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#and i am theirs. and we are not one but we are community. a community of bloodsoaked lightning.
inchidentally · 4 months
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https://x.com/MERCL4REN/status/1743286121973555513?s=20
find the difference level impossible :D but seriously, this tweet gave me a stomachache from laughing so hard.
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THERE'S MY TWO CREEPY TOO SIMILAR VESTAL VIRGINS THAT MAKE ALL THE MEN ON THE GRID (except lewis) GO HUUUHHHHH???
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dogkin · 2 years
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wait so. youre aplatonic yea? so you dont love anyone platonically? you genuinely do not seek friendship??? im sorry if i come off as a jerk but i really can't wrap my head around it. ig cause im.not aplatonic so it doesnt really make sense to me. you don't have to answer / extrapolate on your . uh identity(?) if you dont want to or if it makes you uncomfortable ofc /gen
I don’t feel platonic attraction or love to anyone, and if I do it’s temporary/short lived/fleeting all that. That’s all there is to it
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daybringersol · 7 months
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fun fact (not fun at all fact actually) :
aromanticism and asexuality are still treated as issues to be fixed in most therapy settings, at least in the western psychiatric institution. i cannot fucking mention my aromanticism or asexuality to a therapist or it’ll immediately become their primary concern and goal to fix. whether or not i have a partner/am trying to have a partner is actively being used as an indicator of my wellness, regardless of if i WANT one. i cannot have access to needed mental health ressources because of fear of conversion therapy. aro and/or ace conversion therapy is the norm in most psychiatric institutions and we are getting told by the rest of the queer community that our oppression isnt real and that there is no link between our struggles and theirs.
more thoughts on the medicalization of asexuality and/or aromanticism
answers to common notes
aplatonic perspective
ressources
background information
tips to avoid aro and/or ace conversion therapy
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reimenaashelyee · 8 months
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Campaign to make The God of Arepo an award winning work and win a literal brick as a trophy for the authors and for Tumblr community as a whole (SUCCEEDED!!!! Update below)
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As the artist for one of The God of Arepo comics, my version is up for consideration for the Ignatz Awards for Outstanding Online Comic.
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For those of you who don't know the Ignatz is one of the highest industry awards that "recognize outstanding achievements in comics and cartooning by small press creators or creator-owned projects published by larger publishers".
The thing is, winning the award means winning an actual literal brick. Because the mascot is a brick-throwing mouse. So they have to make a bit where the trophy is a brick. Like. Look.
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For a long time I thought it was just plain bricks they were handing out, but my friend who won a couple of bricks two years ago had theirs stamped (I saw the bricks in person at their house). So now I am obsessed with the idea of The God of Arepo winning an Ignatz trophy. It will have the honours stamped. On a freaking brick. That's the most Tumblr level meme trophy this comic/story could win (which is also a legit high honour industry award on its own btw don't get me wrong). But wilder than that, the brick allows me to do something. It allows me to smash that break into 5 pieces and ship one of each to the authors plus myself. Writing Prompts, sadoeuphemist, ciiriianan, stu-pot and me will get a piece of clay in recognition for our work with the farmer who built a temple out of stone. The full circle moment.
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Imagine the value of this win to the lore of this Tumblr sacred text/folklore. This brick will be smashed and given to the creators, but as a collective folklore, it's also dedicated to all of us on this hellsite too. AWARD WINNING. If The God of Arepo wins I will document the entire process of smashing that brick here.
But we have to make this happen. We need to gather our collective energy and make this campaign work. Please help make The God of Arepo an award-winning story and vote for it in the Outstanding Online Comic category (link). You will need to request a ballot, then submit your vote. I recommend checking out the other nominated comics too. The Ignatz really shortlists good stuff. The voting closes September 8 2023 . LET'S GET THE GOD OF AREPO A BRICK FOR HIS TEMPLE!! LET'S GO!!!! REBLOGS HELP TOO!!
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actual-changeling · 6 months
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we do not talk enough about the moment right before crowley puts his sunglasses back on. the "nothing lasts forever" is devastating and if you're like me your eyes were so full of tears you couldn't see the screen the first time you watched it (just like crowley, look at us all twinning in sadness!).
there is a shift that happens in his eyes and i think it is absolutely fascinating and heartbreaking at the same time.
we begin with crowley averting his gaze from aziraphale's face and staring off into the distance instead, and you can see his spirit break. that crowley just lost the one thing in the world he cannot live without and we can see it written across his face like a neon sign.
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then, as you'd expect, he gives into the need to cover up his pain, to try and make himself less vulnerable, and even before he lifts his glasses he looks down so aziraphale can no longer see his eyes.
now, the next part is what would not let me out of its grasp all day. we know it happens because of his demeanour afterwards and up until the kiss, but you can actually watch as crowley makes himself numb to the world.
i am intimately familiar with dissociation as a trauma and stress response, and while you can never fully control it, you do eventually find the switch in your mind that makes you snap back into the haze. crowley has had six thousand years to get really, really good at leaving reality behind when he needs and/or wants to.
that's exactly what he does.
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he still looks sad, and yet there's just something distinctly distant in his eyes, the shift from openly heartbroken to "i don't want to feel any of this let me leave".
glasses? on
emotions? off
hotel? trivago
i have stared at those four frames more than any person probably should and i don't know if it's the light, if i am going insane, or if there is a single tear sliding out of his right (our left) eye. i'm probably insane and the light is a bitch so if anyone has some high resolution shots or anything that could answer that question without a doubt PLEASE do add it.
by now you are probably ready to threaten me with a knife in a dark alley but before you do that or drive your car off a cliff, let me tell you the best part:
aziraphale notices.
they might be communicating on two different frequencies but aziraphale knows crowley. he knows and loves him, and, most importantly, over the last few years he has gotten used to seeing crowley without his glasses. aziraphale could probably write a book on the expressions in his eyes alone and watches that shift happen and is devastated.
look.
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he tries to make himself hope the same second, tries to convince himself crowley is putting on his glasses so they can leave together, but he knows.
aziraphale sees the light leave crowley's eyes, sees crowley leave, knowing that he is quite literally running away from him. you and me against the world, angel, but in that moment crowley firmly pushes him back to "the world" (or tries to, anyway).
the entire season we see crowley take off his glasses whenever he enters the bookshop to the point where he's running around without them on in broad daylight with jimbriel right there.
can you imagine how hurt and confused aziraphale must be?
because what crowley is telling him, if we really, really break it down, is that aziraphale is no longer a safe person for him. and repairing that trust is going to take time and work, no matter how much crowley loves him, how badly they love and need each other.
anyway to seal this off and really rub in the pain - how it started vs. how it ended. <3
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oh one last thing: now crowley no longer has a single person he can be himself around, no one that knows him, no one he trusts. no one in whose presence he can take his glasses off.
and outside of the bentley and his own flat, he no longer has a place to do so either. the bookshop was theirs. with aziraphale gone, is it really a safe place anymore? is it somewhere he can just let himself be knowing he will be looked after and protected?
easy answer: no.
alright, off i go. see y'all on the next angst post or in the tags.
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inkskinned · 11 months
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there are days that it is hard, and unfair, and some horrible part of me wishes i could have been born in a different world. i love being queer, i hate how others react to it. when i first came out at 15, my mom whispered: please don't say that. your life would be so much harder.
it is harder.
it is also a tuesday, walking my dog. we are both skiving off of work, and yes both of us have dyed hair and pronouns. mine is patchy - it was my first time trying bleach; i didn't have enough. theirs is a resilient toadstool green. a little girl comes up to us and asks um, excuse me? is your hair real? 'cause jason says you're a fairy.
it is sunday brunch, all of us talking over each other, overfull on love. she is trying out a new name today, and we made her a cake with today's name scrawled in shaky purple letters. she laughs so much she cries and then gets frosting in her hair. someone young at a different table keeps giving us these large, wide eyes: the same look we have all been on the other side of. the kind that says, breathless: wait, is that possible?
it is a half-fight in a supermarket because he loves "dance moms" and says abby's tiktok is funny and meanwhile i think the children in that show should be allowed to sue abby lee miller for child abuse. i tell him that it led to the casual acceptance of child harassment for mainly adult views; and then i am standing, suddenly, in someone else's thrown soda. there's a white lady standing there, furious, saying something about hell-on-earth. i had forgotten i was wearing stuff with pride colors. and then it is this: he had just been casually arguing with me - and within an instant, he squares his shoulders and goes after her like i am his sister
on saturday i sat in a circle while beca played with my hair and we were all over 30 and we laughed about how much happier we are being this old, how much more we appreciate our community. 25 minutes from now, we will be on stage to dance in baggy beige clothing, but for now we look on with envy to the dancers in loud-and-bright buttondowns. where are they getting these shirts! i cry, distraught. everyone laughs. one of our friends has a mushroom witch hat. this would have been cringey in high school, probably. instead we are all delighted with each other; happy just to be here and alive and moving
it's that last week my new friends cried with joy for me when they heard i'm getting top surgery. every so often i have the honor of being the first person someone feels comfortable enough to tell. i'm trying to make long fluttery butterfly wings to wear to pride; but i don't know anything about fabric or dye, so my friends have been sending me their personal advice.
i think in a different poem i would talk about how sometimes you walk into a room and put the mask back on. but i'm sleepy and my whole brain is fuzzy so i think in this one, it's a monday, and my dog and i took a nap on a couch, and i had missed texts from friends. i used to wake up lonely. i think this poem is about walking into a room and seeing someone and just knowing, the way you just-know-sometimes, and then giving them that little smile, and seeing them light up with joy and relief. it is how we always seem to be able to find each other in a crowded room. how we always seem to make friends with each other before even we know-it-to-be-true. it is saying: we're very different people; but i belong to you.
it is harder, yes. but it comes with a built-in family.
