#and despite being a fan i'm not that invested in the series

[pikahlua]

I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

#anon ask #ask pika #my hero academia manga spoilers #final arc spoilers

[bomberqueen17]

interested in your thoughts on the casting of Laurence Fishbone as Regis ? As someone who likes the show and also knows book and game content

I am a fan of Laurence Fishburne and have been impressed by him in every media property in which I have seen him perform. In terms of his appearance and demeanor-- well, Regis is only pretty minimally described in the books, and i think the most vivid description of him is at one point when he's at a dinner in a black velvet coat "looking very much like a vampire". I will say I'm glad they're casting people of color for not just villain roles (is it a spoiler that Vilgefortz is a huge villain? no we're to that point now in the show right?)-- I mean, in their defense, basically everyone in the novels is morally gray at best but it was a bit yikes to realize that the whitest actors are playing the characters we're most supposed to sympathize with and they both racebent Yennefer and gave her more morally-dubious things to do at the same time. Thanks guys. Regis is... has his dark past but at least he's unambiguously A Dude The Narrative Likes. You know? It's kind of a relief.

But my attitude toward the Netflix show is very much that I've taken what I needed and they can do whatever they like and I will probably watch it and enjoy some of the things, and I will probably hate some of the things, and that's just how it goes.

I'd love if he went more of a Cowboy Curtis direction with this than Morpheus, but again, they'll do what they want with this, and I'll enjoy what I enjoy and be annoyed by what annoys me and that's that. I'm not very like.... normal in my fannishness, but I also don't have a great visual imagination, so I have no concrete notion of what I expected Regis to look or sound like. Laurence Fishburne may well wind up fitting it perfectly and being my headcanon henceforth when I reread the books! I do like when that happens.

(Speaking of show stuff, I recently reread my whole Trust series with Keira and Lambert and man now that I've seen show!Keira I regret that she wasn't introduced until after I wrote all that, because I love her look SO much more than the video game character. However, the video game character being so obviously a male fantasy (and a boring one, at that) of what a sorceress might look like is kind of integral to the characterization in that series, so it's not like I could change it if I wanted. Ha maybe I should have Keira settle her appearance on show!Keira's as she's learning to like herself, that'd be kind of funny.)

#the witcher #witcher netflix #show casting #i'm not that invested in actors #and despite being a fan i'm not that invested in the series #genuinely they can do what they like and i hope it's entertaining #asks answered

[piracytheorist]

I love how even silly short missions manage to have their share of wholesomeness and family connection. It's like family is important in a series called Spy x Family or something.

Anyway, Anya is a kid that gets very attached to certain things - and despite being bold enough to use the knowledge she has due to her telepathy in order to make Loid do what she wants, she's not exactly a spoiled kid. She still sticks to Mr. Chimera, the only toy she had while she was in the orphanage. She doesn't ask for new clothes, or toys, or gadgets, what she asks for is experiences (the castle rescue, adopting Bond in specific after she was emotionally invested in him)... and peanuts, too.

So to her, the penguin plush is not just one toy from her plethora of toys that got ruined. It's a toy that her dad got for her. It's a souvenir of their aquarium adventure, where she helped him locate the penguin he needed to find and even arrest the criminal who wanted to get the secret information about the weapon. It's a reminder of how she took part and helped him in his mission. Just a replacement stuffed penguin won't do. It's not the toy itself, it's the memories connected to it. I mean, of course she's sad a toy of her got destroyed - by the dog she asked to have, no less - but it hurts even more knowing what this toy means to her.

And the show takes Anya's feelings seriously with that. The soft "Little by Little" score plays while Loid fixes the penguin, with Yor looking with anticipation. Bond feels sad and regretful, understanding the consequences of his actions and wanting to make it up to Anya. They're all invested in things getting better.

And once the penguin is ready, though with visible "scars" now, Loid reassures Anya that his new appearance is nothing to be ashamed of.

And the interesting thing? Twilight, Best Spy of Westalis, Master of DisguiseTM... stutters. He does so in Japanese both in the manga and the anime.

Which makes me wonder, considering his background and profession, how big his experience with scars is (and if we're gonna learn more about that, come on give the whump fan some scraps here 👀👀) (pls don't spoil me about the manga if we do, I want the whump but on its own time!) and if reaching into his own personal feelings about scars in order to resonate with Anya hit him just a little more than he expected. Or if he was so serious about it that he didn't know whether he should tell her something so grim. He's here dedicating himself into a deadly dangerous job so that kids like Anya won't have to suffer like he did as a kid, and yet he has to pass on to her something he learned the hard way.

Yeah yeah I'm here putting too much thought and grimness into what was supposed to be a wholesome moment. Hi I'm Nette and you'll be getting a lot of those in the future :)

#Spy x Family #Anya Forger #Loid Forger #sxf meta #500 #1k #2k #3k

[idolomantises]

talking abt that one thing in velma thats on my mind a lot for the past few days (that turned into a big incoherent rambling about gay rep in media)

i'm seeing jokes about how the queer representation in mystery inc being so much better than the queer representation in velma and honestly it makes me want to go on a whole tangent about my thoughts on queer representation nowadays vs the more subtle examples decades prior.

There's this weird debate that goes on online about what is "good" queer representation, and one of the most notable and honestly annoying examples is that queer representation has to be so subtle that you could easily miss it/ignore it. i've always hated that take because its a claim mostly said by straight people who are uncomfortable with seeing characters who are openly queer and/or state their identity, but they present it as some sort of push for subtle and nuanced writing. personally i do prefer it when a character just, identifies as how they are without explaining their identity, but that doesn't mean flat out explaining your orientation is inherently bad representation. its why i will always defend the very clunky and awkward high guardian spice scene. it is absolutely poorly directed and written, but that doesn't make it "bad representation". however, I do consider the character who explains that he's trans bad representation because he is flat, uninteresting and very clearly a creator self insert. he doesn't feel like a well rounded character who's also a trans man, but just an incredibly sanitized example of trans representation.

i have many, many issues with helluva boss/hazbin hotel and i do genuinely find some depictions of queer characters just flat out offensive (you can argue with me about how angel dust being written like your average 90s gay stereotype is woke actually because he has trauma, i dont care), but i do admire and appreciate that the series doesn't want to sanitize its queer characters, even if its done poorly. though i could go into a whole rant about how i find it very telling that female characters that are queer are far less sexualized or allowed to be problematic compared to their queer male counterparts.

anyways back to velma. that show does something that i've always found pretty irritating in queer representation which is just this weird lack of faith in its audience. characters can't have a slow burn anymore. internalized thoughts, anger, frustration, longing. you have to immediately know that two characters are gay for each other, even if they're lifelong enemies. its like when modern horror movies open with the gore because they're scared people are going to be bored or leave early. there's no subtlety or chemistry between daphne and velma, they're just lovers because idk, its two girls who hate each other and who doesn't love that.

then i think about how mystery inc handled velma and her sexuality, how she was allowed to be well rounded and nuanced before you slowly realize that "oh, she doesn't like boys". i know her whole thing with shaggy is controversial among fans but i always loved how she does do something pretty unlikable but not immoral. yeah, it is shitty to force shaggy to choose between her and his dog, but i can understand her line of thinking and empathize with her. and i do like how they become friends in the end despite their awkward break up. It's always fun rewatching it and realizing that their incredibly awkward and cringe relationship was meant to be awkward and cringe. it was supposed to be weird and difficult to watch, because those two weren't meant to date each other. you could see how hard velma was trying to make the relationship work despite the fact that you never get the vibe that either character was full invested in it, unlike daphne and fred's relationship.

then you had velma and her relationship with marcie, which started off as sort of a catty rivalry (not full on attempted murder, i mean holy shit hbo velma) that slowly grows to where you're completely convinced that these two did gradually like each other. and i do really enjoy stuff like that, more subtle writing like that. which doesn't just apply to queer rep btw, my favorite ships are relationships that feel understated, something you have to really dig for and pay attention to. its why i consider bubbline the best f/f representation in cartoon. because its subtle, but not too subtle where it feels out of no where when they kiss, and nuanced in ways that enhances the relationship AND characters.

there's a good amount of relationships i see in cartoons where the creator, who is usually queer themselves, often wants to depict queer relationships, but is weirdly adverse to depicting the uglier aspects of that character, and refuses to add subtlety to it. steven universe is a show i've always felt conflicted on its handling of queer representation because on the one hand i appreciate writing lesbians that are messy, traumatized and make constant mistakes. but on the other hand, the show goes out of its way to ignore these issues and/or make excuses for it, making the decision to make these characters messy and complicated genuinely baffling (this is also one of the big issues i have with catradora and stolitz).

it makes me think back to my own work too. i really enjoy making fluffy, easily digestible gay content for my followers and myself because it puts me in a good headspace. But even now and then i like exploring those little nuances too, because i don't really enjoy stories with little conflict. Because of that acknowledgement of how satisfying it is to write fluffy, queer rep, you end up putting yourself in other creator's shoes. you're so used to media that either dehumanizes gay people or tells people that they don't exist that you push yourself to make the most in your face queer rep you can but its at the cost of an interesting and subtle characters. characters that don't really have arcs or places to learn and grow.

With bugtopia i made a joke about how i want some of my queer rep to feel like you're being queerbaited. It's not literal, obviously, but mixed in with characters who are already married and in same gender relationships, i really want to write dynamics that feel subtle enough for a bit of a slow burn. even if you know they're going to end up together, to at least value the characters on their own before centering them on their relationships. queerbaiting is something that deserves all the criticism it can get, but it is embarrassing when queerbaiting feels genuinely more interesting than actual queer rep because queerbaiting has that factor of "maybe they won't get together" that adds that bit of intrigue, vs so many shows that repeatedly hammer in your head "don't worry guys, they're gonna be lesbian lovers".

mystery inc (and many other shows) being forced to keep a relationship obvious while subtle to get through censorship really forced creators to be creative with their storytelling and not center characters around their relationship and identity. but nowadays i think shows like to take the easy way out. for me, i always thought the most impactful example of queer representation in steven universe is "Rose's Scabbard". I genuinely don't enjoy that episode because it's a good example of the show thinking that trauma is an excuse for shitty behavior, but i cant deny that an entire episode of pearl breaking down and finally accepting that she wasn't the center of rose's world. it's the crew being forced to be creative and push through censors to telling a compelling story about a traumatized lesbian slowly realizing that she basically deluded herself into thinking she was someone's savior.

