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#this is a draft from so long ago
skaterflz · 2 years
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i love the trope where dean goes to therapy
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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?
Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.
Jack and Tim’s relationship is Complicated (TM)...
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Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis
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“I could tell the truth.  But I don’t.” - Robin 66
...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.
And I think that’s great.
Below the cut:
Shorter version - key points about Jack
Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)
Final thoughts
Shorter version - key points about Jack:
He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.
But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.
He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.
And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 
...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.
The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)
Very long version:
(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)
Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.
My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.
I have a gentler take and a harsher one which I switch between as the spirit moves me. xD
My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)
Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.
This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:
Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 
Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 
Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 
Tim the computer geek with the sports-obsessed dad (this one’s just canon);
etc. etc.  
The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.
And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.
I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...
...but also he ends up lying more and more.
(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)
Other Reasons Why I Like The "Secret Extracurricular" Interpretation
(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)
Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.
And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  
Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?
Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.
My Harsher Take
Jack never hits his son.  But his temper is a big deal.
In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  
This is bad behavior!  It is Not Good!  
And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.
Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.
More Disorganized Thoughts on Jack Drake
Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.
This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.
The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.
Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.
Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.
For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.
I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.
If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).
#tim drake#jack drake#ask tag#i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333#anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO#for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick#and i never stop turning it over in my head#he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was#and early!tim makes a BIG POINT of how bruce is not his dad#and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all#(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers#because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life#if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission#which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close#but in their civilian lives no one would assume they're anything in particular to each other#anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone#and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible
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me-sploh-rada-imas · 6 months
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fluffalpenguin · 1 year
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the mean girls of duel academia
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skinnyscottishbloke · 10 months
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🎶Put your music library on shuffle and list the first 20 songs that come up 🎶
1. Breathe Your Name - Sixpence None the Richer
2. Take Me Out - Franz Ferdinand
3. Flashdance (What a Feeling) - Irene Cara
4. Alfie - Burt Bacharach
5. Good Riddance (Time of Your Life) - Green Day
6. Das Land Des Lachelns - Franz Lehar (sung by Placido Domingo)
7. Bluer Than Blue - Michael Johnson
8. Johannesburg (I’m Sorry We Have No Engineer) - John Finnemore, Cabin Pressure
9. Girl Right Next to Me - Goo Goo Dolls
10. Climb Ev’ry Mountain (Reprise) - Main Cast, Sound of Music
11. Sachita - Los Pinguos
12. Through the Trees, Pt. 2 - Mount Eerie
13. Mamas Don’t Let Your Babies Grow Up to Be Cowboys - Willie Nelson and Waylon Jennings
14. Land of Confusion - Genesis
15. Andante Catabile for Cello and Strings - Tchaikovsky
16. Let It Out (Let It All Hang Out) - Hombres
17. Samwise the Brave - Howard Shore
18. something special - joan
19. I’m a Believer - The Monkees
20. Uhh Ahh - Boyz II Men
Tagging my music buddies just for funsies 🥰
@tolkientrash @bisexualwvtson @sunnyrosewritesstuff @lordoftherazzles @turniptitaness @asexualromanroy @exlibrisfangirl @tumbrunes @calculatedmadness @enough-effing-owls @fandomcartographer @shantismurf
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lifeofclonewars · 3 months
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I think some people forget or don’t realize that Rex never tells Kix he’s out of line. People like to point out the pulling rank on Saleucami and Umbara for having Kix as a sort of ‘stereotypical rude medic’ kind of guy. (Said stereotype makes 0 sense to me but whatever.)
But Rex never tells Kix he’s taking it too far -- he recognizes that Kix knows what he’s doing, that, overall, Kix is a medic who’s trying to do his job and care about his brothers and that he and Rex will have different point of views of missions and battles because of it.
