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#22-23.portfolio
ds-os-art · 1 month
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Some Breathless Day - 2022
Named for, featuring lyrics from, and inspired by Burned Off, by Vundabar.
The third piece in this portfolio, and probably one of the more ambitious at this point, tackling some subjects that were more unfamiliar to me.
...Whether or not I did particularly well is debatable, definitely, but I think I learned plenty!
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sofirien · 9 months
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🌊 4/27/2023: neptune (the hanged man)🌊
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waffulaa · 8 months
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xaviergalatis · 6 months
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oh-snapperss · 17 days
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Medusa: The Much Needed Shift from Monster to Survivor in Percy Jackson (2023)
I am posting this on request of a couple folks! This is a part of a much bigger portfolio I submitted to my college mythology course, so if anything seems abrupt or short, that's why. Enjoy!
Reader discretion advised: the analysis below includes non-explicit discussion of sexual assault and rape.
From the beginning of the Percy Jackson series recently released on Disney+, it was clear that many changes were going to be made throughout the series both from the book series it derived from, and the myths Riordan first retold in his books. One of the most remarkable changes to the series can be found in episode three, and stood out with the dialogue below:
Percy: “So you’re not a monster, what are you then?”
Medusa: “A survivor.” (“We Visit the Garden Gnome Emporium” 23:22)
The decision to portray Medusa in this light is in stark contrast to any other adaptation involving her. Moments before this, Percy tells Grover and Annabeth that he thinks they can trust her, and that his mother had always told him Medusa’s story with the point “She isn’t what people think,” (21:52). This sets the stage for the following conversation, and the idea that Medusa in the myths may have been misunderstood as just another monster of Greek mythology.
In fact, Medusa’s physical appearance in the series is also markedly different from the original myth. Instead of being “monstrous” with wings, tusks of swine, and hair made of hissing snakes (“Medusa in Mythology”), the actress wears a veil over her hairand eyes, a nice dress, and has perfectly done makeup, with red lipstick. Her appearance brings empowerment to Medusa while also humanizing her, and a sense of fear or apprehension to the watcher. The answer to why these changes were made can be found in the relatability Medusa’s story has for today’s victims of rape and a patriarchal society that is unfair to women who have been assaulted.
Myths of Medusa describe her story without much pity: Either Poseidon rapes her in Athena’s temple or they willingly have sex; Athena, enraged, punishes Medusa by turning her into a monster. Poseidon goes unpunished, as he is a god (“Medusa in Mythology.") However, in current day climates, it is impossible not to draw similarities in Medusa’s story to the way victims are treated often in society. The assaulter goes unpunished, while the victim must live with the emotional, physical, and mental harm of such an attack. In fact, from my personal experience and things I have seen in the tattoo parlor I have gotten tattoos from, some victims have chosen to get tattoos of Medusa as a sign of being a survivor of such an assault. Thus, this brings back the director’s choice to portray Medusa differently in Percy Jackson than before.
Another notable difference in Medusa’s behavior is that she does not immediately attack Percy, Annabeth, and Grover (who would be considered the heroes of the story), instead offering them lunch and her perspective on what happened to her originally. By allowing Medusa the chance to speak her perspective on what happened to her, the directors of the show push for a world where women and victims are able to speak. With the show being watched by many younger teens and children, in addition to adults, an important message is carried to watchers, and her story is handled in a way that any victim watching can hear the message that they are not alone.
The director’s decision to show Medusa in this other light comes to a conclusion with Percy refusing the chance to betray his friends for her (28:03) a few minutes later, and from there the story aligns closer to the myth it derived from. The fight between the heroes and Medusa is not long, ending after Annabeth puts her hat of invisibility on Medusa, and Percy beheads her. Visually, this fight is markedly different to the myth—Medusa’s beheading is done with a hat of invisibility on, so there is no blood or gore shown (31:41). This change can easily be explained by the shows rating of TV-PG, combined with the fact that most likely, Disney would not have wanted such a gore filled scene on their platform.
Overall, the changes to Medusa’s story are headed in a positive direction much needed in the current climate of society, despite not staying exactly true to the source material.
Works Cited
“Medusa in Greek Mythology.” Greek Legends and Myths, https://www.greeklegendsandmyths.com/medusa.html. Accessed 20 March 2024.
