made to mock this character. They used every opportunity to tell us, and Loki, how terrible Loki is. How he is irredeemable and incapable of change. That he is a narcissist, which is inaccurate, and that any Loki is inherently untrustworthy. From birth, I suppose. Physical attacks, such as the slow-motion punch and the time loop where he was repeatedly kicked in the crotch, made me cringe. This show encouraged the enjoyment of cruelty.
As a last point, the show used the idea of representation to draw in viewers while avoiding having actual representation. The show was lauded as being good for bisexual and genderfluid representation. From what I’ve heard, the genderfluid representation was a mark on Loki’s paperwork, which you would need to pause at just the right moment to see. Plus, that makes the “terror” at a female Loki make even less sense. The bisexual representation was shown through a single word, and the character was only shown to be so when they made an entire show to mock and belittle him. That is not good representation.
I was very excited for this show, as well as for the next phase of the MCU. This has left me very disappointed and disheartened. I may not be entirely finished with the MCU, but this is the first part of the series that has killed my excitement for future releases. I get a sinking feeling when I hear about future projects now. I have enjoyed debating creative choices before, but this is not simply creative choices. It is too much cruelty, combined with poor writing and a lack of continuity.
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A Failed Betrothal /Betrothal AU: Take Two
So here is the second part of the betrothal AU that I decided to name "A Failed Betrothal. This takes place before Part 1 which in hindsight should have been done first. Part 2 got too long so I cut it and started Part 3. I have no idea and nothing planned on how long this will go. Hope you enjoy ❤.
[Masterlist]
(Part 1)
PART 2
Marinette also wasn't having a good day or a good week.
Lila Rossi had been up to her usual tricks. You know, spewing lies from her mouth. How she met these awesome celebrities during this trip and they worship the ground she walks on for her amazing and humbling help. There were stories of these charities, trips and galas that she had been to or was invited to. She has problems with her wrists and can't do simple stuff like carry her own bag or do her homework. She has tinnitus in her ears so she needs to sit in the front where the only seat available would be next to Adrien.
And for the finale.
The desert after feeding the class a banquet of lies.
"Mari...nette..has been bullying me, she...told..me not to tell anyone..*sobs*..that she would kill me if I did.."
Lila dramatically gasped and slapped her hands over her mouth. Turning on the waterworks for a more dramatic effect. They all ate it up, jumping on the ‘let’s hate Marinette, a bad person’ train.
"She is going to kill me now and I am so scared." That snake managed to snuck an evil smirk past her glaring, oblivious classmates.
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Marinette, at this point of her life, had frankly given up caring for them due to the class's lack of brain cells and Agreste's spineless 'High Road' Approach.
For Kwami's sake, she went through a brutal torture that was training in some jungle temple in Asia before Sabine Cheng, former mercenary/assassin, kidnapped her (Little Marinette took a risk. She ran away and followed her around until Sabine begrudgingly accepted that she was now the 6- year-old girl's mother because screw it, Tom said he wanted children.) to raise/train as her own while she settled down with a baker whose mother may or may not have ties with the Mafia and other illegal activities.
(Mother-daughter bonding days became much more fun once she had Guardianship of the Miraculous. Sabine was ,at first, furious at Master Fu for dumping everything on the girl and losing his memories before swearing to help protect the jewels. Adopted or not, Marinette is her daughter and no one should let a child, even one with training, fight a war. A good thing to come out of her reveal was that her mother was a great tiger to have as back-up. But now, her training regime had become harder and challenging.)
The point was that Lila Rossi would be dead and body missing since that first time she threatened Marinette in the bathroom. The Italian was in perfect health despite what she claims otherwise, because Marinette didn’t want to be the person she was raised to be and also she didn’t want to disappoint Tikki, she was fond of the little red kwami. But sometimes, she just wanted to give into the urge to kill.
She had met and dealt with unsavory characters of all types and she can safely say that Lila Rossi was a manipulator that thrives on attention and like a parasite, latches herself onto the fame of others. None of the unsavory people she had met get under her skin like Rossi had.
Marinette had enough self-preservation to drop the nice girl act and sometimes let the dragon underneath to surface. She stopped doing last-minute favors and giving away free stuff which Lila uses to her full advantage to further destroy her relationships with her ‘friends’. It was better than sticking her neck out for classmates that were no longer worth her time. Attempts to expose Lila had backfired due to the denial they are in, believing the liar to be a sweet, nice girl living the high life.
Adrien with his rose-tinted glasses firmly stuck to his eyes was not happy at all with her decision. That may also have to do where she suggested he shove his advice after he tried to reason her to take the high road for defending herself for the umpteenth time. She felt like the biggest idiot to ever have a crush on him. Every time, Rossi blames Marinette for a problem, he would shoot disappointed looks in her direction.
Alya being Lila's biggest guard dog tore into Marinette for her newfound 'bad' behaviour. The rest of Lila's supporters backed her up with "How could you do that to Lila","I can't believe you changed." Nearly all her so-call friends had turned their backs and lost all common sense to the Italian's manipulations.
(Alya was supposed to be her best friend, aren’t you supposed to listen to your ‘bestie’ over a complete stranger)
The designer took it all with a bored expression on her face, used to the lecturing which was a waste of time because her behavior isn't going to change, no matter what, Lie-la will keep up the act of being the bully's (*cough*Marinette*cough*) victim.
Her heart that cracks the tiniest bit at the accusations. A small part of her, she admits, is hurt that they think so low of her.Was she really that worthless to them? All those times and efforts helping them out on last-minute favors and giving them free treats. Were they not enough to earn their friendship? Their trust or at the very least, a benefit of doubt?
The only ones who didn’t join the berating to 'correct' the raven-haired girl’s attitude were Chloe (who had proven herself to have changed after the miracle queen incident and Lila stole the spotlight and Sabrina. There were a lot of apologizes, gifts and ‘making up to do’) Alix (she came to her senses when the supposed bullying started) and Nathaniel (Lila blatantly claimed to be the artist for the Ladybug comic to his face).
“Girl, Marinette, are you even listening to me?”Alya demanded.
“Maybe. Did you say anything that doesn’t have to do with Lila or how I did her wrong or how I am no longer the person you knew?”
Marinette knew that being sarcastic would backfire but nothing she does or says will change what they think of her. One word from Lila and they will turn back on her. As much as she hates to admit it, Lila’s threat has fallen through and she was alone. Mostly.
She still had Chloe, Nathaniel, Alix, Luka and Kagami as friends. The trust-worthy and loyal kind.
“Girl,” Alya says in a disappointed tone, shaking her head,“when I look at you, I don’t see that girl who stood up to Chloe the bully-”, Chloe snorted, she had changed but they were too blind and prejudiced against her to notice her efforts, “-Picking on Lila, threatening and harassing her. This isn’t you and you know it. Just get over your jealousy on Lila being close to Adrien and apologize to her.”