Like, sure, he doesn’t like what happened on Saleucami but Rex just hates to be down with an injury and listens to what Kix has to say. Umbara was stress for all of them but most of all for the medics and Rex. And he doesn’t dismiss Kix’s concerns and attempts to do his job, exactly. Instead, he redirects it -- Kix, you need to keep yourself alive to save the others.
And sure, Kix compares him to Krell at the beginning but have you considered 1) Rex needed some perspective on how his choices were viewed by his troops and 2) it was long before they knew how truly horrible Krell was and how he treated the troops. All they knew was he didn't like clones and picked bad strategies on purpose because he didn't care. Which is bad, but not as bad as it ended up getting. (And, again, Kix was stressed and we all have moments where we say things to prod on purpose when emotional.)
There’s no doubt in my mind that Kix and Rex talked about it afterward and moved past it. They were both trying to save their brothers in that instance, Rex just had to, unfortunately but realistically, place some of the troops over the others to make sure he still had troops get out alive
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mci-writing · 6 months
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Warmth (Midoriya Izuku x Reader)
Warnings: Obsessiveness (near the end), implied major character death, reanimated corpse (it’s Deku), necromancy, Deku is the equivalent of Frankenstein’s monster kinda, a little ooc, mentions of pain, descriptions of skin burning (not exactly but yeah idk how to explain it)
Kofi
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Viridian irises glance over the form laid before them, a longing sigh passing through chapped lips and landing on deaf ears. Fingers, cold to the touch and tinted blue from lack of flowing blood and oxygen, slide across the small expanse of exposed (s/t) skin, the thumb stopping just under a closed left eye and softly, lovingly, tenderly rubbing the area. It leaves the warmest goosebumps, so warm it should ache, dulling once the contact is distanced.
Whispers of ‘patience’ sound through the air, chilling down to the bone and causing him to pull away out of instinct. The reactions of those around him tell him that they aren’t really there, but he can’t help his response after being told such for so long. For so achingly long.
“Deku-kun,” He feels himself straighten at the voice beside him, a hand setting itself at the small of his back. The thumb rubs small, circles in an attempt to soothe his worrying, “If you keep tugging at your lip like that, you’ll rip it off.”
He becomes self-aware of his habit after his companion points it out, cheeks warming as he quickly lets it go. He wets his lips with his tongue after, teeth grazing over the bottom one as they pop out. He’s unable to stop the awkward chuckle that follows or the way his eyes flit from those around him to the body on the table.
“I’m sure (L/n)-San wouldn’t mind reattaching it once they wake, Uraraka-San,” Todoroki stands near the door, his eyes never straining from beyond the frame as he speaks to them. It’s hard to miss his tense demeanor from where they’re placed, one of his fangs pointing past his lips.
Izuku feels himself sweat at that, a wobbly smile forming on his face as he brings his full attention back to the other members of their group. The best he can manage out is a small “T-Thanks, Todoroki-San” as his hand connects with (Y/n)’s and laces his fingers through theirs.
Silence fills the room again after that. Midoriya can hear his heart racing and feel (Y/n)’s faint pulse. They pump in tandem together, like always. Yet, it does nothing to ease his fears. He knows that spell they cast was powerful, but they’ve been out for a few days now. The only reassurances he’s received of them still being alive was the small noises they’d make as they rested, the way their hand tightly holds his each time he holds it, and the addictive burn he receives with each touch to their skin.
The book of necromancy did say that some spells would be harder to cast for users with less experience, but Midoriya didn’t realize that translated to needing to rest for so long to regain the little strength of power (Y/n) knew how to use. He would’ve tried harder to suggest something else for their escape.
“Oi, Deku!” The rough voice of his childhood friend wakes him from his thoughts, his thumb and forefinger making themselves known on his lips as they tightly squeeze from the small jump he makes. He’s being side-eyed by shades of crimson, but not many would catch the soft worry behind them, “Me n Shitty Hair’s got the ship waiting at the dock. Cargo truck’s outside.”
