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#anyways this is just...
fuckingpajamas · 1 year
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Rewatching Captain America: Civil War, followed by Avengers: Endgame and going absolutely feral over this detail:  When Tony and Cap finally meet at the compound and speak alone, Tony opens the trunk of his car to reveal Cap’s shield. As he hands it to him, we see that the scratches that had been caused during their fight in Siberia are gone. The shield is in pristine condition.  Civil War took place sometime in 2016 while Endgame is set in 2023. Tony held onto Steve’s shield for 7 years. No doubt tucked away in some corner of the garage, avoiding the grim reminder of their last meeting because he can’t stomach the thought. Until one night, when he goes to grab one of his long forgotten tools and spots a familiar red and blue shield, staring back at him until he’s finally had enough.  He sets it on the table, hands gently running over the marks that look deeper than they feel. The cold metal feels simultaneously soothing and abrasive against his fingertips and for a split second, panic washes over Tony, a phantom ache pulsing in his chest.  Regardless of the whirlwind of emotions Tony feels, he fixes it. He takes a few days, carefully filling the scratches and scuffs, perfectly matching the paint down to the last drop. He takes his time fixing it, not because he wants to care, but because he misses Steve. This is the last piece of him that he has and he takes care of it. He takes care of it and he saves it, because he loves it.  And when Steve thanks him for the shield, it feels as though it’s more. As if he wants to say: Thank you, for forgiving me.  At the risk of sounding gratuitous, I see this is a very poetic metaphor for both sides of their relationship. Steve’s shield can represent many, many things, but I think it represents his strength- both inside and out -which to many makes him nearly indestructible (exactly like vibranium) only to reveal that it can be flawed and with enough pressure.. it breaks.  Tony is also one of the only things that can ‘break’ Cap. He’s the only person important enough to leave a mark, proving that he’s just as human as everyone else.  On Tony’s side of this metaphor, I like to think the dropping of his shield is akin to Steve’s abandonment of Tony in order to save Bucky. The entire collapse of their previous relationship after Civil War is so incredibly layered yet it can come down to two still images. A shield, bloodied and scarred, abandoned on the floor of a desolate Siberian bunker to rot.  Followed by a shield, polished and brought to perfection, mended to reflect the healing scars both men left each other after their last encounter. No matter how much Tony hurts Steve, or how often Steve runs away, they always come back to each other.
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musashi · 2 months
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not everyone is either butch or femme actually. That's a false dykeotomy.
EDIT:
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suiheisen · 9 months
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gritty both capturing the zeitgeist as usual AND educating me on the availability of free flow butter at american cinemas
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a1sart · 3 months
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if there's one thing this last episode has affirmed for me about Alastor it's that he FUCKING HATES being reminded that he's not the most powerful creature in hell.
Like, he hates being ignored by Carmilla when she says she doesn't care why he was gone
He hates Lucifer ON SIGHT
He threatens to KILL Husk when he dares to mention that Alastor is working for someone more powerful than him
and now this.
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Alastor freaking out because he almost died. Something almost killed him. He can fucking die. There is something more powerful than him out there. And it's not something he can ignore or brush off because it almost killed him.
Alastor hates the reminder that he's not as powerful as he tells people he is. He isn't indestructible, he isn't invincible. And he fucking hates that.
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midnight-coffee94 · 9 months
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No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly
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soranker · 7 months
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laios985
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shayneysides · 11 months
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hobie: kill yourself
pavitr: WHAT THE HELL BRO WHAT DID I DO
original format from @ha-youwish in this post!
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qiinamii · 7 months
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we'll do fine.
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lilislegacy · 3 months
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imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.
and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.
and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.
frat boy percy is not who you thought he was.
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littlemizzlinguistics · 5 months
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Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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maxthesillyy · 1 year
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gibbearish · 6 months
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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thebestestdancers · 6 months
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why should palestinians have to leave behind their land because israel wont stop killing them. why should anyone have to leave behind their life and memories and sentimental value just because an aggressor is left unchallenged. please think this sentiment through and delete it from your thoughts. instead of blaming an oppressed people for living in a hostile land, ask who is making that land hostile to live in.
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daisywords · 6 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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hansoeii · 8 months
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I probably won't finish this piece any time soon, but I wanted to share the unfinished version with you anyways!
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