#with both of them having stories and emotional journeys beyond the romance

[fictionadventurer]

Many men had offered her many things in the past, love and friendship, luxury and jewels, entertainment, dogs, amusements, homage--some she had accepted, some refused, but no man before had offered her work. Peter had offered her that, he had offered her a share of his--not noble or inspiring or fascinating work, just his work, what he had. He had offered it her, called her great energies into play, and set her to work beside himself in a furrow. And she was glad; for some reason she found it very good.

--Desire by Una Lucy Silberrad

#books #jo walton has done it again #almost the only reason i ever look at tor.com these days is to read her monthly roundup of the books she's read #because a good chunk of her reading is the type of classics i love #including a lot of forgotten light classics of the early 20th century #this was one of those #mentioned in a column from last year that i happened to read the other day #with a review that said this should be one of those classics that everyone knows and reads #instead of being this completely forgotten book #and since it happened to be on hoopla (a common perk of these types of book recs from her) i read it #i don't think it's all-time classic great #but it's a solid middlebrow novel #the beginning was a bit of rough going but after the major part of the plot kicked off it become rather lovely #because there was a lot of the above #explorations of the value of work and friendships and relationships #and because of things like the above quote the central relationship is one of my favorite romances of the year #it's a solid relationship built on friendship and mutual respect #with both of them having stories and emotional journeys beyond the romance #reminded me a little bit of gaskell in some ways

[depthsasunder-if]

Depths Asunder is an 18+ pirate interactive fiction infused with magic. It follows you, a young and fresh pirate captain, contracted to find a gem that is rumored to manipulate life and death to the wearer. It's a race against other crews who are just as determined to fulfill the contract and collect their riches.

[DEMO TBA] 𓊝 [CHARACTER POSTS]

Content warnings include violence, suggestive themes, substance use, gore, dark themes, emotional turmoil and more.

Your mother was a legend in the seas; a revered pirate captain, her legacy has followed you even after her death. All you want is to live up to the legacy she has given your family name, though all you've amounted to so far is the occasional thievery to survive.

When you're contracted by rich and powerful noble you're promised a swell of riches. In return, you must find and bring back a rare treasure that holds power beyond anything you know. Countless crews have attempted to find it, only to either end up dead or lost.

Now, it's your turn to collect your crew and bring your ship to the sea. You'll go up against not only dangerous mythological creatures of the sea but other ruthless pirates determined to find the treasure before you.

As you travel through the world of Sikara, you'll find that there's an even bigger mystery afoot. Will it all be worth it?

Customize your pirate captain from identity, your nickname, pronouns, gender which changes the story, appearance, personality.

Decide what kind of pirate captain you are: are you a bloodthirsty pirate hellbent on destruction? Or a merciful captain paving a new path? Do you treat your crew with kindness or hostility? Are you relaxed or a dictator?

Customize your ship: name your ship, choose the look, the features and enchantments. Will it help you during your sea battles?

Stop at different locations: will you raid like a typical pirate or help the locals? Will you steal treasure?

Customize your crew and decide who joins you on your journey. And who walks the plank.

Romance a slew of characters that include your ruthless rival, a merperson, a stowaway, the person who contracted you, and your best friend.

Play a character-driven narrative that is both on land and in sea. Discover what Sikara has to offer.

Captain Morgan 'Deadeye' Price [m or f]: Morgan is the bloodthirsty captain of the Lady Triton. They also happen to be your biggest rival, seeing as they're the child of the pirates that killed your mother. Morgan is bloodthirsty, unforgiving, cold and arrogant, and is determined to find the treasure. Part of you thinks they care less about the coin and more about beating you....and eventually killing you.

𓊝 enemies to lovers, rivals

Anton/Antonia St. Marteen [m or f]: The nobleman/woman who contracted you. They insisted on joining you on your travels, determined to see the treasure for themself. You don't know much about them other than the fact that they are stinking rich, which is all you need to know. Unfortunately, being on the sea with them means you're their unofficial bodyguard.

𓊝 bodyguard romance (MC is the bodyguard), forbidden, opposites attract (noble and pirate)

Castor Morgana [m or f]: the stowaway that hid in your ship alongside their sister, Ruth. Majority of your crew wants them thrown overboard, though a few think Castor can be helpful to the cause. It's up to you to make the final choice.

Gaelin 'Straightlace' Haval [m or f]: your best friend, second-in-command, and advisor. Gaelin is levelheaded, logical, serious, and deals little with emotion. They also seem to be the only one who cares little of pirate culture. They just want the mission done.

𓊝 best friends to lovers, opposites attract (possibly)

Sage/Soren of The Sea [m or f]: a mermaid/merman who, in a series of events, ends up on your ship. It's lucky that they grow legs off-sea, but no matter how human they look, they treat you as an enemy. Pirates and merpeople don't mix, and Sage/Soren is determined to keep a distance, even if the world of humans interests them so. They don't trust you, not with all the blood that's been spilled from both sides.

𓊝 romance with merperson, forbidden, doomed romance

Ruth Underwood [non-RO]: Castor's younger half- sister. She seems to have taken a liking to you, following you around like a puppy. How you deal with her is up to you.

+ and more!

Development of Depths Asunder will fluctuate based on my free time. I hope you like it and join me on this voyage :)

#interactive fiction #interactive game #interactive novel #choice of games #cog #dashing don #cog wip #interact-if #interactive story #dashingdon #if game #choicescript #if wip #upcoming if

[physalian]

Writing Tone #2: Avoiding Manufactured Sincerity

There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.

It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.

I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.

Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.

Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.

This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.

This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.

It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.

It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.

This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.

So how does this happen?

1. The author *really* wants this scene, but writes it too early into the story

Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.

But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.

2. The author cannot fluidly change tone and characters explode, instead of simmer

An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.

These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.

3. The characters involved are underdeveloped

As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).

You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.

4. The tonal jump is just too extreme from the established rules of the story

Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.

Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.

—

Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.

Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.

My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.

Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.

Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.

Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.

So some things to keep in mind are:

Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.

Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.

Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.

TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.

So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #writers on tumblr #pacing

[booksandabeer]

A Man Takes His Sadness Down to the River (The Consolation of Philosophy) (E | 150 K)

To celebrate the completion of the fourth & final part Lost Vocabularies that Might Express (The Memory of These Broken Impressions) in this wonderful series by dorian_burberrycanary.

Author's summary: The worst of times, like the best, are always passing away. How’s that for some consolation on the road? A post-The Falcon and The Winter Soldier Stucky fix-it as part of the all-American road trip, detours included.

Follow Steve and Bucky on their Great American Road Trip as they drive and eat their way across the country and beyond. From the beaches of the Jersey Shore to the graveyards of Savannah, from the cragged horizons of Mexico to deserts with (small) volcanoes, from college campuses to earthship settlements, from the mountains of Colorado to the monumental emptiness of the Great Plains and on and on and on…there is always more road ahead.

