#the problem with being an artist is that you can make characters do any dang thing that your brain can put to paper

[factual-fantasy]

19 Asks! :00 Thank you! :DD 🧁

And now you see my frustration and lack of patience. <XDD

Its the easiest to follow boundary that I can think of. Yet people still wanna fuss about it and send me horrible messages and run me down. Calling me selfish, ungrateful, spoiled.. Its exhausting. :( 💔

Sorry, I don't take requests. :/

Do beasts like that exist in the game?? :00 Dang, that's spooky-

Well, I imagine that Seafoam, Octo, Louis and any other tough guy on the ship would go down there and weed it out. Dragging it up onto the deck so that Blue Beauty could snatch it and dispose if it however she needed to <XDD 💀

I must specify that my cookie run characters are not in "my version" of the world- <:0 as in I didn't create the world they live in and how it works-

These cookie characters are fan OCs for an existing game! And note, its a game that I know next to nothing about! <:( I only researched enough to make characters that might fit into that universe somewhat realistically,, other than that, I've got nothing! :(

So about a pirate community being led by a King or Queen of some other chocolate brands..?.. aaaaaa I have no idea! <:0 Its not my world! Does it fit? I don't know.. Sorry.. :(((

@yourstrulylightstar283

Thank you <:) but hey, I have high hopes that this trial will end within the next few weeks! :D ..I really hope it will :')

@neo-metalscottic

:DD No problem! While I am spending an unfortunate amount of my time just lounging around trying to feel better.. I at least want to get around to answering asks! Its darn near my favorite part of running this blog after all! <XDD

When it comes to the Commander, he is not meant to have any fancy powers like in the movie or from Kamek. Magic in my universe is meant to be a very complicated practice. Something that would take years of studying and training to perfect. At least to the level where it can be used reliably in combat.. What I mean by this, is I don't think there's any magic related tricks that the Commander could "pick up" or be taught.. Magic also has everything to do with a magikoopa's gem staff thing, soo... <://

Though I suppose that the "superspeed flight" and the "self destruct" aspect could be incorporated into the Blue Parakoopa species somehow.. Perhaps due to the shape of their winds and flying styles, they could be incredibly fast. And Since they are so big and sturdy, perhaps they have been known to rocket towards their enemy and come crashing down onto/into them with all their might. Completely obliterating what ever they happen to hit. Like an explosion! XD Hmm.. I might just adopt that XDD Thanks for the idea!

Also he might make for a decent sparring partner if he was asked to do so! :0 though that's not his primary job..

As for Larry, unfortunately I've thought about him the least amongst the Koopalings. :((( Though I do intend to keep his star mark somehow.. and I didn't know about the music thing! :0 My Larry definitely wouldn't be a DJ, but I could certainly add an interest in music into his character! :0 Sounds like you kind'a built a bit of Larry for me! XD

@kaylee4509

Thank you so much!! I'm glad to hear it! :DD And "like spam", XDD there's no such thing on my blog! I consider it a huge compliment! :DD

@ripchaos69

:DD Thank you very much!! I'm glad you like what I've made!! :}} ✨💖✨

Me neither man, me neither. If someone else had set a boundary like that I would just drop it no questions asked. I don't get why its so hard for others to do the same.. and its such a small and simple boundary at that. It just baffles me, it really does. :'((

@petra-creat0r

I always knew/assumed that's why people harp on me so much about it. "All other artists like it. So why don't you like it? You make no sense."

I understand how everyone else sees it, but even then I wish people would get the message and just leave me alone about it. You know?

When I set a boundary, don't come into my ask box and question me about it. Don't start criticizing me or send me death threats or call me selfish and ungrateful. As has happened before..

Just read the boundary, "please do not make fanart of any kind for me" and then leave it/me alone. Its all I ask. :( I promise I would/will do the same for you, 💖

Thank you for the kind message and support, it really means a lot <:}

I'm doing by best every day to heal and work on myself as much as I can. I'm hoping to see improvements soon! <:}

@jennifergacha

Sorry, I don't take requests. But it sounds like you already have a good idea goin. Why not give it a go yourself? :0

:DDD Thank you so much!! That means the world!! :}} 💖

I have not :( I've seen and heard wonderful things about it though! No doubt its an awesome show :}}

@littlelightfish

WAAHAHAGG THANK YOU!! :DDD Nothing means more to me than to see people so passionate about my original characters! My ORIGINAL! CHARACTERS!! 😭😭💖💖💖 IM SO HONORED!!

XDD No no don't worry! You're fine! :}

Now, I do advise that people don't shove headcannons onto my charaters- BUT! I say this because in the past people have shipped my original characters together and have put mental illness and sexuality headcannons on themm.. which is just not ok. It made me super uncomfortable and should be a no brainer. Don't do that with peoples personal characters unless they say they are ok with it-

But this is a bit different, taking what I've already established and just gushing about it/digging into it a little deeper is alright! Honestly its such an honor! :DD It makes me very happi :}}} 💖💖

@jayden-for-now

@komikudikentalendo

:(( I been goin through it ngl. But I'm sure in a few weeks and maybe after I get a couple good rainy days under my belt? I'll be back to my old squiggly self :}

@beryl-shade (First link/video in question) (Second link/video in question)

I like to look at my cookie crew through more "serious" glasses. I don't think they ever would be involved in a coordinated musical number..

But even if they were, I'm not too sure how they'd react/feel.. :( I know Octo and Spidercrab wouldn't be having a good time though, that's for sure! XDD

#my response #cookie run #cookie run kingdom #cookie run ocs #my ocs #super mario bros

[yanderes-of-inkwell]

HII!! I'm so glad I found you, my cuphead phase is coming back and I'm going to throw hands with it

Can I get headcanons for King Dice, Cala Maria, and Hilda Berg with an S/O that doesn't like being social but rather prefers to stay inside and draw? If you want to add a fourth character, you can! I only like 3 bosses but I wanna see what you come up with! And take your time on it, I still need to get back into the dang series ghfbdhd,,

Hilda Berg, Cala Maria, King Dice - Asocial Darling Who Prefers to Stay Inside and Draw

Note: Of course! This request was fun to write, especially Hilda’s part. Word Count: 0.6k Warnings: Controlling behaviour, implied abandonment issues, possessive behaviour.

♤ While Hilda may not be particularly possessive, she’s still quite happy about the fact that her darling is a homebody. She doesn’t mind not being able to go out, as she can always view the stars from the observatory, and the most important thing to her is being near them. Although, this can also cause some issues. If she becomes too used to her darling being inside all the time, then any attempts to go out, specifically without her, will be met with panic and possibly even a tantrum. She can’t stand the thought of them leaving her, which is why she’ll often lock them in the observatory until they agree to let her go with them, or they apologise and promise not to go out.

♡ As for their artistic passion, she thinks it’s quite cute, although she would never voice her thoughts aloud. She’ll often pester them about what they’re drawing, or ask when they’ll be done, or even swipe whatever they’re drawing on from their hands so she can get a better look at it. She may even hold it above their head to tease them, or jokingly ask them to draw her because she knows they find it annoying. If they agree, however, Hilda won’t know what to do with herself. She tries to pretend it doesn’t faze her when, in reality, the thought of her darling making her their muse is enough to render her a flustered mess.

♤ Cala, in contrast to Hilda, is very possessive of her darling, so it should come as no surprise that she’s absolutely ecstatic about them being asocial. She hates having to share their attention with anyone, with the only exception being her aquatic friends, so their reclusive nature greatly appeals to her. Though, there are times where she’s bothered by it. Cala loves going out and exploring the seas, especially with her darling; having them refuse to join her is a surefire way to put her in a foul mood, which can only be remedied by an apology and a promise to spend the whole day with her. If they reject her invitation often enough, though, she will start ignoring their wishes and taking them with her anyway, whether they want to go or not.

♡ In regards to their love of drawing, she finds it adorable. She can often be found staring at them while they draw, bearing a smitten expression as she carefully observes the look of concentration in their eyes, or the way their hand moves as it glides their pencil across the paper. She will also sometimes ask them to draw things for her, such as herself, her friends, or her favourite scenery, and is always overjoyed when they comply. She also makes sure to store their drawings somewhere safe where she can gaze at them without the fear of any water ruining them.

♤ Lastly, King Dice is rather miffed about his darling’s preference for staying indoors. Now, this wouldn’t be a problem if not for the fact that King Dice is almost always busy, which means he can’t be around his darling often. For this reason, he likes having them around the casino, as their presence is a soothing one, and helps him get through days when his work is especially gruelling. However, he won’t force them to come out of their shell, no matter how he feels about the situation. Though, he will sometimes try to gently coax them into joining him but if they refuse, he won’t press them further.

♡ Regarding their hobby, he admires their dedication to it quite a bit. He often asks to see what they’re working on, and always makes sure to praise their skill, while at the same time giving them constructive criticism about what they can improve on. He will also brag about them and their skills as long as they’re comfortable with it, and he even offers to get them any supplies they need or want. Everything he gifts them is of the highest quality, of course, as he won’t settle for anything but the best for his darling.

#cw yandere #cuphead #yandere cuphead #hilda berg #yandere hilda berg #hilda berg x reader #cala maria #yandere cala maria #cala maria x reader #king dice #yandere king dice #king dice x reader #headcanons

[wisismydumpstat]

4 What are your character's quirks or eccentricities that make them stand out from others?

6 What is your character's preferred way of coping with stress or difficult situations?

14 What is your character's preferred method of self-expression? Do they have any artistic talents or creative outlets?

15 Describe a defining moment in your character's life that marked a turning point or significant change in their path.

if u didn’t answer these ones for the ask thingy~

4 What are your character's quirks or eccentricities that make them stand out from others?

Her love language is physical touch. If she likes you she's holding to your arm or resting on your shoulder or putting her chin on your head or just generally invading your personal space. There's no escape. Be afraid.

6 What is your character's preferred way of coping with stress or difficult situations?

She launches herself into the next problem or situation or battle or whatever and she refuses to sit a second and Stop, because if she stops then she will think about the gravity of the situation and she might just fall apart, so she keeps running forward and hoping she can fix the mess somehow. No thoughts, stabby stick.

14 What is your character's preferred method of self-expression? Do they have any artistic talents or creative outlets?

Storytelling! She loves to talk about the stuff she has seen out there, not in the "look how amazing my life is and the kind of stuff I do" way, but more like "dudes, the world may risk destruction every five minutes, but dang, it is awesome, so much cool shit out there".

15 Describe a defining moment in your character's life that marked a turning point or significant change in their path.

I mentioned about this a bit a while ago, but the imperial attack on the Waking Sands was definitely the point where she realized things were serious and being the WoL wasn't just games and glory and being treated as awesome by everyone after killing a bunch of primals but people she cared about was now in serious danger and she had to get used to stress and loss. It both woke her up to the reality of the situation but also humbled her a lot.

Thank you for asking ❤️

#ffxiv #final fantasy xiv #ask #wyra zhwan

[sergeanthopeless]

female Byleth S-supports ranked best to worst

(keeping my personal feelings about the pairings themselves to a minimum)

(Gilbert and Alois omitted, since those are platonic S-supports)

(warning: long post)

1. Seteth 

This S-support is about as romantic as it can get. This thing just makes my heart flutter every. dang. time. and it’s easily the best S-support in the whole game for female Byleth. There’s a REASON why a lot of people hop aboard the Setleth train after witnessing this masterpiece.

Sure, Seteth lectures his way in and out of the proposal, but let’s be real, if it was any different it would be out of character, and acting the responsible advisor is just part of his charm. Plus, he pledges utter devotion to Byleth for the rest of his existence, and we essentially get wedding vows out of this one. It doesn’t get better than that!

He’s so self-assured during this S-support, and that’s sexy. But he is patient and affectionate with her, and takes the time to make sure there’s no room for confusion. He clarifies that his feelings are not those of duty (which is a problem with some other S-supports), or an interest in perpetuating a Nabatean or Crest-rich bloodline. It’s very clear that he just wants her, and that’s it. But where others put Byleth on a pedestal, this S-support feels like an exchange between equals.

Byleth’s reaction to this one is particularly noteworthy — there’s an unusual amount of emotional expression from Byleth during this S-support, INCLUDING A FRIGGIN BLUSH! Byleth does NOT blush often during these supports. Plus, Byleth asks Seteth to promise that he’ll follow wherever she goes. Unlike some of the other S-supports, it’s very clear that she’s invested in him and wants him.

Favorite quotes:

“I cannot conceive of a world without you in it.”

“I love you, deeply. Will you marry me?”

“From this day forward, I will always be at your side. Through good or ill fortune. Through the greatest of joys and the worst of woes. No matter how daunting the task, I will be there.”

“Courage, my love. Let us go forth and face the world - together.”

2. Hubert 

I was genuinely caught off-guard with Hubert, especially since I haven’t played Crimson Flower yet and have gotten all of my impressions of Hubert from the fandom. A pleasant surprise, though, and pleasant enough to snag the #2 best S-support!

He starts with advisor nagging, which is no surprise since that’s his character. However, he doesn’t take too long to get to the point of the conversation, and everything is straightforward yet sweet. It’s very cute how he flustered he gets in the beginning, and his self-consciousness about his suitability as a husband is really sweet. But what really clinched this for me was the privilege of seeing a BLUSHY HUBERT! This surprisingly lovable psychopath gets so dang worked up and excited over Byleth giving him a ring and proposing to him right back.

Favorite quotes:

“[I’d] rather you be with me rather than some dubious individual.” (Yes, I altered the quote, but let’s be real, he wasn’t talking about Edelgard there.)

“I once thought killing you would be a great challenge, but the real difficulty was declaring my love.”

3. Ignatz 

This S-support starts with an angry Ignatz, which had me worried. Ignatz is one of those characters where I expected his apparent youthfulness to cause a problem in his S-support (it definitely causes problems in other S-supports), even though he’s actually 17 at the start of game like Felix, Dimitri, Claude, Raphael, Ferdinand, and Edelgard. So I was pleasantly surprised by the sheer maturity of his proposal!

While he’s definitely self-conscious and doesn’t even expect Byleth to accept his proposal, it says a lot that Ignatz still had the guts to do the proposing. While he expresses surpassing admiration toward Byleth as someone who supported him through troubled times, he’s not dependent or subservient. Yes, there is a prominent fixation on Byleth’s beauty, but he’s an artist, so I think that adds more meaning to what would otherwise be an extremely shallow point to make during an S-support.

Favorite quotes:

“You are my goddess.”

 “You soothed my troubled soul.”

“My beloved goddess.”

“I want to love you for all eternity.”

“I love you with all my soul.”

Hoo boy, this boy’s got a serious SILVER TONGUE on him! *fans self*

4. Lorenz 

Regardless of how you feel about Lorenz, you’ve gotta admit this is a pretty flawless proposal. He reminisces about and apologizes for the trouble he used to cause as a youth, has a smooth transition into the presentation of the ring, and then his composure falls apart when Byleth reveals she’s been wise to him all along. He’s such a perfectionist, and his determination to propose perfectly is very consistent with his character. But I also appreciate that he made sure of Byleth’s feelings before actually asking her to marry him (ring presentation aside).

This S-support makes it very clear just how much Lorenz admires Byleth, which I feel is extremely important in context of his character. He can be incredibly self-centered to the point of being downright irritating, so the fact that he’s now talking about her and is focused entirely on her shows the sincerity of his feelings and how much Lorenz has grown as a person.

The bit at the end where he gets overexcited and uses his full name is hilarious, but I’m glad the S-support doesn’t end there, which would have taken away from it. Instead, it ends with Lorenz swearing to make Byleth happy and work with her in making the world a better place. Equal partners!

The last thing that really made this S-support for me was the voice acting. The broken voice, trembling, and stammering really added emotional depth to Lorenz’s character in this critical moment, and really brought everything to the next level in terms of overall impact.

Favorite quote: “Pedigree and status are no longer priorities for me. I now know that what matters most is the worth of an individual’s soul.”

