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#this is very silly and dumb
heyclickadee · 10 months
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This is a very silly thought, but if and/or when Phee and Tech end up space married, I have a very funny picture in my head of Hunter seriously overthinking how Phee’s related to all of them now. As in:
Hunter, standing in front of a family tree conspiracy board just crisscrossed with red thread: Okay, so I’m Omega’s dad, right?
Phee: More or less.
Hunter: But she’s also my little sister. But she’s also my older sister. And Crosshair, Tech, Wrecker, and Echo are my brothers. But Echo’s also Omega’s mom but also her dad but also her momdad, and Tech and Wrecker are also her dads, and I guess Crosshair is also her dad now, too, but they’re also all her uncles, but also her brothers—
Phee: Uh huh.
Hunter: So basically what I’m trying to work out is if that means you’re Omega’s sister in law or aunt or mom or just undefined older female relative or—
Phee: I…think you’re overthinking this.
Hunter: —or—
Phee: Family. Let’s just say we’re family.
Hunter. Yeah. I like that.
Phee: Also, when is the last time you slept?
Hunter, trying to ignore Echo and Tech setting something on fire For Science: I don’t know.
VS Wrecker, who I think would just be like:
Wrecker: First, I had no sisters. Then, I had one sister.
*picks up Omega and puts her on one of his shoulders*
Wrecker: Now, I have TWO sisters.
*picks up Phee and puts her on the other shoulder*
Wrecker: And together we’re invincible!
*hands both of them water guns*
*runs around with both of them on his shoulders for several hours while they terrorize everyone in a mile radius with said water guns*
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silversupremacy · 4 months
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o0kawaii0o · 12 days
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ROMANCE DAWN TRIO
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egophiliac · 4 months
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
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...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#this is my blog and i'm going to write a million words about lilia and you can't stop me#but anyway i do genuinely get the impression that he's using Pretending to Be a Teenager as a chance to be even sillier than usual#he's a very silly man he's just being EXTRA silly#supported by his recent birthday card where he says he was specifically trying to cast himself as an adorable little brother-type#because he wanted the other students to give him free shit and save him seats and things like that#it worked for about a week before he turned out to be way too good at stuff and everyone just kind of ended up in awe of him instead#and he was like DANGIT. I'VE RUINED IT FOR MYSELF.#(then he and epel went on to talk about their hypothetical vtubersonas because the birthday cards are INSANE but anyway)#i'm bad at headcanons :( sorry!#unless it's dumb things like...what pokemon they would have or whatever#(malleus would have some kind of special fancy-colored dragapult) (but i digress)#i have a hard time putting things into words. just know that i love the grampa bat and his weird kids very much.#my brain is also still kind of fried from the last couple of weeks#i am however starting 2024 off the way i intend to continue it: in deep contemplation of anime hair#(sorry if these look weirdly aliased) (i realized about 3/4 of the way through i was using the wrong brush and i didn't want to restart :U)
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viveela · 2 months
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He drank too much cactus juice and got confused
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marley-manson · 3 months
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the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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ragrfisk · 8 months
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Dearest Tumblr, from my exhausted brain, The Dumbest Comic:
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from-mars-to-venus · 2 years
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everyone rn
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mellomemos · 3 months
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Please accept this humble and silly doodle of why I think sojohiro is incredibly funny to me in a normal situation
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minaillus · 10 months
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in the name of midori’s center i redrew one of my most popular comics
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oceanwithouthermoon · 3 months
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one of my favorite (/sarcastic but not really cuz its like funny idk) things in fandoms is when people make ocs or self inserts or 'x readers' being shipped with characters, but the oc/sona/reader is literally just another character from the source material.. its like youre shipping the characters but didnt want to admit it, so you made a kinsona and branded it as something else..
and its NEVER subtle, actually its super blatant every time and im always shocked when nobody points it out..
i have seen uncountable saiki k x readers where the description is like:
"saiki meets someone whose thoughts he cant read for the first time, and even though he doesnt trust her at first, she keeps proving that she is kind and has good intentions!" you mean nendo? reader is girl nendo?