A Man Takes... is a miracle of a series that works with what should be an unworkable premise: Steve really did leave to go live in the past. He returned a few months later, yes, but he still made that choice. Knowingly. So, how can any author, any story, rectify such a colossal mistake, and how can it be reconciled with a believable, satisfying romance that short-changes neither Steve nor Bucky? Like this. With patience, and care, and often painful honesty. Just like Steve, this story slowly digs itself out from under the burden of that terrible decision.

I know that some people are very reluctant or even outright refuse to read EG-compliant fics and I understand why this might be a tough sell for them. Believe me, I do. But this series manages to neither let Steve off the hook for his choices nor does it punish him excessively. Instead, Steve and the readers are repeatedly confronted with the fact that there are no magical solutions here, no take-backs—it’s a fix-it, yes, and very much a Stucky fic through and through, but it’s not a fix-it fantasy where in the end everything turns out to have been an unfortunate misunderstanding after all. What's done is done and the only way out is through. But. even if you usually prefer to ignore anything that happened post-[insert preferred point of canon divergence here], please, please try to give this absolute marvel of a series a chance. It is genuinely one of the most rewarding and satisfying works I've ever read in this fandom. It's catharsis in slow motion.

You will find descriptive writing here that is so incredibly beautiful that it will bring you to your knees in awe. This series transcends fanfiction in many ways, as it stands out for the remarkable quality of the prose and the nuance, subtlety, and precision with which it explores both the emotional landscapes of its protagonists and a fictionalized, yet very recognizable post-Snap America. At the same time, it could only ever work as fanfiction because it stays so close to the characters and is so deeply rooted in and filtered through Steve’s inner life and perspective. Just like the real Steve Rogers, this story is smart and curious, and deeply empathetic towards its characters and the world they inhabit.

Every detail is imbued with meaning. The food Steve and Bucky eat. The clothes they wear. The art they look at. The books they read. The music they listen to. The places they stay at. The landscapes they drive through and the objects they carry with them or acquire along the way. One doesn't need to understand or even notice all of the references, allusions, or ambiguities to enjoy the series, but it makes for such a rewarding reading experience to really dig deep into the many, many layers the author has so expertly assembled into this phenomenally rich text. More often than not in this fic, the curtains aren’t just blue. Or rather, Bucky’s sweatpants aren’t just gray.

At some point amidst this sprawling, reflective journey, a bittersweet realization sets in: There simply is no compensation for the time and life lost, for the pain suffered. No money, no medals or statues, no hagiographies, and certainly no delusional pipe dreams forcibly made real, will ever make up for all that loss. You can't outrun your past, but that doesn't mean you should bury yourself in it. And maybe, solace can be found in mutual understanding, not just between these two men, but in interactions, in shared community—however fleeting—with ordinary people doing ordinary things in their ordinary lives. And in the beauty of the mundane and the relief that there still is a world in which such beauty can exist, even though it is so often a cruel and unjust place. Steve Rogers finally allows himself to feel his feelings: his grief and his shame, but also his joy and—even though he’s already so very tired—his hunger for more: more time, more life, more Bucky.

This series is a wonderful tribute to Steven Grant Rogers—an honest and affectionate portrayal of this compelling and lovable, if at times difficult, character. It is also a gorgeous, intricate love letter to the miracle of a man that is James Buchanan Barnes. As you can probably tell by now, I love it a totally not normal amount.

A most heartfelt thank you to @burberrycanary for taking us all along on Steve and Bucky's long journey across America and (back) to each other. Thank you for letting us sit in the back seat and watch as they learn to love and live with each other in old and new ways, finally find some measure of well-deserved rest and peace, and, together, face their greatest challenge, their longest fight, the eternal question:

How to live with all this survival?

#stucky fic rec #or: a completely unhinged and very sappy & very gushy love letter to this series. #stucky #steve x bucky #steve x bucky fic rec #stucky fic #stevebucky #my recs

[gragrace]

Unveiling Shadows: A Profiler's Love Story

Summary: "Unveiling Shadows" follows Spencer Reid and Y/n as their unspoken connection in the BAU evolves into a complex romance. Navigating cases and emotions, they discover love amidst the chaos, proving that understanding the human mind extends beyond profiling criminals.

AN: this is my first published fic, I’d love some feedback! But please be gentle 🩷

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

Spencer Reid stood outside the BAU headquarters, adjusting his tie with uncharacteristic nervousness. The anticipation of his first official date with Y/n, a colleague he'd grown close to over shared cases and late-night profiling sessions, filled the air with a palpable tension.

Y/n approached, wearing a tasteful yet casual outfit that seemed to amplify the excitement in the air. "Hey, Spencer," she greeted with a warm smile.

"Hi, Y/n," he replied, offering a smile that concealed the swirling emotions within. "You look amazing."

As they headed to a quaint restaurant, Spencer couldn't help but reflect on the journey that had led them to this moment. Their connection had gradually deepened over time, born out of shared passions for criminal profiling and a mutual understanding of the darker aspects of human behavior.

In the BAU, where emotions often took a back seat to logic and analysis, the unspoken dynamics between Spencer and Y/n had been growing steadily. Late-night conversations about obscure facts and shared intellectual pursuits had become the norm, and with each passing day, the emotional undercurrent between them became more apparent.

The team had noticed the subtle shift, the unspoken connection that lingered between the two brilliant profilers. Morgan had teased Spencer about his newfound partner in crime, while Garcia playfully nudged Y/n about the "Reid effect." Yet, both Spencer and Y/n chose to remain silent about the emotions that simmered beneath the surface.

Their first official date was both a culmination of those unspoken feelings and a testing ground for what lay ahead. The air was thick with anticipation as they navigated through the initial awkwardness of small talk, both acutely aware of the emotional complexity that existed between them.

Over dinner, the conversation flowed effortlessly, a mix of shared laughter and hesitant glances. Spencer couldn't help but admire Y/n's intelligence and wit, qualities that had drawn him to her in the first place. Yet, the elephant in the room – their unacknowledged feelings – cast a shadow over the evening.

Midway through their meal, Spencer's phone buzzed. Glancing at the screen, he sighed. "We have a case," he informed Y/n regretfully.

Y/n nodded, understanding the unpredictable nature of their work. "Let's finish this quickly, and then we can deal with the case... and us."

The urgency of the investigation became a metaphor for the unresolved tension between them. As they delved into the case, the emotions that had been lingering beneath the surface became more apparent, influencing their interactions and shared glances.

Hours later, they cracked the case, the exhilaration of the breakthrough mingling with the unspoken emotions that hung in the air. Spencer and Y/n found themselves standing in the aftermath of shared success, the tension between them no longer ignorable.

Spencer turned to Y/n, vulnerability in his eyes. "We've been dancing around this for too long," he confessed.

Y/n met his gaze, her own walls crumbling. "I know, Spencer. It's time we admit what we feel."

The admission opened the floodgates of their emotions, and in that charged moment, they found solace in each other's arms. The investigation had not only unveiled a criminal but had also unraveled the emotional knots that had kept them apart.

As they left the BAU headquarters hand in hand, the night sky seemed to reflect the newfound clarity in their connection. The investigation had not only brought closure to a case but had also opened the door to a new chapter in their lives – one where they no longer hesitated to admit the depth of their feelings for each other.

