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queermania · 1 year

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Wait wait wait. Jensen picked the writer who gave Dean a lesbian best friend and made him a nerd to be the show runner for his little fixit fic show? This is amazing!

when you look at robbie's run of episodes (that he wrote specifically, not produced or was the executive story editor on), a very specific version of supernatural and dean starts to emerge and it is insanity-inducing. here's a very brief rundown of the episodes robbie wrote:

slash fiction -swayze always gets a pass -dean singing air supply -"it's like eating self-righteousness' -the creation and introduction of frank devereaux -"applications for sainthood" -dean letting sam go

time after time -"what are you gonna look up more anime or are you strictly into dick now?" -dean being a nerdy little fanboy about eliott ness (and checking out a dude in a uniform but that was probably jacting joices) -dean getting excited about dressing up in period clothing!! -understanding that rufus matters and that family isn't just blood -original sam is milf!bait (and he's into it) truther -actually writing grief in nuanced ways -dean is smart and resourceful actually! -your future is "covered in thick black ooze" (which i know is just a very lucky coincidence but i don't care!)

the girl with the dungeons and dragons tattoo -CHARLIE!!! he gave us charlie. he said "actually what if hardcore fans were cool and fun and GAY and they were dean's new best friend" -charlie/dean/security guard flirting split screen -"she's kinda like the little sister I never wanted." "how does a high-school dropout become one of the brightest minds…" -basically this entire episode is just "be gay, do crime" and i love that for me specifically

bitten -not my favorite episode but as @ilarual says "it's very fun in how it illustrates Robbie's willingness to play with form, since it's all done as found footage" -and as @doctorprofessorsong says it "has the concept of monsters aren’t always bad guys" -and apparently it contains a brokeback reference? my memory of this episode is hovering at around 1% tbh but you get it

larp and the real girl -dressing dean up in little outfits AGAIN -and he likes it!!! -and he likes being a nerd! (dean is getting into it and sam is the one who is unamused mr serious guy!!!!) -and charlie is dean's new best friend! -"belladonna" "the pornstar?" -"did you break up with someone too?" -honestly you already know all of it. this is a fan favorite for a reason. what more can i say about this episode??

goodbye stranger -yes robbie was the first writer to try to give us a destiel love confession -cas practicing killing dean over and over and over and still not being able to do it when it comes down to it -"what broke the connection?" gee i wonder -first episode writing cas and he nailed the sort of unintentional deadpan humor that makes cas so lovable ("would it kill you to watch a movie? read a book?" "a movie, no, but with a book with the proper spells—yeah, it could theoretically kill me.") -"if he's so sketchy then why are you praying to him?" -pizza man reference -"do you really think we can trust megstiel?" (we get both megstiel and jealous!dean) -dean quoting lord of the rings (because he's a nerd! and he reads!) -meg roasting the shit out of sam for the amelia stuff -etc

pac-man fever -charlie reading the carver edlund books -charlie and dean being besties/getting a montage -dean telling charlie that what happened with her parents wasn't her fault/understanding the guilt she feels -"i love you" "i know" -"what about castiel? he seems helpful, and dreamy" -again, putting dean in little outfits -charlie knows how to shoot/aim a gun

slumber party -dorothy!! -oz!!! -look, is this episode cheesy? yes. but it's fun and it's so obviously a love letter to the oz source material and i love that about robbie. he does his research and he commits

first born -cain!!!! -drowley team up!!!!! ("friends. besties, actually." im sorry but drowley means so much to me personally and this is the start of their beautiful bromance) -"this is by far the dumbest idea you've ever had." "yeah, well, it's early" -cas liked pb&js!! jelly, not jam. he found jam unsettling!! -"you have a guinea pig? where?" -"you're a terrible liar?" "that is not true. i once deceived and betrayed both you and your brother." -just. sastiel shenanigans (and hugs!) -"she only asked for one thing." "to stop" -anyway. you get it.

meta fiction -dean and cas phone call smiles!! they LIKE each other -metatron media dump -"what makes a story work? is it the plot, the characters, the text? the subtext? and who gives a story meaning? is the writer? or you?" -i think it's important to note that robbie who wrote gabriel faking his own death -cas noticing something is wrong with dean pretty much instantly and then discovering the mark of cain

fan fiction -i mean. come on. -"although we do explore the nature of destiel in act two." -"you can't spell subtext without s-e-x" -sam being such a younger brother and trolling dean about "destiel" -"BM scene" -dean "you know they're brothers, right?"-ing the w*ncest stuff but just being flustered about the destiel stuff ayyyy -dean casually referencing andrew lloyd webber -"transformative fiction" -"i want you to put as much sub into that text as you possibly can" -dean quoting rent -the samulet is back! -"i have my version, and you have yours." -"he took away our own free will" <- about john!! -THE RETURN OF CHUCK!

there's no place like home -"i forgive you dean" "yeah well i don't" "i know, kinda your move" -"you hurt my friend" -"you lied to me" "you lied to yourself. that's kinda your move." -i mean. robbie just gets it, ya know?

book of the damned -cas being a huge bitch (love that) -sam being the excessively codependent one -cas and charlie get to meet! -found family goodness if only for a little bit!!

angel heart -ahhhhhhhhhhh!!!! -"i got it at the hot topical" (and claire keeping grumpy cat) -no seriously. dean and cas went birthday present shopping together for claire and they did it at a mall -castiel feeling guilt for what he did to the novak family (and amelia recognizing that cas has changed/grown) -"you were both troubled teens. you speak her language." -"bring your daughter to work day" -"i'm saying she might be stronger on her own." which is a controversial line but i think it says something really significant about how dean feels about his childhood "in fact you're not anything to her except a constant reminder of someone that's gone." -mini golf!!!!!! dean and claire bonding!!!! -the introduction of the grigori, a class of angels which may or may not be important at some point -claire roasting the shit out of dean with "you seem pretty old" <3 -"happy birthday. don't shoot me."