If Alya had talked to her in the past 12 months other than demanding things that took away her time or anything relating to Lila, she would know that her infatuation had turned into annoyance.
Marinette sighed, too tired of this routine, tired of trying to knock heads so the brain cells can work again. Apologizing would mean that Lila had won. She was petty and stubborn enough to allow that to happen. Lila said she will take the class and Adrien. Fine, she can have them but Marinette Dupain-Cheng will not admit defeat. Bigger men had fallen to the ravenette for lesser offences. A year has passed since the expulsion and the class still hasn't regained common senses, so they can deal with the consequences after the inevitable downfall of Lila and Marinette will be there to see them lay in the grave they dug.
Steeling herself for the pain that will come with the execution of her plan,
“What if I don’t. I won’t apologize to her because I have not done anything to her or even interacted with her. If I apologize, it would be insincere and a lie. And I hate liars.” The former assassin said evenly.
“Lila is not a liar. I don’t know why you are like this.” Alya said, frustrated.
Marinette knew there would be a small chance of an akuma with Gabriel Agreste having an important meeting to attend on this day that would last for the next hour. This was the small window of opportunity to start the plan and also further confirm the identity of Hawkmoth. Killing two birds with one stone.
“Alya, this has always been me, you just never took the time to get to really know the real me.”, she replied, the last part with an icy tone.
“Well-... I- ..You-, fine, then if you can’t say those simple three words, we can’t be friends. I clearly don’t know what a selfish bitch you are. God, I can’t believe I wanted to be best friends with you. You are now replaced by Lila because unlike you, she is genuinely nice and selfless.” Alya declared. The rest of Lila’s supporters murmured in agreement.
Phase 1, complete. Lure the Lie-la into a false sense of security by making her think she won.
Marinette tried not to show how hurt she was, to be replaced by the scheming bitch. But at the same time she felt relieved, she no longer had to walk on eggshells in fear of losing the friendships of people she used to care about. It felt final as she maintained her stoic expression, hoping they didn't notice the glassy sheen her eyes had.
“Then, it is official. We are no longer friends.”
They haven’t been friends for a long time.
Mme. Bustier finally walked into the classroom to start the afternoon classes, signalling the end of the conversation. After class, Marinette resolves to inform them that she was resigning as class president which she was sure the class will be glad for. She was right.
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Ladybug was, as the Americans say, pissed at Hawkmoth which was nothing new. He had sent out another akuma just as Marinette was back home and trying to relax after the stressful day. The akuma was not any of her ex-friends which she wasn’t sure to be thankful for or not.
Louise Martin was a boy about Luka’s age and mad at his friends who had blamed their fifth loss-in-a-row on him despite the fact that it was his skills that were getting them any progress. They were playing one of those recently released 5V5 skills and strategy battle games. (League of Legends or Mobile Legends. Take your pick, I am going with the latter)
He was akumatized into Hayakuma as proof of Hawkmoth’s lack of creativity. Hayakuma was a bleached out version of Louise’s chosen hero avatar, Hayabusa whose outfit was basically what the media portrays ninjas to look like with some samurai aspects.
Unfortunately, he also had the hero’s ultimate special powers which were making four shadow copies of himself and being able to switch positions with them. Thanks to Rattlesnake’s Second Chance, they know that he can only make a switch once every two minute. Hayakuma also wields a sword, showing off his skills.
Just lovely.
Hydra and Ladybug were the only ones able to counter his attacks with Hydra’s sword and Ladybug’s summoned one. (Let’s go with that headcanon(?)/trope that she can summon weapons for plot convenience and the others can too but just don’t have enough practise yet.)
The others managed to dodge and shield themselves from Hayakuma’s really sharp sword.
The shadows themselves were annoying as they would distract or hinder the miraculous users by grabbing them by their shadows and making them unable to move. Until Bunnix had the brilliant idea of shadow boxing which gave the heroes gain more even ground.
With how strong and handful the akuma was, it was code ‘all hands on deck’. Ladybug, Stinger, Rattlesnake, Hydra, Bunnix, Trickster. Well, nearly every hand. Lady Mǔ lǎohǔ was busy with the bakery. Chat Noir was nowhere to be seen or very late which had been the norm for the last year ever since Ladybug wanted to form a new miraculous team consisting of permanent heroes.
(He didn’t show up for the first few months because the first permanent member was Ladybug’s mother who did not like his attitude towards her daughter. He ran away with his tail between his legs once he found out how she was related to Ladybug. His face when he realized it, was something Marinette will cherish forever)
At least when Lady Mǔ lǎohǔ was around, he would not dare act out of line. When she is gone however, he is back to his old ways.
After saving one of Louise’s teammates from Hayakuma’s sword, they gathered the rest of the team and hid them someplace safe. Using Trickster’s illusions to trick all the shadows and the original to one place, the heroes were going to surround and ambush them and get the akumatized item. The plan would have been a success if it weren’t for Chat Noir hugging Ladybug from behind, making her miss her cue.
“Hey~ Bugaboo~ Did you miss me~? Your Chaton~?”
Thwack! Smack!
Chat Noir was on the rooftop, groaning pitifully in pain. Especially his crotch area. Ladybug glared at him and looked to the ambush point to see the illusions had disappeared and everyone else gone from their hiding place.
She sighed and turned on the comms, (Thank you, kwamis)
“Sting, did you venomed the akuma?”
“No, he escaped before I could. What happened, LB?”
“A certain cat got me delayed. What’s the status update?”
“Hydra is holding him off and Bunnix found that an umbrella is a good substitute for a sword. The rest of us are keeping track of the shadows. They split up but none of them are getting near where we hid the targets.”
“Where are you? I will meet you later with back-up.”
“Near Notre Dame and tell Mama Tigress I said hi.”
“Tell her yourself.”
She looked down at Chat No-, no he is not worthy of being a hero anymore with the amount of times he had derailed and hijacked the plans to defeat the akumas just so he can ‘earn’ Ladybug’s heart.
She looked down at Adrien Agreste, who was sitting and sulking like a child that was unfairly punished. (Once she got over her crush and started looking at the right things that she managed to piece together her ‘partner’s’ identity by accident. Tikki’s confirmation sealed the deal.)
“Chat Noir, this partnership of ours,” she said, gesturing to the two of them, “ is going to change tonight. Meet me at the ‘spot’ at 11 sharp. Now, go home.”
He left with a small glimmer of hope in his eyes at her words. She felt a little bad about the subtle manipulation but with the way things were now, it can’t go on. He was hindering more than helping and the people of Paris that weren’t shipping ‘Ladynoir’ saw that.