Emerald eyes meet the fiery shades, an understanding spoken between them that only their little bubble could process. Without a beat, Bakugou comes forward and lifts the end of the slab they're laying across and Todoroki is quick to grab the other end. They load it into the cargo truck's trunk, careful to ensure they're strapped down in the back before Todoroki hops out. Midoriya watches on, eyes longing for the warmth he’s just lost.
~~~~~
The car only holds four people, debatably three if you wanted to argue whether or not Midoriya could still be counted as human in his current form. He was undead, that much he could confirm from the way his body had been stitched together and the ice cold feeling of his skin when he wasn’t within a certain proximity of (Y/n). He was something like Frankenstein, but the context seemed less science fiction and more fantasy. He had no clue why he had been brought back to life, just that he had been. (Y/n) and Kacchan always avoided the question when he’d ask how he’d died.
That’s another thing, it’s always the three of them. Even now, only Kacchan and (Y/n) were going to board the boat with him. Kirishima was only here to take them there and back.
His gaze pans away from the passing scenery outside to the body pressed against his. His cheeks warm as bright a red as they possibly can at the proximity, yet he can’t force himself to move away from the burning sensation of their skin touching. It hurts in the nicest way possible, making him feel way more alive than he thought possible. It’s why he thought he had just woken from a long sleep instead of immediately thinking he’d come back to life, the warmth too comforting for him to question anything at the time. Both of his companions joked about it being out of character for him.
He takes in the low rise of their chest and the serene look of their face. It’s one of the very few times he hasn’t seen them worried out of their mind since being brought back to life. He’s tried not to keep count of their smiles, one of his favorite aspects about them. If with their lips held in a neutral shape, he’s fighting the urge to kiss them until they swell.
He feels himself warm more at the repeated thought of laying a kiss on their unconscious form. He should be ashamed, but he’s been wanting to be intimate with them for a while now. It’s gotten so bad he gets a little jealous when he catches them and Kacchan away from him, whispering between themselves in a bubble of their own that he feels he won’t fit in.
That thought sours his feelings a little, especially when he knows he could never take them from Kacchan and he could never take Kacchan from them. The idea of them moving forward without him, leaving him out, and further pushing him away from the picture he'd perfectly fit in before his current state, gives him a deep pit feeling in his chest that he doesn't enjoy dwelling on for too long.
But right here… Right now…? He could just give them a quick peck and pretend it didn’t happen. No one would know… Unless they woke up from it or something…
He weighs his options, emerald eyes measuring and tracing the outlines of your lips. He has vivid memories of the one time he managed to get a kiss from them, in the dead of night when the only witnesses aside from themselves were the twinkling constellations. He doesn't remember how long ago it was, but he can perfectly picture the sight of them shyly smiling, their face warm, and (e/c) eyes dilated like a super moon. Their lips fit perfectly against his, slated and locked like they were meant to be attached for eternity, and delectably soft like fresh baked goods straight from the oven. He'd press his lips against them as much as he possibly could, suffocate against them even.
The cons would be them waking and beating the shit out of him... Or Kacchan catching him and beating the shit out of him...
Midoriya leans forward, hand burning as he cups their cheek. He rubs his thumb against their skin as his lips finally meet theirs again. It feels like home, his lips feverishly sucking against the plump flesh like he'll never be able to do so again.
He pulls away once he realizes he's being too greedy, too desperate. He sucks in a deep breath, the butterflies rising to his chest as his heart pounds against his ribcage. He can feel the warm honeydew in his cheeks, worsening when his eyes dart up and meet a certain pair of crimson ones. They stare at one another for a moment, but Midoriya can't read what Bakugou is thinking at all. Bakugou sends him a small smile, or something close to it. His lips quirk upward on one side before he turns back to the road. Kirishima is talking about something, but he's obviously not paying attention.
"'Zuku?" The soft call of his name has him looking down, meeting the dazed stare of (Y/n). They're still relatively exhausted from their overuse of magic, a bit of light missing from their pupils. They press their cheek into his hand, the bags under their eyes heavy, "Are we... heading there?"
