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joelscurls · 6 months

Text

I wanna show you off

pairing: Joel Miller x f!reader

words: 4.1k

summary: The women who live in your building aren't subtle in their hatred for you — or their affection for your boyfriend, Joel. You decide to set them straight.

warnings: 18+ minors dni, porn with plot, no outbreak, established relationship, implied age gap, horrible neighbors, general cattiness, all the ladies want Joel, alcohol consumption, fluff, explicit smut, possessive!reader, exhibitionism, dirty talk, oral (m receiving), facefucking, unprotected piv, creampie, one (1) spank, use of pet names (baby, angel, darlin', etc.), I think that's all? lmk if I missed anything!

a/n: idk what happened. I saw one too many tiktok edits set to the song agora hills by doja cat and blacked out. anyway, enjoy!

If it weren’t for your rent-controlled apartment with a perfect view of the downtown skyline, you would’ve moved out of your building by now.

Your neighbors don’t like you. You’re certain of it. You can tell by the way the ladies stick their noses up at you in the elevator and whisper to each other the second they think you’re out of earshot.

It had started, you suspect, because of your age. You’re a lot younger than all of the other residents here, your apartment left to you by your grandmother after she passed away.

The building is prime real estate, situated in the heart of one of the city’s most desirable neighborhoods. Most of the people who live here have done so for ten, twenty, even thirty years. And it seems that time has festered a sort of social hierarchy: one which places you at the very bottom.

You shouldn’t care. And you hadn’t, for a while. But their eyes have started to feel like daggers, pointed directly at you at all times, and you feel as if you can’t even enter the building without judgment.

You’re not a bad neighbor. You’re not. You’d learned through living in a dormitory in college how thin shared walls can be, and, as a result, the proper volume at which to keep your music; how you should always be cautious to not let your door slam closed on the way in; that you should never vacuum after eight pm or before eight am.

You never leave trash in the hallway, and you park your car only in your allotted spot, despite the fact that it’s the farthest away from the building.

Even so, the lack of weathering in your face makes them look at you like you’re less, like you’re a greedy little thing who has taken something she isn’t worthy of.

It’s the same way they look at you when they see you with your boyfriend, Joel, for the first time.

They leer when you walk into the foyer, hand-in-hand with an older man. He’s handsome, rugged, something out of Nicholas Sparks novel. And you’re you.

Joel thinks you’re being paranoid at first, says they couldn’t possibly hate such a sweet, friendly girl. The girl he loves so damn much. But it doesn’t take long for him to notice it too: the glares, the scoffs, the misplaced judgment — never set in his direction, only ever yours.

One Sunday afternoon, as he sits on your couch watching the Cowboys game with a sweating bottle of beer in his hand, you step out to grab your mail. You’re close to tears when you return, flinging the door open, envelopes slipping from your trembling fingers.

He leaps up as soon as he catches sight of your face. Your expression is stuck somewhere between sadness and rage, bottom lip tucked between your teeth so firmly he worries you’ll draw blood.

“I hate them,” you sob as he wraps his arms around you, pulling you against his broad chest. You’re wetting his shirt, the one he just bought the other day. But he won’t let you lift your head. If anything, he holds you tighter.

“Wanna tell me what happened, darlin?” he asks, leading you toward the couch. You sit down together, your body still wrapped in his, and you groan.

“It’s stupid.” Your voice is muffled by cotton. He loosens his grip on you only enough to let you turn your face. “I was getting my mail, and they were down in the lobby,” you sniff. “The woman who lives right next door – the one with the outdated perm, and the one across the hall with the yippy little dog.”

“Mhm,” Joel soothes, running his thumb gently along the tense line of your jaw. “Did they say somethin’ to you?”

You huff. “No, not to me. They didn’t see me there.”

Their hushed voices still ring in your head like a fire alarm in need of new batteries: relentless, infuriating.

Don’t know what in the world a handsome gentleman like that is doing with a little girl like her. You’re tellin’ me. What a shame. Such a young thing – she can’t possibly know how to handle a man like that. He needs a woman his own age!

“They said I’m not good for you,” you weep. “That I’m too young. That I — I c-can’t be what you need.”

“Darlin,” Joel drawls. He fishes the tv remote off of the coffee table and flicks the screen off. Drops it somewhere next to him on the cushion. The apartment is noticeably quiet now, apart from your shaky breaths and the dull drone of an idling truck engine from the street below.

“You know I love you, right?”

You sniff again. Nod.

“I don’t give a shit if people think you’re too young for me,” he huffs. “You’re a grown woman. You give me everything I could possibly need and then some.”

“Yeah?” you squeak. You know deep down that Joel wouldn’t stay with you if he had any reservations about any aspect of your relationship. But after months of no reprieve from stinging glares and brash insults, you feel as if you’ve been broken down, reduced to an anxious, overwrought version of yourself.

Joel repositions himself, sprawling back on the couch and pulling you with him so that you’re laying against him. “Yeah,” he repeats, stroking your hair. He tucks a loose strand behind your ear, away from your glassy eyes. “Those ladies can get their asses in line.”

You laugh, then — a real, genuine laugh — the kind that Joel can somehow always pull out of you, even in the most inopportune of times.

You’re so grateful for him, for his innate ability to calm you down when it feels like the world is crumbling below your feet. Grateful that he’s yours.

You lift your head. Prop yourself up by the elbow on Joel’s thigh. Wipe away the lingering wet on your cheeks with a deep, settling breath.

“Does it stroke your ego, having a fan club of women who wanna fuck you?”

He smirks. Pulls you closer to him with a hand cradling your face.

“Maybe a little,” he whispers, his lips ghosting yours. “Does it stroke your ego, bein’ the only one who gets to fuck me?”

And in truth, it does. You’re the only one who knows where he likes to be kissed, how he likes his cock stroked, how to make him cum embarrassingly quick with just your mouth.

You’ve learned him intimately, every inch of him. Ruined him for any other woman.

So in a fucked up kind of way — it does.

“Yeah,” you admit. You suck his bottom lip into your mouth, silently reveling in the way he immediately moans, the way he bends to you.

“These all mine?” You bring a finger to his lips, sputter on a shaky exhale when he unexpectedly parts them and sucks the digit into his mouth.

“Mhm,” he hums around you, takes your free hand in his and guides it down his body, across the expanse of his torso, the plush of his belly, pausing when you reach his crotch.

Your pulse quickens, then, a dull throb forming at the base of your neck. You extricate your finger from his mouth with a gentle pop.

“This too,” he whispers, canting his hips up toward the flat of your palm.

He’s half-hard, his clothed bulge pleading for attention. But he pulls your hand away quickly, not letting himself get carried away at the feeling of your fingers grazing him through denim.

Instead, he re-situates it against his chest so that you can feel his heartbeat where it hammers under skin, against flesh and bone. “This is all yours too,” he says, voice so low it reverberates in your skull.

“All of it — all of me. Don’t gotta worry your pretty little head with anythin’ anyone else has to say about the matter. Got it?”

His words are spoken with so much conviction that you have no choice but to believe them, to let them stick in your brain like anchors in sand: deep and immovable.

Yours, yours, yours.

And nobody else’s.

“Yeah,” you smile into the column of his neck, inhaling his scent: mostly him, but with notes of you.

“Got it.”

It’s two weeks later when she makes a move on him: the woman with the perm. Joel is taken aback by her boldness, with you just a few feet away, digging your key into the lock of your mailbox.

“You must work with your hands,” she purrs, grabbing one of his wrists and examining his calloused fingers with such little integrity, his mouth actually slips open at the unabashedness of it all.

“Uh-”

“I’m Sheila,” she hums, raking her fingers through tight, blonde curls. “And you are?”

“Joel,” he grunts noncommittally. Wrenches his arm back. He doesn’t miss the way her eyebrows twitch in offense.

But she’s insatiable, this woman. She bounces back like a rubber band, not-so-subtly pushing her breasts together, the zip of her sweatshirt slipping down an inch and her mouth curving into a salacious grin.

You just about stop dead in your tracks when you round the corner to the lobby, junk mail in hand, and see her, her body turned towards Joel’s, chest pushed out and hip popped. She has a bedazzled tote bag full of groceries slung over her shoulder, a head of leafy greens poking out the top.

“Hi neighbor!” she smiles mockingly at you, all lipstick-stained teeth, when you sidle up to Joel. “I was just telling your friend here what nice, strong arms he has.” She’s not looking at you, eyes locked firmly on Joel’s biceps, nearly drooling at the sight of him.

Heat spools behind your ears, red-hot.

“Not her friend,” Joel corrects before you can. “‘M her boyfriend.”

“Oh,” she says. “Boyfriend.” Her lips wrap loosely around the word, like it’s some fanciful thing. “You’re too old to be someone’s boyfriend.”

Joel takes a step away from her, closer to you, and splays a steadying hand across your back. “Man-friend, then.”

You laugh, not because it’s funny, but because this entire conversation is fucking awkward.

Sheila pays you no attention.

“Well,” she sighs, overtly staring at the exposed skin of Joel’s chest, where the top two buttons of his flannel are undone, “Joel, if you’re ever lookin’ for a good meal, I’m just next door.” She flits her eyes up to his and smirks. “Know a big man like you has gotta eat.”

