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#topic: media
tayfabe75 · 3 months
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You don't talk about your relationship, but you'll sing about it in wildly revealing detail. What's the difference for you? Singing about something helps you to express it in a way that feels more accurate. You cannot, no matter what, put words in a quote and have it move someone the same way as if you heard those words with the perfect sonic representation of that feeling. . . . There is that weird conflict in being a confessional songwriter and then also having my life, you know, 10 years ago, be catapulted into this strange pop-culture thing. I've heard you say that people got too interested in which song was about who, which I can understand — at the same time, to be fair, it was a game you played into, wasn't it? I realized very early on that no matter what, that was going to happen to me regardless. So when you realize the rules of the game you're playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I'm not scared anymore to say that other things in my career, like how to market an album, are strictly strategic. And I'm sick of women not being able to say that they have strategic business minds — because male artists are allowed to. And so I'm sick and tired of having to pretend like I don't mastermind my own business. But, it's a different part of my brain than I use to write.
September 18, 2019: Taylor describes why she's more open about her love life in music versus interviews. (source)
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craycraybluejay · 7 months
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I also heavily resent the ever-present implication in mainstream media that at all touches on trauma that we cannot have any sympathy for Bad Victims. That it's evil to write a sympathetic Bad Victim. Hell, that it's bad to portray one at all at times. Writing a victim of trauma who's an addict or self-destructive is already an edge case-- writing trauma survivors who end up actually hurting someone else, being chronically "treatment"-resistant or having inconvenient ptsd, perpetuate the cycle, or are just kind of a total dick is considered an evil move. Instead of like. An actually complex and interesting artistic choice.
Idk. It pisses me off a lot how often Bad Victims[TM] are brushed under the rug and if you dare to speak of them/make art of them, let alone SYMPATHIZE with them you're an irredeemable monster. And that's just fictional characters. Don't even get me started on the way people treat actual people who have ptsd in a way that's at all inconvenient and problematic in their opinion.
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mobius-m-mobius · 7 months
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Mobius, I know you’re trying to help me, but we should be dealing with the bigger problem here. He Who Remains.
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itsbansheebitch · 9 months
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omfg one topic you're killing meeee
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plutotimeslot · 6 months
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carlyraejepsans · 4 months
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to summarize an unduly rambly post: our control over kris has been steadily growing more and more distressing for them throughout the story. the snowgrave route, possibly the most gut wrenching, violating imposition of our will on theirs AND Noelle's (*homer voice* so far!), explicitly, thematically, and visually represents possession and coercion through romantic imagery, specifically rings and weddings. it's nauseating. it forces both of them into an implied relationship that neither of them is comfortable in by leveraging noelle's desperate wish to reconnect with her childhood friend. it has exactly the horrible connotations you don't want it to have.
ralsei being presented as both a direct callback to asriel—both the undertale asriel we know, and y'know... kris' brother in deltarune—while also setting him and kris up in a clearly romantic context that kris does not seem to either share or be comfortable with, is not a coincidence. it's not an accident. "isn't that a little incestuous" that's the point! kris' agency being stripped away is one of deltarune's main thematic cores: the game is repeatedly setting up a pattern where that theme is reinforced by putting kris in upsetting, unwanted romantic relationships for OUR entertainment. nothing fits the bill better than pairing them with the nostalgia bait companion that literally looks like their brother.
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canisalbus · 3 months
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Very sad that rhe people who only follow you on xitter or instagram will never experience the silly chaos that its following you on this hell site
Between the lore dumps on tags and the very silly anon questions, I say it's 10/10 would recommend
Ah, thank you! There's just something about tumblr especially that encourages a little bit of silliness, personal touch and sharing your creative projects.
Folks on twitter and bsky are getting the highlights, it's a sleek but abridged experience, I don't talk about my characters there (the post format is just so ill-suited for that in my opinion). To get the lore and context you have to trudge through the unorganized chaos that is this very hellsite.
