#The fellowship has formed!

[astronicht]

Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.

In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).

not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.

At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.

Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.

Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.

Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.

THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.

Tom Bombadil knows about plate tectonics

This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.

Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.

Remember that next time you (a geologist) are forced to look at the Middle Earth map.

I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.

edit: part II

#astro lotr #at what cost

[vintagegeekculture]

"The Ayla Descent Theory" of Mary Sues

"Children of the Earth," Luis Royo.

After the success of Jean M. Auel's stone age novel Clan of the Cave Bear, there was a very lengthy trend in the publishing world of stone age adventure novels aimed at women that lasted for a decade and only really fizzled out in the early 2000s. After all, "Ayla," the name of the main character of these books, was one of the top baby names of 1987.

The target audience for these books were weird midwestern aunts....you know, the Mists of Avalon and the Mercedes Lackey/Valdemar audience. Therefore, the Clan of the Cave Bear imitators also featured things of interest to the weird aunt audience: Scotland, redhaired women with sharp tongues, commanding wolves, Ireland, Feminism, riding herds of wild horses bareback in scenic locations, Wicca, matriarchial religions, swimming with dolphins....but above all else, American Indians (a culture this audience finds interesting, as anyone who has seen the home decor of a typical weird midwestern aunt can attest), with many novels set in Ice Age America, like Children of the Dawn, Reindeer Moon and the First Americans. Decades later, this audience would form the core fandom for Game of Thrones, and the character of Khaleesi Targaryen in particular.

These books almost assuredly still have a place of honor on the book shelf of the weirdest woman at your job.

Nearly all of these imitators have two of Clan of the Cave Bear's defining traits: 1) a supremely beautiful, usually blonde athletic and statuesque main character over 5'11" who does not realize that she is so beautiful and desirable, who is good at a variety of different skills and is friendly with animals like hawks, dolphins, or horses, and 2) a love triangle between this aforementioned blond but innocent Venus and two bodybuilder muscular he-men cave hunks, one of whom is a blonde guy with long rock star hair (it was the 80s), and the other being a buff black guy with dreadlocks (or otherwise ethnic in some way).

The heroine usually picks the blonde guy in the end, but the audience usually picks the ethnic guy.

In the late 90s and early 2000s, in the broader culture of fandom, it was fashionable to dump on "Mary Sues" (indulgent wish-fulfillment author personas in fanfiction) and the people who wrote them. Accusations of creating a Mary Sue approached a kind of hysteria. Even at the time, when everyone else was getting swept up in this, I thought that getting mad about aunties writing fanfiction showed a loss of perspective, and was a bit silly. Thankfully, we've benefitted from moral evolution: the consensus in fandom now is that writing aspirational characters is a harmless activity that tests a young writer's creative muscles, like the half-Vulcan pretty new ensign on the Enterprise that Kirk and Spock both fall in love with, or a new archer girl who Legolas falls in love with joining the Fellowship. This hate walked hand in hand with insecurities, in the exact same way that people worried about their appearance or concerned with their weight are often cruel to fat people, and there were frequent tests if this or that character in your writing was a Mary Sue.

There was a running joke in this 2000s culture of anti-self insertion called the "Ayla Descent Theory of Mary Sues." The joke was that Mary Sues came into existence because Ayla, the beautiful, athletic heroine of the Clan of the Cave Bear novels, was the ancestor of their entire lineage, as the first known Mary Sue to ever exist in the historical record, described as being a statuesque blonde who did everything right and was always at the center of love triangles, and who changed human history.

According to the running joke, Mary Sues everywhere were descended from Ayla from Clan of the Cave Bear, and she was the first to exist, and Ayla was the explanation of where all the Enterprise's new ensigns main characters fall in love with come from.

#stone age

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

#indie ttrpg #ttrpg community #ttrpg indie #ttrpg #trans creator #trans #trans pride #queer #queer creator #perfect draw #wanderhome #songs for the dusk #flying circus #armour astir #michtim #thirsty sword lesbians #mystic lillies #apocalypse keys #fellowship #ttrpg of the day

[mushroomates]

legolas headcanons:

is, by all accounts, the worlds most awkward elf

most of the fellowship doesn’t even realize how weird he is

thranduil did not socialize his boy well. legolas is not aloof he just has no idea what he’s supposed to be doing.

will walk very slowly with exaggerated movements around hobbits because he thinks they won’t see him otherwise.

the hobbits thinks this is elf custom. frodo theorizes this is because elves want to rest their eyes and ears when they’re at home, so other elves like to announce themselves so no one gets spooked.

this is aided by the fact that legolas loudly announces his presence whenever he enters the room, just incase you missed it.

this conclusion is false. legolas will approach other elves by charging at them, full speed. alternatively, shooting an arrow in their vicinity for a vibe check.

he also likes shooting at people to wake them up and/or scare them

legolas likes that it’s a gentle reminder to his companions that he could kill them at any time and they should be honored that he doesn’t.

aragorn has options about this. legolas tells him that he should be grateful that such a skilled elf is on his side and cares for him. aragorn maintains that if legolas really cared, the elf would stop waking him up with ‘good morning’ shots. he also would like to note that legolas’s loud singing is only slightly better than an arrow flying at you first thing in the morning:

legolas tries to make friends by staring at them from afar and when they look at him he looks away. like a cat. he will also blink at u as if to say “look! i like you! i’m closing my eyes!!!” again, like a cat.

will bring you small gifts to curry favor, also like a cat. interesting rocks and pretty feathers, samples of dirt, fallen leaves in different shapes and colors, and whatever flowers are near by and catch his eye. gets very upset if you don’t marvel at them for the appropriate amount of time.

will eat bites off of your plate. this is a form of endearment. he’s showing he trusts you and likes you. he’s also showing his inability to cook and hopes you’ll take pity on him by sharing your food.

sometimes will intentionally walk loudly around the camp if he’s bored, angry, or lonely so he can wake aragorn up and they can be awake together :)

likes to sing, loudly, at inappropriate times

no one in the fellowship has seen him piss. some of the hobbits are under the impression that elves don’t pee. aragorn and gandalf do not correct them.

up at the asscrack of dawn. this is annoying, because he’s chipper, looks amazing, and is a tad judgements that you aren’t as well.

captain obvious as well as worlds most unhelpful elf ever. will point out your mistake, claim to know how to fix it and half the time not offer the solution or his assistance.

cannot do laundry. he doesn’t even get dirty enough to consider it, and with how little people in middle earth wash their clothes anyway, none of his clothes have been cleaned for easily centuries.

is very confused by dogs. doesn’t understand what he’s supposed to do with them. they’re always so happy and want (physical???) attention and,, it’s not a one and done thing either. you’re supposed to keep petting them? after you already pet them.

they’re like wolves, but smaller and maybe stupider. they also stink. boromir has explained to him many times that dogs are man’s best friend and are beautiful creatures. this worries legolas, because that means either dogs are more evolved than they let on,, or men are significantly further behind than elves than he first thought..

can not play the harp. is upset by this fact.

never really bothered to learn how to harp, either.

he believes he should be able to play the harp regardless because the harp is just a big bow with many strings. this is, in fact, false.

will eat anything. mushrooms and questionable berries mean nothing to him.

this upsets aragorn as he believes legolas is setting a bad example for the hobbits, dispite hobbits having the most durable digestive systems. (note: elves can eat almost anything, but hobbits have the stomach of a labrador retriever. they are always hungry, can can eat anything, even what they’re not supposed to)

DID set a bad example for boromir, who mistakingly ate some of the berries legolas offered him and had the shits for weeks.

is like 90% sure who frodo is. it’s definitely one of the hobbits. it’s probably not the one with the pony.

is faceblind. he can’t recognize other people’s faces for the life of him. if you asked him to pick out aragorn in a sea of humans, he’d panic dispite knowing the man for 50+ years.

this also goes for all races, including dwarves. gimli thought he might just be racist and covering his ass, but then watched him stall for like 30 minutes making small talk with some lorien elves and try (and fail) to pick celeborn out of the crowd.

does know what galadriel and thranduil look like. has a hard time pointing out elrond.

will forget your name almost immediately after you tell him. guys like 3k old and has met a lot of people give him a break

to be fair he does know who you are and what you sound/look like. defining features like voice and hair help a lot. it’s just if you were to give him a book of cropped faces and ask him to name, just one,,, he’d panic and throw it at you.

feels robbed of the golden ages,, resents the fact that the world he knows is drastically different that the world he could have been. wishes there were more elves his age and just more elves in general.

that being said he wouldn’t change this for anything as the world he’s in gave him the friends he’s made and the adventure of a life time :)

he doesn’t wash his hands. like ever or at all.

#lord of the rings #jrr tolkien #legolas #gandalf #lotr #pippin #samwise gamgee #elves #legolas greenleaf #lotr headcanons #legolas headcanon #legolas is a menace #gimli #gimli son of gloin #boromir #boromir son of denethor #frodo baggins #merry and pippin #aragorn #rivendell #mirkwood #and my bow #middle earth #lorien #lothlorien #thranduil #celebron #galadriel #legolas headcanons #legolas is weird

[omegalomania]

so im sure everyones fully well aware of the magic 8 ball site fob is using to promote a contest to win some tickets to see them in nashville. the little 8ball widget theyve got in browser is also modeled on the physical 8ball that they had in the vip merch packages for tourdust's first leg, which is cool! but of particular note is the way that, to fill out the contest form, you have to pick your favorite fall out boy songs. and the sheer breadth of what is allowed is...interesting? it's not cohesive by any means, but it is really wild the selection of songs they have here because not all of them are fob songs. in fact, quite a few of them aren't.

i went directly to the source code and got a full list of all possible songs that you could input (which you can check for yourself by right-clicking and selecting "view source"). i'm going to list them here for archival purposes, with a few notes/explanations cause some of these are WILD.

there are 187 songs total listed.

bolded songs indicate songs that are demos or never received an official release

italicized songs are songs by other bands

underlined songs indicate songs that are covers

songs with an asterisk beside them (*) indicate they are from patrick's solo catalogue. two asterisks (**) are for pete's.

additional commentary by me will be [in brackets]

20 Dollar Nose Bleed 27 7 Minutes in Heaven (Atavan Halen) 7-9 Legendary A Little Less Sixteen Candles, a Little More "Touch Me" A Nice Myth [one of the earliest fall out boy demos, found on their first ep, and only the casette version at that] Allie* Alone Together Alpha Dog America's Suitehearts American Beauty/American Psycho (song) American Made Art of Keeping Up Disappearances As Long as I Know I'm Getting Paid* Austin, We Have a Problem Baby Annihilation Bad Side of 25* Bang the Doldrums Beat It Big Hype* Bishops Knife Trick Bob Dylan Bounce [this is a song that came out on then-Decaydance labelmates The Cab's debut record, Whisper War, which patrick produced. he has writing credit and also is credited with background vocals (and also shows up in the music video)] Caffeine Cold Calm Before the Storm Centuries Champagne for My Real Friends, Real Pain for My Sham Friends Champion Check Your Phone** Chicago is So Two Years Ago Church City in a Garden Coast (It's Gonna Get Better)* Coffee's for Closers Cryptozoology* Cute Girls* Cyanide** [this is a nothing,nowhere song that pete did some spoken word parts and backing vocals on] Dance Miserable* Dance, Dance Dead on Arrival Dear Future Self (Hands Up) Death Valley Deep Blue Love* [song patrick did for the indie short film "spell"] Demigods Disloyal Order of Water Buffaloes Don't You Know Who I Think I Am? Electric Touch [the (in?)famous taylor swift song patrick featured on] Eternal Summer Everybody Wants Somebody* Explode* Fake Out Fame Less than Infamy Favorite Record Fellowship of the Nerd [this is an alternate title for world's not waiting, as far as i can tell] Flu Game Flu Game [yes flu game is listed twice for some reason] Footprints in the Snow [demo from the Llamania ep] Fourth of July From Now on We Are Enemies G.I.N.A.S.F.S. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene and Stop Going to Shows) Ghostbusters (I'm Not Afraid) Golden Grand Theft Autumn/Where Is Your Boy Greed* Grenade Jumper Grow Up and Be Kids [this song is on The Cab's sophomore album Symphony Soldier, which release after they left decaydance. nonetheless, pete does have some writing credits on it. give it a listen and you'll hear for yourself in the first 10 seconds or so] Growing Up Hand Crushed by a Mallet [this is a remix of the 100gecs song of the same name; patrick did some vocals for it] Hand of God Have I Got a Gift for You* [song patrick did for the horror movie black friday] Headfirst Slide into Cooperstown on a Bad Bet Heartbreak Feels So Good Heaven's Gate Heaven, Iowa Hold Me Like a Grudge Hold Me Tight or Don't Homesick at Space Camp Honorable Mention Hot to the Touch, Cold on the Inside Hum Hallelujah I Am My Own Muse I Don't Care

I Got Nothing, But You Got Something [this is the one that really perplexes me. there's no evidence of this song actually existing, other than an unverified genius post and an article on a single fandom wiki. it is inexplicably listed here despite its very existence being questionable at best.]