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rafeandonlyrafe · 6 months
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live like a kook
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words: 5.2k
the camerons take you in after your house is destroyed in a hurricane, giving you a month to live like a kook
warnings: enemies to lovers, lots of pogues vs kooks dynamic, rafe being mean to reader, reader is john bs cousin, food insecurity/mentions of going hungry, cursing
taglist: @drewstarkeysbae @thelomlisrafecameron @f4ll-for-you @dilvcv @winterrrnight @slut4drudy @drewsbabygirll @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks @angelofcigs
“dad, this is fucking ridiculous. no way am i sharing my home with a fucking pogue.” rafe argues, his voice raising higher and higher as the fight goes on.
“well, get over it rafe. we are doing our part for the community, this girls house got destroyed in the hurricane, she’s staying here for the next month. end of story.” ward says firmly, hoping to temper his sons anger before you arrive.
“bullshit, you don’t care about helping the pogues, all you want is to look like a good guy.” rafe runs his hand through his hair, pushing it back off his forehead. “it’s not safe. we can’t trust them, what if she steals from us?”
ward pauses. it’s something he did think about, which is why he went through the house and hid the most valuable items, locking them away in a secret safe. “you keep an eye on her then, rafe.”
it’s the end of the conversation as ward walks out of the room, even after rafe continues after him, not accepting his dads solution. wards patience with his son is about to bubble over when the doorbell rings.
ward gives rafe a pointed look to calm himself down, or at least be quiet about his disdain as he opens up the door to reveal you standing there, only carrying a backpack, fitting all of your belongings after losing almost everything in the hurricane.
“hello, mr. cameron, i’m y/n.” you stick your hand out, accepting the firm but friendly shake ward gives you.
“y/n?”
you look around ward into the house, making eye contact with a shocked rafe.
“you didn’t tell me it was- her who was going to be staying here.” rafe spits, looking at his dad, nostrils flaring in anger.
“rafe, watch yourself.” ward warns, stepping back from the door and beckoning you over the threshold.
“hi rafe.” you say quietly. you had foolishly hoped that rafe wouldn’t mind you staying here. it’s not like you ever really interact, but you know that he doesn’t get along with your cousin john b.
ward gives you a tour of the house, introducing you to rose and wheezy, and the whole time rafe stalks behind you, silent and domineering. 
“thank you again for letting me stay here.” you say when ward shows you what is to be your room for the next month, situated between rafes and sarahs, who is currently out, probably with your cousin.
“of course.” ward says. “i’ll give you some time to unpack, we are serving dinner in around an hour.” “okay.” you nod, heading into your room, shutting the door carefully behind you. you glance around the opulent bedroom, so unlike what you are used to, large sweeping curtains covering the windows, sturdy wooden furniture, and best of all, the huge bed covering most of the floor.
you drop your backpack, letting yourself flop back onto the bed, letting out a laugh when you realize that even the ceiling is beautiful. 
you weren’t sure what to expect when you got told that there were some people opening up their homes for those who lost theirs due to the hurricane, but you certainly never expected it to be the camerons, or any other rich kooks.
you’re still smiling to yourself when your door bursts open. your eyes widen as rafe takes up the entire doorway, not asking permission before barging into your room and slamming the door forcefully behind him.
“hey!” you shout, swinging your legs to the side of the bed and turning to stare at rafe. 
“shut up.” rafe warns, quickly crossing the space between the door and the bed, hovering over you. “i want to make one thing very clear.” he holds up his pointer finger, pausing as you flicker your eyes from his hand back to his face. “do not touch anything in this house. if you steal like your loser pogue cousin, i will know. i will be watching you.”
rafe doesn’t say anything more, he doesn’t need to, turning and walking out of the room, leaving your door flung wide open, not bothering to even shut it behind him. you shiver at the warning, not that you planned on stealing, but you did plan on a peaceful stay here, and it seems like rafe is committed to the exact opposite.
you stand and shut your door, this time making sure to lock it.
--
“that’s screwed into the wall.” rafes voice suddenly rings down the hallway, making you jump away from the painting.
“i wasn’t going to steal it.” you grumble, crossing your arms. you were still familiarizing yourself with the house, spending some time wandering alone, but around every corner, rafe is there.
“then what were you doing staring it?” he questions.
“admiring the art, if that’s so hard to believe. yes, rafe,” you say with a sigh “even a dirty dumb pogue like me can appreciate a painting.”
“well then you don’t mind if i stand here and watch as you appreciate it.” rafe crosses his arms, muscles bulging. you turn back to the painting, looking over the landscape scene, but rafes eyes are drilling holes into you, and just like he wanted, you quickly get too frustrating, groaning and stomping away.
you head out into the garden, needing a breath of fresh air and to look upon the ocean. 
“he’s an asshole.”
you jump, not realizing wheezie was in the hammock you stopped next to.
“what?” you question.
“rafe. he’s an asshole.” “you said it, not me.” you sigh, taking the hair tie off your wrist and pulling your hair into a ponytail as the wind picks up.
“just try and avoid him when he gets in his pissy moods. he’s not like this all the time.” wheezie gives you a piece of advice as she swings her legs over the side of the hammock, heading back inside.
you watch her until she’s all the way in, before glancing up and realizing that rafe is watching you as well. your brow scrunches in anger and you turn, not giving him the satisfaction of seeing you angry again.
you head towards the expansive dock, marveling at how far it stretches out into the ocean as you plop down on the wood, swinging your feet over the edge. your eyes are on the horizon as gray clouds roll in, probably a cell from the recent hurricane that broke off.
you keep your back turned to the house, not wanting to retreat yet as you watch the storm roll in, scenting the air change as the temperature drops. you wrap your arms around yourself to keep warm as the wind picks up, but the rain still hasn’t reached you yet.
you daydream about living in a house like tanneyhill. not for a month, but for your whole life. of getting out of your small cottage, now being rebuilt by your deadbeat dad, and living a life of luxury like the camerons.
strong hands grab onto your upper arms, pulling you to a standing position like you weigh nothing. “what are you doing?” rafe asks, shaking you slightly, his eyes wide with what you think might be worry.
“get off of me!” you shout, pulling yourself out of his hold.
“do you want to get yourself sick? it’s cold, and there’s a storm coming in. get inside.” rafe stares at you expectantly as the first sprinkles of rain starts to fall. you want to fight, to push back, but you also don’t want to get soaked, walking past rafe without acknowledging him as you both head into the house just before the downpour hits.
rafe doesn’t even glance at you as he pushes past, heading to his room.
--
“y/n, you wanna come with me?” sarah asks, slinging her bag over her shoulder, probably going to spend another night at john b’s. she’s been away from tanneyhill more often then she’s been here ever since you arrived.
you glance at rafe who is sitting on the couch, phone in hand. you’re not sure if he’s even paying attention to whats going on.
“sure.” you reply, “just give me a second to get changed.”
“alright, john b will be here in 5 minutes in the twinkie.” sarah heads outside to wait as you move up the stairs, taking off your leggings and opting for a pair of shorts instead, slipping your tennis shoes on.
you gasp in surprise when you open the door and run right into rafes wide chest.
“i heard you’re going to hang out with the dirty pogues.” rafe says, taking a step back when you push against his chest. you know he’s choosing to let you by, and if he wanted to he could have stood firm.
“in case you forgot, rafe-” you shoot him a pointed look as you head down the stairs. “i am one of those dirty pogues.” rafe stays put as you head outside, and you’re thankful to get some time away tanneyhill as the twinkie pulls down the street.
“hey, it’s my favorite cousin!” john b shouts when he sees you getting in along with sarah.
“john b, i’m your only cousin.” you roll your eyes, turning to watch out the window as tanneyhill disappears from view.
it’s nice to catch up with your friends and cousin, spending the afternoon relaxing and talking around a campfire. you are especially happy pope is here, always getting along so well with him.