baby -do i really need to explain anything about this one? -"okay first of all, never use swayze's name in vain, okay? ever." -"mistakes were made" -dean having a dream about john teaching him to drive but under normal and appropriate circumstances -werepire…. ghoulpyre… -honestly just the whole episde. you know what i'm talking about. the unique perspective. the insight into their day-to-day lives. the moments that live in between.

into the mystic -eileen! my best friend eileen! -dean x mildred otp -remembering sam's lucifer/hell trauma -the whole "follow your heart" speech -"banshees go after the vulnerable, so why'd it go after you?" -dean recognizing there's something off with cas -but really the most important thing here is EILEEN

safe house -bobby and rufus!!!! -i repeat BOBBY AND RUFUS!!!! -"were you ever nice?" "1985. worst year of my life." -robbie just really GETS that this show is more fun when it's not centered entirely on the brothers. -bobby referring to sam and dean as his boys -timey wimey shenanigans -there were some interesting implications in this episode too but i'm losing steam here so i'm gonna let you rewatch and figure it out lol

don't call me shurley -the reveal of chuck as god!!!! -bisexual chuck -dean does sam's laundry (sometimes with beer) -chuck is a shitty egotistical writer -he also plays the guitar and: "i like front row seats. you know, i figured i'd hide out in plain sight." -"i thought if i could show my sister that there was something more than just us, something better than us, then maybe she'd change. maybe she'd stop being… her. but every time I'd build a new world, she'd destroy it." -"the world would still be spinning with demon dean in it but sam couldn't have that though could he?" -"you were gonna choose amara over me."

so. yeah. jensen chose THIS GUY to helm the winchesters. bold move, sir. full respect.

also, this tweet always makes me crack up

one of us! one of us! one of us!

#replies #anonymous #robbie thompson #mp

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fucktheroyals · 3 years

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You know after reading and reading and reading peoples theories and the meta from before the spn finale aired and the meta writers reactions to the finale I think I have a theory of my own. We don't have any answers tho, so this is pure speculation. If you wanna add something to support or discredit any of this that's cool but there's too many things floating around. Know I dont have proof for this conclusion at all. A lot of what I say is just guesses based on previous facts.

This all came together in my head when I realized how much this finale REEKS of the original producers and who the show was originally for. It REEKS of Robert Singer. Like if the execs started saying they didn't want it, Robert Singer was the one pushing that the story was about the brothers. That kinda thing.

Then, I was thinking of the problems in this episode and it struck me these are all of Supernatural biggest issues and to be honest all of it feels completely deliberate.

Take the sexism for example, Supernatural in it's later seasons largely out grew this, we have Jody, Rowena, Donna, Charlie, Mary, Claire (and even a wayward sisters pilot with MORE women/girls) all making regular appearances. They're mainly good characters and mostly aren't there to hurt our boys. Rowena, of course, is the one outlier being very about herself but it's clear she still cares for them, I mean its part of her development. But they're all real, with character flaws just like everyone else. (And we have Death too and she was POC 😭 THANK GOD)

Now look at the earlier half of Spn, we have Ellen and Jo, who's appearances were far in between. There's Bela in season 3, recurring for quite a bit (5 eps), but she is a character that is only there for herself, definitely not found family (unlike Ellen & Jo), and she's got more episodes in season 3 than Ellen and Jo in season 2 who aren't seen again til season 5. The "fans" send in hate mail after hate mail to try to get these characters off, and eventually they are. Then there's Ruby who's character stayed for a whole two seasons and was a largely recurring character. Why does she get to say so long? She's a plot device. She's supposed to be there to betray Sam. She has to stay (plus Jared obviously likes her). But she's not just a character the writers like writing about. Same with Lilith. Obviously not as recurring but still a plot device. Did they get hate mail tho? You can bet on it. Why? because tHeY'rE gOnNa PuSh ThE bOyS (Dean and Sam) aPaRt ThE sHoW iS aBoUt ThE bOyS oNlY. Without even thinking about the hate mail, just notice how large the difference is from how women are seen in the earlier seasons to the later seasons. Misha got tons of hate mail too for being a character that could split up the boys (probably only being allowed to say because he a man, thanks sexist producers and execs).

Only after Castiel was killed off and then Castiel fans successfully (thank you guys) got him back on the show did the hate mail largely simmer, which means female character's were allowed to stay! Which has lead us to a show with a good amount of female characters. But can you imagine having to kill characters off time and time again because people keep complaining that the show is "only about the boys." Fun times really.

So now we get to this final and we see sexism. But it wasn't just the plain old regular sexism you find in the earlier days of spn. Because now, there ARE women to talk about, talk to. But this episode was DESOLATE women wise, unless they were used for plot (which is also sexist!). Small scenes, they're barely there. Women gets her tongue cut out. Random women from s1 gets killed. Sam doesn't SPEAK of Eileen. Nothing. No mention of any female characters from the boys mouths unless they were from/in this episode itself. That's WIERD. I know we've all said it. But that goes beyond forgetting about characters. I mean its SAM'S GIRLFRIEND for Christ's sake. There is NO REASON they couldn't have said Eileen's name. Notice how Sam's wife is just... faceless. This is literally an age old sexist trope. Like... one of the things about bringing Mary back to life for s12+ is that it takes this trope... of basically a generic mother, and gives her life and feelings, whether you like them or not, they're real feelings. They said Mary isn't just a mom she's a person. Mary's existence in the later half of spn is to fix this kind of female tropes that fall upon her character, to not let these her stay a 2 dimensional character. They said we should know she's more than just the mom who tried to save her kid. Do that is the exact opposite of Sam getting a nameless, faceless wife. The sexism of the old spn wasn't just brought back, it was completely amplified. It wasn't just accidental or some exec "fixing" the story it was DELIBRATE. Whoever wrote that, didn't do ALL OF THAT by accident. Because an exec or a producer who doesn't see the flaws in old supernatural isn't going to write it that deliberately.