I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me I Wanna Dance with Somebody (Who Loves Me) I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) I've Been Waiting [this is technically a lil peep song with fall out boy as a feature] I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song) I've Got All This Ringing in My Ears and None on My Fingers Immortals Irresistible It's Hard to Say 'I Do', When I Don't It's Not a Side Effect of the Cocaine, I Am Thinking It Must Be Love Jet Pack Blues Just One Yesterday Lake Effect Kid (song) Lake Shore Drive [this is a song patrick covered on the piano at wrigley, first night of tourdust] Love from the Other Side Love Will Tear Us Apart Love, Selfish Love* Love, Sex, Death Lullabye Mad at Nothing* Miss Missing You Moving Pictures My Heart Is the Worst Kind of Weapon My Songs Know What You Did in the Dark (Light Em Up) New Dreams [this is a bonus track on pax am days, a naked rayguns cover] Nobody Puts Baby in the Corner Novocaine Of All the Gin Joints in All the World One of Those Nights [another song from the cab's whisper war. this one has patrick doing vocals very prominently] Open Happiness [this was a huge collaborative piece done for a coca cola commercial. patrick was on it along with big names like cee lo green, janelle monae, and labelmates travie mccoy and brendon urie] Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued Parker Lewis Can't Lose (But I'm Gonna Give It My Best Shot) Past Life [llamania ep] Pavlove People Never Done a Good Thing* Porcelain* Pretty in Punk Rat a Tat Reinventing the Wheel to Run Myself Over Roxanne Run Dry (X Heart X Fingers)* San Diego [this is a blink-182 song that patrick did some writing for] Saturday Saturday Night Again* Save Rock and Roll (song) Sending Postcards from a Plane Crash (Wish You Were Here) She's My Winona Short, Fast, and Loud Snitches and Talkers Get Stitches and Walkers So Good Right Now So Much (For) Stardust (song) So Sick [this is a song patrick has exclusively covered live, so it's a fascinating inclusion] Sober [another blink-182 song patrick did some writing for] Sophomore Slump or Comeback of the Year Star 67 Stay Frosty Royal Milk Tea Sugar, We're Goin Down Summer Days (song) [this is a martin garrix song patrick lent some vocals to] Sunshine Riptide Super Fade Switchblades and Infidelity Tell That Mick He Just Made My List of Things to Do Today The "I" In Lie* The (After) Life of the Party The (Shipped) Gold Standard The Carpal Tunnel of Love The Kids Aren't Alright The Kintsugi Kid (Ten Years) The Last of the Real Ones The Mighty Fall The Music or the Misery The Patron Saint of Liars and Fakes The Phoenix The Pink Seashell The Pros and Cons of Breathing The Take Over, the Breaks Over The World's Not Waiting (For Five Tired Boys in a Broken Down Van) This Ain't a Scene, It's an Arms Race This City* Thnks fr th Mmrs (song) [for some reason the site specifies song here, despite that not being necessary. the only other times this distinction is relevant is when songs share a title with their albums, i.e. save rock and roll] Thriller Tiffany Blews Twin Skeleton's (Hotel in NYC) Uma Thurman Untitled 1 (Colorado Song) Untitled 2 (Jakus Song) [both of these are recently released tttyg era demos] W.A.M.S. We Didn't Start the Fire We Don’t Take Hits, We Write Them [this is a song that famously was only ever performed live. we don't have a studio recording or even a demo, as only live versions exist] We Were Doomed from the Start (The King is Dead) West Coast Smoker What a Catch, Donnie What a Time To Be Alive What's This? When I Made You Cry* Where Did the Party Go Wilson (Expensive Mistakes) Wrong Side of Paradise [llamania ep] XO You're Crashing, But You're No Wave Young and Menace Young Volcanoes Yule Shoot Your Eye Out

in conclusion i have no idea who compiled this list. it doesn't include every song patrick and pete have ever touched (notice the lack of gym class heroes, cobra starship, and hush sound discography) but it has a really weird selection of songs. i mean, blink songs patrick wrote on?? its bizarre.

anyway do you think if we mass request swing me by the rafters they'll have to do it

#fall out boy #tourdust #*making poasts #trying to format this conventionally BROKE THE POST so i did my best #i burned my grilt cheese typing all this up pls appreciate it #the weird break in the middle is cause otherwise it wouldnt post. mea culpa.

[fsfghgee]

Bi-Han Breakdown: because I think he deserves it. And unfortunately, he's receiving a lot of hate for no sane reason

Bi-Han is not a saint, but clearly complex and misunderstood. I hope this post can help you to understand his character and alignment in MK1 better.

1° HE LET HIS FATHER DIE, HE IS EVIL!

Bi-Han letting his father die is the main reason that make people think he is evil, but let's think about it...

Bi-Han let his father die, he didn't kill his father in cold blood and Liu Kang knew about it! Why he kept Bi-Han close, had high hopes for him (his words) and still wants him back if he is so evil?

Liu kang: Come in from the cold, Bi-Han. ("Come in from the cold" Definition & Meaning: to become part of a group or of normal society again after one has been outside it.)

Bi-Han: And again kneel before you?

Liu kang to Scorpion (about Bi-Han): I had such high hopes for your brother.

Scorpion to Geras: I want to see the moment my father died. (so yeah, Liu Kang knows how Bi- han/Tomas/Kuai Liang's father died. And he doesn't blame Bi-Han for his death)

Besides, who said his father couldn't have done the same thing with Bi-han's mother, since she was also a warrior who followed Liu Kang and letting someone die is not a big deal for Lord Liu Kang...

Tomas: Did you intend for me to be orphaned?

Liu Kang: Some threads must be cut to weave time's fabric. (Translation: YES, I DID. WHAT YOU GONNA DO ABOUT IT?)

Why doesn't he resent his mother for following Liu Kang like he does with his father? Why does he genuinely believes that she would be pround of his actions?

Tomas: If mother were alive...

Bi-Han: She would applaud my actions.

C'mon, look at his eyes! You can see the pain in them:

Bi-Han to Kitana: Your mother's death is regrettable.

He never shows remorse for anything, but he's truly sorry for Sindel's death, because he wasn't there to help them defeats Shang Tsung's god counterpart and maybe prevent her death. He truly admired Sindel. Also, Sindel was a mother. And he loves his mother.

Bi-Han to Sindel: You wield the power that I aspire to.

Bi-Han to Sindel: I don't want your throne. Just part of Earthrealm.

He only despise his father and Liu Kang's authority...

Bi-Han to Liu Kang: My father was a fool to follow you.

Kenshi to Bi-Han: Why do you so resent Liu Kang's authority?

He keep saying to everyone:

Father was a fool, lacked vision, never saw the Lin Kuei's potential etc. Then, you can say BUT HE NEVER SAID HIS FATHER WAS EVIL...

True. But who knows? He doesn't see himself as evil for not trying to save his father (nor Liu Kang, a GOD.) when he had the chance, but a lot of people thinks he is evil for it. And his father was a man of many secrets...

That demon who thinks it's cool kill "evil creatures" whithin her parameters to get what she wants "a pure form/soul": There are many in the Netherrealm (hell) just like you.

Bi-Han: You conflate ambition with evil, Ashrah.

Bi-Han to himself: Our father was a man of many secrets.

2°

HE IS MEAN TO TOMAS AND TRIED TO KILL HIM, HE IS EVIL!

I truly love Tomas, but Bi-Han not accepting him as a brother in front of him, doesn't make him evil. Tomas's family was murdered by Lin Kuei's warriors in front of him and the grandmaster (Bi-Han's father) took him in to make of that broken child a powerful warrior who could also kill! In Bi-Han's eyes, Tomas was always a potential threat to the clan and he state it in his face:

Bi-Han to Tomas: Your treachery does not surprise me.

But despite everything, he also, multiple times, recognize Tomas as a worthy fellow Lin Kuei and even as his brother:

Look at how proud Tomas seems to be 🥺

How could Bi-Han think about harm Tomas when everything happened so fast?! He couldn't even see where Tomas was, he rushed to check where he was and not even looked at the ground to purposely kick a rock on him:

Liu Kang: Your brothers regret losing your fellowship.

Bi-Han: Then they shouldn't have disobeyed my commands.

He clearly recognize Tomas as his youngest brother, just not in front of him. You ask me why he doesn't do the same in front of Tomas? Firstly, he always had a foot out the door in his relationship with Tomas because of his background (TOMAS'S BIOLOGICAL FAMILY WAS MURDERED BY HIS CLAN); Secondly, Tomas was supporting all that Kuai Liang's mourning for their father's death and Bi-Han was clearly fed up and lost it. You can even see how surprised Tomas was:

He clearly wasn't expecting to hear him talk like that.

And we can't forget that Bi-Han was Tomas's idol before his betrayal. I don't know about you, but I wouldn't idolize and really miss someone who is constantly mean to me, so yes, I don't believe that Bi-Han was constantly an asshole to Tomas, just cold how his own statement:

Tomas: You've always been cold to me.

Bi-Han: Because your blood is not Lin Kuei.

And after defeating Nitara and Ermac the first thing that comes to his mind is the physical integrity of his brothers. He checked BOTH of them:

3°

HE TRIED TO KILL KUAI LIANG, HE IS EVIL!

We must have been watching different things, because there's no way that the GRANDMASTER of an ancient warrior clan, who can easily kill and is trained for it since childhood, would miss this chance if killing his brother was his true intention:

They trained since childhood, Tomas not even tried to separate them...

You ask why? Because he is used to it! They trained since childhood, they fight against each other since childhood too.

He only shows up to check Kuai Liang when he worries that Bi-Han could have blinded him, that is, gone too far.

And he quickly goes back behind the scene when he sees it was just a scratch:

End this, brother! Embrace the future!

He wasn't trying to kill him (look how he deliberately made this blow go soft here), he was trying to PUNISH him for disobey. And then, I ask you, with whom do you think he learned to do that?

And after this blow, he was holding back so much that he lost to him

4°

HE BETRAYED HIS BROTHERS! HE IS EVIL!

They feel betrayed by him, Bi-Han also feel betrayed by them, but Bi-Han actually betrayed earthrealm and more than once offered them the chance to join him, which they refused because they just want to defend earthrealm not govern it. Which hurts Bi-Han so much, since the entire clan and his best friends (Cyrax and Sektor) believe in his vision, make the clan great again (lol, I mean, achieve greatness, bring glory and respect to his clan etc), but his brothers don't:

Kuai Liang to Tomas: You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute.

Tomas to Kuai Liang: That the Lin Kuei won't aid us is unforgivable. Bi-Han has corrupted them totally.

His only wrongdoing was trust in Shang Tsung and Shao. They fooled him with false promises. And he already regrets having believed in them:

Bi-Han: I was wrong to trust you.

Shao: Yes, Earthrealmer. You were.

Shang Tsung: You have been cold to my entreaties.

Bi-Han: Because you proved you can't be trusted.

Havik: We were both played for fools.

Bi-Han: Shang Tsung and Quan Chi will pay.

But, unfortunately he has been hunted for helping Shao break out of prison and they are calling him a traitor for it, nothing more:

Sindel: With one act you betrayed two realms.

Bi-Han: Neither deserved my loyalty.

Bi-Han: I helped you, but I've earned no respect.

Shao: Because there's nothing lower than a traitor.

Bi-Han: You would still be in prison, were it not for me!

Raiden: I never thought you would betray Earthrealm.

Bi-Han: My only loyalty is to the Lin Kuei.

#lin kuei #bi han #sub zero #kuai liang #scorpion mk #tomas vrbada #smoke mk #mortal kombat 1 #mortal kombat #mk1 spoilers #mk1 #mk2023 #mortal kombat spoilers #bihan #bi han sub zero #mk bihan #liu kang #havik #mk havik #sub zero mk1 #bihan subzero #mk smoke #mk tomas vrbada

[shirefantasies]

Hello. Could you do a slightly suggestive physical touch x reader thing like you did with the company but with the fellowship instead. If you don’t want to that’s okay. Thank youuuu

Sure 😊 Warnings: well duh 😜 but relatively minor as always

LoTR Characters + Physical Affection (Suggestive Version)

Aragorn

✧ Gives the most amazing massages that have you begging him not to stop, especially when you are on the road.

✧ Catches your hand as it roams over his chest, taking it in his and pressing kisses to it.

✧ You slipped some tongue into the last kiss, so it is only fair for him to be doing the same, no?

✧ He knows you love sitting on his lap, yes, but still you are not expecting the way he takes hold of you and sweeps you up onto it with one swift motion…

✧ His hands may be rough, but gentle are they every time they brush and cup your cheeks, tracing their outline.

Legolas

✧ Does not always realize the effect he has. Swipes his thumb across your lips to keep you clean, brows raising and smile creeping onto his face at your resulting expression.

✧ Shivers at the way your nails ghost down his spine, dragging just enough for him to feel each point.

✧ Leans back to meet you in a kiss when you find yourself running your hands over his shoulders.

✧ As if to memorize your form or write it in the very stars, Legolas is slow, intent with his motions as he traces every dip and curve of your body, eyes awed and focused.

✧ Pulls you back from harm by your waist, but cannot resist capturing your lips when he sees the grateful shine of your eyes, so innocent and yet so amorous.

Boromir

✧ Knowing of your love for physical affection gives him so many opportunities to tease you, most of all indulging his love of surprising you from behind, arms winding about you and breath warm in your ear.

✧ When he picks you up and spins you around, his hand may just find its way to give your rear end a playful squeeze as you are lowered.

✧ Training is more fun with you around- suddenly Boromir has all the motivation in the world to do push-ups... on top of you, of course, finding a new spot to kiss each time he comes down.

✧ Playfully and of course lightly sits on you to pin you down, only offering your release in exchange for a kiss.

✧ Boromir indulges your love- if you take him by the side of his face and pepper it with kisses, he will tilt his head and take you for a more passionate one.

Gimli

✧ Spins word upon word of your beauty, yet his voice is stolen completely at the teasing kisses you sneak upon him.

✧ If you’re alone, he has been known to teasingly smack your arse. Just every now and again…

✧ Pulls you down suddenly, almost roughly, to meet his height, noses and foreheads brushing before Gimli is kissing you passionately.

✧ Makes it your problem when his hands get cold, sliding them up your top to startle you!

✧ Tough as he acts, he loves your predisposition to hold him as well, allowing him to nuzzle against your chest and place kisses against anything exposed there. Possibly a nip or two or three...

Frodo

✧ It sends shivers down your spine the way Frodo’s eyes track your every movement, the small action alone feeling a bit like a dare.

✧ A habit of his upon feeling emboldened is placing kisses from the back of your hand up your arm before finally giving your lips a peck.

✧ Of course you know the effect it has on him when you wrap your legs around him- why else would you keep doing it?

✧ You almost think he is about to protest when you tuck your joined hands into the folds of your clothing, but the shy smile Frodo gives you is encouragement enough.

✧ His whole body relaxes when you rub his back, doing anything in your power to comfort him from the ring’s weight, but at times the look in his eyes tells you he is seeking more than comfort…

Sam

✧ Little does he know his flustered expression when your hands roam only encourages you to continue…

✧ Flusters you back by unexpectedly kissing smears of food off your lips, his tongue swiping out to catch anything he’s missed.

✧ He's nearly always holding your hands, whether it's when you're walking or even sitting, then he rests your joined hands upon his lap, sometimes even pulling yours over to him.

✧ If he isn't holding your hand, then his is resting upon your knee or thigh, roaming ever so slightly especially if you are beneath cover of a table.

✧ Jokes that if you don't keep your hands off him, he'll have to feed you by hand, only to realize that's exactly what you want and give in.

Merry

✧ Comes undone at the way you run your hand down his chest, his breath hitching.

✧ Often walks or stands with a hand upon the small of your back, keeping protective but also the optimal position to give your rear end the occasional squeeze!

✧ Buries his face in your neck when you run your fingers through his hair, distracting you with all the kisses he places there.

✧ Comfortable enough to just reach a hand into your pocket for things, maybe keep it there for a bit, too.

✧ Watch out, he often turns pecks on the cheek into full kisses, turning and taking hold of your cheek at the last minute!

Pippin

✧ Grins wider than anything when you pull him into your chest, especially if the height difference is just the right amount.

✧ Takes you to a meadow where you can lay and laugh and roll around to your heart's content; naturally he ends up on top of you, straddling you and gulping as he glances down, tentatively smiling...

✧ Always happy to coat you with kisses- any inch of bare skin he is granted access to is fair game!

✧ Loves the way you keep your bodies casually intertwined, throwing your legs over his or snuggling into him when you lie together, tangling them completely.

✧ Yet another benefit of wearing a scarf? The way you yank him against your body or into kisses by it, always with great fire and fervor.