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taikanyohou · 9 months
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found this super interesting. this person below is an acting coach and scriptwriter that's worked on/working on: kinnporsche (2022), only friends (2023), playboyy (2023) and mansruang (2023):
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shakingparadigm · 22 days
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no one’s talking about that half-naked alien petting till and i am both glad but also haunted by that. please tell me that wasn’t implying what i think it is. till has gone through wayyy too much and i will literally sob if it turns out he’s gone through this too
I had a post drafted about that but I didn't know how to feel about posting it at first. I'm just gonna reiterate it here though.
The entire first verse of ROUND 6 was actually pretty uncomfortable to watch, at least for me. I genuinely thought we were going to delve into that territory, you know. And I wouldn't put it past VIVINOS of all people to do it. The dim lighting, alcohol bottles, the very familiar environment of private rooms and drunk cruelty, it all resembles certain acts and situations that are unfortunately common within the performance industry. ALIEN STAGE obviously emphasizes the horrific aspects of stardom and could be read as a commentary on that kind of culture as a whole (constant performativity, lack of autonomy, performers as objects possessed by those of higher power, literal cutthroat competition, etc.), so exploring the topic of assault isn't unlikely, especially when it's so prevalent in that kind of fame. Still, I was jarred when I first watched the video.
The way that they handled Till was upsettingly familiar to me. It was slightly easier to bypass when Urak was simply shoving him via telekinesis. But a group of large, drunk aliens violently putting their hands on him, grabbing him by the neck and bending him on the table (it was at this point I began to feel a bit squeamish), it became a little too real? For me at least. And then there's your main point, the assaulting alien that was clothed in the scene before is now naked in the next, save for the open, unbuttoned shirt. And Till is on the ground next to him, his hair carded through and scratched by giant hands. Till is disheveled and sweating. It seems this was the lowest point of his night, seeing as how he dreams up an angelic apparition of Mizi. An escape, a salvation. Someone that could offer him a soft, gentle respite to balm the pain of his abuse. The way he desperately reaches out, shaking and exhausted, it's painful.
I know it's not explicitly shown in the video. It's not implied in posts (although from what I hear, there's traces of something similar in the Anakt Kit book), but you can't deny the thoughts that the imagery brings to mind, especially when said imagery is so vivid and visceral. I won't claim that this is the absolute message the team was trying to convey, nor that this is the correct way to perceive that scene, just that the pieces leading to this interpretation are there. VIVINOS videos are meticulously crafted, and the whole collection deals with disturbing concepts and topics. If they wanted to imply something, they'd know how to do it. Anyway, the first scenes struck a chord in me, to say the least.
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spirituellemuse · 10 days
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Barbados 🇧🇧 2024 Feb
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laniemae · 6 months
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The sexualisation of Mikoto, stalking, and how the fandom is repeating this.
CW: Stalking, sexual harassment, fanservice, murder
I’ve been thinking a lot about Double’s thumbnail, and especially the stalking theory. And if you think about it a lot basically everything fits up and that his victim was likely his stalker. Although a lot about what happened I never really have seen discussion on the why or how it’s been happening, so I just want to give my thoughts and theories on this all before Double.
The fanservice in MeMe:
The fanservice in MeMe has always felt really off to me. Milgram never has any fanservice-y stuff, minus Yuno in Tear Drop, but it’s only just her revealing outfit and nothing to do with strange camera angles or whatnot, and it’s very important to her character. For me and what I’ve think the consensus in the fandom has been, is it’s nothing more than that. That the fanservice is only there to appeal to thirsty fans or whatever. But I’ve been thinking a lot, and with the music videos extracted from prisoners minds, everything has a meaning in one way or the other. So for the creators to just throw a bunch of fanservice scenes in MeMe with no meaning apart from just plain fanservice feels really counter intuitive to the whole point of the MVs. And especially how this has never happened before makes it really strange to me. And with this idea in mind and going back to the stalking theory I mentioned earlier, I think it’s disgustingly clear what has happened to Mikoto.
Mikoto being watched:
I think what’s going on is that Mikoto was stalked for sexual reasons. The constant scenes of him in embarrassing moments (taking of his shirt, having a shower, having a bath) is what the stalker has been seeing and this subconsciously put itself into MeMe from Mikoto’s POV. Camera imagery in MeMe is very prevalent, from at the beginning him grabbing the camera and at the end him picking it up and punching it. I think this is supposed to represent him realising he’s being stalked and trying to hunt down who’s been doing it, and the destruction of the camera at the end to represent him killing the person. 