Your vision blurs scarlet.

Joel is equally as infuriated. The disrespect of this woman, to so openly flirt with him in front of you. His fists ball tightly at his sides.

“Thanks, but no thanks,” he gruffs. “Anyway, nice to meet ya ma’am-“

“Sheila,” she reminds him.

“Sheila,” he repeats, only to appease her. He turns to you, squeezing your waist affectionately. “We should probably get goin’, right sweetheart?”

You’re still fuming, barely able to register Joel’s voice next to you through the thick haze of pure fury clouding your mind, but you manage to nod, spit out a hurried yeah.

And with that, Joel is turning on his heels, pulling you with him toward the elevators. You don’t dare look back at her, but you can feel her eyes boring a hole in the back of your head.

Her footfall fades into the mailroom and you breathe a minuscule sigh of relief. At least she’s out of your sight.

“Please just move in with me,” Joel begs when you’re finally behind closed metal doors, the inspection plaque situated above the buttons suddenly extremely interesting as you try to focus on not thinking about setting this woman’s apartment on fire.

You’ve talked about living together a few times. It’s just — you’ve never considered it so seriously until right now.

“I can’t let them win,” you mutter, agitated.

You hate how they’ve made you feel, like you’re some helpless animal tucked in the corner, hiding from them. Just waiting for the next ambush.

With the passing of each floor, your anger simmers, bubbles into a silent rage in your stomach, one which threatens to boil over at the next underestimation of Joel’s devotion to you. You need to make it known, once and for all, that he’s yours.

Words from your grandmother play on a loop in your head, ones she repeated to you often when you were a child: if you don’t have anything nice to say, don’t say anything at all.

And then you have a thought — a devious thought — maybe you don’t have to say anything to get your point across. Not to them, anyway.

Your mouth is on Joel the second you’re back inside the four walls of your own apartment, slotting against his pulse point and sucking a desperate bruise there.

He’s not expecting it — why would he be? You’ve just been seething the entire elevator ride up to your floor, the entire walk down the long, winding hallway to your unit. He’d practically been able to see the steam billowing from your ears.

So the switch-up is more than a bit dizzying, to say the least.

“Whoa, darlin’,” he pants, his large hands draping over your shoulders. “What are you-”

“Joel.” Your voice is stern; it demands his attention. “Do you trust me?”

Your hand trails down his body languidly, in a straight line to the waistband of his jeans. And fuck, of course he trusts you — more than anyone. But this is wrong, fucked up, for you to make him feel good when you’ve been made to feel so small these past few minutes.

Still, his cock doesn’t get the memo, twitching in his jeans as you place another open-mouthed kiss on the underside of his jaw, your fingers beginning to fiddle with his belt buckle.

You give him no choice with the way you’re touching him, the way you’re looking at him when you pull back, all pleading eyes and parted mouth, but to resign all protest. He’ll give you the world, and if right now you want to use his body to blow off some steam, who is he to complain about it?

“Yeah baby, of course,” he breathes. “What do you need?”

You smirk at him audaciously, tongue smoothing over your teeth. “Need you to be loud,” you purr. Your voice is so innocent in juxtaposition to the words you spew. It sends a chill down the column of his spine. “Let them know who makes you feel good.”

He nearly cums in his pants untouched, grasps at the fabric of your shirt with clumsy hands and nods. “Fuck, okay.”

His belt falls to the floor with a clang.

He lets you take control, then. Lets you mark him with your tongue and your teeth, lets you back him to the door with deft fingers working his shirt buttons open before sinking to your knees in front of him, freeing his hardening cock from the confines of his jeans and boxers.

It’s already weeping for you when you pull it out, precum beading at the tip. He’s so big, growing heavier in your hand with each passing second, and you lose yourself for a moment, hypnotized by him.

“Always so eager to please me, aren’t you, pretty girl?” Joel’s voice pulls you back to earth, soft and adoring.

“Louder,” you remind him. Plant a kiss right over top of his leaking slit.

“Fuck,” he hisses through his teeth. One of his hands flies to the crown of your head, anchoring himself with fingers in your hair. “Dirty fucking girl.”

His voice fills the entranceway, confident and filthy.

“Mmm,” you hum approvingly.

“Yeah? You want me to tell ‘em? Tell ‘em you’re making my cock drool for you? That nobody — shit-” You enclose your lips around his tip, suckling on it as your fingers wrap around the base of his length and you begin to stroke him lazily. “-that nobody has ever made me feel this good?”

Footsteps echo down the hallway and the sound makes you reflexively pause, your hand stiling on Joel’s cock. It’s followed by the jingling of metal, the click of a key in a lock, the opening and closing of a door — all close enough that you can pinpoint the source, can tell where exactly it’s coming from.

Sheila is home.

Perfect.

It’s probably worrying how excited it makes you, the prospect of her hearing, of her sitting alone in her apartment, at her empty dining table, and listening to Joel fall apart at your hands. Maybe they’ve driven you to and over the edge of sanity with their words, her most of all. Regardless, you can’t help the way it makes your cunt flutter around nothing.

You lick a slow stripe up the underside of Joel’s cock, starting just above his balls and dragging the flat of your tongue up, up, up to his tip. His breath shudders, his grip on your hair tightening, and the subtle sting at the center of your scalp gives you another idea.

“Do you wanna fuck my face, Joel?”

“Do I wanna — fuck — you’re gonna kill me, angel.”

“Go ahead,” you encourage, unhinging your jaw as wide as it can go, letting your tongue droop over your bottom lip.

Saliva pools in your waiting mouth and Joel groans at the sight of you, so malleable for him, begging to be used.

“You sure?”

It’s not that he doesn’t think you can handle it. He knows you can. You’ve taken him down your throat more times than he can count. Always so fucking eager to please him, you are — just one of the many reasons he feels so goddamn lucky, so infuriated that anyone would think otherwise.

But still, he can’t help but worry that he’ll hurt you.

You nod, eyes locked on him, confirming beyond a shadow of a doubt that you want this. He nods back, beginning to feed his cock into your mouth, easing it in slowly and halting when his head hits the back of your throat, causing you to gag.

You don’t pull away, don’t show any indication of displeasure. In fact, you dig your fingers into the meat of his thighs, bearing down on him as you push forward. Mascara tears stain your cheeks as you choke on him, laser-focused on relaxing your throat so that you can accommodate more of his length.

Joel pulls back, retreating entirely before pushing in again. He slowly increases his pace, your eyes hooded, so doelike and innocent, as his cockhead bruises your larynx.

The sounds he’s pulling from your mouth are absurdly lewd: muffled gags and frantic inhales of breath. And then there’s him, moaning wildly, not sure if he’d be able to shut up even if he needed to be quiet. Your mouth is good, too fucking good and he’s going to — fuck, he’s going to cum if you don’t stop.

He pulls out abruptly, a string of drool and precum tethering the tip of his cock to your swollen bottom lip. You’re panting, coughing, still bracing yourself against his legs when you fucking smile up at him.

“Christ,” he says. “Fuckin’ angel, you are. Mouth feels like goddamn heaven.”

“Yeah?”

“Yeah. But I need to cum in that perfect little cunt,” he breathes, pulling a strangled moan from the back of your rawed throat.

He helps you up, spins you around to face the door. You brace both hands on the wood, humming as he pulls your pants down to your knees. His breath is on the back of your neck, trailing up to the shell of your ear with one whisper just for you, because he can’t help it.

“So fuckin’ beautiful, you know that?”

You shiver, responding with a tilt of your head, inviting him in with a needy little mewl. He cradles your face in one of his large hands, the other rubbing over the curve of your ass as he kisses you passionately, tasting himself on your tongue.

The hand on your ass trails lower as he deepens the kiss, two fingers pressing against your clothed seam. You’ve all but soaked through the fabric, wet cotton molding to his knuckles as he caresses them along your pussy before pulling your panties down in one swift motion.

You whine into the kiss, desperate and dripping for him. “Please,” you breathe against his lips. “I’ll make you feel so good, I promise.”

“Know you will,” he coos, mouth parting from yours as he straightens out and lines himself up with your entrance. You arch your back, rocking onto the balls of your feet as he teases you with the tip.

His cock is so thick when it finally notches into you. It’s always so devastatingly thick, no matter how wet you are for him. The stretch stings, a jolt of warm pain coursing through your walls as he stills halfway in.

“You okay?” he asks, one hand resting at the small of your back, the other on your hip, fingers gripping to you only tight enough to hold you in place.

“Yes, fuck — yes,” you whine. “Need you to fuck me, Joel.”

“I’m goin’ to baby, don’t worry,” 'he promises, pushing in another splitting inch. “Pussy’s so goddamn tight, ‘ts suckin’ me right in.”

It feels like hours pass with Joel’s cock motionless inside your aching cunt, his warm breath fanning across your back as he focuses on not cumming. You’re whimpering, begging under the weight of his body, to please just fucking move.

When he finally obliges you, pulling all the way out and then bottoming out in one deep thrust, it nearly punches the air out of your chest. You scrabble for purchase on the door, fingernails scraping against chipped paint. “F-uucckk,” you moan, eyes rolling back in your head as he sets a dizzying pace.