"this time, he meets a girl whose thoughts honestly match up with her spoken words almost perfectly for the first time!" hairo. youre shipping saiki with girl hairo.
"saiki meets someone whose thoughts are too fast and jumbled to re-" ITS AKECHI, THATS AKECHI, ITS LITERALLY AKECHI.
"saiki meets someone whose just as immune to teruhashi as he is for the first and only tim-" this is hairo again, awe bae you secretly LOVE haisai ?!?
"saiki sees his old childhood friend for the first time in years after an incident caused them to be apart and then they fall in lov-" WHY DID YOU EVEN WRITE THIS AND NOT CALL IT SAIKECHI.
its even funnier when they say its like that characters little sister, but the way they write it is still literally just the character, like their personality, dialogue, even their relationship, is the same..
not all of them fit this exactly, but the ones that take a boy character and turn them into a girl oc to ship them with a boy, it reminds of how in equestria girls they couldnt make applejack and rarity endgame so they gave them boyfriends who looked IDENTICAL to each other.. thats what youre creating, guys, youre creating heterosexual rarijack.
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appri-dot · 1 month
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I like to draw nutcracker yaoi for character reasons trust fencer(hurt fella) belongs to @ballcrusher74
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miralyk · 4 months
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you've heard of "ghosts in the machine", now get ready for "tfw your current art muses haunting you are hoodie-wearing killers asking you play all their games,, ALL of them"
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justdurgeythings · 3 months
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gort where he belongs
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rillils · 3 months
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how do explain stucky from the moment they met to where they are now (together in each others arms) to my friend who knows nothing about marvel
ohh this is a tough one, honey! i think i've got two options for you:
the short answer:
stucky is a compendium of all the best tropes out there, and i'm sure i'm gonna miss a few:
soulmates? check! star-crossed lovers? check! battle husbands? super check! mutual pining? check! 'and they were roommates'? check! best friends to lovers? check check check! long-lost lover comes back from the dead? fuck yeah, check! temporary amnesia? check! dude in distress trope? check! 'they will always find each other and choose each other in every lifetime'? also check! identity porn? extra check! saved by the power of love? you guessed it: check! slow burn or childhood sweethearts? you decide!!! did they share their first kiss when steve was 16, as per a popular fanon theory? did they only confess their feelings during the war? did they only get together much later, when bucky was healing in wakanda? you can pick literally ANY point in their timeline, and it will still make sense! they're all equally valid! you can even have multiple different headcanons at once, i mean who's gonna stop you??? all you have to do is join in the fun! 💕
the long AF answer, aka:
STEVE & BUCKY'S LOVE STORY, UNABRIDGED SOMEWHAT ABRIDGED, part 1/3
all right, let's set the scene:
imagine two young kids, let's call them steve and bucky. they meet, they immediately take to each other, they become instant besties! and as they grow up together, facing many hardships, their bond deepens. not only are they best friends; they are also each other's family. they take care of each other, and they both know they can always rely on one another in times of need.
when steve's mom (and only remaining relative) passes away, bucky reminds him that he's not as alone in this world as he thinks he is: bucky will always be by his side. bucky will always love him unconditionally, will always be there for him, for better or for worse, in sickness and in health, for richer and for poorer, and he wants steve to know that.
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in fact, he asks steve to move in with him, thus offering steve both a literal and a metaphorical home.
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and steve says yes!
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SO. they are each other's home, they're living together, they're getting by all right. but then war breaks out, and eventually it reaches their little home as well: bucky is drafted, and steve, due to his many health issues, and despite his best intentions, can't follow the boy he loves onto the battlefield.
it's a very difficult time for them both - so much so that they can't even bring themselves to talk about it.