“there they go again.” pope sighs when kiara starts to fight with jj, both of you rolling your eyes at each other, wishing they’d just work through whatever repressed feelings they have for each other.
“hey, john b, can you give me a ride back to tanneyhill?” you ask, noticing it’s start to get dark.
“aw, can’t you just stay here?” john b asks, his tongue obviously loosened by the beer he was sipping on. “i hate that my cousin is there, taking the kooks charity.” “just because you don’t want any help doesn’t mean that i can’t accept it.” you say, raising your voice. “besides, you knew our house got destroyed and you didn’t even reach out. you were too busy with sarah.”
you stomp away from the chateau, heading down the dirt driveway, determined to walk back to tanneyhill if john b wouldn’t give you a ride.
“y/n! wait!” if it was john b calling for you, you wouldn’t have stopped, but you turn to face sarah. 
“listen-” you interrupt her before she can speak. “i’m not mad at you. i’m not even mad at john b. i’ve just been through a lot and want to go ho- back to tanneyhill.” “i’m sorry.” sarah pulls you into a hug, one that you didn’t realize you needed that much. “john b’s probably too drunk to drive. i texted rafe to come pick you up.”
you sigh, trying not to let your disappointment show on your face. you really don’t want to spend time alone with rafe, but you thank her and tell her to tell rafe that you’re starting to walk so to keep an eye out on the way, figuring it would be better to distance yourself from the rest of the pogues before he got to you.
you spot rafes truck after walking for a few minutes, watching him slow to a stop before you climb into the passenger seat.
“thanks.” you whisper, not sure what else to say as rafe presses down on the gas. you expect him to turn back towards tanneyhill, but he’s driving you in a different direction.
“where are we going?” you ask.
“i doubt you ate anything good while you were with the pogues. you need to get some real food.” rafe pulls into town, finding a parking spot that would fit his truck.
“rafe, it’s okay, i’ll eat at tanneyhill.” you say, but he just gets out of the truck and walks around to your side, yanking the door open and gesturing for you to get out.
“i see what you eat at tanneyhill. it’s never real meals unless it’s what rose makes, and she’s out tonight with my dad. just come on.”
you slide out of the truck, watching rafes back as he walks away, expecting you to follow. you stay a few feet behind him until rafe turns into a restaurant, again holding the door open for you as you duck inside. it’s not one you’ve been to before, probably because it’s out of your price range.
“just the two of you?” the hostess asks. rafe nods in response, and you’re quickly shown back to a table.
“rafe, i-i can’t afford this.” you say when looking at the menu. you can’t even afford just an appetizer. 
“you don’t think i know that, pogue?” rafe rubs his brow. “i’ve got it, just eat, please.”
you study the menu, opting for a simple chicken and fries, along with mozzarella sticks. afterall, rafe is paying. he orders a burger for himself, not even glancing at the waitress who took your orders, like she's beneath him.
“did ward put you in charge of me or something?” you ask after sitting in an awkward silence for a few minutes, waiting on your food to be brought out.
“i don’t want to be sharing a house with someone who is sick because they refuse to eat right.” rafe says. “i don’t want to find you passed out because you didn’t get enough food.” rafe leans back in his chair, glancing over you. “that would just be an inconvenience.”
“ah.” you nod, keeping your eyes on the empty place in front of you until your food is brought out. your stomach growls at the smell, not realizing how hungry you truly were, so used to going all day without a true proper hot meal, surviving on snacks and whatever else you could find.
you dig into your food, moaning when the melted cheese enters your mouth after biting down on the mozzarella stick.
“hey!” you shout when rafe reaches across the table and takes one of the sticks, biting the end of it off. 
rafe just grins at you while chewing, making you shake your head in laughter. you continue eating your meal, not even realizing that you just had a nice moment with rafe until later that night when you’re laying in bed, reflecting on your evening with rafe. he didn’t make a big fuss when paying for the bill, simply sat his credit card down and didn’t mention how you were broke, then drove you back to the house and bid you goodnight upon entering tanneyhill.
you press your cold fingers to your cheeks, willing them to settle down as you shift underneath the covers, pulling the blanket tighter around yourself, reminding yourself that one nice thing doesn’t mean rafe doesn’t hate you, afterall, like he said himself, he just doesn’t want you to be an inconvenience.
--
“mr. cameron, i really don’t want to impose!” you say, but ward just shakes his head. “nonsense, y/n. you’re coming with us.”
“let me help you with your hair, dear, come on.” rose ushers you towards her bedroom. you give wheezie a pleading look, but there’s nothing that she can say to get you out of going to midsummers, not now that ward is determined to have you come with them, showing off how generous and charitable he is by taking you in.
you sit still as rose patiently straightens your wavy hair, only to recurl it, pinning sections up until it’s mostly swept out of your face besides for a few face framing strands, then cascading down your back.
“rose-” you breath catches in the mirror. “you did amazing, thank you.” you turn to look at the woman. “i’ve never had my hair done like this before.” “you look beautiful, y/n. it’s a pleasure to have you with our family tonight. i think sarah is in her bedroom doing her makeup, maybe she can put some on you too.”
you nod and head towards sarahs room. you didn’t want to go at first and be surrounded by kooks, but now that you have no choice, you might as well enjoy feeling beautiful for one night. sarah already leant you a dress, but she agrees to do your makeup as well, keeping it light and fresh before helping you sort out putting on the dress.
you look in the mirror at yourself, unable to resist twirling, the fluttery skirt of the dress billowing up on the bottom. 
“girls, it’s time to leave!” you hear ward call, and you finish off the outfit with a flower crown of pale pink flowers to match your dress before rushing out of the room.
you head down the stairs, gripping the railing so you don’t stumble in your borrowed heels. 
rafe looks up, ready to chastise you for taking so long, when his breath catches in his throat, eyes going wide.
“not too bad for a pogue, huh?” you question.
“you look…” rafe trails off, his soft expression quickly being replaced with an angry one, stomping out of the room without finishing his sentence. you resist the urge to chase after him.
you don’t see rafe until hours later. you’ve been paraded in front of all of ward and roses country club friends, but you just put on a smile and boast about their generosity. you’re not sure if anyone can see through the fakeness, but ward seems pleased, and finally lets you stop mingling to rest your tired feet.
you watch the crowd from the camerons reserved head table, feeling like such an outsider, knowing this isn’t where you belong, and if you weren’t scrubbed clean and dressed like them, the kooks would be turning their nose up at you. at least rafe is decent enough to not try and hide his hatred behind a nice face.
you spot rafe in the crowd, whisky glass in hand as he talks to his friends, a bright smile on his face that gives you a funny feeling in your chest. you rub the spot with your hand, willing it to go away as people clear out from standing on the dance floor as the music starts, a few brave couples being the first one to begin swaying to the music. 
you watch as ward and rose dance, eyebrows raising up when they turn their attention to you. “y/n, come on!” 
you consider ruining having a place to stay and sleeping on the street tonight, but you’ve put on a good act so far, you can continue it for a bit longer. you smile and walk over to them, expecting to be shoved into the arms of some random kook boy, but instead you’re ushered to rafe.
“dance, you two!” rose calls, grabbing a champagne flute from a passing waiter.
rafe holds his hand out, looking at you expectantly. you hesitate to place your hand in his, making rafe sigh. 
“you don’t know how to dance, do you pogue?” he questions.
“maybe i just don’t want to with you.” you place your hand in his, letting him tug you closer, his other hand resting against your waist while you grab onto his shoulder. you follow rafes lead, matching your footsteps with his as he sways you around the floor, glad the song is soft and gentle so you can just move slowly.
“see, this isn’t so bad.” rafe says, looking down at you.
“could be worse i suppose.” you hum, keeping your gaze straight forward at rafes chest as the song comes to an end.
the lights dim, and a romantic song comes on. you go to pull away from rafe, but he keeps you close to him, wrapping both arms around your waist and leaving you no choice but to put your arms around his shoulders.
you look to see all the other couples pressed close together, women with their head against their mens chest, some even kissing in the low lighting.
“just relax.” rafe whispers. “you’re so tight you’re gonna snap.”
you let your body relax in his hold, not realizing that you were clenching almost every muscle in your body. your head falls against rafes chest as you dance, letting yourself close your eyes and be swept away in the loving lyrics of the song, once again daydreaming about if this was actually your life.
the song ends far sooner than you’d like, and the lights brighten again. the crowd claps for a moment, but you’re locked into rafes arms, both of you now standing completely still. you can hear his steady heartbeat against your cheek, his breathing slow and deliberate.