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Also around the middle of the song, we see security cam footage of him entering his apartment and crying on his couch, with Mikoto hyperventilating and gasping in the background. I feel like with everything I’ve said before this scene makes it extremely clear, that someone put up a bunch of camera around his house to catch him in those moments, if we’re taking that scene literally.
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Then it cuts to him laughing at the screen in darkness, and the aforementioned fanservice scene right after this sequence of events really makes things scary to what was happening in his house. And also like I said before about the hyperventilating during this scene. I could mean multiple things such as him having a panic attack, being actually attacked or worse.
And the imagery of being watched doesn’t stop at just the camera stuff. At the beginning of MeMe in the scene at the train station, the camera moves around from behind a wall to reveal Mikoto sitting there holding a bat, like someone is watching him directly. To further back this up there’s a vignette around the edge of the camera and wee see it blink, like from a POV shot. And after the blink Mikoto disappears, and then we see him outside swinging a bat at the POV (just want to note this is outside and is probably in a different place than the train station, but I don’t know what to make of that right now, and how also the vignette I pointed out before isn’t present here). Then it cuts back to the scene in the train station, now with Mikoto holding a bat and walking towards someone on the ground, attacking them. Noticeably the vignette is still here in this scene, so the person Mikoto was attacking likely wasn’t his stalker, perhaps he just thought they were.
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Wait I suddenly just got a theory from this. I just mentioned how the vignette in the scene I just mentioned likely means that Mikoto attacked someone else and the stalker was watching on. Me and basically everyone else has assumed that guy was his victim, but then what about the stalker? I’ve always strongly believed that Mikoto only killed one person but now I’m just starting to doubt that. If MeMe is to be taken in chronological order in this part, he probably killed that guy then realised that he was continuing being stalked. And as I said at the beginning of my analysis I mentioned that Mikoto punching the camera at the end could be representative of him killing the stalker and ending it (also to mention he gets the death card right before hand). And I didn’t think of it when I wrote that but what if he did actually kill multiple people in an attempt to kill his stalker. Hmm.
And going back to what I was talking about before, he probably entered his apartment afterwards and switched to Bluekoto after it was assumed everything was safe now. (Just saying I’m using Mikoto interchangeably to refer to all of the alters as it’s not clear who’s doing what, but this takes the theory of that blue was the murderer and not the other/s into account, because there’s a part of me that feels it wasn’t him attacking those people as red/green has a strong desire to protect blue and hide him from the traumatic events taking place).
I feel like I’ve gone way off track with what I’ve been saying here because while writing this I just keep noticing more and more stuff to write down and I just thought of someone thing again.
Every time it appears that Mikoto killed someone (the train scene, the garbage scene although the bag doesn’t look like a human body just saying), it cuts to a fanservice-y scene right after, maybe implying that the person he killed wasn’t the stalker, and he’s still being watched afterwards. Although this makes the bath scene kinda out of place as it doesn’t take place after a murder I think, and someone mentioned it was before the shower scene which kinda debunks this but I just wanted to mention this because why not.
Mikoto’s mindscape in MeMe:
Another thing I’ve been thinking about a lot is every character’s “mindscapes” as I call them. Yuno has an empty pink void with a tower, Fuuta has a fantasy land, Mahiru has a room inside a birdcage ect. And all of these places represent an aspect of their characters. Yuno’s representing her feelings of emptiness, Fuuta feeling that everything he’s doing is for justice and that he’s a cool hero, Mahiru being trapped and sheltered in an ideal concept of love and stuff like that. I’m going to make a theory on this in the future as it’s very interesting to me but Mikoto’s mindscape is always something that’s confused me.
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Mikoto’s mindscape is a parallel of his apartment. Down to the couches, tables and everything, but lacking the bookcase and tv being buried in the water for whatever reason.