5. Felix

The moment I noticed that this S-support was taking place at the training grounds, I knew it was going to be good. And it goes exactly as you would expect with our favorite tsundere, flustered and deflecting and all, but the sheer effort that he ends up putting into it is so endearing. And I adore how Byleth messes with him the whole time.

It starts rough, let’s be real. He just hands the ring to Byleth and tells her to “take this.” Oh, Felix. This poor boy is so. friggin. hopeless. You can practically hear his thought process leading up to this point. “How do I make sure Byleth never leaves?... Ah, marriage — yes, that’ll lock her in!” *facepalm*

But Felix’s body language is what really makes this S-support, starting with the finger point and then ending with the kabedon. Plus, we get a glimpse of something very rare: blushy Felix!

Favorite quotes:

“Fight me for the rest of my life.”

“I want you to be my wife. Please say yes. Let’s get married and stay together until we die. I love you.”

6. Balthus

I really didn’t know what to expect with this one, although to be honest, what expectations I did have were fairly low. Yet despite his faults, Balthus managed to scrape together a rather charming S-support! His nervousness and stuttering is adorable for such a big, tough-talking guy, and I love that we actually get an impatient “Just say it already,” from Byleth.

It was nice to see Byleth’s good influence on Balthus, although I’m not a fan of the woman-redeems-man trope. And considering that Balthus asks for up to 5 years to get his act together…that wasn’t exactly a point in his favor.

What made this S-support for me was all of the classic lines. Balthus isn’t necessarily a smooth talker, but it would be wrong to say that he doesn’t know how to talk to a woman. The proposal itself had me ROLLING: “Marry me, pal!” The voice acting was flawless, particularly when he said, “my love.” Balthus, I’ll say this on Byleth’s behalf: please stop trying so hard. And never say that again.

Favorite quotes:

“It’s time to take the biggest gamble of my life.”

“Comfort be damned! I need you by my side. Always.”

“Let’s get hitched right away! I know a guy.”

“To look after you...and be brave enough to let you look after me. that’s what marriage is all about, right?”

S-support portraits shouldn’t really matter here, but I’m going out on a limb here and saying that Balthus’ portrait is the best one of all Byleth’s S-supports.

7. Dorothea

I have a lot of Dorothea feels, okay? She’s my baby girl. And by this point in the game, she’s so jaded and used to disappointment that it just breaks my heart. So when Byleth proposes to her, you can hear the genuine emotion in her voice. She’s so in love with Byleth, but clearly talked herself out of it long before this moment. “You won the war. You could pick anyone in the world. Why would you…?”

And then she’s so happy. It’s not fancy, but her pure happiness really makes this for me. The hopeless romantic finally getting her happy ending is just really lovely.

Favorite quote: “I starred in so many operas where I captured the heart of my beloved. But I never dreamed that it would feel this wonderful when it actually happened.”

8. Ferdinand

Oh boy, Ferdie. There wasn’t much of a preamble, and the presentation of the ring wasn’t anything special. He’s still full of himself: “You hear noble Ferdinand von Aegir declare his love for you, and all you say is, ‘I understand’?” and this S-support is more focused on him than it is on Byleth, which is exactly the opposite of what happened with Lorenz’s S-support, even though they’re similar characters.

That being said, this S-support has its moments. We get a good reaction out of him (even though it’s over the top), and we get a sign of his personal growth when he reins himself in. The trembling and feeling faint is very cute (10/10), and considering his ambitious nature, him saying that he considers winning Byleth’s heart to be one of his greatest accomplishments is sweet, as is the way he dreams about their future.

In other words, this one starts rough, but ends sweet.

Favorite quote: “I need you as much as I need my next breath — more, even.”

9. Dedue

Can we just appreciate that Dedue chose to leave Dimitri for Byleth? That is so meaningful. Dedue spends the entire game unhealthily attached to Dimitri, and finally he finds something that he chooses for himself. Of course, there is the concern that he will become unhealthily attached to Byleth, but I don’t get that impression from his S-support.

There are so many wonderful little details in this S-support. The tiny, modest ring. The straightforward proposal. Both of them gazing at each other in loving, comfortable silence afterward. Byleth’s blush. And DEDUE’S LAUGH. Just. the laugh. It’s important.

Finally, Dedue invites Byleth to come with him to visit Duscur. TAKE NOTES, CLAUDE!! Anyway…

10. Edelgard

*takes a deep breath and sets aside my feelings about Edelgard’s stance on the Children of the Goddess*

Alright, so this S-support is significant because it’s one of the few where you can tell that there is genuine affection on Byleth’s end. She really takes charge of the proposal, going so far as to use Edelgard’s nickname, “El,” to convey affection and intimacy.

At first I was concerned when I heard Edelgard say, “This ring…thank you, my dearest friend,” and I was like HOLD UP – did Byleth just get friendzoned?? But Edelgard clarifies by expressing that she has romantic feelings too, which saves the scene. But while sweet, the rest of the S-support focuses on Edelgard’s ambitions and generally lacks romance. Fitting for her character? Yes. A satisfying S-support? Not really.

11. Dimitri 

It’s clear from the beginning of this S-support that Dimitri and Byleth have become close friends. I appreciate the way they talk about their wounds, and although talking about Dimitri’s nightmares is far darker than I expected from an S-support, it shows just how much Dimitri has improved.

What disappointed me about this S-support is the lack of emotion on both sides. Sure, the “my beloved” pet name is wonderful. And sure, Byleth isn’t very emotional as a rule. But Byleth shows more emotional in other S-supports. And there is not nearly enough of a reaction on Dimitri’s side. Come on, dude. You’ve been aggressively simping over Byleth since Day 1, and you’re just taking this proposal in stride?? You should be unconscious right now.

12. Mercedes

I’m so proud of how far Mercedes has come at this point. She’s determined to live in a way that makes her happy, outside of her Crest or anyone else’s expectations. That being said, a lot of this S-support feels more like it could have been an A+ support.

Major points to Mercedes to being the one to do the proposing. A lot of people mistake her kind nature for being demure, which is not the case. She is bold, speaks her mind, and knows what she wants. And in this case, that’s Byleth. Her proposal is gentle and respectful, if a bit bland, and her reaction to Byleth’s acceptance is absolutely adorable. She’s so happy yet insecure, and I wish there was more communication from Byleth to reassure her.

13. Hanneman

Hanneman is an academic through and through, and his nature as a scholar comes through strongly in his S-support. He tries to approach things pragmatically, almost ruins things by talking about Byleth’s role in his research, but fortunately realizes that’s the wrong way to do it and takes a new approach with more feeling. It’s very similar to Linhardt’s S-support, but less self-centered and overall better. Hanneman treats Byleth as an equal, and shows enthusiasm in his own way.

Overall, this is an extremely pragmatic S-support, but it’s not without its charms. That being said, it definitely requires an interpretation of Byleth’s character where she has developed a taste for academia.

Favorite quotes:

“I suppose there’s no reason to hold ourselves back any longer.”

“I don’t want the power of your Crest - I want you.”

“I can’t wait to see the results of this undertaking.”

14. Yuri

This S-support is very consistent with Yuri’s character. The scene opens with Yuri trying to repay his “debt” to Byleth, which definitely lacks in romantic vibes, but works in context. It’s nice to see Yuri nervous and out of composure, but I admit I had been expecting…more…from him with how charming he’s supposed to be. Then again, like Sylvain, maybe the fact that he’s dropped the façade is supposed to make it meaningful. At least he blushes! Blushy Yuri is something I didn’t know I needed. The bit at the end where he whispers his true name in her ear is very nice, too.

But yikes…Yuri talks about his death. And considering that in most of the routes, Byleth ends up being most likely essentially immortal, this hits HARD. She is definitely facing the death of her lover in a few decades at most, and that is not something she wants to think about during a proposal.

Favorite quote: “In return for this ring, I ask for you.”

15. Raphael 

Raphael is a pretty clueless, non-romantic kind of guy. But the sudden proposal is very cute. Considering how awful he is at expressing himself, it works really well with his character to simply have him jump right in and get it over with.

That being said, I couldn’t help but feel that his reasoning for getting married was just a little loose. He always wants to be with Byleth and expresses that he wants to serve as her knight. Uh, you realize you can do that without marrying her right, bud? Byleth didn’t seem to be very into this proposal either, although she does have a wonderful little smile in the S-support portrait, which makes up for that. I love how the portrait emphasizes Raph’s size and strength by having him lift her up bridal style. It’s an actually flattering portrayal of him, too.

Favorite quote: “And…I’ll love you. Forever and ever. And ever!”

16. Sylvain 

Ah yes, Sylvain. Our favorite train wreck. The good news is that he’s finally taking charge of his life, and I like that he’s straightforward in this S-support rather than flirtatious, which means that you know he’s being sincere. It’s cute to see him genuinely happy, and his statement that “I’m going to spend the rest of our lives together trying to make you happy,” is very good.

However, the “If you told me you never wanted me to look at another woman, I’d go blind for you” is going too far. I know it addresses his skirt-chasing character, but I just don’t know if they could have a healthy relationship. I know this is rating the support scene, not the ship itself, but I don’t think that’s a positive indicator for the future.

17. Claude 

This S-support gives me so many bad vibes. Yes, he expresses his love for Byleth as well as his utmost confidence in her, but dude, actions matter more than words, and your actions speak VOLUMES. He’s the only one to just run off at the end of the S-support, and while I understand his reasoning — I really do — it’s clear that his own agenda and ambitions will always come before Byleth.

This is what I heard: “Right now, Fodlan is like a newborn... so that’s why I’m leaving, so you have to do all the hard stuff yourself. See ya, sucker!!” Ah yes. Prime husband and father material there. Obviously.

“I’m sorry that I won’t be by your side at such an important event...” Uh huh, yeah right. You’re obviously itching to get out of there.

I’m sorry, Claude stans, but giving Byleth an engagement ring and then running away for who knows how long is LAME.

18. Jeritza

The first thing that struck me about this S-support is the fact that it takes place in the Agarthan HQ, Shambhala. This is super meaningful because it means that Byleth and Jeritza go there together to use their killing prowess to take out Those Who Slither in the Dark post-Crimson Flower. It’s a nice way to tie up the route. The portrait is super dynamic and unique, too. That being said…

He’s still fixated on killing Byleth. If that’s your thing, then hey, I can’t judge. At least we all know that if he hasn’t killed her by now, it’s never going to happen. It’s such an empty threat it’s probably an inside joke by now. But Jeritza’s clearly still figuring out his feelings, which means I’m not sure it really counts as an S-support (it would have made a better A+ support imho). There are also things about this pairing and S-support that have some serious implications for who Byleth has become by this point and what the future is likely to look like. Good storytelling, yes, but as an S-support…not my favorite.

Favorite quotes:

“It is you alone who can slay the demon inside me.”

“To the very depths of hell, I will tumble down with you.”

19. Linhardt

This S-support falls flat for me. It’s like Hanneman’s, but worse because it’s super self-centered. I feel like it’s a really bad summary of Linhardt’s character because so much more could have been done with it. Linhardt has lots of good traits, and this S-support ignores all of them. Instead, we have a one-dimensional S-support that focuses on Linhardt’s laziness and penchant for napping. He’s so self-centered and consumed by his own interests, so saying that he wants to study Byleth for the rest of his life makes her more like an accessory to his life plans rather than a central component. At least when Hanneman says he wants to study Byleth, he makes it very clear that he loves her and wants her as a person.

And the line where he says "I didn’t honestly think you’d reject me” is just…wow. Much disappoint. If I were Byleth I would turn him down on the spot just for saying that.

20. Ashe 

Ashe’s S-support comes off to me like he’s pledging himself to her as a vassal more than actually proposing. Yes, he does take initiative and does the proposing, which is consistent with the fact that Ashe is a gutsy little guy. But he’s so stuck on being helpful that the S-support ends up feeling immature. Plus, Byleth doesn’t seem very enthusiastic about the proposal compared to other S-supports, and overall Ashe’s worship of Byleth comes off as more dependent than romantic.

21. Caspar

We’ve reached the bottom four S-supports, starting with this disaster. Caspar is juvenile, reckless, and oblivious. (Don’t get me wrong — I adore his character and see him like a little brother.) Byleth has to take charge of the proposal, which is not a problem in itself, but then Caspar confesses that he hasn’t even thought about marrying Byleth — or anyone at all! asaslkjasdflk FAIL

At least the victory shout is kind of cute…if painfully cheesy.

And they get worse from here…

22. Rhea

I don’t have a lot to say here. I know I said that I would keep my personal feelings about the pairings themselves out of this, but I feel like there are certain things about this particular pairing that need to be addressed along with this S support.

Age gap aside (because frankly with immortals, age doesn��t really matter anymore), Rhea CREATED Byleth’s mother, essentially making herself Byleth’s grandmother. Incest vibes, yo. Plus, she fully intended to sacrifice Byleth’s life in order to bring back Sothis — which, granted, is a sentiment that wears off, and Jeritza is just as bad in terms of original intent to kill Byleth. This makes any kind of romantic revelation on Rhea’s side just…weird.

There are some good quotes in this S-support, and we get a ton of reveals about Rhea’s character development in a short amount of time. She’s self-conscious of her other form as a dragon, she acknowledges the wrongs she did in the past, and she expresses a desire to repent. She acknowledges the pivotal role that Byleth has played through her choices and accomplishments, rather than attributing them to fate and the “flow of time.” But honestly this would be more appropriate as a final scene at the end of the game, not a romantic S-support.

23. Cyril

Oh boy. Where do I start with this one? It’s so bad...

This boy is BABY. 19 years old after the war? Sure. Attractive design? Yes. But still, he. is. BABY. And the S-support portrait makes it so much worse by making him look freaking TEN.

And he’s so, so oblivious. Even worse than Caspar. He barely has a personality as a character outside of being committed to the servant mentality, and he has had no opportunity to discover himself as a freaking person outside of his obsession with Rhea. It should be illegal to even consider this kid for S-support. One thing would be if it was platonic, like Alois or Gilbert, but Byleth gives him the ring, and that means it’s supposed to be romantic.

Plus, Cyril says that he loves Byleth, but it’s super casual and comes off more like familial or friendship love rather than romantic love. Unless I missed something, I don’t think Byleth ever says that she loves Cyril in their S-support. And the end is just the worst: “Love ya, see ya in the morning.” That’s IT???? There is absolutely no indication of a mature relationship, and that’s just scary and gross.

I just…really hate this S-support. There’s only one S-support that’s worse…

24. Sothis

Forget everything that I said about keeping my feelings about particular pairings out of this ranking. This is a TRULY CURSED S-SUPPORT.

I don’t care that Sothis is technically a goddess whose age is beyond counting or mortal comprehension. All that matters is she looks like a child. She is lolibait. And to top it all off, she doesn’t even have physical form (thank goodness) — she’s just an apparition in Byleth’s head!

And this quote? “I love you deeply! Overwhelmingly! passionately! Ours is a love without an end!” I only have two words: PEAK CRINGE.

It would be one thing if Sothis came back in her adult form. Or better yet, if she had always been in her adult form as portrayed in the fresco in the reception hall. You can do something with that. But that’s not the case, Sothis is portrayed as a pre-pubescent child in both appearance and personality, and that’s just pedophilia vibes, y’all. I can’t believe this is a sincere S-support option.