The sound of his balls slapping against the back of your thighs is enough to attract attention on its own, the loud smacksmacksmack going straight to your cunt. Joel growls behind you, driving into you even harder, the tip of his cock brushing against your g-spot.

“Oh, shit,” you cry. Your pussy inadvertently squeezes him and he curses at your back, low and deep.

“Not going to last if you keep doin’ that,” he warns. “Cunt is too fuckin’ good. Best I’ve ever — uuuhh — had.”

He’s not just saying it for show. It’s true. You know it is, too. He’s told you before, both under the influence of your pussy and not. Waited too many goddamn years to feel like this, he’d said once.

“It’s — fuck, it’s fine Joel,” you mutter. “I’m close too, just keep going, right there.”

A door across the hall creaks open. A pair of footsteps patter across tile.

Do you hear that? Yeah; what is that noise?

Joel laughs darkly behind you, snaps his hips up, forcing a guttural moan out of you.

“Think they caught us, darlin’,” he says. “Caught you takin’ my cock like you’re fuckin’ made to.”

Oh my word!

Joel is unrelenting, pounding into you despite the voices right outside your apartment, and you fear for a moment that you’ve created a monster. One of his hands leaves its place on your waist, cracks down on the center of your asscheek with a slap, the flesh recoiling under his palm and you gasp.

The feeling travels between your legs, straight to your neglected clit. It pulsates under the hood with every pass of Joel’s cock over your g-spot, and you feel yourself hurtling toward the edge dangerously fast.

If these people don’t leave, they’re going to hear you cum. Do you want them to hear you cum? Yeah, you think, clit jumping again at the thought, I think I fucking do.

“Joel, fuck-”

“You gonna cum?” he goads. “Yeah, can feel you squeezin’ me — you’re gonna cum, aren’t ya?”

This is vulgar! We should file a noise complaint. C’mon.

His hand snakes around your front then, finds your throbbing bud, and with a few passes of his calloused fingertips, you’re gone, vision whiting out and all noise around you muted.

Joel keeps you upright between him and the door, his grip on you tightening as your muscles slacken. He follows closely behind, cumming inside you with a carnal noise from the back of his throat, rope after rope of his spend filling your cunt.

He pulls out with a grunt, immediately collapsing on the floor. Without his support, you topple over too, falling onto his lap with a satiated giggle.

A banging comes from the other side of the wall then, shaking your kitchen cabinets a few feet away, the clanging of glassware jolting you.

Keep it down next time! I don’t need to hear that!

And then you’re laughing like teenagers, Joel pulling you in for a sloppy kiss, all tongues and teeth.

“Think they’re really gonna make a noise complaint?” Joel asks when you finally come up for air.

“I dunno,” you smile. “Does your offer still stand — for me to move in with you?”

“Always,” he vows, forehead resting against yours.

end notes: ty for reading! pls consider commenting or reblogging if you enjoyed <3

#joel miller x reader #joel miller x f!reader #joel miller x female reader #joel miller smut #joel miller one shot #joel miller fic #tlou fic #the last of us fanfiction #pedro pascal #pedro pascal as joel miller #pedro pascal smut #pedro pascal fanfiction #pedro pascal characters

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yaksha-lover · 6 months

Text

Someone New

Summary: Travelling worlds has its side effects; namely, having visions of multiple timelines. As you get closer to the housewardens after their overblots, you begin to see the possible future that awaits the two of you, if only you decide to choose them.

Overblot gang x Reader (Riddle, Leona, Azul, Jamil, Vil, Idia, Malleus)

GN but mentions of biological children - imagine anything you want though (magic spells that make anything possible!)

i. blooms of red and bursts of reason; riddle rosehearts

Even after knowing him for months, you don’t touch Riddle until long after his overblot. He isn’t truly comfortable with you, with anyone, touching him so casually.

The chill of autumn ghosts your skin, making goosebumps rise along your arms. When he notices you rubbing your forearms to gather some warmth, Riddle insists on offering you his coat. Something about ‘rule five hundred and nine.’

His ways don’t always make sense to you, but you appreciate the sentiment behind the action. You take his coat, uttering your gratitude to him, although it’s quite small considering his stature. He offers you a small smile; in Riddle’s case, you know that means a lot.

You can’t help but return his smile, the small affection making your heart stir suddenly. It’s nice - spending time alone with Riddle. At the beginning of the year, you’d never have imagined becoming close with him. It was hard to see past the strict housewarden who never let anything go.

You think he’d made assumptions about you too. About you being a troublemaker, someone not worth his time, just another problem. You’re thankful you’ve both come around.

You stare at him from the corner of your eye as you walk together. He truly is gentle at heart, despite what his temper might suggest. His red hair sits perfectly on his head, cutely framing his face. It makes you think of his mother; his hair is perhaps the only good thing she passed onto him.

You snap out of your thoughts when you step a little too hard into a puddle and accidentally splash your pants, slightly dirtying them. Riddle turns when he hears your grumble, and you prepare yourself for a scolding. You won’t hold it against him; it was your fault for being careless.

Instead, Riddle only shakes his head gently, before asking if you’d like to stop at Ramshackle to change before you two arrive at the library.

Your surprise forces you to take a moment and just look at him. So far he’s come from the person he was only a couple months ago. You feel strangely sentimental, so you reach out to touch his shoulder, intending to thank him.

As soon as you make contact with him, the world around you shifts, brown and orange leaves being traded for the bright green of spring.

You sit under a pagoda tree, the wind gently blowing the pages of your novel. It’s strange - you’re seeing things as yourself, but you’re not in control. It’s as though you’re replaying the memory of someone else. At the sound of someone’s voice, ‘you’ look up. It’s there that you spot familiar red hair; it forms a stark contrast to the vegetation around you.

He’s not alone, either. In Riddle’s arms is a small baby, with identical hair to who you presume is his father. It’s a striking image - Riddle with his child. He’s noticeably older; if you had to guess, he seems to be in his late twenties.

“MC? Sorry to bother, but he’s been refusing to eat today. I checked our parenting books thrice, but I haven’t found any suitable solutions. I thought you might know how to help him.”

“That’s okay,” you hear your voice say. “How is our little guy doing?”

Riddle passes the baby to you, and you finally take notice of his other features; this child has the same colour eyes as you, and a similarly shaped nose.

You then catch a glimpse of the ring sparking on your left hand, and the other on Riddle’s.

“Hmm,” you’re vision-self says. “Let’s go back home, I’ll try to see what’s bothering him.”

“Alright, dear. I’ll start on dinner,” older-Riddle replies.

He takes your hand and helps you up, before you walk back toward the house in the distance, your hand still in his.

When the greens turn to orange, you blink, finding Riddle looking at you. You’re back at NRC.

“Are you alright, prefect? You seem distracted.”

“I’m okay, Riddle. I just…never mind. Let’s get going.”

You decide not to tell him about your strange…Dream? Vision? It all seemed so real…you could smell the tree sap and feel the breeze flow against your skin. You held a baby. Your baby…with Riddle? The two of you were older, but would it really be possible for it to truly be your future? That seemed ridiculous. Then again, you thought the same thing about magic a few months ago.

You resolve to keep this strange occurrence to yourself until you can figure out what happened. It’s hard to look at Riddle, having now seen the two of you married and with a child together. You’re more flustered than usual. Was this just some kind of daydream projection of your fantasies about him? You weren’t even really sure you could say you have a ‘crush’ on him - after all, you’ve only recently begun getting close. Not that you haven’t thought of him that way at all but-

You’re sure Riddle takes notice of your strange behaviour throughout your study session but, thankfully, he doesn’t comment on it.

ii. dizzying dreams and endless nights; leona kingscholar

You’d fought Leona hard to get where you are now - on the left side of his bed, with Grim sleeping at the base. You’re exhausted with everything going on with Azul (hopefully) temporarily taking your dorm, but it’s hard to sleep with how worried you are about the situation.

Leona’s room is dim, moonlight cascading over the silk sheets. You can barely make out his form, curled up in the blankets and turned away from you.

You don’t want to disturb the sleeping lion, but he happens to be hogging the entire blanket. You suppose you should’ve known, but it wasn’t as though you had time to take anything from Ramshackle.

When the chill becomes too much to ignore, you try to tug part of the blanket away from him. This causes Leona to roll over, arm suddenly falling around your back.

You’re hit with another wave of blurry vision as the moon melts into the sun.

“Morning,” you hear a voice, your voice, say to him. Your tone is playful and lightheartedly chastising. You can feel his arms wrapped snuggly around you.

It’s happening again, the same as with Riddle. You’re seeing things from your own eyes, but you’re not in control.

A groan comes from behind you, Leona shuffling his position but refusing to open his eyes. His bare legs brush yours under the covers. “Too early. Go back to sleep.” He pulls you closer into his chest.

‘You’ laugh gently, turning around in his arms so you’re now face to face. “You promised the queen we would attend this banquet. Especially after we missed the last one.”

He looks older here too, but as gorgeous as ever. Despite just waking up, Leona’s dark hair falls perfectly around his face. The room is different than his one at school; it’s still a bedroom, but it looks as though you’re back in the castle of Sunset Savanna.