Let's bring it back to s10 when Charlie was killed (singer was mainly to blame). Dead in the bathtub, age old classic of burying ur gays. If you were here you know people never let Supernatural live that down. THEY KNOW what bury ur gays means. Hell, Robbie Thompson left because of Charlie's death and you think the writers don't know what it means? I mean both Bobo Berens (especially) and Steve Yockey's careers are centered around LGBT+ storytelling and you think they don't know? They know. They know.

And Dean wasn't just apart of the bury your gays trope, it is so far BEYOND that. Dean being killed on a rusty nail/screw, the tongues ripped out, things that seemed to be meant for other people. Jensen's acting in the last two episodes was giving us "DEAN RECIPROCATES" but no one ever actually saying it. I think it's clear that Dean was killed for being Bi. They didn't address it for a reason, they just silenced him. His narrative was supposed to be about letting him be HIM for the first time, to say what his feelings are instead of having them miscommunicated, and instead of doing that, they just silenced him. And the more we look at this scene the more horrific it gets. The more it's a complete slap in the face and it's supposed to be. Some guy who knows nothing about the LGBT can't write a scene this horrific.

Some guy who knows nothing about Dean couldn't write a scene that deconstructs all of Dean's character development and gives Dean his worst nightmare. I MEAN DEAN WANTED TO LIVE HIS LIFE! THEY DIDNT HIDE THAT JOB APPLICATION (or whatever job related thing that was) IN THERE FOR SHITS AND GIGGLES THEY WANT YOU TO KNOW THIS IS THE ABSOLUTE WORST SITUATION. Dean isn't Barney from HIMYM. If you watched HIMYM then you'll know Barney went from being a stereotypical ladies man and treating women terribly to being in love with a women and treating her right and working hard for it. The last episode of HIMYM (why its so bad) Barney's character development is thrown out and he's back to being a stereotypical ladies man. You don't need to know Barney's character very much to do that.

To kill Dean during a hunt his father never finished, to not have anyone at his funeral, to have Dean die young like his life didn't matter. Those are Dean's worst fears and you'd only truly know that if you watched the gin episode in s3, where they are basically laid out for you. You HAVE to know Dean's character to tear him apart like this.

This episode took all the core elements of the show and did a complete 180° the name of the episode itself is "Carry on" and Dean and Sam very much did not carry on. Sam grieving his entire life so that he good get to heaven and see Dean again. Dean being ready to live his life, despite the enormous pitfalls and learning to love himself only to be killed. "Family don't end with blood." Um.... it did in that episode either literally with Dean's death or you know BECAUSE NONE OF THEIR FOUND FAMILY WAS THERE. Not Jack, Not Cas, Not Eileen, Not Donna, Not Charlie, Not Jody, Not Claire... on and on we go. No one was there, nobody was even mentioned. Dean's funeral, no one even called that we know of. It was just Sam and Dean. Sam and Dean. And Bobby. Don't forget Bobby. But yeah Sam and Dean.

That's what the show is about right, the brothers.

Except it's not anymore. It hasn't been for years.

Cas not being there was deafening but it brought us to a major point. Becky. Becky's telling us about the terrible ending.

And many of us are wondering why would they literally tell us this is the worst ending and then... make it the ending.

Now before we move on, it very apparent many of you think Dabb doesn't ship Deancas. And Dabb doesn't care about the characters.

Say what you will about any plot holes in his writing, the point he is VERY GOOD at writing the characters, and giving us good ones.

Why do we know Dabb ships Deancas? (ill say when its cowrote, other wise its not) cowrote ep 8.02 - purgatory "I prayed to you, Cas, every night" "Cas, Buddy, I need you." "I have a price on my head, and I've been trying to stay one step ahead of them, to – to keep them away from you." 8.08 Hunteri Heroici - Cas helps them hunt! 😊❤ Dean & Cas have a serious convo about why Cas doesn't want to see/go to heaven. 8.22 Dean's mad at Cas. Sam's explanation of why Dean should be easy on Cas: "It's Cas." Dean then points out how he'd knife anybody else if they did what Cas did. 9.10 - Cas comforts Dean when Dean can't take seeing Sam (Gadreel) being tortured anymore. Also tons of Cas. 9.20 (bloodlines) - Canonical couple parallel "I was there, where were you" 9.22 The angels make Cas choose between them and killing Dean and he "gave up an entire army for one guy" 10.09 Claire's reintroduction. Cas heavy ep. DeanCas date. 10.22 THE PRISONER - u know the ep where Dean beats the shit out of Cas but loves him enough to not kill him.

We COULD keep going but I think I've made my point. If Robert Singer is the guy that is like "the show is about Sam and Dean only" Andrew Dabb is the DeanCas shipper. And you could even say a Cas stan.

Notice! How in s13 for SEVEN episodes we have a story that revolves around Dean's grief about losing Cas. Notice! How often the stories in all these seasons have a focus on their relationship. THAT is Andrew Dabb. If it weren't for him doing that, we wouldn't be able to easily say after Dean's lack of a response to Cas' confession, that Dean reciprocates.

To me, when I was (binge) watching s12 for the first time, I thought damn this is really got a lot of DeanCas. So I went to look at who was in charge, who was writing. I saw Andrew Dabb, associated him with Deancas episodes, saw all the new writers, Bobo, and then I saw that Yockey is known for same sex stories and it clicked. Dabb assembled a team to give us Destiel. THAT WAS IN SEASON 12!!!!!!!!

The amount of people saying he's homophobic flabbergast me. Open your eyes! That isn't what's going on.