I think it's silly to try to place good queer representation in one box. like subtle queer rep is good, but also queer rep where a character flat out states that their gay. where I think it falls apart is when it either reinforces stereotypes without properly deconstructing or expanding on them, makes the characters so overly kind and non-controversial that the relationship is just boring, or try to make your messy and complicated characters but the narrative refuses to hold them accountable or at least acknowledge that they're doing something wrong. and to clarify on that last part, i'm not asking for some hays code nonsense where every bad person goes to prison and/or promises to stop being a bad person again. i mean the narrative doesnt just fucking sugarcoat their behavior. i don't want to see helluva boss ignore the fact that stolas made blitzo call him out for only using him for sex and then pathetically rush to justify their relationship by giving them a bizarrely sanitized and sweet backstory. and i don't want to see catra literally end the fucking universe and only do something good because she's straight up out of options and the show just decides that that was her redemption and she doesn't need to do anything to atone for what she did (including repeatedly abusing and verbally berating adora).

anyways velma has none of those interesting qualities and i'm pretty sure daphne and velma kissed because the creator is a weird pervert who thinks two girls kissing is hot.

#txt #i was thinking abt knocking off some of my longer posts on my tumblr but ya know its tumblr. its made for a blog #twitter isnt really a good place to write think pieces because its not really made for thinkpieces #i really enjoy expressing my thoughts on discourse and media but i don't want to over do it because ya know. you guys followed me for my ar #not my 2434334th post about why i think helluva boss is a bad show #but i've been thinking about sometimes prioritizing what i want to do vs what people want to see from me. so now you're getting #a long ass rant about why i think velma showing two teenagers kissing by episode 2 #encapsulates the overall issue with modern queer rep

[chaifootsteps]

With all the supposition about Viv having planned the whole Lilith/Eve/Rosie/Roo thing for a very long time (which is looking more likely given that art of Lilith, Al looking at her in the pilot, etc.)... I just came to a sobering realization.

If Viv is in fact still intent on realizing that plot, has been since before the pilot, and put in that moment of Al looking at Lilith as intentional foreshadowing... it suddenly makes the pilot retroactively worse.

Because it means that the pilot set up the premise as redeeming the sinner cast, with Alastor as an antagonist—you know, the elements that got people excited for more episodes—all while having absolutely no intention of having the things that got people intrigued to begin with ever being the focus of the plot.

Redeeming sinners? Alastor being an overarching antagonistic force? All of those aspects people drew elaborate comics and wrote novel-length fics depicting and kept waiting for years for? Being the animated R-rated Disney musical version of The Good Place? The story of redemption and moral nuance we thought we were going to get?

Never was on the table. Redemption was never intended to be the plot focus in any way, have random antagonist plot twists out of nowhere, a war on Heaven, and Alastor being a good guy the whole time instead. At least that's how it feels based on the Season 1 trailer and the Lilith/Eve/Rosie leaks.

Which means, if true, the story that everyone was waiting for, the "very special story" we thought Viv had planned, was in fact never intended to happen and the fan investment was entirely pointless.

I'm not against the idea of plot twists happening to raise the stakes. I'd be okay with that kind of thing being set up as the endgame of the final season or something (aside from the Root of All Evil utterly removing any sort of moral nuance we hoped the show would have). But planting those kind of things as being the plot focus in Season 1, focusing on a war in heaven instead of the promised premise of redeeming sinners, is pretty disappointing.

Considering how excited I was for Hazbin after watching the pilot, how much I've adored the pilot for the past 3 years, how excited I had been for Hazbin due to thinking there was finally a 2D afterlife musical series out there with a story like The Good Place... it's really sobering that all the moral nuance I and many others hoped for in the show with morally gray characters improving themselves just seems to be... not only not there, but never intended to be there in the first place despite it being what had fans invested in Hazbin all these years.

Never let alone tell you it's impossible to mourn for something that was never there in the first place.

#ravenstarmedia #hazbin hotel critical #viv stuff #actual blog post.

[longing-for-rain]

I know you said no bait asks, and I promise this isn't, I'm genuinely curious to hear an opinion from a Zutara shipper who seems pretty rational. (I am not a kataang fan either by the way so I'm not trying to argue that or anything.). Do you believe that Zutara is a feminist relationship in comparison to Kataang? And what are your reasons for being so strongly invested in Zutara?

Hi, thanks for the ask. I’ll do my best to explain my feelings on this, but to summarize, I think there are two questions here that aren’t inherently related: a) is Zutara feminist and b) why do I like it so much. I know this might surprise you, but even though Zutara is my OTP, I don’t consider it inherently feminist. Let me explain though because that doesn’t mean it’s a bad ship at all.

Obviously, I really like the characters together. However, I won’t go ahead and say it’s the “feminist” choice over kataang, because personally I think that discussing whether a female character has a feminist narrative should not center around which man she ends up with. The primary focus should be on her narrative independently. And if she doesn’t have an independent narrative, well…that’s not feminist at all.

But I’ll answer in more detail below because I think this is an interesting distinction.

a) Is Zutara feminist over Kataang?

Like I said above…no, not inherently. I think what this question is getting at is which relationship gives Katara as a character a feminist narrative, which is a tricky question. Only one of these ships is canon, so we only know how one relationship would have played out in the eyes of the creators. Everything else is up to the interpretation of fans.

First things first, I absolutely do not think kataang, as portrayed in canon, adds to Katara’s independent narrative as a character, and certainly doesn’t contribute to any potential feminist narrative of her character. There are many instances of Katara being damseled and/or generally reduced in complexity whenever she’s placed in a “romantic” situation involving Aang. Despite Katara also being a main character, the “crush” is portrayed entirely through Aang’s POV. And post canon, Katara ends up being relegated to the role of a healer who stays home at the South Pole (this is why I could never get invested in LoK). Which, if you paid attention to her character at all, was something she explicitly stated she didn’t want to be and fought to escape. Ending her story that way reversed any “feminist” narrative set up in ATLA. So no, this is not a narrative that centers Katara and her ambitions at all.

Now onto fanon content.

The beauty of fanon is that it’s completely up to interpretation. Fans can give the characters whichever narratives they want. This goes for both Zutara and kataang. Just because your ship is canon doesn’t mean you have to adhere to canon; many canon shippers write “fix it” type content or otherwise make changes to the canon relationship to make it more appealing to them. I’m sure there are kataang shippers who rewrite their canon relationship to give Katara a feminist narrative, but to be honest the ship just doesn’t appeal to me at all so I haven’t seen those, but I’m not saying they don’t exist.

Now, Zutara. Even though there are definitely some hints in the series, there was nothing explicitly romantic between these characters in canon. So, fans are free to interpret how a relationship between Zuko and Katara would play out, and therefore Katara’s narrative within that relationship. Some people do make a strong effort to give Katara a feminist story, and in my experience, this is often a direct response to canon. But on the other side of the coin, some people absolutely…do not. It’s a big ship with lots of content. Some of it gives Katara’s character a feminist narrative, some of it…does the exact opposite of that. I think anyone familiar with the ship is probably well aware of some of the unsavory tropes associated with it so I won’t get into that.

But anyways, for any ship, there is a variety of content featuring Katara. Sometimes she’s a great warrior, sometimes she plays an important political role, and sometimes she’s just treated like a slave. Sometimes she has her own wants and ambitions and sometimes her story revolves entirely around whichever male character the author is thirsty for. Sometimes she’s treated as a complex human being and sometimes she just exists to be a fetish. Which again, goes for literally any ship and character you can think of.

So when asking yourself if Katara is given a feminist narrative, asking which man she’s paired with is asking the wrong question. Instead the focus should be on Katara herself and what the message of the story says about her.

b) Why do you like Zutara?

Although you can probably tell from the above, I do consider myself a feminist and enjoy analyzing media from that perspective. But honestly, that has little to do with why I like this relationship so much.

Sorry if this answer is boring, but I just…like them. Everyone has different tastes. For me, I was immediately drawn to them watching the show as a kid, because I’m a sucker for that sort of hurt/comfort dynamic they had going on in books 2-3. Growing up and taking a closer look, I also found that I see Zuko and Katara as having a lot of similar values and personality traits that I feel would make them compatible in a relationship. Also, there’s the fact that I just really like Katara and Zuko as individual characters so I like the fact that Zutara allows me to explore both characters by themselves, as well as how they interact together.

But if I’m being real, the final Agni Kai scene is what sold me. The emotional intensity of that scene just had me hooked for life. It’s really not much deeper than that, but yes, I’m extremely obsessed and emotionally invested in this ship.

And yes, I do write a lot of Zutara fic and do my best to give Katara independent goals and ambitions and agency as a character. I do my best to write her in a way that portrays a feminist narrative because I personally find that important. But that’s something I could apply to any ship. I don’t think it’s inherently feminist to ship Zutara, because like I said earlier, it completely depends on the individual fans and how they interpret it. I like interpreting it in a way that gives Katara individual power and goals, but that’s just me. Not everyone writes Zutara the same way.

Hope that answers your question ❄️

#katara #zutara #fandom salt #ish #pro zutara #kataang critical #well more like canon critical #ask #anon #analysis #atla #feminism

[alexbkrieger13]

Full artcle

I couldn't hold back my tears.

I don't know if it's age, but I seem to get more emotional in these situations.

It's difficult to put into words what I felt when I jumped onto the ice at the Verdun Auditorium on January 13 for our team's home opener.

The crowd was incredible, but it was more than just the ovation that put me in this state. This emotion represented years of effort. I dreamed of this moment for a long time and, finally, we were there.

When I saw great women like Caroline Ouellette, France St-Louis, Kim St-Pierre and Danielle Goyette arrive on the ice, I got chills. I was so happy that people recognized them and gave them the ovation they deserve. Without them, I would not have had the same career.

I'll be honest. At one point, I feared this moment would never come. It took longer than expected. Yes, there were these showcases , weekends where matches were organized in different cities, but it had nothing to do with a real professional league.

JI remember the first time I came to see the installations in Verdun with Danièle Sauvageau. There was almost nothing done. We had our work boots and construction helmets. She had a vision which she explained to me in detail. But I really had a hard time imagining it.

Marie-Philip Poulin greets the crowd after a Montreal team match.

