#trans and nonbinary initiative center | Explore Tumblr Posts and Blogs

vague-humanoid · 8 months

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Since the Smithsonian Asian Pacific American Center’s abrupt cancellation of the annual Asian American Literature Festival last month, organizers and community supporters have sought to hold APAC and the Smithsonian at large accountable for its unilateral decision to cancel the festival, which caused tens of thousands of dollars in financial losses for partner organizations and invitees.

Beyond monetary loss, Asian-American writers involved in this year’s festival programming are also dealing with the emotional toll the situation has wrought. Some organizers have voiced suspicion that specific portions of this year’s programming—most notably a Trans and Nonbinary Reading Room—could be part of why the festival was canceled.

On July 5, an email from APAC’s Acting Director Yao-Fen You notified organizers that the festival would no longer continue due to “unforeseen circumstances.” According to The Washington Post, You sent the email after staffers submitted a report flagging “potentially sensitive” issues in the festival’s programming. The report, which Festival Director Lawrence-Minh Bùi Davis submitted at You’s request, cited a handful of events, including the Trans and Nonbinary Reading Room. That event was described as “potentially the most sensitive of the festival’s offerings” due to the growing book bans targeting transgender and nonbinary authors. You sent out the email formally canceling the festival hours after Davis submitted the report.

Ching-In Chen, the Trans and Nonbinary Reading Room’s curator, was among the curators who learned about the cancellation from other community partners after the email’s distribution, which did not reach Chen directly.

“I think everyone was confused,” said Chen. “I was upset because I’d spent a lot of time making the [reading] list, talking to the bookstore, talking to River [Ying Dandelion], talking to everyone else who was going to be at the festival.” Chen lost more than $2,000 in curation fees and travel and accommodation expenses covered by APAC as a result of the festival’s cancellation. Another $500 that was committed to purchasing works from the trans and nonbinary writers featured in the reading room was lost too.

Transgender poet Yanyi, a regular festival contributor and a curator for this year’s programming, said the cancellation felt “out of the blue” since he was still in regular contact with other coordinators and APAC staff as of late June. Like other attendees, Yanyi planned his August schedule around the AALF with a separate trip to connect with his publishing team in New York. He lost his honorarium for curating the event, but more importantly, Yanyi said, he lost a chance to commune with his literary peers.

“[During the pandemic] I did writing sessions for Asian diaspora writers; I ran a poetry manuscript workshop,” Yanyi said. “You can imagine the wonder of how much an entire group of us can create for our community. And to have that taken away from the public really so suddenly is, it’s just the worst.” (The Smithsonian is the festival’s largest sponsor but does not own the rights to the events.)

After an initial backlash, the Smithsonian released a statement saying that the festival was postponed to a later date and that it was due to logistical shortcomings which “did not meet Smithsonian expectations for hosting a successful in-person event.” Those claims have been disputed by organizers involved in the festival’s coordination.

“I think it’s a complete abuse of power for [APAC’s] acting director to have unilaterally suddenly canceled the Asian American Literature Festival in this manner,” said Cathy Linh Che, the executive director of the literary nonprofit Kundiman, a longtime festival partner. “To claim A/V issues when we had run this twice before, including once at the Eaton hotel, and the Eaton had already been long booked, is also outrageous.”

Since its dismantling, festival partners like Kundiman have launched an accountability campaign against APAC and the Smithsonian under the AALF Collective. The collective’s open letter addressed to APAC and the Smithsonian leadership has gathered more than 2,300 signatories so far. It features a list of demands to repair the working relationship between the institutions and festival partners, among them calls for the Smithsonian to pay organizers and performers the full funding that was agreed upon and demands for You’s resignation. (You did not respond to a request for comment from Prism.)

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prettycottonmouthlamia · 2 months

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When I was in college, I wasn't the quote unquote perfect activist. I am definitely not immune to making mistakes, especially in the heat of emotional moments. But...let's talk about my experiences for a moment.

-During my first semester of college I joined my university's local PRIDE club. I suggest that we do some sort of clothing drive, and have a place where anyone can give or take clothing. The intent of this was obvious and person: I came from family who either did not really understand my transness or actively disapproved of it and didn't have an income. I could not be the only one. We should be helpful in this way, to our trans brothers and sisters.

Sometime later, someone suggests changing the clothing drive into a clothing sale to fund their Drag Ball. PRIDE under that semester's leadership never does a clothing drive. My vision would not be completed until a couple of semesters later, working with my university's LGBT Center, and working loosely with PRIDE's new management.

-The one thing I failed to notice coming into PRIDE was that I couldn't find other trans women. That didn't bother me, and I was fairly popular early on. This was until someone else came out as a transgender woman. Initially I was happy to have another trans woman as a friend, but I very quickly began to notice the social effect. They were shorter, smaller, and more femme. Their social transition progressed much faster than mine, because they weren't poor. They regularly got many clothes from their friends in PRIDE, even as discussions occurred about a clothing drive. I got nothing. I was being outfemmed.

-I noticed the uplifting of drag performers and drag stars by many of my cis and nonbinary peers in the group. I often asked myself why this happened. For some of these people, drag was almost a lifestyle. The performance of hyper-femininity by someone who was AMAB in the context of a drag show was met with cheers, applause, fandom. Meanwhile, my displays of my own femininity were met with nothing. Those same people never complimented me.

-The president of PRIDE gave a presentation on the history of drag. They mentioned Ru Paul, but handwaved away their trans-misogynistic comments, saying they were unimportant.

-A considerable amount of time later, our LGBT Center did a wide survey of queer people on campus. Some responses by cis lesbians bemoaned a lack of lesbian support groups, and more importantly, that they didn't feel like they ever saw anyone that looked like them at the center. I object to this finding, because I myself am a lesbian, I am what they are looking for and am always at the center. I bring up the possibility that the comment may be transphobic. I am shot down. I was denying other people's feelings. I was a trans woman, not a lesbian.

-A dear friend of mine suggests doing a PRIDE event about learning how to do make-up. This is something I was in great support of, because I did not like the extent trans women were expected in a very short span of time to grasp all the complexities of the role of woman in today's society, when cis women get so much longer. What will not be included is tutorials of using make-up to cover facial hair follicles. They did not want to focus on tutorials about passing. I protest, in part because the darkness of my follicles is something I'm very self-conscious of, and that passing in itself is something that a lot of trans woman want. The make-up event never happens.

-A trans woman is talking about her transition experience. She is notably well off and has gotten a variety of surgeries. She explains this is ultimately the path that all trans women need to take, unless they end up looking like "fishy boys". This notably impacts my friend in a severe way.

-A series of hate crimes strikes campus rapidly. Someone spray-paints the "N" word on one of the school buildings, while conversion therapy pamphlets are deliberately left in classrooms teaching about LGBT subjects. Campus police do not care to investigate. PRIDE and BSU being to work collaboratively on a protest. The atmosphere is very good, there are a variety of different but very good conversations, and both groups work well on various tasks that were planned. The protest does not focus on what happened to LGBT students. Members of the LGBT Center and of PRIDE did not speak. We, who had been working hand and hand, were reduced to a footnote and a one-liner in a chant.

-While asking for more information about the investigation into both of these incidents, myself, the Title 9 administrator, and one of my coworkers, a black queer woman, are invited to a meeting with the VP of Student Affairs and the detective on the case. None of us were made aware of the presence of the chief of police nor of a third officer whose purpose was unknown. These investigations would never result in anything.

-In the issue of the school newspaper that reported on the hate crimes, included as well along side of it was a story about how conservatives felt like they were being silenced on campus.

-When I first went to college, I went to Housing to discuss the possibility of gender neutral housing, which they have on their website. I am told there is none, but they can make an accommodation by giving myself my own dorm room on the men's floor. I had been unable to transition before this point because of living with religious conservative family members. I am told that if I want to have a room on the women's floor, where I would have a more private showering area that was not a public shower with other men, that I would need the gender on my birth certificate changed.

Both of these were lies.

-I have a discussion with my mother about her continuing to deadname me, noting that I did not want to end up confusing my niece once she became old enough to remember my name. This does not change.

This is just, the experiences that I can recall while writing this post. It is not an exhaustive list. Discussing school administrations chronic underfunding of the LGBT Center and the resulting drama that caused over years would be an entirely new post. There's possibly even more stuff that I've simply just fucking forgotten over the years. It wasn't all bad. I met some truly incredible people and did some truly incredible things.

But there was bad. Some of it was general, but a lot of it was trans misogynistic, even if I don't think it was always intentional. A lot of these experiences changed me into the jaded bitch I am today on a lot of issues.

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tacticalhimbo · 1 year

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In "honor" of the Hogwarts Legacy release, and all the (rightful) discourse around purchasing it and/or playing it via other means (re: pirating), here are more productive ways to spend your time that don't directly contribute to the eradication of legal and medical rights of marginalized folks.

You could start by checking out and donating to the following LGBTQ+ oriented charity groups and organizations:

Lavender Rights Project, a group dedicated to elevating the power, autonomy, and leadership of the Black intersex & gender diverse community through intersectional legal and social services. -> [ LINK ]

LGBT+ Rights Ghana, who has established a Community Support Fund Initiative to provide support and empower members the beloved Ghanaian LGBTIQ community who are financially constrained. -> [ LINK ]

Marsha P. Johnson Institute, whose mission is to organize, advocate, and heal the Black trans community. -> [ LINK ]

Mermaids UK, who is dedicated to helping transgender, nonbinary, and otherwise gender-diverse children and their families get access to the resources they need (and who has been a primary target of Rowling's hateful attacks) -> [ LINK ]

The Trevor Project, who provides countless resources for LGBTQ+ individuals and the broader community, including access to therapeutic, medical, and financial aid where needed. -> [ LINK ]

The Transgender Law Center, who provides the resources necessary to advance the legal rights of transgender and gender nonconforming people. -> [ LINK ]

You could also check out these organizations dedicated to helping the international Jewish community:

The Lithuanian Jewish Community, who is reviving and rebuilding itself from Soviet oppression during the 1980s. -> [ LINK ]

The JDC International Centre for Community Development, who is devoted to providing an in-depth perspective on the phenomena of Jewish community, identity, and social welfare. -> [ LINK ]

The Anti-Defamation League, whose greater mission is to stop the defamation of the Jewish people and to secure justice and fair treatment to all. -> [ LINK ]

The Jewish Braille Institute (JBI) International Library, a non-profit organization dedicated to meeting the Jewish and general cultural needs of visually impaired, blind, physically handicapped and reading disabled individuals worldwide. -> [ LINK ]

If you want to get more involved, then check out and donate to the following mutual aid groups and spaces to help local and international communities:

Buy Nothing Project -> [ LINK ]

Food not Bombs -> [ LINK ]

Foundations for Intentional Community -> [ LINK ]

Freedges Community Pantries -> [ LINK ]

Industrial Workers of the World -> [ LINK ]

It's Going Down -> [ LINK ]

Little Free Library -> [ LINK ]

Little Free Pantries -> [ LINK ]

Repair Cafe -> [ LINK ]

Sharing Cities -> [ LINK ]

Slingshot Collective -> [ LINK ]

Transition Network -> [ LINK ]

Trash Nothing -> [ LINK ]

And, if you're still contemplating buying the game, or even pirating it, then here are a few extra steps you can take:

Walk out of your room.

Open your door to the outside of the house.

Walk to the nearest patch of this thing known as "Grass". It looks like green lines on the earth.

Bow down, like you bow down to fascists, onto the grass, and lay your hands on the floor. Really get in there and wiggle your fingers.

Walk back inside.

Be happy!

Rinse and repeat for bonus benefits, such as not being obnoxious on social media.

And, when you log back in to play Hogwarts Legacy, check out this cool image!