Leona finally opens his eyes, looking at you with a heavy gaze before flipping you below him. His arms hold him straight above you, looking down on you lying prone on the bed. “Hmph.” He leans in close until your lips are only millimetres apart. “We have some time, don’t we?”

You’re left staring into those piercing green eyes, entranced by them being closer than ever.

With that, he leans in completely, lips brushing over your own as he begins to kiss you. The longer it goes, the more ravenous he becomes, more and more greedy for the taste of your lips.

When the sunlight fades to moonlight, you’re left embarrassed. That was - so much worse than with Riddle?! Ugh, it’s so awkward with Leona sleeping beside you now, like you’ve violated some kind of rule by thinking of him that way.

You’re too afraid to even consider the possibility of it being some kind of dream. It came on so suddenly, but you hadn’t been asleep. The whole thing seemed so real, too elaborate for a simple dream. No, it had to be more than that - some kind of vision - but how could that be true? And what did that mean about your vision with Riddle? Surely they couldn’t both be correct.

You’d intended on ignoring it before, but with Leona’s vision, that seemed futile. Perhaps the staff would have some answers for you…

iii. seashells shimmer in the forever sea; azul ashengrotto

Azul isn’t one for touching, and this time neither are you. Ever since the Crowley’s theory about alternate universes and rips in time since you’ve travelled worlds, you’ve decided it’s best to stay away from touching too many people. It was…interesting, to see a possible future with Riddle and Leona, but it’s certainly left you ambivalent. It’s a bit difficult not to avoid them when your mind drifts to your ‘visions’ while in their vicinity.

Riddle is kind enough to ignore your sudden shyness, but Leona has openly called you out on how flustered you get around him. He seems both confused and amused about the development, and his smugness is too much to handle sometimes.

Fortunately for you, Leona doesn’t hang around the Mostro Lounge much, making it the perfect place for you to avoid him. You try to force Ace and Deuce to come with you and study there, but the two have been reluctant considering their previous encounters with the twins while trying to get Azul’s picture.

That means you’re left to go alone, sometimes. Well, alone except for Grim. He never leaves you hanging as long as you agree to buy him food. Just like today, where he sits passed out across the other side of the booth, having eaten himself into a food coma.

You try to return to your homework, but out of the corner of your eye, you catch Azul staring at you from the staff area. When you make eye contact, he only waves, smile dripped in plasticity. When you don’t clue in, he walks toward your table, eventually taking a seat across from you, beside Grim.

“Hello, Prefect,” he says.

“Azul.”

Unlike Riddle - and even to some extent, Leona - you haven’t really gotten close to Azul after his overblot. He doesn’t exactly want you to, it seems.

“I noticed you’ve been frequenting the Lounge quite frequently as of late - I just wanted to thank you, for being a dedicated patron.”

“I’m not doing it for you, but you’re welcome, I guess.”

“Ah yes, I presumed. So, who are you doing it for?”

Your mind snaps to thoughts of you and Leona in the future, his arms around you in his bed-

“Nothing. No one. Do you need something, Azul?”

Despite your attempt at neutrality, Azul must see something on your face as you attempt to rid your mind of your vision of Leona. He leans in a bit, curious to observe you.

You begin packing up your things, too distracted to continue studying.

“No need to leave on my account,” he says.

“It’s not.”

He stands at the same time as you, presumably planning to head back to his office. Unfortunately for the both of you, you hadn’t noticed Grim migrate to his place sleeping on the floor. When you take a step forward and trip, Azul is, tragically, directly in front of you.

Your arms reach out instinctively, but instead of stabilizing yourself by grabbing onto his shoulders, the force of your fall knocks the both of you over.

As soon as you make contact with him, your vision swirls into another world full of beautiful blues.

The coral sea is even more breathtaking than you remember. You’ve only been a couple times, but the drastic differences between the land and ocean always manage to stun you. The water is so clear that it practically glitters as you wave your hands through it, feeling the water pass refreshingly across your smooth skin.

You’ve never been to this specific place before (presumably, it doesn’t exist yet), but it’s clear what it is: a restaurant. If the octopus logo has anything to do with it, clearly it’s Azul’s. It wasn’t too surprising to you that he would have more restaurants open in the future, but you weren’t sure what you were doing here. If the pattern followed, it seemed inevitable that you and Azul would be…romantically-involved in this timeline, but that just didn’t seem possible.

At least you had befriended Riddle and Leona to an extent - Azul looked down on your existence as a magicless person, seemingly entirely apathetic about you in general. You had to admit, the feelings were mutual considering his treatment of you and your friends.

You feel ‘yourself’ look around the restaurant, before heading back into the staff area. You knock on the door to an office, and Azul opens it with a smile.

He, too, is older. His face has matured a bit and he also wears his hair a bit longer. Azul still has his grey suit, though.

“Hello, MC. Done for the day?”

“I guess so, boss,” your voice replied cheekily. Boss?? Why would your future self ever work for-

“Hmm, I may have more tasks for you, why don’t you come in~”

With that, future-Azul takes your hand and tugs you into his office. On his desk sits several picture frames; one of his parents and one of his wedding. You happened to spot yourself in the second one.

It’s a bit jarring to see; you and Azul posed together, dressed up in such fancy clothing. His arm sits around your shoulder, and yours around his waist. Before this, the two of you have never even shook hands.

You hear yourself giggling, cornering Azul against the wall as soon as he closes the door and bringing your arms around his neck to kiss him.

You can already feel the dread forming; you definitely won’t be able to spend time at the Mostro Lounge after this…

As the two of you pull away, Azul starts talking about a reunion for your graduating class at NRC.

“I told them maybe - with the new branch of our restaurant opening, we may wish to stay back. Then again, it could be a great opportunity to network for us. What do you think, dear?”

Before you can hear your reply, the world fades back into the familiar lighting of the Mostro Lounge.

A groaning Azul is beneath you, having (unfortunately for him) broken your fall.

You utter a quiet ‘sorry!’ as you get off of him, still a bit flustered from your vision.

He gets up, dusting himself off. Thankfully, the two of you are in a rather secluded area of the place, so no one was there to witness your embarrassment.

Azul can no longer maintain the facade of kind gentleman as he turns back to you, voice dripping with passive aggressiveness.

“I would prefer if you refrained from touching me in the future. Thank you.”

With that, he gets up and leaves. You shake your head - how could there possibly be any timeline where you’ve married him?

iv. jaded jewels shine, awaken from slumber; jamil viper

While helping out with the VDC, you’ve had time to get close to Jamil. Much closer, in fact, than with any of the others you’ve had visions of before. Now you’ve avoided touching him for a whole other reason - you’re scared you won’t have a vision.

Spending time with Jamil has made you realize things you’d never thought about him before - his handsomeness, intelligence, and talent. You’ve developed a bit of a crush on him, considering how much you admire him.

However, you have no idea how he feels. Jamil has never been one to express his feelings so outwardly, but you can’t get a read on him at all. He’s been polite with you, but he’s treated you basically the same as everyone else.

Your attempts at getting closer to him have been rather unsuccessful - the group is so busy practicing, everyone’s been way too exhausted to really do anything.

You manage to get a moment alone at Ramshackle when the rest of the boys have gone to sleep, and you find Jamil sitting out on the porch alone.

“Hey,” you say. “Mind if I join you?”

Jamil turns to look at you before nodding his head. You take a seat beside him, following his gaze to the stars. The sky is dark but the moon casts a glow on him, making Jamil look beautiful under the light.

“What are you thinking about?”

He hums for a moment before replying, “What I’m always thinking about - how things will just go back to normal again after the end of the VDC.”

You don’t really know what to say; his fears seem inevitable, no matter how much you want to comfort him. “I’m sorry…I can’t understand what it’s like for you, but…what if you could still have some kind of happiness in your life?”

“Like what?”

“I don’t know…you could still find love?”

“Find love? You think that’s what I care about?” Jamil’s tone is bitter, but his voice never rises. “Sorry, but you’re awfully naive. Things like love won’t make my life better. It’ll only complicate things.”

“I-I understand.”

When your voice shakes, Jamil finally looks up at you, sighing when he spots your watery eyes.

“Prefect, relax. I’m not angry at you. It’s just a frustrating situation for me, I’m sure you know. I don’t have time to think about love. I just need to focus on myself.”

With that, he pats your shoulder before standing up, leaving you alone to stare at the night sky. Jamil hadn’t even realized you were trying to confess to him, and you felt terrible for even trying to bring it up. Of course he wouldn’t be able to think about something like your stupid little crush - you feel so silly for even bringing it up, you should’ve known better since you know all about his circumstances.

It was then you realized - Jamil had touched you for the first time. He touched you and nothing happened.

The first one you’d been seriously interested in, and there seemed to be no future for the two of you.

Was it possible you’d already messed up this timeline, making it impossible for that future with him to occur? The whole thing made your head spin and your heart ache.

v. swept into spotlights, doused in delicacy; vil schoenheit

Vil had been a surprising comfort in the wake of your unrequited crush on Jamil. The two of you had gotten closer after VDC, and Vil had a way of pulling honesty out of you. It had only taken him a couple days of observing your awkwardness to guess at the situation.