"We're going to the dock right now, (Y/n). Kacchan's in the front seat and Kirishima's driving us there," Midoriya informs them, voice low as to not cause them any discomfort. He knows they typically suffer from headaches after too much use of their necromancy abilities, "I'm sure you should be able to rest a bit longer-"
"No, no," They begin to sit up, getting a grip on his shoulder and using it to push themselves up. They let go and force themselves to sit up on their knees, getting in a position where they can easily look out the window, "I have to check that... we're not... Not being..."
Their voice trails off as they grab their head, another splintering headache racking their body from the sudden movement. Midoriya is quick to grab hold of them, leaning their body against his. Gravity lays them back across his lap, their face pressing into the fabric of his shirt while they close their eyes. Out of instinct, he presses his fingers against the nape of their neck, slowly sliding them upwards to press at various spots in the back of their head.
"No one's following us, (Y/n). We made sure of that..." He murmurs, pushing their hair out of their eyes. His hand eases down the side of their face, fingers hooking under their chin and pushing it up so they can see him better, "Get your rest."
"Izuku...," They stare at him for a moment, different emotions flashing through their (e/c) eyes. One of their hands reaches up for his cheek, the flesh feeling as if it'll catch on fire at any moment. They pull away too quickly for his liking, the same stricken look reaching their eyes like every other time they touch him and they're reminded of their afflictions. He's heard them apologize to him in the late hours before.
With little thought, he grabs their hand and presses it back to his flesh. He feels just a little closer to being human again at the touch. He nuzzles into their hold, keeping eye contact with them and watching the confliction beyond their irises. He doesn't care about the way his body screams to flinch away from the heat, pressing more into it as opposed to as opposed to running from it. He tightens his hold when he feels them try to tug away from him.
“Izuku, stop. You’re hurting yourself-,”
"No, it's okay," He responds too quickly, leaning into their touch. He presses his ear to their chest, listening to the steady beating of their heart and the movement of their breathing in their chest. The heat isn't as excruciating, simmering to an addictive warmth adjacent to bodies entangled in a hug. It crawls over his skin and wraps around him like a blanket, "Everything is okay..."
He never wants to leave from (Y/n)'s hold, (Y/n)'s warmth, ever again. He doesn't know how he could ever live without it, especially not now when the cold is even colder than before...
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huehoa17 · 4 months
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peridots-pixiwolf · 1 year
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woe! first art post since a month ago be upon ye! take my gay bugs
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[Start ID of the first image. A digital drawing of the five bugs forming Team Taranoake, drawn without anthropomorphized biology, short clips of text describing each one's name, pronouns, species, and size. The background is a solid-color pale orange, with the rest of the drawing being similarly flat-colored and golden-toned. The first shows Kritto, an azure damselfly, who stands on two legs with short stilts to counter the length of xer abdomen. She's light teal with black stripes, holding a brown scroll in one claw, the other pair of arms tucked between her two backpacks behind xer. Next is Lidii, a worker of the ant species Myrmecocystus mexicanus, yellow and orange. She's rambling about something excitedly, just barely propping up the thick wooden weapon beside her. Third is Rantan, an ox beetle, brown with yellow fur. He subjects himself to whatever Lidii's talking about, sitting with all six limbs on the ground and a mildly tired expression, resting their head on one claw. Gorge, a light purple coquina clam, is settled beneath two of Rantan's legs, his shell decorated with small notes and scribbles from work as an archivist. Last is the sea slug Ceras, a single-stalk aeolis, pink with bright stripes of yellow and white along their cerata. She's drawn further away from the rest, his head turned back towards the other four bugs. Like Kritto, they're marked as an honorary member of the team, lacking the seaglass bracelets shared by the three close-knit bugs from the center of the drawing. End ID.]