As she jumped towards Notre Dame, she called the bakery with her yoyo.
“Mama, are you free now? I need a little help with the akuma and can you bring the horse miraculous.”
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Chat Noir waited excitedly at what they both dubbed at their ‘spot’, in the good old days when it was just the two of them. Maybe Ladybug was finally open to the idea of dating. Or maybe she must have seen what a great hero he is and was going to get rid of the team. Or realized that having her mother on her team was a bad idea. Parents are the worst and they both can be two rebellious teenagers in love. Like Romeo and Juliet. So romantic~.
He was so deep in his daydream that he didn’t hear his lady land.
“Chat Noir.” Startled, he nearly fell off the roof. No, don’t make a fool of yourself in front of Ladybug.
“Yes, Bugaboo.” Hoping she didn’t know that he was very distracted. His attention will always be hers 100%.
“Don’t call me Bugaboo. Tikki wants to talk to Plagg about Kwami stuff. So you go over and hide behind that chimney. Then, we can talk about why I told you to be here.” Adrien frowned and then smiled. His lady must be very embarrassed about her mistake that must be why she is taking her time. He tried listening to what they were saying but the kwamis were talking in their special Guardian Language. Was it him or did Tikki’s voice sound more like his lady’s voice?
Whizz!
Adrien was tied up with Ladybug’s yoyo. “M’Lady? Bugaboo!? LADYBUG! WHAT IS GOING ON?!! PLAGG-”
Ladybug cut in, “Adrien Agreste, you have been slack in your hero duty and choosing your own feelings over supporting your partner, me, the holder of the Ladybug Miraculous and current Grand Guardian, in the efforts to defeat the enemy of Paris, Hawkmoth. Due to those reasons, you are no longer worthy to be the Holder of the Black Cat Miraculous” in one swift motion, she took the ring off his finger, “As such you are hereby revoked of Plagg’s Ring.”
“NO, YOU CAN’T. YOU CAN’T DO THIS TO ME! I LOVE YOU AND I KNOW YOU LOVE ME BACK. WE ARE SOULMATES, WE ARE MEANT TO BE-”
Adrien went slack at Lady Tigress’s pinch on his pressure point.
“I don’t what you ever saw in the boy.”
“I don’t know either. I think I dodged a bullet here. Can you carry him back to his home? I think I have dealt with enough of him tonight.” Ladybug muttered, as she erased Adrien’s memories of being Chat Noir.
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Tag list: @alysrose-starchild, @buginetye, @lookatthestars1, @blackroserelina, @macncheesemonster, @mochinek0, @myazael, @tonicxworld, @thewitchwhowaited, @t1dwarrior-of-earth, @kissa-chan, @iwantasecretidentity, @theymakeupfairies, @user00000003, @woe-is-me0, @kashlyn, @mochegato,@moonlightstar64 , @greatcatblaze, @moongoddesskiana, @tazanna-blythe.
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(Part 3)
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itsatoyboat · 3 years
Text
i finished true colors and i’m having a lot of thoughts that i NEED to talk about.
(if this is gonna be long idk, i apologize for your eyeballs)
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1. i honestly didn’t like alex at all when i saw the trailer, i was thinking “hmm idk about this one” but as soon as i started to play the game i fell so in love with her, she is so freaking smart and funny, she genuinely cares about the people around her and her story it’s very different from the other characters from LIS anthology. i truly enjoyed seeing alex’s development throughout the game especially her realizing that her powers can actually help the people around her and not harm anyone, the way she controls it after her conversation with gabe was such an awesome upgrade from the alex who was so ashamed of her power to alex superwoman. i liked how the game explored her emotions and her mind about the past, the mine part where alex was struggling to feel everything she felt in those days and then embracing everything was one of my favorite parts. it shows a lot of growth.
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2. this game has AMAZING CHARACTERS, every single one of the characters was well written, they had life, they had problems, they had their own emotions with private stuff that was going on in their lives and you could actually talk to them and meet their “layers”. mac for an example was an asshole but i couldn’t pretend i didn’t felt his concern and fear around typhon, the way he was terrified about everyone hating him, he was scared for his life and being very paranoid, i was concerned about him and the game giving you the choice to speak to him or leaving him was a tricking decision cause you could leave him alone suffering or try to help him out, maybe saving his life and this is a lot but he’s alive. the game makes him real and that’s what makes me INSANE about the characters. i know, i’m talking about a game where you’re supposed to feel the characters’ feelings but that could possibly go wrong as well if the characters were shallow and poorly explored and that’s not the case with true colors. they had purpose.
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3. alex’s power it’s probably my favorite power. the choices in this game was way harder than the first two games, the craziest thing is you can choose if you want to take someone else’s feeling so they can stop feeling that way, saving them from themselves making alex suffer instead and that's selfish. don’t get me wrong, i’m not calling alex a selfish person but taking someone else’s feeling doesn’t make anything better, you’re taking their right to heal, to be alive and that is so fucking awesome. you have this power to help someone, to “take their pain away” and you will learn that people need to feel what they are supposed to feel so they can move forward cause if we don’t, we are never going to learn. we see that charlotte is pretty angry about gabe’s death, she blames everyone but mostly ethan, she is miserable. alex can choose between taking charlotte’s anger or leave her. if alex takes charlotte’s anger, charlotte is left completely empty, she doesn’t feel anything and when i say anything it’s anything. she is left emotionless and bitter, she doesn’t pass through her way of mourning for gabe and she doesn’t have alex’s back when alex confronts jed. if alex leave charlotte to her anger we have a nice moment between them on the festival, talking about what happened and charlotte gets alex’s back on the black lantern and that’s what i mean from being selfish, if we take someone else’s feelings we are being unfair to them, we are choosing for them and people are supposed to feel, heal in their own time or overcome. by taking charlotte’s anger we deprived her from healing, we are not helping her, we are just making an natural process even more difficult and slower. alex being able to hear what someone is thinking and enter that person’s world from what they are feeling at that moment it’s the best detail for me, everything changes, we get to see the world through that person’s eyes, we can understand them but we decide what to do with that, we can be selfish or actually help. of course, we can take pike’s situation for an example also, if we take his fear we can help him overcome typhon and we get to expose jed but pike’s fear was necessary to take and charlotte was not necessary, pike at least had the pendrive with the recorded calls on it so we had a chance for things to get better.