“you look beautiful tonight.” rafe says, making you jump, almost forgetting who you are, and who he is. “that’s what i didn’t say earlier.” rafe clarifies, face falling when you look up at him in horror. you pull away from his arms, instantly missing his warmth as you run as fast as your heels can carry you out of the crowd, needing to get away from the music and the man.
you look down at your borrowed dress. you would rip it off or roll in dirt if you didn’t have to give it back to sarah, hating that this is what rafe finds beautiful. when you’re primped up to look like one of them, not the real you.
you find a dark corner to sit in until the party starts to disperse, and when you find the cameron family again, rafe isn’t with them, and no one mentions it as you pile in the car to head back to tanneyhill.
--
“are you sure you don’t want to come out on the boat with us, y/n?” wheezie asks you, but you shake your head.
“i’m okay, i’ll just stay back and read. i don’t want to impose, enjoy some time as a family.” you can tell already from being at the camerons for three weeks that they rarely do things as a family, at least one person, usually rafe or sarah, being left out.
“alright, i guess it’s you and rafe staying home. lets go!” ward calls, ushering the girls out of the room.
“wait, what?” you call, but they’re already out the door. you thought for sure rafe was going with him. you haven’t spoken a single word to each other in the past three days since midsummers. he’s barely even been around, you’ve just caught glimpses as he left for the day or came home.
you make a late breakfast for yourself, deciding since you’re basically home alone to fry up some bacon. you’re too nervous to use the kitchen for anything more than grabbing a quick snack when rose or ward are home.
you hum to yourself as the oil sizzles in the pan, finishing cooking your meal when you hear heavy footsteps coming down the stairs.
“rose, is that bacon?” rafe calls, entering into the kitchen with just a pair of basketball shorts on, freezing when he sees you.
“they all left.” you say, swallowing and resisting the urge to let your eyes track all over his torso. “but um, i made extra if you want some.” “yeah, let me just put a shirt on.” rafe walks away and you take the opportunity to fan your face, dividing the bacon up between two plates and sitting down at the counter, starting to eat when rafe rejoins you in the room.
you both eat side by side in silence, and you’re glad to not be talking. you finish your food, going to put your plate in the dishwasher when rafe takes it from you and does it for you.
“thanks.” you say under your breath, going to turn away when rafe clears his throat. “what is it?” you question, voice coming out harsher than you meant it to.
“i’m going to golf today. did you want to come with me?” rafe asks, not meeting your gaze.
“i- i don’t know how to golf.” you say as your way of refusal.
“right.” rafe nods, letting his shoulders drop.
“dirty pogue, remember?” you question.
rafe doesn’t say another word, he doesn’t even look at you as he leaves the room. you watch him walk away before closing yourself in your room, only moving to peek out the window when you hear his truck start up, watching it speed away from the house.
--
“y/n, you have a visitor.” ward says, ushering you towards the front room. you stand up, confused, not sure who would be visiting. it’s not like you have any friends who would come to tanneyhill.
“dad!” you shout in surprise, seeing him standing in the foyer, looking out of place in his dirty shorts and tank top.
“hey, y/n.” he says casually, like it hasn’t been four weeks since he saw you last, shipping you off to stay with a kook while he fixed up the hurricane damage on your house.
“what are you doing here?” you question, looking to the base of the stairs where rafe is stood on the bottom steps, arms crossed and watching the interaction with a scowl on his face.
“i finished fixing up the house enough for you to come home.” 
“oh.” you nod. you’d completely forgotten in your time here that you were only staying for a month, and that of course your dad would be here to collect you. “let me just get my things.” you force yourself to turn away and rush up the stairs, letting a few tears slip. you don’t want to go back to staying in a broken down house, and you especially don’t want to stay with your dad, having to fend for yourself completely while he spends all your money on drinks at the bar, not even leaving you enough for food.
you head into your room, wiping away tears as you shove things into your bag, including some clothes sarah was going to donate but she gave to you instead.
you control your breathing and stop your tears before you head downstairs, making eye contact with rafe as you walk down, unable to read the emotion on his face.
“thank you again, mr and mrs cameron for letting me stay here.” you say politely, and the both pull you into awkward hugs. 
“and bye, wheezie.” you squeeze the teenager against you, whispering a promise to come back and hang out.
you turn to rafe as your father walks out the door. you can’t find any words, so you simply turn and leave.
--
“dad, i need to buy food.” you argue. “i’m starving!” “you just want to pig out on fast food! we have things here you can eat!” your dad slurs his words, gesturing to the broken down kitchen. there wasn’t as much done in the month that you were gone that you were hoping for. he’s cleaned up the hurricane damage in most of the rooms, but tree that fell onto your bedroom is still there, simply hidden by a closed door, relegating you to sleeping on the old couch.
you curse as your dad stumbles into his bedroom, opening the kitchen cabinets to look for something edible before landing on a packet of saltine crackers.
you take the packet outside along with a water bottle, needing to get away from that house and your father. you sit down on the swing hanging from a high tree branch, crunching on the crackers as you listen to the birds chirping.
the mockingbirds song is interrupted by the rumble of an engine, and you turn towards your driveway, shooting up to stand when you recognize the truck getting closer.
you walk towards the truck, confused at why rafe is here, wondering if maybe you left something at tanneyhill, but it’s already been two weeks since you left. maybe he only just now bothered to return it.
rafe gets out of the truck, his eyes wide as he takes you in.
“how are you already so skinny?” rafe questions, taking the saltine cracker out of your hand and looking at it with disdain. “is this all you have to eat?”
“rafe, what are you doing here?” you question, snatching the precious cracker back.
“i-fuck!” rafe runs both his hands through his hair, “i was worried! and look at you! is he feeding you at all?” “rafe, calm down. you’ll wake him up.” you try and shush him, but it just makes rafe angrier.
“wake him up? does he hurt you? y/n.” rafe grips your upper arms, staring you straight in the eye, needing to know if what he suspects is true.
“what? no, rafe. he just drinks then passes out, he’s never hit me.” you’re still confused why rafe is even here. 
“get in the truck, i’m getting you food.” rafe demands, and your mind says no, but your rumbling stomach has your feet moving. you climb into the passenger side, looking at your broken down home thats truly no more than a shack. you wonder what rafe must feel seeing it as he gets in and starts the truck, backing out of the driveway.
you bring your knees up to your chest, letting your head fall as you sob silently. rafe doesn’t realize that you’re crying until your body starts to shake. he stops the truck in the middle of the dirt road, not caring if it blocks anyone else.
“y/n?” rafe questions, unsure how to get you to stop crying, worrying that it’s his fault.
“i don’t wanna go back there.” you admit, looking up at rafe, letting him see the messy state you’re in.
“fuck it.” rafe sighs, unbuckling both of your seatbelts and pulling you onto his lap, wrapping his strong arms around you as you press your face into his shoulder, letting your tears run free, not caring about the wet stains you’re making on his clothes.
“it’s okay.” rafe rubs his hand up and down your back. “you don’t have to go back there. you don’t have to do anything you don’t want to. i’m here.”
you cry harder, wrapping your arms around rafes waist, keeping yourself close to him, letting yourself find comfort in his arms.
“i’m here, y/n.” rafe whispers, pressing a kiss to your head.
you look up at him, tears still flowing down your face. “why? why are you here?” “i told you…” rafe cups your cheek, trying to wipe away the tears but they just keep flowing. “i was worried. i had to come check on you… please stop crying.”
rafes words do nothing to stop the deluge, and he’s starting to freak out, hating seeing you so upset, knowing you need some sort of distraction as your breathing speeds up, starting to hyperventilate until rafes lips are pressed against your own.
you’re momentarily confused, hesitating for a split second before kissing back, letting rafe dominate your mouth as you concede, the tears slowing to a stop as he keeps kissing you.
“rafe!” you gasp when he pulls away. “you just kissed me.” “i know.” rafe wipes his palms over your cheeks, and this time theres no fresh tears to replace it. “i care about you y/n. it’s why i came. i missed you.”
“oh, rafe.” you lean forward, letting him hug you tight, squeezing your bodies together.
“i’m here.” rafe whispers again, not letting you spiral, reminding you as many times as it takes that you’re not alone, that you have him now.
“now,” rafe gives your forehead a kiss, “we need to get you some real food. what are you hungry for? pizza?”
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creatureheart · 20 days
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Static image version of a previously posted video. All images are ALT text, but I shall also paste the text here:
COMMUNITY PSA: A reminder that those who identify physically as nonhuman are welcome and have always, and will always, be a part of the therian, alterhuman, nonhuman, otherkin, and similar communities, and can use ANY of these labels.
Whether their reason for identifying this way is spiritual, due to delusions, trauma, mental health, conditions such as lycanthropy or zoanthropy or is similar to the notion of "this is my body, and I am nonhuman, therefore my body is nonhuman" is their business and theirs alone.
