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#there is no better trope
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soulmates but not in a soft romantic way soulmates in a destined to change each other for better or for worse, cannot be who they are without each other, unstoppable together but they’re also the only ones who can defeat each other, equals, existences undeniably tied to each other way
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labcoated-lunacy · 15 days
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eroticism of the machine this, eroticism of the machine that. what about the AROMANTICISM of the machine. what about the electric comfort of looking at a beautiful turbine engine and knowing that it is just like you. what about the urge to cut open your chest to prove your heart is made of wires and your ribs are made of steel. what about that
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prokopetz · 1 year
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One of the more entertaining consequences of broadcast standards for children's media during the 1980s is that villains weren't allowed to express or directly imply the desire or intent to kill the protagonist, but they were allowed to openly state their intention to eat the protagonist – provided that at least one of the hero or the villain were non-human.
(i.e., human villain expressing the desire to eat a non-human protagonist: okay; unambiguously monstrous villain expressing the desire to eat a human protagonist: okay; human villain expressing the desire to eat a human protagonist: not okay.)
This often led to interesting characterisation choices, like Shredder's strange preoccupation with making the Teenage Mutant Ninja Turtles into soup in the 1987 series – he's not allowed to threaten to kill them, but he can freely threaten to eat them!
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daftmooncretin · 7 months
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richard siken (crush.)
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short-king-enthusiast · 6 months
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The most irritating thing, is that if you watch season one and then immediately watch season two, everything makes perfect sense. It's a great story. Characters that are vessels for very real emotional storylines and symbolism, but at their core, are silly pirates on a silly pirates show.
However if you watch season one, then spend a year obsessing over the characters, obsessing over characteristics, traits, relationships that are not actually canon but convincing yourself they are. Getting so wrapped up in fanon that your version of the characters and the actual written canon characters are two completely different things. Yeah of course you're gonna be pissed.
Most of the backlash from season two is because people have been reading fanfics for a year and had wildly unrealistic expectations. It's actually fucking fascinating and should be studied. It just keeps happening over and over again in every new fandom and nothing changes
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"Taigen endured torture to protect Mizu 🥺"
yeah and I'm not shocked whatsoever. The mans was one day into an unsteady alliance and already offering to sacrifice himself for Mizu
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cashmoneyyysstuff · 2 months
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thinkin about childhood best friend katsuki (wow shocker) saying he’s “immune” to cooties or he’s “too strong” to get them just to hold your hand and drag you around everywhere because if you’re not at his hip 24/7 there’s a problem.
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mxflora · 3 months
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rythyme · 4 months
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alpha/alpha isn't even a canonized AO3 tag yet and Pit Babe The Series is already out here like "there's a special kind of alpha that can get other alphas pregnant 😜"
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aspenceart · 5 months
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for all the people agreeing with my spooky deer god opinions, i have more <3
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straight-to-the-pain · 5 months
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I’ve been thinking about how often we see stories about people getting out of an awful situation and being surrounded with support and care and getting to move on and recover.
But what if they don’t. They’ve spent god knows how long in their own personal hell, captivity, torture, isolation. For what felt like an eternity, they held onto the idea of finally being freed, rescued, released. And one day it just happens. Political pressure, a hostage exchange, a rescue. Whatever happens, one day they’re just free.
But they come home and everything’s different. They never had a huge network to begin with, and now the people who still care just don’t know how to deal with them and their trauma. It’s all too much. They’re not the person they used to be, the person their friends used to love.
Sure, they’ve been given medical treatment for their obvious wounds but the doctors just don’t seem to understand them when they say that there’s a pain that never quite goes away. They’ve had the mandatory counselling, but the therapist’s empty platitudes made them feel all the more disconnected from their reality.
For so long, they waited for this. But now it feels like their past is an impossible weight on their chest, never letting them move forward. People tell them that they have their future ahead of them, but they can’t help but wonder if they should have just died there.
