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#wb gotham
an-actual-floof · 5 months
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TW: BLOOD beneath the cut
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something something toxic gay ppl. u know how it is
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comicsiswild · 6 months
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Batman: Gargoyle of Gotham (2023) #1
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hotstreak2k3 · 5 months
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Batman Beyond premiered 25 years ago today on January 10, 1999.
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gebo4482 · 2 years
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Why Gotham Knights Created an Older, Wiser, More Dangerous Harley Quinn (ign.com)
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Red Hood
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mcphotovirtual · 8 months
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kingmlem · 1 year
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I don't care what anyone says.
This:
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Is a literal sweetheart. Y'all are just mean.
No, I will not:
Be taking criticism
Shut up about this
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arcadebroke · 2 years
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parasitehead · 2 years
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Gotham Knights ▸ [01/?] ↪ The Iceburg Lounge ☂
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exquisitedudes · 1 year
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moonbasetycho · 6 months
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Favorite Batgirl costume in Gotham Knights.
This may or may not be because it reminds me slightly of Zoltar from Battle of the Planets
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an-actual-floof · 6 months
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coming out as a gotham enjoyer
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straightouttablackgate · 11 months
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werewolf-cuddles · 2 years
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Apparently Russian voiceover and subtitle options are being removed from all versions of Gotham Knights.
I'm sorry but... how is this supposed to help people in Ukraine exactly?
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incarnateirony · 2 years
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*Dips glasses in Corporate Oil and looks around*
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Alright guys. Let's do this, let's talk about where we really are, developmentally. With the WB, CW, The Winchesters and Gotham Knights (this piece will admittedly focus most heavily on Winchesters, as I know more about its actual development than GK, but the corporate elements of WB will apply to it).
All of it. Because you guys have come to realize there's a lot behind the veil.
Has anyone been watching the Snydercut battle in DC? This seems like a random place to start with for Supernatural, but I promise you, it's critical in understanding what's happened, where we've been, where we've traveled and where we can possibly head from here.
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So how is it DC ended up here, and how is it relevant to Supernatural?
Everyone's entitled to their own view of media within reason, depending on their aggression about it proportionately in relation to the actual content and what it is beyond what it's fought about. Personally, I always found Snyder's stuff reductive to characters and just mindlessly operating on rule of cool, but some dudes liked it. So when the first hollering started, I thought, good for you, voice what you believe.
But they never shut up. Instead, they amplified, they got more shrill, all points were taken to the seventeenth degree, VERY bizarre and lowkey threatening videos were made. On and on and on and on and on.
And now they're acting surprised that after literal years of it, the new CEO wants them to shut the fuck up and considers it all a mistake. Gee, I wonder what gave him that fucking idea.
OK. Cool. So anyway, remember the S12 market testing? The stuff I was posting about in S12, that everyone from Patrick to Mary Manchin argued with me about until years later we figured out how to safely clear the receipts without anybody getting blown off the planet with lawsuits?
2016 was leaning closer to modern TV. Closer to the representation demands the younger teen audience generally sets and demands, assuming it will be present on all products. We were leaning that way. So why would, say, Dean and Cas need market testing?
Well, perhaps, it's because in season 9, shortly after Carver recovered the property from near cancellation into being CW's #1 hit above all, the Destiel fandom decided to monkey climb some oblivious business suit without any context of the development chain leading Destiel to where it was at that point. They harassed him until he deleted twitter, they ran multiple articles trying to burn the property down as queerbait, then when the S10 packets dropped with a new sexuality section declaring everybody straight, and everything hit lockdown, they made fucking confused noises and called it Victim Blaming to point out any sort of liability in the dramatic lockdown.
But listen, Chad Kennedy does not fucking care what you think is fair or equitable. He cares about money, his properties, and NOT being torn apart by little shitheads on twitter. For god's sake, his name is fucking Chad, how did you guys expect a Corporate Chad to react.
Less stupid fans had put together books of stats, demographics, and LGBTQ or general audience testimony to package off to elite names in that same S9 year, only for one to survive and move into the room, and be shared by a new showrunner named Dabb, at the same time market testing coincidentally began.
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It was already a contentious topic. Turning around a 2005 behemoth that is distinctly not packaged as LGBTQ ware is harder than turning around the titanic and even what berens accomplished was impressive in perspective. I hate market segregation as much as anybody, but it's a reality.
You know what else is a reality?
That the Winchesters is branded as an LGBTQ property out of the gate, as is the developing studio running it, with permission to use the IP, and the potential namesake character there may be reservations over is played by that same studio owner, with 15 years of history.
Zaslav just completely wiped out the upper ranks at WB. Roth had already left and Zaslav called him back personally. Roth, Jensen's mentor, is directly advising Zaslav on properties. So genuinely speaking, who is more qualified than the managing production house owner with 15 years experience with this content and particularly this character to make decisions on what to do with that character, if Roth tells Zaslav to just let Jensen do what he do.
This is a real potential in the air. Other corporate shakeups in the past have sort of been [rolls the dice] "maybe they're not dicks???? no????" but this time there is actually a path through the woods.
Beyond even the queerness of it, the entire structure of the Winchesters is very revealing of how much Roth warned Jensen.
For all the chicken little nonsense about Nexstar aging up, they're actually taking the alternative path I had implied other media outlets were missing, which is instead diversifying the age bracket of content while rotating in things closer to pre-merger CW like (hopefully black) sitcoms. Their new statement is "give us the new, but also give us what we would have had old". They've stated they intend to stay on genre TV but the age restriction isn't just for kids, the content and budget will be more targeted.
Congrats, we're getting something not just mass produced swill, but things WB is banking its entire network TV future on.
Depending on the response to what properties they chose to order, this is them fighting for their rights to timeslot on Nexstar before Nexstar reappraises 2023-2024 content from other sources being brought in. This is why, for example, Misha commented on the size of GK's budget compared to normal, or why Winchesters had enough time, and budget, to reshoot, which SPN never ever fucking had.
Roth warned Jensen. Because for all the confused noises fandom made about "Why John Mary?" it's actually simple if you think about the world beyond yourself. If you go "maybe other people are different than me?" well.
The 70s. A fanciful, whimsical time. the 50+ audience will live for it. And even with shit like Carlos because they remember the 70s they'll remember their gay friend carlos too. But the cast is young and vibrant and queer to bring in new blood and generations, and Dean (and the eventual others) will be there for the older, middle-aged if you will fans that grew with the series.
Roth warned Jensen. Because Jensen built the perfect product to survive the diversification demands of CW/Nexstar. And made the next potential packaged truly viral product to match its forebearer. And all in a time that Zaslav is searching for strong franchises.
Don't know how far, exactly, we'll get to go but we've never had such a clear path there before. There's a possible path through the woods and we're on it with Dean, looking through the haze to see what light is at the end of the road.
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Gotham is also getting the benefit of this to some extent, but Gotham is not itself the launch of a franchise as much as a safe bubble in which to use an existing franchise during a tumult. Both are important in different ways, and both are WB's future stake in TV network share or full collapse into digital by 2025.
"We must see the bigger picture. Even in the darkest hour, our light is waiting to guide us."
-- Supernatural 15x15, Gimme Shelter
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Mornings in the Belfry
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