Over the subsequent weeks, Spencer and Y/n navigated the uncharted territory of a blossoming relationship within the confines of the BAU. The team, perceptive as ever, quickly caught on to the shift in dynamics, and playful comments from Morgan and Garcia added a touch of humor to their budding romance.

The pair found solace in the quiet moments – stolen glances across the profiling room, shared lunches in the BAU kitchen, and the occasional late-night banter that had been a precursor to their romantic journey. The once-unspoken became a source of strength, anchoring them amidst the chaos of their demanding jobs.

However, as their relationship deepened, so did the challenges. The nature of their work often meant long hours, unpredictable schedules, and the constant specter of danger. Yet, they faced each hurdle as a team, relying on their shared understanding of the complexities of the human mind to navigate the intricacies of their evolving relationship.

Their love story became intertwined with the cases they solved together, the adrenaline-fueled highs and the emotionally taxing lows serving as a backdrop to their personal journey. Each investigation strengthened their bond, reinforcing the idea that they were not only partners in crime-solving but also in the intricate dance of love.

As the weeks turned into months, Spencer and Y/n found a delicate balance between their personal and professional lives. The BAU, once a place of stoic logic, became a witness to the emotional depth that unfolded between them. The unspoken tension that had defined their interactions transformed into a shared understanding, a silent language that transcended words.

One evening, after a particularly challenging case, Spencer and Y/n found themselves on the familiar steps outside the BAU headquarters. The weight of the day's events lingered in the air, and without the need for words, they sought comfort in each other's presence.

"I never thought I'd find this level of connection in a job like ours," Y/n admitted, her eyes reflecting a mixture of exhaustion and gratitude.

Spencer nodded, his hand finding hers. "It's rare, but when you find it, it's worth holding onto."

Their journey, marked by unspoken words and shared experiences, had led them to this moment of quiet revelation. The vulnerabilities that had once fueled the tension between them now served as the foundation of a relationship built on trust, understanding, and a shared passion for unraveling the mysteries of the human mind

As they entered the BAU headquarters, hand in hand, the team looked on with knowing smiles. The once-unspoken connection between Spencer and Y/n had blossomed into a love story, a testament to the resilience of the human heart amidst the challenges of their demanding profession.

Their journey continued, both in solving the intricate puzzles presented by their cases and in navigating the complexities of love. The uncharted territory they once feared had become a familiar landscape, shaped by the shared experiences that had brought them together in the first place. In the ever-evolving tapestry of their lives, Spencer and Y/n had found a profound and enduring connection that transcended the boundaries of the BAU and the mysteries they faced together.

#spencer reid #spencer reid x reader #matthew gray gubler #matthew gray gubler x reader #mgg x reader #mgg #criminal minds #criminal minds x reader

[agrioxoiros]

Since I'm in something of a bitchy mood today, I'm gonna elaborate on my personal least favorite fat character archetype, which i like to call The Pillow.

The Pillow is a suporting character who mainly exists to lend emotional support to the main cast. They are generally nice in an uncomplicated, dumb kind of way. They have little interiority or agency. If they affect the plot, it will be by being an idiot or a damsel in distress or both. The Pillow may be the subject of fat jokes from the protagonists, or insults from the antagonists. In the latter case, this will serve to paint said antagonists as assholes, and may have a temporary effect on The Pillow's self esteem. In the former case, there will be no negative effect, and the Pillow may laugh along. Examples of this character type are Molly Weasley and Hagrid from the wizard boy books, Hunk from Combining Robots, the gynecomastia guy from Fight Club, and honestly most other sympathetic fatties in fiction.

The Pillow is a popular feature of body-positive queer romance. It is present in mainstream media, such as Our Flag Means Death and Good Omens, as well as indie projects like Long Exposure and This Is Not Fiction*. Here, the Pillow is ostensibly a main character, but still lacks in narrative agency. The actual plot is largely about the thin protagonist gaining over the object of their affection. Further, said affection needs to be explained as a result of the thin character's backstory. Generally, this involves a childhood friend scenario where the skinny character is an outcast, and the fat character is the only one to reach out to them. This is followed by separation and pining on the thin character's part. In that way, the fat character is rewarded for having been nice by being pursued and rescued by someone considered out of their league. The Pillow's emotional journey, if it exists, is typically about building self-esteem through their connection to their partner.

*not every point is present in every one of these works, this is a general trend type of thing. also i endorse no hate to the indie comics mentioned

Ways to subvert The Pillow:

-give the character some interiority. Goals beyond "be nice to my friends", struggles other than low self-esteem.

-have them actively contribute to the plot. have them save the day in a way that matters.

-let them be a bit of a bitch. something of a freak maybe. they don't have to make up for the sin of being fat by being as innofensive as possible- make them interesting!

-consider fatlhobia a bit more deeply if you're gonna include it. you don't have to put in a fat liberation essay but have a think about what your story is saying about it.

-let them be hot.

An example of this is Janek from the webcomic Finding Home. While the story hits on some of the points on that list (his thin love interest is more centered in the narrative, and he is saved by him in the story's climax) and the character hits on a couple other Standard Issue Fat tropes, he actually feels like a rounded character. He has goals of his own, relevant skills, the capacity to be a bitch when pushed, and an active sex life. This dude canonically fucks. And that's why I own all four volumes in print.

#fat representation #fatphobia

[writingquestionsanswered]

Ace Writer Wants to Write S*x Scene

Anonymous asked: Hi, thanks for what you’re doing. You’re really great. How do you write s*x scenes? Graphic s*x scenes? I want to write a story about love, but I don’t know if I could do the s*x scenes as I’m asexual, but I know that love stories include s*x. How do I do this without messing it up?

Note from WQA: Words were censored in this post due to previously being asked to do so. Now that content filtering has been around for a while, I'll stop, but I'm leaving this post up as is... Okay, first things first... love stories do not have to include s*x and many actually do not.

When it comes to writing romantic fiction, there are different "heat levels" that dictate how much s*x the story contains. The exact definitions vary from place to place, but generally they are:

Mild/Clean- Nothing beyond a bit of hugging, hand holding, and kissing. Nothing you couldn't see in a Disney family movie. Anything more can only be gently hinted at having happened off the page, but never openly discussed. The reader is not privy to the s*xual desires of characters.

Warm/Sweet - A little more hugging, hand holding, and kissing that can lead to "fade to black"/"behind a closed door," but only if love has been declared by both partners. S*x can be implied after the fact through word play, such as: "We went into the bedroom and fell into a world of our own making." However, s*x is not openly discussed and the reader is not privy to s*xual desires of characters.

Sensual - Plenty of romantic interaction and making out, s*x can occur on the page between characters who have declared love, but not in graphic detail. Description of the act focuses more on character emotions and sensation. Body parts can be named, but only using proper names (no coarse words).

Steamy - Consummation is described in graphic detail, with coarse language being acceptable. Participants are not necessarily in love but eventually will be. However, s*x is not the primary focus of the story, and is only used to further the emotional journey.