Imagine making a show and trying to right all the wrongs of Supernatural. Imagine trying to write the greatest love story ever told and you have the entire season planned out for it to end off beautifully, it may possibly be your greatest achievement when it's done and then boom. someone comes in and tells you you aren't allowed to make Dean bi or make destiel endgame, after he was most probably already given the go ahead.

Sure. You could imply he's bi or into cas still in a way. Still make nice-ish ending. just give everyone what the kinda want.

Or you could scrap the last season, nothing close to a canonical bisexual Dean Winchester or Deancas endgame in site. People can be done with it be happy with the show, continue to live their lives in ignorance as to how close they were to Canon destiel.

OR you can lead everyone to the very closest you can get them to what you were aiming for and then show everyone the ugly truth and reality. Light it all on fire. Burn the show to the ground in your wake. Try your darnedest to making these people's (the people saying no) pockets suffer. Show us, the audience, what happened. Show us what this show really is.

I've seen people talk about the ending being changed during covid but I dont think that happened. I think what happened was Dabb already had this season planned out before it even started. Obviously the details were wobbly but it was all lead up to this ending. Destiel endgame, Canon Bisexual Dean, whatever it was. They were ready to write the greatest love story ever told and then someone shut it down.

Imagine the pain that must have caused them to be told no when they already said yes. They must have been so excited to give this to us.

I think someone (some producers) told him what this show is "really" about. The brothers. Can you imagine, after being told no, some kinda bullshit like this is said to you: "Why aren't you bringing it back to the brothers, Andrew? that's what the shows about. What with all this homosexual stuff, you know the audience won't like that. Not really." Imagine the original producers pushing this kind of view on you. "You know when we started it was Sam and Dean. It should end with Sam and Dean." That kinda sounds like someone huh? huh.

So why give us a nice acceptable finale, when you can take every problem Supernatural's had either up front or behind the scenes and create a finale so incredibly bad that people don't want to watch it anymore.

Someone made a good point about how Sam was originally supposed to be the main focus (this isn't to put any hate on Sam or Jared). Dean and Sam are the main characters but Sam was supposed to be the focus and for Dean to have become the focus, must have annoyed the producers because... well here we are. They wouldn't listen to Jensen. The producers liked this ending. Jensen's opinion didn't matter to them.

In some ways, if this is really what happened, it can be seen as childish from Dabb. To hurt all of us like that. Yes, he's hurting the producers, the execs, the cw. But to hurt us? Yeah it stings.

But in other ways, if this is really what happened, this is Dabb showing us the muck and gunk under the shiny surface. The hate for Misha. The hidden hate for Jensen. The underlying sexism. The underlying homophobia. The people REALLY in charge don't care about us, they just want our money. He needed to open our eyes and free us, at least free the people that he was writing for. The people he sees that care about this show.

This is the ending the powers that be wanted and its a big fuck you for a reason. I dont think this is Dabb spitting in our faces for loving this show, I think this is him trying to get revenge for us.

But from here, you can see it how u want it. If this is really what happened, I'm not in charge of your emotions, if you wanna be mad be mad if you wanna be grateful be grateful. And you don't have to believe me either I said this is speculation.

Also, as for all of the rumors like there being shots to the confession scene that we didn't see, which Jensen himself implied, I think that might have been a last ditch effort to canonized DeanCas but obviously it was cut. Like the name change was pretty clear. As for Misha possibly having shot some stuff for 20 I dont know what to tell you. If it's true I dont know where the blame would lie.

I do think however, that if all this was the case, the writers were prepared to become villians here. I mean they told us the writers were villians with Chuck right? So. Who knows what went down so they could give us such a vile ending. It could've been the producers or the writers, who truly knows. I do think tho that people we "trust" did some pretty shitty things to push the narrative in certain directions so now one would see this as the actual ending that was coming.

So again do with my SPECULATION what you will. This was in no way meant to put Dabb on a pedestal or anything. Just meant to give a bit of perspective.

(Also Jensen didn't unfollow Dabb recently he was already unfollowed for years)

#15x20 wank #spn finale wank #spn finale meta #15x20 meta #Andrew Dabb #spn #supernatural #castiel #dean winchester #destiel #deancas #misha collins #jensen ackles #long post #sorry im on mobile #this is the longest post i have ever writen

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ordinaryschmuck · 3 years

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What I Thought About "Yesterday's Lie" from The Owl House

Salutations, random people on the internet who absolutely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

Here it is! The midseason finale of The Owl House Season Two! An episode featuring Luz going back to the human realm, is hyped up to heaven about how painful it'll be for the audience, and features more anxiety by how Creepy Luz is a thing. And BOOOOOOOOY howdy were fans not ready for this. I'm sure as hell not ready for when I wrote this intro at *checks time* thirty minutes before watching the official premier. Yup, the words you're reading right now are from me in the past, when everything was still pure and simple. Whereas future me is still probably destroyed by the events that transpired. Isn't that right, future me?

Future Me: Actually, it wasn’t that bad. The ending hurt, sure, but other than that, it wasn’t too painful.

Wow, that is some neat input! At least, I think it was. I wouldn't know because I literally wrote that after watching the episode. With the words you're currently reading being written at *checks time* twenty-six minutes before the premier...this whole intro is confusing, isn't it, future me?

Future Me: Sure is.

Yeah, it's definitely confusing. In any case, let's dive into this spoiler-filled review as we find out together just how painful this episode was! Take it away, future me!

Future Me: Will do! Major spoilers ahead, folks!

Now, let’s review, shall we?

WHAT I LIKED

Luz’s Room: We only see it for a short time, but everything about it just screams Luz. The pile of weird-looking stuffed animals, the witch hat in the center of the floor, and the fact that she has bunk beds, a single child's dream (Or so I've heard). It's a small thing, but I love it.