PHOTO: LPHF MONTREAL/ARIANNE BERGERON

Our fans are the best. Friends who play on other teams told me that. It's not a crowd like any other in Montreal. She is noisy. She is invested. It's important to me to give back to people who are on the move. I am now more comfortable in this role. It’s the experience that comes in, you have to believe.

Before a live interview on Radio-Canada during an intermission at the Verdun Auditorium, a boy called me to offer me a treat. He threw one at me and I caught it in midair with my mouth. I started my interview anyway, with a smile on my face and my mouth full. It's part of my identity, my personality. Interaction with young people is really important to me.

The enthusiasm for our league is very real. I feel it. I hear it too. In Ottawa, I got booed when I went for a penalty shot. Being booed at home, in Canada, I admit that it's a first! It's weird, but it doesn't bother me. After all, that's what we wanted: a competitive league, rivalries and fans who identify with their city.

After a game in Minnesota, we went for a beer. Fathers came to see us to tell us how excited they were to see professional women's hockey. I saw how happy they were for us. It was in Minnesota, we are the team from Montreal and, despite everything, we attract attention.

This anecdote made me realize how our situation has nothing to do with what we experienced in the past. The enthusiasm is there and I have the impression that it is not just the effect of novelty. It will last and it's truly magical.

OHe talks to me a lot about this match last January 20, against Toronto . In fact, I'm mostly told about this goal scored with 17 seconds left in the third period and that we lost by one goal. Honestly, I don't know what happened. I had a blackout . It's rare that I take the puck and try to get to the goal on my own. I saw an opening. It was not premeditated. I was the first surprise when I scored.

Then, I was sent to shootouts four times by my coach. I obviously wasn't ready for that. It took me a little by surprise. It's not my favorite rule, but I'll get used to it.

I was burned out after that match. It's a lot of adaptation. LPHF games, Canada-US Rivalry Series, travel. We're not used to having such a big workload. You have to prepare well, but also make sure you recover well. That's the beauty of this league. It allows me to continue to surpass myself, to learn new things.

Marie-Philip Poulin

PHOTO: LPHF MONTREAL/ARIANNE BERGERON

I like hockey. I love that. And what I prefer is when the score is close. I like it when you have to give a little more, when you have to empty the tank. When it really counts, that's when I'm at my best. It turns me on.

My parents always told me: You practice like you play. It always stuck in my mind. I don't take anything for granted. I am aware of the pressure, but I have learned to manage it over the years. I don't forget that it's a team sport. I'm lucky to have been able to achieve some of these great moments, but I know I'm not alone in this.

I won Olympic medals, but I also lost world championships. I even wondered if I was capable of winning one. The 2018 Olympics were arguably the most difficult time of my career. I was practically hiding. I didn't want to see anyone. I thought I had disappointed the whole world by failing to bring home the gold medal.

I also learned not to read everything, to leave certain comments aside. Hockey is such a difficult sport. You can do the same thing every game, but the rebound won't go your way, it won't work or the opposing goalie will be on fire. I keep in mind that if you give your maximum in every match, it will happen.

People expect me to score goals, but that's not all I am. I take a lot of pride in blocking shots, in raising sticks in defensive withdrawal. I can still improve my defensive game. To win championships, you have to count, but the little details in the defensive zone will make the difference.

Marie-Philip Poulin and Laura Stacey celebrate a goal together on January 2, against Ottawa

PHOTO: LPHF MONTREAL/ARIANNE BERGERON

Even though she has been on the national team for a long time and is one of the best players in the world, Laura Stacey is less known to Quebec fans. Why her, they then asked themselves?

I knew full well that Danièle Sauvageau had not chosen her because she is my fiancée. Laura, she's an incredible player. A real power forward who has remarkable discipline.

She chose to move to another province. She is learning the language and doesn't hesitate to try to do bits of interviews in French. It's not easy, but she embraces her new reality.

I'm proud of her. I am proud to see her doing promotions for the media in French. I'm proud that people are discovering her personality, the player she is and that Montrealers are falling in love with her because she really deserves it.

OI often ask myself why I continue.

I don't have to play hockey. I do it because I love it. I feel the best on the ice.

I have the Olympic gold medals, the World Championship gold medals. Now I want to win an LPHF title in Montreal, at home.

Having a positive impact on the next generation has become my priority. To see the little girls in the stands, with stars in their eyes, it's worth more than championships, it's worth more than medals.

Eventually, I want to start a family. It would be in my next projects. We love kids, so this is really important to us.

For the moment, it's still hockey first and foremost.

Marie-Philip Poulin has fun during off-ice training

PHOTO: LPHF MONTREAL/ARIANNE BERGERONStart of widget. Skip widget?

Comments collected by Christine Roger

Header photo by LPHF Montréal/Arianne Bergeron

#this is so sweet #marie philip poulin #laura stacey #pwhl #pwhl montreal #woho #womens hockey #hockey #hockey article

[maidragoste]

So rhae has a crush on reader ... DELICIOUS

So now we have ali, rhae, the foot man and harwin im our bag

I dont remember if you especified if she fights (with a sword and stuff) but if she was, she would be very present in the boys lives even more

As the boys grow older (in their child state aka pre-maimed aemond) she would spend time training with alicents children.

The reason of the bullying was because of the love their dear aunt held for some of them and the disregard towards another

Rhaenyra is always trying to be with you someway or another

One time she tried to seduce you amd you didnt even spare her a glance (daemon tought this to be funny)

Lucerys wants to be like you

You always baby your sons so much, you always run to kiss their cheeks

You keep harwin around as a political investment, you want the strong connections (he knows this, but he stays anyways)

You now are more dominant in life, you refuse to let someone take the lead

Otto secretly likes you (youre just as smart as him fr)

This is just my fan made headcannons in a way...i just like this series so much

Btw who do ypu picture as y/n, like your personal view?

Hi

Rhaenyra had a crush on the wife of her son's father, she's very 🤡 (like girl, why did you sleep with her husband instead of confessing that you were jealous?) but I still love her 🤪

Reader: *breathes*

All:

I never said it in any post but I'm sure Reader knows how to fight. I find it hard to believe that Corlys didn't teach her daughter to defend herself against her. She knows how to handle the sword because he and her uncles taught her how to use it. She used to fight with Laenor.

Even so, Reader prefers knives because they are easier to hide and if someone attacks her, no one expects her to have her weapons hidden.

I have the headcanon that when she was little and she accompanied her father and her uncles to sail, a sailor taught her to throw knives.

I can definitely see Reader on the parade ground accompanying the children in her lessons. I would be aware that Criston Cole does not overextend them.

I CAN TOTALLY SEE the reason for the bullying being the fight for Reader's love. I don't feel like she disowns Jacaerys, Lucerys and Joffrey but it is evident that she loves the green children more and that she is more affectionate with them.

I really love your headcanons. Rhaenyra always tries to find an excuse to be with you, she looks forward to every time Viserys orders family dinners because that's the only way you'll agree to have dinner with her and she also takes advantage of your affection for Jace to get him to invite you. to spend time with them.

Rhaenyra wanting to seduce you and Alicent looking at everything furious. Larys is calm because she knows that the princess has no chance with you. And it's true, there's no way you're going to look at Rhaenyra that way again...It's more likely that something will happen between you and Daemon (and that he seems like a hateful man to you) before you have something with Rhaenyra.

Lucerys wanting to be like Reader 🥺🥺 He admires you so much because you keep smiling and being kind to people despite all the whispers from court

Your children are your greatest joy. You love teaching them new things and sharing your family customs with them. It is not a secret that you are a loving mother, you are always happy to hug them or kiss their cheek 🥰🥰

Harwin knows that you will never love him like before, but he is satisfied with being able to continue by your side and not hate him. He is content to be the father of your children.

DEFINITELY OTTO LIKES READER. Well, he doesn't agree with the relationship you have with his daughter (because he is a man of faith) but he likes you and you serve him. He notices how you protect his daughter and his grandchildren, how Aegon listens to you, and how you make people start thinking of Aegon as heir to the throne. You win support for the greens.

I see Reader as someone smart. She always knows what to say to make people happy and to make them trust her, that's why she was always very loved at court.

She also lets people see her as weak. Although she knows how to fight from the affair of Rhaenyra and Harwin the image of Reader. She takes advantage of that and makes the court feel sorry for her so she gets people to start disowning Rhaenyra and Harwin.

People see Reader as a nice and kind person, which shee is but sometimes she is nice to court people that she doesn't really like just to have allies. Larys is the first to notice, she begins to notice how the wrinkles around your eyes aren't as deep when your smile isn't sincere or how your fake laugh tends to be shorter.

By the way, anon, if you want, the next time you write to me, you can choose an emoji (it can be anything except 👾 or 🌺) so I can identify you 😊

I hope you are well anon and that you are happy with my answers 🥰❤️

#lu speaks #hotd x reader #the sea dragon the clubfoot and the green queen #velaryon reader #anon ask #anon <3 #thanks for the ask! #ask me anything #rhaenyra targaryen #alicent hightower x reader #rhaenyra targaryen x reader #larys strong x reader #lucerys velaryon #harwin strong x reader

[axel-ambassador]

Its 4 am for me and I just wanna talk about why poly shipping is so good especially in Total drama.

TD is such a unique show that is able to get away with having an extreme abundance of characters, and by extension, ships, without it coming across as overbearing. Like name a show with over 100 characters that you know the name and personality of. It's an extremely impressive feat.

That said with so many characters there are so many different shipping opportunities. Sometimes the writers give two characters really good chemistry as friends or enemies and the fans take it to the next level. Sometimes the writers completely fumble the potential they have and the fans pick it up from there. Sometimes there are rare pairs that in context make no sense but fans make them work and that's so cool.

Anyway back to my point. I personally hate needless drama, in real life and in fiction. Fiction especially because typically said drama involves character derailment and general disappointment for the fans of said characters involved.

My point is that I hate the love triangle. I hate the drama it caused. I hate how predictable it was. I hate that it was an arc spread over multiple seasons starting in season 2 and ultimately lead to nothing by the end of season 5. I hate how such a lazy trope is what defined Gwen, Duncan, and Courtney's characters for a multitude of years only for it to mean nothing, and I'm not exaggerating, nothing, by the end of All Stars; their last canonical appearances.

Duncney was destined to break up after island, that's not what I have an issue with. Duncan didn't have to frickin cheat and drag Gwen in a long with him. I love Gwuncan in concept, I really do, but the terrible execution of it which directly contributed to the down fall of both characters sours the memory and idea of the honestly awesome relationship between two of the most popular characters in the entire series.