Erotic - Heavy emphasis on s*xual activities, which are longer/more involved and described in graphic detail using coarser language, sometimes exploring acts that are considered more graphic, experimental, or taboo.

So... as for how to write a scene were s*x is described on the page, I can't tell you that because I don't write it. But what I can tell you is you can absolutely write good ones even if they're outside your range of experience. Google is your bestie when it comes to finding out how to write them. There are tons and tons and tons of romance writers who have written guides on how to write great s*x scenes. Just Google that, and you'll see them. I think it's also helpful to watch movies and TV shows that feature s*x scenes if you want to write them.

I hope that helps! ♥

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[sitp-recs]

Eager for the Sky by @oknowkiss

Harry/Draco, minor Harry/Ron and Draco/Blaise (2022, Mature, 35k)

It was announced, just as the Triwizard Tournament had been, at the start of term feast. A year-long, international Quidditch varsity match — the inaugural Wizarding Academy Cup. In which Harry is Hogwarts' star Seeker, Draco is on the bench, and they both have a thing or two to learn about playing for the same team.

Draco hated that, the way Potter would sneak up on him, proving he’d been listening. He had always seemed to be caught up in his own head, never paying attention to anything or anyone but himself, but now that Draco was starting to know him, he was beginning to see the truth of Potter.

When I started this blog over two years ago, I’d write (smaller, but still) recs for every fic I liked. At some point I was reccing up to 3 fics a day and started bookmarking them all to keep track of my own recs - maybe that’s why I got more than 600 bookmarks lol - and it was really fun and fulfilling, but it also demanded A LOT of time and energy. As they both became scarce, I changed strategies and decided to only rec fics that touched me in a more personal way. These days I write recs mostly on a whim; it happens less and less because I’m not reading as much, sure, but also because it needs to be a frantic urge, almost like a trance, and it needs to hit me right after I’m finished a fic otherwise it won’t be fresh in my mind.

I’ve wanted to rec something from E for so long and after being left intrigued and impressed by any day now and licence to kill (two solid recs if you haven’t read those yet!) I couldn’t see what was holding me back. Now I ask myself if I had been waiting for Eager for the Sky. And not necessarily because it’s the perfect fit for my tastes - in fact, I barely read or care for 8th year fics nowadays - but because this fic found me at the moment I needed it the most. Coming back from a brief hiatus (that felt longer than life itself) right before Christmas last year, I can say that reading this was a refreshing and lovely experience, but also magical in many ways. And funnily enough, this rec has been sitting in my drafts, half-finished, since January. Once again, something I couldn’t figure out was holding me back until I saw this gorgeous binding post by @a-gay-old-time (go check it right now!!) and I accidentally found out that last week was E’s one year fandomversary! Perfect timing to wrap this up and post it as a humble homage to one of the authors whose talent I’ve enjoyed and admired the most in the past year. What a gift to have you in this fandom, and what a privilege to read this incredible 8th year romance!

Way beyond the delight of watching Draco and Harry fall in love over the course of a (very cool and inventive) Quidditch championship, I was so touched by the amount of tenderness, youth and heart this story coveys. There is something unbearably sweet about an enemies to friends to lovers journey that explores the wonders of being young and free to flirt, experience and discover. I could feel the joy of falling in love all over again through every line here, through every knowing smile and surreptitious touch. The slow burn is masterfully done in a way that never feels empty, boring or dragged. Every little moment brings new discoveries about each other and is important to bring them together as friends, and then as lovers.

It’s worth mentioning that there’s a fair amount of longing, UST and some infuriating delicious cockblocking but somehow the way it’s written and the context it’s given make the experience even sweeter and more rewarding. I was in no rush to see this over and found it very charming that they saw value in wanting, teasing, flirting, chasing. Because I really ready young Drarry I had almost forgotten how fun a pining Draco can be in all his teenage complexity, capable of signaling confidence, vulnerability, inadequacy and tenderness all at once.

His emotions felt so very real I could feel a lump in my throat, and I was especially moved by his genuine response to Harry’s prior involvement with Ron (Be still my Rarry heart!!! For those wondering: this is a minor but significant plot point that made my heart ache and grow twice its size, I’m so soft for this brOTP! By the way - side Rarry & Blaco? A fic after my own heart!). Even more brilliant is the fact that E published Eager for the Sky and July Tree pretty much back to back and these two fantastic 8th year tales complement each other perfectly. They got a very different tone from her usual edgy “mature Drarry” which I also love - and maybe that’s why I was caught off guard by how fast I felt emotionally connected to this softer, more innocent brand of love. Not to mention that superb art by @upthehillart - killing me softly as per usual, with the ultimate teenage Drarry headcanon what a treat!!

This fic was exactly what I needed and it gave me the delicious catharsis I was looking for without really knowing. It pulled me back into the fandom with its light, easy, unpretentious young romance, sprinkled with some excellent dialogue and charming banter that will make you laugh out loud at their sass, plus a sweet and delightful mix of curious, inexperienced but extremely insightful and lovable characters. I’m so happy I found this fic and that I got to write a rec for it! Thank you E for sharing this beauty and so many other fantastic stories with us - I’m delighted to share this space with you and can’t wait to see what comes next 💜

Read on AO3

#drarry fic rec #happy belated fandomversary E! 🎉

[soob1nn]

MY HOUSE FRIENDS - HOGWARTS DR

masterlist

While they may not be as close as the enchanted unity, these friends still hold a special place in my life, adding unique colors to my Hogwarts experience. Each of them brings their own charm and individuality to the tapestry of our friendships.

DAPHNE OPIAN

Let me introduce you to Daphne Opian, a spirited Hufflepuff who happens to be one of my delightful roommates. She's currently in her fifth-grade year at Hogwarts and brings an aura of warmth and cheerfulness to our dormitory.

Daphne's heart belongs to the world of cinema. She's an avid lover of films, from the grandeur of magical epics to the humble muggle-made masterpieces. You'll rarely see her without a muggle camera in hand, capturing moments from both the wizarding and non-magical realms. Her collection of photographs is like a window into different worlds, filled with magical creatures, mesmerizing landscapes, and the essence of life itself.

But her dream is what truly sets her apart. Daphne aspires to open a Hogwarts newspaper that would bring the latest news and stories from the castle and beyond to our magical community. With her unwavering dedication, love for storytelling, and the ability to seize the perfect moment with her camera, we all believe that her dream is destined to come true, and Hogwarts will be a more vibrant place with her journalistic talents.

ALLISON XUNAI

Allison Xunai, a fellow Hufflepuff in her fifth-grade year, is a friend with a flair for humor. While we're close, we might not be as tightly knit as the enchanted unity, but her infectious laughter always brightens our days.

Allison has a knack for spilling the tea, keeping us entertained with the latest gossip and stories. Her wit and storytelling skills are a source of joy for our group.

She's an avid fan of fantasy and romance books, always lost in the enchanting worlds they create. Unfortunately, when it comes to schoolwork, especially studying, it's safe to say she'd rather be playing chess, her favorite pastime.

Allison adds a delightful touch of laughter and storytelling to our lives, making Hogwarts a bit more magical in her own way.

