129 for the meme!
129. “I told you I’d come home to you.”
It was the longest they'd ever been apart.
In the past, any of Eddie's tours had been short stints. Corroded Coffin's label called it strategy, pushing them into short stints as an opening show for larger, more well-known bands in order to give them a dedicated following that screamed for more.
Eddie had complained endlessly about the exploitation of it all. I mean, Christ, Cunningham, they're basically just leading us into the gallows by a string!
And, for awhile, it did kinda seem like that. But, after a few tours like that, the band started selling merch.
Then selling more merch.
Then selling out of merch.
Then they had to stop doing meet-and-greets because they were being swarmed, and that was when the label finally gave them a permanent opening slot for the back half of the North American tour with Soundgarden.
Freaking Soundgarden!
(Whether or not Chrissy knew who Soundgarden was prior to this was secondary.)
They'd started on the west coast, which had been extraordinarily convenient, since Chrissy could make the shows near their Oceanside home. Strategically picking days where her classes weren't necessarily important.
Then, as they'd moved further away, Chrissy had been confined to their apartment. To her semester finals and the library and a boyfriend she only got to talk to maybe once a day.
It was such an amazing opportunity, and he and the band had worked so incredibly hard to get where they were. Chrissy was unimaginably proud of him, even as the distance cut into their relationship and the space in their shared bed felt bigger and bigger as the nights passed.
One night, Nancy had come down from Lenora Hills while visiting Jonathan and taken her for a girl's night out. Chrissy had stumbled home just when the phone rang, excitedly answering Eddie's call before almost immediately dissolving into tears.
"You're gonna find someone better," she'd sobbed. "Some–– Some hot rocker chick with piercings and tattoos and–– and a freaking mohawk or something!"
Eddie had laughed like it was the most absurd thing she could've said.
"How could I possibly want that when I have perfection waiting for me back at our place?" he'd replied easily. "I'm gonna come home to you, sweetness. Promise."
That had been a month ago. A full month after the start of the tour. Eddie had another month still left in the tour. And it was great, and he really seemed to love it, and Chrissy only had one more semester left of school and then she could join him on tour whenever she wanted because there was anthropological research to be done in every part of the world, and all she needed was a library and a typewriter.
She just. She really missed him.
They'd gotten off the phone a half hour ago. Eddie had sounded particularly breathless, and Chrissy knew without asking that he'd just finished up yet another incredible performance. One where girls were probably screaming and throwing their bras on stage because all of the Corroded Coffin boys were good-looking, but Eddie was so magnetic that he unintentionally stole the show.
He was on the east coast, three hours ahead of her, and she maybe would have felt bad about keeping him awake if she wasn't completely aware that Eddie was always awake until two in the morning.
Unless he was at home, anyway.
"I like going to bed with you," he'd admitted once with a smirk and a little shrug, "because that means I get to wake up with you and spend more hours of the day with you."
Her heart twinged in her chest, and Chrissy gave a heavy sigh as she checked to make sure the front door was locked before heading to bed.
Just as someone knocked on it.
Chrissy blinked, thinking for an insane second that she was hearing things. After a moment, another knock came, this one louder and slightly more insistent. Convinced someone had the wrong apartment, Chrissy crept toward the door, trying not to alert whoever was on the other side to her presence as she carefully avoided the creakiest parts of the hardwood hallway.
Peeking through the peephole stole her breath completely, and Chrissy nearly fainted.
She was seeing things. She had to be.
Still, her hands fumbled to unlock the deadbolt and the chain lock, cursing when she missed the catch initially, before finally wrenching the door open.
"Hey, sunshine," Eddie greeted easily. Like he hadn't just upended her entire life by showing up on their doorstep. "I would've just, y'know, come in, but I know you lock the chain when I'm not home."
"Eddie?" she asked, voice catching on the second syllable of his name, like he wasn't standing in front of her. Like her eyes weren't to be believed, and he was nothing more than a hopeful figment of her lonely imagination. "W-What are you...?"
Scratching the back of his neck and drawing attention to the backpack over his shoulder, Eddie just shrugged. "I, uh. I mean, we had a one day break between Pittsburgh and NYC. And I had to, like, bribe the label to get a replacement guitarist for tonight's show. I'm only home tonight and tomorrow," he admitted, regret obvious in his tone. "But I, uh. I needed to see you. I missed my girl."
He blurred before her, and Chrissy blinked rapidly, trying to dispel the sudden interruption of her vision.
Oh. Tears.
Scrubbing at her cheeks, Chrissy barely managed to say, "You came... just for me?" before a sob broke from her lungs.
All at once, she was wrapped up in that overwhelming familiarity. The scent of tobacco and leather and the undercurrent of his favorite cologne, couple with the strong, sure embrace of his arms that Chrissy couldn't help but melt into.
"Oh, baby," he breathed, holding her close right there in the doorway of their home. "I told you I'd come home to you."
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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