And then All Stars rolls around and watching it as a Gwen and Courtney fan is like getting a warm embrace, two incredible characters are finally on good terms, only for that embrace to become a suplex, Sundae Muddy Sundae. So now you're on the ground feeling hurt and quite betrayed. And then the realization that it all was for nothing, Gwen and Duncan breaking up despite them getting together being such a huge plot point, Gwen and Courtney being back to square one despite a whole seasons worth of investment in their relationship, character derailment up the goddamn wazoo on all 3 ends, is like the show consecutively spitting in your face.

You wanna know how all of this frustration, pain, and shitty writing could have been avoided? Poly shipping.

Duncan and Courtney have a serious talk about their relationship, how it's incredibly toxic and they need to smooth things out if they want to progress as a couple.

Gwen over here having a bi panic as, oh no, maybe she likes Duncan more than she thought, and she's also slowly falling for his girlfriend since they've had no one but each other to talk to for half a season.

Courtney coming to terms with huh maybe she's not as straight as she thought and how Gwen calms her in a way Duncan never could.

Meanwhile Duncan realizes he likes Gwen for the opposite reasons he likes Courtney. Courtney knows how to push his buttons and he loves how much it drives him crazy. Gwen is much more down to earth but is just as chaotic and a rebel as he is.

They don't kiss in the confessional in London. They talk. Jesus Christ if there's one thing the characters in this God forsaken show don't know how to do it's fuckin communicate. Especially in relationships.

They come to the conclusion that they like each other, and they both like Courtney. So they go and talk to Courtney, and Tyler can do whatever the hell it is he planned on originally.

So there you go. What was meant to be an informative post on poly shipping turned into a rant and ultimately sloppy fix of the love triangle.

Back to my original point I was trying to make but got side tracked. Polyshipping is a multi shippers heaven. As a multi shipper, it's so much easier to make everyone date instead of just picking which ship I like more.

There are characters with great chemistry that would never be considered canon, Gwourtney, Alenoah, Gweather, Heathney, Nowen, I could go on. There's obviously an overlap in some of those.

I love Gwourtney, but Gweather and Heathney are so cool too. I don't know which one to pick. The great thing is that you don't have to pick with Gweathney. Or Gwuncaney. Or Alenowen. Or Aleheathcan.

There is so much potential with so many characters in this show that it can be challenging to figure out which dynamics you love best and which to pick from.

Not only does polyshipping make that easier but also hella more painless and comical in terms of character interactions.

Thank you for your time and I'm sorry.

#total drama #td gwen #total drama gwen #td courtney #total drama courtney #td duncan #total drama duncan #total drama island #total drama world tour #total drama all stars #love triangle #rant #polyamory #poly ship #gwuncan #gwourtney #duncney #i'm sorry

[weaselandfriends]

I just binge'd your Hymnstoke series. Now that HS^2 (HS^BC) is back up and running with James Roach at the helm, I was wondering if you could share your thoughts on the direction that HS^2 and Homestuck Beyond Canon are taking with the new updates?

Before I begin, I'll point you to a previous post I made on the topic of HS^2, back when it was under the previous management.

Truthfully, I still haven't read HS^2, either the old version or the new. I remain uninterested in it conceptually. For me, the Epilogues were the perfect finale to Homestuck and I no longer have any desire to see its story continued or its characters expanded upon.

I think I'm somewhat mismatched with the typical fans of Homestuck. From talking to fans, it seems many of them started reading as teenagers, who found in its something relatable and became invested in the journey of its characters. I wasn't like that. I began reading Homestuck in college. I was not introduced to it via fandom osmosis or seeing art of it or cosplays or so on. I didn't even learn of it from word-of-mouth from one of my friends. I was reading a post someone had made about so-called ergodic literature, which cited House of Leaves and Homestuck as examples. Having read House of Leaves only a few weeks prior, I was intrigued and looked up Homestuck, going into it almost as blind as possible.

As Hymnstoke probably indicates, my interest in Homestuck was literary from the start, and what impressed me most about it was always its boundary-pushing approach to medium and narrative. Even late into Act 6, past the point where most fans might say the story "gets bad" or whatever, Hussie was always, always concerned with that, and that is why I actually prefer Act 6 to Act 5 despite this being a fairly controversial take. I think in Act 6 Hussie is far more experimental, far more willing to take artistic risks and pursue innovative formal exercises. So, even as more traditional markers of narrative quality like character and plot stagnant, meander, or suffer altogether, Homestuck to me always felt like it was still growing in new and exciting directions.

At least until the series of super long pauses that ended with the whimpering and frankly pathetic Collide + Act 7 combo, two tragically substanceless flashes that really add nothing new or unexpected whatsoever.

The Epilogues, however, were a return to form on the formal front. The competing Meat and Candy narratives, though told in arguably Homestuck's most traditional format yet (prose narrative), are intertwined in ways that push even this ancient medium to new, unseen limits. In that sense, even ignoring all the plot/character stuff I mentioned in my previous HS^2 post, the Epilogues were a culmination of all Homestuck meant for me. A thematic capstone: A return to a traditional format that is then enlivened through daring experimentation. My Hymnstoke series often mentioned the theme of the meteors wiping out Earth so that a new society could be created out of recycled detritus from the old and stagnant world. The Epilogues are that simply in how they are made, and to me that is peak Homestuck, the chief thing that matters most about it.

HS^2 has not seemed interested in formal experimentation at all. The pre-Roach group was mindbogglingly retrograde in eschewing flashes altogether and even, really, art, preferring instead long script-style dialogues. Long pesterlogs were part of Homestuck before, but far from the only part. But there simply seemed to be zero interest in innovation, in doing anything new, in even trying anything new. To me, that's not Homestuck.

I'm not super keyed into the fandom drama, but my understanding is that the old HS^2 group was nasty and combative with the fans, while Roach has attempted to establish goodwill in the fans and repair some of the burned bridges from yesteryear. To that end, his approach seems to be succeeding. But there's a part of me that sees it as being similar to the Star Wars prequels and sequels. The prequels were an unmitigated trainwreck that the fans despised; the sequels, by contrast, began with a soft remake of New Hope that seemed tailored to tell fans "Look! Star Wars is Star Wars again! We're back! It's real! We have practical effects, and on-location filming instead of green screens, and the plot is straightforward instead of trade dispute politics!" It was like JJ Abrams watched the infamous Plinkett review of the prequels and decided to address everything directly, all to reestablish goodwill with fans.

For Episode VII, it worked. Perhaps if the rest of the trilogy were 1-to-1 soft remakes of the original trilogy, it would have continued to work. But the instant the new creators attempted any kind of innovation in the criminally underrated and over-hated Episode VIII, they were raked over the coals, and in the process of backtracking furiously wound up creating something on the same level as the prequels with Episode IX. And nobody was happy in the end.

In the position Roach is in, he can at best muster the kind of nostalgia-baiting soft remake that is so popular and common in Hollywood today, a Homestuck 2.0 rather than a Homestuck^2, something that is not in fact Beyond Canon but enslaved by it. By appealing to the goodwill of fans that's what you have to do, because what the fans love is the ghost of the story they remember, and the reason they come to Homestuck^2 over any of the endless amount of content online is because it has the name Homestuck in it, and they remember Homestuck. Waiter, I'm the critic from Ratatouille, bring me the thing I remember.

But that is conceptually antithetical to the thing I remember. And so, it'll be difficult for it to engender much interest in me. I think there are a lot of exciting, talented creators making amazing original content online today, new boundary-pushing content, a new avant garde, and that's where my interest will lie. I think the members of the Homestuck fandom who had the talent to create content like that, like Toby Fox and perhaps Tamsyn Muir (who I have not read but Gideon the Ninth is certainly popular so it must have some spark to it), have gone ahead and done it for their own original works outside the Homestuck label.

Anyway, those are my rambling thoughts on the matter, again without having actually read either the old or new HS^2, so take them with a grain of salt.

#homestuck #hs^2 #hsbc #homestuck beyond canon

[aumarchive]

Interview with Nakayama Hisashi, former member of Hikari no Wa (Aum Shinrikyo branch)

cw: cults, domestic violence, sexual manipulation, conspiracy theories, verbal abuse

Do not harass anyone mentioned here. I'm only citing Mr. Nakayama's name and website because he let me do so.

Do not tag as true crime

Originally posted on Reddit by me

Matryoshka dolls are a well-known symbol of Russian arts and crafts; a majestic doll that, by the hands of others, is forced to reveal itself smaller and smaller until, finally, its tiny, hollow interior becomes visible.

Though they have dozens of tales attached to their creation and meaning, none of it is grounded on reality: these dolls were invented pretty recently with fully comercial purposes. Matryoshka aren't exactly meaningful for their land's mythology, nor original. But at least they're cute and saleable.

So is Fumihiro Joyu, ex-spokesman and executive of Aum Shinrikyo.

Joyu is the kind of person who will never run out of stories to tell about; graduated from Waseda University, one of Japan's most prestigious institutes to this day, he quickly lost interest on the labour market and used his knowledges in a new, weird yoga classroom, which would later become the infamous Aum Shinrikyo. And Aum surely got Joyu busy; he served as a spokesman, public relations representative, head of Aum's russian branch and almost as one of its men of action: in 1993, he attempted to spread anthrax in Kameido, Tokyo. It failed miserably.

But he only became infamous in 1995, when he defended the cult against allegations that they were responsible for the subway sarin attack at all costs. His devotion didn't earn him any prestige, just a lot of fans willing to steal and auction off his dirty socks and a saying attached to his name: ああいえば上祐 (Aa ie ba Joyu, which roughly translates to "If you say so, Joyu"). After being sentenced to three years of prison in late 1995 due to charges of perjury and forgery of private documents, he declared that "Master Asahara is a guide, a savior, and everything to me". It seemed unlikely that his adoration would be shaken.

But after being released from prison in 1999, it seemed that Joyu had a change of heart. He didn't leave Aum (in fact, Joyu became its De Facto representative under the name Aleph), but tried to reform it, reflect on its multiple incidents and eliminate Asahara Shoko's influence. In 2007, after a series of conflicts with Asahara's wife, children, and other executives, Joyu announced he was going to leave Aleph and launch a new organization: Hikari no Wa. According to its website:

Hikari no Wa is not a religion. This is a classroom where you can learn the wisdom and philosophy of happiness from the East and the West, including Buddhist thoughts, meditation methods, and modern psychology, without believing in a specific guru, god, or sect.