AARON BEUMONT

Aaron Beumont is a proud Hufflepuff, and his resilience shines through despite the challenges he faces. Born to strict parents, he tries his best, although sometimes the road is tough, and he encounters hurdles along the way.

What sets Aaron apart is his courage to openly embrace his bisexuality, making it clear that he's "bisexual as heck." He believes in living authentically and being true to himself, even if it means facing adversity.

The journey hasn't been easy, and Aaron has experienced moments of intense distress, leading to panic attacks. His struggles run deep, as he's faced life's darkest moments, attempting to end it all on two occasions. This is a testament to the strength it takes to carry on.

To channel his emotions and thoughts, Aaron finds solace in writing, using it as a therapeutic outlet to express himself and explore his inner world. It's his way of shining light into the darkest corners of his heart.

In brighter moments, he finds solace and inspiration in museums, where he can lose himself in the beauty and history on display. Aaron's story is a journey of resilience, self-acceptance, and the power of creative expression.

ERIC DAVIES

Eric Davies, a Hufflepuff who's a year ahead of us, is an intriguing character in our lives. He's more than just a friend; he's the best buddy of my brother, Edward, which practically makes him family.

Known as the "King of the Party," Eric has an innate ability to bring any gathering to life. He has a magnetic personality that draws people in, and he's a master at ensuring everyone has a fantastic time.

While he might have a bit of a reputation as a womanizer, it's hard to deny his charisma and charm. Eric knows how to make people feel special and appreciated, which can be quite captivating.

He's a summer enthusiast, loving the warmth of the sun and the carefree vibes that the season brings. You can always count on him to organize memorable summer get-togethers.

In addition to his party prowess, Eric is a creative soul. He writes stories and songs based on his own life experiences, allowing his unique perspective to shine through in his art. He's the kind of person who can turn everyday moments into something beautiful with his words and melodies.

#shifting realities #shifting hogwarts #shifting #hogwarts dr #hogwarts school of witchcraft and wizardry #hogwarts #harry potter #harry potter dr

[crystal-lillies]

Okay okay okay first thoughts on the Dungeons and Dragons: Honor Among Thieves movie, with my best effort to avoid spoilers this time.

I had a blast watching it. I loved seeing the practical costumes and makeup for the creatures and I loved seeing the different ways spells were interpreted. And I did tear up a few times! Nearly full cried, but definitely got emotional on several points which is almost always a good sign for me.

I did not expect how the story played out the way it did. It was marketed definitely as a GOTG-style movie but Fantasy(tm) which both is and isn't what we got.

The whole thing felt like a campaign, or maybe the first arc of a campaign, but squeezed into a 2 hour and 15 minute movie. That being, it felt like a fast pace mostly because they sped-run the traveling bits with some gorgeous montage shots. Mostly fine by me, but at some points, it definitely felt like the scale of the world and time was off. It's by no means unique to this movie, and definitely not unique to the movies this film is emulating in spirit.

It's got somewhat of an Indiana Jones/Goonies/The Mummy/even OG trilogy Star Wars vibe in that certain logics are hand waved in order to get to the good stuff (tm), but it isn't unforgivable nor a detriment to the enjoyment of the film.

The characters are all very enjoyable, each in their own ways. I wish we spent just a bit more time on each of them, but there's the rub with ensemble films. And truth be told, to no one's surprise, Chris Pine's character Edgin gets the most prominent focus. I was surprised, however, at the focus Hugh Grant's character Forge had, especially compared to Rege Jean Page's Xenk.

Forge is a very charismatic antagonist, who has a lot more to do in the story than I anticipated, and definitely is a delight to watch onscreen. Hugh Grant dips a bit hammy into his performance but it's in a fun way that reminds of a Saturday morning cartoon. Smarmy, not entirely serious, but occasionally shows a hint of the person beneath, good and bad.

I found myself a little disappointed that Xenk got a really interesting focus, with an emotional and engaging background, and then seemed to not get a satisfying conclusion to that focus. He felt like a guest player character, rather than a full time player character, like the others in the group. While it does still tie up in a self-contained story, I'm hoping this movie does well enough to maybe explore into his journeys beyond this one. They did say that he is the Archetypal Hero that doesn't really fit with the rest of the group, so I suppose that was their way of saying he isn't permanent, which is fair. And while watching I definitely felt it, and wondered how he would be past his point and if he would have dragged the story in a different direction than it needed. (Or maybe if he was too much of a higher level than they were to justify keeping him around.) But that still didn't keep me from wanting to see more of his character later down the line.

Justice Smith's Simon has a nice self-esteem arc, and I enjoyed watching his growth through the movie. He also has an interesting backstory that sort of gets played with, but has plenty more room to grow, and I also want to see more of him and his character.

Sophia Lillis' Doric is a lot of fun and strikes me as a Circle of the Moon druid. She gets a small, engaging focus of her own, but in keeping with the pacing and the ensemble directed at Edgin, I find myself wanting more of her as well.

Doric and Simon are paired up, sort of, and I'm not entirely sure if it works since they don't get too much time, but such is the curse of a fast-paced ensemble film. Hell, Casino Royale was barely an ensemble film, if you count the sidekicks and villains, and Bond got a life-and-sequel-movie-altering romance that was built through the whole thing and I didn't feel like the relationship had enough there by the time she was killed at the end of it, so mileage may vary I suppose.

Michelle Rodriguez's character Holga was also a delight to watch. She's not the lowest of Intelligence but she for sure rolled a nat20 on heart. (Yes I'm keeping that.) It may be since I've been watching a lot of the Mighty Nein campaign, but she reminds me a lot of Yasha. And given that this movie was filmed during the pandemic, and the people behind it are huge nerds themselves, it may be very likely they were in part inspired by Yasha when writing Holga. Who could say?

But Holga holds up the party with Chris' Edgin, and they have a great dynamic with each other. Edgin is the bard, and while he doesn't have his own colorful Bigby's Hand, he certainly and deftly weaves the story as his class is wont to do. And I worry for his lute because he swings it around like it's a sword sometimes and every time I think it's going to break.

The writing is fairly tight, fast pacing aside, and there are plenty of laugh-out-loud moments and heartfelt moments. I want to see deleted scenes for this movie because I just want more of this story and these characters. And I feel like some things may have been trimmed that might have bloated a scene or two, but also would have been good to see. Hard to say at this point, but that's the vibe I get.

Overall, this movie is so much fun and worth going to see in theaters, more than once if you can. There is so much love in this story and it is absolutely felt when watching. You can definitely have fun with it if you have no experience with Dungeons and Dragons, if you're only familiar with separate properties like Critical Role or Dimension 20 and not so much the Classic Stuff(tm), or if you're a hardcore fan. There's good content in here for everyone, and it's treated well, and it treats its audience well.

If I were to give it a score as a movie, I would err on the side of 8.5/10. It's far from perfect, but it's a hell of a lot of fun and really well put together. Seeing it with friends/family in an engaged theater I would bump it up to a 9 or a 9.5.

