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#Harry Edward Stinson
rabbitcruiser · 4 months
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Harry Edward Stinson was born in Wayland, Iowa on January 3, 1898.
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brookstonalmanac · 3 months
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Birthdays 2.14
Beer Birthdays
Michael Sedlmayr (1848)
Alvin M. Hemrich (1870)
Benedict Frank Haberle (1888)
Denny Conn (1952)
Gregg Wiggins (1954)
Lew Bryson (1959)
Kristi Switzer (1965)
Chuck Silva (1967)
Five Favorite Birthdays
Tim Buckley; rock musician (1946)
Florence Henderson; actor (1934)
Thomas Malthus; economist (1766)
Lois Maxwell; actor (1927)
Simon Pegg; actor, comedian, writer (1970)
Famous Birthdays
Mel Allen; sportscaster (1913)
Jules Asner; model, television personality (1968)
Jack Benny; comedian (1894)
Carl Bernstein; journalist (1944)
Drew Bledsoe; New England Patriots QB (1972)
Michael Bloomberg; clueless businessman, politician (1942)
Odds Bodkin; storyteller (1953)
Lara Croft; Tomb Raider game character (1968)
Frederick Douglass; writer, abolitionist (1817)
Hugh Downs; television host (1921)
George Ferris; inventor, Ferris Wheel inventor (1859)
Zach Galligan; actor, comedian (1964)
Frank Harris; writer (1856)
Woody Hayes; football coach (1913)
Freddie Highmore; actor (1992)
Gregory Hines; actor, dancer (1946)
Jimmy Hoffa; union leader (1913)
Kevin Keegan; soccer player (1951)
Jim Kelly; Buffalo Bills QB (1960)
Margaret Knight; inventor (1838)
Porsche Lynn; porn actor (1962)
Vic Morrow; actor (1929)
Murray the K; D.J. (1922)
George Jean Nathan; writer (1882)
Alan Parker; film director (1942)
Edward Platt; actor (1916)
Thelma Ritter; actor (1905)
Anna Howard Shaw; suffrage leader (1847)
Skeezix; cartoon character (1921)
Jo Jo Starbuck; ice skater (1951)
Katherine Stinson; aviator (1891)
Teller; comedian, magician (1948)
Rob Thomas; rock musician (1972)
Meg Tilly; actor (1960)
Johann Werner; German mathematician (1468)
Charles Wilson; English physicist (1869)
Fritz Zwicky; Swiss astronomer (1898)
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Went on a bit of self-rec spree to signal boost my own fics. Take a peek and explore if it hits your preferences right, yeah? Thanks in advance! :)
{Full disclosure - some of  these fics, okay, all of them (except HP one) are currently on-going WIPs.}
How I Met Your Mother - Tarney Ship (Ted Mosby/Barney Stinson)
1. Sandcastles in the Wind -  After Ted learns that Barney had slept with Robin, in a fit of unfathomable rage he exiles Barney from his life and their group. It takes a miraculous escape from a terrible accident unscathed, for Ted to realise his true feelings for his good friend but could it be too late already to do something about it? Especially since Barney picks the wrong time to listen to Ted for once and stays away from their gang.
Also, there is this troubling matter of Barney’s Ex and his sudden reappearance in the blond’s life...and Ted, yeah, he’s not really happy about Barney hanging out with his Ex again. Not one bit. Nope.
https://archiveofourown.org/works/20454890
2. The Quintessential Bad Type -  Beyond Barney’s compelling façade lies a terrible truth, one that Ted accidentally uncovers. Would Ted be capable of stepping up in time to save Barney? And, most importantly, will Barney let him?
https://archiveofourown.org/works/26281273
Boku No Hero Academia - TodoBaku (Bakugou Katsuki/Todoroki Shouto)
1. The Fire to his Ice - When high-school student Bakugou Katsuki marries his arch-rival, Alpha Todoroki Shouto to fulfill his dying grandmother’s last wish - the omega honestly, doesn’t expect the pair of them to even last a week. 
However, what starts as a simple mutual agreement of sorts: a tentative deal to get along and ensure their unexpected marriage remains strictly under wraps at school, soon turns complicated when misunderstandings, old flames and new emotions get involved in the mix.
https://archiveofourown.org/works/26371579
2. Damned Flowers & Wretched Feelings - Bakugou Katsuki has 99 problems and being (secretly) in love with the Icyhot bastard forms the crux of them all.
{Or: Katsuki contracts the Hanahaki disease and obviously, blames the half-and-half bastard for it.}
https://archiveofourown.org/works/26371285
Harry Potter - Drarry (Draco Malfoy/Harry Potter)
1. Of Flammable Wings and Wild Winds - Harry strikes up an unexpected friendship with an anonymous fan, which propels him to question his stance on certain preconceived notions, particularly, in regards to his former nemesis.
{Or: Harry learns certain truths about himself, with the help of his mysterious fan turned new best friend.} An eight year fic.
https://archiveofourown.org/works/25643485
Twilight - Jakeward (Jacob Black/Edward Cullen)
1. Sucker for his Charm -  Jacob tries to make sense of his chaotic love life and problems that arise in the form of his overprotective yet interfering pack and the resident vampire Edward Cullen, who just won't be deterred from his crazy pursuit. {A Mate fic with a twist!}
https://archiveofourown.org/works/8595325
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blackkudos · 4 years
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Elizabeth Catlett
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Elizabeth Catlett (April 15, 1915 – April 2, 2012) was an American and Mexican graphic artist and sculptor best known for her depictions of the African-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C. to parents working in education, and was the grandchild of freed slaves. It was difficult for a black woman in this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. However, a fellowship awarded to her in 1946 allowed her to travel to Mexico City, where she worked with the Taller de Gráfica Popular for twenty years and became head of the sculpture department for the Escuela Nacional de Artes Plásticas. In the 1950s, her main means of artistic expression shifted from print to sculpture, though she never gave up the former.
Her work is a mixture of abstract and figurative in the Modernist tradition, with influence from African and Mexican art traditions. According to the artist, the main purpose of her work is to convey social messages rather than pure aesthetics. Her work is heavily studied by art students looking to depict race, gender and class issues. During her lifetime, Catlett received many awards and recognitions, including membership in the Salón de la Plástica Mexicana, the Art Institute of Chicago Legends and Legacy Award, honorary doctorates from Pace University and Carnegie Mellon, and the International Sculpture Center's Lifetime Achievement Award in contemporary sculpture.
Early life
Catlett was born and raised in Washington, D.C. Both her mother and father were the children of freed slaves, and her grandmother told her stories about the capture of their people in Africa and the hardships of plantation life. Catlett was the youngest of three children. Both of her parents worked in education; her mother was a truant officer and her father taught at Tuskegee University, the then D.C. public school system. Her father died before she was born, leaving her mother to hold several jobs to support the household.
Catlett's interest in art began early. As a child she became fascinated by a wood carving of a bird that her father made. In high school, she studied art with a descendant of Frederick Douglass.
Education
Catlett completed her undergraduate studies at Howard University, graduating cum laude, although it was not her first choice. She was also admitted into the Carnegie Institute of Technology but was refused admission when the school discovered she was black. However, in 2007, as Cathy Shannon of E&S Gallery was giving a talk to a youth group at the August Wilson Center for African American Culture in Pittsburgh, PA, she recounted Catlett's tie to Pittsburgh because of this injustice. An administrator with Carnegie Mellon University was in the audience and heard the story for the first time. She immediately told the story to the school's president, Jared Leigh Cohon, who was also unaware and deeply appalled that such a thing had happened. In 2008, President Cohon presented Catlett with an honorary Doctorate degree and a one-woman show of her art was presented by E&S Gallery at The Regina Gouger Miller Gallery on the campus of Carnegie Mellon University.
At Howard University, Catlett's professors included artist Lois Mailou Jones and philosopher Alain Locke. She also came to know artists James Herring, James Wells, and future art historian James A. Porter. Her tuition was paid for by her mother's savings and scholarships that the artist earned, and she graduated with honors in 1937. At the time, the idea of a career as an artist was far-fetched for a black woman, so she completed her undergraduate studies with the aim of being a teacher. After graduation, she moved to her mother's hometown of Durham, NC to teach high school.
Catlett became interested in the work of landscape artist Grant Wood, so she entered the graduate program of the University of Iowa where he taught. There, she studied drawing and painting with Wood, as well as sculpture with Harry Edward Stinson. Wood advised her to depict images of what she knew best, so Catlett began sculpting images of African-American women and children. However, despite being accepted to the school, she was not permitted to stay in the dormitories, therefore she rented a room off-campus. One of her roommates was future novelist and poet Margaret Walker. Catlett graduated in 1940, one of three to earn the first masters in fine arts from the university, and the first African-American woman to receive the degree.
After Iowa, Catlett moved to New Orleans to work at Dillard University, spending the summer breaks in Chicago. During her summers, she studied ceramics at the Art Institute of Chicago and lithography at the South Side Community Art Center. In Chicago, she also met her first husband, artist Charles Wilbert White. The couple married in 1941. In 1942, the couple moved to New York, where Catlett taught adult education classes at the George Washington Carver School in Harlem. She also studied lithography at the Art Students League of New York, and received private instruction from Russian sculptor Ossip Zadkine, who urged her to add abstract elements to her figurative work. During her time in New York, she met intellectuals and artists such as Gwendolyn Bennett, W. E. B. Dubois, Ralph Ellison, Langston Hughes, Jacob Lawrence, Aaron Douglas, and Paul Robeson.
In 1946, Catlett received a Rosenwald Fund Fellowship to travel with her husband to Mexico and study. She accepted the grant in part because at the time American art was trending toward the abstract while she was interested in art related to social themes. Shortly after moving to Mexico that same year, Catlett divorced White. In 1947, she entered the Taller de Gráfica Popular, a workshop dedicated to prints promoting leftist social causes and education. There she met printmaker and muralist Francisco Mora, whom she married later that same year. The couple had three children, all of whom developed careers in the arts: Francisco in jazz music, Juan Mora Catlett in filmmaking, and David in the visual arts. The last worked as his mother's assistant, performing the more labor intensive aspects of sculpting when she was no longer able. In 1948, she entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" to study wood sculpture with José L. Ruíz and ceramic sculpture with Francisco Zúñiga. During this time in Mexico, she became more serious about her art and more dedicated to the work it demanded. She also met Diego Rivera, Frida Kahlo, and David Alfaro Siqueiros.
In 2006, Kathleen Edwards, the curator of European and American art, visited Catlett in Cuernavaca, Mexico and purchased a group of 27 prints for the University of Iowa Museum of Art (UIMA). Catlett donated this money to the University of Iowa Foundation in order to fund the Elizabeth Catlett Mora Scholarship Fund, which supports African-American and Latino students studying printmaking. Elizabeth Catlett Residence Hall on the University of Iowa campus is named in her honor.
Activism
Catlett worked with the Taller de Gráfica Popular (TGP) from 1946 until 1966. However, because some of the members were also Communist Party members, and because of her own activism regarding a railroad strike in Mexico City had led to an arrest in 1949, Catlett came under surveillance by the United States Embassy. Eventually, she was barred from entering the United States and declared an "undesirable alien." She was unable to return home to visit her ill mother before she died. In 1962, she renounced her American citizenship and became a Mexican citizen.
In 1971, after a letter-writing campaign to the State Department by colleagues and friends, she was issued a special permit to attend an exhibition of her work at the Studio Museum in Harlem.
Later years
After retiring from her teaching position at the Escuela Nacional de Artes Plásticas, Catlett moved to the city of Cuernavaca, Morelos in 1975. In 1983, she and Mora purchased an apartment in Battery Park City, NY. The couple spent part of the year there together from 1983 until Mora's death in 2002. Catlett regained her American citizenship in 2002.