The classroom, of course, was met with protests and doubts. The U.S Department of State only lifted its designation as a terrorist foreign organization (TFO) as late as 2022, and Japanese police still surveils it.

Since then, despite still being considered a controversial figure, Joyu has made attempts to clear his image; according to Hikari no Wa's website, the classroom pays compensation to the victims of the subway sarin attack, deprogramms Aleph believers and apologises for its representative's former criminal activities. Joyu also seems to have invested in unusual methods of self-promotion, such as taking part in a hiphop EP where he sings while an edit of the 1995 subway attack plays in the background. He also published a book on how to identify dangerous cults despite his status as a potential cult leader.

There is very little information about Hikari no Wa in English. Its only known activities are events and speeches about spirituality held by Joyu himself, its alleged "Aum liquidation" and its "Pilgrimage to Sacred Places".

However, around February 2024, I stumbled upon a fairly obscure site: stop-hikarinowa.com. According to itself, its purpose is to:

Ask Hikari no Wa to disband.

Promote the exchange of information and people-to-people exchanges on the issue of Hikari no Wa.

Provide support for Hikari no Wa members to withdraw from membership.

Disseminate information to society about the problems of Hikari no Wa.

In addition, we will carry out all activities that we deem necessary for issues related to Hikari no Wa and Aum Shinrikyo.

It also claims Hikari no Wa is, in fact, a cult:

Just like Asahara in Aum Shinrikyo, I think it boils down to the fact that Joyu is in control of everything in Hikari no Wa. It's true that Hikari no Wa changed its doctrine because it wanted to get rid of probation, and it also said that it was a philosophy and thought class. All of the reforms that have been carried out over the past 10 years have been carried out at the discretion of Joyu. This fact proves that it is possible to return to the doctrines and operations of the past with the sole intention of Joyu. As long as he's under inspection, he can't do anything as crazy as Aum (and this is the same for Aleph), but if it were to be removed, no one would be able to stop him from running wild like he did with Aum. The guru becoming a dictator is common to other cults, but if a cult that has crossed the line in the past is allowed to go unchecked, it will be a different danger than other cults. The danger of Hikari no Wa varies greatly depending on what happens to the government's surveillance, but at least it seems that it is an organization that cannot guarantee even safety without national surveillance. * On "Frequently Asked Questions"

I contacted its representative, Nakayama Hisashi who's both a former Aum believer (from 1996 to 2007) and a Hikari no Wa one (from 2007 to 2016) and managed to interview him on March 30, 2024.

The interview go as follows:

Q: Tell us about yourself. You joined Aum to find out more about its practices, but what made you stay for such a long time? A: It was cosy. Aum believers are serious and selfless, so it was really healing to talk to such people.

Q: From what I have read, despite precarious living conditions, including poor diet and cockroach-infested flats, Aum believers formed a strong sense of community. What was daily life like when you joined the organisation? A: Food was considered a bother, and the idea was that it was good if you could get the minimum amount of energy. Even cockroaches were souls that were trying their best to live, and we looked after them with compassion. Such different values from the world were fresh and a strong sense of community existed. It was a similar life in Aum and in Aleph. In Hikari no Wa we secularised, so the ordained people remained Aum, but they disliked the filthy environment.

Q: When did you first come into contact with Joyu? What was your first impression of him? A: Around 2005. My first impression was that he was a hard-working practitioner.

Q: Were you aware that he was at odds with the Asahara family? Were there any tensions within Aum in the late 2000s? A: Initially I did not know that there was a conflict. Inside Aum, the explanation was that Joyu was in training, so I didn't think there was a conflict. Believers like me were not informed of anything. When Joyu came out of prison and the Group Regulation Law was passed, believers though Aum was going to be destroyed, so there was a sense of tension, and although there were people who opposed Joyu's methods, none of us thought that there would be a split later on.

Q: When Hikari no Wa was formed in 2007, why did you join it instead of staying with Aleph? What convinced you? A: Because they sympathised with the idea of social reconciliation by acknowledging the incident. And I was banned from Aleph for having contact with Joyu.

Q: What were the first days of Hikari no Wa like? I have seen a video from around 2009[1], and it seems that many people protested its existence. A: Hikari no Wa was not trusted at all, even if they said they were reflecting on Aum. I thought that if I reflected sincerely, society would one day understand me. Perhaps it was only the believers who were deceived by Joyu's words that he had reflected on his life.

Q: What was your daily life like? Did you go to work or interact with normal society? Did you talk to family and friends? A: I moved from one job to another and worked on construction sites for a long time. I told my family about it, but my wife was vehemently against it, so I didn't talk much about being a believer. Once I mentioned that I was a member at work, but I was discriminated against so quit my job. Since then, I stopped talking about Hikari no Wa to my friends. But I did have normal social interactions outside of the classroom.

Q: I assume you are familiar with the B.I.T.E model, which lists cult behaviour. Let's use it to ask some questions. To what extent was your personal life regulated by Hikari no Wa? Was your diet, social or sex life regulated by the cult, or did you need permission to make major decisions? A: I was a noisy believer [laughs], so I was never dominated by the cult. But they were giving detailed instructions to other people on how to spend their money. I would immediately announce it on social media, so I guess the cult was also cautious. It seems that I was treated differently from the others.

Q: I watched some videos from Hikari no Wa's Youtube channel[2] and they seem to travel frequently. At the same time, they pay compensation to Aum victims. I wonder if a tremendous amount of money is being taken from its believers, or if Joyu is making money in other ways. A: The pilgrimages are a means of collecting large sums of money from believers. Devotees are desperate to join in (laughs). "Why is it so expensive?" I asked him, and he excused himself by saying, "Because I'm compensating them". Compensation is the excuse for the high participation fees. But we couldn't operate on that alone, so some of our staff went out to work, and I think we took a lot of money from the rich and quiet believers.

Q: Hikari no Wa page claims to be a place to learn psychology and natural doctrine, without any religious elements. Is this true? Joyu is not licensed to talk about psychology, and he seems to be getting increasedly incoherent. A: I was confused too. In the classroom, I was reading sutras and doing zazen[3]. And then they said, "It's not a religion", so I thought they were deceiving the world. I think that Joyu himself probably doesn't know what he is doing anymore (laughs).

Q: I saw you accuse Joyu of still being an Aum believer and simply hiding Asahara. Can you elaborate on that? A: When I left Aleph, Joyu said to me: 'I will surely share my reincarnation with the Venerable Master (Asahara). So if you follow me, you will surely meet the Venerable Master again." In other words, following Joyu means that no matter how much you deny Asahara, you are recognised in the doctrine of Aum. Joyu still does not deny reincarnation; if there is reincarnation, then Joyu and Asahara will meet again, and people who are closely related to Joyu will meet Asahara again. The only way to deny this is to deny reincarnation or to dissolve the organisation and live modestly. Because of this idea, everything that Joyu says and does to get people to recognise him is to hide Asahara. There's no retraction or apology to his followers for what he said at that time. I don't think he is remorseful at all.

Q: Wait, that's big! Do you have evidence? A: It was just my experience because it was in a private conversation. I've told the public security authorities and I also think it's evidence for the renewal of my observation, but it's just my testimony, I don't think it's evidence.

Q: That is unfortunate, but I still think it stands out. From reading various discussions of yours, it seems that there is sexual manipulation going on within Hikari no Wa. Can you tell us a bit more about it?" I saw terms such as "sexy business". A: It's a technique known in Japan as 'shirokoi business'. In Aum, love was also an affliction, but having romantic feelings for the Venerable Master (Asahara) was considered a good thing. Intense romantic feelings of wanting to be recognised by the Master and to keep him to oneself were considered to be a form of faith. Joyu frequently appeared in the media during the Aum Affair, which gave rise to a group of fans called "Joyu Gals". Such Joyu fans started coming to Hikari no Wa. Not only 90s Joyu fans, but also new fans are still coming to Hikari no Wa through YouTube and events. They are taking money by cleverly utilising such fan psychology and romantic feelings. The method is to stimulate women's romantic feelings and dominate them by saying, for example, "I have a connection with you from the past". In Japan, there are 'host clubs' where men entertain women, and the sales method is similar to this. Although there was only one victim, I was consulted by a victim who said she actually had sexual relations with Joyu. But at the strong request of the victim, we don't really take it up.

Q: I have also read that Joyu is prone to domestic violence, please elaborate on this. A: Joyu has a strong desire for control, so he would yell at staff and others when he didn't like something, and sometimes beat them up. When I asked someone who was actually hit, he said that he had his karma taken away (laughs). I think this is a typical example of Aum thinking, which is pro-violence. I criticised him a lot, so I don't think he does violence now, but I think he still uses words to corner his opponents. Joyu has a male-dominated mindset, so his desire for domination over women is particularly strong, and I think it tends to lead to violence.

Q: Have you witnessed physical or verbal violence? or have you been subjected to violence? Again, there is no intention to invade your privacy. If you do not wish to answer, you do not have to. A: I have never been hit directly. However, when I quit, I was verbally abused. I saw him shouting at staff on many occasions. Old believers know this all too well. He didn't have any anger control at all (laughs).

Q: Why did you start to leave Hikari no Wa? Did other members also quit? A: I loved Hikari no Wa, not Joyu, so I wanted society to be a comfortable and secure place for the followers who gathered there. In reality, however, the believers were only paying money and being used. I wanted to reform that, but I couldn't do it and was forced to quit. I was also exhausted, so it was probably just as well. There were more than 100 staff members at the time of the Aleph Joyu Faction, but by the time Hikari no Wa was established, there were only about 60, and now there are less than 10. Those who had survived Aum and Aleph gave up on the Joyu and quit. Originally, Aum was a cult with two sides of the same coin, and only those close to them would have known the true nature of the guru, but as it became smaller and smaller, I think the number one reason is that the true nature of Joyu could not be hidden and came to the surface (laughs). The same is true of Aleph, as the closer to Asahara you were, the less you remain in Aleph. The only people left in Aleph now are people who don't know Asahara directly. The same is true of Hikari no Wa, who fled as they learnt about Joyu's character. People who found out that he was the king of the naked left. Conversely, the staff who remain now are people who don't want to admit that Joyu is naked, so they may no longer run away. It's pitiful.