I will be seeing it again, so I am going to reserve any Spoiler/Context-Specific Thoughts for after that time comes, and I will be interested to see how my experience with the movie changes depending on the theater and who I see it with, as I went alone this first time. But I'm very glad I saw it and look forward to seeing it again, and I hope they do get more opportunities to tell more stories in this world and other of the D&D worlds.

Both this cast, and John Francis Daley and Johnathan Goldstein as writer/directors, and all the people who worked on this movie, hit one out of the park and I would be very excited to see what more they could bring.

#flowerspeak #long post #dungeons and dragons honor among thieves #dungeons and dragons #dnd #d&d #movie review #reviews #dungeons and dragons movie #dungeons and dragons: honor among thieves

[stocky2016]

"Favourite Parts of Me"

The world is a library of so many interesting books

many now however beyond their shelf-life, dusty with fading looks...

Others are more current and in the "relationship" genre

"Fresh" rather than "cliched" their appeal, so much stronger.

I could mimic those romantic but predictable novels

my cover might be glossy, but my plot's a "tease"; on the imagination

I've only recently been given shelf-space, but I'm already

making progress in the race to be a number one seller, and steady.

I guess your favourite parts of me, will be my "intangibles",

you'll have to indulge in my relationship story, it's so fanciful.

Yes it has a hero and a heroine between its entertaining pages

and what they get up to at times, verges on "outrageous."

I'm one of those books you need to get progressively lost in

allowing your imagination to be fertile and not blinded by overt sin

Whilst I'm no competition with the '50 Shades of Grey,'

my pages contain seriously adult material, and fantasy play.

I'd say I was good choice for a sexy bed-time read

Where privacy becomes a pre-requisite, a satisfaction need

There are no pictures included it's all your imagination

Your willingness to handle controversial infidelity.

My ambitions are not merely stylish x-rated material

but a relationship explored with innovative originality

A whole world of possibility is being launched right here

where the plot and characters explore temptation's sphere.

I want to be in this brand new novel that fascinates you,

the one you fondle and caress with insatiable curiosity.

Let my fingers run down the length of your spine,

your love plot will grow ever stronger, and resonate.

I observe now an increasing arousal in your eyes,

savouring my innocent skin, in a lustful expression.

I lick my fingers, as I fumble through your remaining chapters

exploring all your intimate nooks and crannies.

I want to be your favoured reader, your most sensual companion,

fondling your emotions, giving them the ultimate attention

We can now become the central theme of intensely loving moments,

the most passionate of romances our love and its recognition.

Each page draws me closer to you with divine sweetness,

transporting us both into as yet unknown territory

You kiss my moistening eyes as they're drawn to your being,

making your passion grow ever firmer, feeling new mastery

In your new book, I'll discover a myriad of treasures,

unforgettable encounters, sensational orgasms

You'll transport me away to your world of darkness

where true love can be discovered in every hidden chasm.

You become my refuge where my emotions truly blossom,

The mirror reflecting your physicality, passion and soul.

I want to lose myself in you without ever needing to hold back,

together, let's create our ultimate destiny.

I want to now become your most cherished chapter,

the paragraphs you'll reread with passion and never tire of.

Our stories are now starting to intertwine tenderly,

creating our own intoxicatingly unique novel.

In what remains of our shared crumpled pages

we'll find even greater strength to make love to each other.

I want to open my pages up to you, exploring your every word,

And together, produce an epic about truly paired lovers.

I'll join you in your favourite chapter, as your precious treasure,

making the pages golden, your love now alchemical.

Dive into your world and without hesitation,

let me guide you into the cave of our shared fascination

So I'll then properly be a part of your favourite novel,

a captivating journey you'll want to read over and over again.

In every word, and every sentence we exchange,

we'll write about our love for all eternity.

© Geoff Stockton  in close collaboration with his co-writing Muse and poetess

© Myriam Ghezaïl Ben Brahim 

G.P.S. 21st December 2023

(Graphics courtesy of Tumblr)

[battyaboutbooksreviews]

🦇 Mooncakes Book Review 🦇

Rating: ⭐⭐⭐⭐

❓ #QOTD Witches or werewolves? ❓ 🦇 A story of love and demons, family, and witchcraft. Nova Huang knows more about magic than your average teen witch. She works at her grandmothers' bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town. One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home. Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.

[ Find my review below or on Insta | Goodreads | Storygraph ]

💜 It's no surprise that this graphic novel was a Goodreads Choice Award Nominee in 2019. From hard-of-hearing Nova and her sapphic grandmothers to nonbinary Tam, this graphic novel is full of diversity and representation. The smallest details tugged at my heartstrings: the magical Black Cat bookstore and cafe (complete with SIX black cats [and I thought my two were a handful]), Tam's adorable little pointy ears and fangs, the Sailor Moon poster, Nova's colorful hearing aids, Nova's Young Adult book pics (I recognized a few!!), ALL the cozy fall vibes. I could go on and on. The friends-to-lovers queer romance is cute, Nova's bestie shipping them is adorkable, and the art makes me eager to watch the leaves change this autumn. There's no end to the cute and cuddly feels.

🦇 The story is a bit simple, unfortunately. I read Paper Planes by Jennie Wood this year (also brimming with representation) and beyond its focus on identity were examinations into poverty, racism, and bullying. Not every graphic novel needs layers upon layers for a good story, of course, but it seems like Mooncakes touched on topics it could have delved further into. Nova's parents visit her as GHOSTS, but the story never fully examines her grief (or the INABILITY to grieve when your parents can still visit you as phantoms). Tam makes a comment about their mother not fully accepting their wolf side or queerness; how does that lack of acceptance weigh on Tam? Instead of examining these issues, Nova and Tam decide to leave and start their own journey. I would love a follow-up to this story that delves into the emotional aspects of the characters, allowing the story to grow from Young Adult to New Adult.

🦇 Recommended for anyone looking for a light witchy read full of beautiful representation! For fans of Nimona, Pumpkinheads, Crumbs, Squad, and The Price and the Dressmaker.

✨ The Vibes ✨ 🌙 YA Graphic Novel 💜 Queer Romance 🪄 Hard-of-Hearing Witch MC 🐺 Nonbinary Werewolf MC 🔮 Queer Witchy Grandmas 💗 Childhood Friends-to-Lovers

#book review #book reviews #book lover #book blog #comic books #comics #graphic novels #comic book: mooncakes #spooky season #spooky #halloween #autumn vibes #autumn #fall season #fall vibes #batty about books #battyaboutbooks #books and coffee #coffee and books #queer book recs #queer fiction #queer books #queer community #queer #queer romance #ya graphic novel #young adult books #young adult fiction #young adult

[nyababymao]

How the writing team failed Neteyam

Neteyam himself was written really really well in my opinion but the sheer lack of a proper character or journey or things that make up who he is as a character ends up wasting all the potential he has.

The best way I can illustrate this is to do it in the form of a Pitch Meeting, like that one YouTube account.

screenwriter: ok so the younger characters are gonna be super important to the story and how it impacts the audience so we want them to each have really interesting character arcs that changes them as they each go through their personal journeys

Producer: definitely, so what do you have?