Vee: Here she is! The character previously dubbed Creepy Luz who now turns out to be yet another new addition to the ever-growing list of characters that we, as a fandom, would give our lives for. Because holy s**t was Vee the best type of expectation subversion. Showing us all the ominous ways of how she basically took Luz's place made fans assume that Vee was an evil doppelganger. Turns out, she was just a tortured soul that was desperate to live a new and better life and lucked out in finding Luz's. What Vee does is...questionable at best, but seeing what she went through with the experiments Belos pulled on her, you understand why she would do it. And I personally love it's that same background information that makes Vee resentful of Luz of all people. Luz's life is a relative dream come true, and running away from that would be insane to someone who spent most of their existence through imprisonment and experimentation. It's an intriguing point of view, even though it's admittingly flawed given how it's mostly Camila that seemingly made Luz's life bearable. But the flaws don't matter. What matters is that you can see where Vee is coming from, and to me, personally, I think she's understandable enough to make me root for her to have some kind of happy ending. Whether as Luz or as herself, I'm hopeful to see Vee get some semblance of peace.

Camila: *Round of applause* Don't mind me! Just taking the time to love how all them sons of b**hes who thought Camila was a bad mom are now heavily invalidated. 'Cause, guess what? Camila is a fantastic mother, both to her daughter and her daughter's doppelganger! Allow me to walk you through the highlights:

How Camila looks like she’s not okay with the fact that "Luz" is clearing out her weird stuff, seemingly acting too different to the Luz she knows. Added to the fact that Camila doesn't like it.

How Camila drove Luz to camp whether than letting her take the bus

The fact that Camila takes that box of junk back in, not willing to part with the tin foil sculpture Luz made.

The way she was willing to play along with the game she thought Luz was doing, supporting her daughter's creative mind that Camila admits to being glad to see.

And, best of all, the willingness Camila had to help this poor creature, despite the lies it lived.

It's that last part I really want to touch upon, though. Because an action like that shows just how much Luz's heart comes from Camila. The kindness and generosity of helping this poor creature, who she has every right to run out on, proves how Luz learned to be everything she is today through Camila's own loving heart. Vee was scared and hurt, and the second Camila saw that she was then more than willing to help because of it. It's something that Luz would do, and it proves that even though Camila didn't exactly get everything right, she's still a great mom where it counts.

“A new life”: A perfect line.

Initially, it makes audiences think that it has everything to do with replacing Luz. It's only through future context that we know it's about escaping the s**t show Vee once lived through that it's clear she's talking about starting over. It hits us with intrigue on the first viewing, only to hit harder with the feels during a second. Really well-done.

Luz in the Mirror: A well-done surprise that makes fans curious about how this even happen in the first place. Kudos to you, writers.

The New Portal: I don't mind that they found a way to build this off-screen. Showing Luz and the gang slowly building a new portal would have been a little too tedious to watch, and it's so much better to just start this episode out with it. Besides, maybe we'll get the slow and steadier version now that we've seen how quickly building one might not have been the best way to go, given how fast that thing fell apart.

Luz Between Dimensions: I have no clue what the hell that place she was in is called, but it's awesome! The overall design of the realm is the correct type of unsettling, like it's oozing with mystery, but it's somewhere that you probably don't want to be in for too long. Whoever designed it deserves all of the credit because I don't want to even think about all the hard work that went into making this look as well-made as it was.

Luz Resisting to See Amity: What? Luz and Amity are adorable, and seeing Luz's immediate thought about seeing Amity makes my shipping heart scream with glee. Don't judge me!

Hiding Luz’s Dad’s Face: Well, that was a fun story while it lasted.

So, it turns out that Luz's dad really was a part of Luz's and Camila's life at some point, but not anymore. As for why remains to be seen, as we don't really know yet if we'll see him make an appearance. I'd say that the odds are high that he will, given how much of a point this episode made about keeping his face hidden. Shows don't usually do that unless the goal is to hype up some official reveal, and I can't wait to see what comes of it.

Luz Telling Herself to Count to Five: Hey, more evidence for how I relate to Luz! I know how it feels to be all panicky about a specific situation, and I only got better when I took the time to calm down for a bit. Sometimes, I even tried the "count to x" method that Luz used...it never worked, primarily because it made me feel worse when people told me to do it, but I still tried it! Plus, there's also some narrative foreshadowing when after Luz says five, the realm shows her Vee, or Number V, which is a pretty cool detail you'll notice on a rewatch.

Luz Helping Vee: I gave Camila praise for helping Vee in the end, but that doesn't abstain Luz from her own set of recognition. The second that Luz realized that Vee wasn't really a threat and is far from evil, our favorite human does what she can to help and even makes a deal where they're both happy. Because, of course, Luz is that perfect of a protagonist who is more than willing to help others in need. And it's why we love her so.

Looking for Magic that Eda Left Behind: A pretty cool idea that gives Luz and Vee a chance to bond and giving us an insight into Eda's past antics and misadventures in the human realm. Not much I can add to it, though.

Gravesfield: It's surprisingly not as jarring as I thought it would be to spend an episode in the human realm. I thought for sure, after all that time in the Boiling Isles, there would be something off about walking around a normal environment for a change. Turns out, it's almost easy to get used to. Or, for me, it is.

But I will say that there's this neat use of colors when comparing Gravesfield with the Boiling Isles. In Gravesfield, the coloring looks dulled down and standard, which is a stark contrast to the bright vibrancy of everything we've seen in the Boiling Isles. It's a subtle way of showing how things are different, aside from the major discrepancies we could come to expect. And I think that's why I appreciate it much more.

Eda’s Called Herself Marylynn in the Human Realm: Hang on...hang on...do you mean to tell me that the crack theory about Eda being Stan's ex-wife is actually true?

...

...What even is this show?!

Vee Making Friends with Camp Members: This shows the most apparent difference between Luz and Vee. Where we see Luz is already fearing the many ways that could go wrong with interacting with teens, Vee revealed that she adapted to her situation and had a chance to make friends. The implications of this are worth discussing another time, but for now, I'll say that it's pretty intriguing that we gain this much insight into both Luz and Vee through such a small thing.