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heartagasm · 1 year
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Can we just take a second to appreciate the growth of Ava’s protective instinct towards Beatrice over these past 2 seasons because it’s suPERb. In season 1 we see the first time Ava reacted, completely subconsciously, to Beatrice in danger
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at this point she’s not aware of her emotional connection to the halo’s power, and has way less control of what happens - so even though she does shatter the bullet and save Bea’s life, she also blows everything in the room backwards including herself. Even Beatrice gets pushed back (although super softly) as you can see her recover briefly to run over to Ava after
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THEN we start to get spicier protection in season 2 when Ava does react with more understanding of the halo’s power and her feelings towards Beatrice, and not only does she accomplish a much harder goal (poofing away a demon???) 
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but this time Ava able to handle the blast AND it doesn’t get anywhere close to Beatrice. She does clearly have a blowing back effect on people next to her (cue Miguel/Michael folding like a lawn chair part 1) but Ava is learning to control the power of the halo and how to use it to protect specific people... or in her case specifically Beatrice
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and then of COURSE because third times the charm, the last one is my favorite. This time it’s intentional, Beatrice knows Ava can control the power and she tells Ava to let go, and Ava nods AND pulls Beatrice in telling her to hold on 
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WHICH if we look at past experience showing Ava having a forceful blast that surrounds her after using her power, her instinct should initially be to tell Beatrice (and Michael I guess) to run so that they don’t get hurt, but she knows at this point that whatever power she releases won’t hurt Beatrice because Ava would never let it. I mean look at Michael ! ! ! 
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Dude folds like a lawn chair (PART 2) as if he were one of the possessed enemies Ava is releasing a blast towards. Even though Ava thinks logically she’ll be able to protect both of them, her internal instincts are only thinking of protecting Beatrice in the moment and the halo’s blast reflects that.
Bonus is watching them walk away without a second glance at anyone because to them, as long as they’re both safe, it’s mission accomplished:
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Thanks I’ll be here till 2049 talking about this show and couple
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cuddlebugmonster · 6 months
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I like the idea that Leo and usagi didn't like each other in the beginning. They act so similarly, even with their bad traits, which can be an uncanny feeling.
Usagi rarely gets mad, but when he does it's really intense to the point his whole body shakes, he tends to avoid conflict unless it's battle related.
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ky-landfill · 1 year
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skyartworkzzz · 3 months
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Theyre dating ur honor
Hi I bring yall another AU 💃
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Tomarry AU where Tom HATES this book he read because his favourite character dies a miserable death. So what if his favorite character was a no-named side villain? Why does it matter that he only had like seven lines (seven is Tom's favourite number anyways)? He was still gorgeous, smart and strong and beautiful — and it doesn't matter that others think he isn't all that because they would never know him— understand him like TOM DOES.
An AU where Tom has a healthy obsession with a character named Harry Potter, a no named baron's son who was the first to go against the king (MC's father, and the mc who is incidentally known as Draco Malfoy, ahem anyways); he tries to “poison” him. But he gets caught or to be more precise he ends up sacrificing himself for the common girl Hermione Granger (the female lead, I'm sorry guys but imagine the fucking drama.) who gets blamed for his transgressions.
But that is not why Tom falls for this weak villain, no — it's because he respects how this no-named orphan became a baron on his own two feet without anyone being there for him especially in a world where old money and title is everything— and he hates how he had to give his life for the MC to notice the female lead? (Harry is better looking and smarter than her anyways — Tom, in an online forum perhaps.)
Anyways, now imagine Tom dying (he hated it so yes he ends up looking for immorality anyways.) and waking up in the world he hated. Now imagine, Tom Riddle, waking up in the body of a Duke who wasn't even given a name in the novel. (He would know because he has a photographic memory, ok? It's totally not because he read it more than 14 times) and then saying fuck it and owning it.
Just think, Tom taking over the world slowly with his worldly knowledge while trying to keep Harry alive because even though he was right about Harry being smart; the guy treats his life like Draco treats his money - you get the idea.
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