Catlett remained an active artist until her death. The artist died peacefully in her sleep at her studio home in Cuernavaca on April 2, 2012, at the age of 96. She is survived by her 3 sons, 10 grandchildren, and 6 great-grandchildren.
Career
Very early in her career, Catlett accepted a Public Works of Art Project assignment with the federal government for unemployed artists during the 1930s. However, she was fired for lack of initiative, very likely due to immaturity. The experience gave her exposure to the socially-themed work of Diego Rivera and Miguel Covarrubias.
Much of her career was spent teaching, as her original intention was to be an art teacher. After receiving her undergraduate degree, her first teaching position was in the Durham, NC school system. However, she became very dissatisfied with the position because black teachers were paid less. Along with Thurgood Marshall, she participated in an unsuccessful campaign to gain equal pay. After graduate school, she accepted a position at Dillard University in New Orleans in the 1940s. There, she arranged a special trip to the Delgado Museum of Art to see the Picasso exhibit. As the museum was closed to black people at the time, the group went on a day it was closed to the public. She eventually went on to chair the art department at Dillard. Her next teaching position was with the George Washington Carver School, a community alternative school in Harlem, where she taught art and other cultural subjects to workers enrolled in night classes. Her last major teaching position was with the Escuela Nacional de Artes Plásticas at the National Autonomous University of Mexico (UNAM), starting in 1958, where she was the first female professor of sculpture. One year later, she was appointed the head of the sculpture department despite protests that she was a woman and a foreigner. She remained with the school until her retirement in 1975.
When she moved to Mexico, Catlett's first work as an artist was with the Taller de Gráfica Popular (TGP), a famous workshop in Mexico City dedicated to graphic arts promoting leftist political causes, social issues, and education. At the TGP, she and other artists created a series of linoleum cuts featuring prominent black figures, as well as posters, leaflets, illustrations for textbooks, and materials to promote literacy in Mexico. Catlett’s immersion into the TGP was crucial for her appreciation and comprehension of the signification of “mestizaje”, a blending of Indigenous, Spanish and African antecedents in Mexico, which was a parallel reality to the African American experiences. She remained with the workshop for twenty years, leaving in 1966. Her posters of Harriet Tubman, Angela Davis, Malcolm X and other figures were widely distributed.
Although she had an individual exhibition of her work in 1948 in Washington, D.C., her work did not begin to be shown regularly until the 1960s and 1970s, almost entirely in the United States, where it drew interest because of social movements such as the Black Arts Movement and feminism. While many of these exhibitions were collective, Catlett had over fifty individual exhibitions of her work during her lifetime. Other important individual exhibitions include Escuela Nacional de Arte Pláticas of UNAM in 1962, Museo de Arte Moderno in 1970, Los Angeles in 1971, the Studio Museum in Harlem in New York in 1971, Washington, D.C. in 1972, Howard University in 1972, Los Angeles County Museum of Art in 1976, Miller Gallery at Carnegie Mellon University in 2008, and the 2011 individual show at the Bronx Museum. From 1993 to 2009, her work was regularly on display at the June Kelly Gallery.
Catlett's work can be found in major collections such as those of the Museum of Modern Art, Metropolitan Museum of Art, Library of Congress, Minneapolis Institute of Arts, National Museum in Prague, the Toledo Museum of Art, the Clark Atlanta University Art Galleries, the Palacio de Bellas Artes in Mexico, the Instituto Politécnico Nacional, Carnegie Mellon University, the University of Iowa, the June Kelly Gallery and the Schomburg Center for Research in Black Culture in New York.
The Legacy Museum, which opened on April 26, 2018, displays and dramatizes the history of slavery and racism in America, and features artwork by Catlett and others.
Awards and recognition
During Catlett's lifetime she received numerous awards and recognitions. These include First Prize at the 1940 American Negro Exposition in Chicago, induction into the Salón de la Plástica Mexicana in 1956, the Distinguished Alumni Award from the University of Iowa in 1996, a 1998 50-year traveling retrospective of her work sponsored by the Newberger Museum of Art at Purchase College, a NAACP Image Award in 2009, and a joint tribute after her death held by the Salón de la Plástica Mexicana and the Instituto Politécnico Nacional in 2013. Others include an award from the Women's Caucus for Art, the Art Institute of Chicago Legends and Legacy Award, Elizabeth Catlett Week in Berkeley, Elizabeth Catlett Day in Cleveland, honorary citizenship of New Orleans, honorary doctorates from Pace University and Carnegie Mellon, and the International Sculpture Center's Lifetime Achievement Award in contemporary sculpture. The Taller de Gráfica Popular won an international peace prize in part because of her achievements . She received a Candace Award from the National Coalition of 100 Black Women in 1991.
Art historian Melanie Herzog has called Catlett "the foremost African American woman artist of her generation." By the end of her career, her works, especially her sculptures, sold for tens of thousands of dollars.
In 2017, Catlett's alma mater, the University of Iowa, opened a new residence hall that bears her name.
Catlett was the subject of an episode of the BBC Radio 4 series An Alternative History of Art, presented by Naomi Beckwith and broadcast on March 6, 2018.
Artistry
Catlett is recognized primarily for sculpting and print work. Her sculptures are known for being provocative, but her prints are more widely recognized, mostly because of her work with the Taller de Gráfica Popular. Although she never left printmaking, starting in the 1950s, she shifted primarily to sculpture. Her print work consisted mainly of woodcuts and linocuts, while her sculptures were composed of a variety of materials, such as clay, cedar, mahogany, eucalyptus, marble, limestone, onyx, bronze, and Mexican stone (cantera). She often recreated the same piece in several different media. Sculptures ranged in size and scope from small wood figures inches high to others several feet tall to monumental works for public squares and gardens. This latter category includes a 10.5-foot sculpture of Louis Armstrong in New Orleans and a 7.5-foot work depicting Sojourner Truth in Sacramento.
Much of her work is realistic and highly stylized two- or three-dimensional figures, applying the Modernist principles (such as organic abstraction to create a simplified iconography to display human emotions) of Henry Moore, Constantin Brancusi and Ossip Zadkine to popular and easily recognized imagery. Other major influences include African and pre-Hispanic Mexican art traditions. Her works do not explore individual personalities, not even those of historical figures; instead, they convey abstracted and generalized ideas and feelings. Her imagery arises from a scrupulously honest dialogue with herself on her life and perceptions, and between herself and "the other", that is, contemporary society's beliefs and practices of racism, classism and sexism. Many young artists study her work as a model for themes relating to gender, race and class, but she is relatively unknown to the general public.
Her work revolved around themes such as social injustice, the human condition, historical figures, women and the relationship between mother and child. These themes were specifically related to the African-American experience in the 20th century with some influence from Mexican reality. This focus began while she was at the University of Iowa, where she was encouraged to depict what she knew best. Her thesis was the sculpture Mother and Child (1939), which won first prize at the American Negro Exposition in Chicago in 1940.
Her subjects range from sensitive maternal images to confrontational symbols of Black Power, and portraits of Martin Luther King, Jr., Malcolm X, Harriet Tubman, Rosa Parks, and writer Phyllis Wheatley, as she believed that art can play a role in the construction of transnational and ethnic identity. Her best-known works depict black women as strong and maternal. The women are voluptuous, with broad hips and shoulders, in positions of power and confidence, often with torsos thrust forward to show attitude. Faces tend to be mask-like, generally upturned. Mother and Child (1939) shows a young woman with very short hair and features similar to that of a Gabon mask. A late work Bather (2009) has a similar subject flexing her triceps. Her linocut series The Black Woman Speaks, is among the first graphic series in Western art to depict the image of the American black woman as a heroic and complex human being. Her work was influenced by the Harlem Renaissance movement and the Chicago Black Renaissance in the 1940s and reinforced in the 1960s and 1970s with the influence of the Black Power, Black Arts Movement and feminism. With artists like Lois Jones, she helped to create what critic Freida High Tesfagiorgis called an "Afrofemcentrist" analytic.
The Taller de Gráfica Popular pushed her to adapt her work to reach the broadest possible audience, which generally meant balancing abstraction with figurative images. She stated of her time at the TGP, "I learned how you use your art for the service of people, struggling people, to whom only realism is meaningful."
Critic Michasel Brenson noted the "fluid, sensual surfaces" of her sculptures, which he said "seem to welcome not just the embrace of light but also the caress of the viewer's hand." Ken Johnson said that Ms. Catlett "gives wood and stone a melting, almost erotic luminosity." But he also criticized the iconography as "generic and clichéd."
However, Catlett was more concerned in the social messages of her work than in pure aesthetics. "I have always wanted my art to service my people – to reflect us, to relate to us, to stimulate us, to make us aware of our potential." She was a feminist and an activist before these movements took shape, pursuing a career in art despite segregation and the lack of female role models. "I don't think art can change things," Catlett said: "I think writing can do more. But art can prepare people for change, it can be educational and persuasive in people's thinking."
Catlett also acknowledged her artistic contributions as influencing younger black women. She relayed that being a black woman sculptor "before was unthinkable. ... There were very few black women sculptors – maybe five or six – and they all have very tough circumstances to overcome. You can be black, a woman, a sculptor, a print-maker, a teacher, a mother, a grandmother, and keep a house. It takes a lot of doing, but you can do it. All you have to do is decide to do it."
Artist statements
No other field is closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.
"Art for me must develop from a necessity within my people. It must answer a question, or wake somebody up, or give a shove in the right direction — our liberation."
Selected works
Students Aspire
"For My People" portfolio, published 1992 by Limited Editions Club, New York
"Ralph Ellison Memorial", Manhattan
"Torso", created in 1985, is a carving in mahogany modeled after another of Catlett's pieces, Pensive (b. 1946) a bronze sculpture. The mahogany carving is in the York College, CUNY Fine Art Collection (dimensions: 35' H x 19' W x 16' D). The exaggerated arms and breasts are prominent features of this piece. The crossed arms are broad, with simple geometric shapes and ripples to indicate a shirt with rolled-up sleeves, along with a gentle ridge along the neck. The hands are carved larger than what would be in proportion to the torso. The figure's eyes are painted with a calm, yet steady gaze that signifies confidence. Catlett evokes a strong, working-class black woman similar to her other pieces that she created to portray women's empowerment through expressive poses. Catlett favored materials such as cedar and mahogany because these materials naturally depict brown skin.
Selected collections
Miami-Dade Public Library System, Miami-Dade County, FL
Minneapolis Institute of Art, Minneapolis, MN
Detroit Institute of Arts, Detroit, MI
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mysterylover123 · 5 years
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My Top 20 Het Ships (Right Now)
by mysterylover123
#20. SHENNY
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Sheldon Cooper/Penny
“So if what you need is to spend your birthday in a bathroom, I’m happy to do it with you.” 
Series: The Big Bang Theory 
#19. SWARKLES
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Robin Scherbatzky/Barney Stinson
“Because when I let a day go by without talking to you, that day is just no good.”
From: How I Met Your Mother
#18. KACCHAKO & IZUOCHA
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Ochaco Uraraka w/ Katsuki Bakugou or Izuku Midoriya
“What part of her was frail?”
From: My Hero Academia
#17. GSR
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Gil Grissom/Sara Sidle
“I took away the only person she ever loved, so she’s going to  do the same thing to me.”
From: CSI
#16. ROXAMIND
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Roxanne Ritchi/Megamind
“You did it. You won.” “Well, I finally had a reason to win. You.”