#long post #i should have been writing fic #this happened instead #fire emblem three houses spoilers #fire emblem three houses #fe3h #fe16 #fe3h s support #fire emblem s support #female byleth #seteth #hubert von vestra #ignatz victor #lorenz hellman gloucester #felix fraldarius #balthus #dorothea arnault #ferdinand von aegir #dedue molinaro #edelgard von hresvelg #dimitri alexandre blaiddyd #mercedes von martritz #hanneman von essar #yuri leclerc #raphael kirsten #sylvain jose gautier #claude von riegan #jeritza von hrym #linhardt von hevring #ashe ubert

[hbcsource]

Helena Bonham Carter’s Interview with ‘The Sunday Times’ | 20 December 2020

“I have always found that clowns seemed sad,” Helena Bonham Carter tells me over a patchy Zoom call. “That’s why they have to paint their smile on.” She pauses thoughtfully. “I often dress in clown-like things — baggy trousers, braces, white face . . . I love a white face. I don’t know where that comes from. I like any mask, to be honest. Anything that stops me from being me.” Bonham Carter has been feeling the tears of a clown a lot this year. She has seen her industry struggle and worries for younger performers. She has been mourning one of her beloved friends — Nell Gifford, the founder of Giffords Circus — and she has just finished narrating Channel 4’s animated version of Clown, Quentin Blake’s wordless book about a toy who is determined to escape the dustbin he has been thrown into and to build a new life for his fellow binned playthings. “The clown has been discarded on Christmas night, rejected and forgotten, and the story is about how he’s found again and how, through being loved, he comes to life,” she says. “It’s very poetic and touching. The pathos of the clown.” In recording it she found herself thinking a lot about Nell, who died a year ago. They met years ago when Gifford’s traditional circus — vintage tents, old-school performances and artful storylines, written and directed by the mighty Cal McCrystal — was just making its reputation. “We had similar backgrounds,” Bonham Carter says. “Both of us had a parent who had a traumatic brain injury, and our response was similar — an instinct to create our own worlds. She ran off to the circus. And when my amazing father’s brain tumour operation went wrong, I found an agent to help me live as other people. Our lives went through similar things — children, divorce — and we helped each other jump on to the next step. When she died it was very sudden. She had cancer, but I thought she would defy everything.” The film of Quentin Blake’s book, published in 1995 and told entirely in pictures, is the first offering from Eagle Eye Drama, the production company launched by the team behind the TV drama brand Walter Presents. Walter Iuzzolino, its founder, recalls his route into showbiz began when, as a six-year-old in Italy, he watched the Disney Silly Symphony Santa’s Workshop on television. “It was a symphony of movement as the elves worked to create the toys and paint the sleigh,” he says. “It was a hand-drawn piece of 1930s modernist art. I asked my grandparents who did this, and they explained what a producer was. At that point I knew what I wanted to be.” The animation itself was Covid-induced. Eagle Eye had a drama ready to go into production when lockdown closed things down. Iuzzolino realised a replacement project could be created by animators working at home. The team had always loved Quentin Blake and was delighted to find the option on Clown was available. “With Quentin’s drawings being so beautiful, we immediately discarded the CGI PlayStation animation that’s everywhere today — and I hate it,” he says. “We went back to the roots of the craft. I wanted to create my own Silly Symphony. We found artists and animators in the UK, Italy and around the world, and had to produce 30,000 frames, working around the clock while recording the score one instrument at a time. “And then we met Helena — her voice is like the finest Belgian chocolate melted on a Viennese cake. At our first meeting she talked about Giulietta Masina, Mrs Fellini, in La Strada, and I knew she understood the tinge of nostalgia, sadness and melancholy about the clown.” Bonham Carter is flattered, but slightly unsure. “I’m narrating, although I think the cartoon might have been better without me,” she says modestly. “For the genuine children watching, it may help to have my voice guiding them through the story. It has no words as a book, so I’m not doing any characters. I am just the voice-of-God narrator.” She pauses and thinks that through approvingly. “Voice of God. I like that. I’ll try that on my children — ‘I am the voice of God today!’” She remembers the conversation about Masina. It was her husband’s film La Strada — about a brutish circus strongman, played by Anthony Quinn, and his little clown assistant, played by Masina — that began Bonham Carter’s loving relationship with clowns and circus. “I always found the mainstream Zippo-style circus too loud and brash and in-your-face, although I suppose I was always drawn to clowns,” she says. “Why else would I dress like them?” Does that mask thing work? Does it protect her? “Of course it doesn’t,” she says, sighing. “It’s more likely to reveal the internal you. I get excited about acting because it holds the promise that you could become someone else. Then you see yourself and go, ‘Dang, again I didn’t do it. Again I’m revealing myself.’” She bursts out laughing, a full throaty chuckle. “When will I get the message?” she says. She’s 54. “I’m always doing too much. Early on in my career I was told by a director I have an expressive face, and I’ve been trying to keep it in check ever since. And words! I use far too many words. Even my name has too many words in it. The bane of my flipping life. Can I have your autograph? Ugh. It has 18 letters. Brad Pitt only has eight.” And she chuckles again. Having fallen for Masina, she found herself drawn to the circus in the most unexpected ways. “I love the circus family that goes back for years — handing the skills down to the next generation,” she explains. “So the only showbiz thing I forced Billy and Nell, my children, to do was tap dance. It’s not circus, but it felt connected. I tortured the hell out of them by dragging them along every Saturday morning — it’s the only vicarious ambition I’m ever going to force on them.” Has she never considered clowning herself? “I can’t run away and join the circus, I have responsibilities,” she chides. “Nell and I did have serious chats about an act, but we never got around to details. At one point I was going to descend on a moon singing a song, possibly going commando.” She sniggers. “I think one day I will get into the ring somehow.” For the photoshoot she seems to have gone halfway towards the big top. Her look is based on Masina’s little clown — a bowler hat and big boots. “Doing the photoshoot was very cathartic, and I’m afraid I did rather take it to the limit . . .” Her laugh bubbles up again. “I’m a Covid-starved actress, I haven’t had a part for a year, so give me a costume and I will go for it. My children are 17 and 13, so they are no longer prepared to dance with me — photoshoots are my chance to dance by myself. I had the music on and was throwing myself around.” I have the same problem, I confess. My daughters used to dance with me in the kitchen, but now find the idea of Dad dancing a crippling embarrassment. She is outraged. “We don’t have to say goodbye to their childhood just because they have,” she exclaims. “Have you read The Velveteen Rabbit?” I have, I say, but I can’t these days. It breaks my ageing parental heart. “But think about what the story says,” she urges. “It’s like Clown. These toys are the classic result of children growing up. They are discarded, and it’s an emblem of age. The rabbit is losing its ears, but that’s because it’s been so loved. You and me, our faces can sag and our bits can fall off, but that’s because we are being loved.” I give a small gasp. She gives a determined nod. “You remember that this Christmas, Stephen. You hold on to your children’s childhood. Don’t let them take it away. Carry on dancing. Spread the word! Parents and teen-agers: carry on dancing!”

#helena bonham carter #quentin blake's clown #nell gifford #interviews #2020 #interviews: 2020 #the sunday times 2020

[appleb18]

I Wanted Believe in Steven (A Critical Steven Universe Post)

Steven Universe, a popular show that has won the hearts of so many people. It had good songs, talks about mental health and relationships, a lovable cast of characters and it’s revolutionary for representing LGBT. As the show finally wraps up with Steven Universe: Future being the series finale, I want to say this… I used to believe in Steven Universe. I truly got into it when it first came out and then I started to appreciate it more as the show progressed even with the flaws. However, as time moved on, the show’s flaws have outweighed the strengths, making my enjoyment decline and become critical and nitpicky towards it. So I believe it’s time to point out the many problems with the show.

The Glory Days of Steven Universe 

Before I begin ranting about the show, I want to talk about when I actually liked Steven Universe back in seasons 1-3. It was when everyone actually enjoyed the show before it went downhill. 

- So before Steven became really annoying, I actually liked him when he was developing in season 1. He was very immature at first but he gradually grew. He became a member of the Crystal Gems and finally summoned his shield. 

- Peridot’s redemption was handled very well and I enjoyed her character throughout the whole show.

- The show once balanced filler and plot. 

- I enjoyed the Crystal Gems chemistry back in seasons 1 - 3. They acted like a family with Garnet being the wise guardian, Pearl being overprotective, Amethyst laidback and Steven maturing.

- The songs are great.

- The messages are relatable such as “Love Letter.” Garnet tells Jamie that love-at-first-sight doesn’t work. It takes time and a lot of work. You must know the person first before you begin to love someone.  

Those are the reasons why I enjoyed the show back in the day. Now it’s time to talk about how the Crewniverse messed up everything. 

Inconsistencies. Are. Everywhere 

Steven Universe is well known for having no consistency and that’s one of the major problems with the show. While I can forgive season 1 animation because let’s face it, not every show has good animation like Phineas and Ferb. Though having characters go off-model consistently gets really irritating to watch. It’s irritating because most of them are professional storyboard artists and yet they’re doing a very sloppy job.

The reason behind unprofessional animation is Rebecca Sugar wanted her crew to have artistic freedom and have their own stylistic choice. They can draw whatever they want as long as the viewers can recognize the characters. There are many problems with this. 

While it’s nice to see the artist's own style it doesn’t work with a cartoon that’s story-driven. You’ll probably argue that some shows like Adventure Time and American Dragon go off-model. However, it’s just redesigned and they stick with it till the very end of their respective series. 

Also, shows like Ren and Stimpy and Flapjack go off-model because for comedic effect.

So stylistic choice doesn’t mean artists can draw whatever they want. It means that a character has their own style. 

Terrance and Philip from South Park 

Elmore characters from The Amazing World of Gumball 

Each of them has a unique character design. It’s not the Korean animator's fault for it, they’re given what the Crewniverse drew, trace it and just animate it and they can’t fix their errors. What makes it upsetting is that animation pilots and shorts made by a single person or independent team with very little funding have more consistent and appealing animation than Steven Universe. 

I ain’t an animator, but I know when animation goes off-model. Sadly, it’s not just inconsistent art that the show suffers from, but inconsistent writing and discontinuity as well.

Such as in “Are You My Dad?” Aquamarine and Topaz knocked out Steven and then she abandoned him while they took Lars, Sadie, Onion, Jamie, and Connie. Then in “I Am My Mom” they lure him and The Crystal Gems out for information to find Greg. So if you wanted to get information to find him, why didn’t they just grab him when he was knocked out? 

Also, why did Aquamarine agree to Steven’s terms? Her wand is the most broken weapon in the show. She could’ve grabbed everyone including The Crystal Gems.

Garnet couldn’t tell Steven about her future vision because it wanted him to go more? If she just told him about Greg's capture, he would have understood. Also, she gave him future visions in “Jailbreak,” “Snow day” and “Future Boy Zoltron.” Why didn’t she do that for that kind of situation? 

The Crystal Gems, who have special abilities, summon weapons and powers that fought Gems and Corrupted Gems and yet they were beaten by a freaking Steven Catus, Really? 

We saw Lapis control the freaking ocean in “Mirror Gem”, “Ocean Gem” and “Why So Blue”, so why didn’t she use that to remove the injector?

After 6,000 years of waiting for Pink Diamond, Spinel got news about her Diamond and that she gave up her physical form to give birth to Steven. It changed her appearance from happy go lucky to edgy. Now she wants vengeance. So I’m wondering how was she able to get an injector and a scythe, then go to Earth in under a few hours? 

In “Giant Woman,” Pearl explains that two gems have to decide to fuse together and they have to sync with each other to do it. In “Change Your Mind,” Steven fuses with the Crystal Gems midair while they are in their gem state.

How the hell did Connie get affected by Blue Diamond’s pathokinesis when Lapis Lazuli arrived in “Reunited”? 

She was fine when BD did it the first time.

Mean Lapis and Bluebird are still on the loose. I know most shows leave things unanswered but you can’t leave two villains out there. They can still do harm to others 

I really wish the Crewniverse showed more professionalism because there are so many errors in the show and some of them are so simple to fix, yet they don’t and that’s what I call lazy. 

The Cast of Characters Don’t Do Much

I used to like the cast of characters, even the humans I enjoyed watching. When season 4 - Future came in, they got ruined. Most of them don’t do much in the show. I feel like they got sidelined because the Crewniverse had no idea what to do with them. 

Let’s first talk about The citizens of Beach City and how they are the most boring characters in the show. At first, they weren’t so bad because they did have a role to play in the story like when The Cool Kids talked to Steven about his mother when he found out that she was a war criminal and he blamed himself for his mother not being around anymore. They also helped him not get scolded by The Crystal Gems when they found Peridot’s escape pod. 

There’s even some slice-of-life episodes that I did enjoy watching such as

“Sadie’s Song” 

 And “Historical Fiction”

But now they don’t react to any Gem situation anymore. They just stand around and serve no purpose to the plot. Look at “Future”, throughout the whole epilogue mini-series, the humans didn’t do a dang thing in the series. For example, The Cool Kids, Lars, Sadie, and Shep don’t talk to Steven about his mental health when he was about to crush them with his force field. It just makes it feel that they don’t care about him or oblivious about that experience

Then they didn’t do squat when Steven became a monster and I know they're just humans but their friends and the show focus on them a lot, so they have to use them. It made me wonder why they even focus on them in season 4 and season 5 if they're not going to serve their purpose in the story. 

Now let's talk about the more interesting characters and how the Crewniverse wasted them. Many Gems and few human characters (Lars, Greg, Connie) get them characters to grow, face struggles and have moments that can make a character likable. After all that, the Crewniverse had no idea what to do so they just left them. 

Peridot’s redemption was well written. from season 1 - season 3. From a villain that has unknown technology and feels more alien than the Crystal Gems to a member of the Crystal Gem. As much as I love her development and she’s my favorite, however, she doesn’t do much in the show. Most shows that give a lot of development to a character are part of the main cast but in Steven Universe's case, she gets put in the barn with Lapis Lazuli and does nothing. She’s never involved in major story arcs such as she didn’t come along to help Steven to get his dad back in Zoo Arc and didn’t help with beach city citizens getting kidnapped in Wanted Arc. 

Even in the Pink Diamond Arc, she has no part to play. All she was in that arc was a punchline and a hyperactive character with no defining moments. While it’s nice she has a new outfit, it doesn’t change anything. 

Peridot had the potential to be a really great character but she got wasted because they had no idea what to do with her.

Pearl and Garnet never got their own character arc. When they fused with Steven to become Rainbow Quartz 2.0 and Sunstone it was rushed. I know they didn’t have time to do their arcs but if they cut townie episodes and focused on their bond it would’ve felt more impactful for him to fuse with them. Season 4 could’ve been Garnet and Season 5 could’ve been Pearl. Just look at Amethyst where she finds mutual respect and love for Steven and that’s really great to see. With them, we don’t have a moment like that.

A good example of using characters is Regular Show. They used their characters pretty well, giving each of them a good amount of screen time. 

Benson’s drum solo 

Getting to know more about Skips history

Muscle Man setting his ashes free at Great Trucker Graveyard 

High Five Ghost reunited with his love interest 

Pop’s proving that he’s part of the guys for Guys Night 

Rigby graduates high school

Mordecai painting for Benson

And what I like the most about is they all have a moment together as best friends. Such as in “Parkie Rewards,” although Benson doesn’t win an award, the gang made their very own award and paper trophy. Benson made a speech about how he appreciated his staff workers. 

I really wish Steven Universe had something like that and I really wanted to see more of Lapis, Garnet, Amethyst, and Bismuth but sadly the writers aren’t giving them much to do anymore. 

A Shift of Pacing 

Steven Universe really wants to tell a story like most cartoon shows are doing such as Over the Garden Wall, Adventure Time, Owl House and many more. They keep adding episodic episodes in the middle of unresolved conflict and have the concluding rushed. An example of this is the Cluster arc. 

Peridot tells The Crystal Gems that the Cluster will emerge at any time… AT ANY TIME! So the gang planned to create a gem drill to destroy it to save the Earth. So instead of working on the drill, they kept delaying it like 

Garnet told her story to Steven of how Ruby and Sapphire met 

Celebrating Steven’s birthday 

Peridot processing on becoming a “Crystal Gem”

I know Peridot was working on the drill and I like Peridot’s redemption but it’s a life or death situation. You can’t do other things when the Cluster can emerge at any time. The way they resolved the arc was really rushed. The Crystal Gems finally locate the whereabouts of Malachite and so Garnet, Amethyst and Pearl go to Watermelon Island and fuse to Alexandrite to defeat her. Then the Cluster emerges and it’s up to Steven and Peridot to deal with it. Instead of destroying the Cluster, he talks to it and it stops itself from emerging by bubbling itself. The way the writers conclude the arc was so anticlimactic and rushed. It ended two major plots, Malachite and Cluster in two episodes and Steven just talking to it was ridiculous. The Cluster arc should’ve at least had two episodes and Malachite should’ve come after the event because she was briefly mentioned in three episodes. 