People outside of the communities will always find a way to dislike us, and trying to cater to them by putting down other members of these groups will never make them fully accept us. Playing into the "Us vs Them" mindset only pushes the community apart.
All I hear when I see videos and comments from fellow therians, nonhumans, otherkin and alterhumans talking about these identities being ONLY non-physical is, "well, we OBVIOUSLY don't identify physically as animals/etc. We're not like those CRAZY people!"
Which is not only ableist but paints those who do identify physically in a bad light, whatever their reason may be. Delusions and mental illnesses that may cause them does not mean the identity of that individual is fake or wrong. So treat others nicely, even if you may not understand.
Not only that but delusions and the mental illnesses that cause them do not always equate to distressing or bad. Unlearn the idea that such things are an indicator of something being wrong and so has to be fixed because that mindset hurts many who live unbothered lives with them.
All of my accounts will always be safe spaces for those who have physical nonhuman and alterhuman identities. Just as they will be a safe space for those whose identity is non-physical. The only one who can decide what and who you are is yourself.
Stay true to yourself! Ignore, report and block the haters! Your happiness is more important than their ideas of you!
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akindplace · 27 days
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My illness has no cure. It probably won’t have for the duration of my life. It won’t “get better” because the scientific community is still trying to understand it and there is not enough academic research on it, unfortunately. Many doctors haven’t heard of it, and they don’t always know how to help, how to treat it. Everything is always very experimental and there isn’t a single solution for the symptoms of my illness since every person suffering from it has very different experiences.
Yes, there is no cure, and they won’t probably find one soon. But there is something else that can be solved, there is a resolution to be found: it’s acceptance by society. Accommodation. That often involves people having to be educated, because often the worst judgments come from a place of ignorance. But I believe society can know better. I believe in advocating for the rights of disabled people. The quality of life of a disabled person like me can greatly improve when others understand that my body might work differently than theirs, that my limitations don’t always allow me to be the most productive all the time, that I am dealing with chronic pain, and chronic health problems, but I am still a person, just as anyone else.
As social creatures, we need each other. And it’s okay that different people have different needs. And needing more or less support should not define your worth or how integrated you should be into society.
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genericpuff · 22 days
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CHAD ANON-
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Alright so I've been meaning to post about this for a couple days, but we gotta talk about what's been going on in the /r/webtoons subreddit the last couple days.
Every now and then, the heavens part and an anonymous creator will descend with their experiences with Webtoons. And they're almost never good. And that's good in the long run, because that means we have more ammunition to support Webtoons being an ass platform that benefits no one :))
Obviously the anons here are risking a lot posting this sort of stuff, so before I go ahead, let it be known that I'm gonna try and keep speculating to a minimum and just touch on what anon has provided. When it comes down to it, this post hasn't been verified in any way, so it might not even be 100% real, though there's a lot of evidence to suggest it is based on the responses from other users that validate many of the points anon makes.
I will also mention that any opinion I have regarding the contract outside of what's been provided by anon is from reading other accounts from creators who have spoken up and just generally being a community member for a long time who's been around the bend and heard a lot of shit from Originals creators. I am not an Originals creator and I have never been offered any of these contracts.
So let's get into this!
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The contract 'evolving' over time was definitely something that a lot of us were at least semi-aware of, as it seems that a lot has changed since 2020 as verified by many creators who have spoken up on their contracts (or at least said what they could in light of the NDA's that WT uses to prevent them from saying anything). But I had no idea the extent to how far WT was going with it, how much they were trying to get away with. Automatically having the ability to buy 100% of the creator's IP? That is a huge, massive no-no. I've had some creators heavily imply to me in the past that they've sold off portions of their IP, but WT being given the automatic pass to buy 100% is severely unethical.
For anyone out of the loop, IP means Intellectual Property. It means whatever content is being made, it belongs to the person making it. Lore Olympus is Rachel Smythe's IP. City of Blank is 66's IP. Of course, copyright law gets dicier when it comes to stuff like fair use, trademarking, etc. but for the sake of this topic, IP just means "if you made it, you own it". Webtoons typically buys digital print rights, meaning if you sign on as an Originals, that means you can only post that comic that you sold to the Originals section. It doesn't mean you can't use other platforms for other comics, just that for the comic you sold, you have to post exclusively to Webtoons.
Webtoons is essentially trying to take that from creators by going "if you sign on as an Originals creator, you don't just lose your distribution rights, you lose all of your rights." They might still be able to run Canvas comics separate from Originals, but whatever they sold to Originals is no longer theirs to own. And the kicker is that it's, of course, for a very low fee. Buying out 100% of someone's IP should NOT come cheap, but WT is undoubtedly offering pennies in the hope that someone bites for that 'exclusive' Originals offer.
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This. This is a big one. I'm not a lawyer, but I'm pretty sure this is massively ILLEGAL.
Just like with the IP rights, creators should not automatically have their printing rights taken from them by a digital publisher. They can make offers, sure, but they can't force creators into giving up their rights for physical publishing when they themselves are not a physical publishing house. Some series do get physical prints through other publishers like Random House (ex. LO) but a digital printing platform should NOT be able to restrict the printing rights of a creator who has only sold their series for the purpose of digital distribution. Especially because, again, printing rights are usually sold for massive gains for the person selling them - not a portion of month's rent for people living in a shitty New York apartment in 2024. That is what Webtoons thinks your printing rights are worth.
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This is one that I've been very certain of for the past little while, particularly due to my past discussions regarding LO's merch. Because let's face it... it isn't good.
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But I don't hold Rachel accountable for this shit because she's not the one making it, it's almost certainly some in-house designer at Webtoons or some other third party through Random House Worlds. Sure, it says "By Rachel Smythe" but that's more so just for marketing at this point, because no one wants to buy merch made by Chuck the Penguin House merch guy.
Remember when I said LO's partnership with Inklore / Random House Worlds was gonna be purely for cheap merchandise in the realm of cookbooks and card decks?
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Yeah.
Point is, it's clear a lot of creators who are part of Webtoons' merch program may not even have any say or choice in the matter. Of course, I don't know what Rachel's contracts specifically are like, so I won't speculate on that too much, but there's a lot of evidence to suggest that she may not own as much of LO as she used to. She was definitely a part of the older contracts from 2018 at one point that didn't have the more predatory tacked on bullshit like the Minimum Revenue Threshold, but... she's renewed her contract since then. So it begs the question of how much LO has suffered not just on her account of being bad at managing a team and writing a long-form story, but at the hands of Webtoons dipping too much of their hands into her work.
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Oh look, another highly unethical if not outright illegal thing! Digital print publishers can't be your agent! Repeat after me -digital print publishers CANNOT be your agent! As anon explains here, it would make it far too easy for publishers to steer their creators into directions that only benefit the company. Agents are like lawyers for artists, their job is to protect writers, actors, artists, anyone who's trying to enter some kind of media industry. Most publishing agencies won't take unsolicited manuscripts for publishing, which means writers need agents who are willing to vouch for them and help them connect with publishers. Webtoons being the publisher AND the agent for creators... seriously, that's fucked up. It means Webtoons can direct creators to do whatever benefits the company itself, not the creator. But hey, we already knew that was the case as soon as we saw "Webtoon would be able to automatically buy 100% of your IP" LOL But if you needed more to support the sheer predatory audacity of Webtoons as a company, there it is.
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This is the sad reality for a lot of content creators. Comics aren't a new industry, but webcomics are and a lot of the people going into them are either extremely young or just never learned how to navigate the professional world. We talked about this issue last week and now here it is in action - a lot of creators don't even realize they're supposed to hire lawyers for contracts like these, and those who do... can't afford them.
And again, I'm very aware that this reddit post isn't exactly substantiated by anything beyond anon anecdote (such as a copy of the actual contract) but a couple other people in the thread who were offered contracts also came forward to express the similarities - and differences - between what they were offered and what OP was offered.
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(these responses are actually gone now but that's why we have the power of screenshotting as the thread was happening LMAO yay me)
This thread is also being discussed on Twitter:
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For those who are as old and falling apart as I am (/hj) and remember when Youtube was still coming into its own as a platform, what Webtoons is doing to webcomic creators is very similar to what businesses like MakerStudios did to Youtubers back in the day - signing creators into predatory contracts with the promise of fame and fortune, just to pull the rug out from under them with shit pay, shit management, and less perks than they had just doing it all on their own time and dime.
Webcomics, as a blooming industry, are now going through the same problem as Youtube did back in the late 2000's/early 2010's. No one knows how to navigate the industry. A lot of people and businesses don't even know how to profit off it, at least not sustainably (and for some platforms definitely not ethically). Very few people have come out of this industry with the money and fame they were seeking in the long-term, both because it's easy to burn out quickly but also because there is no long-term yet due to this being such a new industry... and those who have come out with those victories are often people who are still just pursuing the traditional comic publishing ways of glory, by seeking out agents, signing print deals, and doing everything that any other freelance or contracted comic creator would do, because it's safer and offers more structure than what webcomics are offering on their own. There are no regulations, no protections in place looking out for creators, it's basically just a free for all of young people looking to monetize their creations and businesses willing to take advantage of those people for a quick buck.