Faramir

✧ Develops a little habit of slipping his hands into your sleeves, stroking your arm or simply sharing your warmth in a small intertwined moment.

✧ Eyes you with surprise when you pull his head into your chest, but never shall you hear Faramir complain.

✧ His every touch is reverent, grateful at your trust in him and awed at the beautiful dream that is your body before him.

✧ You will know what touches of yours Faramir appreciates most not only by the hitching of his breath, but by the way his hand will capture yours and hold it where it has made its home.

✧ A flush rises to his cheeks when he is laying there sprawled upon his bed with a book and he feels the weight of your body draping atop his and a lazy kiss to his cheek.

Eomer

✧ Makes his home in the hollow between your shoulder and neck, resting his head and pressing his lips against the crook.

✧ Turns instantly to capture your lips passionately the moment you emerge at his side, breath warm upon the shell of his ear.

✧ If you wear a skirt, watch out for Eomer teasingly lifting up the hem with his foot when only he can see, running it up your leg for good measure.

✧ Wide-eyed the first time you tug on his hair as your lips meet, but the look quickly melts into a smirk.

✧ Given your habit of throwing your legs over Eomer’s lap, the marshal has grown used to the weight upon his body, taking the opportunity to show you a bit of love as he caresses your legs.

Eowyn

✧ The way you two teasingly shove and butt at each other sometimes melts seamlessly into makeouts. Neither of you are quite sure how, it just seems to happen.

✧ Relaxes visibly when you run your hand through her golden hair, sending you the most delicious look of pleasure as your hand combs through her tresses and roams to her neck.

✧ Swept up in it the joy of it all, sometimes you’ll catch Eowyn biting your lip gently as you kiss her.

✧ As you tend to walk with your arms linked, every now and again the fancy will take her to fun her hand up and down yours, bringing her nails gently down.

✧ Always tilts her head to give you greater access when you take to kissing her neck.

Haldir

✧ Shoots you the occasional warning look when your hands roam beneath the potential eye of others, but well aware are you that that is simply the manifestation of how flustered you make him. Not above retaliation, Haldir teases you endlessly in your later time away from those prying gazes when he has you all to himself.

✧ Learns your sweet spot, exactly the spot to kiss, and commits it forever to memory.

✧ One of his favorite things about you is the way you seem to seek him, him of all lucky people, for as much as he teases you he cannot deny he loves the way your hands are always darting toward him.

✧ Spreads his legs when he sits, inviting you to rest between them, your head falling against his chest in surrender to his presence.

✧ Having the cover of trees is truly a blessing, for then Haldir can take you on a 'quick patrol' and make out with you behind a massive trunk unseen.

Galadriel

✧ Smirks mischievously, blue eyes glinting, at the way your hand travels up and down her leg.

✧ Takes your hand sometimes only to draw it closer, bring it to a part of her body in silent, awaiting signal.

✧ Like liquid her body melts into yours when you drape your form atop her, feeling her give into you immediately.

✧ You may initiate the kiss, but with a deep chuckle the Lady of Lórien makes quick work of taking control, her tongue dominating yours.

✧ Great is her happiness upon your habitual reach for her arm to walk side by side with her, bringing her hand, wrist, up to your lips.

Elrond

✧ Never fails to show surprise when you yank him in for yet another kiss, hands falling to his chest. Likes to rest his hands over yours in such moments.

✧ Always helps you undress at the end of the day, motions slow and intent as he unlaces and works, eyes boring into yours.

✧ Presses lingering kisses to your bare shoulders.

✧ Always do his lips brush the shell of your ear when Lord Elrond leans in for a private message, especially if it is one to hold onto for the eventide.

✧ Smiles into every kiss you deepen, grip upon your back tightening as he grants you entry, his tongue welcoming yours into a dance.

Arwen

✧ Gets bolder with your encouragement, laying adjacent to you with her head upon your thighs, her favorite cushion of all.

✧ Leans down to place kisses upon them, sometimes traveling up and down as she goes.

✧ Looks up at you with a mix of love and challenge in her eyes when you hover over her lain form, teasing kiss after kiss from you with a single look.

✧ You can't help but let her run her hands down your chest, not when it brings such a smile of satisfaction to her face.

✧ Adoring the way your hands tend to wrap around her, Arwen nuzzles into your cheek, gently rubbing against yours as she enjoys the contact.

Taglist: @lokilover476 @fuckyoumakeart @kilibaggins @mossthebogwitch @ibabblealot @stormchaser819 @pirate-lord-of-narnia @datglutengoblin @letmelickyoureyeballs | Reply/Ask/Message to join!

#lord of the rings #lotr #lotr imagines #lotr x reader #the fellowship of the ring #aragorn #legolas #boromir #gimli #frodo #sam #merry #pippin #faramir #eomer #eowyn #haldir #galadriel #elrond #arwen #ask #anon #requested

[augustjustice]

Got You By My Side

AO3 Link

Eddie is pulled from deep, dreamless darkness by the sound of a vaguely familiar voice, speaking slow and methodical in the distance.

“Then Frodo felt himself falling, and the roaring and confusion seemed to rise and engulf him together with his enemies. He heard and saw no more.”

More acutely than any of the countless times he’s read this book in the past, Eddie feels Frodo’s pain, the memory of those interdimensional monster bats screeching and clawing and flapping the last image he can conjure before that long, silent blackness overtook him.

The sweet, soothing voice lilts on, unspooling one of Eddie’s favorite stories with all the warmth of covering him in a fluffy blanket. “Frodo woke and found himself lying in bed. At first he thought that he had slept late, after a long unpleasant dream that still hovered on the edge of memory. Or perhaps he had been ill?”

In real time, Eddie blinks his eyes open, the white ceiling overhead spinning slightly before his vision clears. Tilting his head in the direction of the sound, Eddie finds Steve Harrington sitting in an uncomfortable looking hospital chair, the battle outfit Eddie last saw him in replaced by a long-sleeve blue Henley and light wash jeans, a worn copy of The Fellowship of the Ring cracked open on his knee.

Fortunately, the memories of the past few days aren’t far from the edges of Eddie’s mind, or he might think he really was dreaming.

“Harrington?” Eddie manages to call groggily, Steve’s name cracking in the middle, and, Christ, his throat feels like someone fucked it raw with a sandpaper condom.

Beside him, Steve freezes, jerking his head up to blink at Eddie with wide, startled hazel eyes. Then he’s tossing the book aside, down onto the edge of Eddie’s bed as he launches himself out of the chair.

Eddie barely has time to register the movement before Steve is throwing an arm around his shoulders, pulling him into a fierce hug.

“Eddie!” Steve is so close, face pressed into Eddie’s hair, that Eddie can feel it when his warm breath tickles his neck, like he’s letting out an exhale he’s been holding in for days. “You’re awake! And about time, too, dude. We thought–we thought we lost you.”

Maybe Eddie actually did die, because this kind of overly-affectionate response from Steve totally seems like something that would be conjured up in his own private fantasy land.

Turning on a dime, the sugar-coated reverie that seems straight from Eddie’s dreams is disrupted just as quickly and abruptly as being doused awake with cold water. Because Eddie has barely had time to register the arms around him before Steve jerks back just out of reach, smacks him once lightly on the shoulder, and demands, “What the hell was that, Munson?!”

“Ow,” Eddie whines, even though Steve has done little more than jostle him, “wasn’t being mauled by demo-bats enough, man?”

“Shit!” Steve swears, and the speed with which guilt mars his expression is genuinely impressive–if a little concerning. “Sorry, sorry.”

“It’s okay,” Eddie reassures him automatically as Steve smooths a hand down his arm, brow furrowing with worry as he checks Eddie over. “Seriously, dude, I’m alright.”

Steve shoots him a deadpan look.

“Yeah, kinda think the doctor might disagree with you there, buddy.”

At the mention of doctors, Eddie stiffens automatically. Right, shit, he’s in a hospital. Hawkins Memorial, a public place, with people beyond the band of heroic saviors that have formed around him the past few days.

Doesn’t exactly seem like the safest place for a wanted man.

“Uh, Steve?” Steve looks at him in question. “Shouldn’t I be, like…making a break for it before, you know. The cops bust in here and haul my ass to jail?”

“Oh, that! No, dude, don’t worry,” Steve waves a dismissive hand, “you’re totally in the clear now. Hopper and the feds did their typical scary CIA shadowy cover-up deal, so you’re good to go. All the charges against you have been dropped.”

A long beat of silence falls over the room, Eddie trying to make sense of the sentence.

“...You’re talking about the late chief of police, right? That Jim Hopper.”

Steve scratches a finger over his sideburn, tilting his head to one side as though he’s only now registering the sheer absurdity of what he just said.

“Yeah, so, turns out…not as dead as we thought, apparently.”

“Okay, well…cool. Cool, cool, cool,” Eddie mutters to himself.

The last time he had seen the police chief, he’d been giving Eddie a fairly strong warning about local speed limits and not giving everyone on the road additional white hairs. He’s too afraid of the answer to ask if Hopper had come back from the dead or not.

Clearing his throat awkwardly helps Eddie register again just how damn dry it is.

“Not that I’m not enjoying the emotional whiplash of this reunion, man, but,” Eddie rubs a hand uselessly at his Adam’s apple, “I kinda think I might be dying of thirst here.”

Steve is up like a shot all over again, quickly filling a small paper cup with water from the sink in one corner of the room. As Eddie sits up to take the proffered drink from him, he can’t help but let out a pained hiss, his abdomen burning from the sudden shift in his position.

“Hey, hey, hey, whoa, whoa, whoa! Easy, man!” Steve chides.

He does that a lot, Eddie has noticed, guiding the freshmen brats, even Eddie himself through battlefields and portals and the horrors of the Upside Down with a hand hovering near their backs as if he’s going to catch them if they fall, all the time tutting like a nervous mother hen.

It’s stupidly endearing, which is something Eddie never thought he would think.

“I promised Henderson I’d watch you like a hawk,” Steve says, pressing Eddie back into the pillows with a gentle hand, “so lay back and just let me help you, okay? Jesus.”

Eddie can’t quite suppress his grin at the way Steve fusses, tutting as he helps guide the small cup of water up to Eddie’s mouth, scolding him with a quick, “You’re gonna spill that if you’re not careful, Eds.”

If the Eddie of two weeks ago could see him now, he would not believe it.

As Eddie drains the cup eagerly, Steve absently tells him to wait right there and then disappears into the hallway.

Eddie snorts, even though there’s no one around to hear it.

Yeah. Like he’s going anywhere in the state he’s in.

When Steve gets back, he’s not alone, his boyish charm having apparently summoned a nurse from whatever front desk she was manning. Eddie puts on a brave face as she checks him over carefully–vitals, flashlights shined in his eyes, the works–and compliments his progress with a genuineness he definitely wasn’t expecting to find inside Hawkins city limits ever again.

Once she leaves again with a promise to send in the doctor as soon as possible, Steve is tugging the chair right back up to Eddie’s side, now turned around so he’s sitting in it backwards. He studies Eddie, wide brown eyes shining with genuine concern that makes something inside Eddie flutter, despite how desperately he tries to tamp down the feeling.

“How’re you feeling? Seriously?”

“Kinda like somebody ran me through a wood chipper,” Eddie admits, gesturing to the gauze bandages draped all up and down his body.

“Yeah, sorry about that,” Steve actually looks apologetic, like he’s somehow responsible.

Ridiculous, the guy is ridiculous. Eddie can’t believe how wrong he was, that he really thought Steve was just some callous, arrogant rich kid, like…a week ago.

“Looks like you’re now an official member of the ‘Upside Down bat chow’ club.”

“Well, hey,” Eddie inclines his head towards Steve’s chest, “at least I’m in good company.”

Steve makes a noise of acknowledgment, tugging his Henley up just far enough for Eddie to see the contrast of white bandages against his tan bare skin. Eddie forces his eyes not to linger, breath hitching in a way that has nothing to do with pain.

“But, you know, maybe you wouldn’t be if you’d just listened to me,” Steve points out petulantly as he drops the hem of his shirt.

Spell broken, Eddie lets out a huff of laughter.

“Anybody ever tell you you’re kinda insufferable, Harrington?”

“Takes one to know one,” Steve shoots back easily before the stern edge seeps back into his voice. “I thought I told you not to be a hero, man. Why did you do that?”

“You really wanna know the answer to that?” Eddie asks, sobering slightly. When Steve nods, he takes a deep breath and barrels on. “Well, I just asked myself, ‘What would Steve Harrington do?’ and even though I would have scoffed three days ago…seemed like the most obvious answer.”

Steve lets out a disbelieving noise, rolling his eyes, which startles another laugh out of Eddie.

“I’m serious, dude! You’ve got this whole…level twelve Barbarian, tearing into bats with your teeth th–” at Steve’s confused look, he amends, “I mean, uh this…badass, action hero at the end of the world thing going for you, and, when I realized you guys still needed a distraction, I just thought…I’d channel a little bit of that, overcome my own natural cowardly tendencies to run.”

“Man, I seriously can’t believe you,” Steve is shaking his head, a smile tugging at the corners of his mouth. He reaches forward, nudging Eddie’s leg gently. “I’ve got news for you, Eddie. Cowards? Don’t do that.”

Eddie shrugs sheepishly, tugging a strand of hair up to his mouth to chew on, not quite sure how to take the compliment.

Steve smiles at him a beat longer, not saying anything. Then, his eyes seem to cloud over, expression growing distant like he’s lost in thought.

Eddie fidgets, playing with his rings as one hand taps an uneven rhythm against the blanket, feeling pinned with Steve’s eyes still settled on him. Finally, he breaks the silence.

“Earth to Stevie,” he waves a hand in front of Steve’s face, watches the way he shakes himself out of whatever reverie he had just slipped into, “where’d you go, man?”

Steve bites his lip, rubbing a hand over the back of his neck, clearly embarrassed about being caught.

“Just thinking.”

Eddie leans towards Steve, eyebrows raised, expression expectant.

“...about?” he finally sing-songs, drawing the word out in a needling tone, not able to take the suspense a second longer.

“I ran, too, you know,” Steve says quietly, the mood in the room sobering immediately. At Eddie’s questioning look, he continues, “The first time, with Nancy and Jonathan. That thing came out of the walls, and Nancy told me to run–that’s what I was talking about, how she almost shot me that one time–and…I did. I ran. This shit is scary as hell, man.”

Eddie sucks in his bottom lip, mulling over Steve’s words.

“But…you came back,” he hedges, guessing, but based on everything he’s seen from Steve, he’d bet money he’s right. “I mean, total assumption on my part, but–”

He waves a hand in Steve’s direction, a silent here you are.

“Yeah, sure, I did. But so did you when it mattered. There–” Steve shoots Eddie a pained, apologetic look, “look, Eddie, with Chrissy…I know you don’t want to hear it, but there was nothing you could have done at that point. And if the cops had found you there, you probably would have ended up in jail. But you went back to distract the demo-bats. You kept them away from us when we were going after Vecna. So. Guess that makes you a hero, too.”