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4. chapter 5 was an amazing ending. finding out the truth about typhon, jed was never a hero, alex confronting her past, the confrontation and seeing who was going to be on your side, alex’s final conversation with gabe and the end, it was better than i thought it could be. i truly loved seeing alex’s past, even with everything that went down she turned to be a good person who wanted to be loved (her passion for music being the thing that helped her connected to me in a lot of levels, that creep cover though i screamed so hard when she started to sing). the mine part was absolutely insane not just alex surviving that fall discovering that gabe was looking for his dad for so long, jed knowing it and all of this time his dad actually died because of jed, alex finding the truth by taking her mom’s necklace back from what was left of that accident it’s so heartbreaking, the confrontation was crazy, i thought no one was going to believe alex because jed was so loved by everyone there it would be so easy to doubt alex and just be on jed’s side which was what ryan did but it’s understandable, jed was his dad, his hero. alex’s speech on jed exposing him after everything was one of the best monologues on that game and man this game had AMAZING dialogues and monologues, everything felt so real and beautiful, the best part of it it’s to forgive jed that’s where alex break him, he regrets everything even more cause when we find out the truth. we find out why jed never enjoyed talking about being the hero of haven springs. at the end jed wasn’t entirely a bad person cause when we forgive him he gives back alex her dad’s jacket talking about how he wanted to give it to gabe but couldn’t, that’s something that made me love even more the characters even jed that was the “villain”, which i don’t think he is. what he did was terrible and he knew that, he tried to pretend nothing happened when alex started to talk but at the end he broke, that always haunted him and that’s the difference between him and jefferson who was actually the villain in life is strange he wasn’t forced to do those things, he killed rachel, he killed chloe, he manipulated nathan, he was going to kill max and if max didn't stopped him on the arcadia bay ending he would kill even more students at blackwell.
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5. alex and steph relationship was the purest thing on this game, it was smooth, it was organic, it wasn’t something out of the blue, steph liked alex since the beginning. the plan to pick someone to flirt with diane and get her pendrive i chose ryan and afterwards steph started to feel something, she was so upset that alex used to think ryan was “hotter than her” (i only chose ryan cause i didn’t want to see steph flirting with diane but i saw the scene where we pick steph and omg i should’ve chosen steph cause that scene it’s hilarious), steph was happier around alex, every time she had an opportunity to flirt with alex she took it. seeing their love grow through the chapters was beautiful, i know we can choose ryan over steph but i don’t believe ryan liked alex the way steph did, you can literally see that no matter what alex did steph was going to support her and look at her with so much love and respect and that’s why i think alex and steph’s relationship it’s so pure and right. also they looked so good playing together it’s so cute that they have the same passion for music and THAT LARP SCENE FOR GOD’S SAKE MY HEART MELTED!
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6. this part is exclusively to talk about LARP and the fight scenes, it reminded me so much of final fantasy it was so COOL, well thought and so fun. it was awesome to see everyone taking care of ethan and doing their best to make him happy.
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7. talking about ethan, this game opened a conversation in my head about charlotte and ethan, i started to think a lot about what charlotte said about ethan how she felt happier when gabe was around and now she was stuck with only ethan again, it made me think that maybe charlotte didn’t want to have a child or if she didn’t had ethan she could have gabe again. that could open a conversation about women who didn’t want to become a mom but it doesn’t mean that charlotte would hurt ethan which makes total sense to decide to leave her alone and not take her anger, she would never hurt ethan. it was again another tricking decision cause we get concerned about ethan when charlotte starts to talk but we know deep down she cares so much about her son, she does everything for him.
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life is strange true colors became my favorite life is strange, the story it’s different and great, it’s literally finding the truth about everything, when we understand people’s feelings we discover the truth about them and situations, we understand everything. this game actually made me cry harder and think so much even more than the first one and boy i love the first one so badly. it talks a lot about empathy and how we react to people’s emotions, your choices in this game are way harder than messing with time or moving things with your mind, it’s choices about things that could happen in real life eventually and that is what makes this game so important to me, it’s real.
and also it's the first life is strange to have happy endings like.. ok big steps for my non depression finally
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blzzrdstryr · 3 years
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A bitter parting
Yandere!Signora x gn!reader
CW: Yandere themes
If the years spent travelling and surviving in the wilderness have taught you something, it is that humans are adaptable creatures. As an accomplished traveller you know better than anyone else that one doesn’t need anything special, be it superb fighting skills or acknowledgement from the Gods, to overcome the perils of the world. How many times have you triumphed over and run away from monsters far bigger, faster and stronger than you just because you happened to possess some wit and they didn’t?
Truly, there are rarely inescapable situations, and you happen to land in one of them. Surrounded by the people and not beasts, weak and frail and smart, you are lost. It’s hard to fight with an unfamiliar enemy, and Signora’s servants are just that. Attentive, noisy and quiet they retell your every move and word to your captor, that no doubt relishes in her knowledge of how desperate you are.
You tried everything really - climbing the walls and jumping through the windows being first, soon followed by the endless mind games and futile manipulations. If only you could escape her mansion, and run into the nearby forest - you would no doubt flourish there, heavily acquainted with flora and fauna of all of Teyvat.
Signora seems to always know what is happening inside your head, able to read you like an open book, despite all of your attempts to stop her from doing so. The Harbinger knows what you think and what you say sincerely and what lies you try to summon to endure her presence and temper.
At first she was amused, entertained even at your clumsy attempts of trying to beat her in her own game, yet soon this enjoyment soured and rotted, turning into annoyance and anger instead. She began to punish you, with words, deprivations and fire, burning out the rebellion out of you and she has succeeded. Partially.
.Your words were no longer cutting, nor did your tone carry any of the former sting, and the defiance blazing inside your eyes became more subdued, overshadowed by the layers and layers of faux affections. Her cleansing fire did not purge you from your biggest sin - your will to live your own life. It remained to burn brightly, giving you strength to continue existing in this Hell on Earth, with the simple promise of freedom. You would kill for it.
That’s why you sit here - in the luxurious cushion near Fatui Harbinger’s desk, wearing silks and jewelry Signora gave you, a book tightly held in your hands, as she works near, lazily scribbling out elegant letters in her report, and sorting through the seemingly endless pile of envelopes near.
It’s impossible to focus on reading when the Harbinger is near you, her presence enough to see red in the corners of the eyes, yet you continue to pretend, eyes looking at the same two paragraphs. You can’t mess this up.
“[First]”, Signora suddenly turns her head to you and you barely suppress the shiver desperate to get out, after she opens another envelope and reads the letter inside: “do you love me?”.
The question is nothing new to you - she has asked it several times before, never actually expecting a genuine “yes”, yet the timing is strange. “Of course I do”, you squeeze out the most saccharine sweet voice you can muster, adopting the lovesick expression on your face. She smiles in return, yet her eye remains cold - she didn’t buy any of it.
Maybe she is as tired of this game as I am, you think, it must be exhausting to whip me after every honeyed lie.
“And what would you do if I had to leave you?”Signora continues, leaning in closer to you and closely inspecting your expression.