“We Visit the Garden Gnome Emporium.” Percy Jackson and the Olympians, season 1, episode 3, Disney+, December 26, 2023. Disney, https://www.disneyplus.com/play/7a078c8a-2a03-4171-a647-a4f5ed12e738.
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jndzine · 7 days
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Info Masterpost!
Links
Xitter
Bsky
IG
Schedule
April 27 - Mod applications open
May 4 - Mod apps close @ 11:59PM EST
May 11 - Contributor applications open
May 25 - Contributor apps close @ 11:59PM EST
June 8 - Acceptance emails sent out
June 22 - All artists confirmed
July 20 - 1st draft due
Aug 17 - 2nd draft due
Sept 14 - Final draft due
Oct 19 - Contributor pre-order
Nov 9 - Public pre-order! Happy anniversary!
Nov 23 - Pre-orders closed
Delivery by Feb 2025
Leftover sales & donation after initial deliveries
Mods
Head mod: @adhdavinci
TBA
FAQ
General FAQ
Is the zine for profit or charity?
Charity! All proceeds will be donated to The River Otter Ecology Project.
What is the rating/content?
This is a safe-for-work, art-only zine featuring anything from the Jak and Daxter series. No other forms of media can be accepted this time around, sorry!
Are there mod positions available?
Yes! Applications will be live from April 27 thru May 8.
Is global shipping available?
Yes. Options will be released during the preorder phase.
What are the zine dimensions?
5.5in x 8.5in
Will there be a merch bundle?
Yes, there are plans for merch. We might hold apps for merch artists as well; stay tuned!
Mod FAQ
Do you need previous experience as a zine mod?
Application link (closes May 4)
No - any relevant experience will improve your application. Previous modding is just a bonus!
Is there an age limit?
Yes, all mods must be over 18.
What positions are available?
Organizers: run the Discord and help contributors meet deadlines 
Graphics: make graphics for social posts and zine page decor
Marketing: draft and post on socials according to schedule
Formatting: put the actual zine pages together for distribution
Financials: assist Head Mod in budgeting and researching shipping options
Contributor FAQ
Applications open May 11
First time contributor here - what do I need to submit to apply?
Please submit a portfolio that shows off your art. This can be a social media or a website, though for socials please submit a dedicated art tag!
Can I use an old piece for the zine?
Please draw something specifically for the zine and refrain from posting it anywhere until the zine's completion!
How many contributors will be accepted? How many pieces per contributor?
Determined based on number of submissions! The zine will likely be capped around 50 pages due to physical and financial constraints.
What is the contributor compensation (including merch)?
Contributors get free physical and digital copies of the zine, shipping included. Merch will be determined based on the success of the zine.
Is traditional art allowed?
Yes, it must be scanned in high quality (at least 300 dpi).
Is there an age limit?
No, just make sure you can meet the deadlines!
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musings-and-moans · 2 years
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Shyna’s First Kinktober
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when i first started writing in december 2021, never in my wildest fantasies did i imagine i’ll get to write my first kinktober list. i hope i get to finish all of them whenever possible <33
also, for those that submitted their requests for my milestone event, please be rest assured, the asks are still there and i will be working on them soon i promise <3
since all of these posts will be smutty and possibly dark content, i urge that minors, ageless blogs, blank blogs and p0rn bots do not interact with this post or any other posts <33 keep in mind, warnings will be given for each of the fics/drabbles/thirsts. if the kinks are highlighted in red, then these are my collab submissions and they’d be my first priority in terms of writing them.
the numbers mentioned on the side are tentative post dates, but i may not complete them all by the certain date, but surely within the month. also, i may add some surprise additions :D ALSO, some characters will be aged up, and I don’t want any backlash on this!