Steve huffs out a weak little laugh.

“Even though, like I just said, I explicitly told you not to be one.”

“What, you expect me to start taking orders now from Steve Harrington?” Eddie teases, eyes sparkling. “I’ve got a reputation to maintain, man.”

Steve rolls his eyes. “Yeah, well, screw your reputation, no more pulling death-defying stunts like that, alright? Cuz I might not be around next time to pull you out of it. Besides, you’re way too important to the kids for that shit.”

“What, you want me to leave all the monster-hunting to the experts, Harrington?”

“No, dude,” Steve reaches over and shoves Eddie lightly, the movement careful, his hand big and warm where it wraps around Eddie’s shoulder, “I just don’t want you to die, okay?”

Those kind brown eyes are on him again, drinking Eddie in like Steve was afraid he might never see him again. It’s all too much, the feeling that this is all really just some fantasy come to life trickling in again, and Eddie has to avert his gaze, swiveling his head as he lets out a sound caught somewhere between a scoff and a chuckle.

“Well, hey,” he deflects, sweeping a hand over the bandages covering his stomach and torso before tapping just below the mauled spot on his cheek, “At least I took the ‘don’t be cute’ part to heart, right, Harrington?”

Steve finally releases his shoulder, but his eyes are still trained on Eddie. Eddie thinks the scars are going to end up looking pretty badass, sure, but…there’s still an edge of insecurity lurking just below the surface of his bravado. He hopes Steve can’t see it, ferret out the cracks in his performance.

But he suspects he can.

They haven’t known each other long, not actually known each other, at least, but Eddie’s gathered in that short time, just from the easy way he fell into answering Eddie’s questions, anticipating what he needed to know, that Steve picks up on a lot more than most people give him credit for.

“Yeah, no,” Steve’s shaking his head, floppy waves falling across his forehead, “Pretty sure you’re literally incapable of not being cute, Munson.”

Something in Eddie’s chest seizes. If he didn’t know any better, he’d think that Steve is totally flirting with him, even his faux-annoyed tone not seeming too far off the mark from a bit of pig-tail pulling.

“Bet you say that to all the girls,” Eddie quips back, because he’d started flirting with Steve in the Upside Down with all the devil-may-care gusto that came from knowing he might die tomorrow and now apparently he’s chronically incapable of stopping.

Steve has his arms crossed over the back of the chair, his chin propped up on them, looking irritatingly nonchalant and cool. Which…Eddie guesses is a lot better than looking like he’s seconds away from hauling off and punching him, but it’s still making him nervous.

He lifts one shoulder, a casual half-shrug, and then says, like he’s not tilting Eddie’s entire world on its axis, “Just the pretty ones.”

Eddie’s entire face heats up, flushing to the roots of his hair.

He can’t remember the last time he felt this flustered and tongue-tied. Probably not since Chrissy Cunningham deigned to smile at him, wide and sincere, at the middle school talent show, he realizes with a bittersweet pang.

“The rumors are true,” he manages to squeak out, “you’re a smooth talker, Harrington.”

Steve grins, wide and bright, looking inordinately pleased with himself. It’s the happiest Eddie thinks he’s seen him since this entire thing started.

“So they tell me,” he agrees, and then has the audacity to wink at Eddie, the bastard.

Eddie isn’t even sure where to go in the conversation from there. Usually, he’d like to think, he’s not too bad at this, can flirt and tease with the best of them. Hell, he has been flirting with Steve on and off for the past few days.

But that was before he lived, and before Steve, to Eddie’s complete confusion, started giving as good as he got, coming back with lines when previously he had been the one blushing and batting Eddie shyly away.

Fortunately, Steve cocks his head to one side, considering, and then breaks the silence for him.

“You know,” he starts, voice soft, “I was jealous of you, too.”

Eddie gawps at him like a fish, nearly as surprised as he had been by what seemed to be Steve’s undeniable flirting. When he manages to get some small semblance of control over himself again, he lets out a short, disbelieving bark of laughter.

“Steve Harrington, jealous? And of little ole me?” he presses a hand to his chest, batting his eyelashes briefly, a theatrical display to cover up the genuine shock still coursing through him. “Why the hell were you jealous, Harrington?”

The corners of Steve’s mouth turn upwards, a self-deprecating twist to them as he reaches up and runs a hand up through that infamous hair of his. Eddie tries not to let his train of thought get derailed wondering if those locks are as soft as they look, how they might feel running through Eddie’s own fingers.

“It’s gonna sound…so stupid. It’s just that…Henderson, you know, he’s a complete and total pain in my ass, but he’s also–he’s the closest thing I’ve ever had to a little brother. And, I don't know. I guess the kid did kind of have stars in his eyes around me when I first started looking out for him. Except, it didn't feel like it did when all those kids in high school wanted to hang around just because I was popular and I could get them status, or because I had a big empty house full of free booze. It felt like it…mattered.

“But after they started back to school this year and joined up with Hellfire, he and Sinclair and Wheeler, they just went on and on about you, man, how cool they all thought you were, how you ran their little fantasy board game or whatever and they were all super into it, and I guess I just started to worry I was being…replaced. Like they were all growing up, and they wouldn’t need me in their life now that they had found somebody better to look up to.

“And I started to remember how you were in school. You were just so–unapologetically yourself, like you never gave a shit what people thought about you. Back then, I could never do that, and I guess…I started to wish that I had. Been more like you, I mean,” Steve looks up at him then, with a soft smile that would have broken the hearts of a thousand Hankins High girls. "So, yeah. Guess I got a little jealous, Eddie. That I was being replaced by Eddie 'the Freak' Munson."

Steve winces a little on the name, looking sheepish.

"Except it turns out, Henderson was right all along. Eddie Munson? Actually a totally great guy," he claps a hand over Eddie’s knee, giving it a fond squeeze.

Eddie blinks at him, dumbfounded into silence.

“Come on, dude,” Steve says quietly, the tips of his ears going pink as he jostles Eddie’s leg lightly, “don’t just leave me hanging out on a limb here. Say something.”

“That–was the most surreal thing that’s happened to me this week. And,” Eddie holds up a finger, “I’d like to remind you, an interdimensional portal opened up in the ceiling of my trailer.”

Steve huffs out a laugh, nervous at the edges.

“It wasn’t that weird,” he protests.

“Oh, no, man, it totally was. You, Steve ‘the Hair’ Harrington, former King of Hawkins High, just admitted, out loud, that you wished you were more like me, Eddie ‘the Freak’ Munson. That ranks in…at least the top ten weirdest moments of my entire life.”

Steve nudges Eddie again.

“Forget I said anything.”

“Absolutely not,” Eddie tells him with a wide, dimpled grin. Then, he places his hand over Steve’s wrist, jostling him right back. “You come up with that pretty speech all by yourself, Steve?”

The smile Steve shoots him is lopsided.

"I had a little help from a friend."

"Oh, so," Eddie waves a hand between the two of them, "we're friends now?"

The glint in Steve’s eye turns mischievous. "Just think how much it will freak everyone in town out."

Eddie throws back his head, letting out a delighted cackle.

"Harrington, you’ve really got a way of persuading a man."

They grin at each other for a moment, soaking in their own giddiness. Eddie thinks dizzily that this must be karma’s way of paying him back for some of the worst of it, the past few days of vicious bats tearing into him and a mob on his heels. And some part of him thinks it almost makes up for it, the terror and the pain still radiating in his side, if it only means Steve Harrington’s going to keep smiling at him like that.

"Are you still jealous, Stevie?" he asks, and despite the goading edge to the words, his question is sincere.

"Nope,” Steve pops the ‘p’ with his lips, “Not anymore. If anything, it sounds kind of nice, having another pair of hands on deck to help corral those little runts when they get out of hand. It's like herding cats sometimes, I swear."

"Yeah," Eddie falters. Steve’s words concretize the promise of friendship he’s offering, conjuring up a real, solid image of that karmic more Eddie was just imagining. "I guess that doesn't sound too bad. But careful, Harrington. Might start to sound like we're married, or something."

Eddie recognizes the way Steve ducks his head, a faint blush spreading over his cheeks, from their conversation in the Upside Down woods, and he knows this time that he’s been the one to hit the head on the flirtatious nail.

“Speaking of, where are Henderson and the other munchkins, anyway?” he asks, momentarily steering the conversation back to safer waters. “Earlier, you said something about him forcing you to look after me?”

“Okay, first of all, I did not say forced,” Steve argues, his lips drawing down into that disgruntled, petulant frown Eddie has started to grow stupidly fond of. “But, Dustin…yeah, he’s alright. He was here ‘til visiting hours ended last night. Mrs. Henderson had to practically drag him away so he’d go home and get some rest.”

The memories come rushing back, Dustin limping to Eddie’s side to hold him in what he thought were going to be his final moments, and relief washes over him.

“Which is why I’m on babysitting duty today,” Steve adds.

“Well, that is your job now, right?” Eddie teases. “Babysitter extraordinaire.”

“Yeah, yeah. No TV after dinner unless you eat all your vegetables, Munson,” Steve wags a finger at him for the full effect, and Eddie has to bite his lip to keep from laughing, “and don’t you forget it.”

“How ‘bout Team Kate Bush and the rest of the Vecna Slaying Squad…they alright?”

The way Steve’s face sobers immediately, mouth pulling into a taut, grim line is enough to make Eddie flinch in anticipation.

“I mean, everybody made it out in one piece, except…Max is in a coma. She’s a few doors down.”

Steve nods his head in the direction of Red’s room, and Eddie feels like he’s been doused in a bucket of cold water.

“Shit. Shit. Do they know when–?”

Steve shakes head, anticipating the end of Eddie’s sentence. He’s immensely grateful that he does, because he’s not sure he could have finished it.

“The doctors–they aren’t sure yet,” Steve admits, running a finger over his top lip, looking as tense as Eddie feels. “I checked in on her this morning, before I came down to sit with you, and she was…stable, pretty much the same as she has been. Lucas was there. I think he’d stay around the clock if they’d let him.”

“Yeah, I bet,” Eddie notes softly.

The boys had told him, about Sinclair and the tough little red-head who lived just across the way, their on-again, off-again romance that was very much off by the time Eddie met them.

But he’d gotten to see it first hand, the last couple of days, the way the two were practically attached at the hip, circling around each other, getting closer and closer. He had to agree with the whispered, giggled assessment he’d overheard Nancy and Robin make during their impromptu RV road trip. They really were cute.

His chest panged at the thought of hard-headed, mouthy Max laid up in a hospital bed, silent and still. Eddie felt like he was too fucking young for this shit, so the fact that this band of brave, fresh-faced little sheepies had to deal with it? Was too unfair for words.

“But, hey. We already had one miracle today, right?” Steve pats a hand on Eddie’s leg. “You’re awake. So, who knows, maybe another one is…right around the corner.”

“You make…an excellent point, Harrington. Can’t stop believing in the impossible now,” Eddie reaches out, places a hand over Steve’s wrist for a second and squeezes. “Red’s steely. Way tougher than I am. Hopefully she’ll be back up and at ‘em in no time.”

The half-smile Steve gives him is a grateful one, and Eddie returns it easily, letting his fingers linger where they’re pressed into Steve’s warm skin, reveling in the fact that Steve seems no more eager to shake him off than Eddie is to pull away. Finally, he pulls his arm up and away, still tingling with the phantom sensation of holding onto Steve for even that one moment.

Steve’s lips part, like he’s about to say something…but then he’s snapping his fingers, a stricken expression coming over his face.

“Oh, shit, I meant to tell you already,” he runs a hand over his forehead, fingers combing up through his hair in a gesture that seems almost…sheepish, “Hop also promised the Feds were gonna loop your uncle in on…well, not everything, obviously, but on where you were, at least. I’m not sure when they’re gonna tell him. Soon, hopefully.”

At the mention of his uncle, Eddie’s heart gives a painful, hopeful little lurch in his chest.

“Christ, Uncle Wayne,” he mutters. Screwing his eyes shut as he buries his face in his hands for a moment, he feels like he’s taking that first desperate lungful of air you gulp down after you’ve been holding your breath for ages. “It’ll be…so fucking good to see him, man.”

“Yeah, I’m sure,” Steve agrees softly.

Eddie wonders if he just imagined it, that brief stiltedness in Steve’s voice, the stiffness of his posture, there and gone so quickly it’s impossible to tell.

“And Robin’s supposed to stop by later, her parents are gonna drop her off. She said she’d bring up some lunch. So pretty soon you’ll have more than just this handsome mug around for company,” Steve circles his face with a finger, an amused smirk playing at the edges of his mouth.

“Aww, but I like that face of yours, Harrington,” Eddie needles, walking that exact same line between ribbing and flirtation. He’s pretty damn proud of the blush he manages to prompt across Steve’s cheeks. “Okay, so, Buckley and the shrimps are all accounted for, but…where’s Wheeler?”

Steve’s mouth draws downwards, brow furrowing.

“Oh, uh, which one? Mike, or–Nancy?”

Eddie rolls his eyes, and, he’s not proud to admit it, but a little ripple of envy washes over him. It’s that same spike of jealousy that had reared its ugly head in the Upside Down, when he tossed his vest to Steve to break up the burgeoning couple’s moment, stop their familiar, playful banter.

He’s the one that brought it up, but it still serves as a bracing reality check–Steve’s flirtation with him is probably little more than a distraction, something Hawkins’ resident Casanova in all likelihood doesn’t even realize he’s doing.

"Your betrothed, of course,” Eddie’s voice comes out sounding harsher than he means for it to, far more like it does when he’s pushing the buttons of the resident jocks from the top of a cafeteria table. “When's the wedding, by the way?"

Steve frown deepens, looking taken aback, like he’s been pushed off-kilter. And even though that’s usually the very reaction Eddie is looking for, in that moment, he feels kinda like he should apologize for being an asshole when Steve’s honestly been nothing but nice to him.

Steve doesn’t give him the chance.

“Nancy’s with Jonathan,” he says slowly.

Eddie wilts, feeling even guiltier than before.

“Hey, man,” he stretches his hand out uselessly, his instinct to reach out with another soothing touch even though he’s not sure he deserves to. Before he can make contact, he lets his fist drop to the thin mattress, holding himself back. “I’m sorry.”

The fucked up thing is, he means it. Steve’s a great guy, and even after only a few days of getting to know him, Eddie knows, deep down in his chest, that if anyone deserves to be happy? It’s him.

Steve shakes his head, and now he’s the one looking annoyed, and, maybe, just a tiny bit frustrated.

"No–no, dude,” he slashes his hands through the air, like he’s calling a…time out, or something, as if they’re in one of his sports games. “There's nothing to be sorry for. It isn't like that."

And even if he is trying to be less of a dick, Eddie can’t help but raise a skeptical eyebrow at that.