(Also I just noticed but there’s a blue thing behind the couch that Mikoto laid his head down on before which could be a bed or whatever. But in the mindscape and this other shot we don’t see it???)
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(Actually maybe we do if we squint, oh well)
Okay, okay back to what I was actually going to say. The furniture from the apartment appearing in the mindscape makes sense, but what about everything else? The broken, tiled walls, the mirror, how everything is covered in a thin layer of water, the clear blue sky. There’s a bunch of this stuff I could analyse in my future post about mindscapes but I’ll just say the stuff that relates to what I was talking about earlier. But to say it right now, I think all that other stuff is supposed to be the bathroom we see him in.
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Notice here the tiles are exactly the same, and we even see the same mirror he looks at himself in, in real life then Mikoto in the mindscape.
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Also to point out how the Mikoto we see looking into the mirror here is wearing a sleeve and likely in the mindscape and as someone mentioned, since the ahoge is backwards it’s likely a reflection. Although it’s strange that it has the same green filter both ways.
After this we see bluekoto (presumably) fall backwards into the water. And another strange thing I noticed is that this mirror is behind the couch, but when he falls down the couch is tipped over.
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Don’t know what it make of this but again I’m just constantly pointing stuff out I notice as writing this.
So basically I think the mindscape is a mix of the living room and the bathroom. The furniture from the living room and the water, mirror and tiles from the bathroom. But this makes things confusing, why the bathroom? Why would Mikoto project imagery of his bathroom into his own mindscape? This brings me to what I was saying before. The walls in the mindscape are completely collapsed, providing no closure or privacy to this “room”. The sky is also out, so his mindscape feels very exposed. And what I said earlier about my staking theory. It’s likely that someone placed cameras up in/around his bathroom to record him naked, a complete breach of privacy and that’s why this mindscape is so exposed and has elements from there. Even in this world that he created, he still doesn’t feel safe at all.
The audience and the repeating of Mikoto’s trauma:
Basically to sum it up from what I’ve said. Mikoto was being stalked and sexualised by someone. Cameras were placed up around his house to record him in embarrassing situations and he figured out, and attempted to kill the stalker.
But here’s one thing, that story we likely see in MeMe is happening again. But with the audience.
When MeMe came out everyone went ballistic. Lots of people were very surprised in how violent it was, how compared to the calm preview we saw it instantly started off with death metal and destroyed every idea we had about him, and kept switching between being calm and violent. But what I want to walk about right now is the reaction to the fanservice.
As we all know, when MeMe released a horde of thirsty tiktokers came over and started absolutely obsessing over Mikoto and all the fanservice scenes we see. Things got so out of control that people tried to vote him innocent just because he was hot and even jackalope bought this up. But thinking about this, it’s getting dangerously close to what I think happened in his story. Being filmed in embarrassing moments without consent, and having people obsess and sexualise you for that. The music videos are representative of the prisoner’s minds, and in no way would have Mikoto known how he was shown naked and shirtless for a huge chunk of MeMe. Same as him being stalked and recorded in his story if I’m right.
The fandom here is doing exactly what his perpetrator did to him down to a T. It’s almost like what happened with Amane when people tried to reverse her brainwashing by showing her tough love by not forgiving her, exactly like what the cult did to her to try and make her obey them more. This thing is happening to Mikoto as well as Amane and repeating their traumas. And also to mention how Mikoto has DID which is a result of repeated childhood abuse so it’s likely this has been happening to him alot and just can’t escape from this reality. And for the alters to take in all the trauma and leave the host blissfully unaware of everything’s that’s happening.
This brings into account how the guilty prisoners can hear the voices of the audience judging them. Fuuta completely broke down as he was constantly harassed with strange voices judging him and denying his actions. And he’s mentioned a lot of times how he can’t stand this feeling of being watched and this manifests through the eyes in Backdraft. And with Mikoto from everything I’ve been saying before it’s very likely he has trauma from this. And now feeling like he’s being watched and hearing the voices of the audience, who we know constantly sexualises him. It’s likely he’ll have to relive his trauma once again that he thought he finally escaped…
Conclusion / TL;DR
To sum this whole theory up I believe that fanservice in MeMe actually has importance besides just fanservice. And it’s likely Mikoto was being stalked by someone and recorded in those situations, and he ended up hunting the person down and killing them. And now because of the audience’s constant thirsting over him and how the guilty prisoners can hear everything we say about them, Mikoto will have to relive his suffering again.