Belos Wanting to Learn How Basilisks can Drain Magic: ...Didn't Raine say that Belos was taking away magic? If so, I think we can figure out how he's doing it. The question now is: Why?

Jacob (The Curator Guy): This guy was a riot. At first, Jacob seemed like a threat with the way he trapped Vee and was apparently stocking her, but the second he goes off about his conspiracy theories, it becomes clear what type of character he is. And was it a blast seeing how much of a crackpot this man is. It wasn't cool seeing him wanting to dissect the precious angel that is Vee, but I still chuckle about things like his "Flat Eather's Certificate." So while he's not that much of a threat, he's still fun to watch.

The Owl Beast was in the Human Realm: ...How did that happen? When did it happen? And how the hell did Eda get out of a situation like that?! Who knows, but it's still a shocking piece of news to learn.

Luz Telling Camila the Truth: Hey, she faced her fear after all! Although, the results aren't as pleasant as when Amity faced her fear two weeks ago.

Camila is a Veterinarian: ...One insignificant reveal...managed to destroy so many fanfics. I mean, we probably shouldn't have just assumed Camila was a nurse...but what the f**k else were we supposed to think?! Sorry for seeing the scrubs, and the first thing that came to my mind was "nurse" and not "vet."

By the way, that had to have been intentional, right? There's no way that Dana Terrace didn't think we'd assume Camila was a nurse. She'd had to have put off a reveal like that just to trip up her fans. And if that's the case, then that is a major d**k move...but that's why I mildly respect it.

Two Human Brothers went to the Demon Realm: Turns out we don't have to be in the Boiling Isles to learn more about it. Because now we have more information about how two humans were taken to the Isles with the help of a witch, thus setting up a grander reveal if it turns out that one of the humans was Philip and the witch was Belos. Because if that's true...then there's more of a history between those two than we thought.

Jacob has a Training Wand: This helps me believe that it's highly likely for Jacob to make a return and to have a power boost for when he does. After all, focussing all that attention on the training wand is way too convenient for it not to come up again in the future. Meaning we're most likely going to get more pain from Jacob if he shows up again.

Camila Beats the Crap out of Jacob for Vee: ...Writers, don't make me choose between Camila and Eda on who's the better cartoon mom. I know Eda's technically not a mom...BUT I STILL DON'T WANT TO CHOOSE DAMNIT!

Also, the sandal...just...

Why the f**k does Camila have a sandal in her purse? I don't know. Is it still funny that she does? Most certainly.

Camila and Luz’s Talk in the Rain: Ooooooooh, I was not ready for this...

I wasn't ready for the crying.

I wasn't ready for the hurt in Camila's eyes when she found out Luz chose to stay in the Boiling Isles.

I wasn't ready for Camila asking if Luz hates being with her that much.

I wasn't ready for Luz profusely stating how it was never Camila's fault.

I was not ready for Camila to tell Luz that she'll try to do better.

And I definitely was not ready for Luz to barely have enough time to promise that she'll come back.

This episode wasn't the twenty-two minutes of nonstop angst that I thought it was going to be...but this short scene more than make up for it.

Luz Tries to Stay Strong: Yet another thing she unwittingly learned from Camila. Camila tried to keep a brave face when Vee was with her and Luz, most likely not wanting to tear either of them down in the process. Luz does the same thing here as she avoids talking about the details of what went down in her sort-of journey back home. And seeing her clearly fake smile slowly droop into an uncertain frown, it uh...it definitely tore me up inside.

WHAT I DISLIKED

I want to say it's perfect, but there's one major issue that really bogs this episode down.

Continuity Error in How Vee Replaced Luz: Having Vee take Luz's place the same day Luz appeared in the Isles is a smart idea on paper...if it wasn't for the fact that it's impossible.

Because Eda closed the portal door the second that she saw Luz, meaning that there's no way for Vee to go to the human realm. It's a major plothole that makes no sense, and it might just be the first time ever that this series wasn't so closely knit with its story. Which ends up taking a dive in quality in the process.

IN CONCLUSION

I'd say that "Yesterday's Lie" is an A-. Everything about Luz, Vee, and Camila is incredible, combined into a story that ends in tragedy and uncertainty for the future. That plothole may drag things down a bit, but everything else is handled so well that I'm not lying when I say it's easy to forgive and forget.

(And that's ten episodes in a row without a single stinker. HOW THE F**K DOES THIS SEASON KEEP WINNING?!)

#the owl house #the owl house spoilers #toh spoilers #luz noceda #camila noceda #camila is a good mom ok!#toh vee #emperor belos #what i thought about #the owl house reviews

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stxleslyds · 3 years

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MY TOUGHTS ON PART TWO OF RED HOOD BY CHIP ZDARSKY :)

A DC BOOK THAT TASTES LIKE MARVEL.

You know when you are reading a book and you feel like the story you are reading seems familiar but not really within the context you are reading it at the moment? If you can’t shake the wrong sense of familiarity you search for what it probably the biggest give away, the author.

Here it’s something like that; I have read other pieces of Chip Zdarsky’s work, namely Daredevil. While I could tell you the familiarity is there, in the subject of guilt after taking the life of another person, the reality is that this book doesn’t taste like Daredevil, it tastes like Marvel.

That can be either an excellent thing (because Marvel has amazing books) or something terrible (because DC isn’t Marvel and they don’t work the same way).

As of now I can’t really tell if this Red Hood story is going to be one or the other, but I can tell you that it feels out of place in the DC universe, or at least that’s how I see it. I will explore this particular thought later, I just thought this was a nice way to open this post.

If you would like to read the first post I made about this book I will leave the link here!

Now…let’s begin.