#important #long post

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silenthillmutual · 7 months

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you write trans patho fanfic?? can you drop the link?

most of my patho fanfic is trans! i don't always tag it - initially i didn't tag it in fics where there was no discussion of gender, but later on because i found it ridiculous that i was expected to tag trans characters but not cis characters - but my daniil is trans masc in all except i think two or three of my fics and artemy is always nonbinary to me regardless of agab. you can find me on ao3 as undeadarchivist (and a few under the pseud higgsburied). two of my gender-specific patho fics are when you were young and you wanted to set the world on fire (about daniil's journey to realizing he is trans, featuring appearances from transmasc andrey and nonbinary artemy) and they stare in the village (really old fic abt daniil & khan bonding). my longest fic, honey & venom, centers on transmasc daniil & nonbinary artemy (agab left deliberately vague), with a few others showing up. (if i included all the gender in that one that i planned on it probably would have been closer to 175k lol). i'd like to write more transfem hcs into fics in the future!

go forth and enjoy, anon!

#pathologic fanfiction #pathologic #harker answers

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riverdamien · 1 year

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Station 2: Betrayal and Arrest if Jesus!

The Betrayal and Arrest of Jesus!

Leader: We adore you O Christ, and we praise you.

All: Because by your Holy Cross you have saved all of creation.

43 Immediately, while he was still speaking, Judas, one of the twelve, arrived, and with him there was a crowd with swords and clubs, from the chief priests, the scribes, and the elders. 44 Now the betrayer had given them a sign, saying, “The one I will kiss is the man; arrest him and lead him away under guard.” 45 So when he came, he went up to him at once and said, “Rabbi!” and kissed him. 46 Then they laid hands on him and arrested him. 47 But one of those who stood near drew his sword and struck the slave of the high priest, cutting off his ear. 48 Then Jesus said to them, “Have you come out with swords and clubs to arrest me as though I were a rebel? 49 Day after day I was with you in the temple teaching, and you did not arrest me. But let the scriptures be fulfilled.” 50 All of them deserted him and fled.1 A certain young man was following him, wearing nothing but a linen cloth. They caught hold of him, 52 but he left the linen cloth and ran off naked.” (Mark 14:42-46)

Rejection always hurts. It tears at our self-esteem, makes us feel like we are nothing, and leaves us doubting who we are. Homeless people are rejected all the time. When people walk by and do not even see the person on the side walk they feel like they nothing. May we be haunted by the feeling of rejection, as we look at our neighbor before us.

The Trevor Project's latest report examining the Mental Health of Black Transgender and Nonbinary Young People reveals one in four, of their group as compared to twelve percent of the cisgender and LGBQ groups have higher rates of victimization, attempts from others to change their sexual orientation and housing instability.

We have failed to see one of the understandings of our evolution as human beings is the various gender differences; and the Church in particular continues its journey of bias, transphobia, and homophobia. We are still racially discriminating. A recent study show that 50% of blacks have no faith in their white brothers and sisters.

When we fail to acknowledge the racial discrimination, fail to even seek to understand, and ignore the rejection and discrimination of trans and nonbinary folk we are betraying Jesus in our midst!

All: Jesus declares: “If anyone wants to become a follower, let them deny themselves and take up their cross. And follow me.”

---------------------------------

Fr. River Damien Sims sfw, D.Min, D.S.T,

P.O. Box 642656

San Francisco, CA 94164

www.temenos.org

415-305-2124

The Twenty Second Annual Stations of the Cross

"Our Haunting!"

April 7, 2023

Civic Center

Noon-2 p.m.

Food Provided By:

AUNT BARBARA’S KITCHEN

GOOD FRIDAY IRISH SODA BREAD BLITZ ON POLK STREET

in alliance with Fr. River Damien Sims of Temenos

https://www.temenos.org/

Please help support a Good Friday initiative. Fr. River Sims aims to serve 200 folks with Irish Soda

Bread, the food that supported many Irish during hard times. It’s in the spirit of community and

nurturing.

There’s a legend that when a cross is made in each loaf before baking, all the good fairies are released. We like to believe in that.

$15/loaf payable through www.temenos.org , pay pal, or Aunt Barbara’s Kitchen/Temenos Catholic Worker, P.O. Box 642656, San Francisco, CA 94164

Aunt Barbara’s Kitchen is a Cottage Food Operation from a home kitchen in Marin County.

The business started with $10 and Aunt Barbara’s great grandfather iron skillet with the intention to build

a business model that feeds the hungry and revenue that goes to youth in college. The owner volunteers

her time to this endeavor and takes no revenue for herself, at this time. She hopes to reshape the model

of what businesses can create for communities, especially our youth, to cultivate and showcase the

power of human investment. 415 717 0151 https://barbaramcveigh.com/aunt-barbaras-kitchen/

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esperanzasacres · 1 year

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Rosh Chodesh... What is it?

September 20, 2022

As we are in the week of hosting our first Rosh Chodesh circle, we are celebrating the thousands of years of traditions that have led us to gather as we do today. We want to share with you a little bit more about this practice and how you can get involved!

Jewish ethnicity and culture has a calendar that is distinctively different from the Gregorian (Christian) calendar that is used today. The majority of the world now runs on a solar calendar that begins the week on Monday and ends on Sunday to accommodate Christian sabbath, this is widely due to the use of Christianity as a weapon for colonization thus spreading the calendar globally. Judaism runs on a lunar calendar that begins its week on Sunday and ends Saturday to accommodate the Jewish sabbath. While the solar calendar begins the day with the sunrise, the lunar calendar begins the day with a sunset (moonrise). Just as the Gregorian calendar has names for weeks, months, and years so too does the Jewish calendar.

Jewish holidays and much of Jewish mysticism uses the Jewish calendar as a way to mark sacred time, transitions of the seasons, harvest festivals, planting dates, and connect with the earth and her rotations. Jewish mysticism has its on form of astrology and the different Jewish months have symbols, energetics, and intentions behind them.

Rosh Chodesh was developed as a sacred space for women to gather and celebrate the arrival of the New Moon - and therefore the next Jewish month! Rosh Chodesh is a beautiful reminder of the cyclicality of life, especially the cycles of menstruation that menstruating bodies experience. While many contemporary portrayals of Jews today showcase immense disgust at menstruating bodies, this has not always been the case in Jewish culture. In fact, many laws of the Torah around separating menstruating bodies from others comes from the belief that this time is a sacred space of death and rebirth which should be given adequate reverence. As Christian doctrine began misinterpreting Jewish spirituality, we began to see a shift towards the separation of menstruating bodies due to beliefs that women are impure or shameful.

Recently the practice of Rosh Chodesh has been re-ignited as we see more women and queer & trans & nonbinary folks return to the land for healing, connection, and sovereignty. We are so excited to be hosing Rosh Chodesh online because it encapsulates the beauty of the Jewish diaspora - connecting with folks from all over the world, united in dreaming the world to come in love and justice.

Our Rosh Chodesh container is a monthly subscription through our Patreon for just $50/month*. We gather each week of the month to

Initiate the New Moon with our Rosh Chodesh Circle & set intentions for the upcoming month

Dance to embody our connection with our intentions, visions, and that which we have left behind last month

Dream our visions into reality and interpret our dreams in the Talmudic tradition of dream courts (which help transition nightmares to dreams and dreams to reality)

Create art to close our month and reflect on the past weeks

We invite All People to join us for our Rosh Chodesh group - not just cis-women & Jews! While some folks may be wary of joining a group centered around Jewishness despite not having an extensive background in Jewish thought, we encourage you to take a leap and follow your intuition in joining us. If you're interested in learning more, we're always available for questions via our Instagram and email.

We hope to see you there!

*Work trades are available for several spots! Send us an email to apply & inquire

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aspecinitiativecenter · 4 years

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Recruiting Founders for Other Initiative Centers!

We have made a server based in the Rainbow Planes Universe, a roleplay premise where people have powers based on their identities and labels!

We are recruiting for other initiative centers for the various communities under the overall LGBT+ Umbrella; namely for monospec aligned and intersex initiative centers!

This post is a recruitment message for those who would like to found in-universe initiative centers and create lore for these other communities.

We have some guidelines:

1. It needs to be called [blank] initiative center to match the naming scheme we have going.

2. The discord server needs to be called "Rainbow Plane: [blank] Division" to match the naming scheme.

3. Lore you create needs to comply with existing lore.

4. You need to work with us on building your server/nitiative center, and periodically update us on your progress.

5. It cannot be located in the Void, as this would conflict with existing lore.

6. Do not use lizards/reptiles as that is for the @trans-nonbinaryinitiativecenter.

7. People of multiple communities have access to multiple initiative centers.

8. In our server we have areas for non-[blank] community members to interact with community members, and we expect that you make the same provisions in your server.

9. We reserve the right to ask you to step down if we feel your progress is too slow or if you do not respect the lore and roleplay premise we have built so far.

10. Please fill out this application form and we will contact you when you have done so.

You can contact us @imfemalewarrior or @agender70 or in the Rainbow Plane: Aspec Division server for more details.

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nothorses · 3 years

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Interview With An Ex-Radfem

exradfem is an anonymous Tumblr user who identifies as transmasculine, and previously spent time in radical feminist communities. They have offered their insight into those communities using their own experiences and memories as a firsthand resource.

Background

I was raised in an incredibly fundamentalist religion, and so was predisposed to falling for cult rhetoric. Naturally, I was kicked out for being a lesbian. I was taken in by the queer community, particularly the trans community, and I got back on my feet- somehow. I had a large group of queer friends, and loved it. I fully went in on being the Best Trans Ally Possible, and constantly tried to be a part of activism and discourse.

Unfortunately, I was undersocialized, undereducated, and overenthusiastic. I didn't fully understand queer or gender theory. In my world, when my parents told me my sexuality was a choice and I wasn't born that way, they were absolutely being homophobic. I understood that no one should care if it's a choice or not, but it was still incredibly, vitally important to me that I was born that way.

On top of that, I already had an intense distrust of men bred by a lot of trauma. That distrust bred a lot of gender essentialism that I couldn't pull out of the gender binary. I felt like it was fundamentally true that men were the problem, and that women were inherently more trustworthy. And I really didn't know where nonbinary people fit in.

Then I got sucked down the ace exclusionist pipeline; the way the arguments were framed made sense to my really surface-level, liberal view of politics. This had me primed to exclude people –– to feel like only those that had been oppressed exactly like me were my community.

Then I realized I was attracted to my nonbinary friend. I immediately felt super guilty that I was seeing them as a woman. I started doing some googling (helped along by ace exclusionists on Tumblr) and found the lesfem community, which is basically radfem “lite”: lesbians who are "only same sex attracted". This made sense to me, and it made me feel so much less guilty for being attracted to my friend; it was packaged as "this is just our inherent, biological desire that is completely uncontrollable". It didn't challenge my status quo, it made me feel less guilty about being a lesbian, and it allowed me to have a "biological" reason for rejecting men.

I don't know how much dysphoria was playing into this, and it's something I will probably never know; all of this is just piecing together jumbled memories and trying to connect dots. I know at the time I couldn't connect to this trans narrative of "feeling like a woman". I couldn't understand what trans women were feeling. This briefly made me question whether I was nonbinary, but radfem ideas had already started seeping into my head and I'm sure I was using them to repress that dysphoria. That's all I can remember.

The lesfem community seeded gender critical ideas and larger radfem princples, including gender socialization, gender as completely meaningless, oppression as based on sex, and lesbian separatism. It made so much innate sense to me, and I didn't realize that was because I was conditioned by the far right from the moment of my birth. Of course women were just a biological class obligated to raise children: that is how I always saw myself, and I always wanted to escape it.

I tried to stay in the realms of TIRF (Trans-Inclusive Radical Feminist) and "gender critical" spaces, because I couldn't take the vitriol on so many TERF blogs. It took so long for me to get to the point where I began seeing open and unveiled transphobia, and I had already read so much and bought into so much of it that I thought that I could just ignore those parts.

In that sense, it was absolutely a pipeline for me. I thought I could find a "middle ground", where I could "center women" without being transphobic.

Slowly, I realized that the transphobia was just more and more disgustingly pervasive. Some of the trans men and butch women I looked up to left the groups, and it was mostly just a bunch of nasty people left. So I left.

After two years offline, I started to recognize I was never going to be a healthy person without dealing with my dysphoria, and I made my way back onto Tumblr over the pandemic. I have realized I'm trans, and so much of this makes so much more sense now. I now see how I was basically using gender essentialism to repress my identity and keep myself in the closet, how it was genuinely weaponized by TERFs to keep me there, and how the ace exclusionist movement primed me into accepting lesbian separatism- and, finally, radical feminism.