Other things I’d like to briefly mention but didn’t have any space to put in, Is how since Mikoto rides a bike instead of a train to work as he said but we see lots of train imagery. And I think what happened is that he was probably being harassed on the train and switched to going to work alone. And the thumbnail in Double we see him looking depressed, on a train surrounded by destroyed mannequins.
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tayfabe75 · 4 months
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"Are you not entertained?"
It's hard to see history when you're in the middle of it, harder still to distinguish Swift's impact on the culture from her celebrity, which emits so much light it can be blinding. But something unusual is happening with Swift, without a contemporary precedent. She deploys the most efficient medium of the day—the pop song—to tell her story. Yet over time, she has harnessed the power of the media, both traditional and new, to create something wholly unique—a narrative world, in which her music is just one piece in an interactive, shape-shifting story. Swift is that story's architect and hero, protagonist and narrator. This was the year she perfected her craft—not just with her music, but in her position as the master storyteller of the modern era. The world, in turn, watched, clicked, cried, danced, sang along, swooned, caravanned to stadiums and movie theaters, let her work soundtrack their lives. For Swift, it's a peak. "This is the proudest and happiest I've ever felt, and the most creatively fulfilled and free I've ever been," Swift tells me. "Ultimately, we can convolute it all we want, or try to overcomplicate it, but there's only one question." Here, she adopts a booming voice. "Are you not entertained?"
December 6, 2023: Time Magazine names Taylor Swift "Person of the Year", outlining her skills not just as a songwriter, but a storyteller. (source)
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being in the slay the princess fandom has taught me why people feel the need to gatekeep pieces of media previously considered to be "niche." not that it's good, but i understand now. i can handle people mischaracterizing all these other characters but if anyone out here did so to any of the slay the princess characters, i might just have to pace around my room and scream for a solid hour or two.
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caughtonwebcam · 7 months
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ever since hot topic got rebuilt it’s all mike drags pete to (he buys a lot of it for them)
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mando-abs · 2 months
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Guys, I’ve read the Wild Robot
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And let me tell you, if I hadn’t recently taken a Children’s Literature class in college, I would’ve said this was the best middle-grade book I’ve read since elementary/middle school. I almost read this book in one night (I was sleepy 😴) like I couldn’t put it down.
The heart behind this book is astounding and it never shies away from showing complex and difficult concepts. You will fall in love with Roz and her gosling son along with all of the other animal on the island.
If you’ve got younger ones, I highly recommend reading this to them or having a little book club moment with them. However, be prepared for whatever hard questions may come your way (i.e. circle of life and climate issues). You know your child and how much they can handle/understand. If you’re like me and much older, it’s a quick read and a great way to finish off a long day. It’s a part of a trilogy and you bet I’m patiently waiting for my hold on a copy at the library.
If the movie is anything like the book (which, given a rewatch of the trailer, it’s looking like so), we are in for a special treat.
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justepilepsy · 11 months
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Because of current frustration
Happy fuck spiderverse year.
The art direction is in part ableist.
You can enjoy the movie and still say that.
Note: it's ableist because it's using common animation and color choices KNOWN to cause seizures (and death) in audiences. This includes people who don't have epilepsy.
I will never not be bitter about this because the first movie message was about "anyone can wear the mask" when it clearly was excluding people by simply making it impossible to watch this film in a safe manner.
If you got a headache after watching that film. That's a photosensitive reaction and it means you're not immune to these effects. A movie you love should not give you a headache or dizziness or disorientation. It should not give an above average amount of people seizures.
And those effects causing these symptoms should not be hailed as the reason the film is good.
Spiderverse utilises other aspects of comic art to already stick out.
Rapid Glitch effects, large bright high contrast red and blue areas covering the screen, prolonged moving patterns, and flashing lights are not what make this film look good.
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