fandoms covered: attack on titan, jujutsu kaisen, haikyuu, jojo’s bizarre adventure, kuroko no basket, demon slayer, my hero academia, multiple (genshin impact, marvel, black clover)
(masterlist under the cut &lt;;3) | main masterlist
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1 - overstimulation + squirting - levi ackerman
2 - branding (hickeys) + creampie - kento nanami
4 - sensory deprivation - shota aizawa (blindfold with his scarf)
5 - femdom + mommy kink - tetsuro kuroo
7 - corruption kink + voice kink - jotaro kujo
8 - daddy kink - hajime iwaizumi (ft. tooru oikawa w/voyeurism)
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10 - breeding - zeke yeager
11 - workplace + edging - jean kirstein
12 - shower sex - erwin smith
17 - body worship - stephen strange
18 - exhibitionism - ryouta kise
19 - surprise! - noriaki kakyoin
20 - cockwarming - kaeya alberich
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22 - age gap - tengen uzui
23 - hand fetish - yoshikage kira
24 - size kink - yami sukehiro
25 - power play - satoru gojo
26 - intimate sex - kyojuro rengoku
28 - shibari - rohan kishibe
29 - phone sex - daiki aomine
31 - impact play - dabi
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tagging so y’all would be in the know &lt;3 : @munsonsins @romiyaro @mrskodzuken @cherrykamado @suguruenjoyer @portfolio-of-dreams @izukunii @kagejima @sanzucide @alterbubs @httphaitani @meowdarame @i4sgwr @rueren @milkyybuns @peachsayshi @25303 @discordkittenjoestar @ofallthingswhythis @mekiza @jordyn-degas @mxonigirimiya @fuwushiguro @ceo-of-daichi @tetsvrei @hyeque @satisfactooru @wakatshi @jellyluchi @mapesandoval @magthemage @spookysinner45 @theschneckenhouse
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bunnymi1k · 1 month
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i'm gonna make a bit of a masterpost with all my good art here, as i'm officially opening my commissions. i don't expect many requests, but i'm still limiting it to five total for the time being. first come, first serve, but i do have the right to decline for any reason i see fit.
let's get into the do's and don'ts first. it's a bit of a read, but please stick til the end if you're interested
things i WILL draw
ship art, within reason*
original characters
official characters, movies/shows/etc
other people's ocs, with permission!!
furries/anthros
my little pony characters
powerpuff/teen puff art style
chibi characters
nsfw art, but only if you can verify you're 18+!!!! and no underage characters!
portraits of yourself or others in my art style, which is not realism sorry
mild gore or body horror
things i WON'T draw
loli/shota
*ship art of the following: incest, pedophilia, canonically abusive couples, noncon situations
nsfw art of or for minors; unless the character canonically is 18+ at some point in the story, they're off limits. no fanon aged up designs.
mecha/highly robotic designs; it's just not my forte and i would hate to disappoint anyone expecting highly detailed mechanical designs. if you feel it's simplistic enough, we can discuss it further.
nsfw art of full-on animal characters, or anthros with realistic animal genitalia
nsfw art in the mlp style. same situation as above; if they're not anthropomorphic enough, i'm not drawing nsfw of it
chibi or ppg style nsfw
extreme gore/violence
payment can be made either in full, or 50%, upfront.
if you choose to do half upfront, the other half MUST be paid after approval of the final sketch for me to continue further. adjustments can continue to be made within reason. ie: please don't ask me to change the composition when it's half finished, or anything else outlandish
works in progress WILL use programs such as nightshade to prevent usage in AI programs, and will be heavily watermarked to avoid theft.
you will receive the full FINISHED artwork in any file format(s) you want (PNG being the default) via email, with a smaller watermark. it is yours to do whatever you wish with, all i ask for at that point is credit linking back to my blog!
please bear in mind that i have a full time job and other responsibilities if you choose to commission me. i would love for art to be my full-time job, but as it stands, it can't be. all of this to say, please have patience and empathy for the person behind the screen <3
now to get into the juicy part, pricing. please note- these prices are for single character pieces. additional information will be below
BUSTS (shoulders/chest and up)
sketch: 5 usd
lineart only: 8 usd
flat colors: 12 usd
cell shading: 18 usd
fully rendered/painted: 25 usd
HALF BODY (lower torso/waist and up)
sketch: 10 usd
lineart: 13 usd
flat colors: 17 usd
cell shading: 23 usd
fully rendered: 30 usd
FULL BODY
sketch: 15 usd
lineart: 18 usd
flat colors: 22 usd
cell shading: 30 usd
fully rendered: 45 usd
the cost of ONE additional character is ½ of the price listed above. anything more than two will be 25% of the listed price PER CHARACTER.
if you've made it this far, congratulations! now you get to enjoy my portfolio, if you wanna call it that. reblogs are very much appreciated!!!
if you're interested after all of that, dm me and tell me your pet's name so i know you read through everything (;
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some of this stuff is a bit outdated, but like i said i think these are some of my best works to show. i'll definitely rb this with more stuff to add someday, as well as when the number of open slots updates.
0/5
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asaraviapt · 8 months
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[EN] How to Follow Folks On LinkedIn Who Don’t Repeat “Rejection is Redirection.”