Screenwriter: lo’ak will meet a whale named payakan that helps him learn the harshness of war and a girl named tsireya that shows him he does have a place in the world

Producer: very nice, very relatable and adds a nice hint of teen romance

Screenwriter: kiri will learn she has a very intricate understanding of the sea life and can connect with them beyond what most other na’vi can and she gets a chance to see her mother again when she bonds with the spirit tree

Producer: that’s good, a good addition to Na’vi/avatar lore and her bond with her mother is further developed

Screenwriter: spider has to deal with hating but also forcibly bonding with the man who in a way is his biological father and he saves him from death a second time

Producer: perfect, a great lead into a sequel and he has to struggle with both his human and na’vi sides. So what does neteyam have? Does he get a mate? Does he do anything impactful? Learn anything interesting? Struggle with any particular conflicts?

Screenwriter: oh he dies

Producer: he….dies?

Screenwriter: yup at the end of the movie, he dies.

Producer: does he do anything before his death..? Does he change as a character?

Screenwriter: nah he’s pretty much the same character from when he’s first introduced til his death, he doesn’t really go through any changes, don’t wanna waste too much effort progressing him when he’s just gonna die after all.

Producer: so what purpose does his death achieve? Does he sacrifice his life to save another? Do we get an emotional scene of him saving someone?

Screenwriter: kinda, he shoots people and they shoot back, we’re just gonna have a stray bullet hit him, the emotional part will be later when his family is actually around and he’ll die then so everyone else’s character can be developed from it.

If we were to remove any other character from the rest of the movie, changes would need to be made because they all affect the plot in huge ways. Lo’ak led the kids to the forbidden area, which notifies quaritch of Jake’s presence, and brought the tulkuns back, which is what quaritch used to lure the sullys out. Kiri getting a seizure is what notified quaritch of the sullys’ location and her ability saves neytiri and tui. Spider teaches quaritch to ride the ikran is the one to save him at the end of the movie and hint at a third movie.

But removing neteyam anywhere before his death would do barely anything to the plot because he doesn’t get to do ANYTHING. He wasn’t the one to save lo’ak at the start, he didn’t start the brawl, sure he took the tracker away but that doesn’t have a huge impact on the plot itself and was really more of a death flag for himself. Hell they could’ve had the ilu swim away with it by itself and drop it somewhere.

If a character has no impact in a story other then their death then their death has no real meaning. If their death only serves to further other characters’ plots and developments then they had no meaning as a character.

It legit boggles my mind how they managed to simultaneously write him with so much potential and make us fall in love with him while also simultaneously giving us nothing specifically about him

#avatar meta #avatar way of water #neteyam #avatar

[ninasbookshelf]

Book Recs Based on Taylor Swift Albums

'Tis the damn season of Taylor Swift's Eras Tour! In celebration I have put together reading recommendations based on each of Taylor’s albums.

Some of Taylor's songs are (seemingly) inspired directly by specific books or media, so I tried to stray from those and recommend something different. Also, I aimed for books that I think capture the theme/feeling of the entire album, rather than books that follow the story of one particular song. 

...Ready for it? Here goes.

(Also I’m tired, so there may be some minor book spoilers… no promises.) 

Taylor Swift (Debut)- I’ll Give You the Sun by Jandy Nelson

I’ll Give You the Sun captures the vibrancy of Taylor’s self-titled debut album, and delves into the challenges of youth and the journey to finding where we belong in the world. Both the album and book showcase the loneliness and betrayals that happen during adolescence. They also look at love and what it means to love someone. This isn’t just romantic love either; there are friendships, familial love… and ok, there’s romance too. 

Fearless - Wuthering Heights by Emily Brontë

Hear me out. Wuthering Heights is dark, yes, but it is mainly a story of passion; powerful, lively moments, both positive and negative. It’s a story full of life, and so is Fearless. In both there are love stories and there are fights, there are betrayals and misunderstandings, and in Wuthering Heights the characters are, mostly, physically very near each other… just on The Other Side of the Door. Both Fearless and Wuthering Heights are rollercoasters charting the ups and downs of their protagonists’ relationships. Someday I’ll write an essay dedicated to comparing the two in more detail, but for now I’ll stop here.

Speak Now - Seven Faceless Saints (SFS) by M.K. Lobb

Ok, I might be reaching here because I just read this and want to talk about it, but watch me make it work. Roz and Damian (the main characters of SFS) dated for years before Damian was drafted, and since his return to Ombrazia there has been tension between the two due to both personal vendettas and political differences. As they’re forced to work together, they begin to understand each other, they grapple with their pasts, the things that haunt them, the things that make them push for revenge… they build a relationship again, they reflect on the way their lives used to be and the tumult that caused the breakdown. The victory in SFS is a bit darker in tone than Long Live, but I think it still works. 

Red - If I Had Your Face by Frances Cha

This one is a given for me. Both Red and If I Had Your Face capture the turbulence and confusion of being a woman in your twenties (give or take). They show both the magic and madness of romantic relationships. They show the pain of being older and wiser, how we can look at other women who are still full of hope and see how everything could go wrong. Heartbreak, power, and female friendship; it’s all there.

1989 - The Sun Is Also a Star by Nicola Yoon

Welcome to New York! The Sun Is Also a Star follows two teens, Natasha and Daniel, through an event- and emotion-filled day in NYC. It’s romantic and silly and magical, until very suddenly… the pain of reality returns. This one’s YA, but I think it fits really well with 1989. 

Reputation - The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

I love love this comparison. Secret relationships, crimes and getaway cars, breakups and betrayals and finally, eventually, realizing that the people we surround ourselves with are what really matters in life… yeah.

Lover - Book Lovers by Emily Henry

It’s only fitting that Lover gets a romance novel (and I promise I didn’t just pick this particular book because it has “lover” in the title). Book Lovers features a literary agent named Nora who is determined to go above and beyond for her clients. If she were a man, she’d be the man. It’s a realistic romance, complete with a cruel summer and characters who find comfort in each other after many failed relationships… but can it last?  

folklore - Little Women by Louisa May Alcott or Sorrow and Bliss by Meg Mason

There’s a lot going on in folklore; it showcases Taylor’s storytelling skills in an achingly beautiful light. There are several different stories happening on the album, some of which are intertwined. I can’t pass up recommending Little Women, because the relationships these women share with each other, and their romances throughout the different stages of their life, are represented thoroughly in folklore’s tracklist. There are hard feelings and mistakes, heartache and the harshness of reality, and the realization that sometimes things aren’t meant to be, no matter how much we might want them to be. 

However, as someone who has spent too much not enough time watching Jo and Laurie x folklore compilations on Youtube, I feel like folklore/Little Women is a commonly made connection… (or maybe I’m way too deep into that rabbit hole). SO, to add some variety, I wanted to share a second recommendation that I think also fits with the general feeling folklore creates. 

Sorrow and Bliss by Meg Mason particularly fits with the more mature stories on the album. It involves  characters looking back on their pasts and seeing the connections and divisions in their relationships, and grappling with how things are vs what could’ve been. The book focuses heavily on mental health and how it affects our relationships with ourselves and the people we care about. 

