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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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wolfiesmoon · 3 months

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Eyes on me

floyd x gn!reader

Its rlly hard writing this w one hand because i had a bit of a medical emergency last night (in fact i'm in the hospital as i'm typing this) but we survive

so imagine my surprise when i got my baby boy floyd in all his basketball glory (as a consolation from the sevens i assume)

long story short this calls for a floyd fic

(also i use the word stadium a lot here, by that i mean a more small, local stadium and not one of those big NBA league ones)

"I told you, I'm not playing." Floyd crossed his arms and pouted like a little toddler. "Floyd. This is an important match. We have no time for one of your tantrums." Jamil tried reasoning with him, but it was all for naught. It seems like Floyd is inconsolable right now.

The coach was very close to losing it at this point. The match was drawing closer and closer and Floyd's mood was getting worse and worse.

The team could already hear the people coming into the stadium.

"What are you even so sad about?" Ace questioned, getting a bit annoyed with Floyd.

"Little Shrimpy promised to come see me but isn't here yet... " Floyd glanced at the people sitting on the bleachers, searching for your face in the crowd. When he didn't see you, his pout increased.

"... That's why you're refusing to play?" Jamil couldn't believe his ears. Neither could anyone else in the club right now. Is this dude really 17 years old? He seems like a bit of an overgrown 5 year old right now.

Well, the coach knew he was taking a risk when placing Floyd on the team seeing as things like this are very likely to happen. All he can do now is hope you actually show up so he won't have one potentially amazing player less.

"Oh crap, Floyd's match! I almost forgot!" You quickly got up, startling your classmates. You had to stay with some of them to work on a group project professor Crewel gave you. "Anyone wanna come watch basketball with me?"

A few of your classmates agreed to go while others said they had plans to get to.

And so you went.

"Can't believe you forgot it, idiot." Grim scolded you. "Oh yeah? and who was the one sleeping away in my lap while we had to do all the work?" you shot back and he grumbled something under his breath as a response.

The two classmates going with you huffed in amusement at your reply.

By now, you were already at the entrance to the stadium. You saw Floyd play before at practice and you know how good he can get when he's fired up. But you also know how he can be when the opposite is true.

You just hope he's in a good mood right now. If he isn't, you'll just cheer for him until he is.

You sat down on the bleachers, chatting with your classmates about the project as you waited for the match to start.

"Hey, isn't that the Prefect right the-ack!" Ace got pushed away by Floyd who's eyes immediately scanned the bleachers again. When he saw you, his eyes lit up and a wide smile spread across his face.

"Shrimpy is here!~" the sudden change in mood surprised even the coach. Well, he supposes the issue is solved now.

His eyes darkened, however, when he saw you laughing with your classmates. You're here for him, not some rando dudes from your class.

Suddenly, he feels determined to play so well you won't take your eyes off him for even a second. He'll make sure of it.

"Hey. We're going to beat the other team so hard they cry. Got it?" he suggested with a horrifying expression on his face. The entire team felt too afraid to do anything but nod in agreement.

That's the second mood change he had in a matter of 30 seconds. Now the entire team is just generally concerned for him.

As the NRC team walked out, you smiled at Floyd and waved to him, Grim raising his little paw to wave too. He smiled back at you widely, flailing his arms around like an excited child at you. When he looked away, however, his expression darkened once more.

Better keep your eyes on him the whole time or someone from the other team might not make it out unscathed.

#˗ˏˋ ★ ♡ 「Wolfie’s other works」 ♡ ★ ˎˊ˗#twisted wonderland x reader #twisted wonderland x you #twisted wonderland x yuu #twisted wonderland x mc #twst x mc #twst x reader #twst x you #twst x yuu #twst x y/n #floyd leech x yuu #floyd leech x reader #floyd leech x y/n #floyd x reader #floyd leech #floyd twisted wonderland

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headspace-hotel · 9 months

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I've been able to neither read nor write stories in a long time. Poetry too, for the most part. I guess what I mean is that the art of the written word has become a stranger to me.

I hate what poetry classes did to my writing. Yes, the Wikipedia poems, but they are easier because they're not my own words, and I have gotten so many comments on those saying they are powerful pieces of art, but for me personally they're a way of hiding from the awfulness of trying to assemble my own words into poetry.

I hate the poems I wrote in poetry classes. I hate the version of me I showed others in those classes. I hate the way poetry classes taught me to draw from my own experiences and thoughts for poetry. I hate everything I learned about how to interpret poetry, the eye with which I learned to read poetry, and the vocabulary I learned to talk about poetry, and ultimately, I hate "literary" poetry.

"Literary," by the way, is the category of art that has more meaning, value and legitimacy than the "other" category, which is not "literary." A "literary" poem is published in special, fancy "literary" magazines and almost invariably written by a person with a MFA or PhD in poetry.

You could say that the distinguishing feature of "literary" art is its overwhelming sense of legitimacy. A "literary" poem is a poem in the same way that a nonprofit organization is charitable, that a CEO is rich, or that an SAT score demonstrates your academic prowess. It is a poem completely immune to the possibility that someone will think it sucks. It expects to be absorbed, analyzed, studied, and discoursed upon because something feels "official" about whatever designates it as Good Art.

Literary poems are not only written by and for a special subset of people that have been formally taught to read and interpret poetry, they are written exclusively for audiences that will automatically assume they are Good Art; beautiful, meaningful, and worth interpreting. Because of this, most literary poems are literal incomprehensible nonsense.

Just take this one:

Say I climb the ladder of wheat/and at the top there is a faucet dripping beads of water/but the water takes a year to turn into an eagle/and the sky's forty-three shades of gray pierce/the first inflection of my heart, the point where the signals/throw grass into the river. Say the river sags/and the horizon sucks the lance out of the ghost's hands/like the moment of being born, the point where a shadow's/tongue slides through the faultline./Grace. Sunlight, cherries.

(it continues like this)

And conceptually, I love art as collaboration between the creator and viewer, where abstract, indeterminate and murky things are forced to take shape through the participation of the viewer as they interpret and associate things that stand out to them in the work! The "aliveness" of art in the abyss between what the artist attempts to communicate and what the viewer feels is the coolest thing to me!

But this philosophy of art is incompatible with the idea that there is an elite category of art that is worthy of interpretation, analysis, and reverence. I can fuck around with this random word generator and get something that is roughly as meaningful as the above. I don't mean that as demeaning to the poem, I mean that I feel demeaned by the poem, because its linguistic play and experimentation is something that everybody can do, that everyone should try doing, but this poem has been designated as something exceptionally meaningful and worthy and its writer teaches writing at the University of Chicago. You can click through that website for hours and not find a single soul without a MFA or above in poetry or creative writing.

For me, the world of "literary" writing was like a room with a splatter of vomit across the floor that no one else would acknowledge. The ability to formally study poetry in college was a privilege, but I was constantly aware of privilege, and the thing about privilege is the more you have, the less you think about it. What of the ability to pursue a PhD in poetry? What small fraction of people could expend so much time and money on something that didn't really have a career associated with it? And of that fraction, which fraction would be seen as "good enough" to publish poetry books and to teach? With poetry this indeterminate, how were the "good" poets selected at all?

Literary writing excludes poor people, and the existence of published literary poets who are immigrants or minorities doesn't negate this. Increasingly, published writing in general excludes poor people. A LOT of popular authors graduated from very elite schools!

But literary poetry I hate especially, because it puffs itself up on unlocking the universe and human experience and pain, as if insight into those things is a seldom-appearing gift instead of something many people have, except they don't have the time and money to train themselves into expressing it in a way that appears Literary.