Lord give me patience–if I hear one more person telling me that “rejection is redirection” I’m blocking them before Twitter takes away the feature. 
… Okay, that may be extreme–but I want to start off this post by asking folks to refrain from that advice. I don’t have to remind other game developers how messed up the job market is, but I can say this much: I know a thing or two about job hunting. 
It takes time. Patience–a lot of it. Some studios ghost their applicants, others spend four months debating on who to grant that first interview–without guaranteeing a second or third round. Having been both a recruiter (and currently searching for a writing role) I picked up a few bits of trivia that I wish to share with others. 
First: Remote Networking Events:
Discord is going to be your best friend, along with other tools. It’s accessible, and offers a more casual environment than LinkedIn. Before naming a few networking events, here’s a few things to bear in mind:
Always have either a Sticky Note or WordPad that includes your preferred name, pronouns, a brief two to three sentence introduction on who you are and what sets you apart, along with your social media links and portfolio for potential recruiters to reach out to you. 
Take a deep breath. I know it can be daunting to put yourself out there, but in a job market full of so much competition, it’s the best way to gain an upper hand. 
Set up reminders and be efficient. 
Remember that everyone is human. This may sound like a weird one, but you’d be surprised at how often folks place game developers on a pedestal either because of the studio they work in, the awards they have won, etcetera etcetera. The best conversations and connections emerge from just relaxing and having a fun time with folks! 
Eventbrite.com Go on www.eventbrite.com and include the “remote” filters and free admission. Add key words such as “game developer meeting” or “game developer networking” for example. If you wish to get more specific, add the title you wish to have and see if you can meet folks who specialize in your field who can offer advice on how to break into the field. 
PowerToFly. Here, you can upload your resume and state where in the tech industry you would want to specialize in.
THIS WEEK they will have an event featuring to assist folx with visible and invisible disabilities from August 23, 2023 until August 24, 2023. You can sign up here: https://powertofly.com/events/virtual-job-fair/?utm_campaign=Sunday%20B2C%20Newsletter&utm_medium=email&_hsmi=270953365&_hsenc=p2ANqtz-_HrFZZIbObYArT2rnkBkTW0QMv-gHNY9LDc0LIp0pfCuFHnk01A0sqaz1W7KeYORbvHtSVX7R0gO4XKS_MfGeRqYdpog&utm_content=270926294&utm_source=hs_email
Similarly, there are events hosted by PowerToFly for members of the LGTBQIA+ community, the BIPOC community--all of which are free, the calendar with the dates is on their website.
LinkedIn Audio Events. These are great events to not only meet recruiters and employers from various studios, but also greet other fellow job hunters. The best part about this industry is the camaraderie and support–find someone who could give you a job, or find someone who could give you tips on improving your resume. 
List of LinkedIn Creators with Events: 
Aida Figuerola (https://www.linkedin.com/in/afiguerola/) 
Upcoming Event on August 22, 2023: https://www.linkedin.com/events/gamingbackstage-de-iwithjasmina7097554161021415424/
Justin Williams 
Previous Event: (Remember you can rewatch it, and take note of the advice provided by recruiters in AAA studios!) https://www.linkedin.com/in/justinalanwilliams/recent-activity/all/ 
Amir Satvat (https://www.linkedin.com/in/amirsatvat/)   
Amir has the Amir Awards, and often features creators helping the video game industry–additionally, he has an organized spreadsheet with video game job openings AND mentorship opportunities. 
Here is a link to the job directory from August 13, 2023. You’ll notice how often he updates it. https://www.linkedin.com/posts/amirsatvat_friends-i-am-pleased-to-present-the-august-activity-7096622772239388672-dCRh?utm_source=share&utm_medium=member_desktop
If you are job hunting, you can submit your most recent/updated resume–there are recruiters and employers that observe Amir’s database to find candidates. .
Last but not least, there is a network of mentors willing to help with specialized fields, giving industry advice, resume writing assistance and more–all of the details are on Amir’s page and posts. 
Arin Goldsmith (https://www.linkedin.com/in/arin-goldsmith/)
Previous Event: (https://www.linkedin.com/events/7090354190849323009/comments)/
A unique component in the gaming industry is how professionals are encouraged to have their own brands–and Arin provides excellent advice. When searching for a job, it helps having a platform so that whenever someone is looking for a game developer, they know they have to reach you because only you can do a certain thing–and that’s what should be on your portfolio, brand, etc. 