From: Megamind
#15. HINNY
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“But you’ve been too busy saving the wizarding world,” said Ginny, half laughing. “Well…I can’t say I’m surprised. I knew this would happen in the end. I knew you wouldn’t be happy unless you were hunting Voldemort. Maybe that’s why I like you so much.” –
Harry Potter/Ginny Weasley
From: Harry Potter
#14. MONDLER
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“"I don’t believe in soulmates, and I don’t think that you & I were destined to end up together. What I do believe is that we fell in love & that we work hard for our relationship."
Monica Geller/Chandler Bing
From: Friends
#13. TODOMOMO
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“One of those votes was mine, because I thought you’d be best at leading our class.” “I believe in Todoroki…”
Shoto Todoroki/Momo Yaoyorozu
From: My Hero Academia
#12. BENETRICE
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“I do love nothing in the world so well as you. Is not that strange?”
Beatrice/Benedick
From: Much Ado About Nothing
#11. CLOIS
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“There are times when I think you don’t know me at all…and others where I think you know me better than anyone.”
Clark Kent/Lois Lane
From: Smallville/Superman comics
#10. SPIDER-JANE
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“ Face it, Tiger - you just hit the jackpot.”
Mary Jane Watson/Peter Parker
From: Spider-Man
#9. PERCABETH
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““The world was collapsing and the only thing that mattered was that she was alive”
Percy Jackson/Annabeth Chase
(I can’t find the author name for this fanart - sorry I didn’t credit it, but the only official pics are the awful movies)
From: Percy Jackson
#8. NARUSAKU
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“Your dream, it’s right in front of us - I absolutely refuse to let you die.”
Sakura Haruno/Naruto Uzumaki
From: Naruto
#7. DIPCIFICA
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“You were right about me - I am another link in the world’s worst chain…”
Dipper Pines/Pacifica Northwest
From: Gravity Falls
#6. VEGEBUL
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“How dare you - that’s my Bulma!”
Bulma Briefs/Vegeta
From: Dragon Ball Z
#5. MOON-CRANE
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“Because you’d do anything, even put up with my insane family just to make me happy. Because you’d fly halfway around the world to make my dreams come true. And because I can’t stand to go another moment without being your wife, Niles Crane.”
Niles Crane/Daphne Moon
From: Frasier
#4. DARLIZABETH
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“And so I might still have been but for you, dearest, loveliest Elizabeth.”
Elizabeth Bennet/Mr. Darcy
From: Pride and Prejudice
#3. LUDWYER
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“I guess I kinda hate most things, but I never really seemed to hate you.”
Andy Dwyer/April Ludgate
From: Parks and Recreation
#2. EDWIN
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“Equivalent exchange! I’ll give half of my life to you if you give half of yours to me.”
Winry Rockbell/Edward Elric
From: Fullmetal Alchemist
#1. CANGEL
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“I love you. And you oughta do that more often.” “Buy you food?” “Smile.”
Angel/Cordelia Chase
From: Angel the series/Buffyverse
(As you can see, I have a pretty predictable pattern with Hetshipping. I like the ‘bickering sexual tension’ kind of pairings, slowburn-type stuff. Stuff that should have been endgame/canon but wasn’t. Stuff that worked well and was)
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locke-writes · 7 years
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Masterlist
The requested rebloggable version of my masterlist under the cut.
Remember that my motto is “If I know it well enough I can write for it” so questions about fandoms and characters are always welcome. I write for movies, tv shows, plays, musicals, books, etc.
All Fics
Anastasia The Musical
Dimitry
Baby Driver
Baby
Buddy
Darling
Being Human (US)
Aidan Waite
Bishop
Josh Levison
Bill & Ted’s Excellent Adventure
Bill Preston
Ted Logan
Booksmart
Amy Antsler
Gigi
Molly Davidson
Tanner
The Breakfast Club
Andrew Clark
John Bender
Brooklyn Nine Nine
Amy Santiago
Jake Peralta
Rosa Diaz
Terry Jeffords
Buffy the Vampire Slayer
Cordelia Chase
Giles
Spike
Xander
Criminal Minds
Aaron Hotchner
David Rossi
Derek Morgan
Penelope Garcia
Spencer Reid
Daredevil
Foggy Nelson
Frank Castle
Matt Murdock
DC Extended Universe
Arthur Curry
Barry Allen
Bruce Wayne
Harley Quinn
Joker
Mera
Victor Stone
Disney
Christopher Robin
David Kawena
Diaval
Dory
Flynn Rider
Gaston
Lumiere
Maleficent
Moana
Nani Pelekai
Piglet
Prince Adam
Prince Philip
Wiggins
Fantastic Beasts and Where To Find Them
Newt Scamander
Percival Graves
Friends
Chandler Bing
Janice Litman
Joey Tribianni
Monica Gellar
Phoebe Buffay
Rachel Green
Ross Gellar
Fright Night (2011)
Charlie Brewster
Jerry Dandridge
Peter Vincent
Ghostbusters
Egon Spengler
Peter Venkman
Ray Stantz
Guardians of the Galaxy
Gamora
Peter Quill
Yondu
The Good Place
Chidi Anagonye
Eleanor Shellstrop
Jason Mendoza
Michael
Tahani Al Jamil
Halt & Catch Fire
Joe MacMillan
Hannibal
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Lost Boys
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Lucifer Morningstar
Mazikeen
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Cable
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Clint Barton
The Collector
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Loki
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Okoye
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Feb. 5, 2020: Obituaries
Dorothy Lewis, 100
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Dorothy Plonk Lewis, 100, died the morning of Monday, February, 3, 2020, at the Joan & Howard Woltz Hospice Home, surrounded by her family.
     Dorothy was born on April 12, 1919 to John Oates and Elvira Foust Plonk in Kings Mountain, NC. She graduated from Kings Mountain High School and Greensboro College. She taught for one year in Franklin, NC before attending the University of North Carolina - Chapel Hill where she graduated with a masters in Bio-Chemistry.          
     In 1944, she married Dr. Robert E. Lewis of Lumberton, NC. They moved to North Wilkesboro in 1946 where Bob was a surgeon. She was dedicated to serving her church and community as well as being a wife and mother.
      In addition to her parents, Dorothy was preceded in death by her husband, Bob Lewis and her daughter, Patricia L. Johnston of North Wilkesboro, three sisters Mary Foust Plonk Weaver of Greensboro, Douglas Regina Plonk McElwee of North Wilkesboro and Maude Plonk Harper Patterson of Kings Mountain and a brother John O. Plonk, Jr. of Kings Mountain.
     She is survived by her two daughters: Suzanne Tonski (Ernest) and her son Jacob Tonski (Sharon); Margaret Turner and her son Robert Turner (Poem) and daughter Anna Dooley (Chad); and her son Robert E Lewis, Jr. (Regina); as well as her grandchildren from her late daughter Patricia, Andy Johnston (Brooke), Mary Lewis Johnston, and Blaine Johnston (Melody). Her 9 great-grandchildren, Alex, Emmett, Geneva, Hannah, Reagan, Sebastian, Nick, Maggie, Kenzie have been a source of great joy to Dot.
     A memorial service will be held Wednesday, February 5, 2020 at 2 p.m. at North Wilkesboro Presbyterian Church with a celebration of life to follow in the church fellowship hall.
     In lieu of flowers, the family requests that donations be made to North Wilkesboro Presbyterian Church, the Joan & Howard Woltz Hospice Home in Dobson, NC or the charity of one's choice. To God be the Glory!
Betty Daniels, 83
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Betty Jane Tidline Daniels, 83, passed away on February 1, 2020.  She was born and raised in North Wilkesboro, NC to the late Helen Tidline.  
     The family will receive friends on Sunday, February 9, 2020 from 1-2 at First Baptist Church on 308 Main Street, North Wilkesboro, NC 28659.  A Homegoing service will be held to celebrate her life following the receiving on February 9 at 2:00 at First Baptist Church with Rev. Albert Saunders officiating and Rev. James Ferguson Eulogist. Burial will be in Poplar Spring Baptist Church cemetery.
     She was a graduate of Lincoln Heights and attended Winston-Salem State University.  Betty was a strong, faithful, and caring woman of God. She had a passion for helping others especially children.  She was a DayCare Teacher at Skyview Daycare Center for many years. She was a member of First Baptist Church where she served faithfully assisting with secretarial work at the Church, Sunday School Teacher, member of the Choir and Missionary Board.
     She is preceded by her mother; Helen Tidline and four brothers; Bill Tidline, Tommy Tidline, Lonnie Tidline and Chester Tidline. She had one deceased sister and brother-in-law Elsie and Douglas Suddith.
     Betty is survived by a daughter; Lynn (Roger) Dula of Newton, NC. , three sons; Nathan Daniels,Craig Daniels and Donnie (Pat) Daniels all of North Wilkesboro, NC, two sisters, Barbara (Claudius) Harris of Winston-Salem, NC and Doris (Robert) Anderson of Petersburg, VA, two surviving sisters-in-law; Mildred and Lottie Tidline, four grandchildren; Alex Dula, Aleshia Dula, Linda Ashford and Laura Cole and many nieces, nephews, aunts, uncles, cousins, and friends.  Flowers will be accepted.
 Terry Dishmon, Sr., 54
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Terry Norman Dishmon, Sr., age 54, of North Wilkesboro, passed away Friday, January 31, 2020 at Forsyth Medical Center. He was born September 18, 1965 in Hartford  County, Maryland to Perry Norman and Stella Price Dishmon. Terry enjoyed woodworking, golf and coaching. He was preceded in death by his father.
     Surviving are his wife, Angela Dishmon; sons, Terry "T.J." Dishmon, Jr., Brandon Dishmon both of Norfolk, Virginia; his mother, Stella Dishmon Trent and spouse Ronnie of Roaring River; brother, Tommy Dishmon of Conover; sisters, Michelle Parsons and spouse David of Millers Creek, Dawn Riddle and spouse David of Utah; and step-mother, Wanda Dishmon of North Wilkesboro.
     Funeral service will be held 2:00 p.m. Wednesday, February 5, 2020 at Miller Funeral Chapel with Rev. Claude Rhodes officiating. Burial will follow in Mountain Park Cemetery. The family will receive friends at Miller Funeral Service from 1:00 until 2:00 on Wednesday, prior to the service. In lieu of flowers, donations may be made to Camp Cole Foundation, PO Box  6377, Columbia, SC 29260. Miller Funeral Service is in charge of the arrangements.
 Darrell  Yates, 76
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Darrell Thomas Yates, age 76, of North Wilkesboro, passed away Friday, January 31, 2020 at Wake Forest Baptist Health-Wilkes Regional. He was born January 15, 1944 in Ashe County to Lloyd Leonard and Josephine Wyatt Yates. Darrell enjoyed motorcycles, Harley Davidson Racing, fishing and hunting. He was preceded in death by his parents; brother, Clayton Yates and four infant siblings.
     Surviving are his sister-in-law, Edna Yates of North Wilkesboro; niece, Janice Yates Dale of North Wilkesboro; great niece, Amanda Dale of Ronda; great great niece, Trinity Harris; great great nephew, Riley Harris.
     Memorial service will be held 7:00 p.m. Thursday, February 6, 2020 at Miller Funeral Chapel. The family will receive friends at Miller Funeral Service from 6:00 until 7:00 on Thursday, prior to the service. Flowers will be accepted or memorials may be made to the donor's choice in Darrell's name. Miller Funeral Service is in charge of the arrangements.
 Sandra  Handy
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Mrs. Sandra Lorraine Harless Handy, better known as Sandy passed away Friday, January 31, 2020 at Wake Forest Baptist-Wilkes Medical Center.