“I would be very sad. I would pray to Tsaritsa everyday for us to be reunited again”.
“Of course you would pray to the love archon”, she replies and leans back - the disappointment clear in her tone - seems your last line sounded too off: “At least you don’t sing your lies so flatly anymore, [First]”.
With all the pretense dropped, you allow yourself to relax again, face turning into the mask of indifference - Signora no longer wants you to “play”, so she won’t punish you for breaking the character.
“I will leave for Inazuma next month, Tsaritsa wants me to fetch something precious for her”, your eyes widen at that - Signora has told you about how she ambushed the anemo archon, or how she masterfully struck a deal with the geo one, pride clear in her eyes. The happenings of gods rarely bother you, since none of the seven answered your prayers begging for freedom, not even Barbatos, but the simple fact of a mere human stealing something divine and celestial is enough to instill a mix of dread and grudging respect.
“You seem impressed”
“I am. Very”, you answer, this time genuinely. Will electro archon become her new victim just like the other two?
“You will wish me some good luck, won’t you?”, you contemplate for a second, unsure what to say. Should you say that in character too?
It’s better to be safe than sorry.
“Of course! I wish you” to die “to succeed”.
Next month seems like a perfect opportunity to escape.
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serpenteve · 3 years
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I'm having the horrible realization that Aleksander never actually did any serious wooing of Alina in the books. It's all just Alina her self being horny attracted to him. But this is supposedly???? His grand scheme???? Of manipulation???? Implications! It seems like the girls in these books wasn't the only one slut shamed. I'm- ☠
Leigh wrote a man sexy and captivating and said "it's his fault, actually, that Alina got a crush on him. He shouldn't of.... uh.." Flips through papers. "Ah, had such pretty eyes."
Okay! 👀Yes, we are finally doing this!
I'm flipping through my copy of Shadow & Bone and noting down all the interactions between the Darkling and Alina which I've put in chronological order beneath the cut.
First of all, the Darkling and Alina are only alone together in about a handful of scenes. Most of the time, the are surrounded by other Grisha or Baghra or are in a public place. A lot of the Darkling's actions and words are clouded by Alina's own insecurities. She constantly voices how she feels like she's not good enough, not pretty enough, not strong enough and he takes it in stride and gently encourages and placates her. There are a few lies he does tell her (that the Black Heretic was his ancestor, that he wants to destroy the Fold, and he doesn't know what Baghra's power is, etc) but if we extrapolate the trajectory of her ill-fated romance arc, I think even book!Darkling would have told Alina about his real plans if she seemed like she'd accept them.
A lot of speculation has been made about the Darkling's seduction of Alina and honestly???? Aleksander literally just exists and Alina is thirsting for him because she's desperately looking for validation and re-assurance. I initially head-canoned his first kiss by the lake as being pure calculation and the kiss at the Winter Fete being 100% accidental (because Dark Lord Sasha played himself lmao) but on this re-read, I don't even know anymore. He already came close to almost kissing her after they have a tender moment, catches himself and then immediately leaves before he can catch feelings. Then when they share another tender moment at the lake, he kisses her and then is surprised by it and before he can really process it, Ivan comes by to cockblock.
Like, even Leigh (as much as she has shit on this ship) said at one point that the Darkling has strong feelings for Alina, even if he may not necessarily quantify them as love. So looking back, I don't read anything the Darkling did as manipulative seduction. He obviously lied about some stuff and wasn't transparent about his real plans for the Fold, but as a military commander who sees Alina as an opportunity for a coup, it makes sense that he'd play that a little close to the chest---especially when Alina has proved to be wary of his powers and has a very black-and-white sense of morality. If anything, this is less "the Darkling seduced Alina to manipulate her into being used!!11" and more "local dark lord tried to encourage his protege and accidentally caught feelings and it was a mASSIVE FUCKING INCONVENIENCE TO HIS EVIL PLANS"
But you know who does slut-shame Alina a lot? Baghra. Seriously, Baghra makes Alina feel like shit for her crush on the Darkling numerous times. She has all these lines:
"You want to be [his pet]...Don’t bother lying to me. You’re like all the rest. I saw the way you looked at him."
"Dreaming of dancing with your dark prince?"
"Foolish girl." (After Alina shamefully admits the Darkling might come to her that night)
At one point Baghra creeps on Alina and the Darkling's interactions and even though literally nothing happens between them and when the Darkling leaves, Alina catches Baghra giving her a snooty look. ("For no reason at all, I blushed")
She is determined to shame Alina for her feelings and make her feel like a lovesick idiot for daring to crush on him and this is in addition to all the slut-shaming Mal does. The narrative revealing the Darkling is the bad guy all along while leaving Alina no compelling arc to discover this on her own feels very much like Leigh hitting us all with Baghra's stick, like "Foolish girls! You thought he cared about Alina just because he has a sexy jawline??? HAHA HE LIED YOU SLUTS"
Scenes with Alina and the Darkling in Book 1
Their first scene together is in the Grisha tent. Based on Alina's description of him, she already thinks he's hot as barely any other character in this godforsaken series gets so many descriptions of their grey/smoke/slate/quartz eyes as Aleksander does 😏
The next time they're together he saves her life. Alina is traumatized from seeing a man sliced in half and the Darkling instructs her to keep her eyes on him instead. She is disturbed that he killed the person about to murder her and this aversion seems incredibly contrived and arbitrary on behalf of the author. It's almost like she wants Alina to be vindicated and shamed for not trusting her initial bigotry against him or something 🤔The Darkling admits even he can make mistakes and then he touches the back of Alina's neck (with some secret Heartrender/Healer abilities?) and she falls asleep riding on his horse.
They spend the next few days traveling. Alina notes that the Darkling hasn't spoken to her (probably because he's focused on getting her to the Little Palace without any more assassination attempts) but Alina is a paranoid she's offended him somehow. Again, this is just Alina's insecurity painting a narrative that simply doesn't exist based on what actually happened so far.
They exchange a few words by the stream and Alina fishes for pity points by saying she's ugly and can't possibly be Grisha. Aleksander appears 100% done with her stupidity and says she doesn't understand but he's not in the mood to explain at the moment and walks off ☠️
Alina joins the Darkling and his men for a meal. She notes that the grouse they've killed is meager shared meal but that the Darkling doesn't want to put his men in danger by sending them out to hunt in the forest at night 😌He also sits on the floor to eat like they do and he doesn't take more than the regular portion than they do 😌. Sorry, how is this man the most ~evil~ wizard on the planet? He is obviously a good and fair commander and beloved by the Grisha.