Though not a recruiter, Arin also provides excellent advice to folks who have 0 experience in the gaming industry but wish to use their transferable skills in the development of video games. 
List of Creators on Twitter With Great Advice: 
A brief sidenote: hashtags will be your friend when looking for jobs. Every social media platform has an algorithm that detects what content you interact with the most, so if you constantly like posts from recruiters, or posts that have keywords like your dream job title, department, field of study–those posts will be pushed to your feed more often than others. 
Some platforms allow you to follow hashtags and set up alarms–so, follow the hashtags involving your field of study and see a few freelancing opportunities come up!
Okay, now about creators:
Javiera Cordero: An amazing producer, Javiera created a Notion template that has saved my life–and job opportunities. 
The link is: https://javieracordero.notion.site/Job-Application-Manager-fce5406854f0475aa21d5fcd9fa5e668
It has several categories including “preparing”, “applied”, and “interviewing.”
Additionally, there are:
Cover Letter samples.
Dozens of job sites.
Websites for marginalized communities.
Possible Interview Questions
And more! (gracias Javiera <3)
Should I post “that”?
“My journey with X has ended.” “Unfortunately, I have been affected by layoffs.” “I’ve been trying to keep it together for the past few months, but I need help…”
Posts of this nature have increased exponentially. I’ve had to write some–and I encourage everyone to do the same, and I know it is not easy.
It’s not easy to be vulnerable, especially in front of many professionals.
But some of them may be your future coworkers–if you need help, tell your network. Not to mention, that if you have not come across a job for a while this lets recruiters know why there is a gap on your resume. It was not due to a gap year, it was due to a recession and a million other things. 
How do I reach out?
Reach out to folks who are in a role similar to what you are striving towards. As a narrative designer, I often try to connect with other narrative designers–mainly because they have the best dad jokes and D&D campaigns, but I digress. 
Apply to as many studios as you can, then head to LinkedIn. Look up the studio, and see if there are any of the following:
Alumni from your alma mater. 
Folks in your specialized field.* 
Mutual Connections. 
First, reach out to mutual connections. See if they are willing to introduce you to someone in the studio you just applied. Or, try and meet up with someone who you went to school with–share stories and inside jokes from the institution, and if the subject of employment comes up, use that as a segue to explain your situation. 
Do not cold call people with messages like, “Do you have a job for me?” It’s not a good look–and, again, people are human. They will know when they are being contacted because of their job title–so avoid that. 
*Yes, there is a lot of support in the gaming community. But it does not always happen–sometimes, if someone has little to no social media presence, no profile picture it may be for a reason. Understand that there are times where game developers are, unfortunately, treated poorly by gamers and decide to limit what messages they can accept. It’s all about getting a hint, basically–but digitally.
Anyways, be nice! Don’t weird any game developers out and get that job. 
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guitarnacle · 4 months
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H.R Giger, 1940-2014
(Long) list of works:
1, 2 and 3: What I assume are early versions of the Pisces, Capricorn and Ares statues from Giger's 'zodiac fountain' project, 1996. Pictures by Louis Stalder from https://www.hrgiger.com/zodiac.htm
4 (and 6): The "Harkonnen Chair" series. 1981, created from fibreglass for the never completed film 'DUNE' (dir. Alejandro Jodorowsky). 4 is from https://www.hrgiger.com/chairs.htm (no image credit)
5 (and 28): Giger's microphone stand designed for the band 'Korn', in roughly 2001. 1 of 5 works in that series. (side note the website I found it on through google images is a gaming website that also apparently hosts pictures of Giger's Korn mic stand??) also referred to as 'Nubian Queen' on his website.
6: See 4
7: Concept art of the "space jockey" in 'Alien', 1979. Giger also directed the creation of the alien and set (!!).
8: 'Mirror Image' 1977, airbrush painting.
9. Depiction of the alien life cycle for the 1979 'Alien' film.
10. part IV of Giger's N.Y City portfolio, 'Torso 456'. 1980-1982.
11. One of the 'Birth machine baby' sculptures, inspired by the 1967 drawing "Birthmachine".
12: Part of the 'Erotomechanics' series, 1979.
13: I couldn't find much on this one, on Giger's website it is called 'Bei Sydow-Zirkwitz' and the image I found of it is an (unverified) print being sold online that claims to be an original lithograph/stone print from 1976. Also calls it "Promethius New York city." They seem to be largely the same, I just chose this one for higher quality.