     Funeral services were February 3, at Edgewood Baptist Church with Pastor Eddie Tharpe and Rev. Julius Blevins officiating. Burial was in the church cemetery.  
     Mrs. Handy was born in Wilkes County on June 15, 1950 to Billye "Bobbye" Faye Shumate Harless. She was retired from Tyson Foods. Mrs. Handy was a member of Edgewood Baptist Church.
     She was preceded in death by her mother and a brother; Ronnie Harless.
     Sandy is survived by a daughter; Robin Gregory and husband Will of Hamptonville, a grandson; Seth Gregory, a brother; Steve Harless and wife Debbie of Hays, a sister in law; Jan Harless of North Wilkesboro and her special nieces and nephews.
     In lieu of flowers, memorials may be made to Ebenezer's Christian Children's Home PO Box 2777 North Wilkesboro, NC 28659.
 Tracy Ferguson, 49
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Ms. Tracy Lynn Ferguson, age 49 of Moravian Falls, passed away Friday, January 31, 2020 at Caldwell Hospice in Lenoir.
     Funeral services were February 3, at Zion Hill Baptist Church with Rev. Tim Roten officiating. Burial was in the church cemetery.  
     Ms. Ferguson was born October 31, 1970 in Wilkes County to Eddie Carol Ferguson and Linda Steele Ferguson. She was an employee of Food Lion and a member of Zion Hill Baptist Church. Tracy was involved with the GA's and Youth Group of Zion Hill and while attending Wilkes Central High School was a member of the Band.
     She was preceded in death by a her life partner; William Cutshaw and a son; Billy Ferguson.
     Ms. Ferguson is survived by her parents; Eddie Carol Ferguson and Linda Steele Ferguson of Moravian Falls, a daughter; Brandy Mae Cutshaw and fiancée David Mason of Moravian Falls, two sons; Corey Ferguson and fiancée Amber Stinson of Moravian Falls and Travis Lee Cutshaw and friend Tyler Staley of North Wilkesboro and a grandson; William Camden Ferguson.
     Flowers will be accepted or memorials may be made to Caldwell Hospice, Inc. 902 Kirkwood Street NW, Lenoir, NC 28645.
 Pauline Milam, 77
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Mrs. Pauline Miller Milam, age 77 of Millers Creek passed away Friday, January 31, 2020 at Wake Forest Baptist-Wilkes Medical Center.
     Funeral services were February 4, v at Reins-Sturdivant Chapel with Rev. Mike Church officiating.  Burial was in Mountlawn Memorial Park.  
     Mrs. Milam was born August 18, 1942 in McDowell  County, WV to Paul Edward and Grace Idesa Whitaker Miller. She was a member of Cricket Baptist Church.                  
     In addition to her parents she was preceded in death by her husband; Paul Franklin Milam, Sr.
     She is survived by one son; Paul Franklin Milam, Jr. of Millers Creek, grandson; Dalton Milam of Millers Creek, two sisters; Geraldine Bumgarner and husband Roy of Wilkesboro, Rita Adams of Millers Creek and one brother; Gary Miller and wife Linda of Millers Creek.
     In lieu of flowers memorials may be made to Wake Forest Baptist Care At-Home Hospice, 126 Executive Drive,  Suite 110, Wilkesboro, NC 28697.
 Charles Brunett, 66
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Mr. Charles Timothy Brunett, 66, of Purlear, passed away on Thursday, January 30, 2020 at Wilkes Medical Center.
     Charles was born on July 1, 1953 in Montgomery County Ohio to Edward James Burnett and Mary Margret Garrison Burnett.
     Charles is preceded in death by his parents and brother, Jimmy Brunett.
     Charles is survived by his wife of 47 years, Joni Brunett; daughter, Michelle Brunett of the home; son, TJ Brunett also of the home; 3 sisters, 1 brother and 2 grandchildrens, Kaleb Frazier and Haliegh Robinson all of Millers Creek.  
     No services are planned.
     In lieu of flowers memorial donations may be given to Adams Funeral Home of Wilkes P.O. Box 396 Moravian Falls, NC 28654 to help with finally expenses.
     Adams Funeral Home of Wilkes has the honor of serving the Brunett Family.
 Willa Stanley, 76
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Mrs. Willa Dean Stanley, 76, of North Wilkesboro, passed away on Wednesday, January 29, 2020 at Wilkes Medical Center.  
     Willa was born on June 28, 1943 in Wilkes County to Robert Parsons and Venie Webb Parson.
     Willa is preceded in death by her parents, husband, Arnold Jean Stanley; daughter, Melissa Stanley Royal; son, Arnold Gene (Junior) Stanley and grandson Roger Wayne (George) Royal and sister, Betty Billings.
     Willa is survived by her sons, Monty G Stanley, Robert (RC) Stanley and wife, Mellissa Stanley; daughter, Michelle Stanley; brother, Rex Parsons; significant other Charles Call, 13 grandchildren and 8 great grandchildren.
     Willa Dean was a loving wife, mother and sister. She lived a great 76 years and the good Lord has called her home. She will be missed and loved by her Family.  
     A visitation was held February 1,  at Adams Funeral Home of Wilkes Chapel, 2901 Moravian Falls Rd Moravian Falls. Burial will follow at a later date.
     Adams Funeral Home of Wilkes has the honor of serving the Stanley Family.
 Clayton Holloway, 74
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Dr. Clayton Glenn Holloway, age 74, of Wilkesboro, passed away Tuesday, January 28, 2020 at Rose Glen Village. He was born September 2, 1945 in Wilkes County to Ira Glenn and Ethel McCurdy Holloway. He attended Lincoln Heights High School (class of 1963) and graduated from NC A&T State University in Greensboro with Bachelor of Science and Master of Arts degrees. He continued his education at Bowling Green State University in Ohio where he received his PhD in English in 1975. After receiving post-doctoral teaching fellowships via Fulbright (Department of Education) and the Lilly Foundation, Dr. Holloway began his professional teaching career as a counselor and instructor at NC A&T State University in Greensboro (until 1969) and Iowa State University (until 1972). He then obtained an assistant professorship in English at Appalachian State University and joined Hampton University in 1976 as an associate professor. By the time he retired from Hampton University, Dr. Holloway was an Old Dominion Distinguished Professor of Humanity and had served as a university trustee, a reviewer of proposals for the National Endowment for Capital Humanities, and an electoral for the Virginia Foundation for Humanities.
     Dr. Holloway was an avid reader and prolific writer and often shared his pieces with friends and family. He was a member of the Modern Language Association, National Council of Teachers of English, College Language Association, Mid-Atlantic Writers Association, and Alpha Phi Alpha Fraternity Incorporated. His additional interests included walking, reviewing films,
 traveling, and refinishing antiques, and he loved spending time with his family and would often leave without notice because he did not like formal goodbyes.
     Dr. Holloway was preceded in death by his parents; brothers, Billy and Robert Holloway; sister, Sylvia Holloway; and half-sister, Myrtle Gore.
     Surviving are his only daughter, Lynn Holloway of Hampton, Virginia; brothers, Thomas Holloway of Greensboro, Walter "Clyde" Holloway of Winston Salem; sisters, Lois Saner of Boomer, and Betty Carlton and spouse Julius Carlton of Moravian Falls; and a host of nieces, nephews, and greats.
     Memorial service will be held at 1:00 pm Sunday, February 9, 2020 at Miller Funeral Chapel. A private burial will follow in Pleasant Hill Baptist Church Cemetery. The family will receive friends at Miller Funeral Service from 12:30-1:00 on Sunday prior to the service. In lieu of flowers, memorials may be made to The Ira and Ethel Holloway Scholarship Trust fund. Miller Funeral Service is in charge of the arrangements.  
 Brenda Roope, 75
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Brenda Kay Church Roope, age 75, of Hays, passed away Tuesday, January 28, 2020 at Wake Forest Baptist Medical Center. Brenda was born December 10, 1944 in Wilkes County to Aries and Lillian Crysel Church. She was retired from Central Telephone Company after 30 years and a member of Union United Methodist Church. Brenda was preceded in death by her parents; brother, A.G. Church, Jr.; and grandson, Logan Tyler Perry.
     Surviving are her husband, Walter Dean Roope; daughter, Gilda Nicole "Nikki" Church Holman of Wilkesboro; step-son, William "Will" Roope and spouse Donna of Hays; step-daughter, Deena Roope Wood and spouse Bryon of North Wilkesboro; grandchildren, Emily Nicole Perry of Millers Creek, Amber Leigh Perry of Wilkesboro, Brenda Hailey Holman of Oklahoma, Tim Roope of Hays, Katherine Williams of Charlotte, Taylor Wood and Ethan Wood both of North Wilkesboro; great grandchildren, Alayna Willis, Chloe Perry both of Millers Creek, sisters, Sylvia Church of North Wilkesboro, Libby Davis and spouse James of Wilkesboro, Vickie Johnson and spouse Kemp of Traphill, Fran Amburgey and spouse David of Kernersville; and sister-in-law, Sissie Church of Wilkesboro.
     Funeral service was February 2,   at Miller Funeral Chapel with Pastor Susan Taylor Pillsbury officiating. Entombment   followed in Mountlawn Memorial Park Mausoleum.   Flowers will be accepted or memorials may be made to Union United Methodist Church, 2257 Boone Trail, North Wilkesboro, NC 28659. Miller Funeral Service is in charge of the arrangements.  
 Willie  Nelson, 88
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Willie Winford Nelson, age 88, of North Wilkesboro, passed away, Tuesday, January 28, 2020 at his home. He was born February 8, 1931 in Ashe County to Millard and Ollie Royal Nelson.                    Mr. Nelson was a member and deacon of Antioch Baptist Church and US Army Veteran. He was preceded in death by his parents; sister, Lois Perry; half-sister, Grace Perry; brothers, Larry Nelson, Tommy Nelson and Buddy Nelson; half-brother, John Nelson.
     Surviving are his wife, Kathryn Sloop Nelson; son, Jay Nelson and spouse Shonna of North Wilkesboro; grandchildren, Billy Nelson of Myrtle Beach, Jessica Prevette and spouse Michael of North Wilkesboro; great grandchildren, Alexis Peacock, Hailey Peacock, Cadence Prevette; great great granddaughter, Delilah Leftwich; brother, Dillard Nelson and spouse Linda of Moravian Falls; sisters, Nannie Perry of Cricket, Nancy Childress and spouse Jim of North Wilkesboro, Jimmy Nelson and spouse Linda of Grover, N.C.; several nieces and nephews.
     Funeral service was February 1,  at Miller Funeral Chapel with Brother Larry Adams and Rev. Homer Maltba officiating. Burial  followed in Mountlawn Memorial Park.  Flowers will be accepted. Miller Funeral Service is in charge of the arrangements.
 Iva  Ellis, 87
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Mrs. Iva Lee Blevins Ellis, age 87 of Roaring River passed away Monday, January 27, 2020 at Hugh Chatham Memorial Hospital.
     Funeral services were January 30,  at Reins-Sturdivant Chapel with Rev. Roger Wagoner officiating.  Burial was in Mountlawn Memorial Park.  
     Mrs. Ellis was born September 16, 1932 in Wilkes County to Lonnie Rufus and Ada Victoria Bell Blevins.  She was a member of Christian Fellowship Mission Church.
     In addition to her parents, she was preceded in death by her husband; Floyd Wintford Ellis, one sister; Virginia Bauguess and one brother; Rufus Blevins.