The "literary" vs. "non-literary" paradigm had an inescapable rottenness to it. I couldn't stop thinking about the luminous conversations I'd had with people who lacked the formal training to express ideas in a "literary" manner, but still showed me something vital about the universe.

I've been bitching about literary poetry for like two years now, and really, I just hate what studying all that shit has done to my own writing style. It's so frustrating that the joy and playfulness won't come back.

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ozzgin · 4 months

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Hello again, are requests still open? If they are, can I request headcanons for Izuku, Shoto, and Tamaki with an artist reader? They stumble upon the reader's book full of art. The book also has drawings of them and the reader together.

Yes! I even have your previous ask halfway written in my drafts, which I might just conveniently incorporate it here haha. I'm just very slow to write everything. I do mark the request section as closed when it's the case., so no worries.

BNHA Characters x Artist! Reader Headcanons

Featuring Midoriya Izuku, Todoroki Shoto, Amajiki Tamaki and a reader whose doodles are rather obvious in meaning. More fluff!

Midoriya Izuku

Deku is not really one to pry. So it was absolutely not his intention to snoop. He'd just assumed that your notebook has generic scribbles made of class notes, facts and observations, similar to his. He didn't expect to find intricate sketches, and of such quality too!

Really, he's mesmerized. He has an eye for detail and will carefully scan every line and every brush stroke. Is this a portrait of your teacher? Fantastic angle you've chosen! The crosshatching adds a lot of depth. He slowly flips through the pages, wondering why you've never mentioned your hobby. He's even a little dejected, fearing you might not consider him as close a friend.

Then he reaches the doodles of him and you together. Oh. Ooooh. He has to look away for a moment, trying to contain his blush. Well, it certainly makes sense you'd keep it from him. He'd like to return the sketchbook and pretend he never saw anything, but...As much as he doesn't want to embarrass you, he can't get the idea out of his mind. To think you like him, too...Can he really hide how happy that makes him?

Todoroki Shoto

Opening your personal belongings was completely unintentional. Todoroki had accidentally included one of your notebooks among his own and swiftly left for his dorm room. As he clumsily dumped out the contents of his bag, he finally spotted the foreign item sprawled out on his desk.

Drawings? He can't think of anyone in class to ever mention such interest. Then he remembers he sat next to you, so it must be yours. He blushes slightly at the idea. It would be most terrible of him to snoop further, but he can't help his curiosity. He'd love to know more about you and a perfect opportunity is shining brightly before him. Just a quick peek...nothing more.

To think you were this skilled and he never noticed. He stumbles upon a portrait of himself. Unexpected. When did you even have the time to observe him so carefully? His lips purse in embarrassment. By the time he reaches the lovely couple doodles, his ears are bright red. Was his crush that obvious? He can hardly believe the coincidence of you liking him back and expressing it so clearly. Returning the sketchbook will certainly be interesting. It is the duty of a Prince, after all (If he is to refer to your little sketches).

Amajiki Tamaki

Tamaki has noticed how you often sneak away from the crowds and assumed you, too, are struggling with anxiety and awkwardness. Upon further inspection, however, it seems you just enjoy sketching by yourself. He feels a little ridiculous, hiding behind the wall and spying on an innocent hobby like this.

Then again, why the secrecy? He always thought you're good friends, yet you never mentioned anything about it. Combined with the fact you frequently praise him or gaze at him uncomfortably long...Are you planning on pranking him or something? No, no, that's just his paranoia talking. He reassures himself as he holds the little book you conveniently forgot behind. This is the perfect opportunity to prove to himself he's overthinking as usual.

Seeing the doodles of you and him together turns him into a fumbling, red-faced mess. His hands are trembling. The polite thing to do right now would be to close the notebook and promptly return it. Still, he's stuck in place, staring at the pages. Is this a joke? You can't possibly like him back. Someone like him. As much as he denies it, the longing won't leave his flustered heart. A man can dream...

#boku no hero academia #bnha #bnha headcanons #bnha x reader #bnha fluff #izuku midoriya #izuku x reader #shouto todoroki #todoroki x reader #tamaki amajiki #tamaki x reader #amajiki tamaki x reader #todoroki shoto x reader #deku x reader

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comradekatara · 18 days

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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33

YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?

toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.

it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.

toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.

that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.

so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.

toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.

however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.

toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.

toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.

femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)

i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.

toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.

#smultronviol #asks #toph #analysis #katara&toph #sokka&toph #aang&toph #poppy beifong #god she just means so much to me.....#i was trying not to make this too personal but like. baby disabled dyke. god she is so important.#not that i'm butch. but i think she is :)#also some of those links are better than others but i included all of them anyway lol #realizing now that i actually talk about toph a lot...#anyway. thank you for this ask #i really really appreciate it and took a while responding specifically because i wanted to have time to be thorough #not that this is like. The definitive toph essay #but i hope what i wrote here resonated #because like i said. she means a lot to me and i truly do feel like very few ppl understand her fully #she is so important blind bandit numero uno campeon del mundo

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ccarrot · 7 months

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just grasping at straws but Chuuya’s fighting to defend his mom and then the ability being a power enhancement type doesn’t read very well for the nature of his parents’ relationship to each other prior to him getting taken honestly.

well okay from the [[very little]] we know about Chuuya's life before the lab

His family comes from a coastal town in the San'in reigon, which. If you dont know is a long LONG ways from Yokohama

Chuuya's father was an ex military doctor but held a lot of political sway in town

His mother came from a lineage "warriors" Samaurai?? I guess. She also apparently had "the ettiquette and decorum of the upper echelons of society" i'm assuming that means she was comfortably upper class. If not, she certainly acted as it

So essentially Chuuya came from what you'd call a powerful family in a small rural town. With this in mind it's interesting to draw parallels between Chuuya's childhood circumstances and his current position as an exec of the Port Mafia alongside Mori and Kouyou (both of whom are also ex-military and Samaurai heritage respectively, like Chuuya's birth parents)

The couple had a son (chuuya) who "died" and they never had another kid since

So this part is a little weird to me and that might be because it's littered with purposeful ambiguities. For ex. Asagiri describes Chuuya's father as "now a kindhearted doctor" and follows it immediately with "but that wasn't the whole story." What a strange choice right? Because the rest of that point speaks about his past and political influence rather than his personal character BUT the follow up and the use of "now" in some way implies he wasn't alway's "kindhearted."

Another oddity that should also stick out to you, "He got caught up in a war." A war? A. We know that Chuuya like most of the bsd cast in this era was a child of war. We know that the Arahabaki project was running during the later years of The Great War. But Asagiri said "a war" so obviously there's a double meaning to that otherwise he would have saide "the war." This line is followed directly by the story of how young Chuuya got his graphite scar. He was an "unruly child" he adamantly defended his parents, he didnt flinch when he got attacked. The kid was a fighter. He had something to prove and he had a need to defend. That was a war that he got caught up in.

But why was kid chuuya a fighter? Well that's where we can start heading into inferences territory. I don't think there will ever be a certain answer to what caused chuuya's ability to manifest and what his past was really like but you can fill in some of the blanks surrounding that question:

Chuuya's father is an ex-military doctor. So he likely operated on the field during the wartimes. There's a good chance he wasn't around much while Chuuya was growing up

Him being a military doctor also puts him in a *very similar* circle as two other noteworthy miltary doctors in bsd canon who also have close ties to Chuuya: Mori and N (worthwile mention that irl Kensuke Kashimura apparently admired irl Ougai Mori)

Around this time is also when Mori's dossier on incorporating ability users into the war effort was approved. And thus probably when N began his project. In general it wouldnt be far fetched to assume the Special Division started growing in prominence more during the war

So back to Chuuya and his mom, they were likely living alone together with his father off at war. and therefore he probably taken a lot after his mother

Chuuya's mother is from a warrior heritage and maintains the elegance of such. She's probably a very honor bound woman and instilled the importance of honor and respect into her son. And also y'know, the warriors spirit or whatever.