Alina has been checking Aleksander out the entire time so when he catches her, he walks over to talk. He fishes around for information on what Alina has heard about him. He seems sad when Alina mentions she has heard that Darklings are born without souls, though not surprised. He then spins the story about the Black Heretic being his ancestor and how the Fold was a mistake and how every Darkling since then has tried to undo it and how Alina is "the first glimmer of hope" he's had in a long time.
Because Alina is still on that "Grisha are unnatural monsters" agenda, she asks him about the Cut and he explains it but she's still distrubed. He asks her if it would have been better if he used a sword and she replies: "I don't know". The Darkling gets offended and leaves. Alina tries to convince herself she can't have possibly hurt his feelings (because Darklings don't have souls or feelings?) and then feels paranoid that she's failed some secret test. Yeah, the test you failed is called "empathy", Alina 🙄
Two days later, they arrive at Os Alta. Aleksander roasts the Grand Palace as the ugliest effing building he's ever seen. He leaves immediately after dumping Alina at the Little Palace and Alina actually seethes that he isn't paying more attention to her? I understand that it's overwhelming to go to a brand new place, but Alina expecting him to constantly hold her hand and explain everything to her after she basically insulted him is a bit strange.
The next time Alina sees the Darkling, they are scheduled to appear before the King and Queen. The demonstration is a surprise for Alina and Aleksander's lack of transparency of what's expected of her means she's forced to rely on him and trust his instincts. This might be his underhanded way of getting Alina to see that she can trust him; that he will not make her look like a failure or humiliate her; that they are in this together and it will only work if she trusts him.
After the demonstration, Genya and the Darkling trash the monarchy for a bit (Alina is horrified) and then the Darkling orders Genya to get a black kefta for Alina, to which Alina infamously wants a blue one. The Darkling doesn't really put up much of a fight, merely wanting to know why. Alina decides he doesn't approve of her choosing blue and wonders to Genya if he's angry.
After Alina's first day, the Darkling calls her to his quarters to ask her how her day was. Alina is surprised that this is all he wanted to know because she was paranoid he was going to torture her??? She says: "Why shouldn't I be afraid of you?...You can cut people in half. I think it's fair to be a little intimidated." If the Darkling is offended or angry about this, he doesn't show it and merely indulges her. He notes that she has a habit of running her hand across a scar on her palm and asks her about it, tracing the scar himself. Alina gets distracted by his touch but manages to answer his questions: she got the scar at Keramzin, Mal is also an orphan, he is good at tracking. He shows her a secret passage back to her rooms to avoid the main hall.
Alina starts her training and at one point laments that the Darkling is rarely at the Little Palace and when he is, he never speaks to her or barely looks her way and she is convinced it's because she's a failure and can't summon light on her own. It could also be because, you know, he's the commander of the Second Army and is usually seen in talks with other military advisors and the fact that Alina kinda lowkey insulted him with her wariness about his powers???
The next time they are together, Alina interrupts him and Baghra arguing. He politely asks her how she is. Baghra antagonizes her. The Darkling defends her. They talk about amplifiers and because Baghra is being a snarky little shit about it, they take their conversation outside.
Aleksander complains about how annoying his mom is and then asks Alina what stories she's heard about Morozova's herd. At one point he laughs for the first time and Alina practically creams her pants at the sound. Alina expresses her concerns that she can't summon any light and the Darkling says he's not worried and it will happen when it happens and worse case scenario, it will happen once she has the stag. They have a quiet intimate moment, gazing softly into each other's eyes and then suddenly Aleksander realizes he's catching feelings and steps back suddenly like "GoodLuckWithYourLessonsOKayBYE". Baghra watches this interaction from her hut and gives Alina a slut-shaming look.
Alina eventually does learn to summon light on her own. Baghra gives her grief about how it's not enough. The Darkling shows up during one of these lessons and says as much. Alina says she's useless. The Darkling corrects her (“I don't think you're useless, Alina....No Grisha is powerful enough to face the Fold. Not even me”) and then he apologizes for letting her down ("I've asked you to trust me and I haven't delivered"). He wonders if his mother is right and he's crazy to hunt the stag. They have a nice bonding moment, Aleksander lies about Baghra's power, and then he asks if Alina would think him crazy for still wanting to find the stag. She asks why he cares what she thinks, he seems genuinely surprised himself that he cares. Then he kisses her. He seems not to have meant to kiss her because then Ivan shows up for his 5 o'clock shift of cockblocking and the Darkling immediately pretends like nothing happened and walks away with him. Like dude is acting like a fucking dork who's allergic to feelings at this point. I should note here that Alina practically has an orgasm from how giddy she is about this moment. She can barely think of anything else.
The next time they're together, it's at the Winter Fete. They do their demonstration and Alina accidentally reveals her insecurities about how he had kissed her and then disappeared. He responds, "Did you really think I was done with you?" and then they enjoy some steamy kisses and thigh grabbing in an empty room before a random round of Grisha show up for their 6 o'clock shift of cockblocking. Aleksander is annoyed at his own attraction to Alina. He asks if he can come to her that night but Alina doesn't get a chance to respond.
and then the Darklina romance arc falls off a giant cliff and dies a terrible death 😭😭😭
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The Sommelier (Hannigram x Female!Reader) pt. 6
So we’re slowly but surely getting into the Hannigram shit I promised.
Someone with murderous intent finds y/n just as she thinks her life is beginning to improve. Little does she know, it will. 
@deadman-inc-bikeshop and @dovadokren here you go homies
Trigger warnings: Suicide bombing, graphic descriptions of violence, gun violence, death, cults, cult manipulation
You waited until he had left the restaurant to read that all-important scrap of paper. For some reason, you felt the need to hide in the bathroom to read it. It was probably just a name and phone number, but your brain was anticipating some kind of love letter. 
You carefully unfolded the receipt like it was your most treasured possession. Inside, it simply read ‘Hannibal Lecter’ followed by a phone number. 
You hugged the paper against your chest and a huge smile overtook your face. You couldn’t attach any rhyme or reason to why you suddenly felt so alive, other than you were completely and utterly infatuated. You felt like you could break into song. 
“Hey, [F/N]!” Charissa said, banging on the stall door. “Not to interrupt whatever this is, but could you take out the trash please?” 
“Oh.” You answered, your voice cracking. “Yeah. I’ll be right there.” 
Charissa trailed close behind you as you collected the bags from each can around the restaurant. She was uncharacteristically quiet, probably waiting for you to start spilling every detail of your night. The joke was on her, because you could let the silence go on forever. She wasn’t getting a word out of you. 
“So you’re not going to tell me?” She sounded deeply offended. 
“What’s to tell?” You said, hoisting a very full garbage bag over your shoulder. “Nothing happened.” 
“He sunk his teeth into you, didn’t he?” Charissa asked. At this point, you weren’t sure if she meant it metaphorically or literally. “That’s why you’re acting all, y’know, not downright miserable?” 