     She is survived by a daughter; Judy West and husband Duane of Roaring River, four grandchildren; David Miller and wife Shelby of Hays, Derrick Miller and wife Ashley of Summerfield, Jessica Sale and husband Charlie of Ronda and Zach West and McKenzie Stokes of Roaring River, seven great grandchildren; Allison, Dylan and J.J. Miller, Callie Sale, Allen Stewart and wife Kristen, Brandon Stewart and Hailey Brittain and husband Jordon, two sisters; Vea Blevins and husband Ray of North Wilkesboro and Peggy Greene of Purlear.
     Flowers will be accepted or memorials may be made to Christian Fellowship Mission, PO Box 127, McGrady, NC 28649.
 McKinley Absher, 76
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Mr. McKinley Wayne Absher, age 76, of Ferguson, passed away on Monday, January 27, 2020 at Wake Forest Baptist Medical Center.  
     McKinley was born February 12, 1943, the son of the late McKinley William and Myrtle Reeves Absher.
     He was a US Army veteran and a member of Boiling Springs Baptist Church in Purlear.  He enjoyed music and fishing.  He was a hard worker, having had many careers in his lifetime.  He had worked in the construction industry before retirement.
     Including his parents, he was preceded in death by his daughter, Laura Renee Triplett; sisters, "Jackie" Iva Nell Gainey, Bernice Parsons, Rosalee Church, Viola Campbell; brothers, Claude Absher, Charles Absher, Granville Absher and Martin Absher.
     Those left to cherish his memory include: his wife, Ruby Ann Foster Absher, married 34 years, of the home; children, John Triplett (Andrea) of Ferguson, Matthew Triplett of Ferguson, Angie Cheek of Ferguson, Lynett Wooten (Kent) of Wilkesboro, Juanima Minton of Hays, Laytin Absher of the home, Martin Absher (Iris) of Purlear, Anita Swanson of Clayton, NC, Michael Absher of California; siblings, Ann Shephard, Claudeane Burch (Deane), Betty McGuire, Sallie Key , Brenda Williams; 29 grandchildren; as well as, many great grandchildren and great-great grandchildren.
      In lieu of flowers, memorial donations may be made to: Adams Funeral Home of Wilkes, P.O. Box 396, Moravian Falls, NC 28654 to help with final expenses.
     The family conducted a Celebration of Life Service   January 30,  at Boiling Springs Baptist Church with full military honors by the Veterans of Foreign Wars Post #1142.  Pastor Joey Moore  officiated.
     The family will receive friends from 12:00-12:45 p.m. prior to the service.
     Adams Funeral Home of Wilkes and cremation services is honored to be serving the Absher Family.
 Donna Dillard, 60
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Mrs. Donna Shumate Dillard, age 60 of Millers Creek passed away Sunday, January 26, 2020 at Wilkes Senior Village after a 3 year battle with cancer.
     Memorial services were February 1,  at Scenic Memorial Gardens Chapel with Rev. Benny Roten officiating.  
     Mrs. Dillard was born November 5, 1959 in Wilkes County to Leonard and Virgie Landreth Shumate.  
     In addition to her parents she was preceded in death by her husband; Roland Lane Dillard, four sisters; Faye Shumate, Sharon Pennington, Annie Dancy and Dreama Mae Shumate and two brothers; Tex Shumate and Roger Shumate.
     She is survived by a daughter; Crystal Triplette and husband Lincoln of Millers Creek, a son; Allen Dillard and wife Amanda of Purlear, three grandchildren; Cody Dillard, Tripp Triplette and Eva Triplette, one sister; Kaye Feimster of North Wilkesboro and four brothers; Leonard Shumate, Jr. of North Wilkesboro, Gilbert Shumate of Lafolette, TN, David Shumate of Thurmond and Roy Shumate of North Wilkesboro.
     Flowers will be accepted.
 Patricia  Foster, 79
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Patricia (Pat) Clanton Foster, age 79, of Wilkesboro, passed away Sunday, January 26, 2020 at Accordius Health of Wilkesboro. She was born January 13, 1941 in Wilkes County to Henry Kerley and Mary Magalene Broyhill Clanton. Patricia was preceded in death by her parents; and her husband, Jesse (Pete) Foster; sisters, Frances C. Penley, Mary C. Pearson; brothers, David James Clanton and Thomas Richard Clanton.
     Surviving are her son, Gene Summerlin; daughter, Lisa Pena Church; grandchildren, Mary P. Mahala and Luis Pena; four great grandchildren; step-daughter, Sarah Foster; step-son, Keith Foster; brothers, Henry Robert Clanton and wife Patsy of Moravian Falls, Jerry Wayne Clanton and wife Sherry of Hickory; sisters, JoAnn C. Broyhill of Lenoir, Nancy C. Clement and husband Kyle of Lenoir, Sonja C. Walker of Granite Falls.
     Funeral service was January 30,  at Miller Funeral Chapel with Chaplain Ken Boaz officiating. Burial   followed in Scenic Memorial Gardens.  Flowers will be accepted. Miller Funeral Service is in charge of the arrangements.
 Archie Johnson, 80
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Mr. Archie Kenneth "Kenny" Johnson, 80, of North Wilkesboro, passed away on Sunday, January 26, 2020.
     Kenny was born on February 16, 1939 in Wilkes County to Charles Franklin Johnson and Lula Mae Cothern Johnson.
     Kenny is preceded in death by his parents; brother, Burton Johnson; sister, Nelta Ingold.
     Kenny is survived by his wife, Shelby H. Johnson; daughters, Teresa Ashlin of Oceanside CA, Tammy Wyatt and husband, David of Roaring River, Kendra Johnson of North Wilkesboro; sons, Kenny Johnson of Hays, Charles "Mousey" Johnson and wife, Kimberly of LasVegas NV, Kenny"Leroy" Johnson Jr. of North Wilkesboro; sisters, Alma Oakley and husband, Delano of Roaring River, Ada Sheet of North Wilkesboro,  Glenda Sue Johnson of North Wilkesboro, Ruby Walsh and husband, Wade of North Wilkeboro,8 grandchildren and 8 great grandchildren.
     The funeral service was January 31,  at Davis Memorial Baptist Church with Rev. Bud Laws and Rev. Robert   be officiating. Burial followed  at Mountlawn Memorial Park.  
     Adams Funeral Home of Wilkes has the honor of serving the Johnson Family.
  Wayne Lindley, 96
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L. Wayne Lindley, age 96, passed away on January 25th at the Hospice Home in Burlington.
     Wayne was born on April 5, 1923, in Alamance County to the late Ressa W. Lindley and Annie Thompson Lindley. He was married to Sarah Ferguson Lindley for over 75 years. He was an alumnus of High Point College and served in the United States Navy during WW II. He worked at Blue Cross Blue Shield NC for almost 42 years. He was a member of Mt. Olive Baptist Church, Pittsboro NC where he served in a number of leadership roles including deacon, treasurer and music director.
     Wayne was preceded in death by his parents, four brothers and two sisters, son John W. Lindley, granddaughter Amy Lindley Wallace ; foster son Paul (Hank) Smith and foster daughter-in-law Jane Ingle Smith. He is survived by his wife Sarah Lindley of the home, foster son John Willardson and wife Ann of Wilkesboro NC; foster grandson Drew Willardson of Wilkesboro NC; daughter-in-law Trish Lindley of Graham; grandson Mark Lindley and wife Carrie of Mechanicsville VA ; foster daughter-in-law Dianne Cobb Smith of Mebane; foster granddaughter Elizabeth Smith Klutts and husband Gary of Browns Summit; foster grandson Matthew Smith and wife Katherine of Atlanta GA and nine great grandchildren, all of whom he loved dearly.
     A graveside memorial service was January 30 at Mt. Olive Baptist Church.  
     The family requests that in lieu of flowers, memorials may be made to Hospice and Palliative Care Center of Alamance-Caswell at 914 Chapel Hill Rd, Burlington NC 27215 or Mt Olive Baptist Church Memorial Association Endowment Fund at Mt. Olive Baptist Church, 5043 Mt. Olive Church Rd, Pittsboro NC 27312.
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Commissions
read it on the AO3 at http://ift.tt/2kjFL3Y
by stefani_rogers (captain_americano)
I am currently taking commissions for a variety of fandoms -- please click on the title for more information.
Words: 532, Chapters: 1/1, Language: English
Fandoms: Marvel Cinematic Universe, Marvel (Comics), Gravity Falls, Uncharted (Video Games), Miraculous Ladybug, Gossip Girl, Bones (TV), NCIS, The Lord of the Rings - All Media Types, The Hobbit - All Media Types, Harry Potter - J. K. Rowling, Actor RPF, Supernatural, Kingsman (Movies), How I Met Your Mother, Hemlock Grove, Brooklyn Nine-Nine (TV), Rick and Morty, Star Wars - All Media Types, Disney - All Media Types, Fantastic Beasts and Where to Find Them (Movies), Pretty Little Liars, 13 Reasons Why (TV), Bates Motel (2013), The Hunger Games (Movies), Sherlock (TV), Twilight Series - All Media Types, Pirates of the Caribbean (Movies), The Walking Dead (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/F, F/M, Gen, M/M, Multi, Other
Relationships: Steve Rogers/Tony Stark, James "Bucky" Barnes/Steve Rogers, Peter Parker/Wade Wilson, Bill Cipher/Dipper Pines, Nathan Drake/Elena Fisher, Nathan Drake/Chloe Frazer, Adrien Agreste/Marinette Dupain-Cheng, Chuck Bass/Blair Waldorf, Seeley Booth/Temperance Brennan, Ziva David/Anthony DiNozzo, Aragorn | Estel/Legolas Greenleaf, Bilbo Baggins/Thorin Oakenshield, Bard the Bowman/Thorin Oakenshield, Draco Malfoy/Harry Potter, Castiel/Dean Winchester, Dean Winchester/Sam Winchester, Harry Hart | Galahad/Gary "Eggsy" Unwin, Robin Scherbatsky/Barney Stinson, Roman Godfrey/Peter Rumancek, Jake Peralta/Amy Santiago, Rick Sanchez/Unity, Rick Sanchez/Morty Smith, Leia Organa/Han Solo, Luke Skywalker/Han Solo, Eugene Fitzherbert | Flynn Rider/Rapunzel, Anna/Kristoff (Disney), Queenie Goldstein/Jacob Kowalski, Tina Goldstein/Newt Scamander, Spencer Hastings/Aria Montgomery, Hanna Marin/Caleb Rivers, Hannah Baker/Clay Jensen, Norma Bates/Norman Bates, Katniss Everdeen/Peeta Mellark, Sherlock Holmes/John Watson, Edward Cullen/Bella Swan, Jacob Black/Bella Swan, Jack Sparrow/Will Turner, Maggie Greene/Glenn Rhee, Emma Decody/Dylan Massett
Additional Tags: Fluff, Smut, Angst
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ao3-spideypool · 7 years
Text
Commissions
read it on the AO3 at http://ift.tt/2kjFL3Y
by stefani_rogers (captain_americano)
I am currently taking commissions for a variety of fandoms -- please click on the title for more information.