I don't think any of this means that webcomics have to be exclusively relegated to being a "stepping stone" for traditional print comics or grander media like film and television. They're a medium in and of themselves, a very accessible medium to boot, that welcomes anyone regardless of their status, technical skills, or background. They're wonderful for that and I think more people should be willing to give webcomics a try as a medium if they want to express themselves on their own terms.
But as I've talked about in the past time and time again, there's still going to be a separation between doing webcomics as a passion project or a hobby, and doing them as a profession. When it comes to the latter, you have to be willing to treat it professionally. You have to recognize that there will be those out there who will take advantage of you for money, because that's what the professional world is all about. This is unfortunately something a lot of creators just don't realize, because we're going through those same growing pains a lot of Youtubers have gone through (and still go through) - learning how to navigate our passion as a job, with all of the legal mess, dotted lines, and legal stipulations that come with it. And we're in the midst of that learning now, by seeing the actions of companies like Webtoons that only seek to exploit creators rather than foster them. It unfortunately will take more creators getting screwed over before anything changes. But we have to be willing to talk about it, every single time. We have to be willing to separate the creator and their own faults from the faults of the platform that's hosting them - a creator can be both lacking in their own skills as a creator as well as lacking in support which makes it impossible for them to hone those skills.
And yes, I say all of this because it concerns the criticisms I make of creators like Rachel Smythe. I think there are a lot of things she does that are indicative of her as a creator and her inability to act professionally in this industry, from LO's rampant misogyny and objectification of women to her own misfires when interacting with her fandom. But there are also just as many things that can be potentially traced back to the platform - it's hard to make better content when you're constantly being exploited and hung out to dry.
Like anon, I too hope that more creators will be willing to stand up and speak on behalf of themselves and their peers, to push back against these contracts. It's gonna suck. It's gonna be hard to want to make those moves when just about every creator is just trying to put food on the table. But for every anonymous creator who stands up and speaks, for every person who isn't willing to sign those contracts and talk about the reasons why, for every storyteller who uses their skills to spread the message, the power they have grows. We have to make it impossible for Webtoons to continue to ignore.
After all, it would be a real shame for more of these stories to come to light just as Webtoons is seeking an initial public offering in the stock market. Wouldn't that just be so unfortunate for them? :)
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slayingfiction · 1 year
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How I push through writing when I don't feel like writing.
Here are some of the techniques that I use to help me write more often or more consistantly when my laziness/depression/anxiety starts to take over.
I watch TV. I don't do it with the purpose of zoning out though. I watch something popular and well-liked such as the LOR or Harry Potter to get new ideas on how I can develop my story and apply their in-depth world-building ideas to help develop mine. Without plagarizing of course!!!!
Zoning out and daydreaming. As I have mentionned before, daydreaming is a huge part of my story outlining and world-building process. I'll stand in the shower, or take a walk and think about how my charcaters would act/react/behave in situations, mundane or not. Doing this gives me a better sense of my characters, and sometimes gives me ideas for scenes I use later on.
Work on writing related projects. These work well at keeping me distracted while still being productive on my writing goals. Example, I have one story I am working now, I made a new language (alphabet and numbers included) to include as a cool and fun component for the book. So, at times when I don't wan't to write, I continue creating the dictionary (very fun, 8/10 would recommend). Also, for the same book, my characters don't work off the Georigian calendar and 24 hour clock, so I've been working at creating a new calendar (harder than it seems, 2.5/10 dont recommend). These are side projects that help my story, without having to write.
Reading. You saw this one coming, I know. Reading is great, especially when you're editing, your writing style will unconsciously change to be more similar the author you were just reading. Also, most importantly, I'll be reading and think, "this story is really good, but you know what story I like even better? Mine." then change to writing.
This one is my biggest life saver!! I learnt about a year ago that sometimes I'll get bored of writing a story, and have difficulty keeping on track. That's why I finished my first book in 2016 and just started editing the first draft last week. The solution for me was to work on multiple projects at once, because it was much harder to be bored of multiple stories. I stick to 2, but will sometimes add a third. This is easy for me, because I have a list of over a dozen series I want to write. Don't abandon one project for another, use them as a distraction/ motivation for each other, so you're always furthering at least one project. I've never heard someone say, "oh no, i accidentally worked on this other writing project for three months instead of the other writing project I was doing. Dammit." No, we're just happy we have written something. Be sure to have well outlined story lines before starting, don't just start writing randomly or you'll reach a point where you don't know where to go from there.
Author/ writer projects. Maybe this is building a following, or community to share your projects and engage with. Tumblr, Insta, Reddit, whatever it is. My hope this year is to start up my website to offer publishing services (editing, graphic design, short writing courses) and build a following as a writer. (See what I did there? Never a bad time to self-promote ;) ) Having your own projects like this will help you in the future when you're going to try to publish and sell your books!
Talk with friends and a writing community. Never underestimate the passion that will burn inside you when talking about your story, or when others are talking about theirs. Surrounding yourself with a positive writing community can be the best thing for you as a writer.
Write or read (your story) every day. I'm not going to be one of those people that say you need to write 1000 words a day, that's a lot. But maybe try for 100? That could maybe only take 5 minutes, and at the end of the year that's still over 36 thousand words of a novel. Or just read your story, and I've always found it helped me get in the creative mood.
Make a playlist of songs that remind you of your characters, your story, or just puts you in the mood to write. Then play it ONLY when you're having trouble writing. Playing it while writing will not help, you'll get annoyed with the songs.
Just really can't do it today? That's okay, take a break. You deserve it. There's always tomorrow.
Does anyone else have ways they push themselves to keep writing? Let us know in the comments!
Happy Writing!
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victoirey · 1 year
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Okay but imagine:
Neteyam and Lo’ak both falling in love with reader after seeing her threaten Tuk and Kiri’s bullies and seeing her become close friends with their sisters and them both pining over her from a distance but never actually talking to reader and driving Jake crazy until her smacks some sense into both of them
♡. "king(s) of your heart" —
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synopsis / in which the sully brothers are head over heels for you.
gn!reader | this is basically headcanons on a polygamous relationship between the sully brothers. polygamy is where two or more people share one person and only one person. they dont love eachother romantically. it is 1:40 am and I'm tired. yes that is a taylor swift reference in the title. lotsa words
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i am a firm believer that these boys like girls who, although kind, are still rough around the edges in some way. they see you cussing out aonung and his possé? instant attraction. instant. like *snap* instant. they see you playing with children and chasing them around? instant INSTANT infatuation. no joke. literally down bad seven seconds in.
thus, it starts the pining.
you start seeing little trinkets next to you, coincidentally left by the wind ( or by neteyam's tail swooping them into your vicinity ) — but still, you love them. you keep them. you cherish them. neteyam is ecstatic and lo'ak is NOT having that
lo'ak starts giving you a bunch of well thought out gifts. from afar. he steals the method his brother uses. his brother is pissed. jake sees this. is entertained at first. but then it just gets boring and he has to go all military dad on them.
"you two love them is what I'm seeing. you two love them so bad it's disgusting. am I correct?"
"yes sir."
"...good. you three remind me of me and your mother. but, if you keep on going like this, just pining over them without them knowing who you even are, then you'll never get them to be yours. your mother and I agree on polygamy being alright, but we also agreed on you two being cowards. ask them on a date. both of you. figure something out. I will not have cowards as sons. okay? okay. now go get 'em."
that half encouraging speech half scolding was EXACTLY what they needed. they settled everything aside, realized that love triangles were for white people, and instead settled on a polygamous relationship between you and them, based off of communication and shared love.
#bondingbrothers
the only problem was getting you to accept both of them... so let's go depending on your species,
if you're a human, you'd probably be more open to the idea which is obvious considering that humanity has always had polygamy in its history. so, it'd be easier for you to accept, and you do.
if you're a na'vi, a race that is canonically and strictly monogamous— you'd be conflicted. you wouldn't know whether or not this was right, except, you would follow your heart, in the end, wouldn't you? you'd be theirs as quick as a human would be. primarily because I know all of you are down bad for the sully brothers. it would be near impossible for a na'vi to enter a polygamous/amorous relationship canonically.
alright, im in the mood for a mini drabble, aren't you? ( featuring dreamwalker , aka , human reader !)
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"...what???" you breathed, confused. you had been caught off guard, initially, with how you'd been receiving trinket after trinket both in your avatar and out— and honestly , you thought it just couldn't get anymore surprising.
it did.
somehow, the culprit, or rather, the culprits, were the sons of Jake Sully, who is ... alot of honorable things. so , naturally , you're confused.
