Yuri 👍🏻
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I want to post this here too because I’ve seen it happen a few times
Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use
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λυκάνθρωπος / Μινώταυρος
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I've been on a bit ob a Russell Crowe movie binge in the past few weeks and since he is almost sixty now, many of the movies I've watched were consequently older movies. and when I watched them, it struck me again, how much hollywood has changed in the last few decades when it comes to depicting men.
take Gladiator for example from the year 2000. Russell Crowe plays basically an action hero in it. he is a big, muscly dude, who is very strong and uses that strength to defeat his enemies. and this is what he looks like:
looks like a strong man, right?
in the same year, Hugh Jackman as Wolverine looked like this in the first X-men movie:
in 2013 the same character played by the same actor looked like this:
it's a bit much, isn't it? I mean, he looks so skinny.
and if we go even further back: look at what the womanizer character Face from the A-team looked like in the 80s show vs the 2010 movie reboot:
maybe the difference isn't that big but it really startled me when I watched that movie for the first time. in my mind there was no reason why Face should be particularly muscular since he is the charming one not the one known for being particularly strong.
if we go even further back, look at the charmin womanizer character Hawkeye in M*A*S*H from the 70's.
I know he's a doctor and there is no reason for him to be ripped but I got the feeling if they did the show now, he would be.
I don't know what my point really is I'm just saying I got a bit nostalgic when watching these men. I cannot be the only one who'd rather see more of this:
than this:
also, as a sidenote: Russell Crowe gained a lot of weight for the nice guys and he is a fucking powerhouse in that film, like, when he punches someone, you really feel it because of the weight that is behind it and the shere mass of his body.
(even if this may look different, he's about to break Ryan Gosling's character's arm. I couldn't find a gif of him punching someone but I swear it looks painfull as hell.)
so, in short: can we get big, heavy action guys back? cause I'm tired of seeing these skinny, despite being muscular dudes who look dehydrated as hell and on steroids.
and can we stop making characters ripped just for the sake of it? cause I'd rather cuddle with a guy looking like Hawkeye than one looking like Face from the new A-team movie.
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The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.
Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?
Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.
And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.
When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.
The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.
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neil gaiman and RTD are absolute legends for being the showrunners of 2 mainstream shows funded by large production companies in the year 2023, and proceeding to make the most queer positive episodes ever seen by man
meanwhile david tennant is just vibrating with joy because he gets more opportunities to wear his one-thousand-and-twenty-four pride pins
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dazai making up a whole language with fyodor that no one else can understand is amazing but imagine him using codes that, very objectively speaking, you could crack, it's just that no normal person would ever make the insane leaps in logic that it requires. except for someone familiar with dazai's weird thinking patterns, that is.
i just love the idea of dazai's unhinged antics being dialed up to an eleven when he was in the port mafia, and oda being the only one who simply wouldn't bat an eye at it but chuuya was the only one who would actually get it.
like imagine ango at the end of the jailbreak, his boss saying he should allow himself to sigh and lean back and maybe indulge himself, pat him on the shoulder, tell him what he pulled off reading heart rates wasn't easy and he should be proud for being able to keep up with such a plan
but ango i-drank-with-teenage-dazai-and-also-had-the-records-for-every-soukoku-mission sakaguchi can only remember the time dazai was like using greek sign language through his breathing patterns to communicate from a submarine from beneath the pacific ocean or something, and chuuya could not fathom how no one else could understand him.
and that was the day mori signed off on skk being exclusive partners because every subordinate in the room was crying tears of blood by the time chuuya finished explaining which blood pressure level was warning them about a bomb, which blinking sequence was him conveying the vault password and which series of inhales was just him calling mori a bitch.
(ango also pointedly did not want to think about how smug dazai had looked after the mission when mori confirmed skk would only be each others' partners for efficiency and to maintain everyone else's sanity
or about how when he called chuuya to tell him about dazai's prison break scheme he could only get like 3 out of 276 steps into the plan before chuuya rolled his eyes, said "got it" then hung up and pulled the whole thing off without a hitch.)
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I've always been curious to know this about the people around me. Most people have been in severe pain, but in my experience few have had what they would say is their 10/10 experience. I guess it's just something I find fascinating, as I had my 10/10 experience quite young and I sometimes forget that not everyone has. In my opinion it changes your relationship with pain and how you engage with it afterwards. If you answered yes, feel free to elaborate on your circumstances in the tags!
(reblog for a bigger sample size etc)
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please write your reader insert however you want to. unabashedly!! write fat reader. black reader. asexual. masculine. tall. trans. disabled. you’re allowed to see yourself reflected in these spaces!!! sometimes your fic won’t be for everyone—it will be for all the people who look, think, love and experience life the way you do and that’s ok! it’s wonderful, actually.
it is not your job to make sure the shoe comfortably fits every single person out there. your only job is to tag it, and if anyone tells you otherwise I’ll personally come out swinging lol
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putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023
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Reaching through the looking glass
(Wonderland au)
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day 1421
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Killer Croc's little bro was apparently in Gotham.
How did everyone know? Because he was seen physically dragging said older brother out of the sewers and into the nearest cafe.
And Killer Croc was just. So docile??? He was shy, a bit nervous, amused, and was practically harmless. Which wasn't something anyone would have associated with Killer Croc.
And the fact that said little bro can lift him up easily too? What kind of parents did they have for their son to be able to lift up the Killer Croc so easily?
Meanwhile, Jack just doesn't get why everyone reacts negatively to his big brother, it's not like he was a ghost for goodness sake and yea he's working on not being like he was before his son revealed himself to be part ghost, but still.
His brother was still human, just extra.
Why did Jack come to Gotham? He was kinda maybe forced out the house to go and find his brother because he liked talking about him but never actually went out to find him.
Jack and Croc may be half-brothers, yes, but he's still family.
Jack strongarms Killer Croc into not living in, well, the sewers and at his house he bought when he came to Gotham and they both caught up with each other's lives. Jack told Croc about his family, and by extension the shit views he's had on ghost because it was a major part in their family dynamics, and Croc told him about his own life in Gotham.
Minus the more gruesome, parts.
Killer Croc lives with him for a while and notices that he didn't really seem to care for his life. Which is a major no to Croc, who tries to get him to gain some amount of self-preservation, yes he knows that his little bro is more durable than the average human has any right to be but please for the sake of your big bro's heart, please take care of yourself.
Jack is a bit floored by this, and tries to wave it off as a non-issue. But if Jack can strongarm Croc into living with him, then Croc can definitely strongarm Jack into things as well.
Busting through walls is fine, alright. He gets it, it's very fun. But please don't stick random things into your mouth that can kill you, nor follow strangers down an alleyway and shrug off a stabbing (Killer Croc had some choice words and actions for the person who did such a thing.), and please, please practice stranger danger, little bro. Please.
No, he doesn't give two, three, four, five or ten fucking shits if you have microsurgeons in your blood that gives you a superhuman healing factor, you can still feel pain little bro, and stop skipping meals and sleep to work on your inventions! No, you cannot substitute either for energy drinks!
The batfam keep an eye on the two brothers and find it to just be the both of them strongarming the other into healthy behaviors basically. (With a lot of verbal and physical "I love you"'s, the Batfam could NEVER. slash joke teehee.)
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I just realized I never posted photos of this really pretty harvestman i came across a while back. Note the green pedipalps and the dark and light spots on its back.
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Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.
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