Coupled with the fact that the Nakaharas(????) Are a prominent family in a small village where most citizen know and therefore probably gossip about them, young honor-bound Chuuya could have felt incentivized to defent his parents - even to the point of violence- regardless of the accuracy of the claims

But its also a stretch to assume that young Chuuya's "unruly" behaviour isn't indicative of instablilty or agression at home...

Either way something happened to young Chuuya for him to gain an ability.

We know that Chuuya was taken to the lab sometime after age 6 -> he went to elementary school

We know that the photo with Chuuya and N happened in the reigion (not near the research base in Yokohama) meaning that N knew Chuuya *before* he was in the lab

So N certainly had to know Chuuya's parents. Whether that be because of ties to the father throught the military or is a relative of some kind (assuming N didn't lie about his name being Nakahara).

In the photo, young Chuuya's face is described as "confusion" the poor kid probably had no idea what was happening.

Anyways, back to terrible implications. Chuuya's parents MAY have sent him with N. Knowingly.

Picture this: their young son has suddenly devoloped a dangerous, self destructive ability. If he really did develop an enhancement poer, then there's no ability users for it to work on other than himself. So an accident happens... Chuuya's parents contact an associate who is currently researching self contraticting abilities to somehow help their son. Of course N readily agrees

But N has the perfect research subject. He's not ready to let him go. So Chuuya's death gets faked and that's how the story ends for his parents.

So. There's no solid proof about what could have happened during Chuuya's childhood, and this entire post could be me feeling crazy and overanalyzing. But Asagiri loves telling stories through implications so it's up to you on how to interpret them.

#carrot is putting on her literary analysis hat on today. anything to talk abt bsd stormbringer.#idk its also worth reading up abt some fo the character's namesakes #its interesting to see where parallels can be drawn the irl authors and their counterparts.#this is a whole post of me being slightly insane over somewhat logical narrative implications tho.

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amongemeraldclouds · 14 days

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The Slytherin Boys as Bridgerton Brothers

Ft. Theodore Nott, Mattheo Riddle, and Lorenzo Berkshire. Some also features x f!Reader as their equivalent partner.

✿ Masterlist | 808 words | Based on the Netflix show

Dearest Gentle Reader,

This author is pleased to present the dashing, young Slytherins as their Bridgerton counterpart should they ever grace the ton with their presence.

Theodore Nott as Anthony Bridgerton

𝄞 Theodore Nott as Anthony Bridgerton would be a walking contradiction, oscillating between his responsibilities as a viscount who had to grow up too soon and a rake who refuses to grow up.

𝄞 While attending school at Oxford, he never had to worry about grades as he’s naturally intelligent and can ace his classes with little effort. He’s also generally interested in learning so he never has to force himself to study.

𝄞 This allows him more time to goof off with his classmates so they would go on countless adventures and get into all sorts of trouble. Nothing that would stick of course, given their high status in society and the privilege that comes with it.

𝄞 Given the early loss of his father, he becomes the viscount at a young age and assumes responsibility for their people and his family. It feeds into his serious and introverted side and he initially has strong opinions on Daphne’s suitors, thinking he knows what’s best for her.

𝄞 When he challenged Simon to duel, part of it would be to defend Daphne’s honor, but another part would be his subconscious tendency towards self-destruction.

𝄞 Secretly, he envies and resents his siblings for not having to bear the responsibilities he had to. Still, he cares for them and always tries his best.

𝄞 He prefers having sex with only one partner, but if he doesn’t have one, he will frequent brothels to get his urges satisfied. He never hesitates to do what he needs to do, both in business and his personal life.

𝄞 When he finally opens himself up to marriage, he initially has a strategic plan, refusing to be swept away by whimsical notions of love. All it ever brought was pain, no thank you.

𝄞 And then he met you. The woman he lost a horse race to, the woman who could best him at pall-mall and is not afraid to get her hands dirty, literally. The woman who could carry herself in a hunt. His match.

𝄞 He rarely fell in love, if at all. But when he fell, he fell utterly and hopelessly in love.

𝄞 In his words, “I have never met anyone like you. It is maddening. How much you consume my very being.” He was never one for moderation.

Mattheo Riddle as Benedict Bridgerton

₊✧ As an aspiring artist, Mattheo Riddle enjoys drawing and often has charcoal or ink stains on his hands, just like Benedict Bridgerton.

₊✧ He likes smoking in general and usually bonds with his sister, Eloise, through their regular smoking sessions on the swing. They confide their dreams and fears with each other.

₊✧ He is closest to Anthony, who often seeks his support as the second son.

₊✧ Once he dives into the art scene away from the prestige of the ton, behind doors closed and with curtains drawn, he is pleasantly surprised to discover the sensual side to these parties.

₊✧ He regularly attends these parties for sketching, booze, and orgies - everything his creative heart could desire.

₊✧ He is genuinely passionate about his art and hopes to get into art school of his own accord.

₊✧ He will not hesitate to turn to substances when he needs to relax, even if it means over consuming Colin’s calming tea to soothe his anxiety of getting into art school.

₊✧ He got so wasted that he found himself screaming in exultation from the windows of their quiet countryside home when he was accepted into art school.

Lorenzo Berkshire as Colin Bridgerton

❥ Much like Colin Bridgerton, Lorenzo Berkshire is also a free spirit who enjoys traveling and sharing stories of his adventures.

❥ Life of the party, he loves joking around with others.

❥ He is loyal to and protective of his family, always ready to support his siblings, especially his older brothers when needed.

❥ However, when he sets his sights on a goal, he is headstrong and not afraid to pursue things on his own. Whether it’s courting Marina or making investments in an attempt to find his purpose.

❥ Given his penchant to see the good in others, he can sometimes come off as naive but is open to learning from his failures.

❥ He remains a romantic idealist, but often has his head in the clouds that he overlooks your affections and only sees you as a loyal friend.

❥ Everything changes when he gets closer with you and your confidence grows the more autonomy you have with choosing your own gowns, for example. He starts to consider you less like a friend and more romantically.

❥ He better get his hands and knees ready for all the groveling he will go through to win your affections after he denied and rejected you for so long.

✿ Masterlist <- read more

Author’s note:

✿ Wrote this while eagerly awaiting Bridgerton season 3. ✿ I will go absolutely feral when Benedict’s season arrives. That man is already so gorgeous, how are they going to give him a glow up? Losing my mind 🥵

#scheduled post #slytherin boys headcanons #theodore nott headcanons #mattheo riddle headcanon #lorenzo berkshire headcanons #colin bridgerton #anthony bridgerton #benedict bridgerton #theodore nott imagine #mattheo riddle imagine #lorenzo berkshire imagine #amongemeraldcloudswrites #bridgerton netflix #slytherin boys

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chaos-has-theories · 15 days

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It's here! My TLT Hemospectrum chart. Turns out I'd even finished the description, it just needed light editing.

One day I said to my roommate "Gideon is just so rustblood coded" and then I said "Harrow is definitely a blue blood" and three days later I had this. I'm… sorry? But don't get me wrong, I am deadly serious. THE BUTTS (colors) MATCH

Blank Hemospectrum chart by Rotommowtom, found here. Explanation/Image ID below.

Let's start from the bottom, shall we?