I’ll share one of my favorite quotes: “Martha, no marriage makes sense. Especially not to the outside world. A marriage is its own world.” Just like in folklore, Sorrow and Bliss includes a deep dive into the protagonist’s personal relationships and how those relationships can grow and change over time.

evermore - I Capture the Castle by Dodie Smith

Set in a crumbling castle in rural England, I Capture the Castle shares the mystique and pining encapsulated in Taylor Swift’s evermore. There’s unrequited love, secret devotions, and the ache left by empty promises and tainted relationships. And of course, everything is happening surrounded by overwhelming pastoral beauty. It’s the perfect matchup to evermore.

Midnights - Daisy Jones and the Six by Taylor Jenkins Reid

A second TJR feature! I feel like there’s a song here for every major event in DJATS. The madness of relationships; the idolization of celebrities vs what they were actually going through; parties, affairs, love and questions; loss and betrayal and reflections on the past… It’s all there. 

And that’s all ten! I got tired near the end, so I apologize if any of this is confusing. If you have questions or comments about any of these book recs, please reach out to me! I’d love to talk more about them. 

I’m thinking of doing more in-depth book recommendations for Taylor's discography, where I pick one book for each of her songs. I’d do these on an album-by-album basis. If you're interested, let me know! 

#taylor swift #booklr #book recs #tjr #emily henry #bibliophile #books and reading #taylor swift eras #taylor swift debut #taylor swift red #1989 #fearless #evermore #folklore #midnights #speak now #taylor swift lover #reputation

[caesarflickermans]

Who are the characters you hate the most in your book? And please write a brief explanation of why you hate them.

I don't hate any of the characters.

There is a large disparity between fandom discourse which oftentimes gives personhood to characters and writing which, at times, treats characters as plot devices and literary symbols. While there are different approaches to writing, some of which do give personhood to their characters, I need to be abundantly clear that I am not that writer. In works like mine, we have to understand that even the most lovable characters are not people. Hate and love are therefore relative terms.

There are characters that will bring about feelings of dislike—and those are very intentional—specifically when it comes to the main antagonists Snow and Coin. Both of these serve a function over being rounded characters. Their inherent antagonism exists to tell the reader about the world: Both characters are symbols to real lived experiences. I cannot hate something which is a symbol; a symbol that fuels the story of the main characters. Without Snow, we wouldn't have Virgilia, and we wouldn't have her compelling journey. He exists as a plot device to bring Virgilia from A to B.

Snow in SSLWR, and throughout all of Virgilia's journey, is a personification of real felt pain that many women go through in relationship to abusive people in their lives (see ask: What appeals to you about Virgilia's character?). He's not real, that is to say he neither has personhood nor is a three-dimensional character. I specifically did not bother to make him more than that or give him any forgiving characteristics, because he is not supposed to be anything but this personification.

I've seen some readers group this work in with some Snowbaird, Snow/Female Character, and Snow/Reader works that emerged following the success of TBOSAS. I'm sure there are great writers and stories among those tags, but I will assume that many of those works are very ship-centric, feature a (toxic) romance, and feature Snow often, and often as a three-dimensional character. SSLWR is very specifically not that. Snow is not an actual character in the story. His presence is felt rather than existing on the pages.

My main emotion about the character of Snow is indifference. I do not care for his journey—least in TBOSAS—and he as a character does not matter to me. The effects he has on Virgilia and the country are important, and her relationship with him & the moments where she interacts with him are markers of the influence of such men on our lives. But my focus is on Virgilia: How she handles those situations, how she grows beyond them, how they pull her back.

You will find much of the same happening to Coin, though she will likely receive more presence compared to Snow.

Now, Claudius Templesmith? Fuck that guy.

#inbox #anon #the last sentence is a long running inside joke <3 #she smelled like white roses #birds of the capitol #Coriolanus snow #virgilia snow

[mermaidsirennikita]

ARC Review: The Dueling Duchess by Minerva Spencer

4.25/5. Releases 5/23/2023.

For when you're vibing with... Confident, mature heroines, adoring rakes, a bit of trick gunslinging, and situationships that turn into real relationships.

I like my first Minerva Spencer read, The Boxing Baroness. The follow-up was even better--sleeker, more romantic, with less focus on the history and more focus on the couple (and the fun lady circus!). There were a few bold takes with The Dueling Duchess, and I was into it.

Quick Takes:

--Cecile, our heroine, is French; and the book actually kicks off during the Revolution when she's a young teen. I loved this, just as I enjoyed the awareness of a world beyond England in the previous book. While most of this novel does take place in England, Cecile doesn't feel like an English heroine, and you get a sense of a wider, richer world than is often present in Regency historicals.

--Another thing about Cecile, a heroine I loved: she's 35-36 over the course of this novel, and she knows her shit. She knows what she likes, she knows what she doesn't like, and she suffers no fools. This doesn't mean she's cold or incapable of emotion (one of my favorite moments in the book lets us know just how much this isn't the case) but she's seen the world and she's both guarded and voracious enough be unable to resist Guy. Because Guy is Hot. And Guy is famous for his ability do sex things.

--So often--especially recently, I'm not gonna lie--I read about heroes who are presented as rakes, and as you read the book you're like... this is not a rake. Guy reads like an actual rake; he's charming, he's hot, his exploits are written about in newspapers, and he cucks randoms. We love him. Both Guy and Cecile are people who have slept with others. The book does not shy away from their experiences. It does not shame them for it. They get jealous, but they're also like.... fucking adults about it. The conflicts they do have are less about their mutual pasts, and more about their feelings for each other.

--One thing I felt like The Boxing Baroness suffered from was a somewhat slower feeling because of how much was going on outside of the central love story. Here, we're a lot more focused on Guy and Cecile's relationship and character development. There is external conflict and it matters, but the story is much tighter.

--I really enjoyed the lady circus in this go-around, as well as how much of Cecile's identity was tied up in it. A lot of this book was about Cecile having such a strong sense of independence... which is good! However, her journey involved recognizing that she hid behind her independence to avoid hard, risky emotions and relationships. It felt really authentic, and it transcended the historical setting.

--While this is definitely a heroine-forward book, Guy is such a good hero. He's a hero who basically spends most of the book groveling; but his faults are more down to a lack of understanding than true cruelty. He fucking looooves this woman, and the fact that this is a second chance romance (wherein we do flash back to the beginning of their first go) solidifies that.

The Sex Stuff:

Yeah, this one is hot. You get all the "good girl"-ing you could want (I have such a thing for when a hero is younger than the heroine and calls her a good girl), there's no worrying about virginal hesitance, Cecile! Likes! It! Rough! I absolutely loved the sex scenes in this book.

This was just such a solid historical romance. I would love to see more in this vein--rollicking, with just the right amount of emotion. It felt very old school meets new school.

Thanks to Netgalley and Kensington for providing me with a copy of this book. All thoughts and opinions are my own.

#romance novel blogging #arc reviews #netgalley #book recs #books #book reviews