The Interview

You mentioned the lesfem community, gender criticals, and TIRFs, which I haven't heard about before- would you mind elaborating on what those are, and what kinds of beliefs they hold?

I think the lesfem community is recruitment for lesbians into the TERF community. Everything is very sanitized and "reasonable", and there's an effort not to say anything bad about trans women. The main focus was that lesbian = homosexual female, and you can't be attracted to gender, because you can't know someone's gender before knowing them; only their sex.

It seemed logical at the time, thinking about sex as something impermeable and gender as internal identity. The most talk about trans women I saw initially was just in reference to the cotton ceiling, how sexual orientation is a permanent and unchangeable reality. Otherwise, the focus was homophobia. This appealed to me, as I was really clinging to the "born this way" narrative.

This ended up being a gateway to two split camps - TIRFs and gender crits.

I definitely liked to read TIRF stuff, mostly because I didn't like the idea of radical feminism having to be transphobic. But TIRFs think that misogyny is all down to hatred of femininity, and they use that as a basis to be able to say trans women are "just as" oppressed.

Gender criticals really fought out against this, and pushed the idea that gender is fake, and misogyny is just sex-based oppression based on reproductive issues. They believe that the source of misogyny is the "male need to control the source of reproduction"- which is what finally made me think I had found the "source" of my confusion. That's why I ended up in gender critical circles instead of TIRF circles.

I'm glad, honestly, because the mask-off transphobia is what made me finally see the light. I wouldn't have seen that in TIRF communities.

I believed this in-between idea, that misogyny was "sex-based oppression" and that transphobia was also real and horrible, but only based on transition, and therefore a completely different thing. I felt that this was the "nuanced" position to take.

The lesfem community also used the fact that a lot of lesbians have partners who transition, still stay with their lesbian partners, and see themselves as lesbian- and that a lot of trans men still see themselves as lesbians. That idea is very taboo and talked down in liberal queer spaces, and I had some vague feelings about it that made me angry, too. I really appreciated the frank talk of what I felt were my own taboo experiences.

I think gender critical ideology also really exploited my own dysphoria. There was a lot of talk about how "almost all butches have dysphoria and just don't talk about it", and that made me feel so much less alone and was, genuinely, a big relief to me that I "didn't have to be trans".

Lesfeminism is essentially lesbian separatism dressed up as sex education. Lesfems believe that genitals exist in two separate categories, and that not being attracted to penises is what defines lesbians. This is used to tell cis lesbians, "dont feel bad as a lesbian if you're attracted to trans men", and that they shouldn’t feel "guilty" for not being attracted to trans women. They believe that lesbianism is not defined as being attracted to women, it is defined as not being attracted to men; which is a root idea in lesbian separatism as well.

Lesfems also believe that attraction to anything other than explicit genitals is a fetish: if you're attracted to flat chests, facial hair, low voices, etc., but don't care if that person has a penis or not, you're bisexual with a fetish for masculine attributes. Essentially, they believe the “-sexual” suffix refers to the “sex” that you are assigned at birth, rather than your attraction: “homosexual” refers to two people of the same sex, etc. This was part of their pushback to the ace community, too.

I think they exploited the issues of trans men and actively ignored trans women intentionally, as a way of avoiding the “TERF” label. Pronouns were respected, and they espoused a constant stream of "trans women are women, trans men are men (but biology still exists and dictates sexual orientation)" to maintain face.

They would only be openly transmisogynistic in more private, radfem-only spaces.

For a while, I didn’t think that TERFs were real. I had read and agreed with the ideology of these "reasonable" people who others labeled as TERFs, so I felt like maybe it really was a strawman that didn't exist. I think that really helped suck me in.

It sounds from what you said like radical feminism works as a kind of funnel system, with "lesfem" being one gateway leading in, and "TIRF" and "gender crit" being branches that lesfem specifically funnels into- with TERFs at the end of the funnel. Does that sound accurate?

I think that's a great description actually!

When I was growing up, I had to go to meetings to learn how to "best spread the word of god". It was brainwashing 101: start off by building a relationship, find a common ground. Do not tell them what you really believe. Use confusing language and cute innuendos to "draw them in". Prey on their emotions by having long exhausting sermons, using music and peer pressure to manipulate them into making a commitment to the church, then BAM- hit them with the weird shit.

Obviously I am paraphrasing, but this was framed as a necessary evil to not "freak out" the outsiders.

I started to see that same talk in gender critical circles: I remember seeing something to the effect of, "lesfem and gender crit spaces exist to cleanse you of the gender ideology so you can later understand the 'real' danger of it", which really freaked me out; I realized I was in a cult again.

I definitely think it's intentional. I think they got these ideas from evangelical Christianity, and they actively use it to spread it online and target young lesbians and transmascs. And I think gender critical butch spaces are there to draw in young transmascs who hate everything about femininity and womanhood, and lesfem spaces are there to spread the idea that trans women exist as a threat to lesbianism.

Do you know if they view TIRFs a similar way- as essentially prepping people for TERF indoctrination?

Yes and no.

I've seen lots of in-fighting about TIRFs; most TERFs see them as a detriment, worse than the "TRAs" themselves. I've also definitely seen it posed as "baby's first radfeminism". A lot of TIRFs are trans women, at least from what I've seen on Tumblr, and therefore are not accepted or liked by radfems. To be completely honest, I don't think they're liked by anyone. They just hate men.

TIRFs are almost another breed altogether; I don't know if they have ties to lesfems at all, but I do think they might've spearheaded the online ace exclusionist discourse. I think a lot of them also swallowed radfem ideology without knowing what it was, and parrot it without thinking too hard about how it contradicts with other ideas they have.

The difference is TIRFs exist. They're real people with a bizarre, contradictory ideology. The lesfem community, on the other hand, is a completely manufactured "community" of crypto-terfs designed specifically to indoctrinate people into TERF ideology.

Part of my interest in TIRFs here is that they seem to have a heavy hand in the way transmascs are treated by the trans community, and if you're right that they were a big part of ace exclusionism too they've had a huge impact on queer discourse as a whole for some time. It seems likely that Baeddels came out of that movement too.

Yes, there’s a lot of overlap. The more digging I did, the more I found that it's a smaller circle running the show than it seems. TIRFs really do a lot of legwork in peddling the ideology to outer queer community, who tend to see it as generic feminism.

TERFs joke a lot about how non-radfems will repost or reblog from TERFs, adding "op is a TERF”. They're very gleeful when people accept their ideology with the mask on. They think it means these people are close to fully learning the "truth", and they see it as further evidence they have the truth the world is hiding. I think it's important to speak out against radical feminism in general, because they’re right; their ideology does seep out into the queer community.

Do you think there's any "good" radical feminism?

No. It sees women as the ultimate victim, rather than seeing gender as a tool to oppress different people differently. Radical feminism will always see men as the problem, and it is always going to do harm to men of color, gay men, trans men, disabled men, etc.

Women aren't a coherent class, and radfems are very panicked about that fact; they think it's going to be the end of us all. But what's wrong with that? That's like freaking out that white isn't a coherent group. It reveals more about you.

It's kind of the root of all exclusionism, the more I think about it, isn't it? Just freaking out that some group isn't going to be exclusive anymore.

Radical feminists believe that women are inherently better than men.

For TIRFs, it's gender essentialism. For TERFs, its bio essentialism. Both systems are fundamentally broken, and will always hurt the groups most at risk. Centering women and misogyny above all else erases the root causes of bigotry and oppression, and it erases the intersections of race and class. The idea that women are always fundamentally less threatening is very white and privileged.

It also ignores how cis women benefit from gender norms just as cis men do, and how cis men suffer from gender roles as well. It’s a system of control where gender non-conformity is a punishable offense.

#transgender #transphobia #trans #transmisogyny #radical feminism #radfem #feminism #transandrophobia #terfs #tirfs #gender critical #nothorses #cult mention #long post

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coochiequeens · 2 years

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51 deaths in 2021 is not a crime wave.

A least 4 black women and girls are killed per day.

In 2020, there were 5,295 records for missing American Indian girls and women tallied by the National Crime Information Center, including 578 records that were still "active" by year's end.

In Mexico 10 women are killed per day.

So many women are killed per day we don’t even have stats for 2021. Yet all we hear about is how the trans community uses every death, including one that was a hit and run victim and may have had nothing to do with being trans, to encourage a victim mentality.

Two more violent deaths of transgender Americans have just been reported, both from December, bringing 2021’s total to 53. It was already by far the nation’s deadliest year on record for trans people.

Za’niyah Williams, a 21-year-old Black trans woman, died after a hit-and-run car crash in Houston December 20, TransGriot reports. She remained unidentified for some time and was misgendered by police and media outlets. But her loved ones have come forward to identify her.

“You were loved and will always be a part of me!” a cousin wrote on social media. “Fly high you beautiful butterfly.” A friend posted that Williams was “a very sweet and smart young lady and always ripped the runway when she dressed up.”

“Za’niyah Williams was a bright soul who at 21 years old had the world in front of her,” Tori Cooper, the Human Rights Campaign’s director of community engagement for its Transgender Justice Initiative, said in a press release. “It is horrific that her life was taken from her by an unknown assailant who drove off without a care. She was also misgendered in initial reports until she was identified by her mother. We must create a society that respects Black trans women and all transgender, nonbinary, and gender-nonconforming people. Although we honor them in death, they deserve to live, and they deserve justice for the crimes that too often end their lives.”

The Harris County Sheriff’s Office asks that anyone with information call (713) 221-6000and reference case number #2112-07879.

In Albuquerque, N.M., white trans woman Nikki Turietta, 31, was found shot to death December 31, TV station KOB reports. She was found in her home, shot in the head. Turietta was also initially misgendered by media.

Jen Struck, Turietta’s aunt, described her as “a character” and “just completely free spirit.” Turietta had grown up in Albuquerque and had returned there a few years ago after traveling all over the U.S. and internationally, Struck told KOB. Turietta had just celebrated the holidays with her family.

“We’re just all in shock,” Struck said. “I don’t think it’s really set in for some of us yet.” Violent crime has been rising in Albuquerque, with a record 114 homicides in 2021.

Turietta’s death remains under investigation by Albuquerque police. “We want justice,” Struck said. “We’re desperate for answers. We want to know what happened. Somebody’s got to know something. They didn’t commit suicide.”

“It is horrific that on the last day of 2021, yet another transgender person was killed in what has been a record year for fatal violence against transgender and gender-nonconforming people,” Cooper said. “This violence has been unceasing, but so too must our efforts to combat it never stop. We must commit to creating a safe and affirming culture for transgender and gender-nonconforming people.”

#51 deaths in 2021 is a tragedy #51 deaths is not a crime wave #Media needs to cover the murder rates of real women

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blogsanscontext · 3 years

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A Closer Look at: Momoe Sawaki’s character arc; by a nonbinary (trans) viewer.

CW: Major spoilers for Wonder Egg Priority + mentions and discussion of sexual assault, transphobia, lesbophobia, self-harm; please proceed with caution.

Wonder Egg Priority came as a relatively pleasant surprise for me; I heard about it some time after the first few episodes aired, but I never actively went out of my way to ever try to watch it myself until, that is, a few days ago. I must say, I’m glad to have taken the initiative to experience such anime on my own.

With a stunning animation to accompany the heavy subjects this work touches on, I quickly fell in love with it; all the characters feel very grounded in reality, with their struggles (even someone like Neiru’s, who is a literal genius and CEO of her own company) feeling relatable in one way or another. Episode 7 became my favorite due to this very thing, Rika’s problems were things that not only have I seen in other works before, but that I know exist because of the stories told in the news every so often. It only helped, in my opinion, that they gave a character with her background such a hopeful ending.

That being said, Wonder Egg is not a perfect anime, and though I didn’t expect it to be in the first place, I do think talking about why some of the ways it handles a specific character of the main cast are problematic are worth the time. When I mentioned that “all the characters feel very grounded in reality”, I actually only meant three of them, a.k.a.: Ai, Rika and Neiru. The reason Momoe is not included in this group is what I will be discussing in the next paragraphs.

