Scarlet the Skywing
(Based off thai game fowl)
And with that! Part 1 of book 1 is done!
[Image ID: Three images of a bird-like skywing dragon named Scarlet. She is a scarlet red color, with a light orange and dark green underbelly. She is coated with feathers and plumage and has big bird wings. She has a comb and a hackle like a chicken and a short feathery tail. In the first two images, she is laying down queenly, breathing smoke from her nose, and grinning evilly. In the second image she is wearing her golden chainmail, rings on her yellow talon feet, a crown and bracelets over her long crimson horns that curve up and have two points. In the last image, it's a headshot of her face after a venom injury on the right side of her face, it's turned her face darker and bare of feathers on the location of her injury, she is roaring furiously. /.End ID]
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Antagonists, anti-heroes, and villains: A how-to (part 1)
Antagonists are what arguably drive a story. From facilitating conflict and plot progression, to defining and shaping the protagonist. A well written villain could turn your story from meh to unforgettable.
manipulation_.
Good and bad isn’t black and white. A well written villain will bring intrigue to their points and make them appeal, even if you don’t directly support them.
For example, 1984 by George Orwell was greatly improved thanks to O’Brien - while I don’t think he is correct in anything he’s done, I was immersed in his reasonings and manipulative personality.
Taken from the book, I fully believe this following passage shows gaslighting and manipulative anti-heroes and the effect they have on the victim:
“...but the aim of this was simply to humiliate him and destroy his power of arguing and reasoning. Their real weapon was the merciless questioning that went on and on, hour after hour, tripping him up, laying traps for him, twisting everything that he said, convicting him at every step of lies and self-contradiction until he began weeping as much from shame as from nervous fatigue. Sometimes he would weep half a dozen times in a single session. Most of the time they screamed abuse at him and threatened at every hesitation to deliver him over to the guards again; but sometimes they would suddenly change their tune, call him comrade, appeal to him in the name of Ingsoc and Big Brother, and ask him sorrowfully whether even now he had not enough loyalty to the Party left to make him wish to undo the evil he had done. When his nerves were in rags after hours of questioning, even this appeal could reduce him to snivelling tears. In the end the nagging voices broke him down more completely than the boots and fists of the guards. He became simply a mouth that uttered, a hand that signed, whatever was demanded of him. His sole concern was to find out what they wanted him to confess, and then confess it quickly, before the bullying started anew.”
Other examples include Mother Gothel from Tangled and Light Yagami from Death note
Knowing the importance of a manipulative character, here’s how to write one:
Seclusion. By secluding and isolating the victim from other influences that can counter the scheming tactics. By taking someone away from familiar settings and people, they are more vulnerable
Guilt tripping and (mildly) degrading comments. Even minor playful ‘jokes’ or ‘teasing’ can contribute. By making someone feel worse or making them feel in debt, they feel morally obligated to stick around. Some might call this ‘playing the victim card’ (Some manipulators might switch between victimizing themselves and being the bully. Whatever is most convenient at the time)
Trust. There has to be a level of trust between victim and the character before they make any moves. Someone is more likely to overlook manipulative advances from someone who has helped them, shared moments with them, etc,. The victim will logically be more likely to trust a friend more than a stranger.
Remember, this doesn’t always happen immediately. Manipulators may be skilled in their craft, but they aren’t magic. It can take take days, weeks, months, or even years for a character to manipulate their targets.
base it off real life_.
A realistic character is always more interesting that a 2d one. People have layers, caked upon each other. If you're having trouble to write your antagonist - base it off real life.
E.g. You want to write a clown serial killer, base it off The Joker from batman, or "Clown Killer Gacy" (John Wayne Gacy)
THIS ISN'T AN EXCUSE TO PLAGIARIZE! (And you don't wanna get sued from making it too similar to a real character) read this post to learn about how to avoid plagiarism
(tw: don't google this next guy if you're not comfortable w gore + murder)
All villains have motive, taking the example of Blake Leibel - he tortured and murdered his fiance because their newborn daughter was taking away all the attention, as well as stress from avoiding Russian mob bosses that were trying to get money back from his brother.
Analyze villains you like from your favourite books, animes and movies. Delve deep and do research!
this was long, so i’ll make more parts to this and link them here. hope this helps!
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