“Is that how I act usually?” You began to make your way to the back.
“I don’t know how to tell you this, but,” She prefaced. “You basically have two moods. Depressed and customer-service happy, which is just depressed with a facelift. And whatever is happening here doesn’t fit into either of those categories. So something happened.” 
“Detective Charissa Rodriquez does it again.” You rolled your eyes and put one hand on the back door. “Some things just have to stay between a bartender and her... possible love interest.”
You punctuated the last sentence with a wink, sending your friend into a righteous fury. 
“Holy shit, [F/N]!” She exclaimed, smacking her hands together. “Come on, [F/N], I’m your best friend. You’ve got to let me in.” 
“I’m still trying to process what happened myself.” You said in earnest. “Believe me, if I’m telling anyone, it’s you.” 
“I’ll hold you to that.” Charissa wagged her finger. 
You tightened your grip on the garbage bag and lugged it outside. The night had fallen, and the orchestra of cicadas and crickets was in full swing. The warm pre-summer air welcomed you. As much as you resented her for bringing it up, Charissa was right. You hadn’t been truly happy in a very long time. And, as terrifying as the thought may have seemed, in a way, you owed it to Chase Mulvaney. 
You hauled the garbage bag into the dumpster and slammed it shut. The crash echoed and you turned back towards the door. 
Someone grabbed your arm. Your immediate thought was that it was just Charissa playing a cruel joke, but then they twisted it back and shoved you against the wall. You felt the cold blade of a knife against your neck and you froze up. 
“You didn’t repent.” A manic voice hissed into your ear. You could feel your heartbeat against the cold brick wall. The hands that bound you were soft and the voice was much more female. This was noticeably not Chase. 
You sputtered as you tried to articulate any of your thousands of questions. “Who the fuck are you?!” 
“Silence, she-devil!” The girl slammed you against the wall. “Keep your forked tongue between your teeth or I’ll cut it out!”
Her voice and hands shook and she enunciated as if she were reading off a script with a gun to her head. The adrenaline turned to genuine fear when you felt something hard strapped to her midriff. You knew in that moment that she wasn’t going to use the knife. 
"I thought Chase wanted to kill me himself." You muttered.
“Did you really think vanguard would be stupid enough to come back here?!” She forced a laugh but her voice was broken with fear. 
“Yes.” You said back, resigning to at least die with honor. “And, why is Chase the one in charge?!” 
She tightened her grip on your arm and smashed your head against the wall. “Don’t you dare talk about vanguard that way!”
He ripped off his cult leader title from fucking NXIVM? You thought, fully aware that it could easily be your last thought ever. 
“No, but seriously, think about it!” You implored her, hoping that if you got her talking, she wouldn’t hit the detonator. If there was one thing you knew about evangelicals, it was that they loved to hear themselves talk. “Chas- er, vanguard attacked me in broad daylight in front of dozens of witnesses. You’re smarter than he is! You came after me when I was alone in the dark!” 
“Everything he does, he does for a reason.” She shouted. "It's not the unwoman's place to question vanguard!"
“Oh god, now he’s ripping off Handmaid’s Tale?” You said out loud this time.
“Vanguard told me that you would try to fill my head with lies!” She growled. “So long as you are alive, you stand in the way of god’s work! You spread only falsehoods about our savior!” 
“Is this about the TattleCrime article?” You ask. “Because I didn’t say anything about god, I only talked about--” 
Then it hit you, again. “Oh, so this is a cult cult.”
"It's not a cult!" The girl screamed. This was the first time you'd sensed any genuine emotion behind her words. "Vanguard takes good care of us. And he can take care of you, too [F/N] [L/N]."
"By sending someone to kill me?" You spat.
"No!" The girl exclaimed. "No, no, no, no, no! Silly! I'm here to save you. If you repent now, and let Jesus Christ into your heart, your earthly shackles will be broken!"
"And what's in it for you, huh?" You struggled against her grip. "The privilege of blowing yourself up for Chase Mulvaney?"
"I was a sinful being like you, once." She said. "My grand reward is to give my life to save another."
You heard the click of a gun behind you. “Put the knife down and take off the vest!” 
The girl grabbed you by the neck and turned you to face this approaching foe. She held the knife to your throat. “If you shoot, she’s dead.” 
You couldn’t make out the details of his face, because he was backlit by headlights. You could, however, see the face of your captor. She was completely emaciated with bones protruding from her skin. Her head was sloppily shaved and whatever instrument she used to shave it left deep cuts on her scalp. 
She reached a shaky hand into her pocket and pulled out a detonator. Tears streaming down her face, she began to chant. “Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven.”
The man let off a shot, sending a bullet into her leg. She fell backwards, dropping the detonator and the knife and giving you an opportunity to run. The man gestured for you to get behind him and you obliged. He then let off a second shot, this bullet hitting her right through the skull. The girl collapsed backwards, her brain matter painting the side of the building. 
The man dropped his gun, mumbled something about a bomb squad into his phone, then turned to you. Finally, you could get a good look at his face. Immediately, you noticed his rich brown curls and a smattering of scruff around his jaw. His features were soft, comforting even. But a long enough examination of his face told you that he was just as deeply haunted as you were. 
“Are you okay?” He asked, weakly.
“You...” You said over desperate gasps for air. “You saved me.”
Soon enough, the first responders joined you. But for a few minutes, it was just you, the man and some unspoken mutual understanding words couldn't articulate.
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thewillowbends · 3 years
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So I'm rewatching the first season and reading the book, and I've got Thoughts (TM)
And I've got a LOT of thoughts about what exactly Leigh Bardugo was doing here in terms of the moral and ethical statements of the narrative, so I'm putting it under the cut.
Something that's really glaring on the rewatch is just...the complete lack of compassion every character outside Aleksander has for the plight of the Grisha. The army treats treats them with reciprocal dislike, despite the fact that they couldn't even cross the Fold with the Inferni or Squallers. The tsar and tsarita treat them with condescension and disdain, clearly valuing them mainly as a utility that, historically, they've happily turned on when they felt they were growing too powerful. Baghra has just given up on trying to protect other Grisha who aren't immortal like her or Aleksander. Even Alina is guilty of othering them and has to be told off by multiple characters (Ivan, Aleksander, Baghra) to stop treating her power like a yoke instead of a responsibility and opportunity to help others.
We get this big, bad, armor-piercing line from her to Aleksander about how he doesn't care who suffers as long as he wins. Which is true to some extent, but...where is her compassion? Didn't we just spend a hefty portion of the narrative wanting to give her power away to somebody else so she can, what, be with her bestie? Meanwhile, there's, you know, an actual war going on. This isn't small stakes shit she sees going on around her. People are dying. We literally have an entire plot where we see a Grisha kidnapped, enslaved, and then sent to be put to death...who was given to the enemy by her own people!