Adventure Time has a mini-series that primarily focuses on plots. It resolves conflicts and it doesn’t waste any time such as Islands, Stakes, and Elements. 

People tend to blame the network for the inconsistent schedule and hiatus. While it may be true, however, it’s not really a big issue with the show. Gravity Falls isn’t consistent with its schedule but it has better pacing than Steven Universe. From Nov. 26, 2014 - Feb 16, 2015, the ep “Northwest Mansion Noir” was released, another month of waiting for “Not What He Seems.” Then we have to wait for four months, July 13th, 2015, for “The Tale of Two Stans.” Then there’s Steven Universe where we have to wait for six months for the next episode and it is just Towney episodes and it doesn’t even matter to the plot. So I pretty much don’t understand why people are complaining about the Steven Universe hiatus when Gravity Falls, a well-written show, has a hiatus as well. 

They could’ve had a well-written story if only they weren't so focused on the human side of Steven and cut most of the filler out. 

Action Doesn’t Have Consequences 

In most shows, movies, and video games, characters will make rash decisions that have other characters disagree and even have a bit of a falling out.  

Look at Gravity Falls “Land Before Swine.” Stanley doesn’t like Mabel’s pet pig, Waddles, and he left him outside when there was a Pterodactyl in town. Stan left Waddles unattended and caused him to get captured.

Soos messed up a lot in the episode. Without thinking, he barged in as Dipper developed the film which ruined a good picture of the dinosaur.

He tries to be optimistic when Mabel finds out Stanley left him out however it ineffective when he ravels the yarn back up and thus cut the clear path and accidentally break the lamb

To prove their worth is by Stanley fights the pterodactyl to save Waddles 

And Soos and Dipper make up when he apologizes and he admits he made mistakes.  Dipper and Mabel then took Soos advice to follow his lead and walk in a straight line as for dinosaurs' eyes are so far apart and that it can’t see in front of itself and the plan went well. 

So with Steven Universe, most characters in the show have done pretty terrible things and the show never atoned for their actions. 

In “Island Adventure”, Sadie trapped Lars and Steven on an island by hid the Gem portal with leaves so she can hit on him.  Although she saved his life by poofing the gem monster with a pointy stick, it doesn’t help the fact that she trapped them for a month! It is also idiotic that the show treats Lars as he’s the bad guy where in reality, Sadie is! 

Amethyst, although I do like her character development in the show, however, she did pretty a messed up thing and they never resolved it. In “Maximum Capacity”, Greg finds out that he’s missing the fireworks and Amethyst shapeshifts from Steven to Greg to cheer him up. She changes back and gets mad at him for not spending time with her. So she shapeshifts to Rose Quartz/Pink Diamond which causes Greg to look away and it’s the second time she has done it, and then Steven comes in to stop and question both of them. Amethyst feels guilty and left. So in order to make things up, she came up with an idea to clean that the Crystal Gems can clean out Greg storage. So this is really messed up. She shapeshifted as his wife and not only it scarred Greg but Steven as well and yet the writers never decided on how they can properly make it up. That’s so horrible. 

Lapis Lazuli took the Earth's water, almost killed Connie, broke Peridot's tape recorder and called it garbage, and she took the barn. When she finally comes back to help the Crystal Gems to fight against the Diamonds. Her response to everyone was “hey”. She never apologized for anything she has done. I know she has PTSD but it doesn’t excuse her actions. 

The only character that actually feels guilty and has to make amends of her wrongdoing is Pearl. She deceived Garnet by keeping rebuilding Gem communicator so she can fuse with her to form Sardonyx to make herself feel better. Steven and Amethyst find out and spill the beans which gets Garnet mad and Pearl feels guilty. In the last episode of the Sardonyx arc, they get trapped by Peridot. When they were about to get crushed, they two finally talk and Pearl apologizes to her and calls herself “just a pearl” and Garnet tells her you are your own gem and that makes her feel better and fused to Sardonyx once again. 

Now it’s time to talk about the second major gripe with the show that everyone has and it’s the Diamonds being redeemed. The Diamonds are tyrannical fascist dictators that caused genocide many species, colonized many worlds, corrupt gems, shatter gems that don’t obey, have an army, gems that are off-color are put to the underground, and force fused shattered gems into a Cluster. After what they have done, you think they need to pay, right? Unfortunately, since Rebecca Sugar said ``there are no villains' ' and the show is about empathy, the Diamonds, especially White Diamond, get a clean slate. So it’s fine to have a villain be sympathetic and have a sad backstory, it makes them more human but having them redeemed is something you should never ever do, especially what they’ve done. They have very little screen time to show their development and have doubts about their empire. 

Then they made them worse when in Steven Universe: “The Movie” and “Future” 

In Steven Universe: “The Movie”, The Diamonds become clingy aunties to Steven and tell them don’t do evil things anymore like calling other species “equal lifeforms”, disband their arms and not shatter gems.

In Steven Universe: “Future”, The Diamonds abilities have a completely opposite effect towards Gems such as 

Yellow Diamond’s ability to change from poofing gems to fixing 

Blue Diamond’s ability to change from sad blue orbs to happy blue clouds 

White Diamond's ability changed from manipulation to control her for a brief moment. 

Having them become good and having emotions won’t cut it. They can’t atone for what they’ve done for the past millions of being fascist dictators and just saying “I’m a good Diamond now” can’t wipe away their past actions. It doesn’t work like that! 

My Little Pony Friendship is Magic, A SHOW FOR LITTLE GIRLS, have a better-written villain redemption than Steven Universe and I ain’t kidding. Discord was the main antagonist for “Return of Harmony”. All he wanted to do is cause chaos. He was defeated by the mane six at the end of the second part of the episode.

In season 3, “Keep Calm and Flutter On”, Discord was reformed by Fluttershy because Princess Celestia believes he can be a good ally and knows that she can do it. 

Throughout season 4, everyone still doesn’t trust him even though he’s friends with Fluttershy.

In the season 4 finale, he sided with Tirek and he betrayed them because he thought he’ll be rewarded for it. 

Then he was betrayed by him. After Tirek and Twilight fought, she gave up her magic to save her friends, including Discord. It made him realize that friendship is more precious than anything of what he’ll give him and that’s when he’s been fully accepted as a friend to the mane six. 

I also want to talk about Rose Quartz/Pink Diamond. While many fans in the community and the Crewniverse always point that she’s terrible and I agree she is. Such as leaving Spinel for 3,000 years, cracked her first Pink Pearl, abandoned her Diamond duties to be free, started a Gem war that cost many Gems to shatter to pursue her own goal, bubbled Bismuth, gems got corrupted, and left Steven with the burden. It is indeed bad but when compared to the Diamonds, she’s more of a saint than them. At least she does develop, doesn’t shatter gems and save the Earth from the Diamonds. 

With story pacing being all over, villains and even characters aren’t paying for their actions and a cast of characters aren’t doing much, what’s the most problematic of the show? Well, it’s a combination of all my problems into one and that is…

Steven “Center Of” Universe

The major problem with the show, the one that brings down the show a lot and it’s Steven Omnipresence. First off, I don’t mind when a show has a protagonist point-of-view like Ben 10, Phineas and Ferb, Over the Garden Wall, etc. As long as it's written well and keeps the story moving, it’s fine but with Steven Universe, it has tons of problems. Steven's point-of-view is the cause of all its flaws and I can’t stress it enough about it. 

So let’s first talk about the obvious one and how it’s only Steven's perspective. The problem with this is we only see things if Steven is there to witness it. The show introduces a fascinating world of Gems and yet the show doesn’t dive into that because Steven doesn’t care about and all he does is hang around Beach City. Steven will never explore unless he chooses to and some major plot points are offscreen which you should never do, especially it’s a story-driven show. An example of this is “Wanted Arc’” and yes I’m using it the third time as my example because it really is a terrible arc. When Steven comes back home, he had some information about Homeworld, discovered that there’s a mystery about Pink Diamond shattering, Off Colours, Steven can bring back people from the dead and Lars in space. With all that, what does Steven do? Nothing. Throughout his adventure in space, he never mentions it to the Crystal Gems and instead of that being the main focus, it’s townies and Connie. While Steven is doing Beach City fluff, Lars is actually progressing the plot by him developing and escaping Homeworld with the Off Colours. I truly wonder why the Crewniverse believes that Beach City is more important than Gems? 

They got interesting lore and I truly want them to explore it more but they had to waste all that and have the most major plot points be offscreen for Steven's perspective. 

The second problem with Steven p.o.v is his contestant presence. The show will always be about him, no other characters get the spotlight or do anything unless he’s there. There’s rarely a scene that doesn’t have Steven and it’s frustrating when there’s a well-rounded cast of characters that I want to see more than him. We’ll never see them interact with other characters nor explore different parts of the world. Other shows have done it such as 

Amazing World of Gumball - “The World”

Adventure Time - “Varmints” 

Avatar: The Last Airbender - “Zuko Alone” 

Rick and Morty - “Tales From the Citadel”

Imagine how great it will be if explore more of the cast like  

Uncorrupt Gem characters and Curley Lapis going by their day in Little Homeschool. 

Lars becoming a space pirate 

Lapis and Peridot becoming friends 

Pearl meeting up with Mystery Girl

Volleyball recovering from her trauma

Ruby and Sapphire being their own individuals 

They got a lovable cast of characters that I want the show to further explore and yet the Crewniverse don’t do anything with them and that’s such a missed opportunity.  

Then the third most egregious problem with Steven p.o.v is he’s the communicator. The show tries to message that talking things will work but no one really talks to each other unless it’s Steven. Characters barely make their opinion or a chance to speak for themselves while Steven's opinion will and shall always be in the right and we barely see characters talking to one another. Examples of these are…

When Steven bubbles Bismuth, Pearl and Garnet don't say a thing and just let him. They don't question why he did or lash him out for it. They just went along with it. Steven decided to unbubble her in “Made of Honor “ for a wedding without talking to anyone else about it and again, they still haven’t asked questions and they just went along with it. 

In “Reunited”, instead of Crystal Gems look at each other to find their strength like Garnet telling Pearl she’s her own Pearl, Pearl telling Amethyst she’s isn’t an accident, and they tell Garnet that she’s a great leader, Steven has to remind them what they are supposed to be. 

Blue and Yellow had issues with the Gem Empire but too afraid to say to White Diamond. Until Steven arrived and that’s when they tried talking to her.

The Diamonds become good because Steven tells them being a fascist dictator is bad and they agree. They disbanded the Gem Empire and changed their abilities to help Gems under two years. 

Steven made Pearl talk to Amethyst. 

The message the show tries to tell that people should communicate is completely flawed because rather than have other characters improve their lives by talking to one another, they made Steven the messiah that every character looks up to. Steven will change your mind and you have no choice in the matter. 

Conclusion

With the end of Steven Universe, I  want to say that this show could’ve been better. Steven Universe was created by Rebecca Sugar, a former storyboard artist for Adventure Time and the one who mainly writes episodes about Marceline and wrote songs for the show. When she announced that she's left AT to make her show, I was excited and had such high hopes for it. I really want this show to succeed and it could’ve been the next Adventure Time, My Little Pony Friendship is Magic or Gravity Falls but sadly it failed to do so. The show flaws outshined it the strength by it was handled unprofessionally, wasted their characters, the pacing is all over the place, no character pay for their past actions and Steven’s point-of-view. I don’t think it’s the worst show I’ve ever watched nor a masterpiece, it's just a disappointingly average show in my personal opinion. I hope Rebecca Sugar and her crew not just see this as their progressive show by representing LGBT and messaging but also see what they would have approved of on the show and how they could’ve made it better. I had a lot of good memories when I first watched the show. It had the potential to be better but it never filled the promises they made.  

#Steven Universe #Steven Universe The Movie #Steven Universe Future #SU Spoilers #SU Critical #SU Criticism #Steven Quartz Universe #Greg Universe #Pearl #Garnet #Ruby and Sapphire #Amethyst #Rose Quartz #Pink Diamond #Yellow Diamond #Blue Diamond #White Diamond #Connie Maheswaran #Peridot #Lapis Lazuli #Bismuth #Spinel

[flowermist7432]

What about bubby is happening???

Hwjhhgggggggg E v e r y ThIng,, its a long one but please read if yah do wanna understand my thoughts tho its long cause i ramble!!

Ismhd okay so i made art a LONG while back that was like, Bubby and Coomer! Right? I love their ship, infact the way they are drawn is so specific and it REMINDED me of..idk..Crowley and Aziraphale.

The logic behind that is how the fandom draws them like Crowley. Little mean with a soft heart, and wears cool black stuff and stylish, TALL AND VERY SKINNY while Coomer is drawn as chubby, lil man who's nice but also a little bastard. So i was like "Hah! Oh man! Reminds me of another ship! Infact i wanna draw em like that! >:0" then i drew them dressed AS them!

Now, i wanted to kinda re draw that piece cause its old and my artskills have MAJORLY improved. But folks loved it! And MONTHS later when ive already forgotten about the post some..person was like "this is so antisemitic to draw Bubby as a literal demon"

Now obviously as someone with RSD i choked, first of all. SECOND of all this person CLEARLY missed the mark that??? Of course i drew him as Crowley thats the part of the joke- COOMER IS AZIRAPHALE it doesn't work the other way around tho maybe for a joke it can cause that would be funny ("Gordon! Im a demon! And i require your soul as debt~❤"). Third, this...this art was made way long before this whole ENTIRE THING WITH him being called jewish suddenly and his new rules.

The reason he's concidered jewish is because Gir used one of the random scientist old man npcs which aparently later on in the games was turned into Dr Kliener? And the name Kliener is a name of jewish origin. And even tho the fandom had decided.

"Okay were separating Half Life from Half Life Vr AI. Cause the two things are so..SO DIFFERENT from eachother at this point its not even funny" the fandom ALSO decided because Gir used that model it intern makes Bubby jewish. And that means Bubby's sharp teeth the fandom did before that or just, aspects of how he might look a BIT monster-ish cause he was canonly made from a tube was gone! No more! You cant cause now everyone decided he's jewish!

I legit had no problem with it cause "oh dang" cause well im not jewish what do i know, i mean if you headcanon that, thats cool! ❤💖❤💞💖 Also im sure folks can live with not drawing him a few fish-like! I mean maybe he just came outta the tube lookin like a regular white old man which is always funny tbh. Also as i said im not jewish so i have no say really it wouldnt be fair >:0. Infact I love the connection but artists getting accused of antisemitism because Bubby was being drawn alittle off like pointy teeth or using the sharp triangle body shape theory kinda sucks cause to me it was clear it had nothing todo with jewish themes and also lets be honest Dr Kliener and Bubby are two seperate entities to me.

But its actually one of the biggest reasons i stopped fandom interacting cause..idk. it got to much with the "Dont draw/write a character like this" and stuff. It was the stick that broke the camel's back with realising this fandom turned great wonderful wholesome headcanons to implimented FACTS of the community and if you are tripped up even alittle unknowingly even before hand yer FUCKED. Which is actually my number one fear so it certainly did the trick! I just..left! I got to scared of doing something wrong or even asking. Cause its a bit feral even if you wanna genuinely ask why. And btw this isnt "UHG STUPID RULES" and more like "oh god oh fuck--"

I..look i'll always have a special place in my heart but im gonna be vulnerable fer' a sec and say so, SO scared of lettin folks down. 😥 i dont wanna be a antisemitism artist! Or a racist or a homophobe or any of this! Its scary and makes me wanna cry even at the very thought someone MIGHT think that even tho i know im certainly not. But its also made me not wanna interact cause..what if i accidentally draw something or say something that came across the wrong way or broke "fandom rules" i was unaware about like god holy shit thats TERRIFYING!!!

