Léon Bakst, Scenery for the ballet Scheherazade, The Arabian Nights (Rimsky-Korsakov) set design, 1910.
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Charles Self (deceased)
Gender: Male
Sexuality: Gay
DOB: 14 February 1949
RIP: 21 January 1982
Ethnicity: White - Scottish
Occupation: Set designer, artist
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M Magazine September 2023
Mobile Hommes
Credits
Magazine M Magazine (IG), Models Flo Nicholls (IG), Joseph Uyttenhove (IG), Sonya Mohova (IG), Zakaria Dau (IG), Piotr (IG), Photographer Jack Davison (IG), Creative Director Jean-Baptiste Talbourdet-Napoleone (IG), Fashion Editor/Stylist Robbie Spencer (IG), Hair Stylist Ali Pirzadeh (ID), Makeup Artist Anne Sophie Costa (IG), Set Designer Shona Heath (IG), Casting Director Holly Cullen (IG), Manicurist Charly Avenell (IG), Producer Sylvia Farago (IG).
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Max Brückner, Scenery for Tristan und Isolde (1906)
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Inside Michael Imperioli's History-Filled New York Home | Open Door | Architectural Digest
“Today Architectural Digest is welcomed to New York City by actor Michael Imperioli for a tour of his intricately decorated, art-filled home. Returning to the east coast as empty nesters following years in California, Michael and wife Victoria, an interior and set designer, outfitted their new home around an extensive art collection acquired mostly in antique shops over nearly three decades. The former ‘Sopranos’ star's apartment evokes a bygone age with clear Italian influences, not unlike the Sicilian palazzos in ‘The White Lotus,’ his most recent HBO starring turn. “To me this apartment is a refuge from the world,” Michael says. “It’s representative of the past. This could easily be an apartment from the Jazz Age in New York around when it actually was built a hundred years ago.””
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A crumbling Lebanese theater sets the stage for a haunting ghost opera
https://www.nowness.com/series/nowness-experiments/grand-theatre-beirut
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never forget, o knight | print
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Asdfghjkl
‘DON’T [TRY] THE GUY WITH THE BLACK GLASSES HE DOESN’T WORK HERE!’
Local Soho lurker, known associate of Mr. Fell, inspiring so much lust around him people flock to the brothel to see if they can spend some quality time with him. And it happens so frequently Mrs. Sandwich had to put a sign up.
Alternatively, as @cassieoh (thank you for brightening the image!!) suggested: ‘DON’T [PAY] THE GUY WITH THE BLACK GLASSES HE DOESN’T WORK HERE!’
Poor Mrs. Sandwich. ‘Yes I know he looks like he works as a seamstress, but he does NOT, so if you could kindly pay me, thank you very much.’
I can’t decide which is funnier, Crowley accepting money from Mrs. Sandwich’s patrons (does he cackle as he does this? Is he confused? Does he walk the money over to her afterwards or do something else with it?) or Mrs. Sandwich having to march over to him and sternly asking him to stop letting patrons pay him instead (does she cock her hip and stick out her hand? Does she laugh along with him? Do they bond over it?? Are Crowley and Mrs. Sandwich buds???)
‘You’re a good lad.’
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Clint Ramos
Gender: Male
Sexuality: Gay
DOB: N/A
Ethnicity: Filipino
Occupation: Costume and set designer, professor
Note: First person of color to win the Tony Award for Best Costume Design in a Play
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