This anime lets you know, right off the bat, that it will not stray away from heavy subjects throughout the duration of its runtime; the show deals with suicidal idealization (and actual suicide as well as its aftermath; in fact, “female suicide” is at the very core of the show and is what essentially moves it forward), self-harm, sexual assault, same-sex relationships, transphobia, and being a gender noncomforming person in a society that punishes you for not adhering to the roles it has imposed on you since childhood. The last points are the ones I took issue with, however, and though they are mostly the show’s fault, they also took it upon themselves to make Momoe be at the center of all three.

See, when we are first introduced to Momoe, we can guess by context that she is a girl, however, the other characters aren’t aware of this fact yet, and so they seemingly go out of their way to call her a boy, which makes her deeply uncomfortable, and this (ie. her reaction to be treated or perceived as a boy) is a running theme throughout her arc. This, in itself, isn’t really the worst creative direction to take with a character, it’s a story that has been told time and time again, but there is a problem with the way Wonder Egg Priority specifically deals with it: Momoe is cisgender, and so far, there hasn’t been a sign of this changing whatsoever, so she will most likely remain cis until the show ends. Normally, a story about a gender noncomforming cis person wouldn’t be seen as anything out of the extraordinary, as I’ve mentioned before, but it seems that they wanted to… “innovate”, so to say, with her character. And it’s this innovation, in my opinion, that which makes Momoe’s struggles miss the mark for me.

Momoe is perceived, almost ridiculously so, as a boy by whoever even so much as stumbles upon her; her followers on Instagram most likely worship her because they’re under the impression that she’s a bishounen, and yet the show goes out of its way to deal with just how uncomfortable this makes her. This is the issue I take with her and her arc: the show has a keen awareness of AFAB people’s issues, and treats them with the respect they deserve (which is not to say some jokes at their expense aren’t made, but in general this tone is kept throughout the duration of the story), and yet the tone-deaf manner in which they deal with her issues feels… disappointing, to say the least.

Momoe’s struggles, though they are valid on their own, are not a societal issue, no matter how one may look at them; if she were a trans person (either a trans girl, boy, or nonbinary), the strong emphasis on her discomfort at being misgendered would have made so much more sense. The reason why ‘switching around’ the stereotype of a tomboy falls flat on its face is that there is no real pressure from society to present feminine, it’s what they want you to, or more accurately, force you to do if you’re perceived as being assigned female at birth; however, this is not where my issues with Momoe’s arc and character end.

At first, I imagined a variety of (albeit vague, still reasonable) reasons as to why this show couldn’t have just made Momoe be trans, and semi-understanding of this decision; that was, of course, until I watched the actual episode mostly focused on her struggles, and that’s when I got slightly mad. Being honest, I still think it was a good episode, and it definitely made Momoe seem way more sympathetic than any of her past appearances, but it also perfectly highlighted my problem with her, and subsequently, the show itself: using queer people’s actual, realistic, problems in order to push her, a cisgender character, forward.

The thing with Wonder Egg Priority is that I love how, despite all these girls literally risking their lives to save a specific person, they still seem to have conflicting feelings about them (ie. Rika’s mocking of Chiemi, Ai’s frustration towards Koito, etc.) but I also take issue with this when it comes to Momoe specifically; Haruka is very much intended to be seen as gay, yet when push comes to shove, we are supposed to be taking Momoe’s side in this conflict. We, the audience, see these events from her point of view, and are therefore made to feel, in one way or another, uncomfortable with Haruka’s attraction for her. Yes, Momoe has worked hard to bring her back to life, but the fact that she’s cis and heterosexual stands; this isn’t just exclusive to Haruka, however, but every egg she’s had to save in order to get her friend back. All of them express a clear attraction for Momoe, “despite her being a girl”, and it’s just very easy to read these attitudes as wlw-phobic, extremely so.

My biggest issue though lies within the very existence of Kaoru’s character, the trans boy she has to protect in the episode mainly focused on her; while he is an endearing and sympathetic character, and I like that despite him presenting ‘majorly female’, Momoe never misgenders him. The thing is: he’s made out to be almost a “parallel” of her own gender-related issues, and this is just a very tone-deaf statement to make; trans people fighting not to be misgendered, fighting to be called their chosen name (something Momoe, while being cis, can just freely enjoy) - trans people’s pain is very much real, which the show is aware of, but Momoe’s is very much an individual’s problem rather than the way society actually works, which Wonder Egg is seemingly unaware of, for whatever reason.

Before I arrive at my last point on why this comparison doesn’t work, I would like to quickly point out the fact that most, if not all, the eggs the girls have had to save until this point were specifically meant to be girls, in one way or another. Therefore, taking this into account, Kaoru makes me feel… a lot of things, the more time I spend thinking about it; the show acknowledges he’s a boy, though not cis of course, but still very much a boy, yet also places him in this very much ‘female’ space; no matter how I looked at it, I could find explanations both for an opinion in favor of this decision (the way a lot of trans men’s problems are defined by our patriarchal society seeing them as women) as well as some for an opinion against this decision (the fact that it could be read as the show ultimately deciding he’s ‘female-aligned’, etc.) and though I won’t be discussing this decision in-depth, I still possess that it’s an event worth examining from different lenses.

Now, onto the actual element that got me heated about Kaoru serving as a parallel to Momoe’s struggles: Kaoru was not only sexually assaulted by a man who’s always thought of him as a ‘pretty, delicate girl’, his death directly relates to the fact that he was abused and then impregnated by this man for not living up to his gross ideal of what a man and a woman are; contrast this to Momoe, who pretty much gets the treatment Kaoru would love to have: she’s pretty much right off the bat seen as a guy, she’s fawned over by women because of this fact as well, they literally call her ‘Momotaro’, etc. Taking all of this into account, it’s simply impossible for me to be okay with a comparison that ultimately decides a cisgender person’s discomfort is, in any sort of way, on equal grounds as a (might I remind you, dead) trans person’s basic human rights.

All in all, though her episode made me take a bigger liking to her character, it also served to almost perfectly highlight the very problem of her existence, as well as the “struggles” she’s intended to represent; I don’t hate Momoe in any sort of way, and though I know there must be someone somewhere who relates to her, I also think that they could’ve done something way more meaningful with her had they just made some changes that made her more realistic (as in, make her at least be LGBT rather than just cis and heterosexual); I will be patiently waiting for the finale, and who knows? Maybe something does change about her in the end, that would be even more of a pleasant surprise.

#wonder egg priority #meta #momoe sawaki

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axemetaphor · 3 years

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im definitely not ripping off my friend by making a list of au ideas i have no siree //gonna slap this under a readmore cause i. well i say a lot. all of the time. i tried so hard to format this Good but tumblr fucked me up i am so sorry

so first-off i know i already have one WIP AU (Auckland) on ao3 so i wont talk about That one cause like. spoilers. i actualyl have it like 80% created so its likely gonna truly get finished for once and i dont wanna ruin shit

the other one ive posted about is something me and ben (catgirlrepublic) have worked on together its not at all close to done or anything but it's. a fun little crossover. Between jdate and my fuckinuhm. Original characters story “Untitled Villains Project”. the sketches of the comic version ive started is actually my pinned post 👉👈 its like the first chunk of the story, i think half of part 1? yea.

Tldr john fucking Somehow is able t oget into contact with a certain curious scientist from another reality who’d just love to study the Soy Sauce, most certainly not for her own nefarious purposes

John and Dave meet up with the scientist, her name is Boss, and her lab assistant, Toxic, and after a bit of a preliminary Vibe Check where john determines her trustworthy (which Dave doesnt agree with,) the two agree to be taken to the world UVP is set in. from there they stay in Boss’s lab (big old fucking abandoned military lab). John and Toxic are fast friends due to mutual love-of-chaos. John n Dave get to fuckin, camp out on an air mattress.

The day after they arrive, the two get split up, not exactly intentionally; big plot points of UVP are liek. Fueled by Boss sending Toxic to go fetch her “research materials,” which are usually important artifacts

Fuckin side note i guess i have to explain my dumb bullshit: Boss’s, uh, field of expertise so to speak is actually fckin, basically the scientific study of magic and superpowers n shit like that. This shit’s all real in that world. Toxic’s got fuckin superpowers, so do 4 other main characters, whatever. It’s got a bit to do with spirituality, iss Boss’s hypothesis. So she has Toxic fetch important artifacts that might have “energies” to them. The thing is actually way more fuckin complictated than that, this is just Boss’s initial hypothesis.

Motherfucking anyways. So Boss gives Toxic a job to do, and John get excited about how Cool that sounds, and ends up going with Toxic, leaving Boss and Dave alone. Neither is thrilled about this. But Dave and Boss get to have a bit of conversation (while Toxic and John are off bonding and having a good time) and come to a… mutual grudging understanding of some kind. They still dont like each other though lmao

Theres gonna be deeper shit going on but we havent sorted it out yet/tbh havent like Written For It in a while but i still like thinking about it a lot lol

Also pretty sure our endgame is john and dave steal toxic and bring them back with em lmao boss is kind of not nice and toxic would most certainly be better off in Undisclosed. Actually theyd fucking love it. Theyd become a local cryptid im sure. Undisclosed’s mothman is a teleporting spike baby.

I have. Another crossover AU that i might. Post something about for halloween? Maybe? If i have it finished?

Crosses over into, you guessed it, another one of my original-character projects. God, am i vain or something?

I promise this is just because i think blue and dave should get to team up to beat up some monsters

Quick briefing on my fuckinuh. Original character story, this one doesnt have a name (yet? Idk lol my work never actually goes anywhere sso who gives a shit). It centers around two grim reapers, Red (26, bi woman) and Blue (22, aroace agender asshole). In this reality or whatever, grim reapers function kind of like low-level office workers. They get told who’s going to die + when by some middle-management types, and upper management only involve themselves when punishment needs to be doled out. These Higher-Ups can be seen as analogous to Korrok; they’re decidedly not human, never were, and fucking terrifyingly powerful. Additionally, grim reapers are sort of .. designed to be “background noise” people. In reality theyre supernatural beings and, uh, look Real Fuckin Weird (the whole deal has a neon aesthetic im terrible at drawing uwu) but most humans just perceive them like extras in a movie. A body’s there but the camera’s not focused on it.

To the narrative: the shit starts when Red n Blue get relocated to Undisclosed. Relocation is something that just happens every now and then to reapers; they usually work in teams, but they get split up into different cities to avoid any strong bonds forming (a counter-union strategy from the Higher-Ups).

Red, Blue, John and Dave end up running into each other for the first time in a McDonalds where John n Dave are getting some 4am “hey, we just survived another horrific monster fight” celebration burgers. John and Dave are the only two people who can see how… strange Red and Blue are. Nobody else notices.

John unintentionally pisses Blue off, leading to Blue whacking him upside the head with a dildo bat. They all four get kicked out of McDonald’s. Dave and Red both are less than thrilled

Blue and John end up resolving their differences, somehow. Red and Dave briefly bond over their dumbass best friends being, well, dumbasses. They all part ways amicably.

somehow-or-other (idk yet) they end up running into each other a few more times, and eventually john invites them over to his place, and the four (plus Amy now!) get to know each other a little better

while there, Blue gets a text about some guy who's gonna die and John offers to drive them to where that's gonna go down. they take him up on the offer and get to have a bit of one-on-one conversation

after that ordeal though Blue has had Enough of people and bails, leaving John to head home alone

theres a sort of mirror-development going on with the five of em. Red, John, and Amy would all like everyone to get along, though theyre a bit tentative about it (John moreso than the other two, actually, jsut cause. well Red n Blue could still be Sauce Monsters). Dave and Blue on the other hand do Not like people enough for this shit, and Dave's not unconvinced theyre Sauce Monsters. he will not trust them until proven he should

the story's kinda nebulous but i got an idea for some Shit going down that involves both Sauce Monsters and also the Higher-Ups to have some fuckin absolute chaos go down.