^ once again, these guys are from a universe I made with @froggoexists :]
[Start ID of the second image. A colored sketch of two humanized original characters, Ceras, a sea slug from the previous image, and Thorn, a Hollow Knight vessel. They're both drawn from the waist up, facing forward, close enough that Ceras's hand wraps around Thorn's shoulder. Ceras is shown as a young Black person, their cerata incorporated as long locs dyed pink, white and yellow, and piercings stud their ears and tongue. Thorn is paler-skinned, taller and thinner than Ceras, with pointed ears, and white hair styled at the top into two rows of spikes. Ceras is wearing a studded denim vest, thoroughly decorated with eclectic pins and patches, mostly of bands, bugs, games, and simple declarations of hope. Thorn wears instead a black leather jacket, with long studs at the shoulders and smaller ones along the sides and center. One sleeve is torn off, as they don't have a right arm, and the other is cuffed to display the adaptive device making up half their left. Ceras is sticking their tongue out and smiling, one eye shut and the other turned to Thorn, stimming with their free hand. Thorn's looking back at them with a smile.
The background is simple, a pink horizontal wave. There's a bright, pale halo behind Ceras' head, one which resembles a spoked wheel or a sun, seeming to cast light upon the two of them. A line at the bottom of the image reads "part-god mute disabled they/she/he bug punk BESTIES", and at the top of the image there's a small doodle of their original forms sitting together contentedly. End ID]
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m3llowm1sh · 2 months
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guys holy shit i predicted melodie................
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hi, agender non-binary person here interested in gender critical feminism! i was wondering what your take was on people being uncomfortable with certain pronouns (he/him, she/her).
how do you feel about they/them pronouns, or neopronouns?
Hello there! I apologize so much for not answering your ask in a timely manner!! Responding to people on social media still makes me a bit anxious and stressed so I usually ignore my notifs even though I really shouldn't haha
Thank you for your question, and for being open to listening to gender critical people!!! It's an important and admirable quality to have, and especially worth praising when you and others have outright been told to not interact with gc people/radfems at any cost! So yes, thank you for that! :)
As for your question (which is a good one!) I originally wrote this very long rambly reply and saved it to my drafts hoping to make it coherent one day. But then recently something happened that made me realize something about human nature in general that directly ties into how gender identities and discomfort/enjoyment of certain pronouns came about:
My brother has always loved nature, especially animals. The reason his favorite color is green is because it's the color of plants: trees, jungles, the places animals live and eat and get to be free in. He's so obsessed with green that seeing something green, anything green, compels him to go " :O !!!! Green!!!"
Because he loves nature and animals so much, he's also a vegetarian. And not just in a "eating animals is bad for the environment" way, but a "it disturbs me on a visceral level to see, smell, or be near meat" way. I have to clean up my bowls and plates that I eat meals that have meat on (I mean, I'd do it anyway because you should pick up after yourself but you get what I mean) because the thought of touching a utensil that once came into contact with meat, even if I ate that meat and it's gone now, carnally disgusts him.
He loves animals, and he wants pets. He'd never ever malnourish a pet just because he has a problem with meat, but it'd be a real emotional challenge for him to feed a carnivore wet meaty food and/or live prey every day. (The token family dog was always fed by our parents or me; he'd be okay if our dog liked dry food but he doesn't lol.)
So I researched the options out there for herbivorous pets, and I found a couple species of lizards (he loves lizards in particular, partially because they're often... green) that eat an exclusively plant-based diet! I showed them to him and he was definitely on board... but alongside the herbivores we found a species of lizard that's a bright, vibrant green and makes a great pet, but they need to eat (preferably live) insects.
He's over the moon about the green insectivore lizards. Once he learned they existed it was over for him. They're all he wants, he's 100% sure. And it's for a lot of other reasons besides the fact that they're green, but... they're green. There are no herbivorous green lizards that make good/easy-to-care-for pets. On some level, he cares more about the green-ness than the vegetarianism.