14. 'Homage to S. Beckett I', 1968 (This series is one of my favourites and this one is often linked to Dali's painting 'The Great Masturbator', which I thought was interesting).
15, 16: Photographs by Pino Carafa, from Giger's Nov-Dec 1996 exhibition in Milan. The head has a placard that looks like it reads 'Mask 11', but with a quick look into it I couldn't find a proper name or identification for these pieces except for their presence in the past exhibits on the HR Giger website.
17: 'Drawing for sil/Sil's baby', 1994 (?) a sketch I only found because of the Giger database which is an amazingly detailed and and easy to access record of literally everything Giger ever did, here it is (https://www.littlegiger.com/gigerdb/index.php) the images are tiny however :(
18: Noracyclin (contraceptive-pill) 1965, same source as above - H.R Giger has said this and the 'birthmachine'/baby theme throughout his work are (partly) demonstrations of his fears for the planet due to overpopulation
19: From the page on Giger's website about the bars across the world that use his designs and imagery. The image is an example of the bar in Gruyères, Switzerland, which opened in 2003.
20, 21 and 24: 'Biomechanoid' statues, the one with the green/blue finish created 2010, the silver one 2002.
22: A photograph of H.R Giger and a model from one of the 'Alien' films. From the Giger Work Catalogue, image owned by Matthias Belz, as are 20, 24, 25 and 26.
23: 'The Great Beast', Giger's concept art for the 1985 film 'Poltergeist'.
24: See 20 & 21
25: 'Guardian Angel', sculpture from 2002. Could also be the rusted version.
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look here 👆 in particular for more excellent images that will blow your tits clean off
these are just some of my favorites that i wanted other people to know about, his website, catalogue and database have so much more PEACE AND LOVE
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wild-magic-oops · 4 months
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Durge asks! 1, 22, and 23~
1. What circumstances led to your Dark Urge becoming their Class/Subclass?
Me finding it ironic and funny to make Durge a Life Domain Cleric of Tyr lmao But aha!! I did attempt to come up with at least somehow plausible reason (bc actually believable one without humor is just not possible for this scenario):
Lucas waking up with an extensive knowledge of medicine, humanoid bodies, and a persistent feeling that he used to serve a god before, then proceeding to make a wild conclusion that he must be a healer cleric bc that makes sense, right??
The Urge is... unsettling tho, he's disgusted by it. There's clearly something wrong with him and he doesn't like it. So he comes to another wild conclusion that he was either cursed by another god for serving his own, or specifically chose a good-aligned god to help him stay on the right path instead of going off the rails (bc a god keeping him in check also feels familiar). So he must've been a follower of a good-aligned god, probably someone whose portfolio includes clearly differentiating right from wrong. So Lucas makes a list of god to send prayers to bc that also feels very familiar. And he starts with Tyr.
Tyr looking at this amnesiac bhaalspawn praying to a be life domain cleric of his and wanting to do good things and decides "Sure why not, that's one way to make up for past transgressions. And I bet Bhaal's gonna blow a gasket about it." and gives Lucas cleric powers.
Lucas actually thinking he got it right from the first try while being so absurdly wrong in his conclusions. He realizes that later but oh man, he really thought he was on to something at the beginning lmao
But Tyr not taking away his powers in Act 3 when Lucas learns he's a bhaalspawn - it sure was a relief for Lucas.
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22. What first impression does your Dark Urge give off to strangers?
I feel like I'm too biased to answer that haha But Lucas hopes the first impression he gives off is that of a helpful person and definitely not of a bhaalspawn lmao
23. How does your Dark Urge feel about what others think of them?
He wants to be liked by people he considers good-aligned bc that's affirming him as a good person in his mind. Others - he couldn't care less what they think about him. This tendency of his considerably lessens after he gets rid of his Urge tho.
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ds-os-art · 2 months
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Don't You Know I Never Wanted More? - 2022
Named for, featuring lyrics from, and inspired by I'll Have What She's Having by WOOZE.
First part of a portfolio I made in an art class during high school; those pieces comprise a large part of my journey as an artist and I'm proud enough of them that I think they're worth sharing, so... may as well!