It's important to note that, in July 11th 2018, it was revealed Joyu witnessed the murder of a female believer[4] back in 1991, though he didn't say anything until he could no longer be charged for it, and he still avoids this topic. Nakayama says:

After I left, it was revealed after Asahara's execution that Joyu had left female followers to die during his Aum days and had been covering it up for a long time. When I found out about the incident, all the slight remaining feelings I had for Joyu were gone. I thought that everything I had been working on with hope, saying that I would reflect on the incident, was a lie. I now seriously hope that the cult will be disbanded.

Moving on.

Q: Sorry to digress, but I was very interested in Hikari no Wa's instance on science. Joyu often talks about psychology, even if he's not licensed to talk about it. And he apparently gathered at events without masks during the pandemic. A: Right. What the Joyu says publicly, he says it with an awareness of what society will think of him. He pretends to be a sensible person. But in his true feelings, he thinks completely differently, and what he says and what he does are completely different. If you look at what he does, not what he says, you can see what he really thinks.

Q: Sorry to be too straightforward, but is Joyu a conspiracy theorist? I'm not talking about extreme and flash cases like Qanon. It's about things like "this disease can be cured with X, Y and W" A: He has not been vaccinated. This may be because he believes that vaccines are not desirable from a parrot doctrinal point of view and that if he practices, he will not get infected. I don't want to call it a conspiracy theory, but I think he thinks that practising is a better way to fight infection than vaccines or medicine.

Q: That's bad. Do believers have the freedom or critical skills to get themselves vaccinated? A: It might be different for different people. Maybe many people think the same way as Joyu. That is, that practice is more effective than medical treatment. If Joyu would be asked by his followers, he would not deny the vaccine, but he would not dare to recommend it either. Since many people are dependent, I think many of them would not take the vaccine themselves if Joyu had not taken it.

Q: Sorry to change the subject again, but there is one more thing I wanted to know. I browsed through some of the accounts and posts and found screenshots of Joyu himself talking about and endorsing Vajrayana[5]. One of them was yours[6]. Is it authentic? A: I always think about the risk of a court case when I send out screenshots, so I don't fake it. Hikari no Wa always say it'll go to court and then ask me to delete it.

And, then, the interview ended. I had more to ask, but it was 3 AM and I didn't want to waste more of Mr. Nakayama's time.

It's important to note that all of this is simply alleged and I'm solely giving voice to a former member. Joyu has still a large platform, with around 17k followers on Twitter, and appears on documentaries and interviews as an cult expert of some sorts. It's not uncommon for former cult members to study about it later on, but Joyu didn't go through any deprogramming initiative, not even during his time in prison. And, of course, it's certainly unusual for an ex-believer to establish a "non religious' (though with holy pilgrimages) and "non guru centered" (though he's the only member with an online presence) organization.

Do not track and harass former Aum/Hikari no Wa members. Mr. Nakayama gave me permission to say his actual name and site, but this experience has been traumatic to many people.

During my research, I found a quote associated with Joyu in some foruns and websites, but couldn't find any proof it was actually his nor the context in which it was supposedly said.

A snake that doesn't shed its skin will die

Matryoshka are self aware, I guess.

#aum shinrikyo #interview #spiritual abuse #cult mention #organized abuse #pipeline #cw antivax

[rudycomics]

Rudy Recs: Witch Watch (and its bittersweet love story)

I've written in the past before about some of the things I've been reading in shonen jump, You and I are Polar Opposites as an example, and the current generation of manga in their lineup right now has some interesting stuff going on. Somehow, Witch Watch is not one of the manga I hear other people talking about as often as the others and I think that's a real shame!

Kenta Shinohara has 2 award winning manga under his belt and even though his concepts don't have this really intense fantastical hook and his art isn't clamoring for attention in the ways things like Chainsaw Man or Dandadan do, I think Witch Watch has incredible range. It's part romance, part slapstick comedy/gag manga, and part shonen battle manga all together, bouncing back and forth between these different styles each chapter.

I always felt like it was just really solidly put together and consistently entertaining (except for when the story focuses on some side characters writing fan doujinshi which bores me to DEATH), but the thing that made me feel like I needed to write about it was the way the series handles the romance between the two main characters, Nico, the witch given a prophesized control over every type of magic, and Morihito, her childhood friend and chosen protector because he happens to be one of the last Ogres in the world.

I'm going to be talking spoilers for things that happened in recent chapters, so be warned!

I will put a warning when I get to it, but I like writing about these things because I personally think getting someone to gush about specific instances of well executed craft gets me more interested in checking out new things than anything else.

The basic setup to their romance is that Nico has a crush on Morihito (which she calls Moi and I'll use this nickname for convenience) and she begins living with him as her mother received a prophecy that some evil force will try to use Nico and her unnatural powers for evil purposes that will ultimately bring her harm in the process. Moi is chosen to be Nico's familiar to protect her from whatever this vague danger may end up being, but we see their personalities clash right away. She's very aware of him and he seems very stone-walled and closed off, despite their being some sort of connection between them from childhood.

The two get into a lot of wacky situations as Nico attends school and continuously uses her powers to try to help classmates with their personal troubles and they make some new friends along the way with their own special powers. The household of just the two of them grows into a house of 4 boys and Nico, with two other girls making frequent appearances. We learn about all these characters and their quirks and see how they are all invested in helping Nico try to form a relationship with Moi. It's not until a good handful of chapters later that we learn that in typical Nico fashion, she had somehow ended up putting a curse on Moi when they were children that locked Moi into being "best friends forever" with Nico, essentially kneecapping any romantic growth from sprouting from Moi.

It's not that important to what I wanted to talk about, but I do think this is such a fun story device because it completely fits in line with everything we've learned about Nico and what every wacky situation stems from in this series: Nico somehow uses her magic in ways that challenge the intuitive way the powers would seem to work and creating unintended effects on top of what the power is supposed to do. Nico's bond with Moi ever since they were children has also become the reason that nothing will ever happen between them.

EXCEPT... All of their new friends have sussed the situation out and form a plan to break through the curse and free Moi to accept the feelings that are actually blocked off inside his heart that they all know are there. They even have this fun visual metaphor of a heart with a valve leaking romantic feelings that gets repeated all through this arc.

They try some things to get Moi to over flow with feelings faster than the curse can repress them which is fun but ultimately fruitless, only for Moi to accidentally being able to listen in to Nico tell everyone that she loves him because of all his flaws that are center to his insecurities that make him close up. It's a beautiful moment that caps it off with using that visual metaphor again to really push emotion to the reader and I thought this was so effective!

From here on, I think what I want to talk about is spoilery enough that I should put a marker here for people that don't want to see anymore before reading:

**SPOILER WARNING!!**

The two both have feelings for each other at this point and Moi wants to confess to Nico now, but tragedy strikes as the big bad makes his move to attack Nico and friends which ends up costing Moi his life as he gets shot in the chest with a gun. Nico uses her powers to heal him at the cost of something of her own and what she ends up giving up is her time, which includes her memories, and turns back into a 5 year old.

The group find out that Nico can be restored to her natural state by collecting these magic butterflies that escaped from her body during her spell, and here is where I think this series does something that really grabbed me.

I read a LOT of manga. Like, scouring for new stuff to read every day. Comics are my primary source of entertainment and I read a LOT of romance stories. One of the things that I feel like authors have to consider when writing compelling romance is how to get readers to connect with characters enough to also want to see those characters get into a relationship. In general, I think a lot of this connection buildup happens AFTER characters get together and you have to just get accept the weak initial romantic beginning (like Galaxy Next Door for example), OR the story spends its whole lifetime creating their bonds slowly and ends right as they get together which annoys me, personally (hoping this one doesn't do that, but we will have to see).

What I think Witch Watch does here is so striking and unique; Nico and the gang put in so much effort in between their escapades to get these two characters together so that they can be happy. Right when things lock into place, it all comes to a halt and resets, but what doesn't get reset is the readers' understanding and connections to these characters. We're already invested in Nico and Moi and we get a second chance to see these characters form a loving connection in a really unique way that feels unpredictable as Nico slowly regains her age and memories back. It's got a bittersweet tone to it as Moi doesn't get to express his love in the way that he wants to, but we get to see such a complex form of love develop as he takes the role of a caretaker for little Nico. Love is more than romance or attraction and getting a chance to put that trope away for a bit to do something different is so refreshing. It really builds out something so much more complete and more befitting of a seinen maybe, rather than a shonen with fight scenes and mythical characters.

This current arc is the beginning of part 2 of Witch Watch, with the big bad leaving the group alone because Nico is useless to him as a child with no control over magic. We know this peace will come to an end when Nico is restored to her proper age, but we get to see the characters all get up to their silly antics again with child Nico in the mix now. It's a really cool shakeup that adds new life to the slapstick comedy bits that make up most of the story, putting the action in the back seat again for now. This is the most recent chapter at the time of me writing this (chapter 133), and seeing Moi's perspective as the point of view in contrast to Nico's experiences so far is really gripping to me. This final page of the chapter is what did it for me:

It hurts, but it's love. The pain is temporary, all for the goal of being together when it's all over, with a connection deeper than anything that they would have formed otherwise.

Please go give Witch Watch a read! It's really fun!!

#rudy recs #manga recs #manga recommendation #witch watch #kenta shinohara

[ottiliere]

oh my goodness your dios.. what a delight to see someone so fully invested in phantom blood dio wow. i am very happy. i love your 3D dios. really makes me want to sculpt him as well

Do it... clay is cheap bake it in the oven paint with 10 dollar set of acrylics your life will never be better. I adore phantom blood Dio so very much... years ago saw someone coin the term “phantom blood purist” and it's so funny I think about it literally every time I enter a Dio cycle. There are many aspects that go into this preference of course, and upon a great amount of time pondering i can say confidently that this is because mainly that:

1) I love history (especially the fin de siècle) and I love thinking about him in relation to Victorian values/etiquette/sociology in general... there's something so special about a society that enabled such a gross disparity of wealth&poverty while being so inherently pretentious that its asinine etiquette rules would completely elude you unless you were raised in an aristocratic family or had access to etiquette books. Dio absolutely read a great amount of these before going to the Joestar mansion btw, even before his father snuffed it I think. God help him he would not be doomed to look like a slovenly ill-bred gamin if and when he needed to manipulate the upper classes. I really can't think of a way for him to have developed these skills enough to outclass Jonathan otherwise. god and like thinking about him as a barrister too with his profligate fashion sense you just KNOW he gets drawn that way into all of the court sketches that go in all the newspapers since everyone loved to read about crime and there were a million papers for this in England alone... he'd get caricatured so bad sometimes and he is NOT happy about this.