Oops! All Trans

Everybody is transgender. Everyone

Ive actually workshopped this one both with ben (catgirlrepublic) and ghost (ghost-wannabe) lmao its a fun lil concept ive had from the get-go cause i mean. What’s an internet tran gonna do other than hit all their favourite media with the Everyone’s Trans beam

Dave transitioned post-high school and faked his death for it. People go missing in Undisclosed all the damned time, after all. He moved to the next city over, transitioned fully, then came back as a completely new man. Yes i know this doesnt exactly fit with the “everyone knows David from high school” thing alright, hush.

Anytime anyone brings up John’s old best friend (pre-transition Dave) John throws an entire fit like an overdramatic grieving widow. Full-on sobbing “why would you bring her up?! I miss her so much—” to the point that people just stop bringing up because Jesus Christ That Sure Is Uncomfortable KJHGFDS.

This is a scheme he and Dave came up with prior to Dave leaving, though Dave hadnt exactly anticipated John putting on this much of a performance about it— but it’s stopped Dave from ever having tto hear his deadname again, so hey.

Amy transitioned sometime in middle school/early high school. Her family was super supportive and loved her a ton and most people just know her as Amy. she was super shy her whole life really so. Yeah. people just dont think to bring it up lmao also i Feel Like big jim would absolutely wallop anyone who gave her trouble of any kind

John’s nonbinary (genderfluid specifically) and not exactly Interested in transitioning ? like hes fine with how he is. mostly.

he came out to Dave in high school but hes not out to anyone else exactly. Maybe his bandmates. Probably any other trans person in Undisclosed knows, too, cause theyre safe to tell lmao. Johns mostly a “he/him out of convenience” kinda nb who’s cool with any pronouns but does prefer they/them most. Dave and Amy use they/them when the trio are alone

Also this is a totally self-indulgent caveat that i think would be great, Dave’s actually agender but because he's transmasc and transitioned when he thought there were really only two options, and being Boy at least felt less weird than being Girl, he just kind of assumed he was a dude. It’s only through a lot of (like fucking years and years hes probably in his 30s/40s when he puts 2 and 2 together on this one) talks about gender with John that he realizes he actually feels like No Gender. Masc aesthetic with none gender.

I Just Think It’d Be Neat Is All Okay

Also Amy came out to Dave about being trans early on in them seeing each other and his response was to get very nervous before blurting out “me too” and then just being too embarrassed to talk about it for the rest of the day. Hes got a lot of hangups on talking about it actually it takes years for him to get comfortable in that

by contrast when Amy comes out to John about it his response is to yell “EYYY ME TOO” and give her a big ol hug lmao

I think itd be neatt if Amy ran a like. Transfem help/advice blog on tumblr. Kind of helped-with by John who can give her transfem nb insight for certain asks. I also just think that would be neat.

Cowboy AU - i put this one last cause its got drawings to it actually. Theyll be at the bottom

Basically just. Hey you ever watched a western. I think they look neat

This is another one me n ben have come up with lol

The soy sauce and all that shit still exist, im not sure where korrok fits in yet but ill figure it out

Theres no real like solid narrative yet ? but heres the barebones of everybody’s arcs.

John

Johns an absolute troublemaker, Of Course. Hes wanted in several towns for absolutely stupid shit. Hes a loner who shows up, causes chaos, gets drunk, does some drugs, runs away if people get too mad at him

He definitely had the same kind of deal with the soy sauce as in canon— he was at some kind of party, somebody offered it, he took it cause why the fuck wouldnt he, now he can see monsters and shit

Hes kind of a mooch also. Like. dont let him stay in your barn man he’ll never fucking leave and drink all your booze.

He runs into Dave when they happen to just, cross paths in the same town. the bullshit John stirs up ends up involving Dave in a way that makes it seem like it's his fault too, and they both get run out of town

after that he just tags along after Dave. hes decided this guy's Cool he wants to stick around. Dave is pissed at first, but not enough to shoot him or anything, and eventually, John grows on him

Dave

Dave also is a loner but unlike John hes simply so fucking awkward and bad with people. He doesnt feel like he belongs anywhere so he just travels

He’s the stereotypical Lone Ranger tbh. He wanders from town to town, solving their problems, though hed deny its out of any moral obligation (it kinda is, a little bit, tbh. He does like feeling useful). He shows up, fixes things, leaves. He's kind of a legend but most people think he's hiding something dark. other people jsut know him as that guy who farted real loud in the middle of the saloon and promptly skipped town out of sheer embarrassment. you know how it goes with Dave

He ends up involved with the Soy Sauce when a snake (not Actually a snake,) bites him. The snake’s more like the wig-monsters, really. Anyway, it injects him with the soy sauce, he fucking trips balls in the middle of the desert, he can see monsters now

He runs into John and shit goes tits-up, as said, but they become traveling buddies after that. he'd never say so, but he's glad for the company, actually. it's nice. hes not used to companionship but he feels a strange kind of easiness hanging out with John....

not sure how the Monster Dave concept will like fit in to this reality but like. trust me i want it in here. I'll Figure It Out.

Amy

Amy’s been living in a town John and Dave end up passing through and she is very curious about these two new Handsome Strangers who claim to fight monsters and just kinda. Persistently tags along til they let her join for real

Her family’s all dead, unfortunately, just like in canon, and she’s been living alone for a few years before meeting John n Dave. she had nothing left in that town to stay for, she'd been fantasizing about escaping on wild adventures for a long time and this felt a little like a dream come true. (Dave still gives her a spiel about how Difficult it is, but really, her fantasies were pretty grounded-in-reality already. i jsut think thats how she is, yknow?)

Shes the first person to react to the whole “we see monsters” shit with a kind of “oh, okay. neat” kind of response lmao

John and Dave fix whatever the fuck is up with her town (maybe that’s where the Korrok shit can fit, who knows) and Amy ends up being integral to that. After, she insists they take her with them because “they need her now” and Dave just cant really say no. John too is very much "the more the merrier!" and hes actually glad to have another person along he loves people lmao

At the start she has long hair but after she joins them she chops it short with a knife for convenience

also she still is an amputee. justt. idk. it was a wagon/stagecoach accident rather than a car accident lmao. just to clarify since i hadnt mentioned it, i wouldnt rob her of her ghost hand or yknow. all of the significance to her character that Missing A Hand has. although also now im going to have to research what was used as painkillers way-back-when, but im betting shes still got, like, her pain pills, they probably had those, maybe i wouldnt have to try too hard there. old timey medicine could be WACK though,

Shitload

Yeah hes in tthis shit mostly cause i liked designing his cowboy self lmao

Hes a kid (like 16, 17, technically i think in those days that was more Young Man than Kid but whatever. Hes Young i mean.) who got possessed by the Worms out in the desert and, by his family’s perception, just went missing!

Hes also a wanderer, but he ended up at the same town john and dave met in, at that same time, and starts following them after, already aware of who/what they are.

He keeps his face covered 24/7. actually he covers a Majority of his self for reasons. kinda want him to be a slightly more horrifying Worm Entity rather than human idk,

I kinda dont have much for this boy yet sorry Shitload

images !

with some editing notes for me cause im doing a very specific aesthetic with this lmao. i might change some lil details/colours though ...... idk

im also kinda 🤔 about shitload's colour palette. i want things assoicated w the sauce to be black'n'red predominantly but i think his palette might mirror dave's too closely. also im working on a korrok design i jsut am too busy to draw it now

#jdate #john dies at the end #aus #erh. tthe hell do i tag this as #rambles.txt #long post #well let me know if youd wanna hear more or. or something #send an ask. or whatever #yaknow #:jazz hands:

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trans-advice · 4 years

Link

[NOTE: we changed the bullets to numbers in order to help with readability of this relatively long post. there is no other purpose for the list numbering.]

Redistribute resources to support Black trans liberation and survival! Split a donation to all the orgs listed on this page OR allocate specific amounts to individual groups. Then be sure to share this page once you're done.

**All funds donated go directly to the groups listed via ActBlue. Feel free to reach out to them if you have any questions**

Last week, many people shared that it was hard to track down a centralized place to find a list of specifically Black trans groups. This page is part of an effort to create an easier way for people to find and donate specifically to Black trans work and people right now. We know that this list is not complete, and it will be continually updated. If you have questions or would like to add an org in your area to this page, please email: [email protected].

The groups listed in this first section only accept donations through PayPal, CashApp, or Venmo. Please support their important work by clicking over to their websites here:

Trans Sistas of Color Project Detroit: Exists to uplift, impact and influence that lives and welfare of transgender women of color in Detroit.

En-Poder-Arte (Colombia) Founded by an Afro-Colombian trans woman and other trans women of color. A few months ago, they launched a community house, which provides safe housing to Black trans women and trans women of color.

F2L Relief Fund: Provides commissary support (and legal representation & financial assistance) for incarcerated LGBTQ and Two-Spirit POC in NY State.

Middle Tennessee Black and Indigenous Support Fund: A community fund for Black and Indigenous queer and trans folks living and participating in rural Middle TN, with a goal to foster wealth redistribution in its larger community, direct the funds to Black and Indigenous community members, and build the leadership of Black and Indigenous community members.

Tournament Haus Fund: Mutual Aid fund for protestors and Trans/NonBinary BIPOC in the ballroom scene in Portland/Tacoma/Seattle.

TAKE Birmingham: A peer support group for trans women of color to come together and share their narratives. Also organizing around discrimination in the workplace, housing advocacy, & support for sex workers.

Black Excellence Collective Transport for Black NYC LGBTQ+ Protestors: Raising funds to provide safe transport for Black LGBTQ+ Protestors.

Kween Culture: Provides programming towards social and cultural empowerment of transgender women of color.

Black Trans Travel Fund : A mutual aid project developed to provide Black transgender women with the financial resources to self-determine safer alternatives to travel, so they feel less likely to experience verbal harassment or physical harm.

Heaux History Project: A documentary series and archival project exploring Black and Brown erotic labor history and the fight for sex workers’ rights.

Homeless Black Trans Women Fund: Supports Black Trans women that live in Atlanta and are sex workers and/or homeless.

Reproductive Justice Access Collective (ReJAC): A New Orleans network that aims to share information, resources, ideas, and human power to create and implement projects in our community that operate within the reproductive justice framework.

Rainbow Sunrise Mapambazuko/RSM (Democratic Republic of Congo): Fights for the Promotion of the rights and equality of LGBTQ people in DRC and is today facing this covid-19 crisis which further weakens Black LGBTQ people and more particularly transgender Black women.

Compiled direct donation links for individual Black Trans folks A compilation of direct donation links to Black trans people, including GoFundMes and CashApp handles. Email address on page to add to this list.

Below are the orgs you can support through the split donation form (on the right, if you're on a computer, or below if you're on a mobile device):

For The Gworls: This fund provides assistance to Black trans folks around travel to and from medical facilities, and co-pay assistance for prescriptions and (virtual) office visits. ⁣

Black Trans Fund: The first national fund in the country dedicated to uplifting and resourcing Black trans social justice leaders. BTF seeks to address the lack of funding for Black trans communities in the U.S. through direct grantmaking, capacity building support, and funder organizing to transform philanthropy.

Nationz Foundation: Provides education and information related to HIV prevention and overall health and wellness, while inspiring the community to take responsibility for their health while working towards a more inclusive Central Virginia for LGBTQIA+ identified individuals.

Trans Justice Funding Project: Supports grassroots trans justice groups run by and for trans people, focusing on organizing around racism, economic injustice, transmisogyny, ableism, immigration, and incarceration.

Third Wave Fund: An activist fund led by and for women of color, intersex, queer, and trans people under 35 years of age to resource the political power, well-being, and self determination of communities of color and low-income communities. Includes rapid response grantmaking, multi-year unrestricted grants, and the Sex Worker Giving Circle.

Unique Womens Coalition: The first Los Angeles based supportive organization for and by Transgender people of color, committed to fostering the next generation of black trans leadership from within community through mentorship, scholarship, and community care engagement work.

Black Trans Women Inc.: A national nonprofit organization committed to providing the trans-feminine community with programs and resources to help inspire individual growth and contributions to the greater good of society to meet its mission of uplifting the voice, heart and soul of black transwomen.

Black Trans Men Inc.: The first national nonprofit social advocacy organization with a specific focus on empowering African American transgender men by addressing multi-layered issues of injustice faced at the intersections of racial, sexual orientation, and gender identities.