Words: 532, Chapters: 1/1, Language: English
Fandoms: Marvel Cinematic Universe, Marvel (Comics), Gravity Falls, Uncharted (Video Games), Miraculous Ladybug, Gossip Girl, Bones (TV), NCIS, The Lord of the Rings - All Media Types, The Hobbit - All Media Types, Harry Potter - J. K. Rowling, Actor RPF, Supernatural, Kingsman (Movies), How I Met Your Mother, Hemlock Grove, Brooklyn Nine-Nine (TV), Rick and Morty, Star Wars - All Media Types, Disney - All Media Types, Fantastic Beasts and Where to Find Them (Movies), Pretty Little Liars, 13 Reasons Why (TV), Bates Motel (2013), The Hunger Games (Movies), Sherlock (TV), Twilight Series - All Media Types, Pirates of the Caribbean (Movies), The Walking Dead (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/F, F/M, Gen, M/M, Multi, Other
Relationships: Steve Rogers/Tony Stark, James "Bucky" Barnes/Steve Rogers, Peter Parker/Wade Wilson, Bill Cipher/Dipper Pines, Nathan Drake/Elena Fisher, Nathan Drake/Chloe Frazer, Adrien Agreste/Marinette Dupain-Cheng, Chuck Bass/Blair Waldorf, Seeley Booth/Temperance Brennan, Ziva David/Anthony DiNozzo, Aragorn | Estel/Legolas Greenleaf, Bilbo Baggins/Thorin Oakenshield, Bard the Bowman/Thorin Oakenshield, Draco Malfoy/Harry Potter, Castiel/Dean Winchester, Dean Winchester/Sam Winchester, Harry Hart | Galahad/Gary "Eggsy" Unwin, Robin Scherbatsky/Barney Stinson, Roman Godfrey/Peter Rumancek, Jake Peralta/Amy Santiago, Rick Sanchez/Unity, Rick Sanchez/Morty Smith, Leia Organa/Han Solo, Luke Skywalker/Han Solo, Eugene Fitzherbert | Flynn Rider/Rapunzel, Anna/Kristoff (Disney), Queenie Goldstein/Jacob Kowalski, Tina Goldstein/Newt Scamander, Spencer Hastings/Aria Montgomery, Hanna Marin/Caleb Rivers, Hannah Baker/Clay Jensen, Norma Bates/Norman Bates, Katniss Everdeen/Peeta Mellark, Sherlock Holmes/John Watson, Edward Cullen/Bella Swan, Jacob Black/Bella Swan, Jack Sparrow/Will Turner, Maggie Greene/Glenn Rhee, Emma Decody/Dylan Massett
Additional Tags: Fluff, Smut, Angst
read it on the AO3 at http://ift.tt/2kjFL3Y
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ao3feed-everlark · 7 years
Text
Commissions
read it on the AO3 at http://ift.tt/2kjFL3Y
by stefani_rogers (captain_americano)
I am currently taking commissions for a variety of fandoms -- please click on the title for more information.
Words: 532, Chapters: 1/1, Language: English
Fandoms: Marvel Cinematic Universe, Marvel (Comics), Gravity Falls, Uncharted (Video Games), Miraculous Ladybug, Gossip Girl, Bones (TV), NCIS, The Lord of the Rings - All Media Types, The Hobbit - All Media Types, Harry Potter - J. K. Rowling, Actor RPF, Supernatural, Kingsman (Movies), How I Met Your Mother, Hemlock Grove, Brooklyn Nine-Nine (TV), Rick and Morty, Star Wars - All Media Types, Disney - All Media Types, Fantastic Beasts and Where to Find Them (Movies), Pretty Little Liars, 13 Reasons Why (TV), Bates Motel (2013), The Hunger Games (Movies), Sherlock (TV), Twilight Series - All Media Types, Pirates of the Caribbean (Movies), The Walking Dead (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/F, F/M, Gen, M/M, Multi, Other
Relationships: Steve Rogers/Tony Stark, James "Bucky" Barnes/Steve Rogers, Peter Parker/Wade Wilson, Bill Cipher/Dipper Pines, Nathan Drake/Elena Fisher, Nathan Drake/Chloe Frazer, Adrien Agreste/Marinette Dupain-Cheng, Chuck Bass/Blair Waldorf, Seeley Booth/Temperance Brennan, Ziva David/Anthony DiNozzo, Aragorn | Estel/Legolas Greenleaf, Bilbo Baggins/Thorin Oakenshield, Bard the Bowman/Thorin Oakenshield, Draco Malfoy/Harry Potter, Castiel/Dean Winchester, Dean Winchester/Sam Winchester, Harry Hart | Galahad/Gary "Eggsy" Unwin, Robin Scherbatsky/Barney Stinson, Roman Godfrey/Peter Rumancek, Jake Peralta/Amy Santiago, Rick Sanchez/Unity, Rick Sanchez/Morty Smith, Leia Organa/Han Solo, Luke Skywalker/Han Solo, Eugene Fitzherbert | Flynn Rider/Rapunzel, Anna/Kristoff (Disney), Queenie Goldstein/Jacob Kowalski, Tina Goldstein/Newt Scamander, Spencer Hastings/Aria Montgomery, Hanna Marin/Caleb Rivers, Hannah Baker/Clay Jensen, Norma Bates/Norman Bates, Katniss Everdeen/Peeta Mellark, Sherlock Holmes/John Watson, Edward Cullen/Bella Swan, Jacob Black/Bella Swan, Jack Sparrow/Will Turner, Maggie Greene/Glenn Rhee, Emma Decody/Dylan Massett
Additional Tags: Fluff, Smut, Angst
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rabbitcruiser · 10 months
Photo
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Lewis and Clark met the Otoe and Missouria tribe on August 3, 1804.
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brookstonalmanac · 1 year
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Birthdays 2.14
Beer Birthdays
Michael Sedlmayr (1848)
Alvin M. Hemrich (1870)
Benedict Frank Haberle (1888)
Denny Conn (1952)
Gregg Wiggins (1954)
Lew Bryson (1959)
Kristi Switzer (1965)
Chuck Silva (1967)
Five Favorite Birthdays
Tim Buckley; rock musician (1946)
Florence Henderson; actor (1934)
Thomas Malthus; economist (1766)
Lois Maxwell; actor (1927)
Simon Pegg; actor, comedian, writer (1970)
Famous Birthdays
Mel Allen; sportscaster (1913)
Jules Asner; model, television personality (1968)
Jack Benny; comedian (1894)
Carl Bernstein; journalist (1944)
Drew Bledsoe; New England Patriots QB (1972)
Michael Bloomberg; clueless businessman, politician (1942)
Odds Bodkin; storyteller (1953)
Lara Croft; Tomb Raider game character (1968)
Frederick Douglass; writer, abolitionist (1817)
Hugh Downs; television host (1921)
George Ferris; inventor, Ferris Wheel inventor (1859)
Zach Galligan; actor, comedian (1964)
Frank Harris; writer (1856)
Woody Hayes; football coach (1913)
Freddie Highmore; actor (1992)
Gregory Hines; actor, dancer (1946)
Jimmy Hoffa; union leader (1913)
Kevin Keegan; soccer player (1951)
Jim Kelly; Buffalo Bills QB (1960)
Margaret Knight; inventor (1838)
Porsche Lynn; porn actor (1962)
Vic Morrow; actor (1929)
Murray the K; D.J. (1922)
George Jean Nathan; writer (1882)
Alan Parker; film director (1942)
Edward Platt; actor (1916)
Thelma Ritter; actor (1905)
Anna Howard Shaw; suffrage leader (1847)
Skeezix; cartoon character (1921)
Jo Jo Starbuck; ice skater (1951)
Katherine Stinson; aviator (1891)
Teller; comedian, magician (1948)
Rob Thomas; rock musician (1972)
Meg Tilly; actor (1960)
Johann Werner; German mathematician (1468)
Charles Wilson; English physicist (1869)
Fritz Zwicky; Swiss astronomer (1898)
0 notes
ao3feed-stucky · 7 years
Text
Commissions
read it on the AO3 at http://ift.tt/2kjFL3Y
by stefani_rogers (captain_americano)
I am currently taking commissions for a variety of fandoms -- please click on the title for more information.
Words: 532, Chapters: 1/1, Language: English
Fandoms: Marvel Cinematic Universe, Marvel (Comics), Gravity Falls, Uncharted (Video Games), Miraculous Ladybug, Gossip Girl, Bones (TV), NCIS, The Lord of the Rings - All Media Types, The Hobbit - All Media Types, Harry Potter - J. K. Rowling, Actor RPF, Supernatural, Kingsman (Movies), How I Met Your Mother, Hemlock Grove, Brooklyn Nine-Nine (TV), Rick and Morty, Star Wars - All Media Types, Disney - All Media Types, Fantastic Beasts and Where to Find Them (Movies), Pretty Little Liars, 13 Reasons Why (TV), Bates Motel (2013), The Hunger Games (Movies), Sherlock (TV), Twilight Series - All Media Types, Pirates of the Caribbean (Movies), The Walking Dead (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/F, F/M, Gen, M/M, Multi, Other
Relationships: Steve Rogers/Tony Stark, James "Bucky" Barnes/Steve Rogers, Peter Parker/Wade Wilson, Bill Cipher/Dipper Pines, Nathan Drake/Elena Fisher, Nathan Drake/Chloe Frazer, Adrien Agreste/Marinette Dupain-Cheng, Chuck Bass/Blair Waldorf, Seeley Booth/Temperance Brennan, Ziva David/Anthony DiNozzo, Aragorn | Estel/Legolas Greenleaf, Bilbo Baggins/Thorin Oakenshield, Bard the Bowman/Thorin Oakenshield, Draco Malfoy/Harry Potter, Castiel/Dean Winchester, Dean Winchester/Sam Winchester, Harry Hart | Galahad/Gary "Eggsy" Unwin, Robin Scherbatsky/Barney Stinson, Roman Godfrey/Peter Rumancek, Jake Peralta/Amy Santiago, Rick Sanchez/Unity, Rick Sanchez/Morty Smith, Leia Organa/Han Solo, Luke Skywalker/Han Solo, Eugene Fitzherbert | Flynn Rider/Rapunzel, Anna/Kristoff (Disney), Queenie Goldstein/Jacob Kowalski, Tina Goldstein/Newt Scamander, Spencer Hastings/Aria Montgomery, Hanna Marin/Caleb Rivers, Hannah Baker/Clay Jensen, Norma Bates/Norman Bates, Katniss Everdeen/Peeta Mellark, Sherlock Holmes/John Watson, Edward Cullen/Bella Swan, Jacob Black/Bella Swan, Jack Sparrow/Will Turner, Maggie Greene/Glenn Rhee, Emma Decody/Dylan Massett
Additional Tags: Fluff, Smut, Angst
read it on the AO3 at http://ift.tt/2kjFL3Y
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blackkudos · 4 years
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Elizabeth Catlett
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Elizabeth Catlett (April 15, 1915 – April 2, 2012) was an American and Mexican graphic artist and sculptor best known for her depictions of the African-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C. to parents working in education, and was the grandchild of freed slaves. It was difficult for a black woman in this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. However, a fellowship awarded to her in 1946 allowed her to travel to Mexico City, where she worked with the Taller de Gráfica Popular for twenty years and became head of the sculpture department for the Escuela Nacional de Artes Plásticas. In the 1950s, her main means of artistic expression shifted from print to sculpture, though she never gave up the former.
Her work is a mixture of abstract and figurative in the Modernist tradition, with influence from African and Mexican art traditions. According to the artist, the main purpose of her work is to convey social messages rather than pure aesthetics. Her work is heavily studied by art students looking to depict race, gender and class issues. During her lifetime, Catlett received many awards and recognitions, including membership in the Salón de la Plástica Mexicana, the Art Institute of Chicago Legends and Legacy Award, honorary doctorates from Pace University and Carnegie Mellon, and the International Sculpture Center's Lifetime Achievement Award in contemporary sculpture.
Early life
Catlett was born and raised in Washington, D.C. Both her mother and father were the children of freed slaves, and her grandmother told her stories about the capture of their people in Africa and the hardships of plantation life. Catlett was the youngest of three children. Both of her parents worked in education; her mother was a truant officer and her father taught at Tuskegee University, the then D.C. public school system. Her father died before she was born, leaving her mother to hold several jobs to support the household.