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sofirien · 10 months
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☀️ 1/4/2023: the sun (the sun) ☀️ **revision**
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srbachchan · 2 years
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DAY 5367
Jalsa, Mumbai                  Oct 22/23,  2022                  Sat/Sun  1:00 am
Birthday - EF Kankana Chakraborty  ... Deepak Jain ... Atul Kumar Shrivastava ... Monday, 24 October
.. and the greetings from the entire Ef family for your prosperity and love and care .. ❤️❤️❤️
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.. the lefty clap .. unusual .. but then ...
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time and tide wait for no one .. the discouraged , the ominous , the discharged the irrelevant need to be kept in abeyance and beyond reach .. the gracious near and dear, in celebration of festive brilliance .. 
the lethargy of time waits for no one .. the tides of fortune are the precursor of betterment and prosperity .. 
and the wishes that abound among all , be of such great value and meaning .. 
and so does the occasion of the lights and the ‘diyas’ bring to us the gifts of many and the wishes of fulfilment and joy .. 
bringing credence to all in one quick swift response is humanly impossible .. but it shall happen with time ..
time though gave a young lady contestant at the ‘quarters’ of KBC an anxiety and the lines of not just despair, but of a sarcastic satire in content that it became important for me to publish it as was publicly promised from the seat of KBC power   :
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a young promising lady who had built a gentle 2 storied home for herself and her family one fine day due to an order by the Authority, ran a pass road through it destroying the house that she had built with love care and affection .. 
she wrote the above .. ☝🏽
and asked me to read it out on the platform .. I did .. and finding it very close to me promised her that the content would be displayed on my Blog .. so there ..
( the Hindi geniuses may please enlighten the audience with its translate )
.. and somewhere it strikes a chord .. a personal chord ..
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some of best performances get their due on the stage of the floor where the curtains dare not go down .. so injury or no , the SGO .. nnnn
a jutting piece of metal sliced my left calve and managed to cut the vein .. the vein when cut spurts out the ‘red’ uncontrollably .. but had the nerve to get the doc and so into an OT and the stiching up .. with the assistance of team of staff and docs in time .. 
the throb is the control factor on kBC and it must be stated that those 3-4 hours on each episode, does take care of the ... aahhh never mind .. !
its a little inoperative, but the will to continue in the similar spirit of measurement and tribe and class in range does give a hope and we cope .. 
its quite fresh and with opinion and advice .. 
now the detaining may not be of mention else where  , from all of you .. so do help .. 
the coming days bring the relief of festive lights and a resurgence of emotion and more .. but for the men to be doing that is always a bit unfair .. 
pardoń   !!!
but in admittance the medical to not stand , to not move, to not strain on it by even a TreadMill walk is not permitted !! 
at times the satisfaction of the extreme may bring the joys or the griefs of existence .. but extremes do not and never last .. they either perish or leave an indelible mark .. at strategic places on the body or bodies .. that is an embarrassment   .. takes a while to step out of it , so help me God .. !!!
there is conjecture .. and there is the sudden appearance of the invited .. and then the reason for the making of the human .. and many other .. unfair to the straight and correct .. fair to the other .. 
aaahhhhh .. the ‘other’ again .. and there is large portfolio of this soon .. 
but on some other day ..
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.. the doctor .. err apologies ... the dr in Austria  .. on the University of Study at Australia .. a sneak peak into the lives of strange strains .. virtually and in the command of the future .. 
.. they be and be not ..
and life moves on .. and on and on .. 
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Amitabh Bachchan
💜🪔 , October 23 .. birthday greetings to Ef Atul Ahluwalia .. and Ef Sonia Ahuja .. praying for the Lights of the Divine to burn every evil without and within .. prayers for peace and safety .. 🙏🏻✨
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I've had this moment of realization some weeks ago, after I watched Red, White & Royal Blue. I even wrote a bit here and I focused on the genre, on chemistry, the film as an adaption. And then I stumbled on some review or think piece which had its central thesis based on the fact that this film is just another US/Royal imperialist propaganda, wrapped up nicely as a rom-com. And I was dumbfounded because why didn't that thought cross my mind instantly? Of course the ideological frame of analysis is but one, but it's still important. Me from a few years ago would know it. Me from today had to read it someplace else. Around that same time, I saw a teaser for an experimental film on Mubi in which the narrator talked about physical and imaginary borders. And again that terminology made me think of the times in which I could so easily talk about and use concepts related to borders, displacement, belonging, otherness, imperialism/colonialism, all critical paradigms that have now left my vocabulary.