He’d been a shoulder to cry on, both literally and figuratively. There’d been a moment when he first pulled you into his arms that you’d wondered - hoped - that he might be a possibility in your future, but alas, no vision. It was a bit disappointing but you knew it was wrong to feel too badly; it would be greedy of you to desire a connection with so many knowing you could only end up with one.

Vil became a friend - someone you could rely on, someone who could make you laugh, and someone who couldn’t break your heart.

Even when you would start to feel something more than platonic for him, you had to push it away. He was certainly gorgeous and talented and perfect…but he wouldn’t be that for you. He couldn’t, apparently, and maybe he wouldn’t want to either.

Vil was more than just a fellow student - he was an actor, a model, a celebrity - someone too far to reach. Even if you had a vision with him, would it matter?

You’re snapped out of your thoughts by Vil’s hand on your cheek, turning your face to get the correct angle to apply your eyeliner; he’d insisted you get dressed up with him and Rook to go out tonight.

“Move onto the bed,” Vil says.

You stand from the chair in front of his vanity and move hesitantly toward his bed. His silky sheets look perfect - you don’t want to ruin them. Looking back at him, Vil rolls his eyes and gently pushes you toward the bed until you lay back.

You’re left staring up at him on your back, while he sits above you, applying the rest of his products on your face. He’s so close to you, his luscious golden hair almost tickles your face. His pretty purple eyes don’t focus on your own, following his makeup brush.

He looks cute like this, concentrating hard to perfect your makeup. He bites his lip gently, drawing your attention to his pretty mouth, shining with the pink gloss he’d applied earlier.

When he leans away to pick up the blush, you mistakenly think he’s finished and try to sit up. At the same time that you rise, Vil turns back to face you. The timing coincides into an accidental and brief meeting of your lips.

It takes a second for you to realize that the dizziness your feel isn’t due to your racing heart, but the sudden appearance of another vision.

The lights flash, bright and blinding. The sharp clicks of cameras obnoxiously disrupt the music heard softly on the street from nearby restaurants and clubs.

You’re rushing away with Vil, hand in hand as he pulls you toward a black limo waiting up ahead. You nearly stumble, but Vil is quick to stabilize you.

Once the two of you escape the paparazzi, you’re left sitting side by side in the backseat of the limo, both breathing heavily. Vil gives the driver instructions to return back to his penthouse.

He turns to you. “Are you okay, darling?”

You feel yourself nod in affirmation, taking ahold of his hand again. He squeezes back.

“I’m sorry they’ve ruined another date. I know it’s hard for you not to have much privacy, but it seems no matter what I do, they find us.” He strokes your hand with his thumb.

“It’s okay, Vil. I knew what I was getting into, dating a celebrity and all that.”

He plants a kiss on your cheek. “Still, they shouldn’t bother us. I may be a celebrity, but you aren’t. You deserve privacy.” He sighs gently. “Has this…impacted our previous discussion?”

You look back up at him. You assume based on past visions that he’s much older now, but he’s kept his youthful and gorgeous look. Even now, his purple eyes make your heart flutter embarrassingly.

“Of course not. I want us to have kids together. You’ll be the best dad and protect them from all this. I know it.”

He kisses you on the lips this time just as your vision begins to end.

Vil snaps his fingers over you as you come too, rolling his eyes.

“I know my lips are practically intoxicating, but did you really get that worked up over an accidental peck between friends?”

Your face becomes hot at Vil’s statement, embarrassment setting in. He doesn’t know how right he is.

“Ah, sorry. I got…distracted.”

Vil laughs gently. “Why? Thinking of more of my kisses? They’ll cost you~”

When you stammer in response, he just ruffles your hair gently.

“I’m just teasing you.”

You stare at him for a moment before speaking. “I don’t think we can do each other’s makeup platonically anymore.” If it ever was, that is.

Vil rolls his eyes dramatically again.

vi. hidden in shadows, warmth comes in waves; idia shroud

The incident with Vil leaves you even more confused than before. It makes you wonder…if just touching isn’t always enough to have a vision, does that mean a future where you end up with Jamil is still possible? You don’t even want to hope, knowing the heartache he’d unknowingly caused you before.

And Vil…having a vision about him makes this complicated. When it was just lingering thoughts you could push to the side of your mind, your growing infatuation with him was easy to ignore. Actually seeing your future with him, has made your heart swell and ache at the same time.

You don’t exactly choose to become friends with Idia, it just kind of happens. Just like the previous situations where you’d attempted to avoid the star of your latest vision, Idia is someone who seems like a good choice to help you stay away from them. He isn’t good friends with Jamil or Vil (or frankly anyone). Incidentally, the two of you become friends after a small argument over an anime (the only topic that allows Idia to temporarily overcome his social anxiety just to disagree with you), and you begin to hang out occasionally.

The more your old friends hang out with the VDC group, the more you begin to make excuses and go play video games with Idia and Ortho.

It feels strangely easy, spending time with Idia. You never have to pretend, and with your shared interests, conversation comes naturally. Once you’ve spent enough time around him, he feels much more comfortable around you, willing to share his (strong) thoughts and opinions on everything.

Idia is very…different than you would’ve guessed before you knew him well. While he can be rude, you find it more funny than offensive, and it’s pretty fun to banter with him. His room holds small glimpses into his true personality; video games he loves, posters of his favourite characters. His passion for these things is clear as day.

Sitting on Idia’s couch, you’re playing against him and Ortho in Super Smash Bros. Ortho immediately claimed Kirby, proceeding to destroy the both of you multiple times until he emerged as the winner.

Despite the loss, both you and Idia can’t help but smile. Ortho makes a celebratory noise, before turning back to you.

“MC, we are about to encounter another rip in the time continuum,” Ortho says. “I’m so excited, do you think it will finally be my big brother’s turn to earn your love?”

“What?” you and Idia say for different reasons.

“How do you know about that?

“Earn their love??”

“It’s part of my programming to monitor all things involving space and time.”

“Huh. Okay.”

You suppose it’s true, you’ve never really touched Idia before. The two of you got along like best friends; it wasn’t so much of a stretch to say you could end up having a future together. You hadn’t thought about it much, in light of recent events.

“Usually you’re the only one able to see, but since Idia’s here, why don’t I show him too!”

“I don’t think that’s a good idea, Ortho,” Idia says.

“I think it will be good for you, brother! Don’t worry, I’ll give the both of you some privacy to see your future. It’s approaching in three, two-”

When his countdown reaches one, Ortho plops your hand on top of Idia, making your vision fade once again.

The Island of Woe is familiar to you by now, after everything that went down with Idia. The architecture remains impersonal; the uniformity of the blank steel walls reminds you of a maze. The thought had unsettled you, the last time you visited.

Strangely enough, you don’t feel that same sense of anxiety and claustrophobia in this vision. You’re strangely calm; it wouldn’t be crazy to assume that exposure and familiarity has dulled these feelings.

The scene is devastatingly unsurprising. You suppose you’d always known what Idia’s future would be; what all his ancestors futures had been. That hadn’t lessened the spark of hope you’d been carrying that perhaps things might turn out differently than he believed.

You had a bad habit of that: false hope for Jamil, false hope for Idia. It didn’t truly do anyone any good, no matter how much you wished it to.

You’re in Idia’s room. Aside from its size and how nice it is, the decor is a clear giveaway. The posters that line the walls aren’t from media you recognize, so it must be future content, but it’s all in line with Idia’s current tastes. You’re happy he has that, at least. You even catch a glimpse of a couple of his old posters from NRC rolled up in his closet. A few pieces even stand out, things that seem much more suited to your taste than his own.

A familiar head of blue hair wanders into the room.

“Hey MC.”

“Hi Idia,” you feel your lips gently pull up in the corners. Despite ‘your’ outward expression in the vision, you feel a small twinge of pain in your chest.

Idia’s entrance into his room (your room?) lets you take a close look at him. Even ten or so years later, it seems he hasn’t been able to rid himself of his eye bags. Even so, you still think he looks nice, his vibrant hair illuminating his pretty face. He’s cute, smiling back at you.

“Sorry I’m back late again. There’s been so many problems with the new system update, even Ortho can’t handle it himself.” Idia’s expression drops a little.

“It’s okay, I know you’re busy.”

Idia comes to sit beside you on the bed, head turning toward you. “Is it though? Stuck down here with me, and I can’t even be by your side half the time. I doubt this is the life you- anyone would dream of.”

“I miss you, of course I do. But I chose this life. I chose you.”

“Maybe you shouldn’t have.”

The tears well in your eyes before you can stop them, and Idia’s panic only rises once he notices.

“Gah!! No, MC, please don’t cry. I didn’t mean it like that. Sevens, I’m so stupid.” Idia awkwardly pulls you into his arms, and you begin wipe your tears onto his shoulder as you settle down.

“Sorry, I-I don’t know what came over me,” you sniffle.

“Don’t apologize, it was my fault. I don’t know why, every time I try to tell you how I feel, it always just comes out wrong. I try to tell you that I love you, that you deserve better than to be stuck here with me, and it comes out like that.”

“Idia…I know what you meant, it just took me by surprise to hear those words.”

“Loving you is supposed to be the one thing I can do to make your life here better, and I can’t even do it right.”