SisTers/Brothers PGH: A transgender drop-in space, resource provider and shelter transitioning program based in Pittsburgh, PA.

Love Me Unlimited for Life: A catalyst that helps our transgender community members reach their goals and fulfill their potential through advocacy and outreach activities.

My Sistah's House Memphis: Designed to bring about social change within the Trans Community in Memphis, by providing a safe meeting space and living spaces for those who are most vulnerable in the LGBTQ+ community.

Black LGBTQIA Migrant Project: Builds and centers the power of Black LGBTQIA+ migrants through community-building, political education, direct services, and organizing across borders. BLMP is providing cash assistance to Black LGBTQ+ migrants and first generation people dealing with the impact of COVID-19.

Taja’s Coalition at St. James Infirmary: Empowers their community in navigating housing, medical services, legal services, and the workplace, as well as regularly training agencies in the SF Bay Area.

Marsha P. Johnson Institute: Helps employ black trans people, build more strategic campaigns, launch winning initiatives, and interrupt the people who are standing in the way of more being possible in the world for BLACK Trans people, and all people.

Black Trans Protestors Emergency Fund organized by Black Trans Femme in the Arts Collective : Supports Black trans protestors with resources like bail and medical care.

Black & Pink Bail Fund: A national prison abolitionist organization dedicated to dismantling the criminal punishment system and the harms caused to LGBTQ+ people and people living with HIV/AIDS who are affected by the system through advocacy, support, and organizing.

Black Visions Collective (MN): Black Visions Collective centers their work in healing and transformative justice principles and develops Minnesota’s emerging Black leadership, creating the conditions for long term success and transformation.

SNaPCo: A Black, trans-led, broad-based collaborative to restore an Atlanta where every person has the opportunity to grow and thrive without facing unfair barriers, especially from the criminal legal system.

Brave Space Alliance: Created to fill a gap in the organizing of and services to trans and gender-nonconforming people on the South and West Sides of Chicago, where very few LGBTQ advocacy networks exist.

Okra Project/Tony McDade and Nina Pop Mental Health Fund: Provides Black Trans people with quality mental health & therapy. Also addresses food security in Black trans communities.

House of GG: A nonprofit, founded by legendary trans activist Miss Major Griffin-Gracy, that is raising money to build a permanent home where Transgender people can come, feel safe, and be part of a growing network of Southern trans people who are working for social justice.

TGI Justice Project: TGI Justice Project is a group of transgender, gender variant and intersex people -- inside and outside of prisons, jails and detention centers -- challenging and ending human rights abuses committed against TGI people in California prisons, jails, detention centers and beyond.

Trans Women of Color Collective: TWOCC exists to create revolutionary change by uplifting the narratives, leadership, and lived experience of trans people of color.

Youth Breakout: BreakOUT! seeks to end the criminalization of lesbian, gay, bisexual, transgender, and questioning (LGBTQ) youth to build a safer and more just New Orleans, organizing with youth ages 13-25 who are directly impacted by the criminal justice system.

Translash: A trans-led project uses the power of individual stories to help save trans lives, shifting the cultural understanding of what it means to be transgender, especially during a time of social backlash, to foster inclusion and decrease anti-trans hostility.

TRANScending Barriers: A trans-led trans-issue focused organization whose mission is to empower the transgender and gender non-conforming community in Georgia through community organizing with leadership building, advocacy, and direct services.

My Sistah's House: A trans-led nonprofit providing first hand experience as well as field research to create a one-stop shop for finding doctors, social groups and safe spaces for the trans community, providing emergency shelter, access to sexual health services, and social services.

Dem Bois: A national organization with the mission to provide charitable economical aid for female to male, FTM, trans-masculine identified person(s) of color ages twenty-one years old and older for them to obtain chest reconstruction surgery, and or genital reassignment surgery in order to help them on their journey to live a more fulfilled physical, mental, and self-authentic life.

G.L.I.T.S: Approaches the health and rights crises faced by transgender sex workers holistically using harm reduction, human rights principles, economic and social justice, along with a commitment to empowerment and pride in finding solutions from our own community.

Emergency Release Fund: Aims to ensure that no trans person at risk in New York City jails remains in detention before trial; if cash bail is set for a trans person in New York City and no bars to release are in place, bail will be paid by the Emergency Release Fund.

HEARD: Helping Educate to Advance the Rights of Deaf Communities: Supports deaf, hard of hearing, deafblind, deafdisabled, and disabled (“deaf/disabled”) people at every stage of the criminal legal system process, up to and including during and after incarceration.

Black Trans Advocacy Coalition COVID-19 Community Response Grant: Works daily to end discrimination and inequities faced in health, employment, housing and education to improve the lived experience of transgender people.

Princess Janae Place: Provides referrals to housing for chronically homeless LGBTQ adults in the New York Tri-state area, with direct emphasis on Trans/GNC people of color.

The Transgender District: Aims to stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces.

Assata’s Daughters: A Black woman-led, young person-directed organization rooted in the Black Radical Tradition. AD organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services.

Collective Action for Safe Spaces: A grassroots organization that uses comprehensive, community-based solutions through an intersectional lens to eliminate public gendered harassment and assault in the DC area.

The Knights and Orchids Society (TKO): Strives to build the power of the TLGB community for African Americans throughout rural areas in Alabama & across the south, to obtain our dream of justice and equality through group economics, education, leadership development, and organizing cultural work.

The Outlaw Project: Based on the principles of intersectionality to prioritize the leadership of people of color, transgender women, gender non-binary and migrants for sex worker rights in Phoenix, AZ. Ensuring our rights and health as a first step will ensure the rights and health of all sex workers.

WeCare TN: Supports trans women of color in Memphis, TN, through education, and empowerment, with the goal to ensure that transwomen of color have the same equity and quality of life as envisioned.

HEARD (Helping Educate to Advance the Rights of Deaf Communities): Supports deaf, hard of hearing, deafblind, deafdisabled, and disabled (“deaf/disabled”) people at every stage of the criminal legal system process, up to and including during and after incarceration.

Community Ele'te (Richmond, VA) To establish unity, provide safe sex awareness and education, linkage to resources, emergency housing assistance, and empower the community to make positive lifestyle decisions.

TAJA's Coalition: An organization dedicated to ending violence against Black Trans women and Trans women of color based in San Francisco

Black Trans Task Force: (BTTF) is an intersectional, multi-generational project of community building, research, and political action addressing the crisis of violence against Black Trans people in the Seattle-Tacoma area.

The Transgender District: Aims to stabilize and economically empower the transgender community through ownership of homes, businesses, historic and cultural sites, and safe community spaces.

Trans Sistas of Color Project Detroit: exists to uplift, impact and influence that lives and welfare of transgender women of color in Detroit.

Black Trans Media (Brooklyn, NY): We are #blacktranseverything storytellers, organizers, poets, healers, filmmakers, facilitators here to confront racism and transphobia trans people of the diaspora committed to decolonizing media and community education

Garden of Peace, Inc.(Pittsburgh, PA): Centers black trans & queer youth, elevates and empowers the narratives and lived experiences of black youth and their caretakers, and guides revolutionary spaces of healing and truth through art, education, and mentorship.

House of Pentacles (Durham, NC): HOP is a Film Training Program and Production House designed to launch Black trans youth (ages 18-35) into the film industry and tell stories woven at the intersection of being Black and Trans. We have a simple mission: to train the next generation of Black trans storytellers and filmmakers, to leverage our brand to get Black trans filmmakers paid projects in their communities, and to pay Black trans trainees to work on HOP projects that further the stories of Black trans people globally.

Minnesota Transgender Health Coalition (Minneapolis, MN): is committed to improving health care access and the quality of health care received by trans and gender non-conforming people through education, resources, and advocacy.

RARE Productions (Minneapolis, MN): Arts and entertainment media production company for LGBTQ people of color that promotes, produces, and co-creates opportunities and events utilizing innovative artistic methods and strategies.

Baltimore Safe Haven: providing opportunities for a higher quality of life for transgender people in Baltimore City living in survival mode.

Transgender Emergency Fund of Massachusetts: recently helped organize a Trans Resistance Vigil and March through Boston, in place of the Boston Pride Parade that was cancelled due to COVID-19.

Semillas: In Borikén/Puerto Rico, our trans, gender non-conforming and queer communities are facing many obstacles to our survival, and not only due to Mariá.

Street Youth Rise Up: Our campaign is to change the way Chicago sees and treats its homeless home free and street based youth who do what they have to do to survive.

Trans(forming): A membership-based organization led by trans men, intersex, gender non-conforming people of color, to provide resources and all around transitional support.

#donation post #trans resources #signal boost #signal boooooost #black trans lives matter

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divineknowing2021 · 3 years

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viewing guide

At its core, divine knowing is an exhibition about knowledge, power, and agency. It’s become a more common understanding that governments, institutions, and algorithms will manipulate the public with what information they frame as fact, fiction, or worthy of attention. Though I am early in researching this topic, I've only come across a minimal amount of mainstream discourse on how the initial threat limiting our scope of knowledge is a refusal to listen to ourselves.

In a world faced with so many threats - humans being violent toward each other, toward animals, toward the earth - it can be a bit unsettling to release the reins and allow ourselves to bear witness for a moment, as we slowly develop a deeper awareness of surrounding phenomena and happenings.

divine knowing includes works by formally trained and self-taught artists. A majority of the artists are bisexual, non-binary, or transgender. Regardless of degree-status, gender, or sexuality, these artists have tapped into the autonomous well of self-knowing. Their artworks speak to tactics for opening up to a more perceptive mode of being. They unravel dependencies on external sources for knowledge and what we might recognize, connect with, or achieve once we do.

The installation Femme Digitale by Sierra Bagish originates from a series she began in 2017 by converting photographs of women that were taken and distributed online without the subject’s consent into paintings. Her practice at the time was concerned with female abjection. Sourcing images found via simple keywords and phrases (e.g., passed out, passed out drunk) she swathes a mass-circulated canon of internet detritus that articulates and produces aggression towards women. With her paintings, she circumvents the images’ original framing mechanisms and subverts these proliferated images through a sincere and personal lens.

These paintings divulge the blurred space between idolatry and denigration these online photos occupy, asking whose desires these images fulfill and what their propagation reveals about the culture producing them. While Bagish's work contends with political motivations, she also remains keenly observant of form and the varying utilities of different media.

“I use the expressive potential of paint as a vehicle to intervene and challenge ideas about photography as a harbinger of the real and everyday.”

Chariot Birthday Wish is an artist and angel living in Brooklyn. They have seen The Matrix 28 times in 2 years and love horses. The tarot series included in divine knowing is their most intuitive project, something they revisit when unsure of what to work on next. The Major Arcana are composed of digital collages made from sourced images, the Minor Arcana are represented by short, poetic, interpretative texts about the cards. The series is played on shuffle, creating a unique reading for each viewer. This is a work in progress that will eventually finalize as a completed deck of digital collages available for purchase.

Chariot's work emerges from a constant consideration of apocalypse and connection. They reference technology in tandem with nature and a desire for unity. Underneath their work's surface conversation on beauty, care, and relationship exists an agenda to subtly evoke a conspiratorial anti-state mindset. Through a collective imagining of how good things could be and how good we want them to be, we might be able to reckon with how bad things are in contrast.

“I think about texting my friends from the middle of the woods...

Humans are a part of nature and we created these things. There's this Bjork quote where she says that "You can use pro tools and still be pagan." I'm really into the idea of using technology as a tool for divination and holy connection with nature. I imagine a scene; being in moss, it's absolute bliss, and then the connection of texting, sharing an image of moss with a friend, sharing that moment through cellular towers.”

The album "adding up" by thanks for coming is composed of songs Rachel Brown wrote during what they believe to be the most challenging year of their life. Rachel now looks back on this time in appreciation, recognizing they grew in ways they had never imagined. The entire year, they were committed to following their feelings to wherever it may lead.

“If I hadn't been open to following the almost indiscernible signs I was being sent, then I would have missed out on some of the most important moments in my life.”