And then we get that line from her in 1x07, only to have it followed up by her running away at the end of 1x08 for....why? Most people on the ship are dead or those that survived weren't his supporters. The people on the docks were killed, and most of them actually were traitors trying to kill Alina. Aleksander didn't lie about that. So she's running away to take the blame for some nebulous reason that's not really well explained, which is...well, what the fuck happens to the rest of the Grisha? Do we not care about how Aleksander's actions are going to reflect back on them and cause a potential backlash or something? Not to mention, nobody is on the other side to warn them that Aleksander is a threat to begin with. Even if you assumed he was dead, you'd definitely want to assume he likely had supporters back at the palace, too!
From a character writing perspective, I find it stupid that Aleksander doesn't tell her certain things because if he's such a big, bad, clever manipulator, he would absolutely be weaponizing his own pain and experiences to make her stumble in empathy. That's bad character writing to me when you're telling me somebody's an abusive villain but actually isn't using very real and effective abuser tactics. But then you also have Alina who refuses to even point out...Aleksander, I get it! I've talked to other Grisha! I see what you're going through! But this can't be the answer. You have to see this won't end well for you! Like, her own arguments make no sense to me. They're so myopic and self-involved.
One of the big things that bothers me that gets folded into Aleksander's other manipulations is this idea that he primarily associates and values her for her power, in contrast to Mal who primarily sees her for being herself. While I get the intent of that on a narrative level, in the scope of the wider story...it just literally makes no sense for Aleksander to parse those two as separate. Not when the whole reason Grisha are hunted down and killed is because they don't get the privilege of being people outside of their power. Aleksander doesn't get to be General Kirigan without also being the Darkling. Therefore, Alina doesn't get to be Sankta Alina without also being the Sun Summoner. Not a single other character gets to be relevant without being powerful.
Even on a narrative level, it makes no sense. One, it's frankly kind of sexist (when are male protagonists ever expected to be segregated from their power) and two...that's the whole reason we're telling her story! That's why she's the protagonist! She is special. She can't be separated from this unique power destiny has handed her. We don't tell stories about common, boring people; we tell stories about people who incite conflict or change. So even the mere concept to me of basing a character's identity or value around not wanting value is frankly kind of ridiculous.
There's just this strangely insidious underpinning to the story that power is inherently dangerous, even as it acknowledges that people who are NOT in power can very much suffer at the hands of those who do. So where's the moral and ethical reflection about what this means for the rest of us? What does that mean for minorities?
Think of the scene on the boat where Aleksander has Ivan kill off the nobility. The narrative wants you to see this moment as blackly humorous and awful, but stop for a moment and think about what happened there from his perspective. This is a man who spent centuries watching his people get killed and enslaved, and that isn't a false representation or manipulation from him, either. His statement is backed up both by what we see in the flashbacks and by other Grisha. Nobody created a safe haven for him and his people - he did that! He had to claw his way to the top, flatter, kill, and fuck his way through god knows how many noble houses, just to get to this moment where he could build a Little Palace. And it took him four hundred years just to get that! All while Grisha are dying!
And nobody did anything about it. Not the king, not the landholders, not even the peasantry. They were happy taking advantage of the Grisha's powers, of course, when Aleksander helped raise them up into a position of prominence, making them soldiers and enchanters. And even then, they're mocked! The army can't wait to get rid of them!
And then some noblewoman, who has enjoyed the benefits of her wealth and power, some of which were built on the backs of your people, sits there and tells you, the moment you take hold of the power everybody else has been grabbing for centuries, has the audacity to sit there and tell you that the world will hate Grisha and view him as a heretic?? When less than twenty years ago, your people were being killed right and left? When the enemy is still kidnapping and enslaving your people? When your own countrymen view you with fear and intrigue already? The audacity to sit there and frame it as a hypothetical when it's very much an actual reality still going on. Just look at the barely hidden seething rage and contempt on Barnes face when he delivers that quip about "needing to do that speech again." Motherfucker has been waiting YEARS for this moment, this revenge. And really, who can blame him...if you aren't wrapped up in the narrative wanting you to focus on just what he's doing to poor Alina.
The way the Grisha's situation is framed along with how the Darkling's descent into villainy is handled is so just incongruent to me. The pieces don't fit. You're asking me to see this man as completely irredeemable after you just showed me six episodes of Grisha being killed both for being what they are in the hopes of protecting Alina, after you showed me that Aleksander had already TRIED appealing to the protection of the crown by lending it his power, after making us see that lies and manipulation are the only way he and his mother have been able to survive as long as they have in a world that eradicated them. Where is the compassion in the narrative for that?
And okay, fine, you can do an irredeemable villain. You can do a Kilmonger-esque story with the Darkling, but that requires forcing your protagonists to empathize with the villain and change from it. But then I read ahead and...that doesn't happen?? She winds up walking away from it all at the end?? In fact, she even loses her power. And that's supposed to be a HAPPY ending? After we just saw how badly this minority was treated for how many centuries??
You know what it feels like? It feels like Leigh Bardugo read The Hunger Games, tried to replicate a Katniss, and then completely failed to understand the profound situational differences between her protagonist and that one. Katniss is a girl made extraordinary by her circumstances. She's not special herself other than the fact that she did the right thing at the right place at the right time and helped create the tipping point for a revolution that was already in the works before her. Katniss walking away from the world after makes sense because she's burned out after the war, but it also got its use from her. She helped make the revolution work; she showed up for the event while it was happening and did what she could. The situation was out of her control and power for the most part, and she still managed to rise the occasion.
Alina is NOT Katniss. She is inherently special. She is inherently powerful. She has the ability to create change and bring a new perspective that Aleksander has long given up on and which her country desperately needs. We know the world of the Hunger Games will be better because the creators of real change were always working behind the scenes behind Katniss. She was just their propaganda, their symbol. Alina is a symbol, but she is also a very real power. It's not an act of moral celebration for her to walk away from power at the end, namely because there's a whole minority class of people we still have to worry about. Putting a Grisha on the throne is no promise the country won't turn against them eventually, nor does that protect the hundreds of Grisha at the mercy of a superstitious peasantry and countries that will likely continue to invade them.
It's just...I dunno guys. It's frustrating because all the compelling elements are there in the characters and storyline, but it's like the author had a set of characters telling one story and then she had an entirely different plot in mind, and they just clash all over the place for me and become thematically inconsistent. But what really gets me is that she had seven years to think this shit over...and we're looking to get the same story all over again. Usually, it's a great thing to have an author involved in the show. This is a rare situation where I wonder if it hurts the chances of it improving.
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