Catlett's interest in art began early. As a child she became fascinated by a wood carving of a bird that her father made. In high school, she studied art with a descendant of Frederick Douglass.
Education
Catlett completed her undergraduate studies at Howard University, graduating cum laude, although it was not her first choice. She was also admitted into the Carnegie Institute of Technology but was refused admission when the school discovered she was black. However, in 2007, as Cathy Shannon of E&S Gallery was giving a talk to a youth group at the August Wilson Center for African American Culture in Pittsburgh, PA, she recounted Catlett's tie to Pittsburgh because of this injustice. An administrator with Carnegie Mellon University was in the audience and heard the story for the first time. She immediately told the story to the school's president, Jared Leigh Cohon, who was also unaware and deeply appalled that such a thing had happened. In 2008, President Cohon presented Catlett with an honorary Doctorate degree and a one-woman show of her art was presented by E&S Gallery at The Regina Gouger Miller Gallery on the campus of Carnegie Mellon University.
At Howard University, Catlett's professors included artist Lois Mailou Jones and philosopher Alain Locke. She also came to know artists James Herring, James Wells, and future art historian James A. Porter. Her tuition was paid for by her mother's savings and scholarships that the artist earned, and she graduated with honors in 1937. At the time, the idea of a career as an artist was far-fetched for a black woman, so she completed her undergraduate studies with the aim of being a teacher. After graduation, she moved to her mother's hometown of Durham, NC to teach high school.
Catlett became interested in the work of landscape artist Grant Wood, so she entered the graduate program of the University of Iowa where he taught. There, she studied drawing and painting with Wood, as well as sculpture with Harry Edward Stinson. Wood advised her to depict images of what she knew best, so Catlett began sculpting images of African-American women and children. However, despite being accepted to the school, she was not permitted to stay in the dormitories, therefore she rented a room off-campus. One of her roommates was future novelist and poet Margaret Walker. Catlett graduated in 1940, one of three to earn the first masters in fine arts from the university, and the first African-American woman to receive the degree.
After Iowa, Catlett moved to New Orleans to work at Dillard University, spending the summer breaks in Chicago. During her summers, she studied ceramics at the Art Institute of Chicago and lithography at the South Side Community Art Center. In Chicago, she also met her first husband, artist Charles Wilbert White. The couple married in 1941. In 1942, the couple moved to New York, where Catlett taught adult education classes at the George Washington Carver School in Harlem. She also studied lithography at the Art Students League of New York, and received private instruction from Russian sculptor Ossip Zadkine, who urged her to add abstract elements to her figurative work. During her time in New York, she met intellectuals and artists such as Gwendolyn Bennett, W. E. B. Dubois, Ralph Ellison, Langston Hughes, Jacob Lawrence, Aaron Douglas, and Paul Robeson.
In 1946, Catlett received a Rosenwald Fund Fellowship to travel with her husband to Mexico and study. She accepted the grant in part because at the time American art was trending toward the abstract while she was interested in art related to social themes. Shortly after moving to Mexico that same year, Catlett divorced White. In 1947, she entered the Taller de Gráfica Popular, a workshop dedicated to prints promoting leftist social causes and education. There she met printmaker and muralist Francisco Mora, whom she married later that same year. The couple had three children, all of whom developed careers in the arts: Francisco in jazz music, Juan Mora Catlett in filmmaking, and David in the visual arts. The last worked as his mother's assistant, performing the more labor intensive aspects of sculpting when she was no longer able. In 1948, she entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" to study wood sculpture with José L. Ruíz and ceramic sculpture with Francisco Zúñiga. During this time in Mexico, she became more serious about her art and more dedicated to the work it demanded. She also met Diego Rivera, Frida Kahlo, and David Alfaro Siqueiros.
In 2006, Kathleen Edwards, the curator of European and American art, visited Catlett in Cuernavaca, Mexico and purchased a group of 27 prints for the University of Iowa Museum of Art (UIMA). Catlett donated this money to the University of Iowa Foundation in order to fund the Elizabeth Catlett Mora Scholarship Fund, which supports African-American and Latino students studying printmaking. Elizabeth Catlett Residence Hall on the University of Iowa campus is named in her honor.
Activism
Catlett worked with the Taller de Gráfica Popular (TGP) from 1946 until 1966. However, because some of the members were also Communist Party members, and because of her own activism regarding a railroad strike in Mexico City had led to an arrest in 1949, Catlett came under surveillance by the United States Embassy. Eventually, she was barred from entering the United States and declared an "undesirable alien." She was unable to return home to visit her ill mother before she died. In 1962, she renounced her American citizenship and became a Mexican citizen.
In 1971, after a letter-writing campaign to the State Department by colleagues and friends, she was issued a special permit to attend an exhibition of her work at the Studio Museum in Harlem.
Later years
After retiring from her teaching position at the Escuela Nacional de Artes Plásticas, Catlett moved to the city of Cuernavaca, Morelos in 1975. In 1983, she and Mora purchased an apartment in Battery Park City, NY. The couple spent part of the year there together from 1983 until Mora's death in 2002. Catlett regained her American citizenship in 2002.
Catlett remained an active artist until her death. The artist died peacefully in her sleep at her studio home in Cuernavaca on April 2, 2012, at the age of 96. She is survived by her 3 sons, 10 grandchildren, and 6 great-grandchildren.
Career
Very early in her career, Catlett accepted a Public Works of Art Project assignment with the federal government for unemployed artists during the 1930s. However, she was fired for lack of initiative, very likely due to immaturity. The experience gave her exposure to the socially-themed work of Diego Rivera and Miguel Covarrubias.
Much of her career was spent teaching, as her original intention was to be an art teacher. After receiving her undergraduate degree, her first teaching position was in the Durham, NC school system. However, she became very dissatisfied with the position because black teachers were paid less. Along with Thurgood Marshall, she participated in an unsuccessful campaign to gain equal pay. After graduate school, she accepted a position at Dillard University in New Orleans in the 1940s. There, she arranged a special trip to the Delgado Museum of Art to see the Picasso exhibit. As the museum was closed to black people at the time, the group went on a day it was closed to the public. She eventually went on to chair the art department at Dillard. Her next teaching position was with the George Washington Carver School, a community alternative school in Harlem, where she taught art and other cultural subjects to workers enrolled in night classes. Her last major teaching position was with the Escuela Nacional de Artes Plásticas at the National Autonomous University of Mexico (UNAM), starting in 1958, where she was the first female professor of sculpture. One year later, she was appointed the head of the sculpture department despite protests that she was a woman and a foreigner. She remained with the school until her retirement in 1975.
When she moved to Mexico, Catlett's first work as an artist was with the Taller de Gráfica Popular (TGP), a famous workshop in Mexico City dedicated to graphic arts promoting leftist political causes, social issues, and education. At the TGP, she and other artists created a series of linoleum cuts featuring prominent black figures, as well as posters, leaflets, illustrations for textbooks, and materials to promote literacy in Mexico. Catlett’s immersion into the TGP was crucial for her appreciation and comprehension of the signification of “mestizaje”, a blending of Indigenous, Spanish and African antecedents in Mexico, which was a parallel reality to the African American experiences. She remained with the workshop for twenty years, leaving in 1966. Her posters of Harriet Tubman, Angela Davis, Malcolm X and other figures were widely distributed.
Although she had an individual exhibition of her work in 1948 in Washington, D.C., her work did not begin to be shown regularly until the 1960s and 1970s, almost entirely in the United States, where it drew interest because of social movements such as the Black Arts Movement and feminism. While many of these exhibitions were collective, Catlett had over fifty individual exhibitions of her work during her lifetime. Other important individual exhibitions include Escuela Nacional de Arte Pláticas of UNAM in 1962, Museo de Arte Moderno in 1970, Los Angeles in 1971, the Studio Museum in Harlem in New York in 1971, Washington, D.C. in 1972, Howard University in 1972, Los Angeles County Museum of Art in 1976, Miller Gallery at Carnegie Mellon University in 2008, and the 2011 individual show at the Bronx Museum. From 1993 to 2009, her work was regularly on display at the June Kelly Gallery.
Catlett's work can be found in major collections such as those of the Museum of Modern Art, Metropolitan Museum of Art, Library of Congress, Minneapolis Institute of Arts, National Museum in Prague, the Toledo Museum of Art, the Clark Atlanta University Art Galleries, the Palacio de Bellas Artes in Mexico, the Instituto Politécnico Nacional, Carnegie Mellon University, the University of Iowa, the June Kelly Gallery and the Schomburg Center for Research in Black Culture in New York.
The Legacy Museum, which opened on April 26, 2018, displays and dramatizes the history of slavery and racism in America, and features artwork by Catlett and others.
Awards and recognition
During Catlett's lifetime she received numerous awards and recognitions. These include First Prize at the 1940 American Negro Exposition in Chicago, induction into the Salón de la Plástica Mexicana in 1956, the Distinguished Alumni Award from the University of Iowa in 1996, a 1998 50-year traveling retrospective of her work sponsored by the Newberger Museum of Art at Purchase College, a NAACP Image Award in 2009, and a joint tribute after her death held by the Salón de la Plástica Mexicana and the Instituto Politécnico Nacional in 2013. Others include an award from the Women's Caucus for Art, the Art Institute of Chicago Legends and Legacy Award, Elizabeth Catlett Week in Berkeley, Elizabeth Catlett Day in Cleveland, honorary citizenship of New Orleans, honorary doctorates from Pace University and Carnegie Mellon, and the International Sculpture Center's Lifetime Achievement Award in contemporary sculpture. The Taller de Gráfica Popular won an international peace prize in part because of her achievements . She received a Candace Award from the National Coalition of 100 Black Women in 1991.
Art historian Melanie Herzog has called Catlett "the foremost African American woman artist of her generation." By the end of her career, her works, especially her sculptures, sold for tens of thousands of dollars.
In 2017, Catlett's alma mater, the University of Iowa, opened a new residence hall that bears her name.
Catlett was the subject of an episode of the BBC Radio 4 series An Alternative History of Art, presented by Naomi Beckwith and broadcast on March 6, 2018.
Artistry
Catlett is recognized primarily for sculpting and print work. Her sculptures are known for being provocative, but her prints are more widely recognized, mostly because of her work with the Taller de Gráfica Popular. Although she never left printmaking, starting in the 1950s, she shifted primarily to sculpture. Her print work consisted mainly of woodcuts and linocuts, while her sculptures were composed of a variety of materials, such as clay, cedar, mahogany, eucalyptus, marble, limestone, onyx, bronze, and Mexican stone (cantera). She often recreated the same piece in several different media. Sculptures ranged in size and scope from small wood figures inches high to others several feet tall to monumental works for public squares and gardens. This latter category includes a 10.5-foot sculpture of Louis Armstrong in New Orleans and a 7.5-foot work depicting Sojourner Truth in Sacramento.
Much of her work is realistic and highly stylized two- or three-dimensional figures, applying the Modernist principles (such as organic abstraction to create a simplified iconography to display human emotions) of Henry Moore, Constantin Brancusi and Ossip Zadkine to popular and easily recognized imagery. Other major influences include African and pre-Hispanic Mexican art traditions. Her works do not explore individual personalities, not even those of historical figures; instead, they convey abstracted and generalized ideas and feelings. Her imagery arises from a scrupulously honest dialogue with herself on her life and perceptions, and between herself and "the other", that is, contemporary society's beliefs and practices of racism, classism and sexism. Many young artists study her work as a model for themes relating to gender, race and class, but she is relatively unknown to the general public.