“Yeah, okay, Harrington,” he says doubtfully, “I mean, I saw the two of you down there. The looks you were giving each other–that’s the kind of stuff people write songs about, man.”

“You’re seriously not listening to what I’m saying, dude.” Chin propped up on his arm, Steve gives yet another exasperated roll of his big, far too pretty eyes. But then his expression smooths out, something contemplative in the line of his mouth. “I thought about it a lot, you know, what you said. What everyone was saying, really. About signs of true love and all that. And the thing is, diving down there after me–Nancy would have done that for any of us. Robin, the kids…she’d have done it for you.”

Eddie doesn't know how to describe it, the feeling that washes over him with the realization that Steve's "us" had included him.

"Me and Nance? We’re just friends, okay? That’s all we’ve been for a long time, now. And the idea that we should try and be anything more than that…chalk it up to temporary insanity caused by demo-bat bites and the threat of the world ending. Again."

Shocked and a little chastised by the revelation, all Eddie can manage to let out is a soft, “...Oh.”

“Yeah,” Steve gives him a pointed look, like he’s been a total dumbass about things, which feels…pretty fair, if he’s being honest. “Oh.” Then, in an undertone that makes it seem like maybe he’s just talking to himself, he murmurs, "Besides, I’m pretty sure she doesn’t even want kids."

"...What?" Eddie asks, wondering if whatever sweet, sweet pain reliever they've got him on means he missed a step in the conversation.

"Nevermind," Steve dismisses, rubbing a hand over the nape of his neck as his eyes briefly dart toward the ceiling, avoiding Eddie’s gaze, “The point is…there’s nothing going on there. Really.”

“I–yeah, I, um. Got that. Now,” Eddie assures him. “That’s…good, Harrington. I mean, just so long as…you’re alright with it, right?”

“Yeah, I’m good. Honestly, I am. Things with Nancy…they didn’t work out for a reason. We just weren’t right for each other, in the long run. And I do still want to, you know…to find ‘the one,’ I guess. Somebody who really gets me, who just…fits,” he steeples his fingers together, imitating puzzle pieces interlocking, “slides right into place, kinda like they’ve been there the whole time. Like it was with Robin, and the kids–only romantic, this time, of course–but, like…that feeling you get when somebody comes into your life and…you honestly can’t even remember what it was like before, without them. Does-Does that make sense?”

The way his eyes dart over to Eddie, a spark of anxiety in them, it feels like…it matters, to Steve, that it does.

“No, yeah, I totally follow you, man. That all sounds…pretty awesome, honestly.” And even though Eddie has vocally branded himself as a cynic for years now when it comes to romance, it honestly does, making something flutter in his chest at the picture Steve has painted. He ducks his head, hiding behind the sweep of his bangs as he asks, “You, uh…you got anybody particular in mind to play the starring role in your future love life?”

When he risks a glance back up at Steve, he finds himself on the receiving end of that same look so familiar to the many swooning girls of Hawkins, a confident tilt to the pink curve of Steve’s lips, the glimmer in his dark eyes knowing but sweet.

“Yeah. Yeah, I think maybe I do,” Steve leans forward on the back of his chair, conspiratorial as he lowers his voice, “Now, all I gotta do is figure out if they’re interested too.”

Twisting a strand of hair absently around his finger, Eddie lets out a nervous giggle, the sound coming embarrassingly close to a titter. “Come on, man. You’re Steve ‘the Hair’ Harrington. It’s pretty much a guarantee with you.”

“You’d be surprised,” Steve snorts. Then, he bites his lip, expression tetchy with a new anxious, anticipatory sort of energy. “Hey, I’ve, uh…got something for you.”

The next moment, his face disappears. Eddie attempts to lean forward, see exactly what it is Steve’s doing, but the straining feeling in his stomach won’t let him. Accepting defeat, he contents himself with tugging on a loose string on the starch white hospital sheets, trying–and failing–not to wiggle in place impatiently.

When Steve pops back up again, he’s holding a plastic War Zone shopping bag Eddie can only assume was tucked somewhere beneath the chair he’s been sitting in. After plopping the item gently in Eddie’s lap, Steve reaches inside and pulls out one denim corner, tugging the piece of clothing out to show him.

It’s Eddie’s battle vest, the one he had abandoned in the RV when they marched off into their own real life battle.

“I haven’t had a chance to wash it,” Steve’s nose wrinkles slightly at the blood stains, left behind from his own scarring over bites, “I can do that for you, if you want. Before you get out of here.”

Eddie looks from the vest–outfitted with all his painstakingly selected pins and patches–to Steve, then back again. He remembers how Steve had looked in the darkness of the Upside Down, hair wild, open wounds and chest hair barely covered underneath the denim flaps. Like some otherworldly warrior.

“You can keep it,” he says, looking right at Steve as he nudges the bag in his direction, “it looks better on you anyway.”

“No, man, come on,” Steve argues weakly, once again demonstrating Eddie’s newfound ability to fluster the Steve Harrington, a skill he’s definitely planning to continue taking full advantage of, “it’s your thing, I-I can’t–”

“Hey, man, I’m serious,” Eddie catches Steve’s hand in his own, a gesture that might be a casual, jocular exchange except that Eddie keeps his grip firm, the touch lingering, “you keep it, Steve.”

He swipes his thumb once over Steve’s pulse point, a reflexive, absent movement that draws Steve’s gaze downward. When he pulls his hand back, the fizzle of energy remains in the air around them, electrifying.

Steve ducks his head, almost shy as he tucks the vest back into the bag.

“Alright,” he agrees quietly, “far be it from me to argue with the invalid.”

“That’s right,” Eddie crows, triumphant. He snaps his fingers in the air for emphasis, letting some of his showy, over-the-top dramatics come back into his demeanor to dispel the intensity of the moment. “Patient privilege, Harrington. Besides,” he shrugs, trying to maintain a cool, casual air so he won’t choke on his next words, “now you can wear it to Corroded Coffin’s next show.”

Cocking an eyebrow at Eddie, Steve lets a slow, satisfied smile spread across his face. “Oh, so I’m invited to see you play now, huh? Not afraid I’ll cramp your style?”

Eddie shakes his head, earnest. “Couldn’t possibly, Stevie boy. You’ll be the most metal person there, since I’m pretty sure no one else is gonna have ripped apart a bat with nothing but their teeth. Not unless Ozzy suddenly breaks down in the middle of Bumfuck, Indiana.”

Though Steve looks mostly bemused, there’s also a faint, pleased flush of pink dusting his cheeks. “You know I still have no idea who that is, right?”

“Oh, don’t worry, big boy,” Eddie gives his arm a quick pat. “As soon as I’m outta here, I’ll teach you.”

“Alright, Eds, you’re on,” Steve agrees, dipping his head, almost coy as he looks up at Eddie through his lashes, “It’s a date.”

Despite the casual way Steve threw out the offer, like it’s no big deal, Eddie’s pulse trips into double time, racing in his chest.

“Cool,” he says, dazed, and, embarrassingly enough, he has to clear his throat when his voice cracks a little, “yeah, okay, cool. It’s a date, then, Stevie.”

Fortunately, having Steve Harrington beam at him makes sounding like a complete idiot totally worth it.

They sit in the silence for a moment after, just smiling at each other dopily. If anyone else could see them right now, their respective reputations really would be in tatters.

Eddie thinks that’s alright with him.

Despite the giddy energy in the room, however, a wave of exhaustion washes over Eddie, like the adrenaline from everything has finally gone out of him. He yawns, pressing the back of his hand over his mouth to try and stifle it.

Steve shifts in his chair, alert as he scoots a little closer, that now familiar concerned look settling over his face.

“Tired?” he asks.

“More than I thought I was, I guess,” Eddie admits, albeit begrudgingly.

“Yeah, well, surviving heroic stunts will do that to you.”

“You’d know all about it, wouldn’t ya, Stevie?” Eddie yawns again, not bothering to hide it this time, just grimacing a little when the motion stretches his side. “Besides, think maybe you wore me out, big boy, with all this sparkling conversation.”

The tips of Steve’s ears tinge, pretty and red.

“Want me to keep reading to you instead?” he offers, picking up the paperback from the edge of the bed and waving it at Eddie.

In the name of pure, good old fashioned antagonism, Eddie can’t help but tease, "I didn't know you could read, Harrington.”

"Hey, butt head," Steve smacks half-heartedly at his leg with the paperback, "which one of us graduated, you or me?"

"Point taken," Eddie laughs, light and pleased with himself, "but who said I could read?"

Steve cocks an eyebrow at him, the corner of his mouth twitching, like he’s fighting back a laugh of his own. “You’re a pain in the ass, you know that?”

“Takes one to know one,” Eddie sing-songs, parroting Steve from earlier. Then his eyes go round, inching forward on the bed excitedly. "Will you do the voices? Oh please please pretty please tell me you'll do the voices."

Steve’s face scrunches up, adorably lost. "What voices?"

Eddie slaps a hand to his forehead, flopping dramatically back onto the thin hospital mattress as best he can.

"What voices? ‘What voices,’ he says. Oh, Steven–"

"Steve," Steve corrects automatically.

"Steven," Eddie continues, ignoring him, "say it ain’t so."

“What?” he huffs, but a smile has crept back onto his face. “Stop speaking in riddles, dude, this isn’t one of your games.”

“The character voices, man! What else?”

“Oh, right, the character voices,” Steve repeats, deadpan. “Eddie, how the hell am I supposed to do some sort of voices for a book I’ve never even read before?”

“Steven,” Eddie says solemnly, ignoring Steve’s eye roll, “it’s simply not The Lord of the Rings if you’re not doing a full, dramatic reading of it.”

“Well, jeeze, teach me how to do them, then,” Steve challenges, flipping the paperback around to hand over to Eddie.

“Alrighty, big boy,” Eddie takes it, then pats the empty side of the mattress, “hop on up, and I will.”

Steve pauses, seeming surprised, and in that moment’s hesitation, Eddie wonders if he’s going to gently brush him off. But then he’s standing, rounding the bed to the side where Eddie’s palm is still resting, and gracefully sliding in beside him.

“This okay?” he asks, careful of Eddie’s side even as he wraps an arm around his shoulders to help get them comfortable, shifting close enough the book can rest open across both their laps.

“Mmm hmm,” Eddie hums, basking in the warmth that comes from having Steve pressed right against him, the clean scent of his cologne wafting through the air.

He gestures down to the paperback with a flourishing hand.

"Now, transfix me with your magnificent storytelling skills, oh brilliant wordsmith."

Steve shakes his head, letting out a snort of laughter this time.

"You are so weird."

“Aww, but you like it, Stevie boy.”

“Yeah,” Steve says with a shrug of one shoulder, so earnest and unabashed it nearly takes Eddie’s breath away, “I do.”

Steve begins to read again then, voice loud and clear. And as the pair of them giggle and bicker over the book, Eddie interjecting corrections in the form of line readings in his particular theatrical cadence and Steve’s own performance getting sillier and more over-the-top the longer it goes on, for the first time in more than a week, Eddie knows deep down in his gut…that everything is gonna turn out just fine.

#stranger things #steddie #steve harrington #eddie munson #my writing #my stuff #my things #my fic

[pastanest]

if you’re wondering why I’m having to repost this, or why you were perhaps previously following me but no longer are, please refer to this post. I was able to retrieve this thanks to the very lovely friends who have relentlessly sifted through tumblr archives to recover them, thank you all so much!! ♡

LOTR Characters - Falling Asleep With Him

Thranduil

The Elven King prefers to sleep with his head on your chest or in the crook of your neck; he tells you that this is because he can only fall asleep when you are running your fingers through his hair, and this is true, but it is not his sole motive for this sleeping position - in his mind, sleeping on top of you provides you with added security against any potential attack. While he isnt paranoid about this, he is protective of you, and if he can provide you with further safety in any circumstance, he will. Thranduil believes that by lying on top of you, any attacker would quite literally have to go through him before they could get to you, and he is by no means against saving your life by sacrificing his own. He would rather you not know this, because if you did, you would not allow him to sleep on top of you ever again, but in truth, your motivations for wanting to sleep on him are the same. Considering he’s around 6’10”, he is considerably taller than you, and his body smothers yours in a way that is beyond comforting. Thranduil enjoys listening to your heartbeat, it soothes him greatly to feel you so close to him, to hear the very essence of your life force, and he has done well to attune himself to the beat of your heart; so much so, that he will often tease you by kissing your neck in order to feel your heart splutter frantically. Elves do not have much of a need for sleep, but this is not to say that they do not enjoy sleeping, and when it comes to the act of slumber, there is no better place to sleep than in the arms of a King who loves you.

Legolas

Physical affection and various forms of intimacy are all unexplored areas for this Elf, and it will be up to you to introduce him to those when the two of you are ready. At first, falling asleep with Legolas is a little awkward, given that he is fully alert and his entire body rigid, because he doesnt quite know what to do with himself. He lies awake, watching your sleeping head rise and fall on his chest with a look of bewildered love in his eyes. After a few hours, he slowly wraps his arms around you, and in your sleep, you smile. Your reaction causes Legolas’ heart to skip a beat, and he is once again unsure of what to do next. He does not sleep that night, instead stays conscious and studies your sleeping movements, trying to learn the habits of your subconscious so that he can adjust himself to them. Over time, Legolas becomes progressively more comfortable, and even manages to fall asleep himself. His movements with you are careful and calculated, never wanting to disturb you or cause you discomfort. Legolas knows how important sleep is in keeping up your strength and preserving your health, so he makes sure you get enough sleep each night, and if anyone’s presence threatens to wake you, Legolas will not hesitate to request their exit in a hushed whisper and perhaps an icy glare if they are deserving of it.

Frodo

Both during and after his adventures, Frodo is plagued by nightmares whenever he closes his eyes, and this has often resorted in him attempting to completely avoid sleep. More times than you can count, you have caught him desperately trying to keep his eyes open, his head lulling into unconsciousness for a fraction of a second before Frodo jerks himself awake again. It was during your time with him on his adventures, shortly after you’d met through the Fellowship requesting your assistance, that you offered your services to him. On the first occasion that you saw him trying to stay awake, you happened to be on watch, making you the only other member of the Fellowship that was awake with him. You recognised his struggle, the cause for his reluctance, and you sat down beside him, causing him to jump in surprise because he had been so focussed on keeping his eyes open that he hadnt seen you move. You wrapped an arm around his shoulders and pulled him into your side, he naturally curled into you, but the poor hobbit was overcome with awkward hesitance. He smiled, feeling a warmth spread through his chest at your comforting gesture, and after a short conversation in which you promised to protect him in the land of dreams, Frodo allowed himself to drift into sleep. From that moment on, you were at his side the moment he showed signs of tiring, and throughout his adventures you were the only being that could calm his tormented soul into a peaceful slumber. He would either be tucked into your side, or resting his head on your chest, whatever position felt most comfortable each night, but always with your arms around him, and always with a soft smile on both of your faces. He wouldnt dare tell you, but from the first night you held him, you have appeared in his dreams and fought off all dark forces that swarmed him, and no existing words could express his gratitude for your existence.