So i just, stopped drawing em. I even have poc characters or stuff ive wanted to show to tumblr but im scared of getting facts wrong or someone getting angry i did something so i just hide em all away. Its too intimidating and the chances of having yer ass handed to you by one accident and being shunned for life is so possible in my head and i never wanna risk being a terrible person. Even if that means stop drawing hlvrai and not showing original work in fear of messing up

#theres some fandom rules that are 100% true tho like...just..dont draw them having the 'horizontal mumbo' #like thats a no brainer please dont do that the creators said it makes them UNCOMFY #but im scared of doing anything cause what if i get fuckin attacked at the age of 17 for stuff i didnt realise? was bad? #or even like a simple thing is misinterpreted by the other party? #ismshd idk.. #i also dont wanna be seen as a person who crys and whines when they cant be a bad person like UH.. #I RAMBLED SO HARD today is a venting day HUH?

[franeridart]

hi!!! first of all i adore your art so much!!!! like daddy jesus, it gives me life. u draw rlly good poses, so maybe u have some tips? or any good places to find references cuz i can only find pretty stiff looking pictures and thats sad :((((

Tips! Yes! I have those, since it’s a thing I’ve always struggled a lot with too, so I ended up hunting down and hoarding tips like an artist dragon with fancy pictures of gold - disclaimer, even though I know of these tips it doesn’t necessarily mean I’m good at following them. Because I’m a mess. SO! TIPS!

 - When trying to decide on a pose, try to picture the whole action behind it instead of just the single instance! If we were to talk in animation terms, I’d say try to picture the whole sequence instead of just a single, specific frame of it. What is your character doing? Picture in your head the whole movement, and then pick a frame that’s smack in the middle of it - this is because generally the stiffer moments through an action are the beginning and the end of it, so drawing the middle will give your pose a lot more life! If you’re unsure about exactly which moment of the action would work best, draw thumbnails of a few different “frames” of it and pick the one that flows best for you

 - Related to that, when looking for references generally I prefer looking for videos instead of pictures, specifically to get a better sense of how the whole movement flows and where it would be best to stop it. In the same vein, I’ve made a habit of at least partially always keep an eye out for body language while watching movies/tv shows/cartoons&anime, because while real life is just as much a good source of reference as anything else, actors and animators tend to exaggerate movements to make them more captivating and eye-catching, and that’s what we’re looking for when drawing too! It’s all in the drama of it, look for the drama

 - “A real life person wouldn’t do that/move like that/bend like that”, that’s okay, this isn’t a real life person! Exaggerating the shapes and lines is a good way of increasing the flow of your pose, as long as you don’t make it grotesque then pushing on the shapes and curves is always a good idea! Unless you meant to go for grotesque, in which case push all you want, who’s to stop you. In this specific area action lines are your best friends, so if you feel your pose is stiff or lacks life, try finding the action line in it and push it more - you can find a lot of youtube tutorials on action lines and gesture drawing, in case you want to look more into that! Only god and my youtube history know how long I’ve spent doing just that

 - Talking about youtube, if you want to work on your flow a good way is to try out the one minute figure drawing exercises - they give you a pose, you have one or two minutes to sketch it out depending on the video, then it moves to the next pose. It’s a good way to loosen up your lines, in my experience! This is a nice playlist for that, in case you wanna give it a go!

 - Rewinding a bit and going back on body language, if you want your pose to feel alive and be realistic while at the same time conveying a specific mood or feeling, maybe you’ll want to look into how people express themselves through body language! I always see this suggested to writers to set the mood without explicitly stating the emotion, but it’s a wonderful tip for artists too the way I see it (mostly so if you’re drawing a comic, actually!). A good list is this one, give it a skim!

 - More than a tip it’s a trick, really, but giving a prop to your character can help make the pose more interesting - there’s only a finite number of things a character can do standing alone by themselves with nothing to occupy them with, an object or an animal or a second character to interact with really do make finding an interesting pose easier!

That was a lot of theory there, wasn’t it, let’s go for some practical tips too (featuring Horikoshi’s pencil sketches, because I love them and he’s very, very good at this whole posing thing)

 - If you picture your character as standing in an open space and the eyes of the viewers as a camera, moving the camera around them to find an interesting angle adds a lot of depth to the pose. It can be really, really tempting to just draw them from the front and eye level, but sometimes even just raising or lowering the camera the smallest bit helps with giving the drawing life - perspective! I know, I hate it too orz but we’re working hard to overcome that problem, because look at Horikoshi’s latest Kirishima sketch!

so alive! So beautiful! The pose in itself isn’t all that special, but the angle he decided to draw it at sure helps give him life. A thing I do often is to draw a thumbnail of the scene I’m trying to draw from the most boring angle possible, to make sure of where everything is, and then metaphorically move the camera around to try and find a more interesting angle to portray it from - it helps! At least, it does for me haha

 - Keeping it asymmetrical makes the pose dynamic! Let’s look at Toga over here

Her legs and arms are an obvious example of this, but specifically I marked for you the hips line and shoulders line to show you how they aren’t paralel either, because that’s a little thing that’s generally a good idea to keep in mind when you want to give a bit more of movement to your posing! It’s true in photography too, actually. If you want a full body selfie to look good, try keeping shoulders and hips on non-paralel lines, it makes the whole thing look a lot more professional 

 - Keeping that Toga pic as our set example, hair and clothes give a lot of movement to the pose too! If you draw someone in the middle of an action, their clothes and hair are (possibly, if the clothes are loose enough and hair long enough) going to move with the action too - they show the direction of the motion, so keep that in mind when drawing them. Additional tip! If your character is just standing still, wind is a thing you can always make use of to give a bit more movement to the whole set-up!

 - It’s a good idea to keep all the noise in your pose on one side, to give it a bit more balance and make it less chaotic - let’s use Jirou here as our example

the lines on the right side are a lot more simple and straight than the ones on her left, as I tried to very roughly mark for you - all details and “noisy” bits are all on the same side too, so that your eyes can easily focus on what’s important in the pic without getting lost all over the canvas. Balance and asymmetry! Again! It’s an easy way to make poses interesting, after all!

 - That said, it’s not like you can never keep it symmetrical - the human brain actually likes that symmetry a whole lot, finds it compelling! It has to be perfectly symmetrical, though. Let’s look at Bakugou, because why not, always a good time to look at Bakugou

if you drew a line in the middle of his face and down his body, you’d see he’s pretty much perfectly symmetrical - that’s nice! That works! ...why does it work, though? This goes a bit more into composition and less into posing, but this has to do with the rule of thirds: generally and very simply, the rule is that for a picture to be well composed it needs to be set so that the main focus isn’t smack in the middle of the canvas. Some examples with the pics I just posted up there!

The way the bodies are positioned and the way in which the empty spaces are used respect the rule of thirds pretty dang neatly, and that helps make the pictures look less stiff too, between the others things! It gives balance to the whole composition, and makes it more lively! (The reason why it works with Kirishima is that the focus of the drawing is less him as a whole and more his face and right fist - so very neatly positioned! I’m in awe, ngl)

Bakugou’s case is a bit different thoguh, and that’s why the symmetry works there!

when you want to go for the symmetrical look you sort of need to forget about the rule of thirds, as far as I’ve been thought - symmetrical means tidy, and it’s only really tidy if it’s symmetrical based on a line traced right in the middle of the canvas, so Bakugou’s center is right along the median axis, and his pose works even if it’s pretty stiff, by all means.

(this goes into the rules of making a good portrait work, actually, but the lack of empty space all around him helps with keeping it looking well composed and tidy, too. There’s a lot of little tips and tricks that help make a pose work when it comes to composition, really!)

(Also, to be fair this last bit about the rule of thirds wasn’t exactly necessary or particularly well explained, I’ll be real, but while browsing Horikoshi’s twitter I realized how neatly all his sketches follow the rule and I needed to gush about that for a sec, it’s how being a fan works haha hope it was useful at least a bit to you, though!)

#fran answers #art tips #long post #so long! #but i hope at least something in here might be of help to you #posing and composing are a very very complex and big topics #i'm still working very hard to try and figure it out myself #let's do our best together! #sexy0android

[friendly-peep]

Which Homestuck characters would read Homestuck and their opinion

idk i’m bored. What’s Homestuck^2? What’s epilogues? We’re strictly Homestuck in this house. Also only doing main characters, I’m not going to dive into the Felt or caparacians, I want this to be done today.

Beta kids:

June: Avid reader. Got in early and read the whole thing. Got shirts, unironically liked it.

Rose: Got in late, but got into it. Loved the tarot deck, uses it to pretend she’s reading while she just tells people their truths. Noticed some narrative issues but overall liked it.

Dave: Got in shortly after June did, read for a while, but his irony poisoning led to him sassing the HECK out of it. Made a diss blog. Kept reading it “ironically” and cannot tell if he actually likes it or not. Got a god tier hoodie he wears at home. Sampled some of the soundtracks for his raps.

Jade: Loved it. LOVED IT. Got the full soundtrack. Made remixes. Got all the shirts. One of the blogs that posted “UPD8!” whenever an update happened. Big fanartist during the Gigapauses.

Beta Guardians:

June’s Dad: Tried to get into it to connect to his daughter’s interest, but the memes were too much, so he became the “Are ya winning, daughter?” dad. Very supportive but would need fifty slow paced “Homestuck explained” videos.

Mom Lalonde: Read it, but was too intoxicated to remember most. She holds obscure knowledge and will remember minute trivia, but don’t ask her about any of the large plot points.

Bro Strider: Too busy being A Mess Of A Human Being to sit down and read.

Poppop Harley: Too busy being A Dang Explorer to sit down and read.

Alpha kids:

Jane: Takes time to read it slowly. Has a blog of theories she constantly updates. Was upset about how some plot points got dropped and underdeveloped.

Roxy: Much like Jade, loved it. While Jade made remixes, Roxy cosplays. She has killer cosplays of most characters. Screamed about updates on twitter. No filter, accidentally drops spoilers left right and center.

Dirk: Deep, DEEP character examinations. Draws diagrams, writes essays. Unironically liked the potential of Paradox Space, may have even submit his own stories to be a guest artist.

Jake: Read the whole thing, liked it, missed many connections and plot points, was satisfied with the ending. Got some merch, can say “I read Homestuck” in public and be blissfully unaware of any positive and negative baggage that comes with saying so.

Alpha Guardians:

Jane’s Dad: Much like June’s Dad, tried to get into it. Unlike June’s Dad, watched and read his daughter’s theories (and Dirk’s explanations when Jane linked them to him) and became A Walking Homestuck Encyclopedia. Jane is unsure how to feel about this. He, however, does not reference it.

Roxy’s Rosemom: Too busy fighting the good fight to read. It’s in her radar but didn’t get the time to read it.

Dirk’s Davedad: Read it as a novelty. Sent Hussie a gold-plated Bad Dragon dildo. Put offhand references to it on his movies, but they were so oblique that even readers didn’t get it.

Jade English: Too busy running her own baking good company to read Homestuck. Not even in her radar.

Alternia Trolls:

Aradia: Much like Dirk, got REAL DEEP into it. Makes youtube vids explaining classpects and narrative points. Actually wrote a dissertation on Homestuck.

Tavros: Tried to get into it, but the first few acts were not to his taste so he never got to the trolls ironically enough. Likes the character designs though.

Sollux: Next level Dave. Critiques the FUQUE out of it on every platform he can. If Hatedom is a thing, he made it. He’s the founder. It’s him. But he read it to the end.

Karkat: Read it, loves it, does some interesting character relationship examinations. Predicted who would end up with who with 100% accuracy. Wasn’t a vocal fan, didn’t get merch, but still liked it.

Nepeta: The shipper who launched a thousand ships. She writes crackfic but with deep care, making sure it makes sense that characters would end up together. Got one of every homestuck shirt. Very into it.

Kanaya: Got into it only because her friends got into it. If Karkat hadn’t talked about it she would not have gotten into it but she did because she wants to be able to carry a conversation with her friends. Not a huge fan.

Terezi: She can and WILL correct you if you get trivia wrong. She did not sit through hours of text-to-speech pesterlogs for some scrub to get it wrong. Defiant Homestuck defender. She’ll cut you if you say you don’t like Homestuck (she won’t, but she’s judging you from the other side of the room)

Vriska: Skipped the first acts and jumped right into Alternia. Little context, little care. Pretends she didn’t, gets facts hilariously wrong which Terezi takes as an invitation to tease her. Fanartist.

Equius: Another fanartist. He made physical media as opposed to drawings. Slow reader, got into it late and didn’t finish until way after the comic had ended. Did not get to experience the comic without Random Paradox Arms all over the place. Loved by the community for his short reaction posts about what happened at the point he’s at.

Gamzee: Either first person to post “Update” when comic updated, or doesn’t read for months and then catches up in two days. Skips many chat logs, but still gets most of the plot no problem. Remembers exact phrasing of the posts he does read though.

Eridan: Another Character Analysis blogger. He dives into (pun unintended) why some characters are The Absolute Worst and writes fanfic of how they would be if they had a chance to be in a different circumstances. The Problematique fan, but only because people assume the worst of him. He’s actually pretty chill.

Feferi: Superfan, and Super Content Creator. Started making plushies and charms and eventually started selling them. Her stuff became a badge of honor and people posted themselves hugging their plushies during the gigapause.

Ancestors:

Too busy caught up in their personal turmoils to read any of it. Except the Condesce. She sent Hussie a diamond-studded Bad Dragon dildo.

Beforus trolls:

Damara: Big fan, but doesn’t express it because of the crowd she’s with. But she has a blog where she tries to get in touch with new readers and is always open to answer questions others might have. Not a Big Name fan, but she’s much more vocal online than in person, and even then it’s through an alt account.

Rufioh: Got people into it, but he himself didn’t finish reading after the Scratch. Said he would but he just never got to doing so.

Mituna: Prone to ranting when updates happened. Very emotionally invested, nearly died when Game Over happened.

Kankri: The nitpicker to end all nitpicks. He critiqued everything, and hated that there were hero mode, simplified and silly drawings. Genuinely disliked all characters for faults that he himself has, yet never self-examined. Got a following that  consisted three-quarters of people who made fun of his rants and one-quarter of people who were as intense as he is.

Meulin: Big, BIG fan. Prolific fanfic writer, if a character pairing exists, rarepair or not, she wrote a fic about them. Likes all characters and as such thinks she must devote roughly the same wordcount for everyone she can. Disappears for months then reemerges with twenty new fics.

Porrim: Moderate fan, great cosplayer. The more complex the outfit, the more she wanted to make it. Routinely goes out in Jade’s Dead Shuffle and Three in the Morning dresses because she is incredibly proud of them.

Latula: Not a big fan. Knows most of what she knows through cultural osmosis because her friends got into it, but she’s not likely to ever read it herself. Likes how into it her friends are though.

Aranea: Much like Jane’s Dad, she’s the walking encyclopedia, except she memorized the content of almost every page, and if she doubts her knowledge, will immediately go to her computer and look up what she is unsure of. Tries not to talk people’s ears off and will only talk about Homestuck when asked about it.

Horuss: Super into it. To a maybe creepy degree. Doesn’t show in public but if you get access to his secret blogs it’s more like character shrines. Don’t dig too deep into it.

Kurloz: Read it, kinda into it, but not that big of a fan. He will talk about it but he’s pretty lukewarm about the whole thing.

Cronus: Read it to impress a crush, got genuinely into it, but isn’t a vocal fan.

Meenah: Didn’t read it, much like Latula learned about it because everyone around her talked about it. Unlike Latula, she mocks everyone for liking something she says is “for nerds”. Still kinda wants to read it to be part of the conversation but her pride of Not Knowing About Homestuck is too great to overcome that hurdle.