“Says who? Don’t you think I should be the judge of that?”

“I made you cry, MC! Something is wrong with me…”Idia’s cheeks flush pink as he stares at his feet.

You want to comfort him, to tell him that it doesn’t matter, but you quickly feel yourself being pulled away. You’ve never wished more than to have a few more moments in a vision.

The room remains silent for a minute after the vision ends, the both of you trying to process what had happened.

“Idia…” you say, trying to bridge the gap between you, but not exactly knowing how.

“Maybe- I uh - maybe you should leave?” Idia says sheepishly.

“Leave? What did I do?” you say, feeling a bit hurt by his suddenly rejection.

“Nothing! I just- I’m sorry, I need some time. I can’t speak right now, I need to be alone.” Idia is clearly panicked, so you follow his brother to the exit.

“Sorry, MC,” Ortho says, opening the door for you. “Sometimes Idia gets overwhelmed in situations like this. Please, give him time and…please don’t give up on him like everyone else does.”

vii. sun and moon, forever in orbit; malleus draconia

You’ve known Malleus as long as you’ve known Riddle, but despite your blooming friendship, you’ve never had the chance to touch him before. The fae always seemed to prefer to keep his distance when visiting you at Ramshackle; close enough to talk, too far to touch.

That all changes when you finally agree to join the gargoyle studies club. It’s not as though you’d purposefully avoided it before, there’d just always been too much going on to really think about joining any of the clubs.

With Idia shutting you out, you were in dire need of a new hobby that would allow you to finally avoid thinking about what had gone down with him in the days before.

When Malleus finally strolls by Ramshackle again, you’re able to inform him of your intention to join his club.

It’s a remarkable thing, having stunned the fae prince into momentary silence at your request. He furrows his brow before replying.

“I do hope you aren’t making a joke at my expense, prefect. That would be rather cruel of you.”

You wave away his words, telling him that you’re entirely serious. He looks you up and down for a moment before a playful grin pulls at his lips.

“I suppose I will see you in our meeting on thursday, then. Please, don’t be late. We have much to see.”

Weekly meetings become bi-weekly, and soon you’re meeting up with Malleus almost daily. Since it’s only the two of you in the club, you take certain liberties when it comes to subject matter. You agree to let Malleus show you some ruins and he, in turn, agrees to watch the bachelor with you.

You don’t even like the show, but Malleus’ reactions are the real entertainment. He’s surprisingly sassy and opinionated about all the drama, although he tends to get confused on ‘human customs’ as he so puts it.

“Why won’t he make a choice? It’s clear who he truly desires,” Malleus asks one day, sitting on Ramshackle’s beat up couch as you watch the reality show together on your laptop.

“I don’t know, the guys on this show are always like this. They want to keep around as many options as possible until they’re forced to choose,” you mumble, mouth full of popcorn.

“Human men are fickle.”

You laugh. “Fae aren’t?”

He takes a moment to answer. “Some. Not dragon fae. Once we choose a person to love, we give everything to them, and expect the same in return.”

You don’t know how to reply to that, so you turn back to the screen. Throughout the rest of the episode, you can feel Malleus’ gaze flicker between yourself and the show, not fully invested like you are.

You’re not oblivious to his hints. It’s clear that things between you are become more than friendly, but it’s difficult to know how you feel about it.

On one hand, Malleus has always felt strangely charming to you, despite how he often came off to others. There was something about him, or perhaps just the sum of his parts that came together perfectly to make him into a wonderful being.

Spending time together and getting close felt nice, but you were far too used to this pattern to not feel worried about some kind of impending doom. It seemed every time you had a nice friendship, things would fall apart as soon as you found out about your future together.

Even when pleasant, the strangeness of the experience makes it uncomfortable to be around them again. You’ve felt bad avoiding your friends, but there isn’t much you can do to change your feelings.

Even worse - what if your vision with Malleus isn’t positive? After what you saw with Idia, the fear lingers in your mind.

Once you opened the gate, questions begun to flood your brain. What would a future be like with Malleus? Would that even be possible? Would you be his consort? Would a relationship between a human and fae be accepted? Would you be able to handle it? The anxieties were endless.

You think about telling him about everything. About Riddle, Leona…but how would he react? You tell yourself that it’s better if he doesn’t know. At least not until after.

He’s the first one you touch on purpose; you have to know.

A casual stroll around Ramshackle leads to the purposeful brushing of fingers, and you’re pulled into a familiar haze.

You’ve never been to Briar Valley, but you know with certainty that your vision takes place there.

The hall you sit in is long, gold trims running along the walls. The black dragon heraldry mounted above the fireplace at the end of the room looks more expensive than anything you’ve seen in your life.

Two wide doors swing open, and Malleus finally enters the room. He isn’t alone.

A small black shape zooms past his legs, plopping itself in front of you.

“Daddy and I picked you flowers from the garden!”

The blur isn’t some shadow, but instead a small child. Five or six, if you had to guess. If her words didn’t give away her parentage, the small, stubby horns peaking out from the top of her head of dark hair certainly told you this was Malleus’ daughter.

“Thank you, sweetie.” You smile at her, taking the flowers she drops in your hand. There’s still some dirt and roots attached, but she’s so adorable, you truly don’t mind.

“Can Uncle Silver take me horseback ridding today?” she asks you. “Daddy said it’s okay with him if it’s okay with you.” She blinks at you sweetly.

“Alright, I suppose. Just be careful, dear,” you reply.

“I have the best parents in all the kingdoms!” she shouted, running along to her chambers to get ready, leaving only you in Malleus in the room.

“She’s so lively today,” you comment, looking up at him.

“Indeed,” he replies, coming to rest beside you. “You look beautiful, my love.”

“And you, my king.”

The two of you share a kiss. It’s all so - dizzying. It’s not unexpected to have a child with Malleus - you had one with Riddle, but this is different. This child is older, she knows you, she feels so real.

He pulls away to smile at you. “I have a gift for you.”

“What’s the occasion?”

“Need there be one for me to celebrate my wonderful spouse?”

“I suppose not. Thank you, Malleus. No matter how many gifts you give, I will treasure them all.”

He pulls out a box from his pocket, asking you to turn around. You feel him guide a cold band around your neck, clasping it in the back. He then places a small, handheld mirror in your hands, urging you to look.

The necklace he’s given you is beyond stunning. It’s silver, with a dazzling gemstone in the middle. You don’t even want to ponder how much it must’ve cost.

You catch a glimpse of yourself in the mirror.

It’s strange - seeing yourself much older when Malleus looks the same. It unsettles you more than you’d like to admit. It’s one thing to know you’ll age at different rates and another to see it with your own eyes.

This must be something on your mind in the future as well, because of the next thing you decide to ask Malleus.

“Will I see her grow up? For me, it feels like she’s been young forever. I love it and yet…I want to see more of her life than just this.”

He doesn’t ask who you’re referring to. “You will. You’ll see most. I was practicing mature by my eighty-first birthday.”

You sigh. “I may not even get that far. I’m healthy now, but who knows. The curses of being human…”

He tilts your chin to face him. “It is not a curse to me, my love. I chose you, and I would again.”

There’s infinitely more to discuss, but you already feel yourself slipping away.

You come to from the vision mid walk. Malleus is unaffected, seemingly still in the middle of one of his explanations behind the rich history of one of gargoyles you’d just passed by.

When he notices your silence and turns to ask if you’re alright, you have no response for him.

It seems almost selfish, for you to choose him. Why- why did there need to be so many things wrong? Why did you have to be human, to pain him and your future children by leaving them behind so early?

The joy and the pain - would it all truly be worth it? Or would it be better for it to have never happened?

Malleus looks at you with concern, wiping the tears suddenly cascading down your cheeks.

“What’s wrong, my child of man?”

Everything and nothing, you want to tell him.

viii. all things end, all that we intend; conclusion

Seven beautiful souls, all potential endings. Every future you glimpsed has it’s own charms, and it’s own poisons.

Which future will you choose? One of them? Or perhaps…another?

#pls ignore any mistakes i’m too tired to proofread #twst x reader #twisted wonderland x reader #riddle rosehearts x reader #leona kingscholar x reader #azul ashengrotto x reader #jamil viper x reader #vil schoenheit x reader #idia shroud x reader #malleus draconia x reader #riddle rosehearts #leona kingscholar #azul ashengrotto #jamil viper #vil schoenheit #idia shroud #malleus draconia #twst #twisted wonderland

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steddiewithachance · 4 months

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I'm Here on Business

Wayne is a regular at the bookstore Steve works at and badgers Steve into going on a blind date with his kid.

For @extocancer Happy New Years!!! I hope you enjoy your presents ◡̈

***

It's a quiet night in the little bookstore on the corner of Brinks and Williams. Steve is sitting behind the check-out counter flicking the leaf of a potted pothos placed next to the register. Soft music plays from the radio behind him.

Steve likes taking the evening shifts at the shop just to see the place warmly lit up by all of the eclectic and ornate lamps that Amber, the owner, has collected. The store doesn't give him migraines from obnoxious fluorescent light, which has been an issue at previous jobs.