Samwise

Samwise Gamgee’s shyness got the best of him around you for a long time, you merely mentioning the prospect of cuddling was enough to enflame his cheeks and expect a stuttered response, and after a little while you decided that its best not to voice these things with Sam. Instead, you choose to casually initiate them. Whether it be holding his hand while in discussion with others, kissing his cheek whenever you had to leave his side, or resting your head on his shoulder as you sit around a campfire with the Fellowship, your actions without explanation left Sam flustered, but not hesitant, because by surprising him, you showed him that these actions were perfectly alright. This extended to falling asleep with him, too. You started slow, pretending to be asleep and subtly snuggling up to him, just to judge his reaction. Apparently, when you’re asleep the idea of affection is far less daunting to Sam, because he was quick to pull you into his arms and place a kiss on your forehead, and you could feel the smile on his lips. Considering how well that went, you decided to open your eyes and kiss him, revealing that you had been mischeviously pretending to sleep the entire time. Sam chuckled and shook his head as he blushed, but he seemed at ease, and after that his hesitance towards affection all but evaporated into thin air. He will adapt to whatever sleeping position you find most comfortable each evening, but you know that his favourite sleeping positions involve your head on his chest with one of your hands in his hair, and the other held tightly in his hand, and unless either of you are wounded to the extent of that position being uncomfortable for you, you will almost definitely wake up in that position every morning.

Aragorn

The angsty King of romance is slow and tender with you in every area of your relationship (wink wonk), and falling asleep is no exception. Considering the sheer mass of occasions in which you have seen him almost die, it is no surprise that you value the moments spent in his arms, and Aragorn is very aware of this. He has heard your shallow, panicked breaths calm as soon as you feel his arms around you, his kiss on your forehead, his wordless reassurances that remind you he is still there, still breathing with you. No matter how wonderful your day with him as been, once you are in bed with him and the night is silent, you remember the nights you’ve fallen asleep sobbing into the sheets because someone has delivered you the news that Aragorn is dead, dead from some heroic deed, sacrificing his life for another, being the brave knight you knew he was, and that makes it so much harder to disbelieve every time. But every single time, Aragorn has returned to you, and you have felt your heart beat back to life at the sight of him. These memories haunt you, and your wounded heart can only be healed by feeling the beat of his. As a result, you often fall asleep with your palm or ear pressed to his chest, the sound of his heartbeat lulling you into a blissful sleep, his arms holding you tightly against him as his fingertips play with your hair or dance along your back. Sometimes, after long days spent apart, Aragorn will sing you to sleep with the most beautiful songs, some in languages that you dont understand, but all beautiful sounds regardless. Though you’ve never told him for fear of plaguing him with guilt, Aragorn knows your heart is splintered because of him, and he will lie awake every night with you in his arms, not allowing himself to fall asleep until he is certain you are already exploring your unconscious mind, and sometimes, just before he chooses to fall asleep, he will hold you just a little closer to him and kiss the top of your head, a single tear escaping his eyes as they close. A tear being a mixture of sadness for the pain he has caused you and the bliss at being able to hold you again, is the last telltale sign of Aragorn’s consciousness.

#aragorn x reader #legolas x reader #frodo baggins x reader #samwise gamgee x reader #aragorn #legolas #frodo baggins #samwise gamgee #lord of the rings #lotr #imagine #imagines #x reader #fanfic #fanfiction #thranduil x reader #thranduil

[m4rs-ex3]

ALLLL RIGHTY YALL

if u haven't already seen.............. guys i was late i was fucking late for the panel give me a break

BUT here is a play by play of everything from the second i got in

[A GOOD CHUNK OF THE SECRET SCENE] if you saw this post within the first few *hours you got to see but you know what? they got to me i don't wanna be the snitch (i did on accident but its the though that counts)

opeli is being led blindfolded (which we see from opeli's pov. riveting visuals i tell you) by soren to the ✨secret meeting location✨

when she comments on the fact that it is literally just callum's office soren shuts her up bless him

opeli's like "DID BAIT GIVE BIRTH??!?!?" and soren's like no these are "rescue baits" and opeli gives them the greatest fucking look i can't even describe it to you

you've seen that leak "look it's the pearl :D""WHA""yep he's in there :)))))"

rayla says it like "per-al." just thought you should know

soren suggests forming a Fellowship of the Pearl and going to throw it into a volcano i fucking hate this show

they're all debating what to do with it meanwhile the most cryptic-ass shots of callum with the pearl like we get it he's fucked (i take it back i want more)

they finally get to him and he's like "uh????? destroy it obviously?????"

he suggests--and these are 100% his words (not actually cuz u know but its the general idea)--"smash it? throw it off a cliff? take a big ol axe and just--KA CHOP." i love him so much

rayla asks how they know it won't just release him

the way callum is so confused and conflicted and he just says "i... i don't know" oh my god by precious baby

cool ass top-down to the pearl whirlpool esq transtion into the next scene hello??

zym is being emo at a painting of his mother (the one from 4x03 yeah they just stitched that shit up it's all good)

ezran's like. huh. we oughtta do smth abt this

callum is Thinking Thoughts on the turrets(?? yk where soren does his lunges) and tossin the rune cube when he sees the star rune light up......................................

it's stella stella's there and the way he reacts to her is so precious 😭 he's not the step dad he's the dad who stepped up type shit

enter rayla "they told me u would be up here brooding"

(in a tragic turn of events the rayllum of this scene had my brain fuzzy so i can't remember a few chunks here and there have pity my brain has rotten)

callum's like "we have to do something i'm scared he's gonna use me. i know what we need to do ok we need to go to the starscraper"

it's honestly hilarious the way he says "and *WE.* should go" he's like "don't be gettin any ideas now this is an us thing"

and then ohoho "they have something there for you, too" (THAT was an exact quote)

he's like "PLSPLSPLS i've studied star magic i know the spells i know the runes i just need the quasar diamonds!! LET ME FREE UR PARENTS AND RUNAAN PLEAAAASSSSEEEE"

rayla is veryyyyyy opposed she's like "NO i want to help my parents as much as you"--honestly i don't think ANYONE wants to as much as him--"but i don't want my biases to affect that" BIASES?!??!! like that was the word she used i can't stop thinking about it

zym has entered his wolf child era his ass is HOWLING at the moon

soren hears him and goes "aww little guy misses his mom :((( sometimes i wonder where my mom is...." WHAT AWHAT WHAT AWHAT PJARDON SAY IT AGIAN YOU WAHGTS SAY IT AGIAND HUAH HUWH A

ok. yeah callum does not have pajamas BUT I THINK WE HAVE BIGGER ISSUES HERE????????????? HE WAS SLEEPING IN HIS OFFICE

THAT COUCH THING THAT THEY WERE ON WHEN RAYLA CAME BACK IN 4x03???? HES JUST SLEEPING ON IT I CANT MY GUY WHAT R U DOINGGG

in other news

bruv is tossing and turning and then just. ~stops.~ this can only mean good things (i think you know where i'm going with this)

he sits up. hobbles over to the door. there was a really cool transition (can u tell i respect the cinematography) and he's in the cellar holding the pearl.

he wakes up in aaravos' prison and is like "well this looks neat!" until he sees the mirror and screams and wakes up. when he realizes where he is he goes "what have i done" dude you fell asleep?? god he's never sleeping again (<- me when i lie 😈)

the description we got of this next scene did NOT do it justice it was fucking incredible

callum kicks down the fucking door (not actually) screaming for rayla

rayla TUMBLES OUT OF BED ON TO THE FLOOR, pillows in hands and unafraid to use them

"WHOA. HEY HEY ITS OKAY ITS ME! it's just me rayla. it's me. callum" i feel like he was saying the same 5 words for 7 hours it was beautiful

rayla: "callum?? jeez i could have-" *looks at pillows*

callum giggles the cutest fucking giggle and says something along the lines of "yeah, it would've hurt real bad :)"

oh yeah DE-LAYERED PONYTAIL RAYLA CONFIRMEDED??!?!?!?!?!

she sits back on the bed and my guy KNEELS DOWN AT THE CORNER OF THE BED TO PICK UP HER STUFF BEFORE HE SITS DOWN NEXT TO HER and they say chivalry is dead romance was birthed and ended with this scene

he tells her about it and she goes "callum, you're exhausted. you had a nightmare. if i thought you were in any real danger you know i would-" and then ironically i forget the same line that the person from nycc did wouldja look at that

can i just mention how close they were sitting in this scene i mean i jsut thikn i should mention hwo clo

yada yada he has a lightbulb and runs off with her blanket

the iconic "i know stella.. he took our blankie :("

god knows why barius is up in the middle of the night whispering sweet nothings to his jelly tarts

callum comes in with a certain proposition mwuhahaha

rayla comes into his office and sees his aesthetic ass sewing by fireside and graciously says "ah i get it! you're taking your mind off things by peacefully knitting" so iconic for both of them

callum explains that he's stitching runes to create a protection spell when barius comes in with the """"""""pearl""""""""""

rayla DIVES in front of callum and says "what r you doing get that thing AWAY from him!!!!!!!!!!!!!!!!!!!!!!!!!!!!!" she got SO protective SO fast it was blessed

callum's like au contraire 😈

ok so obviously we had all heard about the fake pearl but. you know that one guy who makes insane sculptures out of nothing but chocolate? that's what they did the pearl is brown sludge with a candy coating 💀 i'm losing my mind that is so funny to me

so yeah with the decoy out the real pearl is protected by--and callum literally said this--"a magic blankie >:)"

he also pops in to tell ez and omg GUYS BAIT HAS HIS OWN LITTLE ROYAL CANOPY BED ITS SO FUCKING CUTE

dawn in the courtyard--ez is saying goodbye to soren, zym, and pyrrah who are going to look for zubeia (i almost just typed zendaya i need sleep) and callum and rayla who r going to the starscraper

my roman empire is this: callum was acting all eepy and then when they get going hE RESTS HIS HEAD ON RAYLA'S BACK AND FALLS ASLEEP. I CANNOT FUCKING MAKE THIS UP IT WAS PHENOMENAL SHE LOOKED SO FUCKING HAPPY I I I I I I HAKJSDHFKJASHFDKJHSADKFHKJASHFIHASEKFH

on a slightly lower note

scene from teaser except they did cut a couple lines in the teaser. mainly just terry going "didn't see you there,, cuz i was asleep. with my eyes closed"

he does not in fact get impaled but claudia tells him she's gonna leave him first and does just that

as she's going omfg terry's cries and pleas and "I LOVE YOU"s and "I WILL WAIT. I WILL WAIT HERE FOR YOU" was absolutely insane idk what was in the air in that recording studio but shout out to ben

i am so tired goodbye!

#SO SORRY i couldn't get this out last night #but here she is #tdp s6 #tdp s6 spoilers #tdp spoilers #tdp wondercon #tdp #the dragon prince #*thought i fixed it within minutes but iiii did not💀

[worldoshaking]

There’s something uniquely haunting about the words ‘one brings shadow, one brings light’ and how many different things they mean over the course of the story. 

At the start of A Realm Reborn, the hero takes on the name of the Warrior of Light, and nothing could be more fitting. They are the champion of justice, someone who fights to bring peace to a war-torn, despairing world. It is a symbolism that resonates naturally and easily with the audience: the Warrior of Light lifts the shadow of the Empire, and lets people look forward to new beginnings, turn to a new dawn with the coming of the Astral Era. (As we eventually learn from Moren, the name was originally born of that symbolism: from people finding hope in their heroes, and giving them a name expressive of that hope.)

And then we meet the Warriors of Darkness: at first glance, they are obvious villains, seeking to undo the Warrior of Light’s work and drown the Source in darkness and fear. Their name evokes skullduggery and mystique, and it is a haunting inversion of the Warrior of Light’s, suggesting that they are bound to be our foes. 

And then we learn the truth of their origins: they were Warriors of Light, just like us, and their path, so like ours, brought ruin upon their world. We learn, for the first time, that the Light is a force to be reckoned with and feared, and that Light and Dark are not so different after all. 

When we finally get to the First, the inversion comes full circle. We meet Ardbert as the Warrior of Light, and our WoL is now the fabled Warrior of Darkness: the bringer of night and reprieve to a world that has known no rest from fear and striving. The term ’Warrior of Light’ is no longer a symbol of adulation, but one of reprobation and reproach. 

The duality of shadow and light is also exemplified by Emet-Selch and the Crystal Exarch. The Exarch turns to the future with hope, while Emet-Selch lives in the past, with the shades of memory. The Exarch seeks to protect Hydaelyn’s will, and avert the return of Zodiark. Emet-Selch slinks and prowls on the margins of history, weaving malign and intricate plots, sowing discord and fear and doubt. The Exarch stands at the forefront of history, facing down corruption and chaos, making his city a bastion of resistance and rallying everyone beneath the cause of hope. Emet-Selch represents the shadow of conquest and imperialism over the land; the Exarch has built a city of kindness, fellowship and egalitarianism.

And yet, even here, the symbolism is inverted, for the hope the Exarch brings is in the shape of the gentle night, while Emet-Selch seeks to drown the world in searing light. In the bright open spaces of the Crystarium, it is only the Exarch who walks in shadow. He deals in secrets, hiding his plans and his face and his name, while Emet-Selch seeks to understand, and bestows terrible knowledge. The light of the Exarch’s plan is perfect and pitiless, and it is up to Emet-Selch’s prowlings and plottings to save him, gun in villainous hand. 

And the most fundamental form of the inversion is learning that Emet-Selch is, in a way, fighting for the same thing as the Warrior of Light is: he is fighting to save his world and his people, and to him we are the villains. 

The light of the Warriors’ hope and belief breaks through the miasma of Hades’ terror and grief. And at the end, Emet-Selch stands there, ragged light spilling out of the hole in his body, and smiles, in a final gesture of acknowledgement. He dissolves into a shower of gentle light, spilling over the Warrior of Light like a benediction. 

Everything is inverted in the First: people glory in the name of sinners, shudder at forgiveness, and celebrate the night. The sin eaters are bright and beautiful and gentle, and they bring a terrible, merciless forgiveness: a forgiveness that tears you apart from the inside; a forgiveness that blankets the world in silence and inexorable light. 

The first time we hear the iconic line ’one brings shadow, one brings light’ is in the scene where the Warriors of Light and Darkness merge into one—the Warrior of Light helping to contain the light raging within the Warrior of Darkness, their souls embracing in understanding and warmth. It is a moment of glorious illumination: of the twin Warriors understanding their connection, and of Ardbert seeing his purpose, the clear resonant notes of the theme song ringing out in glorious triumph. But it is also a moment of gentleness and reprieve. The light is no longer spilling out of the Warrior of Light’s wounded soul; Ardbert is there, providing them with sanctuary, with gentle shade. The Warrior of Light does not have to be fight their battle alone and unflinching. They do not have to be perfect any more, for there is someone to watch their back. 