#homestuck #john #june #dave #rose #bro #dad egbert #mom lalonde #grandpa harley #jane #dirk #jake #roxy #lalonde #strider #aradia #tavros #sollux #karkat #nepeta #kanaya #terezi #vriska #equius #gamzee #eridan #feferi #damara #rufioh #mituna

[thattimdrakeguy]

Hiya again, I'm the same person who asked you what qualities you like abt Tim Drake, what do you not like about him? Either from comics now or back then.

Sorry for having not answered this when you gave it to me a few days ago, I also have two other asks I need to answer. My energy has just dropped massively today for some reason, and I didn’t have a confident will to look at Tumblr often besides for dashboard and talking to a friend.

But it’s sort of a difficult question to say what I don’t like about Tim, at least in context to the whole 90s Tim I like and primarily based my blog around. Because when I liked him I accepted him for all his flaws really. He can be passive aggressive towards people he doesn’t like, and a touch condescending, but that’s normally when talking to people like Stephanie who have essentially no idea what they’re doing and bug him.

Like he’s a big social idiot which can cause problems, but I kind of like that about him. He’s sheltered a ton, so it makes sense for him to be socially oblivious and naive, it just adds to his character. Like when I see him be insensitive, I’m not so  much bothered that he was, because I can understand it from a character perspective, but it can get on my nerves I can easily see some petty loser fandom person use it to act like he’s a pure jerk or something.

Though using that perspective, it’s still not a lot about Tim.

Anything I’ve had problems with when it came to Tim is just writing problems, not really his character as established.

Like how poorly he got written after the Dixon era, and I do not like Dixon as a person, he sounds like a ripe stubborn right-winger, and a total ass because of that. But he’s also been the most consistent writer for Tim ever, with his main flaws in writing being shoving his freaking O.C. in places she didn’t belong, and never properly letting Tim and Jack advance their dynamic past punishments and Jack being a terrible dad.

After that it just went terrible wrong, like the first time I read the Jon Lewis run, I didn’t really think much of it, but that’s because I was primarily skimming the series more than reading it, and the artist being the same was enough for me not to think of anything. But Jon Lewis made Tim such a pretentious, judgmental jerk, and so self-absorbed in himself like he thought he was higher up. And he made him so unlikable. Tim could be pretty dang judgmental, and be too stuck on his perspective, but that’s more of a social problem more than Tim being something I’d call an actual jerk. When Tim used to be judgmental, it typically came from the right place, normally in the name of morals. But in the Jon Lewis run he’s just a total dick.

And then Bill Willingham, tried to make Tim more standard “cool”, hanging out more with jocks a few times, when Tim is established as preferring the nerd crowd, because despite being quite fit, that’s who he fit in with. And an assistant editor at the time actually described Tim as being someone who is generally meek.

So as ya can tell, they lost the point of who Tim is, and random changes don’t qualify as character development it’s just bad writing. A person doesn’t become a whole other person randomly. That’s bad writing.

The first writer of the OYL era of Robin was pretty good, but I can’t remember his name. Took him back to what made him work before, but in the knew Tim Wayne era.

After that it was a freaking mess, even Dixon couldn’t write Tim right anymore when he came back. Every writer just made him typical angsty teen with a touch of edge. Which makes sense given the context of the OYL era Tim, but then also why doesn’t he have any noticeable traits that are strong and represent himself?

Red Robin sucked. I don’t even begin to like it anymore. The whole “Damian is now Robin” scene was just freaking dreadful from every character perspective, and that was supposed to be the launching pad for a series, that main goal was to write Tim really differently. Chris Yost did okay, like even though Tim was still clearly very different, there was enough of Tim that seemed like he probably wrote him before. But FabNic was just genuinely awful, besides some narration, I can’t see Tim in his writing. He’s just been replaced as far as I feel reading it.

And that’s not even counting Geoff Johns’ Teen Titans run, where his bio describes the general opposite of what he is. I assume also in the name of making him cooler and edgier, but changes like that-- don’t equal good Tim or even basic good character writing.

Or the New 52, which is notoriously bad.

So Tim’s worst quality in a meta sense, is just being shackled to constant bad writers that I feel like never cared about him that much to begin with but was given the job. So most of them just turned out awful on him.

Original Tim I accept for all his personality flaws, because enough work with his character.

Current Tim as he’s written in most issues of the current Y.J. is just a bare bones leader character, who’s treated as being a packaged deal with a toxic girlfriend that doesn’t even make sense in a story context for them to be together or that in-love. They changed how he looks, what he wears, what his alias is. It’s not really Tim.

And the Detective Comics Rebirth era of Tim was a show off-y genius, that was extraordinarily handsome and talented, as well as being on the path to being an actual fascist because he has control issues. But supposedly Tynion, the writer of it, was just writing Geoff Johns’ Tim. Which is not the Tim to immediately go for.

Like literally to me what I don’t like about Tim is how often artists and writers just don’t even seem to pay attention to him when they write him, and if they do it’s not exactly the right guy.

It’s honestly really saddening reading a lot of his comics because of that. I’m just happy I at least have over 100 comics of well-written Tim, that I can read from, that allowed him to be my favorite character.

[jess-rewatches-prodigalson]

Episode 1: Pilot

Hey Prodigies. 

Welcome. My name is Jessica. I will be posting my weird thoughts/comments (with approximate time stamps) for every episode of Prodigal Son as I rewatch the episode. I like to be completely absorbed in the show the first time I watch an episode which is why, even for new episodes, this will always be a rewatch commentary.  

I’ve done this for some of my other hyper-fixations and I’ve had a lot of fun doing it so here I am making another one for Prodigal Son. I doubt anyone is interested in my thoughts but I’m just doing this for fun so sorry, not sorry. 

Here we go with episode 1

SPOILERS AHEAD

0:10 - Baby Malcolm is so freaking cute. 

1:00 - after 60 seconds I’m hooked. This show is incredible. Little boy watches his serial killer father become arrested? Yes. Please. What. A. Concept.

1:47 - Is Bright the only FBI agent on the premises? Maybe I’ve watched too much Criminal Minds but I thought FBI agents travelled in groups for cases?

3:34 - This scene. As a fandom, I feel like we don’t give the adorable actor who plays baby Malcolm enough props. Seriously, his facial expression combined with his delivery of the lines, “They call you a monster....are you?” Breaks my heart. Every. Time. It is the moment I fell in love with Malcolm as a character. Also side note - Michael Sheen is killing it as usual. 

5:10 - This cop shouldn’t be allowed to carry a gun. Seriously - can you say immoral?

6:24 - “Next time you call someone crazy, ask for their gun first.” He’s not wrong. In fact this line is amazing. 

7:00 - I think college!Malcolm is really interesting but that hair part is not ok. Also. The way he tries to hide his hand tremor in this scene is heart breaking. AND. The way Martin talks to Malcolm in this scene (as someone with a manipulative, abusive father who fooled family friends/teachers, etc. that he was a stand up guy) is truly haunting. He is putting up an amazing act. He is calm, kind, understanding, and concerned. He also killed people. That duality is just...upsetting.

9:04 - He sleeps in restraint with a mouthguard. Immediately I want to hug him.

10:04 - This conversation between Ainsley and Malcolm reminds me of my own brother and I (I was ten when my abusive dad left and he was 7, he doesn’t remember much but I do). My ability to connect this scene to my life is probably why I find the dynamic of Ainsley and Malcolm’s relationship so real and believable. These siblings are close, they can go from talking about real problems in their lives to teasing each other and whining about mom in an instant. 

11:00 - THIS. THIS HUG. IS. EVERYTHING. This scene is everything. This is the moment that I became curious about Gil. Who is he? Why does Malcolm (who has already been established as very emotionally wounded) trust him? And why does this guy care so much about the son of a serial killer?

12:05 - Is this the only time we see Dani chew gum?

12:10 - I love the way Bright is introduced to the team. You immediately see that Gil is Malcolm’s fake dad and that Malcolm is very socially awkward. 

13:00 - Something about this scene is reminding me just so slightly of BBC’s Sherlock. 

15:03 - Does no one else on the roof hear this conversation?!? You can see other people on the roof.

15:20 - I love how many subtle nods there are to Malcolm’s hand tremor in this episode.

16:12 - The interaction between Jessica and Malcolm is wonderful. It really showcases how extra Jessica is and how much Malcolm is suffering. Also the fact that Jessica’s pill holder is bedazzled is HILARIOUS.

18:00 - The only thing running through my head right now is how fine Tom Payne looks in that long sleeved polo. 

18:45 - Edrisa is a breath of fresh air. She is awkward and funny and she lightens up the very serious aspects of this show. 

19:00 - “He’s the killer right? We agree?” JT is honestly such an underrated character. He’s honest (a little blunt) but he also has a huge heart. Also the line about Malcolm not sleeping is heartbreaking. 

20:05 - ngl. The whole Edrisa/Malcolm dynamic (in the first few episodes) really grosses me out. It’s awkward and creepy. 

20:21 - What is JT’s facial expression here?!? That weird pout as he looks at the ground?! It’s hilarious but honestly sooo out of place in this scene. 

21:15 - Sooo the killer broke into Nico’s apartment. Why did he cover everything in plastic? I mean why? It’s so bizarre. Also - why did he hang out in the dark? He was just in the apartment. He definitely didn’t turn off the lights as he prepared to flee the scene.

22:10 - I love that Dani, the woman, is the officer to pursue the killer. Not JT who is the most physically imposing. 

23:15 - This scene always gets me. It’s just soooo crazy. I mean everything about it is just wild. 

24:40 - More of my boy and his shaky hand. <3

25:05 - As I rewatch this episode I notice all of the subtle looks that Gil gives Bright. They’re concerned looks. I love them. 

25:30 - It looks physically painful for Malcolm to swallow. :( Also the looks that Ainsley and Malcolm give each other as Jessica prattles on about Egypt are amazing. 10/10 would recommend.

26:00 - “Not with the sound on” Yikes. I like Jessica but she really needs to work on being a better mom to Ainsley.

27:27 - The lighting in the case room is suddenly flickering? Really? Well that’s convenient I guess. 

28:40 - Dani saving Malcolm is so important. She just met this guy. She clearly thinks he’s a little off. But she’s a good person. She wants to help him. She protects him from himself and the gun wielding police officers. 

28:55 - ....Malcolm put on a coat before he went to talk to Gil about his night terror? Interesting. 

29:00 - I love this scene. We find out about Jackie. We find out more about Gil. We see how much Gil cares about Malcolm. AND we can see JT and Dani in the background talking and looking over at Malcolm. It’s so good. Character development for the win. 

30:18 - Ok. So. Martin Whitly is an amazing artist. He drew those. Dang. 

31:07 - How did Martin manage to keep a medical license after killing all those people?!? 

31:10 - Martin and Malcolm’s first conversation in 10 years is so interesting. The dynamic of their conversation is complex and intriguing and honestly I could write a freaking novel about their relationship. 

34:35 - The first hint we get that Martin might care more about merely having company than having a relationship with his son.

35:40 - This scene is peak comedy. “Maybe you should draw your gun.” hahaha. 

37:48 - Malcolm has no sense of self-preservation. Honestly. He walks into a room containing an armed serial killer when he himself is unarmed. 

39:15 - This scene. Malcolm’s speech. You can see how much Malcolm hates himself. How much Malcolm hates his past. How much pain he carries. It’s haunting. 

40:48 - I love that even after finding out that Bright’s dad is a serial killer, Dani takes a minute to make sure that Malcolm is okay. She cares more about his wellbeing than his past. That’s an incredible distinction. 

41:23 - Gil’s speech. Gil’s story about Malcolm. Wonderful. Chef’s kiss. This is why I keep watching the show. The idea that the cop who arrested a serial killer became that fake dad to the serial killer’s son is such a beautiful and complex concept. I’m obsessed with the father/son dynamic between Gil and Malcolm. 

If you actually read all (or any) of this - Thanks for hanging out. I wish I could say that my thoughts for subsequent episodes will be shorter but honestly I forced myself to be brief with this one. 

Basically - I love this show. I’m someone who is, generally speaking, fascinated with character development and whump. This show is a gold mine for both. 

I’ll post again soon. Read it if you want. Or not. I’m mostly posting this for myself. Because you know, COVID-19. I’m at home. I have way too much time alone with my thoughts and doing this is fun. 

#prodigal son #jess-rewatches-prodigal #malcolm bright #whitly #ainsley whitly #jessica whitly #martin whitly #gil arroyo #jt tarmel #edrisa tanaka #dani powell #this show is almost perfect #i love this show #whump #malcolm needs a hug #so good #rewatch #spoilers #ps #e:1 #1x1 #s1

[beanenigma]

MAKE THEM FAT, YOU COWARDS!

A small guide to writing fat characters, by @beanenigma​

As a writer and an illustrator simultaneously, I have the incredible privilege of being a spy for both sides and comparing the community of both hobbies/jobs all in the comfort of my blog. And for a while I have been seeing something that makes me very happy: an effort from the artists to include bigger body sizes in their art - me included. But, on the other hand, I don’t see the same effort in the books I read except for tokens who don’t make that much of a difference to the plot and are only there for certain effects. . 

And even then, the only purpose them being fat serves is them being underestimated, weak, bullied or made fun of. So, with 20 years of being fat in my belt and having suffered through a lot of enraging fat representation in fiction, I compiled this list of things I would like you to remember when writing fat characters:

If you’re character is fat, call them fat 

Have other characters refer to them as fat. Have them refer to each other as fat. Fat is not a bad word… Unless you use it as a bad word. Going around the bush makes it feel like it’s something that should be hidden instead of a natural feature of your character, like being tall or blond. 

Getting thin is not the ultimate victory

 Nothing makes a fat reader feel worse about themselves than this narrative. Not everyone can or wants to get thin. And getting thin won’t fix all of their problems. Especially the emotional trauma of being told (and constantly reminded) the way you are naturally is unfit for life.

Also, getting thin shouldn’t be the only thing on their minds all the time. They should have hobbies and friends and other worries. And if losing weight is the only thing they can think about and plan for, they are probably sick and they need professional help. Eating disorders are real even if we don’t talk that much about them anymore. So keep watch on your characters if you didn’t intend them to be sick. 

Society? B*tch, please

Don’t blame SOCIETY. Society is an abstract concept made of people. People tell fat people shitty things and write shitty things in magazines and purposefully don’t hire them for TV and movies, not “society”. Name the enemy. We know who it is. 

FAT ≠ UNHEALTHY or UGLY

Fatness is not all the same. We are not all thin children that got fed McDonalds and somehow ended up like this. Some people have different metabolisms, genetic components, thyroid disorders, etc, but otherwise are perfectly healthy.

When writing AUs, science and historical fiction, remember in other times, fat had different social meanings. In renaissance Italy for example, the giocondas represented the wealth of the emerging bourgeoisie. Our ideas of fat are very conditioned to our place and time - that doesn’t make them the absolute truth.  

You don’t have to have one designated fat character. 

Make more! Make two! A hundred. Make secondary characters. Background characters. They are not points outside the curve, something that is wrong and should be handled like hot potatoes. They’re a large part of the world’s population (in 2013, there was an estimate of 2.1 billion obese people in the world). 

Choose the right bod! 

Like I said before, not all fat bodies are the same. The artists can help you with these and doctors can too, as well as women’s magazines (surprisingly). Choose your prefered body type keeping your universe and backstory in mind. also, personal choice, let’s normalize stretch marks, they’re so pretty and every girl has them, mention those awesome stripes please? 

Finally, fat characters are characters like any other - that also happen to be fat. They can and should have wishes, dreams, hobbies and relationships. The reader should be able to remember something else about them other than “fat”. Make them human. Please. 