2) You can probably tell from my indifference to the rest of the parts (except sbr; I call this the "diego rule") that I'm not the biggest fan of fantastical elements and I'm much more interested in interpersonal conflict/relationships in general... PB is extremely unique to the rest of the series because for five WHOLE chapters absolutely nothing abnormal happens and we just get to see Dio harassing Jonathan and his girlfriend until Jonathan snaps and humiliates him so bad in beating him up that he makes Dio cry. and then Dio kills his dog. Like it's literally just some impoverished child abuse victim bullying a spoiled rich kid who wanted to be his friend because lalala sunshine daisies only knows what "poverty" is from reading Oliver Twist and has no conceptual understanding of what the real-world implications of that are. That was the character development that needed multiple chapters to develop it's so fucking awesome. like yeah I'd read an entire novel of just this alone happening and how it impacts their relationship as adults no vampirism needed. I reread "dio the invader" so frequently I'm surprised the spine of my jojonium copy isn't cracked at the exact endpoint of it. I just adore him interacting with Jonathan so much it's hard to remove him from that… that's his FOIL... all the stories (some "AUs") I make with Dio involve the way he and Jonathan gravitate each other to some degree. we get the clearest view of who he is in the face of someone who is the polar opposite of himself. 🤯

2) This iteration of him is the closest degree of separation he has from his "humanity" (childhood), thus

3) I find him to be the most interesting, endearing, etc., version of him walking around, given that... well. behaviors stem from somewhere... the thematic & active severance of himself from a species he is fundamentally incapable of connecting with due to the way he adapted to help him tolerate his childhood... from his point of view I can't imagine that there is one convincing reason for him to continue being human after given the opportunity to deviate from it (despite likely still being inebriated when he vamped himself — very much an impulsive decision since he had, what, an hour or two to think that through? drunk?). If everyone's underneath him, yes, after the fact the choice seems extremely fitting. Maybe he'll cultivate a vast swathe of worshippers and disciples that obey his every command. Maybe he'll rule the world. And then, maybe, he will start to feel genuinely content for the first time in his life. But probably not. That's the drawback of having something fundamentally missing from within you.

4) He lacks a certain type of introspective awareness that 100 years alone in a box might enable him to develop... he's very animalistic to me and possesses a precarious/immature/nonexistent grasp on his emotions just given the fact that he exhibits enraged outbursts from perceived ego wounds (in both childhood and adulthood) + struggles with alcoholism due to an incapacity to self-soothe any sort of negative emotion that makes it past the self-aggrandizing filter he can't help but see life through; he really isn't in conscious control of anything happening inside of him despite needing control over everything and everyone so he can get exactly what he wants, and deserves, always. PB paints a very dim and pathetic view of his character by allowing us to see when he's most "vulnerable", which is the thing he likely hates being the most, so getting to see scenes where he's walking around publicly intoxicated and disparaging himself for acting like his father (implied: again), who he hates, and attacking men with a wine bottle for evoking the concept of his mother, who he also kind of hates but lacks the cognizant cogency to dissolve whatever cognitive dissonance is causing this mental incongruence, rules. he rules

tl;dr SDC dio is "iconic" but I feel like he misses a lot of the charm he had in part one, removed from the context of the society that had such rigid social boundaries and rules of decorum, in addition to his maladaptive approach to interpersonal relationships, his substance abuse issues, his humbling foil... he's too "cool" for me. In the end SDC dio is simply not my Dio... he is someone else's Dio. And that's okay.

#lucy art #dio brando #ask #jjba #I've said this elsewhere but somewhere out there exists my dio-obsessed doppelganger who only likes him in parts 3/6 and dislikes PB dio + #how he looks in the first part too and if we ever made physical contact the universe would implode like matter on antimatter #though I haven't actually read sdc in many years. which may be part of the problem. but also... I don't need it... jonathan isn't there...! #I did however reread the ending the other day and I forgot that jotaro gives him brain damage so bad he couldn't walk. I almost cried #soooo cute... I wish something similar happened when he was shot in the head before being burned alive #well no I don't because the narrative point was to showcase wow oohhh wow vampire powers wowwww and it worked very well #but araki retconned this in the best way possible so basically life is perfect #(acting really approachable as I dip my toe into a fandom of something I've cherished for years) have you considered dio getting more TBIs?

[t1meslayer]

Busy with important family events over the next couple of days, and so I thought it would be good to get a day-and-date release for this Debrief on the latest entry in my Sapphic Valley series, "How You Get The Girl." Be sure to read the story before jumping in!

Did you do it? Did you read the story?

Alright, I'm trusting you. Go ahead and hit that 'Keep Reading' button you scamp.

It only seems appropriate to start this Debrief off by addressing the elephant in the room. I haven't posted anything in over a month, and "By Moonlight" came about a month after its predecessor, the conclusion to "Stone-Cold Lovers."

Work, naturally, has been a major factor.

You can see me talk about that almost two weeks ago in this Tumblr post I made about writing in a coffee shop, which came weeks after I actually started writing during a trip to a friend's house.

===

Side note:

Just wanted to take a moment and acknowledge my beautiful Haley and Emily keychains. My friend who's responsible for the affairs of one ghostly farmer named Jizzabelle (Gisabelle to the laymen) got them for me! Only appropriate after I commissioned some art of her and Abigail.

Emily was my first Stardew wife, and Haley currently holds the biggest place in my heart. They make a lovely duo!

And I'll avoid any sister-wife jokes

===

While I've had some other projects like Zine writing to take care of, work and life can't explain the full absence.

The best way I can think to explain things is that:

I had the general writer's block, and

Despite the best intentions and advice of my irl friends and online pals like @alchemicallymoon and @duelbraids, I couldn't force myself to "break" that block by just... Writing something else.

This is entirely the result of my own psychosis. I have a tendency to carefully plot things out and impose a timetable that really doesn't need to exist. When I feel the cause is righteous enough, it's hard to get around that. In this case, I knew I needed to get my poll-winning idea out after dawdling for holidays like Valentine's Day, and then I knew I only wanted to post one more story before jumping on a very special event for my upcoming 30th AO3 post.

Thus, here we are: arbitrarily forcing myself into a spiral of writer's block misery because of a silly promise on Tumblr and my own sense of ordered chaos.

At the very least, this meant it's coming out not long after my AO3 pal InsertACatchyPennameHere also emerged from the woodwork to tell me they're working on something INSPIRED by my four-person friend group farm adaptations.

Much love to them, wherever they may be.

I'll probably start writing more eclectically now that my shoulders are unweighed, but don't expect my next publication to hit until I'm finished working on teasing the big event. All you Pokemon fans better get hype!

And oh how sweet this publication feels. Between my great set of recent ceramics, the figure drawing class I've been attending, and creative writing, I've felt more fulfilled than ever.

You're here to talk about Stardew, though. So let us talk.

This idea began less with any one event as it did a desire to advance the Alexis/Haley relationship, and Haley's characterization in particular. It was always going to end with watercolor painting reference, but 2 Willow Lane was what I really wanted to dig into.

As I see it, a lot of what keeps people invested in Stardew when its comfy vibes becoming routine is the air of mystery in Eric Barone's worldbuilding. Haley and Emily's parents being some world-traveling duo who left their home in the siblings' care for who knows how long (and who knows how many times over their lifetime) really piqued my interest. So much so that the new writing challenge I set for myself in "How You Get The Girl" was crafting a particularly long set of descriptions that emphasize how overwhelming the parents' influence feels — without creating an impenetrable wall of text.

Hopefully I succeeded in that. Let me know!

I tried to include some vaguely real world-adjacent references into that description of the house, as happens with the magical-realism world of Stardew Valley. For example:

The computer sitting next to their bonsai tree is an iMac G3, the kind of old 'futuristic' tech that my dad loves!

A Speedwell refrigerator is based on even more vintage tech, the Mayflower fridge, but named after a different ship ridden by Pilgrims coming to America.

That city that the family visited in an old photograph with a "monument of arching, interlocking steel" is, of course, Paris — with the statue bookends referencing any number of statues in the Louvre.

Haley's FAD magazine could be referencing any number of publications, but Vogue is probably the closest analogue to what I imagine her reading.

Furthermore, I took some notes on describing the home's layout off of my sister's apartment building, and I asked my bestie @trybard for input on what kind of hanging plant should be used in the transitional hallway. Hanging pothos, philodendron, and spider plants were the three options provided, and my response was appropriate:

They know so much about plants.

Go bug them about it.

I drew on other friends' knowledge to help decorate the house. Specifically, I asked one of my witchiest friends what kinds of protective wards someone like Emily would leave around doorways and windows. She had... A lot of reference material.

I picked Hazel given it purportedly "protects against evil; encourages abundance and inspiration." I also picked Amethyst as one of Emily's loved gifts, one that purportedly "absorbs negative energy, promotes harmony."

My witchy friend is the same one who provided the TikTok that I referenced in my advertisement post:

Perhaps the most important thing about 2 Willow Lane was the recurring motif of Barbie's Dream House.

As a surface-level reference, I think the groundwork is clear. Blondie's love of fashion and general queen bee demeanor fits comparisons to Barbie well, and she lives in a big ol' house full of stuff. We all saw Greta Gerwig's Barbie movie last year. It's still in the cultural zeitgeist.

I'm hip with the kids.

Yet, early on I also tried to make it clear that if this is a "dream" house, it's neither Haley's nor Emily's dream. Haley is a Barbie in that stereotypical sense, but also there's much to be mined from the analogy of a sort of powerless doll in an immutable house, constrained by social obligation to her family rather than literal plastic and stickers.

The cold open of Jodi and Sam was meant to stand alone, but in execution I also think drawing Kent's absence into the conversation makes for a more thematically rich comparison to these sisters who appear to have themselves more put together.

My beta reader said this wound up being one of my stronger stories because of how all of that intertwined, which I appreciated given how down on myself I was following the whole writer's block thing.

But also.

Also.

Alexis gets to be horny. She's hitting on lonely MILFs and watching girls shake their asses to the tune of bad reality TV.

We love a buff dommy mommy farm girl in this house.