Why is that?
It's because humans are obsessed with creating symbols to represent ideas. So much so that they often get more attached to the symbol itself than the thing it's supposed to be a reminder of. It's like a self-made Cloth Mother that's built to look like the Wire Mother, but comes with none of the substance or nourishment.
Green represents nature and animals coexisting peacefully to my brother. The emotion the color green instills in him as it reminds him of the things he loves is so powerful it surpasses his enjoyment of the literal thing that the color represents to him.
I'm just using him as an example, but everyone does this. Your favorite childhood shows make you happy because they're nostalgic and reminds you of being a kid first and foremost. They can be well-written and artistic and enjoyable underneath that feeling, but the simpler time they mentally take you back to is what you love about them. Your favorite characters, the "he's just like me fr" ones you read fanfic of, are ones that remind you of yourself and/or ones that you're attracted to. They can also be fun to analyze and have interesting personalities and be great meme fodder, but at the end of the day they represent something to you beyond their objective qualities.
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So. If we live in a world where women are treated as lesser to men, not fully human, accessories to the actual thinkers, and we use "she/her" to refer to women, is it possible your hatred of hearing those pronouns is because they represent the idea that the person saying them to you sees you as inferior, vapid, incomplex?
If you're in a community where being a female who goes by "they/them" or "it/its" or "he/they" means you get to be who you want to be, who you truly are, enjoying everything life has to offer instead of being restricted to a role someone else made up for you, why wouldn't you like to be called something other than "she"?
When the majority of people who go by "she/her" in your spaces are amab people who constantly, vocally fetishize and dehumanize people with your biological body type (with a few afab people who don't seem to act like you or share your interests sprinkled in) why would anyone as smart and complex and kind to yourself as you ever like being called "she"?
Do you have an innate discomfort with certain pronouns because of dysphoria, or do you hate what the sound of them represents, reminds you of, that they're telling you what other people think of you? Do you enjoy being called certain pronouns because of euphoria, or do you like what the sound of them represents, reminds you of, that they're telling you the people who use them must listen to you and care what you think and support you being who you are?
What's my take on pronouns? They're symbols that represent the type of person you are and want to be. They mean something important. They tell a lot about a person. They're not something to play around with and try out for fun like they're clothes. They're not something you can make up out of thin air and pretend they have no connotations attached to them other than an Aesthetic TM you like.
Nor are they an escape from the problems of the world: the baggage comes with them, I'm afraid. It's a lot easier to change your bio and Discord server role than to change people's minds, especially ones belonging to those who hate you. That doesn't mean it's better or it works, just because it's feasible for you to do.
Whenever you feel a certain way about hearing "she," know that countless other women feel the same way as you. And know that leaving "she/her" behind doesn't mean you've found a cheat code out of being victimized and belittled, you've only left women like you behind instead.
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b4kuch1n · 1 year
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done with the current dip pen comm queue (just in time for another Nib Accident too lol. I’m learning how to take care of the tools as well) so uh! it’ll take me two days to get a replacement and get some other stuff done. which means slots will be available again this saturday!
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michameinmicha · 11 months
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sometimes when i get sad i think about them <3
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millllenniawrites · 1 year
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okay so i am obsessed with your fave poe headcanon that he's not a womanizer but that its jsut base reputation. what are ur thoughts on the 'poe is a sex god' headcanon??