Now, with that being said, being fat can be a great plot device as a physical obstacle towards some objectives. So here’s other obstacles for you fat character that would definitely be more interesting than what’s currently out there: 

Self-esteem issues

Not that we haven’t seen this before in media, but it’s normally caused by constant teasing and bullying. But the thing is that just like it happens to a lot of people with noticeable features, we are painfully aware of our weight at all times. There is really no need for someone to come up to us at our face and say “I hate you because you’re fat”, because we feel that constantly in everything that we do in society. Not that everyone lets themselves be taken by these kinds of stuff - I know some kickass models who couldn’t be more happy to have the body they have - but these things tend to collect a price on our self-esteem (big or small). So keeping that in mind might help not clutter your narrative with unnecessary violence. 

Medical negligence

I know fatphobia is a word people have a hard time believing is real (and I know it sounds weird), but it’s a real thing that happens. Just while writing this, I asked two friends and they both said that they had their concerns ignored by doctors that claimed their ailments would all be fixed once they lost weight. Both me and my mother had that happen to us as well. 

Not to say that weight can’t cause sickness (because it does), but people know their bodies and they know when something is wrong. Personally, I would find it hilarious if a fat superhero went to a doctor to try and find out what their powers mean, for example, and got out with the recommendation of a nutritionist. That’s some relatable content right there.  

Exercising is hard

I know. I know, it’s hard for everyone. But there’s a reason people tie weights to their limbs to carry around when exercising. It makes it harder. We’re carrying a lot more weight on our bones. Muscles get tired easily (and hurt after). Backbones are under a lot of pressure; feet are tortured; speed is decreased. So honestly, no need to trip on the way. Your fat character can run just as well as everyone else on the team, they’ll just get tired faster. Which is great potential for showing physical strength on their part, keeping up with them without showing discomfort. 

AGAIN, REMEMBER: Being fat not always equals being unhealthy. Not all fat people will struggle with exercise. You must decide what’s the case of your character. 

There are sports in which broader body types might be ideal - wrestling, for example - but they could also perform others and be good at it. And if you disagree, I’ll eat you. 

Clothes won’t fit/places don’t have their size

We all remember Mean Girls, when Regina gains weight and the lady tells her she should go shopping elsewhere. Sh*t’s funny, right? Not really. 

But this issue can go further than regular frustration during shopping. What if they want to be a cheerleader and there’s no money to get her uniform (despite them making the team and everyone else getting one their size?). Or, what if, as a superhero, they can’t find the right measures for a uniform that suits them? Or the right mold for knight armor? Or the right size of space suit to go out of the ship in a crisis? It makes you feel unwelcome, unfit, too much, even when people are doing their dang best to help. 

It’s a great opportunity for showing the perseverance of your character or introducing that awesome supportive character who understands. Still on the topic of clothes that won’t fit, here’s the places where normally there are issues:

Thighs and butt (mainly) 

Breasts (for inverted triangle girls, it’s common to have tight clothes at the boobs and loose lower). 

Arms (sometimes they fit but you can’t stretch your arms ahead or up without having the shirt going up)

Waist (and not necessarily belly; when things have a very slim waist, it gets crumpled and what’s down is projected by the belly.

Belly (if you really must)

Chairs are not suitable

Chairs don’t have to break to be mortifying to sit in. Personally, stools are terrible because my thighs go bananas over them. Swallow them whole, and I feel unstable. Some chairs simply won’t be comfortable because parts of me are not on top of them. Having to have someone bring you a special chair is humiliating. 

What if the spaceship was built for slender species? How about the conquerer queen who, upon looking at the pathetic small throne of the territory she just took over, splits it in how with her mighty swords while her new subjects watch in horror as she destroys millennia of history? 

So with those tools, I trust you will not be a coward and give us a thought the next time you’re thinking of your cast of characters next time.

Feel free to reblog this with your own aditions and follow me for similar content! 

#writing #writing advice #writeblr #new writeblr #fat #fatphobia #writer #writing tips #new writers #writing inspiration #fiction #creative writing #writers #writers on tumblr

[pilferingapples]

For the ask meme poetry smash for ship and Bahorel for character if they have not been asked?

Aaaah this one will definitely have to be under the cut XD

Bahorel!!

How I feel about this character:

TARGETED, ATTACKED, SINGLED OUT. :P

I love the way he’s introduced right up in the context of state violence and civil unrest and then his intro just saunters on cheerfully into Wacky Fun but then veers back into Social Uprisings-I have a Lot Of Feelings about that kind of Chaotic Joy combo  and this post is already so long but AUGH, MY FEELINGS. 

And aside from All My Emotions about him as a character in the story, he and Prouvaire were what really got me to look into French Romanticism in particular and now I’ve got a major Life Interest and all this metacanon overlaying the fictional character and the whole dang novel  so it’s a  whole This Character Changed My Life thing now?!? 

Any/all the people I ship romantically with this character:

more Romantically than romantically, really, but you know it’s Prouvaire XD  ..and also I’m open to being sold on about any pairing for him, really, depending on how it’s written-- he’s not a very picket-fence-domestic character to me so there’s no big contradiction there :P

(This also includes the Laughing Mistress- I like a lot of versions of her, but not every one, and she’s a character fans pretty much have to make their own, so! it’s not a thing I can say I *always* enjoy reading)

My favorite non-romantic relationship for this character:

his instant Avatars of Paris Unite!! bond with Gavroche, of course :D 

My unpopular opinion about this character:

He’s not replaceable or graftable onto the other Amis in any way that works with any sort of detailed adaptation!  He’s got a specific character and a specific role and it’s important,  dang it, there’s a whole dialogue about the role of street violence in the ideal of the revolution in there and  how it gets cyclical and put him in your adaptations and give him his scenes, you cowards  **shakes fist**

One thing I wish would happen / had happened with this character in canon:

Wow it’s great that after the uprising he took on Gavroche as his Apprentice Hellraiser and went on to long weird successful career as a civil activist /organizer, what a good story ;__; 

Favorite friendship for this character:

Leaving aside the two people Already Named, I’ve got So Many Feelings and Ideas about his friendship with Enjolras? They’re so wildly different (and Bahorel knows it!)  and so intense in ways that are actively contradictory but they obviously work well together and love each other and that is fascinating to me! 

My crossover ship:

Well now that Fixa’s mentioned it I’m never going to be able to not  think of him with Porthos, being Terrible Carousing Combat Nightmares together XD

002 Shipping  Questions

Poetry Smash

When I started shipping them:

agh geez, I don’t even remember Not?  When I first read the book, maybe?!? I know they’re in some of my very earliest fanart (and if anyone reblogs it I will DELETE IT oh gad the Shame but still...it’s a Record...)  Even before I knew The Backstory, I recognized them as having , potentially, one of my Favorite Ship Dynamics, so I was sunk early on XDAnd then I found out about the Metacanon and My Life Was Changed Forever.

My thoughts:

I don’t see this pair as ever fitting into the “ settle down”  pattern ever, at all. Not just in the sense that I don’t think they’re a Permanent Lifebonded Monogamy kind of pairing (though I very very much don’t; I can see them going through phases of being intensely Together and phases where they don’t see each other for weeks outside of gatherings with other friends and they’re always open to New/ Other Grand Romances, it’s all good, they Follow Their Passions) , but  in the sense that I don’t think they’re a  calming  force on each other at all. There is no Reasonable One in this relationship--they run on a “ Yes, and”  basis. Like:“ We should go to the top of Notre Dame in the night, so we can see the city under the stars.” “ Yes! And we can recite some of the grand combat from Hugo’s novel when we do!” “ Yes and! we should take a great banner proclaiming the endurance of the Republic and hang it for all to see!” “ Yes! and--”  

At no point will either of them even consider saying “ wait, but--”, it’s just constant amplification until they wake up three days later going “what omnibus hit me and where did I get a llama”  and that’s essential to how they Work as a pair, romantically or otherwise 

What makes me happy about them:

Hijinks! Emotional soul-baring! Cheerful but serious fascinations with Death (the Ultimate Betrothal!) !  

What makes me sad about them:

DO YOU REMEMBER OUR SWEET LIFE **sobs forever**(does this question even need to be answered in this fandom, really)

Things done in fanfic that annoys me:

Nuh-uh-uh, listen, SOME fancy people might be so very buried in fanfic for their pairing that they can be all picky, but me? this? there are like five people who write anything for it EVER and I Love Them For It, maybe we have some different interpretations!  maybe they do settings or stories I wouldn’t write if I could write! But they’re singing a version of My Song even if it’s in a different key and I just vastly appreciate it *__*

Things I look for in fanfic:

...ex...istence... A Lot Of Feelings , displayed very openlyAlso both of them being coequal Partners in Havoc, action and emotion-wise , in their own way.

My wishlist:

i always love Magical Realism or Fantasy-tinted AUs with these two?  And i love it when someone can write into their heads a bit and it feels Real And Right--that’s too subjective for me to name Specific Things but I know it when I see it and I am always Elated. 

Who I’d be comfortable them ending up with, if not each other:

Oh, I don’t think of them as “ ending up with”  each other, or anyone? Neither of them is a very...Ending Up With kind of person. I never think of them as a permanent, exclusive kind of thing, and I have zero problem with people writing them having other lovers or even spouses; it’s easy for me to imagine them still wandering happily into and out of each others’ paths forever regardless of whatever else is going on. 

...Anyone who’s gonna be with either of them long-term needs to be totally onboard with The Romanticist Soul, though,or their life will be hellllllll, gad, imagine trying to live with that kind of Energy when you don’t share it?!? 

My happily ever after for them:

 a young but thriving Republic , where there’s room for Weirdo Artists and their movements to develop without censors and arrests , and a large house somewhere in Paris with friends and people wanting to argue with them going in and out all the time. Everyone’s Fine and all the duels end in comedic misadventure, IT’S FINE EVERYONE IS FINE.

#...this took forever #and I didn't say half what I have to say on either option XD #but IT TOOK FOREVER #thank you for asking though <3 #answereds #Poetry Smash #firing the headcanons #aflamethatneverdies

[ironwoman359]

Learning New Things About Ourselves

 Observations, thoughts, and screenshots! 

(under the cut, because spoilers and also LONG)

Patton: “Take it from me. That’s not the way to work out your feelings.” Oof, you really can see Patton’s growth in this episode, he’s so much more aware of himself now. 

Patton: *gasp* Logan!!!!

“It’s Patton!”

Oh my goodness, he’s so excited to see him, Logan, acknowledge him, he’s so happy to see you. 

Logan and Roman are acting like they haven’t even made the progress they have recently, that’s how you really know something is off with Thomas. 

Thomas: Uh, guys? *makes the face*

Patton: “*gasp* I know that face!”

“My child is returning”

Virgil: Thomas you have got to do something about this!  Thomas: But this is what they always do. Right? Oof, Thomas, even if so, that’s not good. You need to help them solve their issues, or there’s never going to be any peace around. 

Patton is so aggressive in his love for Virgil, it’s so cute. And AWWWWW, Virgil gave Patton a dad themed nickname! That’s so precious, my moxiety loving heart is so happy right now! 

AAAAAH, just look at them, they’re best friends and I love it so much. 

(also mood with the arm thing, Thomas)

Virgil’s just all Roman, you’re an insecure moron, Logan, you’re an inconsiderate jerk, can you both just COOL it now? I do love that now, Virgil acts much more often as the “common sense we need,” like, lately he’s been an identifier of a lot of the problems and now that he’s actually listened to, it makes things go way smoother. 

Roman: “I’m not insecure!” Yes sweetie, yes you are.

R&L: I’M THE MOST IMPORTANT SIDE HERE! Everyone’s faces omg:

Virgil: “All I’m saying is you both suck at what you do and I’m tired of having to keep lighting fires under your butts.” 

Also, typical, Roman is trying to defend himself, Logan took Virgil way too literally, and Virgil is making gay jokes until Patton calms them all down. 

Patton, my hero, knowing how to get each of them to shut up, I am so using that in future fics. 

They all zero in so quickly on what Patton gives them:

(Also look at Patton’s face, this is like, a rare moment when he shows off how powerful he actually is. Not just as a strong influencer in Thomas’s personality, but like, he knows them all so well. He knows how they all tick, he knows their feelings better than they do, and he knows exactly how to calm each of them down. He probably also knows exactly how to work each of them up, too, but he doesn’t because he’s Good. This just...it makes me think of human aus where Patton is somehow able to get the whole school to listen to him or retaliates against bullies, and I love it.) 

Happy, distracted bois.

Roman the artist, you’re doing amazing sweetie, wow.

Patton figuring all this out is my jam, tbh. 

You can see the gears turning in his head, and then he has that AhHa! moment, and he doesn’t have the answers, but he knows that’s okay, they just need to do some soul searching to find out what the question is. 

And the others don’t get what he means, but LOGAN, the smart one, he realizes! He understands, and he comes SO close to saying “Patton, you’re a genius!” that it physically hurt me. (I think Logan is afraid, in that moment, but I’ll leave that analysis for another post) 

Logan is so dang proud of himself for that hat. 

Thomas: How did I used to learn things? Logan: Textbooks. Roman and Virgil: Mistakes. Patton: Puppets!!!  I do find it telling that Virgil and Roman both claimed mistakes as Thomas’s biggest source of learning. It not only highlights their tendency to work together on things such as acting and creating, but also how much they both think about their own pasts...I think it’s safe to say that the two of them are more introspective than Patton and Logan. Patton has learned to be more introspective and aware of himself with time, but for both Roman AND Virgil, that constant inner thought process is at the core of their function. No wonder they gave the same answer to that question. 

Virgil immediately jumping to Patton’s defense, “OR we could hear him out! He’s already made ONE valid point today.” I love how protective Virgil is of Patton, and again, I’ll probably go deeper on this in another post. 

I like how this keeps the canon from the other shapeshifting video, that Virgil has a harder time shapeshifting than the others. I also love how he immediately was like “Nope, nope, I can’t pull this off this was dumb” until Thomas reassures him. 

Patton: “You know what happens when you assume! You make an AS out of SU and ME!”  Patton has the dirtiest sense of humor out of all of them and NO ONE shall convince me otherwise. 

Logan throwing that flashcard, yikes.  

So much anger, but also so much instant regret.

Honestly, I think he’s really scared of himself right here, and it’s no wonder that he offered to leave before he could make things worse. But then when Patton refuses to let him leave again (he remembers what happened last time), he seems so surprised, as though he hadn’t expected Patton to care about his opinion enough to ask him to stay. 

Patton is so on the right track here, jumping STRAIGHT to talking about feelings, even though the others don’t like that idea, he insists, knowing that it’s the only thing that will really help them. 

When Thomas expresses that he feels unworthy of feeling bad, Patton shoots that down, knowing it to be unhealthy. I also feel like the line “It’s not your feelings job to make sense,” isn’t just about emotions, it’s about him too. He knows he’s silly, he knows he doesn’t always make sense (especially the way Logan wants him to), but he also knows his worth as a part of Thomas. And he’s going to do his job, dang it. 

I like how Virgil calls out both Logan AND Roman equally in this, both telling Logan to cool it with the deadlines, but also agreeing that Roman hasn’t been performing adequately. I also like how Virgil isn’t right throughout the WHOLE video too, I mean, he’s wrong right here, trying to fix the issue he sees on the surface without first examining the underlying emotions, because that makes him, Anxiety, uncomfortable. 

When Logan insists that no one is listening to him, Thomas then says, alright, I’ll hear you out. What should we do? 

I love the way that Patton, yet again, was the one able to guide Thomas to the question he needed: Am I doing the right thing with my life?

Logan: “If you asked me, I could list several factors that could be contributing to your doubts.” *looks around the room* 

I love that Virgil finally is just like “woah, Logan, what are some of those things?” He knows that’s what Logan wants, and that he’s not going to continue until he hears that verbal validation. 

Virgil the Count. 

“NO ONE TAKES YOU SERIOUSLY!” “Four. Four uncomfortable characters. In this room.” 

Logan is very concerned about Thomas’s image (and also his own) and you can TELL he’s been thinking about this for some time, but been holding it back because, despite how concerned he is, the others seem happy. So he’s held in what he thinks. But he can’t do that any longer. 