Gideon Nav: candy-red Images: GtN cover; astrological cancer symbol/Sign of the Signless; the scratched out Ninth on Gideon's chapter skull Text: "incongruously red hair" "mutant blood" "the Signless" Additional lines to Rust Class (for her servitude) and Bronze class (for her specific colors)

Gideon is incredibly Rustblood-coded. Just look at her eyes and hair and the colors on her book. But it really is no more than coding. Because very clearly, she's actually mutant candy-red! The Signless. She grows up without a Lusus parents and she is treated as a mutant and an outcast by the Ninth House. She's assumed to be at the bottom of the barrel when really she should be all the way at the top.

And, well. She's lesbian Jesus. Just like Karkat and Kankri. Sth sth Gideon's first act being unlocking her cuffs sth the sign of the signless sth Gideon on that fence vs the Sufferer in his Saint Sebastian getup. Quoth also my roommate: "Gideon wearing glasses and her hood is like Karkat greytyping"

Rust Class: Second House Text: "A very common class, often used to serve and protect Highbloods, often has jobs tailored to Janitorial work, sometimes has Psychic Abilities" "Second-styled Cohort all scarlet and white" Title: Ranked Captain

The actual Rustbloods. Have you ever looked through the Dramatis Personae of GtN and noticed that the 2nd have seemingly no inherited title* whatsoever? Yeah. And obviously, their house color is red. Plus, compare how Judith only ever thinks she has any kind of cachet around the rest of the houses, even though her one attempt to pull rank fails miserably. ("A cohort captain don't rank higher than a Third official.")

(*Judith does get adressed as "Lady Judith" by Teacher once. Draw your own conclusions, but I think that might be generic towards a house heir with no other titles.)

Bronze Class: Fifth or Seventh? Text: "Are often Gifted with the Ability to Commune with Animals" "brown, long coated suit" (fifth); "'I agree', said her bronze statue of a cavalier" (seventh)

This one I'm the most unclear on. By House colors, it would have to be the Fifth, but I also have reasons to place them higher up in the chart. Additionally Protesilaus (non-puppeted version ) gets described as "bronzed and vigorous" and a "bronze statue" three times in row. As we've already seen with Gideon, though, I suspect that necros and their cavs can be placed in different Classes. There's 12 of them, after all, and only 9 Houses. I'm inclined to give this one to Pro, and maybe even Dulcie - she and Tavros have at least the wheelchair in common.

Gold Class: Eighth House Text: "Very often has Psychic Abilities, Often used as External Power Sources" "soul siphoner" "mustard blood" "mayonnaise uncle"; "Nona's eyes were a deep, warm gold" Title: Master Templar

This is the one that struck me with lightning and had me go down this rabbit-hole in earnest. "Often used as external power sources". Did you mean: Soul Siphoning? And: Gold blood gets derogatorily described as "mustard blood" on multiple occasions. Mayonnaise uncle, anyone? Note that I'd consider placing Silas higher up on his own, but he patently does not have a noble title. Even Teacher just calls him "Master Octakiseron". Still, I've got a tentative line up to Teal for his "justice of the tome".

There's an extra line here, linking Alecto's golden eyes to the idea of an external power source. (And Gideon's, of course. There's a theme about only the cavalier characters being Golden.) Also, while one of the Third House colors is Gold, I have good reason to keep them further up this pyramid. In any case, it's mostly Corona who gets described as the "golden twin" (in GtN). See also this on the question of whether Corona has been used as Ianthe's power source since birth.

Olive Class: The Sixth Text: "Rarely having Psychic abilities. The Middle Class."; "nice normal olive" Title: Master Warden

This one was a bit more difficult, but Camilla is described as having "olive skin" twice (those being the only uses of the word in all three books). Also, just vibes-based, I asked around, and this was the result. More importantly, maybe: "the middle class". You will find that noone below this line has a noble title, while everyone above does. Yes, everyone.

Jade Class: Fifth House? Text: "Oddly a very rare class. Tends to the Mother Grub and assists young grubs" "A strong relationship with both Tettares and Chatur" Title: Lady (and Seneschal) of Koniortos Court

Slightly unclear here, except that Magnus and Abigail have the strongest parent vibes I've ever seen. Their whole house uses those parent vibes as political weapons, okay. Lipsticks, chainsaws, and how the fifth "skinned itself over with such airs of civilization…but they were spirit talkers, and speakers to the dead. And the dead were savage." Relatedly: "Abigail Pent blazed like a flare from a blue and Alien sun…. Abigail was soaking wet, wreathed in hot mistlike shimmers by spirit magic… A reek hit Harrow like a faceful of snow: water, brine, blood." Compare that to Kanaya's shiny rainbow drinker form.

I am also having thoughts about Nona being called a "green thing". Sth sth mother grub, and the ability to repopulate humanity.

Teal Class: Seventh House Text: "Often Legislacerators, and often deals with judicial issues"; "Her dress was a (concoction) of seafoam" Title: Duchess (and Knight) of Rhodes

Colorwise perfectly correct, and a Duchess definitely belongs into the Bluebloods. I don't know what to think about the "Judicial Issues" - hence the uncertain line connecting to Silas and the "judgement of the tome" - but admittedly Cytherea is at Canaan House to mete out her version of justice.

See also sth sth representation of disabilty as seen in both Dulcie and Terezi, and potentially even how Cytherea causes Gideon's death, while Dulcie tells Harrow that she might still be saved. Compare to Terezi killing and then saving Vriska to save everyone… le shrug, as the kids say.

Cerulean Class: Ninth House Images: HtN cover Text: "Sometimes has the Ability to Mind control others"; "'You can control my body,' she said. 'You can read my thoughts.' 'No. Not remotely.'

Somewhat unclear. But the line about whether or not Harrow can control Gideon was always… hm. Is "borrowing perceptions" really so much different from mind reading? Besides, mind controlling Gideon is like Harrow's #1 activity starting in chapter one, even if she does it through considerable planning. And of course once we get into the permeability of the soul, looking at "your most intimate memories" is the least of your troubles.

Anyway, Harrow is just so blue-coded. It's her cover, her vibes, and listen: Teacher and Aiglamene call her "Your Grace". It's the correct style for a Bishop or Archbishop, but it's also solidly intriguing considering it's also used for Duchesses and Kings (real life) and Lyctors (NtN).

Indigo Class: Fourth House Text: "Often possesses high levels of Physical Strength and Nobility"; "blue hood". Title: Baron (and Knight) of Tisis

The Dreadful Teens wear blue. Strength, Nobility, Fidelity, and the Emperor.

Purple Class: Third House Text: "Highest Landdwelling Caste, keeps lowerbloods in check"; "Ianthe's pallid purple irises" Title: Princess of Ida

Violet Class: Third House Text: "Royal bloods that ensure the safety of the empress"; "deep, liquid violet"; "I won't tell her. You can't do this, doll, not now."; "1950s-style human greaser" Title: (Crown) Princess and Prince of Ida

Things get properly interesting here. Because yeah, blah blah, highest titles of the nobility, "royal bloods" and princesses; and Naberius' connection to pre-scratch Cronus Ampora.

But while Coronabeth's eyes consistently get described as "violet", Ianthe's are only ever "purple". Or occasionally "dying violets". "Violets on dialysis." Definitely not true violet, no matter how much Ianthe tries. Also, Ianthe "Gatekeep" Tridentarius loves to keep lowbloods in check. It's like her favorite thing.

To get our purples mixed up even more, it's the Fuchsias that traditionally fight with tridents in Homestuck. Tridents, Tridentarius, Trident Knife. Though of course -

Fuchsia Class: First House Text: "The Ruling Empress, has the power to enforce and influence all castes"; "Necromancer Divine, King of the Nine Renewals, our Resurrector, the Necrolord Prime" Title: The Emperor

Do I really need to explain that? He's the Emperor. Of course he's at the top of the pyramid. His "Stop" spell thingy is just the cherry on top. What else could there be to say?