Part two picks up exactly where part one left off, we see Jason calling Oracle so she can bring the police to the place where Jason killed Andy a.ka. that gigantic piece of shit.

Jason is having some thoughts, ones that I think are important.

“I have taken lives before, a lot of them. I have killed guys knowing nothing about them except that they had guns and murder in their hearts. Those ones are easy; I don’t have to think of their mothers getting the news or of kids being...”

Jason is troubled. He is now in front of a reality that he never truly thought about but to be honest with you I strongly believe that nobody in the DC universe thinks beyond what happens in front of them, that’s just how fictional comic worlds are designed.

Anyway, there is a little something that bothers me in this inner monologue of his, like since when have “murderers” been Jason’s actual target? Like Joker was his target but he didn’t kill him, the base of Jason’s morals when it comes to killing has always been drugs, most importantly if you sell drugs to kids. So unless he is saying “murderers” because they were selling drugs that caused people (especially kids) to overdose then I don’t really get what is going on.

Another thing that I also talked about in the first post is that Jason hasn’t killed in a very long time, this man has been sticking to the Bats rule for so long that it’s actually unreal. Even when he shot the penguin and Batman proceeded to almost beat Jason to death the penguin hadn’t died. So once again I am thinking that Zdarsky has some info that he is not sharing right now or maybe he just didn’t read Lobdell's run (in which case, can you really blame him?)

Now let me talk about the other part of his monologue “…I don’t have to think of their mothers getting the news or of kids being...” This is something that I haven’t seen in DC, direct consequences after a hero/vigilante does something, and let me tell you it feels out of place. Is it a good or bad thing? I don’t really know but I have some thoughts on the subject.

I think it's unfair to put a comic character in that situation or dilemma. Jason has basically three reactions to the same situation and they are all valid, but can this situation be handled by a fictional person in a fictional world? Because to be fair I could also ask about the criminals that are put in hospitals after they are beat up by heroes, what if they die in the hospital? Is the hero a killer or does it fall on the hospital? If a criminal cannot pay for the attention given to them in hospitals and they immediately go back to criminal activity to pay for those things, are heroes a good thing? If the Joker bombs a hospital for the third time in four months and Batman does the same thing (take joker to Arkham) only for Joker to escape and do it again, is Batman as guilty as the Joker for the deaths of innocent people or not?

As I wrote it and as I read it again I see that it is a crazy thought because you can simply add more depth to the characters decisions and the consequences that would ensue because of them, but Gotham is a fictional city created to establish that crime is off the charts and that they need Batman because no amount of resources will be able to fix this city’s problems. So putting Jason in this position is new to me…but only in DC (more of this particular thought below).

Going back to the comic in question, I feel like Jason had the answers and the ideas all in his head. In this issue alone he basically says that if the mother does not pull through the boy will be alone, but alone means going into the system (a horrible system that Jason does not trust and needs improvement), but also, Jason recognizes that if the mother died and the father was left alive then that man would have done horrendous stuff. I just simply wouldn't believe that a man that gave drugs to both his wife and son so they wouldn't bother him is just going to change after realizing that his wife died because of him. Even less believable is him becoming an amazing father.

In the big scheme of things, Jason has killed people who fitted very certain characteristics, never innocents (bye, Morrison). What happens after the killing is done? We don’t know because past stories have never focused on that (criminals in comics are by default one dimensional, villains are not)

But here is the thing, Zdarsky is a Marvel writer and Marvel has gone in depth within those situations (like what happens after heroes commit mistakes or kill someone) mostly with Civil War by Mark Millar and more recently in Daredevil written by Chip Zdarsky, but DC hasn't and DC has been plain for a long time, DC doesn't really explain how batman hurts people severely and nothing happens beyond that.

What I am trying to say is that Zdarsky is going for a different and unique route for Jason here but I think the story is out of place in the DC universe.

I promise I am done with those thoughts, they were really difficult to put on paper and to make them make sense, so I apologize if I only confused you, sorry!

Anyway! After the monologue is done we have a flashback where little Jason is being told by his mother to go buy bread (the only thing they can afford) but she is also making him leave so he doesn’t have to be present when Robby (a friend if you ask Jason’s mom, a drug dealer if you ask Jason) comes to the apartment to help her.

Sadly as Jason is leaving Robby is walking up the stairs, now not to copy little Jason but fuck Robby. Jason’s issues with drugs, drug dealing and overdosing is once again shown here but what is also shown is the violence that comes with it. Jason being terrified for himself (and his mother) as Robby pulls a knife on him broke my heart and as he is left there in the corridor to his apartment all we can see is a defeated little boy and that shit hurts a lot.

After that we jump back to the future with none other than Batgod…I mean Batman. Batman is following a man called Sydney and apparently he disappointed Batman because B told him to stop being a criminal, like come on man if I ask nicely or if I break both of your arms you will surely stop, right? Yeah, no.

I feel like I mentioned something about this while my brain decided that DC never usually explains what happens with criminals after they get caught or killed and now here we are. Consequences. Batman scares a man off of working for Scarecrow but the man still needs to work (does he have a family to provide for? We don’t know. Does he do it because it’s the only job he can get? We don’t know.)

This Batman intermission ends up with Oracle telling him that Jason might be in trouble.

So we find ourselves back with Jason and Tyler in his safe house, Zdarsky does not hesitate and first thing he does is give us a couple of very angsty panels.

I love the way it hurts.

Jason honey, my sweet chonky boy…what are you doing?

