Symphony
Been thinking about this one a bit over the last few days, so I thought I'd give it a bit of a re-run.
It's just a bit of fluffy, music-related Earth and Sky.
Scott tore his eyes away from the unread emails, stretched his arms above his head, let out a long breath and turned the chair away from the desk to face Virgil at the piano.
“I like this one. What’s it called?”
“It doesn’t really have a name.”
“I’ve heard you play it before, though. Did you write it?”
There was the slightest hint of hesitation in Virgil’s response, although the music never wavered.
“I guess you could say that. I haven’t ever really thought about notating it.”
“Aren’t you concerned you might forget it?”
A wry smile crept across the musician’s features, but he said nothing.
“You should write it down. And come up with a name for it.”
Virgil tilted his head a little by way of considering the notion, then asked “Why do you like it? What does it make you think of?”
Scott stood, stretching more muscles, letting the music carry his thoughts away from TI paperwork as his gaze drifted upwards.
“Well, I like the way the melody climbs and swirls. It kind of reminds me of flying. And there’s a feeling of constant motion, fast, easy – sort of free.” He closed his eyes for a moment before returning his gaze to his brother. “In some ways it kinda reminds me of Dad.”
Virgil’s response began with the quirk of an eyebrow and the hint of a smile.
“Funny you should say that . . .”
“Why? Is it about Dad?”
Virgil finished the last phrase, letting the final chord hang in the air before taking a slow breath and looking up at his big brother.
“No. It’s you.”
“Me?” Sapphire eyes widened with surprise bordering on shock, and his forehead creased in puzzlement. “You wrote a song about me?”
Virgil looked back at the piano.
“Not exactly. It’s more like . . .” His gaze drifted upward. “It’s hard to explain. It’s sort of how I hear your presence, or your essence or something . . . I don’t know.” His voice trailed off into mumbles and a shrug.
Scott was left speechless, staring at his brother’s awkward uncertainty, as the significance of his own interpretation of the music and what it represented really hit home. It took him a moment, and he had to work to bring moisture back into his mouth before he finally found his voice again.
“Do . . . do you have something like this for all of us?”
Virgil felt the heat of a blush rising in his cheeks, and he didn’t look up from the piano.
“Uh, yeah. I sort of do.” His hands drifted back to the keys and a new piece of music began, one with a complimentary theme to Scott’s. It was in the same key, had the same tempo, and still embodied that sense of soaring movement, but this one felt somehow bigger, more far-reaching – almost heroic.
Scott let out a gasp. “Is that . . .? This one is . . . It’s Dad, isn’t it?”
Virgil gave a single nod.
“It fits with yours. Like the second theme in a sonata-allegro.” Virgil glanced over at his brother, taking in the blank look at the musical term. “That’s the usual form for the opening movement of a symphony.” His eyes drifted closed as he played, and he sighed. “I can hear them both in counterpoint, but I can’t play both at the same time and do them justice. I’d need an orchestra for that.”
Dumbfounded at this revelation, Scott could only marvel at his brother’s musicality. Here he was listening to these amazing musical creations that rendered larger than life, full-colour images in his mind, and Virgil was complaining that what he could do with the piano alone was not enough. He didn’t think he could even imagine what this music must sound like inside Virgil’s head.
The music came to a stop and Virgil turned again to look up at Scott.
“The variations on these two themes would encompass something like what I hear for Grandma and Kayo, a little of Brains, some of Grandpa . . .” he turned away again, “then everything would come back to you and Dad.”
For a moment silence hung between them. Virgil’s fingers flexed, as though the music within him was searching for a way out as they reached once again for the piano keys. A new piece of music began. This one slower, gentler, quieter in terms of movement if not exactly in terms of volume. Scott felt this one was more thoughtful and emotional. It brought to mind light and colour and had a sense of space, but it also somehow felt warm.
“Mom?” The smallest possible upward inflection made it a question, which was answered with another nod and the soft smile that made his little brother look so much like her.
The melody moved and changed, built, swelled, adding a complexity in the musical patterns reminiscent of a conversation, an exchanging of information. The lightness now sparked imagery of stars. The feeling of space changed from that of a breeze in an open field to the vastness beyond Earth’s atmosphere. The gentleness was now reinforced with a sense of almost hidden strength – Scott thought that might’ve come from a stronger bass line, but he wasn’t sure.
“Is this . . . John?”
Virgil’s smile brightened. “You’re good at this.”
“No, the music speaks for itself. You’re the one painting these images of our family with notes and chords.”
The smile faltered as Virgil held the last chord, then he let his shoulders sink a little. Scott silently cursed himself for bringing back that awkward self-consciousness in his brilliant brother, but before he could say anything Virgil spoke again.
“I guess they would be the second movement if this were a symphony.” There was a brief pause, then he straightened back into his playing posture. “No prizes for guessing who the third movement is.”