…I'm SO glad you asked. Cherub time!

Alecto: Lime Green Images: green cherub spiral Text: "The dominant personality will then completely consume the other, integr8ting it in such a way that only one is left."; "Muse of Space"

John Gaius: Candy Red Text: "I mastered Death, Harrowhark; I wish I'd done the smarter thing and mastered Time."; "Lord of Time"

I've talked about this before, but John and Alecto are absolutely a Lord of Time/Muse of Space duo. Active vs Passive, life vs death, and the process of a cherub maturing is eerily like Lyctorhood. There's been plenty of theorizing on whether John actually does control time. Personally I don't think so, but it's certainly suggestive! And if John's the metaphorical mutant red, it's exactly what passed on to Gideon ("lipochrome. recessive") while the lime green neatly ties Alecto back to her "green and breathing thing".

Aaaand that's it! Thank you most kindly for reading all this, and if you have any questions, ideas, or frustrated noises to make, come scream at me please :D

#the locked tomb #homestuck #chaos has theories #my favorite tag! returned from the war!#personal thanks to jods-duplicitous-sluts and my-mountain-hyacinth for indeed kicking me until I post this. thank you for your service #tlt meta

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foressfaction · 1 month

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Toby and Clockwork

some headcanon takes on this relationship platonically and romantically

Mentions of Abuse and Self inflicted harm

Details of their stories

I'm just going to get straight into it and say right now that they have known eachother since they were still in school. If it's true that Toby had begun homeschooling when he just turned 16 that would put him right at the end of freshman year (his birthday being in April)

This being said, they would've seen each other around for a good..3 years maybe? Attending the same school since primary. Natalie found interest in him first, finding out that he also took a liking to drawing and doodling. It had never occurred to her what kind of kid he was or his social status until maybe 8th grade. (they'd both be 15 with some months apart)

Natalie never wanted to approach him since she had always struggled with making friends and interacting in general but always found his existence almost aspiring. It wasn't until later down the road that Toby would begin to also begin taking notice of her and her interests when she'd be getting picked on aloud for it occasionally.

Both of them were extremely awkward, too nervous to ever make the first interaction and actually get close to maybe becoming friends. This of course disregarding everything going on at home for the two, as personal business was usually kept to themselves unless brought out some other way.

They two never actually interacted until they began to share classes and eventually school work. Natalie definitely let him copy off her homework and he'd usually bring her cool drawings or nick nacks from the woods near his house. Eventually bumping into each other in the same woods a few times. (turns out they live in the same area) both were lower class families so it wasn't a surprise that they lived so close, it was maybe a 10 minute walk to each other's house, even faster on bike. Natalie had a bike actually, and she used it all the time just to drive by his house on it to see if he'd be looking out of the window like she'd catch him doing it from time to time. It wasn't long till she was introduced to Lyra and his mother. Natalie never did get suspicious about the lack of mention for his father. And he never questioned her about her own parents either. I just know they definitely went down to the local library and would just randomly pull out books that have a silly name or cover image just to sit and make fun of scenes or the idea of it. (i feel they would absolutely eat up the world record books and your mom joke comics)

It was like when they were together time had stopped and nothing mattered anymore.

Sadly though of course we know what happens, as they grew older they fell apart due to Toby becoming homeschooled and Natalie having to move to a new house due to the poor condition of her older one. He stopped seeing her ride down his street, seeing her in the woods, she wasn't able to contact him due to not having access to his landline phone and (since this was back in the 90s which is my personal take,) communication was extremely hard for them. Toby began to assume that she just didn't care for him anymore and that she moved on. He hadn't known she was moving as she was just too sad to tell him, and hoped that he would find out some other way, which ended up backfiring back onto her as now he had no idea what had happened, and now assumes that she hates him.

After his sister passed, memories of Natakie began to fade one by one until eventually he didn't even remember her name. He had developed memory problems, only worsening with each day. She doesn't exist to him at this current moment.

During this time was when he was the most vulnerable, the most in need of a friend.

Natalie wasn't doing all too well either, her situation at home and the constant neglect and anger she was facing only made her spiral down a dark oath. Almost identically tied with Toby’s. It was the same force, the same drive and motive speaking to them. By now we know the story, murder the parents and run away.

It really wasn't till years later (specifically 2 years) they finally ran into each other again, but the memories are gone, nothing but malice and sorrow filled their hearts.

I like to think they first met again with a good fight. Toby ended up ‘winning’ this said fight only to the surprise of Nat that he cannot feel physical pain. This interested her to the point of just calling the duel off and began to ask a ton of questions. Toby found her curiosity almost amusing and led both himself and her down a rabbit hole of the forest and why he's here (what he remembers at least) and she occasionally spits out a bit of her own story (also from what she remembers)

The questions were related to her eye, why weapon choice, favorite color. Cheesy shit. He mostly asked the cheesy shit….

It was obvious the two lacked communication skills.

And we just start over from there.. If anything was destined to be together, it was these two. (platonically or romantic, take that as you please. )

Now as for my actual headcanons for their shipped relationship? Based on the canon art I've seen of them, they seem nothing more than just a regular couple, honestly. Millennial humor, matching couple shirts,probably crack horrible jokes they don't even remember reading or learning about. We can't forget that this was an actual healthy relationship. Yeah they're both psychotic and murderers but I see them more as anti heroes. Even though they did unspeakable things, Nat just does it out of spite and anger, not actually meaning to ruin anything, having bad borderline spirals and manic episodes while on Toby’s end, he's completely forced to do it until his body cannot stand anymore. They see humanity in each other and are the light and entertainment they both crave.

And man Toby entertains the absolute shit out of Natalie. He would have her naming different types of plants and tree bark, would once more surprise her with his silly little finds like random ass reptiles and animal skulls. He actually gave her a crow skull that she keeps as a necklace. He always said it suited her style. Keep in mind this is all still as them being friends.

They never actually understood what love actually was, and what it meant for the normal everyday person, but they sure showed in. Her live language is physical touch and affection while his was overall the same just also gifts and names. He was a typical loser just trying to remain relevant and liked while she was also just trying to hold onto the little bit of sanity she had left, and he was a good reason to sometimes calm down.

Now of course they had their bad moments where she would let the anger take control and begin to act like a mean old boss at a minimum wage job. It didn't help that Toby was a snarky person and made remarks that only made her even more mad.

“You're literally doing it wrong and it's going to screw everything up!”

“oh please, that's your OCD talking.”

There were occasions where she would get physically violent and throw things at Toby. She actually bloodied his forehead after throwing one of her daggers right at him, being lucky it actually didn't take him out.

These manic episodes usually ended in her apologizing profusely. He never questioned her behavior because he was so used to being mistreated that he only found it to be normal, and always resorted to the question of if he deserved it. Yeah sometimes the mither fucker did deserve it but at the same time.

With Toby however he had just enough willpower to never truly hurt Nat but he would gesture to doing so occasionally when they're having an argument. He'd raise his weapons as if he were to strike or would ball up his fists. He never did lay a violent hand on Nat no matter how angry she would make him or how angry he already was. He's the type of person to completely shut the world out when upset, which was good on her end.

This was for when they were angry however when feeling emotional, like sad for example. He'd want the opposite. His behavior is like how people stereotype most women to be. He'll say he wants to be left alone but throw a fit if you actually did. When he's in this state it's actually dangerous to leave him alone without a distraction. His mind begins to wander and therefore results in a gory mess. He'd unintentionally self harm by chewing at his hands or scratching himself with sharp objects. There's been many times where Nat had to stop him from doing so, both being in tears. She has a past with self harm, which is why she did what she did to her own face, but to see someone she started to genuinely care about do it brought out a whole new side to her.