"we know that we like you, y/n— and we heard that polygamy was practiced amongst humans... so, you know, we wanted to see if you were for it." neteyam started, and lo'ak continued. "but if ya aren't—"
"oh I'm for it. I'm for this." you interjected. "just.. why me??"
they looked relieved but also offended at how you judged their tastes. how dare you , how could you not be confident in yourself !?!? absolutely unacceptable.
they'll love you until you're able to love yourself, and after that.
"excuse me-uh!" lo'ak gasped, his offense shown. "I will have you know that you are not just you??? where do you get that from?!? you're someone whose struggled through so much stuff and you're so strong and—" "
"quiet, skxawng." neteyam shushed, and lo'ak glared but reluctantly obliged. neteyam awkwardly coughed into his hand, picking up the pieces his brother dropped. "what we're saying is that— you're ... pretty cool. so, be ours?"
"but only if you want to!" lo'ak interrupted once again, then his head snapped to neteyam— "what'd i do?!" he said, as his brother punched him ( gently. ) they bickered, and bickered - and bickered. that is until your snicker caught them both stilling.. they smiled, knowing that they had both made you smile— and you laughed.
"you're both idiots!"
they took that as a yes, and it was.
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ALRIGHT IM TIRED OF BUILDING THE RELATIONSHIP ITS TIME TO ACTUALLY GIVE YOU A PEAK ON THE OFFICIAL RELATIONSHIP except we'll take it one step at a time <3
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— early days
first things first, things get so awkward between you guys ! this is your first relationship. this is neteyams first relationship. this is also lo'aks first relationship. and it's a polygamous relationship! it would've been a lot of work to communicate in the earlier days, especially since lo'ak and neteyam butt heads constantly.
lo'ak and neteyam are constantly planning fancy dates to surprise you, which can also double as brotherly hang outs, yeah, but they're so focused on wooing you in their own ways they forget to compromise and find a way both of them can woo you.
of course, you see this, and reassure them that hey— you don't have to spend this much time to make me happy! you guys already do by merely existing (and it is definitely not because the "y/n" we are speaking about is a reader insert and every reader is down BAD bad for the sully brothers)!
naturally, that doesn't solve the problem.
what solves the problem is you sitting down with them to communicate. you all guide eachother to a compromise, something that suits all of you. the brothers agree on an alternating schedule. one day would be a day where you'd just chill with primarily lo'ak, and one day would be a day where you'd just chill with primarily neteyam. however, Sundays? Sundays are bonding time between the three of you it's like a date! neteyam and you, lo'ak and you, and then its like reconnecting and bonding between brothers when it comes to lo'ak and neteyam.
the schedule worked well for you guys! neteyam could do his own thing, so could lo'ak, and they'd only have to cooperate for one day, which would still strengthen their relationship! also, you'd be showered in love all day!
perfect !!!!
— getting to know eachother better
naturally, they were not born on earth. you weren't either, but nonetheless— as a human, you know more about humanity than they ever will. especially since you keep yourself updated on trends & history & human literature — so naturally, they feed you information while you feed them information.
you tell them stories of human mythology and they stand in awe at how complex humanity can be in many other ways besides weapons. there is more to humanity than what meets the eye, and you show them that. you bring them local human foods like fries because I am a firm believer that the lab has an artificial garden that grows potatoes. they are in awe. they love fries. I hope you love fries too, reader. personally fries are the only thing I can imagine eating besides noodles.
other than the difference in species and the fact they're curious about your differences— they're also curious about you in general.
what is your deal? what makes you tick? what makes you happy? what has you absolutely excited? they hope you indulge them, and you hope they indulge you.
— general headcanons
neteyam prefers to keep affection private— the most you'll get from him is a forehead touch or kiss, and maybe a tail wrapped around your waist.
loak however is the opposite. kiss him, hug him, climb him, he'll absorb everything like a sponge. he's for pda 100% he will take any chance to show people he loves you more than he could love anyone else.
neteyam and lo'ak, ever the competitive siblings, love to compete in things — racing eachother, sparring with eachother, you name it— they're doing it and all in the hope of impressing you.
they're also very protective of you, in and out of your avatar body. you fall off a branch? "LO'AK GET THE FIRST AID KIT—" "GOT IT!" "GUYS ITS JUST A BRUISE—"
naturally, Jake is supportive of your relationship. he's seen alot of polygamy and polyamory in his lifetime, and he's not against it. he's all for it actually!! Jake Sully Number 1 LGBTQ+ Ally on Pandora. he rolls with the lgbtqia+ plus , guys. every moment. like, not to call people out but have you seen max patel???? that man is MORE THAN JUST AN ALLY and also it's quite literally 2100s. come on now. you can't tell me he wouldn't be an ally.
the siblings are willing to learn more about polygamy and welcome you with open arms! kiri is basically your best friend — tuk is the one child you swore to protect like seven seconds into meeting her. spider and you, both being human, are also friends! you exchange stories with eachother and also bicker alot!!
you cant expect neytiris support to be more than just advice or knowing looks. personally, I think she's more open minded than people take for. I have no evidence. I'm just right. she mothers you in no time.
you, lo'ak and neteyam are new to polygamy, and although no one can promise a peaceful ride— you could care less.
you can get through anything with eachother.
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useless-catalanfacts · 10 months
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One thing that really shocked me when I visited Madrid is that some people seemed genuinely offended when I said I only spoke Catalan. I'm from Germany and my boyfriend is Catalan. As he has a very strong Catalan identity and is very much an activist for the language it made sense for me to learn Catalan instead of Spanish. I don't speak it very well yet, but enough to make casual conversation. Trying to have a conversation with an acquaintance when visiting Madrid, I threw in some of my basic Catalan when English didn't fully work (not to piss her off, because I had no idea it would, but simply to make myself understood as English was failing us and I figured the Catalan might be easier and closer and sometimes even the same words as Spanish). This led to a lot of questions from the friendgroup, but this one person seemed personally hurt that I had chosen to learn Catalan and NOT Spanish. She argued that all Catalans spoke Spanish anyway and that my mindset was childish and "excluding the rest of Spain just to make a point". I thought this was such a strange way to look at it. I know this person is not representative for all of Spain, but I thought it was really worrying that some people think like that. She seemed convinced that there was no purpose of learning Catalan beyond "making a silly, political point" as if there wasn't an entire culture and history that came with it. As if Catalans speaking Catalan were like... being difficult on purpose and not.. you know... practicing their f*cking culture and living their damn lives. Good thing I actually am childish, and spoke exclusively in Catalan to her for the rest of the evening.
That's exactly how many Spanish people see it, it's a shame but your story doesn't surprise me. When I was a teenager I went for a few days to do a thing with other teenagers in Madrid and they reacted in a mix of disgust and offence when they heard me speak to my parents in Catalan on the phone. And I've heard quite a lot of other people explain very similar situations. It also reminds me of a video I shared a while ago (post here) where Judit Mascó explains that when she's working in Madrid and she answers the phone to her mother or friends calling, her co-workers told her it bothers them that she speaks in Catalan to other people, when she's not even talking to them.
Many Spanish people just can't understand that Catalan people would like to continue speaking our language, period. They are so convinced that Spanish is superior, that they believe that for our own good we should want to abandon our language and assimilate to theirs, and if we don't, well, then the only possible reason is that we're doing it for the sole purpose of excluding them, as if they were the centre of our lives.
They can see how they use their own language (Spanish) for their family, friends and the rest of their lives, but they can't give us the same amount of humanity and respect to imagine that we can want to speak our own language for the same purposes as they want to speak theirs. No, according to them, we must do it for bad faith proposes.
And let me say: you are doing very well in learning Catalan for your boyfriend. If your boyfriend speaks Catalan, I assume it's most likely that his family and friends speak in Catalan too, it's normal that you'd want to learn the language they use. This will bring you closer to his heart, because you can understand the words with which he has grown up and that are around him, it strengthens your bond. And it gives you the opportunity to communicate with other people around him and participate in conversation. Why would you not want to learn the language? Why would you, instead, want to learn a different language, and does that Spanish person expect you police what your boyfriend and his family/friends speak so not to exclude you (when you would have been the one to decide not to integrate)? It's just such a self-centered way of thinking from them.
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frail-and-freakish · 1 year
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today, april 11th, is the anniversary of Mel Baggs' death. Mel Baggs was one of the early founders of the neurodiversity movement and believed that no one was too disabled for human rights, something that modern nd movements fail to understand to this day. sie was so instrumental to my understanding of literally everything. sie died from medical ableism and neglect during the beginning of the pandemic. we would be nowhere fucking near where we are now without hir. i've decided to make a masterlist of some of my favorite posts of hirs, organized into different categories.