This piece of music was a jaunty, up-beat number that seemed designed to make people move – to dance, to tap their feet or clap along. It definitely felt like a dance of some sort, and it contained hints of sea shanties, or maybe a sailor’s hornpipe. It was the musical equivalent of laughter, sunshine, pure happiness, and it had a lilt that moved like the sea.
“Gordon!” Scott exclaimed with a laugh.
The comparatively brief third movement came to its conclusion, but Virgil barely paused before beginning what Scott guessed to be the fourth.
“And that leaves . . .” Virgil spoke softly as he began the final theme.
This one was in march tempo, strong, bright, driving forward with a sense of heroic purpose, and bringing back some of that swirling, soaring movement from earlier. Scott could pick out hints of his own theme, and a faster version of parts of John’s, but the piece definitely had its own identity. There was a sense of urgency to it, as though the melody was trying to push the tempo into moving faster.
“Wow. Alan would love this,” Scott found himself thinking aloud.
Virgil stopped playing after the end of the next phrase.
“There would be more. If this was a symphony, I mean. The fourth movement would bring in some more of the other main themes, tie everything together, finish with a bit of fanfare.” Virgil was once again looking up at Scott, a mixture of curiosity and self-consciousness etched into his features. “You really think Alan would like it?”
“Virgil,” Scott answered with a sigh and a shake of his head as he took the few strides over towards the piano stool, “it’s amazing. All of it. The whole symphony.”
Virgil gave a shrug and his brow creased a little.
“There’s a lot more to it in my mind. Only so much can be translated through the piano.”
“Then orchestrate it.”
A sigh, a shake of the head and a hint of a smile was the only response. Scott firmly planted a hand on his brother’s shoulder and piercing blue eyes locked gaze with warm brown ones.
“I mean it, Virgil. Write your symphony. Give it the life it deserves.”
Scott could see the struggle to find the right words as Virgil’s eyes struggled to hold with his.
“I . . . It’s not mine, Scott, it’s . . .” Virgil lost the battle to keep looking at the determined pride in his big brother’s blue eyes. His gaze lowered and he focused on his hands. “I mean . . . it’s all of you. It’s not music I’ve created, it’s the music that you are.” Then, almost too quiet to hear, “At least to me.”
“So, you don’t want to share it?”
“I don’t know.”
“You said this symphony isn’t yours. I think you’re wrong. It’s very much yours. Something that you maybe want to hang onto, keeping it all for yourself. And that’s okay.” Scott shifted his grip, pulling his brother close. “After all, this is family – The Tracy Family Symphony. And if I’m the only one who ever gets to hear even this glimpse of what you carry in your heart, then I consider myself privileged.”
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I can't express how magnificent this scene seems to me.
The entire episode is a work of art in which everyone has their moment of glory. But these minutes that Goemon and Lupin share are masterful.
With very little dialogue and many looks full of feeling, it makes you feel real terror, it puts you fully into the hearts of the characters. It's terrifying to see the stoic Goemon so scared, his eyes say it all when Lupin explains him the terrible idea of cutting the elevator's counterweight. The way they both talk before the jump, Goemon's voice shaking. The sweet way in which Lupin tries to reassure Goemon with his usual little smile, downplaying the matter, hiding that he is also terrified.
The way they both look at each other. The way Goemon jumps forward to grab Lupin, dislocating his shoulder in the action (later he wears a sling, and I don't think it's just because of the pain in his wrist).
It is a moment to see on the big movie screen, where time and breathing stop for them and for us, those who suffer on the other side of the screen. I get tears in my eyes every time I see this scene.
I think that most of current film blockbusters should watch this episode, and this scene, because it has a thousand times more emotional charge and more visual power than all of them together. Apart of course from the glorious animation, the use of monochrome when the scene freezes and the action itself, the elevator falling out of control and the jump that neither of them can miss.
One of Goemon's dialogues in the Spanish dub: "Lupin, don't worry, you never know... what... can happen. As soon as it's daylight and they discover this hole, I will protect you, even if it's with my life."
And Lupin trusts him with his life, in a leap of faith.
Lupin the third part 2, episode 148: The Target Is 555 Meters Away
btw, I think it's important to notice that this episode happens after "Goemon's close Call".
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roaring twenties tumblr simulator pt. 2
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attended a petting party last saturday and there were no animals not even at all :(
#WHY WOULD THEY CALL IT THAT
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i lov my mother and father so nuch forever i cannot wait to attend my new job at the dubious factory where there have never been any machinery incidents evr before
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Submitted by anonymous.
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thebeesknees Follow reblogged 🔁 jazzcat Follow
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OP they took out the cocaine
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WHAT DO YOU MEAN THEY TOOK OUT THE COCAINE
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tumblr heritage post
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Hes so puppycoded
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The eroticism of the machinery incidents at the dubious factory
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Easy website
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There is a gang war in Chicago. The first gang to get to 100 kills, gets to take over that part of the city. You NEED to be careful, Babe Ruth. You could be at high risk because of your high status. PLEASE be safe, everyone in or around Chicago, and please reblog this to get it to the celebrities in Chicago
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