In short, they're both still internally just kids wanting to survive but on the outside they had to appear tough and ready for anything or else deemed useless and pathetic..

It wasn't until Toby began to question the relationship that it truly became romantic honestly. He knew some things but still did jot grasp the full concept of love. He would tease Nat constantly, flirting if you'd like to call it, and she'd return this behavior, catching him off guard and embarrassing him. This was probably the peak of their relationship.

“So what's it like constantly ticking?”

“i can ask you the same thing”

“shut the fuck up”

I feel they'd constantly play fight, aggressive love language??? Technically one would straight out insult the other but in a playful way while the other wouldn't seem offended but return the same energy. They would definitely do random shit.

It would be a normal busy day and Toby just points out a random squirrel, and if Nat looks at it, he just tackles her. He definitely gets stimmy to the point he would have the human equivalent to zoomies. He'd randomly start love bombing her and hugging her for long amounts of time. He also sometimes does this if he wants something…so it's hard to tell sometimes.

Nat doesn't like the bread crust but Toby would eat that just alone, so i feel like after peeling the crust off her fuckin sandwich she would just out the off in a whole new plate just for him. He eats that shit up every time too.

Nat: “you're so difficult just eat the peanut butter with jelly– that's what NORMAL people do”

Toby:“i hate jelly you know this :(“

Nat: “oh my god give me the damn sandwich.you only peanut butter eating bitch”

#creepypasta #slenderverse #foressfaction #ticci toby #toby rogers #creepypasta headcanon #clockwork #Spotify #ticciwork

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fantasyfantasygames · 19 days

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The Actual

The Actual, Roll For Press, 2017

The Actual (TA) is a game that looks more and more bizarre the longer you look at it. It's like one of those family Thanksgiving photos where you slowly realize that one of the kid's dolls is holding a knife and the door is being opened the wrong direction from its hinges and there's a bat-signal out the window.

On its surface, TA is a fairly generic D&D-like with a couple features brought in from PbtA and Shadow of the Demon Lord. Classes are on the low-magic side. Combat is pretty typical, with not a ton of tactical options beyond what abilities you choose to use. There are some basic subsystems for skills and backgrounds, which are more mechanically robust than most games and give you techniques/powers/abilities in addition to just letting you roll for things that the skill covers. The GM advice is particularly good, benefiting from both PbtA's "fronts" and SoDL's "shadow" templates. The setting is set in a universe named "The Actual", in which you are called to battle creatures from "The Unreal" who are invading your world to destroy it and return it to unformed chaos. It's a classic setup.

But then you look a little deeper.

TA's Thief class has an ability that allows them to climb. Not "climb walls at 60% chance" or "Roll 1d20+Dexterity vs. DC", no, it's "Climbing is the ability to move vertically by means of..." and "Unlike most people..." as if it were unusual. The Boatsman background says "You have the ability to perceive sound." full stop no explanation. There's a Magician spell that enables you to write with a quill pen. Rangers have an ability that lets them breathe air. You would think that maybe these are bad writing or unfinished sentences, but then...

Then you see the really odd things.

One background goes out of its way to note that you are five-fingered, and none of the others do. "Strange storms" sweep the land, which are mostly normal except that after they pass "a fearsome yellow-white ball of light appears in the sky." The Priest and Demonologist level charts and abilities are word-for-word identical from level 8 onward. There's a monster that, on a roll of 4-6 on 1d6, recharges its ability to move forward through time. There is no indication of what the hell else is going on there, or in fact in any of these.

The art is black-and-white line drawings, most of which have something strange going on. Actually, they probably all have something strange going on and I just haven't yet found it in some of them. Actually-actually, it's probably all but two of them just to make me think there must be at least one more. Some things are obvious, others are well-hidden.

TA is probably not playable rules-as-written. I can imagine people playing it rules-as-assumed pretty easily. I enjoy absurdist discussions of things that don't really exist and hints toward a reality that isn't really there, so I had fun with it. Your mileage may vary. I especially like how all the oddities could be in-game, in-universe weirdness, but others clearly tunnel straight through the fourth wall.

This was Roll For Press' only game. I'm not even 100% sure I'd call it a game; it's more of a piece of performance art cloaked as a roleplaying game. It went up on NotCoC.jp a while back and as of early 2024 it's still there.

#ttrpg #imaginary #indie ttrpg #rpg #review #unreality #unreality but it's inside the game #notcoc.jp does print-on-demand but it only ships to the least useful continent

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raven-at-the-writing-desk · 1 year

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A bit of an out of the blue question but do you think the new event outfits are offensive or innacurate in any way?

I saw some people have started using this, Cater's New Year's outfit and Diasomnia's dorm uniform as an example of why Twisted Wonderland and Yana Toboso are offensive.

Note: I am not saying Twisted Wonderland is an offensive game in the slightest but I've seen a lot of people have issues with certain things in the game they find problematic.

[Referencing this post!]

Okay, so 💦 we’re going to get into a lot of heavy topics about real world events and cultures in this post, so please take note of the tags and content warnings before proceeding!

I also want to preface this with the disclaimer that I do not intend to speak on behalf of the groups affected by this, nor am I am an expert in matters of world history/various cultures. I am only presenting you with the preliminary knowledge that I have so that you can come to your own conclusions.

I will, of course, give my own thoughts on these situations, but please bear in mind that it shouldn’t be my responsibility or obligation to do the research for you or to tell you right from wrong; that’s a decision you need to learn to make for yourself.

***CONTENT WARNING: discussion/mentions of war, racism, colonialism, Nazism, orientalism, genocide, and imperialism!***

To make things easier for everyone (including myself), I’m going to begin with responding to the latter 2 asks above.

I will then address the immediately relevant topics regarding the clothing in the Sunset Savanna event, then work backwards chronologically (so the section after is about Cater’s New Year clothing, and the final section is about the Diasomnia uniforms). I will have my general thoughts at the very end of each section, and then my overall thoughts.

On “Orientalism”

To the second ask's Anon 💦 I believe you’re not using that term correctly. “Orientalism” refers to appropriating or condensing elements of specifically Asian cultures (which includes the Middle East), not African cultures. By definition, the outfits of the Sunset Savanna are not “orientalist” because the clothing is meant to draw inspiration from African sources, not Asian ones. "Orientalist" is not a synonym for the word "racist", but rather orientalism can be an example or a component of racism. Please be more careful with your wording.

On Ruggie and the “African Poverty” Stereotype

This part is to address the Anon in the third ask!

I don't believe that Ruggie is a stereotype of African poverty. It can appear that way because we have such a small sample size of students from the Sunset Savanna (3). In statistics, the conclusions drawn are significantly less reliable or accurate if you're pulling from a small pool of data. I think this is also the case with Ruggie. It's an example of representation bias, where seeing one extreme makes an observer assume that this extreme says something about the whole group without looking at other context clues. Even if we were to accept that comparing Ruggie to the other two Sunset Savanna students is an acceptable measure, the stereotype still doesn't hold. Neither Leona nor Rook are destitute, which would seem to imply that Ruggie's impoverishment isn't the norm in their country, but an outlier. Even other minor mentions of characters from the Sunset Savanna do not imply poverty (ie Sebek's grandfather, who is said to come from there).