They are truly two-toned echoes tumbling through time: Ardbert retraced the Warrior of Light’s path on the First, and now they have retraced his.

The symbolism of light and dark is most starkly exemplified by Hydaelyn and Zodiark—Zodiark as the will of the star back to the past, to the splendour and sorrow and hubris of Amaurot; Hydaelyn as the will of the star towards light and growth and change. But now it is Hydaelyn who reigns, and defends herself against Zodiark’s incursion. She is no longer the disruptor, but the preserver of the status quo, of the lives that already exist. On the First, Light brings stasis and silence and emptiness. 

We revisit this symbolism with Elidibus in The Seat of Symbolism: the heart of Zodiark, taking on the person of the Warrior of Light, and fighting off Hydaelyn’s champion, who bears the mantle of a Warrior of Darkness. Elidibus is lost in grief and darkness and doubt; he fears loss, and he does not remember. He must fight to save his doomed cause, though he does not know why. The Crystal Exarch and the Warrior of Darkness bring him light, in the shape of remembering, and of absolution. Now he remembers the comrades he fought for, and the love that drove him; he does not have to struggle on in the darkness any more. 

In the Eden storyline, the symbolism of shadow and light is evoked by Ryne and Gaia, the Oracles of Light and Darkness. Mitron seeks to keep Gaia in the shadows, taking her memories, wresting away her agency over her life. Ryne brings her light, in a symbolic sense, helping her discover who she is and what she wants, offering her warmth and comfort and hope. But it is simultaneously Gaia’s darkness that helps them break the light’s chokehold and return life and growth to the world. It is the hammer of her darkness that breaks through the light’s overwhelming hold on Ryne, quite literally saving both her and the world. And in the end, she makes the powerful choice not to know of her past in Eulmore, preferring to turn her gaze to the future. Her story encapsulates a central theme of the Eden arc: escaping stasis, embracing change and growth, making new memories. 

In Shadowbringers, right and wrong are not inexorable absolutes that we are to be judged by. Light and Darkness are two-toned echoes tumbling through time: humanity and the dragons, the Warriors of Light and Darkness, the champions of Zodiark and Hydaelyn. We should not be too quick to form our judgements, for nothing is as it seems, and there is hope to be found in the night. 

#ffxiv #final fantasy xiv #ffxiv meta #shadowbringers #shadowbringers spoilers #crystal exarch #g'raha tia #emet-selch #ardbert hylfyst #ryne waters #gaia ffxiv #rynegaia #my post

[master-muffinn]

Lord of the rings X druid!reader headcanons

Legolas x reader, Thranduil x reader, Gandalf x reader (platonic), Merry/Pippin x reader (platonic), Elanor x reader.

Legolas

🧚‍♀️ Legolas is very curious and excited! He wants to know EVERYTHING about you and what you can do!

🧚‍♀️ But he finds the fact that you can turn to different kinds of animals the most interesting, and asks you a lot of questions about every animal you can transform too.

“Y/n what is that for an odd creature?”

“It’s a seastar”

“A STAR!??” 🤩

🧚‍♀️ Asks you if he can touch you in your animal forms. He lights up with happiness when you say ‘yes’ and touches you with utmost care and curiosity.

🧚‍♀️ Loves carrying you around in your smaller forms. If you turn to a snake he’ll put you around his neck like a necklace, a bird on his head or any other animal that can be on his shoulders.

🧚‍♀️ When the fellowship was in the snowy mountains and while the others had to walk in the deep snow, you were a little mouse in Legolas warm pocket. Not needing to do anything and Legolas didn’t need to worry about your safety. Win-win.

Thranduil

“I thought the druids died out for 4000 years ago, guess i was wrong”

🍷 Like Legolas he is very much interested but in a more calmer and quieter way. He also likes the animal shapes more. 

🍷 He likes when you turn to a little bird and sit on his shoulder whenever he goes to different places.

🍷 LOVES when he sits on his throne and you turn to a smaller animal and sit on his large hand and put your tiny paws on his fingers- the king has heart eyes. 😍 (yes you are his pet now lol) And he totally would feed you grapes too.

🍷 Other than that he also likes your plant and flower abilities. He has left the garden's beauty to you and it is shining more beautifully than it ever has since you came into his life- or perhaps it is just (amazing) you who has grown beautiful and colorful flowers in his heart❤.

🍷 And of course he will try out some of your abilities in the bedroom 😉

Gandalf

🧙‍♂️ Sorry Frodo, Sorry Bilbo, y/n is his number one favorite friend now!

🧙‍♂️ He is very fascinated over your elemental abilities. Wind, water, fire, plants/trees? “What can you do?” 

🧙‍♂️ Gandalf would try (hard) to not sound too eager and excited when you show him. But he can’t help but smile and laugh when you make a phoenix appear out of the fire.

🧙‍♂️ Might show you his ‘magic’ if you ask nicely and you will inspire one another. 

🧙‍♂️ If you have any difficulties with your training and elemental controlling he will give you advice and guidance with what he knows.

🧙‍♂️ Gandalf wouldn't mind if you join him for a while on his journey. He greatly enjoys your company.

Merry/Pippin

🤡 Oh no! OH NOOO! Gandalf will pray to god ... .PLEASE DON’T LET THE WORLD END!!

🤡 When they learn what you are, they will storm you with questions. They will drag you with them for every little prank and misery they are planning.

“Y/n, can you turn to bird and poop on someone's hea-” (pippin)

“No!”

“Can you poop in someones drin-”

“No!”

“Can you-”

“ENOUGH WITH THESE POOP REQUESTS!!!!”

🤡 If you meet on the ring quest, they will ask you to turn to a larger and fluffy animal, like a bear so they can sleep with (on) you on cold nights (like the bear in jungle book? Yes!) Boromir will get jealous because you stole his children. 😢

Elanor Brandyfoot

🐌 The others don't trust you and don't want you around until you show them how quickly you can turn seeds to flowers.

🐌 Elanor will try to calm them down and talk to them so they don’t ‘use’ you for their ‘food greed’.

🐌 You two will have a contest of who is quickest to fill a bucket with berries, buuut of course Elanor wins. 

“Looks like ya powers weren't able to outmatch me!” 

🐌 She loves to see your abilities and is very happy that others like you too and have accepted you to the group, but she gets a little jealous when you get too much attention because she wants to be alone with you too! 

🐌 She loves the evenings when things have been calming down and laying under the stars with her head on your (larger) animal form. Petting you is very calming for her and she mostly falls asleep like that with you. 

Thank you for reading! I hope you like it! 💖

Post made by me, @master-muffinn

#the hobbit x reader #lotr x reader #the lord of the rings #legolas x reader #thranduil x reader #gandalf x reader #merry x reader #pippin x reader #merry and pippin #elanor x reader #legolas greenleaf #thranduil oropherion #gandalf the grey #merry brandybuck #pippin took #Elanor Brandyfoot #rings of power #lord of the rings x reader #lotr headcanons #x druid/reader #druid #elfs #hobbits #made by master-muffinn

[catgirlforeskin]

Since Wizards of the Coast is torpedoing all the good-will they have with DnD to wring more money out of it, I want to make a guide for people who recognize they should jump ship, but don’t know alternatives.

If you’re deeply invested in DnD and want something as similar as possible, Pathfinder 2 is what you want. It’s the next biggest game in the tabletop scene (in the US), you can find physical copies in stores easily, and Paizo allows free resources online to exist without constant threat of being taken down like WotC does. It will remain free to play on any VTT while DnD will require you to subscribe to their proprietary one.

Most importantly, though, it improves on almost every aspect of DnD. Combat and class balance is extremely well thought out and makes all combats engaging and difficult in a fun way, requiring teamwork and clever thinking. Roleplay is integrated into character creation and play better, and you no longer have to choose between being good in combat or exploration or roleplay, you get to play and feel useful during all aspects of the game. It’s hard to emphasize how much better it is without just playing, if you still want something like DnD, play Pathfinder 2.

If you like high fantasy adventuring but are willing to get more out there, Fellowship and Dungeon World are good options. Fellowship is a more free-form adventure game focused on creating a cinematic experience over getting bogged-down in rules-heavy play. If you want to play a Lord of the Rings style campaign and have it feel like the movies, Fellowship is the way to go.

Dungeon World is called “Powered by the Apocalypse” which means it was inspired by Apocalypse World, an amazing ttrpg that revolutionized the scene and became the gold standard for interweaving roleplay and gameplay. Dungeon World is meant to be a bridge between DnD and indie rpgs, and it’s good for that, though there are better PbtA games. It’s a good introduction to principles like failing forward and playing to find out what happens (and hell, a good introduction to games having principles lol). There’s also an Avatar the Last Airbender licensed PbtA game that’s very good, if that’s your thing!

Speaking of licensed games, Free League Publishing sets the benchmark for rpgs built for existing intellectual properties, and while I haven’t played all of their games, I’m a big fan of what I have played. They also have independent settings, like Twilight 2000, a really good apocalypse survival game set in a collapsing warfront between an alternate-history NATO and Soviet Union as the two dying empires bring all of society down in their death spiral. I’m using it as the base for my Halo rpg, it’s very good.

Blades in the Dark is another big name in the indie scene, and for good reason. It’s a heist game that has been adapted to lots of other settings (games that say they’re “Forged in the Dark” take inspiration here) and it’s clear to see why so many have used it as a foundation once you’ve played, it’s an exciting crime procedural where you play a group of scoundrels punching above your weight and facing the consequences

There’s a million other amazing rpgs I could mention here, and I’m sure people will talk about plenty of lovely ones I’ve missed in the notes, but I think the most important thing I want to convey with this is that there’s a whole world of diverse and interesting rpgs at all levels of production, from big corporate teams to one girl with a laptop who barely knows how to make a pdf, and there’s no better time to start exploring them.

A common refrain is that DnD can be modified to do anything, but once you’ve played other rpgs you’ll see why that’s not true, and why those creative efforts would be better spent in other systems. Hacking rpgs is as old a tradition as rpgs themselves, but if the only tools you know are DnD, you’re being limited with what you can create more than you could possibly know. There’s no better time to leave this Plato’s Cave and see the beauty and wonder of the whole ttrpg scene

#DnD #ttrpgs #ATLA

[theresattrpgforthat]

Do you have any recommendations for games in the western genre? Or western fantasy/sci-fi? Absolutely can’t get enough of the combination of cowboys and six shooters, steampunk, and magic fantasy. I’m considering writing my own setting for DnD5E that combines these elements.

Theme: Fantastic Westerns

Friend, I think I've collected a real tight bunch of winners here, so I'm confident you'll find something that really scratches that itch you've got!

Wicked West, by Finch Edmund.

Wicked West is a PbtA game by Finch Edmund (they/them) about paranormal cowboys. It combines classic monsters with the backdrop of the old west and is meant to be played with at least two players with one player taking the role of Game Master. Wicked West is made to tell stories similar to the westerns of the 1940s-1960s about small towns and the struggles of life with a horror twist.

If you like combining monsters with your westerns, this is the game for you. It looks like you combine a couple of different options to make your character playbook, which is something I’m personally pretty jazzed about when it comes to creating characters. One interesting thing about Wicked West is the relationship your cowboy has with their horse: a vampire might feed off of their steed, while a witch can cast spells on their horse to run faster. If you don't mind a bit of a horror flavor to your Western, this might be the game for you.

Wizards of the Wild West, by ckellyrpg.

Wizards of the Wild West is an action-oriented TTRPG that combines fantasy magic with classic Wild West themes. It is powered by the LUMEN system, and takes heavy inspiration from looter-shooter games such as Destiny.

LUMEN is still a game that I’m excited to try out, so seeing it tagged onto a western game about wizards made me take a second look. This is a game for a raucous good time; you’ll be pulling off sweet character combos, with easy-to-understand breakdowns of each character class. Right now the game is still in development, but it’s still considered playable, so if you get it now it might have more content for you down the road!

We Deal in Lead, by Odin’s Beard.

You look to those closest to you, fellow gunslingers of the Order of the King. The arduous trek across the bleached desert is over and now you stand before a slip door. Though tested, the fellowship of your Order stands true.

You grasp the worn sandalwood grip of your artefact gun and twist open the door. You gasp as the sharp sea air hits your lungs. Gulls caw and the foam sprays your face like a baptism. You step through to another reality.

After all, there are other worlds than these.

We Deal In Lead comes highly recommended to me by folks who like the OSR scene. It’s based off of Cairn, a well-beloved fantasy system, and if you got the TTRPGs for Trans Rights in Florida bundle, you already have a copy!

The setting is meant to be somewhat post-apocalyptic, but the barriers between your world and others are thin, causing threats (and allies) from other dimension to have a chance to enter your world. The game focuses on combat, exploration and survival, and it’s almost completely compatible with anything released for Cairn.

If you like what you see so far with this game, you might also want to check out Omega City, a weird west city setting, still in ashcan form.

Vampire Cowboys, by Maddy Searle.

You are a gang of outlaws in the Wild West. You have a lot to contend with: enemy gangs, law enforcement, wild animals, and… did I mention? You’re also vampires. You must figure out how to survive in this harsh land, where “justice” is often swift and violent. Will you blend in with the crowd, and hide your vampiric side in an attempt to live as a gun-toting cowboy? Or will you give in to your monstrous urges and use your supernatural powers, making yourself known as a vampire? It’s entirely up to you. 

This game premise is simple and easy to describe: you are vampires who are also cowboys. You live in a world where everything wants you dead, and you’re constantly fighting the parts of you that make you monstrous. The mechanics are very familiar if you’ve every come across a Lasers & Feelings game: a couple pages to read and you’re off to the races, ready to play.

Reboot Hill, by Groovy Dad Games.

REBOOT HILL is a sci-fi Western TTRPG set in the "Future West" of the far flung Hill-Ceballos System. When a war back on Earth results in a cyber-attack that frees all of the bots in the Hill-Ceballos, things go bad for the humans right quick. In the aftermath, bots have got to rely on their shooting irons and their processors to make their way in this new, post-human frontier. 

REBOOT HILL is a card-driven tabletop role-playing game in which players portray "Aces"--bots with advanced AI that find themselves on the right or wrong side of the law. 

Finally, a space western! Here’s a card-based game with a plethora of character options, including mechanical upgrades, as well as weapons and vehicles. You’re mainly going to be bounty hunters, chasing after varmints and villains so that you can scrape together a living. If you want a game whose game mechanics make you feel liked you’re sitting at a poker table, you should check out Reboot Hill.

Clink, by Technical Grimoire.

Clink is a tabletop RPG about drifters, the creeds that bring them together, and the history that drives them apart. This game uses coins to tell a story inspired by spaghetti westerns, ronin tales, and shows like Firefly or Supernatural.