okay i have a lot of thoughts on this but none of them are fandom common so if that's gonna upset you pls keep on scrolling
i think he's a 'sex god', but not because of experience. hes incredibly perceptive and i think he is just very good at figuring out what people like. microexpressions. muscle tension. changes in your breathing. he's not a sex god because he's got a long list of exes. it's just that he's so focused on his partner and their pleasure that he's good. also, when it's not good (because sex can't always be good) he's very very determined to make it so good the next time that you forget it was ever bad. so that's part of the reputation too
also i think him being (personal headcanon alert!!) demi lends itself to this. he knows his partner so well that it makes everything easier once intimacy moves past fingertip brushes and long glances across the flight deck
he is a man that cares very deeply about the people he loves and wants to Be Good, whatever that means for that person and their relationship. if you're someone where sex really matters to you, it matters to him
tldr: the man cares about his partners so to them, he fucks like a god
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another-corpo-rat · 7 months
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wip wednesday
tagged by @corpocyborg, ty!!! <3 tagging with no pressure!! @theviridianbunny, @wistereia, @wanderingaldecaldo & @luvwich tfw work has slaughtered most of my motivation to work on things, but i do have some wips in the pipeline, starting with the closest to done:
Pale Yellow
featuring @pozerjacket's darling boy Kauri, and Victoria in a not great mood. Titled after the woodkid song. there's just a few more paragraphs that need re-written before i comb through it again
It’s a familiar enough thing; Stunzer’s voice was always as bright as his mood when he was off-duty – and she was yet to be privy to him not in a good mood. He was one of the rare few who could claw genuine joy out of the shithole that was Night City, a skill she would perhaps envy were she a lesser woman born to parents selfish enough to bring a child into a life condemned to the gutters. But a lesser woman she was not and she’d have no need for it now, not with a one-way ticket booked for London. First-class of course, because she wouldn’t allow herself to suffer lesser.  She was in agony enough as his smile and tone grated against already raw nerves. “Stunzer.” She says, sharp and cold as if she was interrupting someone’s stupidity in a meeting— And really that didn’t seem far off. She did feel him utterly idiotic with that stupid smile and aggressively pleasant mood. Painfully genuine and foolish for it. But not entirely so, at her word the switch flips and his bright smile drops into something more presentable, practiced. Professional. Good. She did keep his contact details for reasons beyond warming her bed. “I have a job for you,” and she could do without her voice sounding rough to her own ears; the words rasping against her coarse throat, “no fixers, no middlemen. Meet me on the Ebunike in Northside if you’re interested, Maelstrom shouldn’t give you any trouble.” She cuts the call before he can speak and wonders why she didn’t just send a text.
That Unwanted Animal
and then there's the untitled very much in the planning stages smasher-getting-pegged fic thats still in the bullet-points format in my document atm. even the title is a placeholder from the amazing devil song
“Fuck you, Blondie.” “If that’s what you’d prefer.” There’s enough of a pause that he seems to be considering it, his jaw working as if he’s caught the safe-word between his teeth and is shaping it with his tongue. “Or,” she croons, with the practiced softness of a suit guiding someone towards the answer they want, “you get on your back instead. See how you feel then.” “And how the fuck will that help?” A click of her tongue, derisive. “You think I let the dolls look at me?” Another pause, another moment of consideration. It’s a bold-faced lie and he knows it, knows she’d sooner break their jaws for looking away rather than forcing their head into the pillows. But it’d hardly be the first time they accepted one another’s lie for their own sake, twisting and working with it just enough to iron out the kinks in their reasoning. Safely tossed away immediately after, to be brought up only when their bickering turns to arguments and a way to shake the other’s foundation. Her success is marked by another huff and the deep dip of the bed as he rolls to adjust his position, ungraciously kicking her in the turn. His smirk is too wide and the late ‘move’ too amused for it not to be purposeful. But her annoyance is short-lived, much shorter than she’d like but— anger is a difficult thing to hold onto as he gets comfortable, the air stolen from her lungs with the picture. [describe adam here. Be horny with it] Those thick legs frame her now as she settles between them, trailing a hand along his inner thigh and almost regretting having him on his hands and knees in the first place. Almost. If she didn’t suggest it for his sake; comfort was rarely a luxury offered in either of his lives, because what does an 8ft war machine need of goose-feather pillows and a gentle hand? Nothing, if he were to be asked, but he was extending a deeper trust than she expected, and so it was the least she could offer in return.
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