Her work revolved around themes such as social injustice, the human condition, historical figures, women and the relationship between mother and child. These themes were specifically related to the African-American experience in the 20th century with some influence from Mexican reality. This focus began while she was at the University of Iowa, where she was encouraged to depict what she knew best. Her thesis was the sculpture Mother and Child (1939), which won first prize at the American Negro Exposition in Chicago in 1940.
Her subjects range from sensitive maternal images to confrontational symbols of Black Power, and portraits of Martin Luther King, Jr., Malcolm X, Harriet Tubman, Rosa Parks, and writer Phyllis Wheatley, as she believed that art can play a role in the construction of transnational and ethnic identity. Her best-known works depict black women as strong and maternal. The women are voluptuous, with broad hips and shoulders, in positions of power and confidence, often with torsos thrust forward to show attitude. Faces tend to be mask-like, generally upturned. Mother and Child (1939) shows a young woman with very short hair and features similar to that of a Gabon mask. A late work Bather (2009) has a similar subject flexing her triceps. Her linocut series The Black Woman Speaks, is among the first graphic series in Western art to depict the image of the American black woman as a heroic and complex human being. Her work was influenced by the Harlem Renaissance movement and the Chicago Black Renaissance in the 1940s and reinforced in the 1960s and 1970s with the influence of the Black Power, Black Arts Movement and feminism. With artists like Lois Jones, she helped to create what critic Freida High Tesfagiorgis called an "Afrofemcentrist" analytic.
The Taller de Gráfica Popular pushed her to adapt her work to reach the broadest possible audience, which generally meant balancing abstraction with figurative images. She stated of her time at the TGP, "I learned how you use your art for the service of people, struggling people, to whom only realism is meaningful."
Critic Michasel Brenson noted the "fluid, sensual surfaces" of her sculptures, which he said "seem to welcome not just the embrace of light but also the caress of the viewer's hand." Ken Johnson said that Ms. Catlett "gives wood and stone a melting, almost erotic luminosity." But he also criticized the iconography as "generic and clichéd."
However, Catlett was more concerned in the social messages of her work than in pure aesthetics. "I have always wanted my art to service my people – to reflect us, to relate to us, to stimulate us, to make us aware of our potential." She was a feminist and an activist before these movements took shape, pursuing a career in art despite segregation and the lack of female role models. "I don't think art can change things," Catlett said: "I think writing can do more. But art can prepare people for change, it can be educational and persuasive in people's thinking."
Catlett also acknowledged her artistic contributions as influencing younger black women. She relayed that being a black woman sculptor "before was unthinkable. ... There were very few black women sculptors – maybe five or six – and they all have very tough circumstances to overcome. You can be black, a woman, a sculptor, a print-maker, a teacher, a mother, a grandmother, and keep a house. It takes a lot of doing, but you can do it. All you have to do is decide to do it."
Artist statements
No other field is closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.
"Art for me must develop from a necessity within my people. It must answer a question, or wake somebody up, or give a shove in the right direction — our liberation."
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siriusloire · 7 years
Text
There’s a thing I need to rant about, because it’s a while I see some kind of posts in the Internet that hides some hate in them. First of all I must say sorry for the bad English because, being this a rant, I will write fast (and also because English is not my mother language).
It happened to see people ranting about the fact that other people don’t like the same fictional characters and they don’t ship/like the same ship. And few seconds later they shared/posted things about the fact that in every fandom, big or little, anime and not, there’s always someone that doesn’t understand the story. So I have a question for those people.
Guys… Are you telling me that people that don’t like the same thing in your fandom it’s because they don’t understood anything? WHAT THE HECK. And I thought that not understanding a series means that you didn’t understood the entire plot xD
I know that everyone says “no, don’t like this", “don’t like that", “I find this disgusting", “if this character was real, I will surely slap him/her like there’s no tomorrow", because, if anybody doesn’t know it, characters in stories (this story could be a slice of life, a fantasy, war, anything) are made taking various traits from human behaviour. So it’s normal to find ourselves liking a certain character and his relationship with certain characters and disliking/hating other characters and obviously ships and things that concernes it. Everyone has his different view about things, and, guess what? IT HAPPENS ALSO IN FANDOMS! So, if someone says that they hate your favourite character or a ship you ship, LET THEM BE! And another thing I don’t like is, when you say you don’t like a thing, that someone comes and starts to say things trying to make you like the things you said you don’t like (explaining the why), making you hate more the thing. They only said they don’t like a thing, they didn’t said “people that likes x character from y series are dickheads because they don’t understand anything". And the fun fact is that people that try to defend character and attack people that don’t think like them (yes, that’s attacking people because you try to put on them the same ideas you have) thinks that they are Gods about it only because they are old fans or they are newbies that collected everything about a certain series and thinks to be omniscent about every character’s behaviour, sometimes taking their acts as the opposite of what others see the thing.
Nobody is omniscent about a series. Nobody could consider themselves omniscent about a thing, even if they are in the fandom since the series begun. Even authors, sometimes, don’t understand some aspects from their works and they try to find a way to explain it to themselfes and to fans.
We are different, so everyone is free to see the story as we like. You know how could be boring the world if everybody likes the same thing, the same, series, the same characters? And don’t liking a thing/character IT DOES NOT MEAN THAT PEOPLE DON’T UNDERSTAND THE WORK.
Hating/Not liking Daenerys Targaryen or Jon Snow doesn’t mean people don’t understand Game of Thrones.
Hating/Not liking Edward Elric doesn’t mean you don’t understand Fullmetal Alchemist.
Hating/Not liking Severus Snape doesn’t mean you don’t understand Harry Potter.
Hating/Not liking Usagi Tsukino doesn’t mean you don’t understand Sailor Moon.
Hating/Not liking Frodo Baggins doesn’t mean you don’t understand The Lord of the Rings.
Hating/Not liking Maya Toumi doesn’t mean you don’t understand Soukyuu no Fafner
Hating/Not liking Barney Stinson doesn’t mean you don’t understand How I met your mother.
Hating/Not liking Ciel Phantomhive doesn’t mean you don’t understand Black Butler.
And I can continue endlessly using as examples characters that I love and I hate!
So, guys, don’t get angry if someone doesn’t like or hates the same things you like and don’t throw shit on them saying “they don’t understand the series". Because doing like this you only gather around haters and you could not enjoy the series itself anymore.
Fandoms could be good because they gather different people that thinks differently about the same thing, because we catch different sides of a thing, good and bad ones.
So, please, stop being like this.
Live and let live!
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5heclai · 6 years
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My 2018 Golden Globes Predictions
{I removed categories that included movies or shows that I haven’t seen yet}
Film
Best Motion Picture
Drama
Call Me by Your Name
Dunkirk
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri
- Granted I’ve only seen Dunkirk and Three Billboards, I really think Dunkirk has this one in the bag; as well as Christopher Nolan for directing. 
Musical or Comedy
The Disaster Artist
Get Out
The Greatest Showman
I, Tonya
Lady Bird
- Lady Bird is my second choice, and I feel it has a higher chance of winning, although I really want Get Out to win.  
Best Performance in a Motion Picture – Drama
Actor
Timothée Chalamet – Call Me by Your Name as Elio Perlman
Daniel Day-Lewis – Phantom Thread as Reynolds Woodcock
Tom Hanks – The Post as Ben Bradlee
Gary Oldman – Darkest Hour as Winston Churchill
Denzel Washington – Roman J. Israel, Esq. as Roman J. Israel
Actress
Jessica Chastain – Molly's Game as Molly Bloom
Sally Hawkins – The Shape of Water as Elisa Esposito
Frances McDormand – Three Billboards Outside Ebbing, Missouri as Mildred Hayes
Meryl Streep – The Post as Kay Graham
Michelle Williams – All the Money in the World as Gail Harris
Best Performance in a Motion Picture – Musical or Comedy
Actor
Steve Carell – Battle of the Sexes as Bobby Riggs
Ansel Elgort – Baby Driver as Baby / Miles
James Franco – The Disaster Artist as Tommy Wiseau
Hugh Jackman – The Greatest Showman as P. T. Barnum
Daniel Kaluuya – Get Out as Chris Washington
Actress
Judi Dench – Victoria & Abdul as Queen Victoria
Helen Mirren – The Leisure Seeker as Ella Robina
Margot Robbie – I, Tonya as Tonya Harding
Saoirse Ronan – Lady Bird as Christine "Lady Bird" McPherson
Emma Stone – Battle of the Sexes as Billie Jean King
Best Supporting Performance in a Motion Picture – Drama, Musical or Comedy
Supporting Actor
Willem Dafoe – The Florida Project as Bobby Hicks
Armie Hammer – Call Me by Your Name as Oliver
Richard Jenkins – The Shape of Water as Giles
Christopher Plummer – All the Money in the World as J. Paul Getty
Sam Rockwell – Three Billboards Outside Ebbing, Missouri as Officer Jason Dixon
Supporting Actress
Mary J. Blige – Mudbound as Florence Jackson
Hong Chau – Downsizing as Ngoc Lan Tran
Allison Janney – I, Tonya as LaVona Golden
Laurie Metcalf – Lady Bird as Marion McPherson
Octavia Spencer – The Shape of Water as Zelda Fuller
Best Director
Guillermo del Toro – The Shape of Water
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Christopher Nolan – Dunkirk
Ridley Scott – All the Money in the World
Steven Spielberg – The Post
Best Screenplay
Guillermo del Toro & Vanessa Taylor – The Shape of Water
Greta Gerwig – Lady Bird
Liz Hannah & Josh Singer – The Post
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Aaron Sorkin – Molly's Game
- Honestly bummed Jordan Peele didn’t get nominated. 
Best Original Score
Carter Burwell – Three Billboards Outside Ebbing, Missouri
Alexandre Desplat – The Shape of Water
Jonny Greenwood – Phantom Thread
John Williams – The Post
Hans Zimmer – Dunkirk
Best Original Song
"Home" (Nick Jonas, Justin Tranter, and Nick Monson) – Ferdinand
"Mighty River" (Raphael Saadiq, Mary J. Blige, and Taura Stinson) – Mudbound
"Remember Me" (Kristen Anderson-Lopez and Robert Lopez) – Coco
"The Star" (Mariah Carey and Marc Shaiman) – The Star
"This Is Me" (Benj Pasek and Justin Paul) – The Greatest Showman
Best Animated Feature Film
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent
- They should really just toss the golden globe to the Pixar crew upon their arrival to the ceremony.
Television
Best Series
Drama
The Crown
Game of Thrones
The Handmaid's Tale
Stranger Things
This Is Us
Musical or Comedy
Black-ish
The Marvelous Mrs. Maisel
Master of None
SMILF
Will & Grace
Best Performance in a Television Series – Drama
Actor
Jason Bateman – Ozark as Martin "Marty" Byrde
Sterling K. Brown – This Is Us as Randall Pearson
Freddie Highmore – The Good Doctor as Dr. Shaun Murphy
Bob Odenkirk – Better Call Saul as Jimmy McGill
Liev Schreiber – Ray Donovan as Ray Donovan
Best Performance in a Television Series – Musical or Comedy
Actor
Anthony Anderson – Black-ish as Andre "Dre" Johnson Sr.
Aziz Ansari – Master of None as Dev Shah
Kevin Bacon – I Love Dick as Dick
William H. Macy – Shameless as Frank Gallagher
Eric McCormack – Will & Grace as Will Truman
Best Supporting Performance in a Series, Miniseries or Television Film
Supporting Actor
David Harbour – Stranger Things as Chief Jim Hopper
Alfred Molina – Feud: Bette and Joan as Robert Aldrich
Alexander Skarsgård – Big Little Lies as Perry Wright
Christian Slater – Mr. Robot as Mr. Robot/Edward Alderson
David Thewlis – Fargo as V.M. Varga
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