Secondly, I think that Ruggie being the only "poor" character in the main cast is a conscious decision, but not one made from racist roots. Each of the TWST characters borrows heavily from their respective Disney counterparts, and as you've stated yourself, the impoverished background that Ruggie comes from harkens back to the struggle of the hyenas in The Lion King. This is different from the other six movies whose villainous characters are twisted, as they largely do not have circumstances which focus on socioeconomic class differences. The closest other example we get to that is Aladdin, but this doesn't hold up since we don't have a formal twisted!Aladdin with which to contrast to Kalim's enormous wealth. Jamil is twisted from Jafar, who is the Sultan's advisor, and thus would have a great amount of wealth himself (hence why this is reflected in Jamil by having the Viper family also be fairly well-off). This means that Ruggie was very deliberately designed to be the way he is because of his Disney inspiration. It's a large part of his character, right down to several lines he speaks in episode 2--all that talk about how even hyenas can "become king" at NRC.

Regarding NRC, we need to remember that it is considered a VERY exclusive private school. If it’s anything like upscale learning institutions in the real world, most of the students attending will be from wealthy/influential families or just middle class or upper middle class ones in general. Look at how stacked the NRC cast is; Riddle’s parents are healers (his mom being very highly respected), Leona and Malleus are royalty, Vil is a huge celebrity, Cater’s dad is a banker, Rook and the twins are implied to be from important families, Idia is the future director of a secret organization, Kalim is loaded, etc. It makes sense that there would be far fewer impoverished students compared to privileged ones (though I do think it’s unfair 😔).

Another thing to consider is that while Ruggie is definitely the most extreme case of poverty in the main cast (again, due to being twisted from the hyenas), there are others in less-than-ideal situations too. We cannot discount them in this discussion. Deuce is from a single parent household (which most likely means a smaller income than a two parent household), and it is implied in episode 5 that Epel’s entire village was struggling financially until Vil stepped in. Poverty is a spectrum, and we see this in lesser forms in the other students. As you’ll notice, even when we count Deuce and Epel, “poverty” is a small fraction of the main cast, which, again, is similar to patterns observed in real world posh private schools.

The final point I will make here is concerning Lilia and Vil. Yes, they’re unorthodox picks for a Sunset Savanna event, but this doesn’t mean there is ill intent behind them going. We can’t say “it feels like the devs made this decision to clown Leona” because the event is not out yet and therefore has not had an opportunity to explain why those two specifically joined the group for the trip. I don’t even think it’s particularly weird to see Lilia and Vil traveling in general; it seems like they do that a lot anyway (Lilia has canonically traveled a lot and Vil has traveled with his dad and must travel sometimes for his job). Leona also appears to dislike a majority of the main cast, not just Lilia and Vil; if anyone else had been picked, he’d probably be just as grumpy about it. (Leona probably doesn’t like that Kalim is coming along either; why is the hate presumed to be directed only at Lilia and Vil?) It’s grossly preemptive to make conclusions about the reasons why Lilia and Vil are present and how Leona feels about them going with him before the event has come out 💦

Sunset Savanna Clothing

While coding certainly exists (ie when fictional things are stand-ins for real world people, objects, concepts, places, etc), fiction is also able to draw on real world inspiration WITHOUT being a one-to-one parallel of the real world AND without necessarily being racist. This is true of media such as Avatar the Last Airbender, which exposits many eastern philosophies and concepts, such as balance with nature, balance, and destiny, while also having designs and a world heavily inspired by a number of Asian groups. Although it is clear that each of the four elements has a main inspiration (the Air Nomads draw from Tibetan monks, the Water Tribes draw from the Innuit people, the Fire Nation draw from Japan, and the Earth Kingdom draws from China), these are not absolutes. For example, Song, a healer from the Earth Kingdom (based on China), wears a hanbok, a piece of clothing which is traditionally Korean. Avatar intersperses ideas from many Asian cultures in a thoughtful manner because these are just parts of their world WITHOUT ever claiming to be “Chinese” or representative of Chinese. These real-world concepts and ideas were appropriately adapted for a fictional world, and it is not appropriation because it is not done in an exploitative or disrespectful manner.

I would argue that Twisted Wonderland is capable of doing the same, as we’ve seen places such as the City of Flowers (which is basically twisted Paris without explicitly BEING “just Paris but with magic”). You can tell from the food and the language spoken that the City of Flowers IS meant to be “French”, but they have a customs and traditions of their own that isn’t tied to real world Paris. Twisted Wonderland is never claiming that “oh, this fictional country is supposed to be a version of [this country in the real world]”; they are adopting ideas and making them into new lore for their own world. This is also true of other areas we have visited like Harveston and the Scalding Sands. The only reason conclusions are drawn that parts of the TWST world are “equivalents” to those on our world comes purely from fandom speculation and interpretations.

Some will think that the TWST world should be exact representations of the real world, and others choose to make the divide between fiction inspired by reality and reality itself. This distinction is important to consider in navigating this conversation, as the stance adopted will definitely play into whether one believes content to be in poor taste or not.

Yana herself has stated that the Sunset Savanna event has been in the works for 2 years now, so I’d imagine that a considerable amount of research and planning went into this event. I won’t speak on the quality of said research, as we can never know for sure. However, if previous homestay events are of any indication, the research was most likely NOT to make a one-on-one 100% “accurate” recreation of any African culture but rather to integrate elements of African culture to create a part of the TWST world which can exist as its own entity while still remaining respectful of its inspiration. We must also remember that the event itself isn’t out yet, so we can’t accurately judge if there is appropriation or offensive use of its inspiration with just some visuals. A similar situation happened when Rollo was first announced and we hadn’t even met him in the game yet; people jumped the gun and claimed that because the character he is inspired from is racist and genocidal that Rollo too is problematic—yet when the story actually unfolded, Rollo was not either of those things. He still borrowed ideas of self-righteousness and contempt for sinners (magic users in this context) from his Disney counterpart, but he was not the exact same as that counterpart.

With that being said, let’s talk about the new event outfits. The question on the table is “are these clothes offensive or inaccurate in any way?”

Firstly, is important to understand that Africa is NOT a monolith. It would be impossible (and frankly reductive) to boil down a whole continent to a single unified style of dress. Gauging the “accuracy” is simply something that cannot be done, as it appears that Twisted Wonderland borrowed from many areas of Africa when designing the looks. It wouldn’t be 100% accurate to any singular part of Africa, just as Avatar would not be 100% accurate to any singular part of Asia.

Secondly, we cannot speak for others or over others. If you want to know if the clothes are offensive, ask an African or someone who can speak wisely on the matter. It’s not that others cannot hold an opinion on it, but I think it's just as valid, if not moreso, to hear from the ones whose cultures are being represented rather than just the people who claim to speak for or defend those cultures while not being a part of it. Someone with knowledge of and experience of a certain culture can speak for themselves and how they feel about this. They just may choose not to, especially in the cases where they aren't deeply upset with the representation (because if they don't feel a strong emotion toward it, what is there for them to react to publicly?). The spectrum of hurt is also vital to consider here. When we focus only on the loudest voices (no matter where it may come from), it creates this false assumption that more people are upset than there actually are, or that one/a handful of comments reflects the thoughts of the entire group.

I personally don’t find the clothing offensive, but take my opinion with a grain of salt, as I’m not super familiar with African fashion. (I’m not counting a few Google searches as enlightening me on the full extent of it.) From my understanding, the outfits seem to borrow heavily from the designs of The Lion King’s Broadway musical and even Black Panther (two Disney productions that have been positively received by at least the African American community). I see a lot of similar patterns and accessories in Leona and crew’s outfits; my thought is that if the latter two pieces of media also borrow from many different African cultures and were not widely criticized for inaccurate or offensive portrayals of their costuming, then what is the issue with TWST’s? No one in any of these productions (TWST included) is claiming to be presenting Africa as a monolith but rather is borrowing elements from many countries, tribes, and even other cultures entirely to come up with their costumes. Again though, I wouldn’t take my word as gospel; please look around the community and see if there are any African fans that do take offense to the design direction that TWST has taken. (If anyone that is familiar with African fashion and/or culture does see this post, I'd love to hear your thoughts and broaden my understanding of this situation.)