Kimberly Consroe holds a Masters in Anthropology along with degrees in Archaeology, Literature, and History. She is currently a Research Analyst at the US Department of Commerce. Her artwork is a passionate escape from a hectic professional life and touches on themes of feminism and nature.

Her works begin as general ideas; their narrative complexity growing with the amount of time she invests in making each one. Her decoupage process starts with cutting hundreds, if not thousands, pieces of paper. The accumulation of clippings sourced from vintage and current-day magazines overlap to tell a story. In Domestication, Kimberly borrows submissive female figures from found images of Ryan Mcguinness's work and places them in a position of power.

“I believe intuition is associated with emotion and experience. It is wisdom and fear, empathy and outrage, distrust and familiarity. It is what we know before we know it. This relates to my artwork in that, from beginning to end, there is never one complete idea concerning the outcome: it is a personal journey. It emerges from an ephemeral narrative that coalesces into a definitive story.”

Anabelle DeClement is a photographer who primarily works with film and is interested in relationships as they exist within a frame. She is drawn to the mystery of the mundane. Intuition exists in her practice as a feeling of urgency and the decision to act on it --- a drive often used to describe street photography where the camera catches unexpected moments in an urban environment. Anabelle tends to photograph individuals with whom she has established personal relationships in a slow domestic setting. Her sense of urgency lies in capturing moments of peak intimacy, preserving a memory's informal beauty that otherwise may have been forgotten or overlooked.

Gla5 is a visual artist, poet, bookmaker, production designer, and educator. Play is at the center of their practice. Their process is an experimental one embracing impulse and adventure. Their compositions are informed by relationships among bodies of varying shapes, materials, and densities. Interests that come up in their work include a discernment between symbols and non-symbols, dream states, the portrayal of energy in action, and a fixation on forms such as cups, tables, and spoons.

“I generally think of my work as depicting a layer of life that exists underneath what we see in our everyday lives.”

Gladys Harlow is a sound-based performance artist, comedian, and activist who experiments with found objects, contact mics, textures, range, analog formats, present moments, and emotions. Through raw, avant-garbage performance art, they aim to breakdown societal barriers, abolish oppressive systems, and empower communities. Gladys was born in Queens, NY, raised in Miami, FL and has deep roots in Venezuela. Currently haunting in Philadelphia, PA, Gladys is a founding member of Sound Museum Collective. SMC holds space for reconstructing our relationships to sounds by creating a platform for women, nonbinary, and trans sound artists and engineers.

Street Rat is a visceral exploration of the mysteries of life. Attempting to bring heavy concepts to your reality, it is the eye on the ground that sees and translates all intersecting issues as they merge, explode, dissolve, and implode. Street Rat is Gladys Harlow's way of comprehending, coping, feeling, taking action, disrupting the status quo, and rebuilding our path.

All Power To The People originated as a recorded performance intended to demystify sound by revealing the tools, wires, and movements used to create it. All Power To The People evolved into an installation conceived specifically for this exhibition. The installation includes a theremin and oscillator built by Gladys, a tarot deck they made by hand, and books from the artist's personal collection, amongst other elements. Gladys has created a structure of comfort and exploration. They welcome all visitors of divine knowing to play with the instrument, flip freely through the books, and pull a tarot card to take home.

Phoebe Hart is an experimental animator and filmmaker. A majority of her work is centered around mental illness and the line between dreams and reality. Merry Go Round is a sculptural zoetrope that changes in shape and color as it spins. Its form is inspired by nature and its color by the circus. The video’s sound was produced by Hayden Waggener. It consists of reverbing chimes which are in rhythm with the stop animation’s movement; both oscillate seamlessly between serene and anxious states.

“I often don't plan the sculptures or objects I am fabricating, there is a vague image in my mind, and my hands take care of the rest. I find that sometimes overthinking is what can get me and other artists stuck. If I just abandon my judgments and ego, I can really let go and create work that feels like it came inherently from me.”

Powerviolets is the solo project of multi-instrumentalist Violet Hetson who is currently based in New York. After experiencing several false starts while bouncing coast to coast, recording and performing with several lineups, Hetson has finally released her debut album. ~No Boys~ namesake is a sarcastic sign she hung on her suburban CT teenage bedroom door. Violet Hetson grew up primarily listening to punk and hardcore. She parses elements of these genres with influences from bands such as X and Suburban Lawns. ~No Boys~ takes a softer, melodic approach to Hetson's punk roots. Powerviolets' music is linear, unconventional, dark, and airy with a sense of humor.

Mary Hunt is a fiber artist specializing in chain stitch embroidery. This traditional form of embroidery uses vintage machinery and thick thread to create fibrous art and embellishments. They use an approach called "thread painting," which requires each stitch to be hand guided by the turn of a knob underneath the table while the speed of movement is controlled by a foot pedal. Chainstitch works can take anywhere from 20 minutes to 200 hours, encouraging a slow and thoughtful process. Mary uses a Cornely A machine, made in Paris more than 100 years ago.

“I think we are sent messages and guidance constantly. Our intuition is simply our ability to clear the path for those messages. The largest obstacles on my artistic path are usually self-imposed negative thoughts. I simply do things to take care of my spiritual well-being, first and foremost, and the rest follows. If I can trust the universe, trust the process, then I am much more likely to listen to the messages sent my way.”

Jes the Jem is a multi-media artist working with acrylic, watercolor, mold clay, and whatever else she can get her hands on. She uses vivid color to bring joy into the lives of those who view her art. Jes the Jem has experienced a great deal of pain in her life. Through that unique displeasure, she has been gifted a nuanced perspective. She aims to energize the present while paying homage to the past events that shape us. In her art, her life, and her interpersonal relationships, Jes the Jem appreciates the gift of all of life's experiences.

“The pursuit of happiness and understanding is instinct.”

Pamela Kivi pieces together visual scraps she has saved over the years, choosing to fuse them at whatever present moment she sees fit. Her work reflects on creative mania, fleeting emotions, and memories. Pamela's collages are a compilation of unexpected elements that include: old notebooks, cut-outs, text messages or Facebook message conversations, nostalgic cellphone photos, and visual materials she has chosen to hold onto. She prints out, cuts up, scans, edits, repeats. Pamela's artistic practice is deeply personal. It is a submittal to the process of dusting things off until a reflection can be seen, all enacted without an attachment to the end result.

“I rely on intuition and whatever state of mind I am in to whisk me away. In life, I often confuse intuition with anxiety- when it comes to creative work, I can decipher the two.”

Through sobriety, Kendall Kolenik's focus has shifted toward self-discovery and shedding old adaptive patterns, a process that led her to a passion for helping others heal themselves too. In autumn, she will begin her Masters in Social Work at Columbia University.

“I love how when I'm painting my self-doubt becomes so apparent. Painting shows me exactly where my doubt lies, which guides me towards overriding it. When I paint something and lean into doubt, I don't like what comes out. When I take note of the resistance and go with my gut more freely, I love it. This reminds me of my yoga practice. What you practice on the mat is a metaphor for how you show up in life. By breathing through the uncomfortable poses on the mat, you learn to breathe through challenging life moments.

I think we all grow up learning to numb and edit ourselves. We are taught not to trust our feelings; we are told to look outside ourselves for answers when we already have a perfectly good compass within. Painting is an archway back to that for me - rediscovering self-reliance and faith in my first instinct. When I'm creating these rainbow squares, sometimes I move so fast it's like something else is carrying me. I sort of leave myself and enter a trance. Like how you don't have to tell the heart to beat or the lungs to breathe - thinking goes away and I can get so close to my knowing that I become it. I love how art allows me to access my love for ambiguity, interpretation, and an interpretation that feels closer to Truth. I find no greater purpose than guiding people back to safety and reconnecting them with themselves. The most important thing to ever happen in my life was when I stopped trying to deny my reality - listening to your intuition can be like a freefall - no one but you can ever know or tell you - it is a deep trust without any outside proof.”

Lucille Loffredo is a music school dropout, Jewish trans lesbian, and veterinary assistant doing her best to make sure each day is better than the last. Lucille tries to find the music rather than make it. She lets it tell her what it wants to do and what it wants to be. The Wandering EP was in part written as a way to come out to herself. She asks all listeners to please be gentle.

“Change will come, and it will be good. You are who you think you are, no matter how far it seems.”

Whitney Lorenze generally works without reference, making thick, graphic pictures with precise forms conceived almost entirely from her imagination. Images like a slowly rolling car crackling out of a driveway, afternoon sun rays shining through a cloud of humidity, or headlights throwing a lined shadow across a black bedroom inspire her.

“As it concerns my own practice and the creation of artworks generally, I would define intuition as the ability to succumb to some primal creative impulse. Of course, this implies also the ability to resist the temptations of producing a calculated or contrived output.”

Ellie Mesa began teaching herself to paint at the age of 15, exploring landscapes and portraiture. Her work has evolved into a style of painting influenced by surrealism where teddy bears will morph into demons and vice versa. Her work speaks to cuteness, the grotesque, and mystical beings. The painting "Kali" is an homage to the Hindu goddess of creation, destruction, life and death. This was Ellie's first painting after becoming sober and is an expression of the aforementioned forces in her own life. Through meditations on Kali, Elli has been able to find beauty in the cycle of love and loss.

“To me, intuition means doing the thing that feels right whether or not it's what you want it to be. When I'm painting or making a sculpture, I give myself the freedom to follow what feels right, even if that means starting over or changing it completely. I allow the piece to present itself to me instead of forcing something that doesn't want to be.”

Mari Ogihara is a sculptor exploring duality, resilience, beauty, and serenity as experienced through the female gaze. Her work is informed by the duality of womanhood and the contradictions of femininity. In particular, the multitude of roles we inhabit as friend, lover, sister, and mother and their complex associations to the feminine perspective.

“Intuition is an innate, immediate reaction to an experience. While making art, I try to balance intuition, logic, and craftsmanship.”

All Of Me Is War by Ames Valaitis addresses the subconscious rifts society initiates between women, estranging them from each other and themselves.

“It is an unspoken, quick, and quiet battle within me as the feeling of intuition purely, and when I am making a drawing. I am immediately drawn to poses and subject matter that reflect the emotion inside myself, whether it is loud or under the surface. If a line or figure doesn't move me, after working on it for a few minutes, I get rid of it. If something looks right to me immediately, I keep it; nurture it. I try to let go of my vision, let my instinct take hold. I mirror this in my life as I get older, choosing who and what to put my energy into. The feeling is rarely wrong; I'd say we all know inherently when it is time to continue or tap out.”

Chardel Williams is a self-taught artist currently living in Bridgeport. Her biggest inspiration is her birthplace of Jamaica. Chardel views painting as a method for blocking out chaos. Her attraction to the medium springs from its coalescence of freedom, meditative qualities, and the connection it engenders. rears.

“Intuition for me is going where my art flows. I implement it in my practice by simply creating space and time to listen. There are times when what I'm painting is done in everyone else's eyes, but I just keep picking at it. Sometimes I would stop painting a piece and go months without touching it. Then, out of nowhere, be obsessed with finishing. I used to get frustrated with that process, but now I go with it. I stopped calling it a block and just flow with it. I listen because my work talks.”

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kindred-is-obsessed · 5 years

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Reasons you should be watching Craig of the Creek

Not enough people are watching this wonderful show, so I thought I’d do my best to introduce people to it. It’s made by former Steven Universe crew Ben Levin and Matt Burnett, so if you’re missing Steven Universe while it’s on hiatus this is a great way to keep away the hiatus blues, or if you just enjoy in cartoons. It’s great for a whole list of reasons, which broadly fall into the two categories of great representation and great storytelling:

Canonical queer representation

- The witches premiere in the episode The Curse. If you aren’t sure if you want to watch this whole show definitely watch this one at least! It’s my absolute favourite not least of all because it’s about teen goth girls in love. It has a sequel The Last Kid in The Creek which is also wonderful, and the witches cameo throughout the series. I don’t want to spoil too much but The Curse is essentially about the two not wanting to be separated and struggling to admit their feelings for each other. (Spoilers: they do and walk off alone, blushing, staring at each other lovingly, while the kids aww at them)

- Bernard and his girlfriend watch a cooking show hosted by a gay couple.