Of course that as years went by, my research focus had shifted as I worked more and more in the area of gender identity (especially women in cinema) and then forms of masculinity (because of Jimin, which is something I haven't told before). And that led to becoming familiar with another set of concepts and adopting a terminology which I had to chance to use it in my posts here on tumblr a lot more than in my academic research in the past 3-4 years.
But what I wanted to say was that when I realized I was blind to the ideology in some Hollywood movie, I felt stupid. I felt like I regressed so much, compared to 22-23 year old me who could so easily juggle with those notions. Where has it gone? Did it disappear completely? Maybe not. I can bring that side of my brain back to life if I only go through some articles briefly. But it doesn't take away the fact that I had lived that moment of realization.
And now that I have distanced myself from the "institution", what's left? Will all my knowledge be stored in some part of my brain and I will forget about it as I move on and do other stuff? Why do I consider that specific type of knowledge as the only smart and relevant component?
And what about fatigue and apathy? And what about those concepts and ideas which belonged to people who no longer have a place, but their presence still lingers because I have assimilated their ideas? Years later and I still believe and use words and concepts that were not initially mine, but I can't get rid of them because I made them mine in the process?
There's always been this inner conflict as to what's the purpose of research. I don't know which is my voice and which is the other one with more power and influence. Do I think that having my name published is the ultimate purpose? I used to (I was being told), but when it happened, I felt no joy. I felt more relieved that it was finally over after months and years of work.
But then I stay up for days and I do stuff on my own and I finally write essays with no outside pressure and I come and post them here. And in those moments I'm happy. I'm also happy not for the likes and reblogs, but when I see other people commenting or sending asks in which they share their thoughts. And no one knows who I am and I don't get any recognition and none if it goes into some portfolio. And I'm happy. And then I get reminded that I was told about the democratization of research as well, of how it should reach more people, instead of getting locked up behind paywalls and that sharing the knowledge is the most important thing. And I believed it 10 years ago and I believe it now. And then I have to be confronted with the fact that such type of writing doesn't really have a place in a fandom that places a lot more stock on other type of participation.
Contradictory ideas coming from the same source which are fighting in my brain. And are part of me, whether I like it or not.
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reallyhardy · 1 year
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It’s the very reason the group was launched in February 2021: while original P-pop music saw success in the late 1990s and early 2000s, support faced a steep decline once groups started modeling themselves after their Korean counterparts. The industry lacked diversity and by extension, a distinct identity: something Alamat has in spades. Today, they are ready to live up to their name (which means “legends” in English) as the first multiethnic, multilingual act in the Philippines.
Alamat came together from all over the country. Leader, main dancer, and sub-vocalist Taneo (22 years old) is from Tabuk, Kalinga, in the far North; co-leader Mo (20) is a half-Black American from Castillejos, Zambales; Jao (20) comes from Pampanga and the group’s center Tomás (24) from Tabaco City, Albay. Vocalist and visual R-Ji (23) is a Waray-Waray from Borongan, Eastern Samar, while rapper-producer Alas (21) is a Bisaya from Davao City. 
All were students with side jobs prior to joining the group, and while they all agree that this gig positively changed the trajectory of their lives, the journey was not without doubts. “Lately, it seems like Filipinos gravitate towards foreign influences more: our appreciation for our culture has slowly started to fade. So when we heard of the concept of this boy group, we couldn’t help but think it was risky,” Jao admits.
Alamat’s creative director Jason Paul Laxamana further outlines to Teen Vogue via email the complexities in P-pop and K-pop, and how they’ve affected Alamat’s reception in the country. “For Pinoy K-pop fans, they would judge Alamat based on their standards: glossy sets, Korean-style choreography, and even physical appearance like light skin and colored eyes,” Laxamana says. “Since Alamat doesn’t follow their formula 100%, many perceive them to be doing it wrong.”
But these risks seem to have paid off, as they’ve built an impressive portfolio of songs that illuminate the Philippines’ illustrious culture. “Kbye,” for instance, is their debut anthem about ghosting sung in seven of our local languages. “Kasmala” — which recently went viral for its “f*ck colonizers” concept — references the 1904 St. Louis World Fair, where Filipino natives were displayed like zoo animals before a foreign audience. Their latest EP Pasulong has the sensual and bass-heavy “Aswang” as the lead single, where all six members fall for the country’s most popular urban legend: a bloodsucker that only appears at night.
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