Ever since Robin moved out of their apartment for Grad school, it's been upsetting to be at home alone at night. Without her company, the couch feels longer. And without her unhinged apartment decor, the walls feel taller and colder. Consequently, Steve has taken on more work hours instead of being home.

Plus, he has kind of fallen in love with reading. It came as a shock to him that he could enjoy it as much as he does. It started when his all-female team of coworkers began ranting to each other about these romance novels they were all into. He felt a little left out and decided to give one of them a try. It turns out that reading was actually a really great coping mechanism for dealing with his temporary loss of Robin.

The nicest, and most surprising thing to come out of this job though, is probably Wayne. A one-time customer turned regular, turned tentative friend for Steve. He's got a caring, parental energy that Steve's own parents never had.

The guy looks like he'd have a gruff or standoffish personality. His face naturally rests in a frown and he's got receding grey hair. He wears a flannel every day without fail; he's got a million different colors of them and Steve has even made a game of predicting which one he'll be wearing when he comes in.

"Did ya guess right today, boy?" Wayne will ask.

"No," Steve often admits glumly. "The universe told me you'd be wearing your green and blue one."

So anyway, Wayne comes around a lot to make small talk. He often mentions how he misses his son, Eddie. He's so stiff with personal information about his kid, but one time he let it slip that Eddie was on tour with his band. Steve had a field day afterward colluding with Google to find out exactly who Wayne's son was.

Eddie Munson, lead singer and guitarist of rock group Corroded Coffin.

Steve hadn't heard of ‘em but they certainly have a following. He listened to some of their stuff, to give himself some context for the next time Wayne brought up Eddie's music. It was nice enough, the guy has a good voice.

Steve's been waiting for Wayne to come in tonight. He's later than usual and it would be ridiculous for Steve to worry about a man who probably just thinks of Steve as that one kid who works at the bookstore. He may not come in at all tonight, and that would be fine too. Steve's still holding out on him pulling up in his... yellow flannel.

Steve's about to cave and start the next book in the current series he's reading when the door jingles. Wayne pushes inside in his mother fucking yellow flannel.

"Yellow Flannel!" Steve exclaims. Wayne chuckles and drops a book on the counter followed by a receipt.

"You got me right today?" Wayne asks fondly.

"Yup. It's been a while. I was aching for a win." Steve starts returning Wayne's book for him without giving him slack this time. Wayne treats the store like a library and Steve doesn't have the heart to tell him it's not allowed.

"Was this book any good?" Steve throws Wayne's receipt back at him and starts moving around the counter to put it back on the shelf for some other historical fiction lover to purchase.

"It was just alright." Wayne follows behind him languidly, eyeing the rows of colorful book spines for something that catches his eye. "But actually I'm here on business tonight."

Steve leans on the shelf and waits impatiently for Wayne to tell him what sort of business he's on.

"I think you ought to go on a date with Eddie. I think you two'd compliment each other."

Well, that's... not what Steve was expecting to hear.

"That's business to you? You came here to set me up on a blind date with your famous kid? I think he's gonna be a tad underwhelmed by a bookstore employee, Wayne." Steve's not gonna lie, he's a little intrigued by the prospect of dating a musician. He read a romance novel about one, not that long ago. Concerts, greenroom intimacy, targeted lyrics: Steve could be into it, in theory.

And ultimately, Steve did see photos of Eddie on Google and he's attractive. He looks good holding a guitar.

"He's gonna be home for a while so I figured now's a good time. Just go on one date. He's a big softie, you'll like him." Wayne pulls a book off the shelf and squints to try and read the title. He holds it further from his eyes before giving up and pushing it back into its slot.

"What happens if he doesn't like me? Will you still come around?" Steve runs a nervous hand through his hair. It wouldn't be the end of the world if Wayne stopped showing up, but it would probably hurt a little. It might fan the flame of his fear of abandonment.

"Of course, unless you break his heart. I know where you work, young man." Wayne pats his shoulder good-naturedly.

"Okay old man, you need my number to hand off?"

***

A day later, when Steve feels his phone buzz against his thigh, his instincts already know who it is. His heart gives that anticipatory squeeze he often gets before a first date with someone he finds attractive.

The text reads:

Hi Steve, this is eddie. Wayne swears we're soulmates. Wanna get dinner on friday?

It's a funny text to receive out of nowhere. Steve doubts Wayne actually used that word, but he imagines that Eddie is probably getting more of an earful than Steve got about this whole blind date. He also wonders what kind of person calls their dad by their first name.

Hi Eddie. I'd love to get dinner on Fri and discuss our soulmate status. I'm pretty sure he expects us to be married by the end of the night. Should I bring my tux? Also do you have a time and place in mind?

The master of puppets (Wayne) suggested we go to Maggiano's, are you okay with Italian? 8 maybe??? Tux optional but I think I will not be wearing one.

Haha. That sounds good Eddie, it's nice to hear from you. I'll see you soon.

***

Steve has to ask Amber to change his shift for Friday to work in the morning instead of the evening.

"Steve has somewhere other than work to be on a Friday night? Unheard of!" She slaps her palms down on the book display she was laying out.

"I know. I'm surprised too." Steve fiddles with his lanyard and gives her a 'please say yes' smile. She sighs.

"Yeah, I'll cover you. You can take my morning slot."

"Thank you! I owe you, boss."

***

When Friday arrives, Steve has the nervous jitters. It's been about a year since his last date, it didn't go very well. He's flattered that Wayne thinks highly enough of him to set him up with his kid.

Steve picks up a few small gifts for Eddie on his way home from work. He always brings his first dates a little something. He likes to see the way their faces light up. He thinks maybe he should get Eddie something music-related. So he walks into a little music store he's never been in and asks for small gift ideas for guitarists. He walks out wearing a smile, and hoping Eddie digs what he bought him.

And he's all smiles and confidence until he pulls up to the restaurant at eight and realizes he didn't send a confirmation text this morning. That's like, a rule, right? What if Eddie doesn't show up?

Steve steps out of the car and is equally anxious and relieved to find him leaning artfully against the restaurant near the front door with his hands in his pockets.

His curls are haloed by the warm light spilling out of the restaurant window. He's wearing a dark button-down with the sleeves rolled up to reveal tattoos on his forearms. And yeah, okay, he's hot.

The fact that Steve's going on a date with someone sort of famous hasn't fully sunk in. He's not sure he needs the added nerves though. He approaches as casually as possible and smiles when Eddie looks over.

The man does a double-take when he sees Steve. His eyebrows shoot up and he pushes off against the wall to stand straighter.

"Hi, Eddie?" Steve steps up onto the curb with a little wave. Eddie gives him a thorough once over.

"Oh, damn. Hi." He pulls a hand out of his pocket to shake Steve's.

Eddie is pretty up close. He's got long eyelashes and a bridge of little freckles across his nose. Steve notices all the little details that the on-stage photos didn't capture. He wonders if Wayne described what he looked like to Eddie who was at an informational disadvantage.

"I don't know what I was expecting you to look like, but my uncle didn't mention you were model pretty." Eddie tucks one of his big curls behind his ear and then steps forward to open the door. Steve's face gets warm at being called "model pretty", but he's terrible at taking compliments. He tries to redirect the conversation.

"Your uncle?" Steve asks.

"Wayne? My uncle?" Eddie motions towards the open door and follows after Steve once he's inside.

"Oh. You know he tells people that you're his son?"

Eddie's face softens and he scratches at his cheek. "Oh. Yeah well, I basically am. Maybe I should start calling him dad, I don't know."

"We don't take walk-ins." The hostess of the restaurant announces, breaking up their small talk. Steve looks over to see a tall woman with a slicked-back ponytail mad-dogging them. She has a cold demeanor, she kills the mood with one look between them. Steve knows the look, he's sure Eddie does too.

"Good to know! I have a reservation, though." Eddie responds.

"What's the name?" The woman pulls her iPad closer to herself like a shield.

"Munson." Eddie glances at Steve nervously.

"Hm. I don't see it." She pretends, tapping around meaninglessly. Eddie is getting agitated and maybe embarrassed too. He's scratching at his arm, unsure of how to proceed. First dates are already so awkward, especially blind ones. And if there's one thing about Steve, it's that he's gonna try to lighten the mood.

"Don't you know who he is?" Steve asks offendedly. Eddie whips around to look at Steve with wide, panic-filled eyes. The hostess raises an eyebrow and looks more closely at Eddie. It makes Steve chuckle. "I'm just kidding, let's go get burgers or something." He grabs Eddie's hand and pulls him back out the door.

"Holy shit, you scared me. I didn't know you knew who I was." Eddie has a hand on his chest and a wild grin. "She definitely didn't."

"I was just messing around. She did not want to seat our gay date." Steve sticks his hands in his pockets and then remembers Eddie's gift. "Oh but hey! I got you something."

Steve pulls out a nice bar of chocolate and a little tin of black pearly guitar picks. He offers them to Eddie with an open palm.

"Oh, what? You didn't have to do that." Eddie grabs them eagerly and slides open the tin. "This is so nice! How'd you know I've been needing picks? Now I feel doubly bad about dinner falling through."

"Hey, if I'm honest, sit-down dinner dates kind of give me anxiety. Too much pressure to keep the conversation going." Steve pulls out his keys, "You like burgers?"