Characters begin as rough sketches of the shifty sort you’d see in an old Western or Noir film. They all start as blank slates, their histories unknown. Tell stories about their past and create your character as you play.

I’m a big fan of Technical Grimoire, especially their expertly-designed Troika setting, Bones Deep. Clink isn’t Troika - it uses coins as a storytelling mechanic - but it’s very setting-flexible, as seen in the variety of the starting scenarios provided.

The game is also non-linear: throughout play your characters will experience flashbacks, which will help flesh out who they are as you play, and tell us something about who they used to be. You’ll start the game with two coins, which you can spend to gain a flashback, but you can also flip them to try and succeed at various tasks. As you play, you’ll also gain coins using a mechanic called a Trigger - bad habits that get them into trouble.

If you want a fresh set of rules to play around with in a flexible setting that stays true to the woes of outlaws and other Western tropes, I heavily recommend Clink.

Boondock Cartomancy, by Hookline & Sinker.

The consequences of westward expansion rear their head. Desolate, inhospitable, and unpredictable - the Outbacks are a ravaged desert, a wild tundra, an ancient tomb. Host to a plethora of unknown variables and formed from the corpses of failure, it’s a hotbed for the lawless, the corrupt, and the lost. Conditions for growing a corporate empire couldn’t be more ideal.

BOONDOCK CARTOMANCY is a tabletop roleplaying game about personal growth in a cruel and inhospitable wasteland, backlit with Western cowboys wielding powerful and unpredictable magic. It’s a game about reflecting upon the world and systems of exploitation we live in, and using ancient spells to blow up a caravan of criminals in a climactic shootout. It’s a game about interfacing with the human condition, and feeling cool as shit while doing it.

This game looks so cool! You are brokers, going on dangerous jobs in a hostile frontier, giving your characters objectives to complete while also exploring the way colonialism forces so many folks to act as simply cogs in a larger, uncaring machine. The game also gives you a fantasy to explore, by granting your characters card-based magic skills, and replacing their hit points with a luck meter. The game itself also has a really clever layout, presenting itself like an old-fashioned newspaper, with pieces of advertisements sprinkled throughout to give you bits of lore about the world. All in all, definitely worth checking out.

Former Rec Posts to Check Out

Rootin’, Tootin’ and Shootin.

Space Westerns.

#tabletop games #indie ttrpgs #dnd #game recommendations #asks #western games

[velvet4510]

Despite the conservative sides of his viewpoints that have been written about time and again, we really must give Tolkien some credit for the unique embrace of diversity that he does provide at the heart of LOTR.

Three times across history (four if the legend of the ancestors of Dol Amroth’s princes is true), a Man and an Elf fall in love and break the rules of Elven culture to be together.

Four Hobbits, two Men, an Elf, a Dwarf, and a Maia - a total of five different races - come together from completely different walks of life, form a Fellowship, and become a family. They each share pieces of their own culture with the others, and the others embrace those pieces.

When a Dwarf is treated with discrimination by Elves, the rest of the Fellowship stand up for him and insist on being treated the same way he is (i.e. blindfolded), and he and the Elf of the Fellowship break through the barriers of cultural prejudice and build an unbreakable friendship.

A Man sacrifices his life to save two Hobbits.

A Man, an Elf, and a Dwarf forsake all other possible tasks and run on foot for hundreds and hundreds of miles on a rescue mission for two Hobbits.

The teamwork of two Hobbits and a group of Ents overpower their mutual enemy and turn the tide of a war.

A Man provides two Hobbits with encouragement as well as extra supplies which end up helping them survive the rest of their journey.

A Hobbit finds a father figure in an elderly Man.

The teamwork of a Woman and a Hobbit brings about the death of an evil it was said could never be killed.

The teamwork of a Maia and a Hobbit save a Man’s life.

An Elf and a Dwarf do not hesitate to follow a Man down a dark and dangerous pathway.

The combined forces of Men, an Elf, a Dwarf, and a Hobbit take on a hopeless battle merely to buy time for two other Hobbits to complete their mission.

A Man bows to two Hobbits at his own coronation.

A lost kingdom is restored by a dynasty begun by a Man/Elf couple.

A Maia offers a special gift to two wounded Hobbits and personally escorts them to a place where they will finally find peace.

Two Hobbits, eventually followed by a third, leave their homeland behind and build a new, beautiful life among Elven culture, into which they are accepted with open arms.

An Elf resists the “irresistible” call of the Sea to stand by his mortal friend, a Man, for as long as his friend lives.

A Hobbit names his son after a Man whom he has befriended.

A young Hobbit girl is honored by an Elf queen and later names her children after honorable figures of Elven history.

Two elderly Hobbits are warmly welcomed into a city of Men to live out their last years, and the ruler of these Men requests to be buried beside them.

The Elf/Dwarf odd-couple duo break the rules one last time and sail off together to a place where Dwarves are usually not allowed to be … a place where they can reunite with their other surviving friends, two Hobbits and a Maia.

Middle-Earth is a melting pot of love and acceptance across cultures and races. Tolkien may not have covered all the bases in his exploration of diversity, but by golly, did he cover a lot of them. He wrote a story in which people of completely different backgrounds form unbreakable bonds that change the fate of the world for the better.

#lotr #jrr tolkien #lotr books #lord of the rings #hobbits #men #dwarves #tolkien elves #frodo baggins #samwise gamgee #meriadoc brandybuck #peregrin took #gandalf #aragorn #legolas #gimli #arwen #aragorn x arwen #beren and luthien #middle earth

[howtofightwrite]

Sorry if you’ve already answered this, I’m having trouble finding different posts in your blog.

I know a lot of your asks are more practical-related, but how do you suggest fully encapsulating the horror and tragedy of war in a (fantasy) battle scene? I really need that emotional and gory impact but it also to seem reasonably realistic.

My favourite references are Battle of the Bastards in GoT and scenes from Lord of the Rings.

Thanks!!

Martin and Tolkien are not two authors I’d ever expect to find together when discussing thematic and abstract concepts like the horrors of war in their writing. One of them is extremely deep, and the other is a puddle. Neither of them are particularly “realistic” but only one of them claims that pretense while drawing from real history. If you’re wanting horrors of war, you’re much better off moving away from Martin and taking a gander at the actual War of the Roses.

Let me explain.

Tolkien served as an officer during World War I. By sheer body count, The Great War was one of the most bloody and brutal wars in human history. As a point of reference, over a million soldiers died during the Battle of Somme. Perhaps as importantly, World War I killed the cultural concept of the Summer War. Before World War I, the British upper class viewed war as a game. War was an adventure, something young men did between reaching manhood and getting married. Watson from Sherlock Holmes is an excellent example of the end result for this particular outlook. They figured they’d go off, have some jolly good fun, get a few scars, and be back in a few weeks in time for tea. What they got was a meat grinder. Two of Tolkien’s close friends died during the war. He also lived through the bombings during World War II while working as a professor at Oxford, he experienced the devastating effects that war had on the civilian population first hand, and, likely, saw a few of his students die. Despite his hatred of allegory, the man was working through some shit in The Lord of the Rings.

If you’re interested in learning more about World War I or even about effectively demonstrating the horrors of war, I do recommend reading All Quiet on the Western Front. I read it once in high school (more years ago than I’d like to admit here) and, much like Elie Wiesel, it has stuck with me. It was also such an effective anti-war novel the Nazis banned it and it was one of the first books they publicly burnt, so you know it’s good.

Back to Tolkien.

What they don’t tell you about fantasy is that it’s real life, just with elves and dwarves and magic. The real world forms the foundation of fantasy and it’s the humanity of the emotional experience in war, the good and the bad, with both ends cranked all the way to eleven that really makes Tolkien’s work so impactful. LOTR is operatic by design, but what keeps the narrative from falling into melodrama is the core thematic message underneath the pageantry. One of the major themes is hope, which gets symbolized in light, and hope’s interplay with despair, symbolized in darkness. Not just a rosy view of it either, but the genuine struggle to keep the light burning against all the overwhelming reasons to give up or give in. Tolkien allows his characters to be corrupted and redeemed, their struggle with temptation before ultimately choosing the better path or failing and falling into darkness. He commits to the idea that hope can be restored in the unlikeliest of places.

Boromir’s death is, perhaps, one of the best examples of Tolkien’s philosophy in action. Boromir is a character we’re not sure of, he wants the one ring from the outset, he’s the only one advocating that it shouldn’t be destroyed. The hearts of men are easily corrupted. When he tries to take the ring from Frodo, he falls into his worst instincts and breaks the Fellowship. But then, against the overwhelming flood of Uruk-hai, Boromir tries to save Merry and Pippin. He fights wounded, shot again, and again, until he’s felled by twenty arrows and he fails. Yet, in his failure he restores Aragorn’s hope in his people, gives him a reason to fight for Gondor, and inspires the audience to believe in Man’s potential for greatness.

Tolkien could have left Boromir in the dark, but he didn’t. He could’ve given into cynicism, but he didn’t. In every adaptation, Boromir’s death never fails to get me bawling. Boromir is both good and bad, both dark and light, his best and worst instincts are driven by the same underlying, sympathetic reason—his desire to save his people and fulfill his duty to his father.

On the whole, I find Tolkien’s presentation of the human condition and war to be more compelling and realistic than Martin’s. Tolkien’s underlying themes have more in common with All Quiet on the Western Front, Saving Private Ryan, and HBO’s Band of Brothers. For all that his characters often feel larger than life (by design, he’s telling an epic) there’s always a grounding quality that allows the audience to connect with them. Whether we agree with Tolkien’s core thematic message or not, Tolkien genuinely has something to say about warfare and its effect, both on personal and world changing levels, and he communicates that message very well.

The irony about the “horrors of war” isn’t about the horrors of war. Thematically, the “horrors of war” is about who we choose to become in the face of them when trapped in the crucible. Do we rise to our best selves? Do we fall to our worst? When every illusion about who we believe we are is stripped away, what’s left? It’s an existential question, not a “realistic” one.

You can’t write about the horrors of war in fiction if you have nothing to say about war, humanity, and its effects. All you’ll end up with is gore for shock value. The world becomes hopelessly depressing, and, in the end, all the blood turns brown before it’s finally shat out.

Hi, Martin.

Don’t get me wrong, Martin is a very skilled writer. His prose is genuinely beautiful and his first book in ASOF, A Game of Thrones is actually a pretty decent deconstruction in the traditional fantasy narrative and a fairly realistic treatment of how events would go for the standard well-meaning fantasy protagonist. And that’s… the deepest we get.

Martin comes out of the 24/Joss Whedon death for shock value school of writing and the land of Iron Age comics that doesn’t have anything to really say beyond, “people suck.” Underneath it all is a level of cynicism in the human condition that would make Garth Ennis blush. The deaths are just shock value. There’s nothing more to it than that. Once you’ve acclimated to the gore, there’s nowhere else to go and nothing else to think about. Ironically, out of his contemporaries, Robert Jordan is better at giving both war and death in his narrative lasting effect, driving character growth, and real meaning.

Martin and Tolkien are opposite ends of the spectrum in their approach to war and their outlooks are utterly incompatible. One of them is a complete cynic and the other is facing himself honestly, openly, fearlessly, and without a smidgen of irony. (The true irony here is that the latter is the Englishman.) Following Martin’s blueprint won’t bring you to a Tolkien outcome. Tolkien’s genuine emotion is the subject of mockery in Martin’s world. Season 8 may’ve been clumsy and infuriating, but it was the natural end of Comic Book Iron Age cynicism. There are no good people, people with power can never be trusted, and all heroes, no matter how noble, reveal their true colors as villains in the end. As Christopher Nolan said, “You either die a hero or live long enough to become a villain.” This philosophical outlook may be sold as realistic but it’s really just Political Both Sidesism, Fantasy Edition.

The irony is that the real history Martin draws from, The War of the Roses, is simultaneously crueler, kinder, more noble, more horrific, more impactful, and ultimately more hopeful than Martin’s own work. And this was post the Hundred Years War and all the wars that preceded it.

I bring you, the Duality of Man.

If you want to write a realistic battle scene, start with real war. If you want to write about the horrors of war, start with real war. Pick a war, any war, and dig in. Reading the experiences of others is a way to gain insight into experiences you yourself don’t share and start to process the different philosophies born out of those experiences. The horror of war is a human one.

The most important lesson is that you won’t get there by focusing on the battle itself. To truly feel the impact, every character needs to be carefully built from the very beginning with a through line to every horrific event that happens to them. If you want to learn how to do that, then you need to go study every single war movie from good to bad (including the jingoistic rah-rah ones) like Apocalypse Now, Saving Private Ryan, Battle for Iwo Jima, etc, to really start internalizing the underlying storytelling structure and character design formula that makes those films tick. There’s no one better at portraying the horror and humanity of war than the war film industry. Part of what makes the best of these films really good is their willingness to allow their characters to be emotional and vulnerable. Which you won’t find in a lot of fantasy novels that run on machismo, but is the secret sauce that gives Tolkien his impact.

Having the confidence to allow your characters to struggle, be vulnerable, experience humiliating circumstances, and appear weak is an aspect of writing that a lot of men and women struggle with. Cynicism is a form of self-protection to keep those emotions away, to keep one from being emotionally invested, and is a means by which we protect ourselves from being hurt. We may portray cynicism as the more realistic reality but it’s just a cloak we hide behind. Martin’s approach to warfare is less realistic than Tolkien’s. Tolkien’s characters approach warfare with an eye toward protecting their civilians, safeguarding their future, or, in the case of his villains, focus on genocide. War for Tolkien is the eradication of civilization and the destruction of the future. Characters from experienced combatants to innocent civilians are willing to risk their lives for a world and for the people who matter to them. Martin has the Summer War. It’s there in the title, A Game of Thrones. An entertaining charade of musical chairs. And while all of his characters are chasing power, almost none of them have any sort of vision or goal for the future beyond the accumulation of more. In Martin’s world, the only way to truly win is not to play, but in the real world playing is the only way to create the world you want. Cynicism ends with no seats at the table and no means to change or save anything.

It’s funny because England during the War of the Roses had been in a state of near constant warfare for hundreds of years with their own domestic powers and France prior to the War of the Roses kicking off. The concept of a Summer War didn’t really exist for the medieval nobility. Much as we joke today about war being a game for medieval nobles due to their ransom protections, it really wasn’t. The peasantry was also much, much more dangerous en masse than they are in ASOF. They drove traveling monarchs to hide in monasteries plenty of times and, while that’s funny, it’s not actually a joke.

Now, picture Joffrey dragged off his horse in the middle of a riot and having his skull crushed by a local fishwife right before being trampled into a bloody, unrecognizable pulp by sharp hooves.

Or enjoying the Agincourt bathing route.

You’re welcome.

-Michi

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#how to fight write #Michi answers #writing advice #writing reference #writing tips