(some of these are listed in more than one category because they overlap so much)
here are some of the "essentials" (what you might have already read by hir/should read first):
hir memorial site hosted by ASAN:
In My Language
the oak manifesto
There is ableism at the heart of your oppression, no matter what your oppression might be
Getting The Truth Out (many pages, parody of bad autism awareness campaign called "getting the word out")
the meaning of self-advocacy
what makes institutions bad
aspie supremacy can kill
here are some of hir beautiful writings on perceiving/communicating with hir environment as an autistic person, and on communication in general:
up in the clouds and down in the valley: my richness and yours
distance underthought
the naked mechanisms of echolalia
empty mirrors and redwoods
the fireworks are interesting
hir tumblr tag #sensing (@withasmoothroundstone)
on personhood and who has the authority to take it away:
being an unperson
what it means to be real
empty mirrors and redwoods
on institutions and the I/DD service system:
caregiver abuse takes many forms
"i don't know that person's program"
what my home means to me
dd service system tag
god help the critic of the dawn: glamour and its fallout
what makes institutions bad
post on the JRC
outposts in our heads
on online social justice communities/their inaccessibility:
Your politics have a problem when they contradict the real-life experiences of the people they're supposed to be about.
politics, ethics and mental widgets
hir tumblr tags #outside the wall and #little packages (@withasmoothroundstone)
misc:
The Bones My Family Gave Me
Please violate only one stereotype at a time
My sort of people, just as real as theirs.
Reviving the concept of cousins
gender tag
this is hir poems and creative works:
this is hir writing on autistics.org:
may hir memory be a blessing/revolution.
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somehow-a-human · 2 months
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The Bullet Catch and the Final 15
DO NOT ASK NEIL ABOUT FAN THEORY
Okay, this started as a completely different post. I was writing something else and I had to abandon it because I realized I needed to be writing this instead. It was like a lightbulb moment, or rather, a headlight moment (see what I did there?)
"Banana, Fish, Gorilla, Shoelace, with a dash of Nutmeg." Clearly adversarial forces are capable of seeing what Crowley and Aziraphale are talking about within the bookshop from across the street. It's confirmed the zombies have gotten The Marvellous Mr. Fell's strange magic words correct at the end of the 1941 minisode. Is this foreshadowing the clear observation of the final conversation Aziraphale and Crowley share directly in front of the bookshop window, by the Metatron?
"Aim for my mouth, shoot past my ear". Well if this isn't that damn kiss I don't know what is. And the bullet, the bullet hiding in his mouth. Magicians historically have had keys passed to them through their mouths via a kiss. Crowley sure did aim for that mouth...
"You have formed a de-facto partnership with the demon Crowley." It's a threat, plain and simple. It's the same thing as Furfur showing up in the dressing room with a photograph of the two of them. And what does Aziraphale do both times? He pulls the same fearful face, is terrified for Crowley, and immediately figures out something to quash the threat. Aziraphale is so smart and so fearful for Crowley's safety, he will do whatever it takes, above his own interests to keep him safe.
"Trust me". The bullet catch. God, the stress of this trick, this insane show of trust and love. "You said trust me", "and you did". I have watched season two an unknowable number of times now, and this is still difficult to see on screen, but it's there. Aziraphale mouths, "trust me" and Crowley catches it, and more importantly, trusts him.
This angel knows he's being watched, the love of his life has been threatened, he knows he has no options and he needs to perform a massive trick to save Crowley. Good thing, he always gets it right the time it matters.
Honorable mention: I am an "Aziraphale was trying to signal for a time stop/help to Crowley" truther, here, when it looks like maybe he mimes 'timeout' and "help". I think either Crowley was too blinded by his newfound plan to confess his undying love for Aziraphale to pick up on his "something's wrong voice" or clear non-verbal communication, which we've established this season they are very good at (see Aziraphale asking Crowley to freeze Dalrymple in Edinburgh). OR he did catch the signals and he is LISTENING.
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If you haven't read this post by @noneorother about the parallels between The Tales of Hoffmann and GO season 2, you need to. But to snag a small quote of theirs to highlight this one specific point:
"Stella [Aziraphale] arrives in the tavern looking for Hoffmann [Crowley], ready to run away, but now accompanied by Lindoff [Metatron] (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff." - @noneorother
Okay but seriously make sure you go read that whole post.
If that isn't what happens in the final 15, what is?
Then we have the end of 1941 pt.2, wine in the backroom, and the reveal of the photograph. Crowley realizes Aziraphale saved him, he realizes how much he can trust him, and if my observed light bulb headlight moment is anything, it happened after the final 15 too. He knows. It's still devastating, it's still heartbreaking, and it doesn't invalidate all the feelings and love they couldn't quite come out and communicate right then. They are living under an Orwellian regime, this isn't really a job they can quit or even run away from. They were angels created for a purpose. Sure gabriel and Beelzebub left, but how long until someone tries to hunt them down? Plus, what's the point if Crowley and Aziraphale abandon Earth and just let armageddon part two happen? That's a pretty shit thing of them to do. They want to live on Earth, they want to protect the humans, and they want to do it together.
They didn't eat the apple, the humans did. Maybe at the end of season 3, they'll get their chance.
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edenfenixblogs · 3 months
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Look what Google just recommended to me!!!!
I already own (and love) Shabbat and Portico.
But I am OBSESSED with the rest and must acquire them immediately.
Top of my list is Love Japan because LOOK AT THIS BEAUITFUL BOWL OF MATZO BALL RAMEN!!!!!
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We hear a lot about Jewish people in Europe and MENA, but we do not hear a lot about Jewish culture as it blends with East Asian cultures, and that’s a shame. Not just because it erases the centuries of Jewish populations there, but also because there are plenty of people of mixed decent. People who may not have come directly from Jewish communities in East Asia, but people who have a Japanese Father and a Jewish Mother, for example. Or people in intercultural marriages. These are all real and valuable members of the Jewish community, and we should be celebrating them more. This cookbook focuses on Jewish Japanese American cuisine and I am delighted to learn more as soon as possible. The people who wrote this book run the restaurant Shalom Japan, which is the most adorable name I’ve ever heard. Everything about this book excites and delights me.
And of course, after that, I’m most interested in “Kugels and Collards” (as if you had any doubts about that after the #kugel discourse, if you were following me then).
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This is actually written in conjunction with an organization of the same name devoted to preserving the food and culture of Jews in South Carolina!
I’m especially excited to read this one, because I have recently acquired the book Kosher Soul by the fantastic, inimitable Michael J. Twitty, which famously explores faith and food in African American Jewish culture. I’m excited to see how Jewish soul food and traditions in South Carolina specifically compare and contrast with Twitty’s writings.
I’m also excited for all the other books on this list!
A while ago, someone inboxed me privately to ask what I recommended for people to read in order to learn more about Jewish culture. I wrote out a long list of historical resources attempting to cover all the intricate details and historic pressure points that molded Jewish culture into what it is today. After a while I wrote back a second message that was much shorter. I said:
Actually, no. Scratch everything I just said. Read that other stuff if you want to know Jewish history.
But if you want to know Jewish culture? Cookbooks.
Read every Jewish cookbook you can find.
Even if you don’t cook, Jewish cookbooks contain our culture in a tangible form. They often explain not only the physical processes by which we make our meals, but also the culture and conditions that give rise to them. The food is often linked to specific times and places and events in diaspora. Or they explain the biblical root or the meaning behind the holidays associated with a given food.
I cannot speak for all Jews. No one can. But in my personal observation and experience—outside of actual religious tradition—food has often been the primary means of passing Jewish culture and history from generation to generation.
It is a way to commune with our ancestors. I made a recipe for chicken soup or stuffed cabbage and I know that my great grandmother and her own mother in their little Hungarian shtetl. I’ll never know the relatives of theirs who died in the Holocaust and I’ll never meet the cousins I should have had if they were allowed to live. But I can make the same food and know that their mother also made it for them. I have dishes I make that connect me to my lost ancestors in France and Mongolia and Russia and Latvia and Lithuania and, yes, Israel—where my relatives have lived continuously since the Roman occupation even after the expulsions. (They were Levites and Cohens and caretakers of synagogues and tradition and we have a pretty detailed family tree of their presence going back quite a long time. No idea how they managed to stay/hide for so long. That info is lost to history.)
I think there’s a strong tendency—aided by modern recipe bloggers—to view anything besides the actual recipe and procedures as fluff. There is an urge for many people to press “jump to recipe” and just start cooking. And I get that. We are all busy and when we want to make dinner we just want to make dinner.
But if your goal isn’t just to make dinner. If your goal is to actually develop an understanding of and empathy for Jewish people and our culture, then that’s my advice:
Read cookbooks.
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