In saying that, I also want to stress that you aren’t “wrong” or “bad” if you disagree with this take. I do not mean to discredit or to invalidate people’s thoughts on this matter; I understand why people feel so strongly about this, especially when popular media has historically not been kind or accurate in its depictions of other cultures. When a pattern has already been established, it’s so much easier to be wart of new content. You have a right to find whatever material you encounter as offensive or not offensive; all ask is that you respect differences in opinion, and at least give the event a chance rather than letting your thoughts prime (set expectations for) the perception of every bit of lore to come in the new event 💦

Cater’s New Year Outfit

The issue that people take with Cater’s outfit is associated with the particular design of it, which is very reminiscent of the style that was worn and popularized during the Taisho era of Japan. For those who may not know, the Taisho era is not remembered fondly because it is characterized by Japanese imperialism into significant parts of Asia, such as China, Korea, and Taiwan. There’s more grueling history there, but I’m going to cut it short for the sake of brevity. You’re free to do more research into this if you’re interested.

For comparison, here is Cater's New Year attire and here are some examples of Taisho era clothing:

As you can see from the linked images, Cater has some elements of Taisho clothing while also sporting a modern twist to them. The cut of his shirt imitates the cut of the nagajuban, and instead of an obi, he wears his usual Heartslabyul sash at the waist. Additionally, it can be argued that the Heartslabyul jacket worn over that is meant to be similar to the cloaks characteristic of Taisho fashion.

In any case, what I said for the Sunset Savanna clothing also applies here; please listen to the voices of people who were impacted by Japanese imperialism. Their feelings are valid, and if they find discomfort in Cater wearing the clothing, then those feeling should be respected. However, individual opinions will widely vary and are not representative of the entire group. If one Chinese person says they are offended by Taisho clothing, it doesn’t mean ALL Chinese people will find it offensive.

At the same time, someone is NOT automatically a bad person or supportive of imperialism just because they enjoy the fashion or excuse Cater for wearing it. Some will believe that clothing is just clothing and that there isn’t a deeper message behind it unless the one wearing that clothing acts in a way that glorifies what they wear. And indeed, it is possible to appreciate the fashion of a time period without condoning the things that occurred or were promoted during that same time period. For example, if someone were to wear Edwardian inspired fashion or just straight up Edwardian era clothing, it doesn’t mean the individual supports colonization. Clothing CAN be used to project a message, but it does not ALWAYS project a message.

This is actually something I feel I can speak on, as my family comes from one of the areas directly impacted by Japanese imperialism. I don’t personally take offense to Cater wearing what he is. I’m of the opinion that so long as he’s not acting in a way that glorifies imperialism then it’s fine; to me, wearing it alone does not promote imperialism, just as “problematic” material appearing in media does NOT mean automatic support of that material). That being said, I also have friends with similar backgrounds that are offended by Cater’s clothing. We are able to disagree without acting morally superior to one another or insulting the other’s views, and I feel that this is something that should extend to others when discussing this topic. At the end of the day, we must accept that one opinion does not define a whole country and that there is no clear “right” answer here; it’s all left to individual interpretation.

Diasomnia Dorm Uniforms

I’ve already previously addressed the Diasomnia uniform controversy here.

To quickly summarize, it appears to have been a mistranslation of a particular term; this most likely occurred due to the context of the rest of the sentence not being taken into account when translating. OP’s translation has since been deleted, but the Reddit thread of responses still exists and in it, OP apologizes for this error.

Personally, I don’t see a point in assuming the worst of people when the context clues all point to it being a translation error and not purposefully meant to invoke imagery of N*zis. To me, it looks like a general military look with some elements of equestrian fashion and nothing more than that. As is the case with Cater’s New Year attire, I have friends who think otherwise. While they concede that there was a mistranslation, they still perceive the Diasomnia uniforms as questionable in design. These opinions can coexist, because everyone’s perceptions will vastly differ based on their own world knowledge and experiences.

I want to reiterate a point I bring up in the Diasomnia post, as it relates to “problematic” or sensitive content in general:

[...] we should not make assumptions in such broad strokes about another person based on what they create. People are capable of creating things for reasons other than “I support this”. They may want to call light to something or critically discuss it in a way that isn’t possible in real life. This is true of much of literature, from the classics to contemporaries, fiction to nonfiction.

Depicting insensitive things in media becomes a major issue when “bad” things are glorified or treated like they are “good”. The presence of a “bad” thing in of itself does not necessarily make the entire work “evil”.

General Thoughts

When it comes to issues like this, I feel that the immediate reaction is to take sides, then throw terrible words at the opposing side or assume the absolute worst of the devs. Honestly, I don’t think that’s the best thing to do. It’s very narrowed minded and short sighted 💦and ultimately, it’s unnecessarily inflammatory and won’t make anyone want to hear you out if you do feel uncomfortable with something the game has presented. It’s all very reactionary rather than stopping to critically examine the context and looking at more informed opinions.

Of course, this isn’t to discount gut reactions. Sometimes they can be very strong, and rightfully so. This also isn’t to say that TWST, or Disney/Aniplex has NEVER screwed up, because they most certainly have. (For example, I don’t think using the term “exotic” was in good taste for Fairy Gala; they should have used another term. A lot of Disney’s attempts to portray certain cultures also fall flat and come off as reductive.) It’s just that these particular scenarios are circumstances in which I think the fandom is either oversimplifying the matter or shouting too loudly over the people that are actually impacted by this and may have something to say about it.

I guess what I’m trying to say is that whether you’re offended by their clothes or not, both sides are entitled to feel how they do. You’re not “right” or “wrong” for believing what you believe; just don’t go out of your way to claim the people who don’t agree with you are bigots or evil 💦and please, please, PLEASE listen to other opinions, especially those coming from the potentially affected groups. Don’t assume that just because there is a ruckus being kicked up that it is representative of everyone in that group, because it most definitely is NOT. Don’t take everything you see or hear at face value, LOOK INTO THINGS YOURSELF (I even encourage you to fact check everything I’ve told you in this post!). Lastly, if you’re going to discuss these topics, please remember to do so in a respectful manner!!

I’m sorry if I sound worn out by now or if I sound like a broken record but I’m just 😔 sad and tired, I guess?? These ARE important topics to discuss, and I will always support critiquing the media we consume, but I don’t enjoy it when such broad and instant assumptions are made. I wish people would be less reactionary, take a step back, evaluate the information being presented, do some research of their own (even into stances which clash with theirs), and then decide for themselves whether something is upsetting to them. As I said in the beginning, it shouldn’t be my responsibility or obligation to do the research for you or to tell you right from wrong; that’s a decision you need to make for yourself 💦

I also wish there would be more respect for those that take opposing opinions. Instead, there is a lot of hearsay and assuming that said hearsay is automatically correct just because there is an intense claim or emotion behind it, and a lot of judgment of others’ moral character based on these disagreements. It unintentionally leads to shaming people who are genuinely excited for new content. It’s all very tiring, it kills hype, and it makes people afraid to demonstrate their excitement 💦 I wish we’d just let the content come out in full and speak for itself before evaluating it so harshly... As for myself, I’m going to remain optimistic but still reasonably cautious 🥲

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