Haley is probably horny too, she just doesn't realize it yet. For now I think it's fun enough to play into her being coy about building excuses for Alexis to come over, and then getting incensed when Emily barges in on their private time meant to learn more about this farm girl she just can't get out of her head.

===

Fun fact:

Every story in this series is named after a Taylor Swift song, but I know next-to nothing about her discography. All of them are suggestions by my friend whose house I was at when starting this story — the same one who controls Gardenia on the farm.

While I went with "How You Get The Girl," her alternative suggestion was "The Man."

===

All that w|w talk aside, I also want to give Sam the loveable idiot a shoutout. Had to do a fair bit of research into how skateboards are constructed for his failed ollie, and I slipped in a reference to shitty old technology that's exclusively for my beta reader to enjoy.

I also tried doing some agricultural research to figure out how the folks at Kevin Farm could have grown cucumbers so there'd be a jar of legitimate pickles... But that was getting too in the weeds.

Insert laugh track here

Decided to just go with pickled artichoke hearts to save everyone a lot of trouble.

And where does "Kevin Farm" come from, you may be asking yourself. Or the fabulous "Kevin's Special" with its definitely not innuendo tagline.

That story will have to wait for another day, my friends.

#I really went in on this one #Moreso than I was expecting #But I guess that's what happens when you get very anxious about how people on the internet are judging your ability to do things well #And in a timely manner #Not that I think any of you are judging me #My fans are great <3 #Anyway thanks so much for reading! #I promise the Kevin Farm story isn't all that interesting but one day I'll make it relevant to a piece #Fanfiction Debrief #fanfiction #fanfic #companion piece #author's commentary #ao3 #stardew valley #stardew haley #writing #creative writing #struggle #macintosh #vintage technology #paris france #louvre #vogue #plants #tiktok #witchcraft #protection #barbie #metaphors

[cobwebcorner]

Hi! Which Weskennedy fanfics do you recommend?

Oh boy it's been a while since I did a fic rec post. Ask and ye shall receive!

Note: I am including WIPs on this list if, and ONLY if, what is posted already has a significant chunk of Wesker and Leon interaction. This is still a rare pair after all, and a bit of a crack ship, so pickings are slim. They may or may not be abandoned so get invested at your own risk.

The Lost Mission: Black Smoke (WIP) by saltiestofqueers

yes top of the list is a WIP but there's over 100k words in it and it's got plenty of food for you!

A classic tale of boy tracks down villain to spooky castle, villain infects boy with virus, boy unexpectedly bonds with virus and gains mysterious powers that villain needs, boy and villain now have to learn to get along in their strange situation.

This is an AU that uses a lot of RE 4 and 5 beta content to great effect, including a reworked Excella who is very compelling. But you're not here for Excella, you're here for Weskennedy! And the boys have a wonderfully complex dynamic in which both men slowly come to terms with the fact the other is more than they expected. Leon is haunted yet stubborn, and Wesker is his usual calculating and pragmatic self.

The worldbuilding and atmosphere are also excellent.

*

Wearing White Will Make the Blood Look Pretty by Madamn_Resident

Post-RE5 Wesker tracks down Chris for revenge and accidentally winds up at Leon's apartment instead. Leon takes him in and nurses him back to health because he's just too nice for his own good.

Simultaneously a goofier yet darker take on this pairing (Wesker shreds a teddy bear at one point because A Redfield Touched It HISSSSS). This Wesker is the RE 5 incarnation with all of the camp and ham that that entails, and he bounces off a world-weary yet unfailingly kind Leon in a very fun way.

Do note that the fic ends on a bit of a cliffhanger and while there is a sequel, it is unfinished. This author also has a vampire AU which is very fun (also a WIP).

*

Weskennedy Crack series by Julius_Ranch

As it says on the tin, a series of very short, mostly cracky one shots with Wesker and Leon in an established relationship getting up to shenanigans. Awful puns abound.

*

All Work and No Play by AllHailBurnoel

I would like to direct everyone who can't wait for me to write that wesker/ada/leon threesome to this fic. It's a kinky PWP oneshot with the three, and it's not actually non-con despite how the beginning reads. I'm making note of the fact that they're doing a scene because rape fic isn't my bag, personally, and I know many of my followers aren't into it either.

*

for need and want by bloodpearls

This is a short, sweet(?) oneshot in an established relationship, essentially just Wesker angsting and working through his feelings as he cuddles a sleeping Leon.

*

In the Blue Twilight by Gawains_Green_Knight

Another established relationship. This one is half character introspection and half PWP, with very well written character interaction.

*

talking in your sleep by tenenbaums

For the dead by daylight fans, here's one in that universe. Consists mostly of Leon bantering with the newest killer, and Wesker being very bad at flirting. Author has also written a follow-up to it.

*

More Sinned Against than Sinning (WIP) by Androdamos

This is the only permutation of 'Wesker abducts Leon to get back at Chris' that I would recommend. Post-RE5 Wesker is revived by a sinister organization and then trapped into working for them. He orders Leon to be abducted ostensibly for science but really because he's bored, and the two of them unexpectedly hit it off.

They raise so much hell together and it's delightful to see. Wesker is very crafty and Leon is 1000% done with this shit. There are a lot of complicated power dynamics, stubborn heads butting against each other, and reluctant heart to hearts.

This author also has other fun short pieces for the pairing.

*

Something Human (WIP) by Visceral_Poison

This is a new one that hasn't gotten very far yet, but what there is so far is very good. It's one of those Leon-actually-gets-to-be-an-RPD rookie AUs, and one of the few I would recommend, because it nails Leon's rookie characterization, letting him be a little meeker and less confidant in himself without making him unrecognizable. The shadows of his future strength and stubbornness are there and it's wonderful to see him growing more confident already. Wesker is also well done, and doesn't come off as creepy or predatory despite the age gap. Neither of these two set out to seduce the other, they just keep having meet cutes and the chemistry is irresistible.

(Your mileage may vary, of course. I personally can't stand the soft bullied baby cop Leon uwu trend that's popped up lately so it's a big relief that this fic isn't that)

#weskennedy #fic recs #verb answers

[dg-outlaw]

Hello, fellow Jaysteph fan! It's nice to meet more people who ship this pairing. What are your favorite things about this ship that drew you to it? For me, it was a combination of their canon interactions and just how much they have in common as people. This pairing has a lot of potential and I wish that the canon would explore their relationship more.

To be honest, I sort of stumbled into the JaySteph ship/fandom, but I'm thoroughly enjoying it and the interactions with other fans and creators in the ship.

My journey initially started when I went looking for some Red Hood fanfics, wanting something a bit meatier than just a comic or graphic novel. I enjoy comics, but also wish there were more novelizations of superhero stories. I think this is where fanfic comes in as that's what people tend to do in their stories--dig deeper and spend more time with characters outside of a few internal thought bubbles. While most fanfics I see are romance-centric, slice-of-life, or NSFW (which I don't mind), I also wanted content that felt more like a comic in long-form. I was also in a writing mood, having just finished a re-write project for someone else which had really helped boost my confidence in writing. The story was something I'd never write myself, but it was consistent and I proved to myself I could do it. (I also suffer from a need for external pressure/motivation to get things done). Naturally, writing fanfic seemed like a fun way to keep that momentum and play in a fun sandbox without a bunch of character and worldbuilding.

(^ Me, needing external motivation to get things done. Also, Bruce to Jason. "But your honor, I love my son.")

Then I found the @jaystephevents page and saw there was an upcoming writing event JaySteph Weekend 2023. From there I fell down the rabbit hole of learning about and reading JaySteph stories. The last ship I saw with Jason was him and Artemis from the Outlaws, and while I enjoyed that ship, it ended in canon so I was open to a new ship for Jason.

As far as Jason and Steph go, as probably obvious from the above (and my tumblr), I've been a Jason/Red Hood fan for a long time, but didn't have a lot of knowledge about Steph. I knew she was Spoiler had been Batgirl and then Spoiler and then Batgirl again (thanks to reboots and such), but my canon knowledge was limited--including learning about her "death" and stint as Robin. Despite wanting to jump in and start writing I instead went back and read some stories with Steph and the few that had Jason and Steph in the same story as I wanted to get to know them better, and understand what their dynamic could be.

I then read a lot of JaySteph fanfics as I wanted to see what others saw in their potential relationship as well--not so much to influence my stories, but to inspire. But yes, their similar upbringings, histories, personalities, and tendency of getting pushed aside or undermined as worthy of being a part of the group did inspire me to embrace the ship. I see them as kindred spirits who could either be great together or a hot mess... or both.

I will also note that one of the first JaySteph fics that really wowed me and inspired me to explore all the different emotions and mixing in of canon in my stories was @pioneertothefalls' series True Love Waits. I was still plotting, researching, and writing my first JaySteph story while reading other shorter stories in the ship, but that series was my go-to read starting out last year. There are so many great authors and stories in the ship (so I won't name them for fear of leaving someone out), but that one really resonated with me and had me sold on JaySteph. It's got action, romance, humor, drama, slice of life, canon tie-ins, spicy stuff, and everything in-between. IMO, it set the bar for me and I was like, "okay, don't write crap." Not that I would try to write crap (and hopefully I haven't), but it did help motivate me to really invest in what I was writing.

Also, Jason and Steph are confident badasses who tend to jump head first into things, but they also secretly hide away their insecurities or sometimes hesitate. And their insecurities are ones that only those closest to them are allowed to see, and even then just a bit. They've been hurt in so many ways and all they want to do is be loved and love others like crazy. They have hope and perseverance despite the odds and naysayers. They don't always believe that they deserve to be heroes, but they still do it nonetheless despite their past mistakes and crimes. I'd say Steph is more emotionally mature in these areas because she's had more people around her to support her, but there's fear in both of them. In this, there's lots of things I can relate to personally from my own childhood, adolescence, and young adulthood, apart from not being an adopted orphan, vigilante, or having a criminal or billionaire father, but... Potato-Tomato. :P

I also have thoughts on all the BS complaints I see from some people (mostly on Reddit) about "ince$t" and Steph being "passed around the Batboys" when it comes to the JaySteph ship, but this is already a long post so I'll save that rant for now.

All in all, this is a really fun ship and I enjoy the community and people around it. There's also a JaySteph Discord (18+) for anyone interested. More info @jaysteph-server.

Thanks for the Ask @imaginationcenter! :)

#dc comics #jason todd #red hood #stephanie brown #stephanie brown spoiler #batgirl stephanie brown #jaysteph #my first question and answer! #long post