Eddie huffs dramatically. "My palette is far too sophisticated for greasy burgers, Steve. I'm a chicken nugget man, obviously."

"That makes sense. You look like one." Steve teases. Eddie pouts.

"I'm taking that as a compliment."

"If you want nuggets we can just walk down the street. Unless you want me to drive?" Steve points in the direction of the row of fast-food restaurants.

"Yeah, let's walk."

Steve slowly turns and starts walking, glancing invitingly over his shoulder.

"So you know me." Eddie rattles the tin of guitar picks and looks a little worried by the prospect that Steve is some sort of fan.

"Only through your uncle, really. And maybe a short Google search. Sue me." Steve holds up his hands guiltily.

"Oh yeah, Wayne's my marketing manager. I send him out to spread the good word."

"Well I don't know who you've been instructing him to market to, but he's spending all his time in my store making me read book summaries to him because he conveniently forgets his glasses every time he comes in." Steve deadpans. Eddie chuckles and shakes his head knowingly.

"Yeah, It's this new long-con form of marketing. We decided to go all in for just one new fan." Eddie's got these sweet little dimples on either cheek when he smiles.

"Kinda worked, I dunno. I'm charmed by the Munsons." Steve and Eddie are veering towards each other as they walk. They're set to collide like two little asteroids. When they do end up bumping shoulders, it's soft. They stay close after that.

Steve hears a truly horrible sound coming from a bar a few meters ahead of them.

"Oh shit! Karaoke bar!" Eddie exclaims and speeds over. Eddie stands in front of the fenced-off patio and looks in while someone butchers Guns N' Roses. He looks absolutely delighted.

"What, you want to go show off in front of these poor, tone-deaf drunkards?" Steve rests his arms on the little fence and leans forward. Eddie vehemently disagrees.

"God no, I just like hearing all the very talented Midwestern voices." Eddie wiggles his eyebrows to express his sarcasm. "In other words, I enjoy making fun of bad music. I'm only human."

They sit there and give each other pained looks at the bad voices for a few minutes until someone starts trying to drunkenly stumble over the verse to a Nicki Minaj song and then Eddie drags Steve away in anguish.

"Can't take it anymore, Steve. Spare me."

***

The two of them have a good rapport, Steve thinks as they sit on a curb and share a big box of chicken nuggets. Maybe Wayne was right. It's playful. He can see how Eddie and Wayne share a handful of mannerisms and a sense of humor.

"Let's intertwine our arms like newlyweds do when they drink champagne," Steve says with a ketchup-covered chicken nugget in his hand. He wraps an arm around Eddie's and then takes a bite. Eddie follows his lead and giggles.

"I didn't know they did that. I've never been to a wedding." Eddie swallows and reaches for his soda.

"What? Never?"

Eddie shakes his head and looks up at the night sky. It's too cloudy to see any stars, unfortunately.

"My tux is in the car, by the way, should things pan out tonight." Steve jokes.

"I think they're panning." Eddie winks and leans in slightly.

"Oh yeah? Have I lived up to Wayne's description of me?" Steve bats his eyelashes and gives Eddie a sweet little smile.

"You've exceeded it, sweetheart." Eddie picks up Steve's hand and presses a chaste kiss to the inside of his wrist. Steve's heart jumps. When Eddie pulls back, he doesn't pull back far.

"Do you ever kiss on a first date?" Eddie whispers and squeezes Steve's hand. He glances at Steve's lips.

"Mmm, I could be persuaded." Steve feels a heady rush at the fact that he has somehow won the interest of a successful musician who probably meets loads of people every day. Steve reaches forward and tugs at one of Eddie's loose curls. He twists it around his finger and looks up with big doe eyes.

The tension is cut from Eddie's body when Steve looks at him like that. The move has a pretty good success rate at this point. And it doesn't fail him tonight. Eddie rests a hand on the base of Steve's neck. He strokes his thumb back and forth against the hollow of Steve's collarbone and leans in slowly.

Eddie's warm lips press against his own gently, experimentally. Their lips make a sweet sound when the suction is broken and Eddie's immediately reseal against Steve like he's irresistible. It's been forever since Steve kissed anyone, especially anyone worth kissing. He forgot how sweet and floaty it feels.

The hand on Steve's collar slides up so it's lightly holding his neck, it feels quietly possessive. It makes Steve's face heat up. Eddie's free arm wraps around Steve's waist pulling him closer. He lets himself be pulled.

Eddie starts getting more confident and hums softly when Steve weaves a hand into his long hair.

Steve could keep this up for hours, he wants to. But as dark as it is, he doesn't love the idea of continuing this so out in the open. He pulls back with regret.

"Damn, how are you not already taken?" Eddie wipes at Steve's shiny lips with his thumb.

"How are you not already taken? You're the accomplished one." Steve counters, squeezing one of Eddie's knees.

Eddie gathers their trash around them and stuffs it into the paper bag. "Well, I'll be home for a while if you'd want to do this again sometime. I can take you to a nice restaurant next time, I promise." He stands to throw away the trash. "Damn, I don't want the night to be over..."

"It doesn't have to be, you're welcome at mine." Steve leans back on one of his hands and bats his eyelashes up at Eddie.

"My New Year's resolution was to not do first date hookups, though."

"We don't have to, just come hang out." Steve holds an arm out to be pulled up to his feet from where he’s still sitting on the curb.

"Oh, yeah okay. You want me to?" Eddie pulls him to his feet with more force than necessary. It sends them both stumbling and giggling.

"Obviously I want you to."

***

The walk back to the restaurant is much faster than it was at the start of the night. They regretfully have to split at the parking lot, each having their own ride.

"Wait, call me so we can still talk on the way there." Eddie requests before jogging off to Wayne's truck. There really isn't much need to talk on the phone since Steve lives so close, but it's kind of cute that he wants to. Steve hits the call button on Eddie's contact.

"Hello, to whom am I speaking?" Eddie asks in a formal, over-the-top voice.

"This is Steve Harrington. I'm contacting you regarding your car's extended warranty." Steve backs out of his spot and waits for Eddie to do the same before driving out of the parking lot.

"Oh wow, what a coincidence. I was just wondering if my car had an extended warranty." Eddie always plays along, he digs into all of Steve's jokes and finds his own spot to grow there.

Steve drives slower than he normally would so that he doesn't get separated from his date. Eddie doesn't appreciate the sentiment.

"You drive like a grandpa. Has anyone ever told you that?" Eddie laughs and honks his horn. Steve hears it both over the phone and from his window.

"I'm only driving slow so we don't get separated, asshole."

"There's barely anyone on the road tonight to separate us, but it's fine, Steve. I value your safety. Drive at your comfortable geriatric pace."

When they pull up to a red light, Eddie instructs Steve to roll down his window so they can stick their hands out and play Rock Paper Scissors. Steve is so distracted watching Eddie's hand through his side mirror that he misses when the light turns.

"It's green, honey," Eddie alerts him softly through the phone, and Steve apologizes.

He's smiling real big the whole way there and when Steve eventually gets out of the car, Eddie comes up and grabs him from behind.

Eddie plants a few eager kisses on the side of Steve's neck. "You're fun, Steve."

"I'll show you real fun some other time." He jokes and pulls Eddie towards his place.

As soon as Steve opens the door to his apartment, he feels self-conscious about how dull it looks inside. Eddie looks around quietly. His eye catches on a picture of Steve and Robin.

"That's my best friend, Robin." Steve clarifies, just in case Eddie reads it wrong like dates have in the past.

Eddie smiles and pulls Steve back against his chest. "She looks nice."

"Looks can be deceiving." Steve laments which has Eddie chuckling into his shoulder. Eddie rubs at Steve's tummy.

What Steve really wants, what he's been desperate for, for months and months is human touch. He just wants to cuddle so badly. And Eddie doesn't seem the type to cuddle, but looks can be deceiving, so Steve's gonna ask anyway.

"Wanna cuddle and watch trash reality TV?" Steve's shoulders rise to his ears, it's a defensive gesture and he's expecting to be rejected. Eddie looks slightly amused by his offer, but he nods.

***

"So you liked him alright?" Wayne asks smugly patting the counter. Steve nervously watches the back of the store where Amber is reorganizing. Steve shouldn't be having a conversation like this at work while she's around.

"Yes, Wayne." Steve rolls his eyes. "Your nephew is lovely."

"I told him he should come here with me next time. Maybe we'll both visit ya." Wayne looks happy. The corners of his default frown have been pulled upwards by the return of his nephew. He's a good man. Steve thinks if his kid was only home a few weeks he'd want to hoard all of his attention, surely not set him up on dates.

And that's the thing about Wayne, it seems like he puts the people he cares about first. Steve wonders if Wayne is all that lonely when Eddie's gone, or if he just comes into the store so often because he knows Steve is.

"I'd love that." Steve hopes things work out with the Munsons.

#steddie #steve harrington #eddie munson #steddie ficlet #steve x eddie #steddie fic #steddie fluff

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fuckyeahgoodomens · 2 months

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Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.”

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series Hogfather (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010).

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop.

From start to finish

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.”

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.”

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).”

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities.

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures.

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.”

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.”

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.”

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.”

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots.

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.”

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

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