- Other cameos, hints and coded queer kids such as JP’s sister (who has fancy dinner reservations with Kat, a woman with a shaved head who compliments Kelsey’s fake sword). There’s also Raj and Shaun (two very close friends), as well as several very boyish tomboys, including Handlebarb and Turner.

- All public bathrooms I’ve spotted in the show have gender neutral signs on them which is nice.

POC representation

- Craig, the main character, is black and has a loving family explored in depth, including an activist grandmother working for the council, a wise and fun grandfather, a supportive fun dad who loves his amazing wife, an adorable assertive little sister, and an angsty overachieving older brother who just wants to be a good grownup who loves his family and girlfriend.

- There are MANY characters of colour. There are black and brown characters, Raj is Indian, Stacks is Hispanic (and it’s implied she is an immigrant), there are several Asian characters, Kelsey is Hungarian and Jewish, a persistent background character wears a hijab (I’m pretty sure she was named at some point but I can’t find her name anywhere. She definitely has lines at one point). I’m sure there are others I have missed. No one is a stereotype as far as I am aware.

Subtle neurodivergent representation

- JP is possibly on the autism spectrum. I’d love neurodivergent people’s opinions on this, but while the representation isn’t canonical or obvious I think it’s good that while JP is represented as having different thought processes from his friends, he isn’t made fun of for it, at least not by them. It’s noteworthy I think that he’s the eldest of the core trio, probably because he finds it easier to relate to younger people who still share his imagination and care less about his unique way of thinking. His neurodivergence is explored most explicitly in the episode Jextra Perrestrial, so if you’re interested in this kind of representation definitely check that episode out.

Non-nuclear family representation

- While the main character is a member of the typical nuclear family you see on TV (except black, and actually interesting) most of the other families we see are not.

- JP is raised by his mother and older sister. His father is never mentioned and their house is definitely in worse condition than the others we see. His family works hard to take care of each other. His sister is a nurse and both her and her mother are away a lot of the time, but they both love JP very much. JP’s sister also happens to be really openly body positive. I love them a lot.

- Kelsey’s father is an only parent. There’s still a lot of mystery surrounding how Kelsey’s mother passed away. It’s a very subtle but important part of Kelsey’s character and comes through in really bittersweet adorable ways (not limited to Kelsey using her “half-orphan”ness to guilt trip a man into giving her money)

- Other kinds of families are scattered throughout the show, including families that move around a lot, a home-school kid with a strict mother, and more.

Unique approach to fantasy and sci-fi

- You know how most kids show will take a kid’s fantasy and bring it to reality? Well Craig of the Creek keeps the fantastical and nostalgic element of that line of thinking but never confirms or denies whether the kids fantasies are real or in their heads. And not in a Scooby Doo way where the fantastical elements are explained away, but are hinted as a possibility right at the very end. Instead, two perspectives (the fantastical perspective and the realistic perspective) are woven into every episode.

- This means there are two ways to interpret every episode. You can view the witches as real witches, or as goth teenagers. You can view Helen as a kid from another dimension, or a home-school kid who is never at the creek at the same time as the other kids. You can view Deltron as a cyborg from the future, or as an imaginative kid from a big city.

- This is super unique and fun to watch. They come up with so many new ideas and its always fun to figure out what’s actually happening, while still getting to relive childhood fantastical nostalgia.

- Almost all of these episodes use this to talk about an issue, but these issues can get quite complex and are definitely not shoved down your throat.

Overarching mystery plot about a colonialist kingdom / cult

- Love the slow burn storytelling of Steven Universe’s Diamond Authority? Love putting together the mysteries of Gravity Falls? Then you’ll love this plot about colonialism, classism, bullying, peer pressure and more and its mysterious build up including cryptic graffiti art and flower symbolism.

- Even before this arc properly begins, Craig of The Creek primarily centers around the microcosm of the Creek. Many of the episodes have a lot of commentary on society, politics and how different factions of people form and interact.

- The show is over 50 episodes in and this arc is only just starting to kick off so now is the time to catch up and watch.

- Fun complex villain(s)

Complex relatable characters

- Want commentary and nostalgia about horse girls, children’s tea parties, weird kids, angsty teens, young weebs, dweebs and more!? Every childhood obsession is represented in this show.

- Adults! All the parents and older teens in this show are just as rich and complex as the kids. They are all so interesting and fun.

- Want characters with arcs, aims, fun relationships and complexity!? Look no further! Redemption arcs! Revelations! Found family! It’s all here!

Great art and soundtrack

- Cute background and character designs that make you nostalgic as hell and are also beautiful and well thought out.

- Sometimes the art design is changed up for a particular episode to portray a certain fantastical / sci fi element. It’s very fun and engaging.

- An opening song that’s fun to sing along to, bittersweet ending song that makes me want to cry, a couple of musical episodes including a super fun rap musical episode, and a great OST

Queer headcanons

- There are tons of ways to interpret the show but here’s some of my head canons just to get an idea.

- (Note that despite my headcanons I use the pronouns for the kids that they use in the show cause I’m not certain about any of it and they’re kids who haven’t come out yet and also for clarity and consistency’s sake – I’m not saying trans people are not their genders. Don’t worry I’m nonbinary)

- I headcanon that all the main trio grow up to realise they are queer. They strike me as that weird group of friends that doesn’t fit in with the other kids and aren’t quite sure how they all came to be friends, only to later realise they all showed early signs of breaking gender roles and that’s why they stuck together.

- Craig definitely grows up to realise he’s gay, bisexual or queer. His admiration for characters like Deltron and Green Poncho are definitely crushes that he mistakes for a strong sudden and eager desire for friendship.

- Kelsey probably grows up to realise she is nonbinary, a trans boy or a WLW. I mostly headcanon this because I relate to her a lot and I’m nonbinary and queer so I said so. She reminds me a lot of myself as a kid. She throws herself into books, mostly fantasy for escapism. She fantasises and writes a lot for the same reasons. She dresses like a tomboy (She always wears her hair up in the same bun which strongly reminds me of my own childhood hair dysphoria) and she hangs out solely with male friends.

- JP gives me strong trans lesbian vibes, or to a lesser extent nonbinary vibes. (I know his sister is WLW coded but take it from me there can be more than one queer in a family). He is interested in girls, specifically Maney the horse girl (he even joined the horse girls for one episode). He wears a long V-neck shirt that is essentially a dress ALL the time. He’s aware that he’s different and while self conscious sometimes, mostly just wants to express himself the way he wants to. He also chooses to go by initials JP over his very gendered name Johnathan Paul (In a recent episode he names a ship after himself, calling it “The SS Johnathon Paulina”).

- (Sidenote if you do start watching this show and I see any nasty shipping of these characters in non puppy-love fashion so help me god)

Other reasons

- The show is at times very intertextual and references Princess Mononoke, Super Smash Brothers, Sailor Moon, Lord of the Rings, and a billion other things. It also has some fun cameos, including background images of the Tres Horny Boys from The Adventure Zone, a TARDIS from Doctor Who, and a Cookie Cat from Steven Universe.

- Honestly, this post hasn’t done the best job explaining why I love this show so much. You honestly just have to watch an episode to understand fully what I’m talking about, so give it a go! Watch The Curse at least, it only goes for 10 minutes.

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bigforeheadgaaal · 5 years

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Five Black queer and trans women carrying our liberation forward, each of them representative of vital work around race, sexuality, gender, class, and beyond. For the occasion, Mock selected our “Mothers,” Miss Major Griffin-Gracy, who rose up at Stonewall and is still fighting, and Barbara Smith, legendary Black lesbian feminist from the ‘60s to today. Joining them are our Daughters — Tourmaline, the artist best known for immortalizing and honoring the icon Marsha P. Johnson; Alicia Garza, the queer woman who coined the term Black Lives Matter; and Charlene Carruthers, who’s literally writing the book on modern, intersectional queer feminism.

Miss Major has dedicated 50 years of her life to organizing for trans women of color. She is a veteran of the Stonewall riots, a survivor of Attica Correctional Facility, and the founding executive director of Transgender, Gender Variant, Intersex Justice Project (TGIJP), a nonprofit that centers and supports trans, gender-nonconforming, and intersex people in and out of prisons, jails, and detention centers. And when most wept at the election of Trump, Major persevered in her retirement, moving from the comfort of home in San Francisco to Arkansas, where she heard a call to help the trans community build a stronger movement. In Little Rock, she’s building the Griffin-Gracy Education Retreat and Historical Center, lovingly known as the House of GG.

Born and raised in Roxbury, Massachusetts, Tourmaline’s mother, Maureen Ridge, and late father, George Gossett, worked in the Labor and Black Power movements, respectively. With their influence, she developed a deep commitment to social justice and empowering marginalized people. As a college student, she became particularly drawn to the experiences of incarcerated, queer, and trans people. This led to her dedicating much of the last 15 years organizing with New York-based LGBTQ+ organizations like FIERCE and Sylvia Rivera Law Project, teaching at Rikers Island, and working with elders like Miss Major. “For a lot of trans, nonbinary, and gender-nonconforming people of color, we didn't [initially] know about the prior generation of activists because their stories had been erased,” she says. “I think about not just people being pushed out of the movement, but how did HIV and AIDS — like criminalization, not just the epidemic — play into the erasure of us ever knowing of so many people who came before us?

It was July 2013 when the world encountered a brilliant, powerful assemblage of words that would come to define a generation. Alicia Garza gifted Black millennials the rallying cry #BlackLivesMatter in the aftermath of George Zimmerman’s acquittal in the murder of 17-year-old Trayvon Martin. She unleashed the power of digital activism to create a movement and revealed to us that a hashtag, a post, an image, and a video shared online could change the course of history.

Before joining forces with community organizers Patrisse Cullors-Khan and Opal Tometi, Alicia’s work had already spanned nearly two decades. Drawing inspiration from her childhood growing up in a household with a single mother, the lifelong Californian began her early work with an emphasis on reproductive justice. Since then, she has been able to see how the pieces of seemingly disparate issues like economic justice, students’ rights, and police brutality are all intertwined in the fight against state violence.

Last July, I witnessed Charlene Carruthers, drenched in sweat and filled with anguish, command the attention of a large crowd in response to the fatal police shooting of 37-year-old Harith Augustus, a Black Chicagoan. I saw the faces of so many activists — including attendees from that year’s Black Youth Project 100 convening — watching her as she chronicled the latest updates from Augustus’ family and friends. With determined eyes, a bullhorn, and an electrifying voice, she invited those who knew the slain man to share about who he was and why they loved him. After hours of rallying and gathering resources for protesters (like ice, milk, and first aid), it felt as if we all breathed a collective sigh of relief. She calmed us while spurring a fire in our hearts.

This was Charlene in action, demonstrating true, remarkable leadership in one of her last months as BYP100’s first National Director. After assuming the role in November 2013, she laid the foundation for the member-based organization to become a queer, feminist political home for young Black activists. She inspired robust dialogue on eschewing the patriarchy and rigorous praxis of accountability. And within its first five years under her leadership, BYP100’s membership (and leadership) swelled, resulting in eight chapters throughout the United States.

Like many feminists, I met Barbara Smith on the page. I read the “Combahee River Collective Statement,” which she co-authored, in a women’s studies course. I did not take note of her name. I was not compelled to research her beyond the merits of the collective, a group of Black feminists and lesbians who gathered and organized in Boston in 1974. She did not call attention to herself; instead, she did the work, as part of a team. Her work speaks to that mission: to bring her sisters to the page and the work, by creating platforms, documents, and publications that would remain long after they had gone.

In her 72 years, Barbara not only cofounded the Combahee River Collective, she helped build a visible Black feminist movement during a period when one did not exist. “Virtually everything I have done has been in service of that mission,” Barbara says, from teaching one of the first courses on Black women writers in the United States in 1973, to building the field of Black women’s studies by asserting that there was and could be such a thing, and cofounding Kitchen Table: Women of Color Press in 1980, the first United States publisher for all women of color to reach a large national audience, which published the second edition of the beloved and groundbreaking anthology This Bridge Called My Back. “Arguably, the history of Black women’s organizing would be very different if none of these interventions had occurred” .

#black women #black lgbt

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