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they have no choice but to say goodbye for now, knowing that they might never see each other again. but here's something you might not know yet about steve: he's the most reckless, most stubborn fucker america's ever seen. he's not gonna let this stop him!!! instead, he goes and gets a very sweet, kindly scientist to fucking experiment on him, because screw it, he's going to fight in this war if it's the last thing he does. and that's how he goes from Smol Steeb to Lorge Premium Steeb.
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of course, things don't go exactly as he predicted, and steve is made to be the star of a war propaganda-fuelled musical kinda thingie, which he resents (but he looks fucking precious in his costume)
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BUT! he does get closer to the actual battlefield. which is where he discovers that bucky has been captured by the enemy (!!!!!!!) and is most likely dead by now. but steve isn't willing to give up so easily! he'll believe bucky's dead when he sees it with his own eyes. so, he embarks on this suicide solo mission in the attempt to get bucky back, even if it means wandering on his own. into enemy territory. where he would be shot. on. sight. with no protection for his dumb ass except for a bunch of theater props!!! but such is the power of love, y'all.
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against all odds, steve finds bucky very much still alive! and as soon as bucky recognizes him, even as confused as he is, he pulls out this beautiful, ecstatic, angelic-ass smile, like he's just seen god or he got high on some real good edibles or maybe both idk, like my man here was having a serious Religious Experience™ you guys
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and i just wanna say, they could have totally kissed here and it would have made plenty of sense. but that's true of like 90% of their scenes in this franchise, so *shrugs*
ANYWAY steve takes bucky in his arms (well technically yes he does) and brings him to safety, and on their way there, bucky proves once more just how hard he meant that "with you til the end of the line" from before
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afterwards, steve is finally given the chance to fight, just like he wanted.
bucky, on the other hand, could very well leave the war behind and go home; but when he learns that steve is staying, he chooses to stay too, and fight by his side. and he tells steve so in this very intimate, softspoken, delightfully suggestive conversation, which can be summed up like this:
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and so they walk right back into the heart of the fight, only this time together, as they were always meant to be!
but. during an especially tricky mission, they're surprised by the enemy, and as a result, bucky falls to his death into a deep ravine.
steve is devastated. overwhelmed with guilt, grief and rage, he vows to bring down the people responsible for his loss, even if it costs him his own life.
and um, it kind of does? cost him his own life?
victorious after his last vis-a-vis with The Antagonist™, steve still chooses to sacrifice himself to prevent the catastrophe set into motion by the aforementioned Antagonist™. he's flying a jet over the frosty expanse of the atlantic, and you know, from the outside, you could easily argue that he could try to save himself. if he really wanted to. but with bucky dead, and the people responsible for all this pain, either dead or captured, it seems like all the will to fight is gone from steve; and so he plunges the jet straight into the ocean, and himself with it.
is this the end of their story?, you might ask.
the answer is: of course not!!!! the best is yet to come, babes!!!
EDIT: here is part 2
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bonbons-artdump · 2 months
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Some more dumb jokes.
The idea of in the 90's to 2000's was a wild time for these two as Velvette wouldn't be in their lives till the 2010s.
list of headcanons below
Vox getting movie ideas and info from new sinners as the internet was lacking and tv reigned king. The porn studio doubling as a movie studio to make bootlegs of living movies/tv shows.
Vox finding the whole concept of Austin Powers being 'extremely sexy' hilarious just to get blackmail of val in the costume. Probably lying that it was a serious film. This backfiring when one of vals workers told him it was a comedy.
Not sure when they would make their big break into Overlord status. i kinda see them as skating right under till Velvette. Owning large portions of territory but, just a bit too dumb between the two of them how to fully organize it's full potential.
Vox overthinking and Val underthinking; ' lets just shoot bitches.'
Which leads to very VERY questionable and cringey marketing tactics of the 2000's. Vox was more than happy to going back to being dapper and gaining 'nostaglia'/'modern marketing post 2000's
I also think this is around when Val got his piercings as body jewlery surged during his era.
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