“You eat some jam, accidentally tell a few puns and now you’re all sensitive about not being taken seriously?” “I’M NOT A JOKE!” Someone hug him.  He even flat out SAYS that right now, he’s not being listened to. “I can’t be thought of as such, because there will be times in which I must be heeded, and given our current circumstances, I clearly haven’t been.”

Virgil validating Logan’s opinions even as he expresses his disagreement. 

Virgil: “Don’t start with me Thomas. I have plenty of hate to go around.”  Patton: “Oh very funny Virgil, you cute little muffin. Thomas, you know he doesn’t mean it. Now––”  After this, you can see Virgil’s puppet reel back a little, and it’s a testament to how good the puppeteer is because you can tell that that statement...actually hurt him a little. Sure, maybe he won’t HATE Thomas, but he does sometimes still use the scare tactics to make his point, and in some ways, Patton undermined his point by brushing off his tactics. 

Virgil and Roman having a snark off, I am living.  Roman also realizing when he’s gone too far and admitting his flaws, I am so living.

Roman: I do feel bad.  Virgil: Well then maybe you should say you’re sorry.  Roman: You’re right.  Virgil: Oh, really?  He was so surprised when Roman admitted he was right, and even though he thought that apology was for him and it turned out to be for Logan, I think it’s telling that Virgil is still sometimes surprised when Roman admits that his point was good. 

Roman apologizing is so sweet.  “I still feel bad.” Patton knowing that if he lets Roman express himself in a way he’s comfortable, ah, I just love this whole sequence. 

Roman calling Logan and the others his loved ones <3 

The look Logan gives Patton when Patton starts sing/rapping about how he used to hide his feelings:

Aaaaaaa my heart look at him. 

Patton: “Everybody gets sad, even dads who have people to care for,”  Patton cares so much for the others my heart is so full. 

Virgil participating in the song happily and voluntarily, so much growth since Christmas!!!

Virgil: “I thought that I could take it, all the hate would just be shaken, but when you lo– CARE for someone, not much hurts more than their scorn. I also felt bad.”  Roman: “Oh, come now–”  I just, love everything about this. Virgil’s lines, him almost saying love, but changing it last second, Roman literally reaching out to him, it’s just all so perfect <3. 

The music shifting into minor when Logan interrupts with his frustration, and YES, his and Thomas’s duet is fabulous. I get major Lin Manuel Miranda vibes from their section. (thank you @digitally-analog for the transcription.)  Thomas: This just serves as testament to the fact you have a temperament which is fine, you just haven’t accepted it. If you let them finish they’d get to the– Logan: This just serves as testament to the fact that to me, you’re negligent which is fine, it just works to your detriment. You not letting me finish is just proving my– 

Virgil: “HEY! ... You’re lost. It’s okay. I was lost once too,”  Virgil pulling through for them, YES, and I love how he’s able to just so clearly let the others know what they’re feeling sometimes. “You’re lost,” it reminds me of when in Patton’s room, he said “You’re afraid.” Patton may be most emotions, but those kinds of emotions are ones that Virgil is very familiar with, and ones he can spot easily in his friends, and ones he doesn’t want to see them go through the way he had to.

Virgil: No one wants to be a joke, T, R & P: but a life without jokes is incomplete! 

Roman’s bits, omg. 

Thomas: It’s alright, Princey, honestly it didn’t hurt me, it’s clear you’re the one who’s hurting.  Roman: Huh?  I just, someone take both him AND Logan to therapy, they are so emotionally unaware. 

Virgil: “You feel low.”  Coming through again with that problem identifying. 

P&V: “We embrace you,”  Roman: “That’s rich.”  Virgil (gently): “No one hates you.”  I think it’s so important that this line comes from him, because of all the sides, Roman probably feels like Virgil has the most justification to hate him, but here his is quietly reassuring him. 

Roman and Logan FINALLY talking to each other, THANK YOU 

And Logan realizing that the song was actually part of the conversation, and not random like he thought, you go you silly nerd, you’re getting it! Logic is always there, even in the methods that he doesn’t necessarily understand, and that the silliness and dramatics that Patton and Roman love can still be intelligent. 

“Why did I never question people’s belittling views on what I do?”  THERE IT IS THOMAS YOU GOT IT!

Nice DHMIS reference. 

Logan and Roman making up aaaaaah yay. Thomas and Virgil are so proud! 

Virgil telling Patton how he feels, but trying so hard to do it in a way that won’t hurt Patton’s feelings. I’m so proud of him. 

I’m so proud of ALL of them, they did so good. Thomas did good. Character Thomas and real Thomas, this video was amazing, and I loved it. That’s it for this post, but there will be more to come!  –Taylor <3

#sanders sides #thomas sanders #fanders #famders #sanders sides theories #ts spoilers #sanders sides spoilers #screenshot queen #roman sanders #logan sanders #patton sanders #virgil sanders

[jess-the-vampire]

.... I didn't ask the question, I just wrote that I agree with it, and yet you get piss off as if I'm the one that started insulting you for it? Maybe it was my bad in sharing my opinion or maybe the way I express myself made it feel as me attacking you, but I wasn't. I wanted to believe that people exaggerated in the subreddit account when they said you were crazy for Tom (almost obsess with him) I'm sad knowing that I stumble yet with a great artist but sadly with a weird and crazy attitude.

no, you said you thought i was half right, but you still told me i was wrong to think he was important.

you have not agreed with anything i’ve been talking about, everytime i’ve brought up a point you either have ignored it, or tried to come up with an excuse for it.

if i bring up other character in comparison, you try to find a way to say they’re somehow too different from tom to compare, even if you yourself said tom was comparable to them awhile back.

dude, you ARE insulting me, you said i’m not allowed to have criticism and it’s invalid because liking tom somehow means nothing i say is worth any value.

You said that, several times at this point. 

And you’re still doing it, right now.

You’re trying to guilt trip me for being upset that you insulted me.

it’s not cool dude.

You could easily have a talk with me on tom without coming into my inbox and saying “Since you’re a crazy tom fan i don’t think anything you say is worth value”.

If you wanted to share your opinion on the matter, you can do it without dissmissing me as “Crazy emotional tom fan”.

cause i can easily hold a conversation with anyone without having any serious problems.

I’m super open to criticism on tom’s character, but you’re not giving me any, you’re completely dismissing what i have to say on the matter.

you’ve dissmissed everything i’ve had to say and given me little reason to change my mind because you aren’t giving me any evidence to back you up

Again, you say “Tom’s fine”, but don’t give me any actual reason to think so, he’s just ok because you said he was but give no “In-show” reason other then “He smiled”.

Which doesn’t hold water because it doesn’t erase all the in-show actions that happened to him.

You guys can’t keep running around trying to blame people’s differing opinion on “Oh they’re crazy”.

Is tom my favorite character? Yeah

does it hinder my thoughts on him and good story arcs? Not really

i’m honestly not happy with star or marco’s arcs , globgor’s handling, ect, ect.

it might make me more mad because he was very fun to watch, but i would’ve have the same problems if it had been any other character because the issue is a very annoying stuctural issue in character arcs.

i can easily go into a similar disscussion on them, but you decided to talk to me about tom purposfully because since i enjoyed his character.

Tbh it’s just sad you and the other people on whatever subreddit just dissmiss any differing opinions on other characters or relationships by saying “Oh, they’re crazy, it’s not like they could possibly have actual constructive critisim about how this plot was handled, they have to be super crazy for tom!”.

i like tom but even if i didn’t like him it wouldn’t change my opinion on how his arc was handled, it’s not a good concluding arc for his kinda character in his story.

and if you think i’m some super crazy obssesive fan for tom, you don’t know what a crazy obsessive fan really looks like.

i think just liking a character and drawing it and enjoying fun activities for them, and having their own opinion on how things were handled is a pretty dang normal thing for a fan to do?

you know what’s not normal? Bullying people for having another opinion on the character into liking your opinion more, for liking the character, and making fun of them for simply enjoying a character as if it’s a bad thing.

[momo-de-avis]

Do you have any writing tips for someone that is definitely not a writer but wants to be better at writing anyway? That might be too vague so I'll say this, I have a lot of trouble getting an idea that isn't either something really small that doesn't make a narrative or something gigantic and complicated that I dont have the will to take on. No middle sliders in my life.

You have an issue my boyfriend has, he has great ideas but either believes they’re just something too small for a long narrative or so long and complex he doesn’t know how to plot them.

I can’t tell you what the right way is, because everyone is different of course, but I think there’s two ways you can go about it to try and figure out which might help you best.

First of all, take notes on every idea you have. I’m serious. However small it seems, just write it down. Even if it’s something as trivial as ‘man eats an apple while staring at a tree’, whatever. I find that, when something really tiny like that pops into my head with that thing of ‘dang, I need to write this’ but it just seems way too trivial for me to care, it’s because of how I’m visualizing it. I’ll tell you this, this one time I was having a cup of coffee near the library after a break and I saw this woman in the gardens looking at a tree, and that’s what gripped me in that moment. It was really stupid, but the thing I saw was what made me explore that for some reason. I thought she looked sad, I don’t know why, it just looked really sad, and it looked like that sad woman just casually looked up at a cypress tree like she wanted to see something pretty on a shitty day. Later on, must have been years, I was trying to write a scene where a character was supposed to compose a text for school about why she mattered and the only thing that came to mind was that woman looking up at that tree. I’m telling you this because the littlest thing can really help. If you get that unexpected pang of ‘damn, this is cool’ or ‘wow, this is really pretty’, take the chance to write down the what and why at least. Because you never know! 

Now, as for development, there’s two ways to go about it that might help you. You can explore the character-driven side of narrative, or the plot-driven. These are, I’ll be honest, two things I have a hard time distinguishing but I mostly follow character-driven.

Plot-driven stuff generally has people planning beforehand (hence why I suck at it lmao). Some people follow the 3 Act structure, or other ways to go about it with planning (this is a good place to check out a few). As the name says, the plot is the star. There is a narrative you want to develop. There’s a central plot with probably very little sub-plots, but that one plot is the main goal. Most likely, one protagonist or two, both with goals that they will achieve or not at the end.

Character-driven, though... the characters make the story. It’s really hard to explain, so I’ll explain how I do it. I essentially have to have the characters very well established. Who they are, psychologically. Once I know them, I let the story flow naturally.

This has helped me a lot because most of the times I have a premise, not a plot, and on my first draft (not even a first draft, more like preliminary exercise lmao), I just try that approach to try and understand who these characters are or what I want them to be, so that they can move the story. Eventually, what happens is I have the inciting incident settled, the lowpoint as well or just something in the middle that is a plot device, and the ending established, but as I progress, since I know the characters, new things emerge like, completely new conflicts and reactions that just occur to me as I progress. But this is my method, it’s how I work.

For me, personally, sitting down just TRYING to find a plot, or an extra for the already existing plot, is tiresome and it drains me. So I just go ahead and do something and see where it goes. I follow the character instead of the plot (ask stuff like “what would she do if a stranger bumped into her on the subway, what should do if she witnessed this or that, what would she say if someone asked her this and that”, and go from there).

Another thing is: find your voice. I mean mostly style. I find that most of the times people struggle with this because they are struggling with finding their style, because once you get your voice established it might become easier in developing your story. For example, I always loved bullshitting my way through stuff if it involves words lmao, and when it came to creating long stories, I had an issue with planning. I remember at school my teachers would have us write a detailed plan of our story before the actual story, and we were forced to turn them both in for grading, which fucking sucked, because I don’t plan.

Then I read Virginia Woolf and learned about this neat little thing called ‘stream of consciousness’ and thought, fuck you, 9th grade teacher. Stream of consciousness is essentially a style where the author focuses on one small detail, seemingly trivial, and then develops an entire fluid string of throughs that interconnect with each other however contrasting they are (why the sentence “Mrs. Dalloway thought she’d buy the flowers herself” is so remarkable, because for the WHOLE BOOK, Woolf debates about many things, seldom being flowers. Hell, one of my favourite short stories is her meditating on a fly that lands on a bowl of milk).

So what I learned with this was: bullshitting your way out of purple prose has an academic word for it! Great! This also validated a lot my lack of planning, meaning that every time I drivelled instead of following a step-by-step plot I was actually building something worth a damn, because that exercise of developing a string of thoughts that are born from one shitty thing is something that can happen inside a novel. 

So you see, finding my style, in this case, helped me find my voice and it became very easy ever since to juggle my methods with my ideas. This is my experience, of course, and it’s worth what it’s worth, but this little thing is what helped me establish that, I might have an idea, but if I let it flow, it might grow into something.

Of course, there’s that last advice: read more, watch more TV shows and movies within the genre you’d like to explore, etc etc, but I think it always goes without saying.

And one more thing: no story, for me, is too small or too long. It has its own natural length. Sometimes, we have ideas that are naturally shorter. It just means they’re short stories, or novellas, or novelettes. When my boyfriend told me he had that same problem -- that he had ideas he just didn’t know how to develop into full books -- I told him: then they’re short stories. And that’s fantastic. 

The thing is, being a writer isn’t like something immutable, you’re not the same always, you know, you’re not always in this place, with this style, writing about this thing. You keep changing, keep finding new voices, keep exploring new angles, just continuously growing, as with any other artistic field. So maybe right now, those might be short stories, but who knows in the future? 

I was reading American Gods and Neil Gaiman apparently republished it a second time, a much longer version his former editor had told him to cut down, and at the beginning he quotes Stephen King on why he did it: cause there were small bits in it, sub-plots if you will, editors are keen on thinking they don’t add to the main plot, but they build the story as a whole, paint the colours needed for the setting, the ambience, the narrative outside the main plot, and both authors felt their concepts, their ideas, weren’t complete without them.

My first advice when someone has an idea is always this: write it down, however it is, with whatever you have. It might be one paragraph. It might be 400 pages. Whatever you have, it’s just a first draft, and the goal of a first draft is getting it down on paper, not turning it into the finished work. It’s the first step.

And if it’s gigantic? Make it gigantic. This is Miss Only Writes Gigantic Shit speaking. I mean monstrous. Especially first and second and even like, third and fourth draft (man I have a lot of drafts), it’s so brutally long I seriously have to take a step back and think “bitch, slow down”. Eventually, I chop down stuff. Scenes that don’t add anything, repeated stuff, scenes that establish what is already established -- just stuff that misses the eye. 

Just to say, let the story have its natural rhythm in the beginning stages. Writing is like baking, as I say: you need to set it aside and let it settle for a while, and then when you come back to it with a clear head, you’ll be able to compose it better. Eventually, it drives you down misery road and actually have to do the dreadful thing of leaving stuff out -- it’s sad, I won’t deny, looking at this one character and saying “goodbye, you were a good one, but I have to put you into the Unused Character Pile, maybe one day you’ll find your light, but not today, and I’m so sorry, but where you are right now, you’re useless lmao”. It’s a step that comes eventually, but it’s not needed in the early stages.

But in the end, it all comes down to motivation, I think. So first and foremost, I would say... find your motivation to write whatever you have. You could read more into the genre you’re thinking of, or you could try and write small vignettes of the story you have in mind (just pick a scene and try writing it down, just to see). You could try a challenge of sorts, like picking up a concept, a word, a sentence, and try developing it. Create a habit too -- don’t mind that “write every day” stuff, do it whenever you feel like it, whenever you get that tingle of ‘damn I feel like writing’, just answer that call. And always believe in your ideas, and I say this because I find that a lot of lack of motivation comes from ‘my idea sucks’ or ‘it’s been done before’. Your ideas are yours alone, so explore them as much as you can.

I used to have a website saved that I lost and this is the closest thing to it I found, but try this out for like a first plot, or just to generally get an outline of your idea. It has HELPED ME TREMENDOUSLY when I have a new idea that just makes me think “Great! now what the fuck do I do with it?”

I hope this helped, anon!! And sweet, sweet writing, my friend!

#Anonymous