Well at least I am not the only one asking that because Jason is having a moment to reflect about what has happened, what is happening and what could happen in the future. In this monologue he says the following:

“Dammit, Jason, what the hell are you doing? You can’t take care of this kid! But you can’t put him in the system either! Just waiting for some obsessed militaristic billionaire to adopt him? Dammit. His dad was scum, he hurt Tyler, he hurt his mom. But if Tyler’s mom doesn’t pull through…I just made this kid an orphan. He is my responsibility, he is too young to really see what he’s gone through, he can still be saved…unlike…”

Yeah that’s some really angsty thoughts, he is really going through it and I understand it. He lost his cool after what that horrible human being said he did and killed him and now he has to face the consequences of his actions, he recognizes that if the boy is left truly alone he will have to step up…but here is the thing, does Jason really want that? It seems to me like Jason is deeply against the idea of children working as heroes, and here he is as an adult that is a vigilante with an impressionable child that sees the Red Hood as his hero, I don’t know, it looks like the perfect recipe for a disaster.

But we don’t get to see what Jason does right away because its flashback time.

Jason only moved from his spot in the corridor of his apartment door to get the bread but as Robby comes out of said door Jason is there waiting. Robby teases that he and Jason’s mom ended up sharing the “medicine” and that she will be sleeping for a long time, and that seems to be it for Jason because next thing you know Robby is falling down the stairs.

Aw, shit.

Jason from the future continues his monologue while he remembers what happened on those stairs.

“I never had a chance, not for one second. But he does, Tyler has a chance. I can help him, help him be okay. This doesn’t…what I did…what his parents did, it doesn’t have to define him.”

So Jason wants to make things right for Tyler so he doesn’t become like Jason. Now I don’t truly know what Zdarsky is going for but I will go for the unconscious route, little Jason pushed Robby (that fucker) down the stairs and he was left unconscious there.

In Jason’s eyes Tyler is still a good kid that deserves only the best (like you Jason, please don’t think so low about yourself) and that can be saved from a life of vengeance, justice and trauma. But whatever Jason was going to actually say to Tyler we don’t know because Tyler informs Jason that through the Red Hood mask there is someone telling him that Batman is coming.

Batman appears out of nowhere as he does and starts talking shit.

Honestly Batman what is with that “not my town” bullshit? Baby this isn’t the medieval times, you are not a king and as far as I know not only is Lucius Fox richer than you but so is Dick so sit your ass down and shut the fuck up.

Luckily Jason is giving the outstanding amount of zero fucks and tells Batman exactly what he needs to be told, sadly Jason’s big brain time doesn’t last long because he absolutely loses his cool and starts a fight. So you know what that means, monologue time!

“This was a mistake, but I can’t help myself, he gets under my skin. His sanctimony, he acts like he’s God, all knowing, all seeing when really…he’s just another failed parent.”

Amen. Jason knows many languages but he chose to speak facts.

As the monologue ends Batman is standing over Jason like he is about to murder him but no such thing happens because Tyler, who was quietly watching them fight, jumps in to protect Jason. Yep, there goes my heart, goodbye.

And this is it. The issue ends with Tyler putting an end to the fight and telling batman that he has to leave the Red Hood alone because he is a good guy. Jason of course is thankful and promises that everything is fine.

I don’t know about you guys but so far I can’t say if I like the book or not. Both parts left me with mixed feelings. I obviously want to see how it ends but I honestly think that there is only one way this story can end with a happy ending, which I think it would be Tyler going back to his mom and Jason somehow working to help her with her drug addiction, maybe even have Dick involved so he can help them economically.

Things that I surely do not want to see are Jason backing down again and limiting himself to the Bats rules. I also absolutely don’t want Zdarsky to go all Geoff Johns on us and make Jason think that he should give up the Red Hood mantle.

Jason really needs to gain his confidence back, he was smart, calculated and strategic and now they have taken those things away to accentuate his “daddy issues” and “inferiority complex”. Why the quotation marks you ask? Oh, because those things are bullshit and there is no room for those things in Jason’s characterization other than to add more angst to the plot.

Let me know how you felt about the issue and my review! Are you excited about what the four next issues are going to bring to the story?

Also if you read Marvel, did this issue taste like Marvel to you too or am I going crazy?

#Jason Todd #red hood #red hood outlaw #batman: urban legends #batman urban legends #infinite frontier #DC comics #robin

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blee-bleep · 4 years

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Though I disagree vehemently about your take I'm also very curious of your arguments for why you think Akko is such a bad character?

Anon, you have no idea what you just fucking asked of me. Time for a review! This is going to be hella’ long.

Vanilla Character that insists that she has personality

So the one thing I’m going to start off with is; The Relatable/Vanilla Protagonist Syndrome. This is the syndrome that is used for most main characters in order to have a clean-slate character that is basically the audience in order to promote the world-building in the series by having them absolutely no clue of what is the world around them. That is what Akko exactly is, and that is what Trigger abuses her out of.

Little Witch Academia is an anime that focuses solely on world-building, so much so that they’re willing to pile over their characters in order to show what magic can do.

(And apparently for Trigger, world-building also means learning who the author of a 200-yo Twilight spinoff book is and who was Holbrooke’s dad)

But the point is, the anime is a pile of boring trash fire that focuses on world-building, even from its original exposition of the OVA. It uses the pattern of ‘theme/problem of the week’ in half of the series with arcs going nowhere for a while and suddenly rushes an epiphany in the last few episodes. *cough ep 15*

The point with world-building serialization is that it needs a way to be promoted, and what way for it to promote is to get Akko to fuck around with it. As her job as the protag, that’s exactly what she does for more than half of the series. She’s like a stretchy character that is carried by the plot with gross insistence from the show that she has character (which is being stubborn and clumsy that is written off as ‘passionate’).

What’s worse is Trigger has all these ideas yet none of them are polished to its fullest (like the political divide between witches and modern government) or is overlapped by some bullshit to add because Japan. (seriously, a hunting-themed episode with cool lore, and yet a third of the episode is all about robots and building it? What the fuck?)

See, that’s why I think Akko is a horribly written character, not her character itself (if that were the case then I would’ve ditched the show the first episode) but because how she’s executed with it for the show. She’s constantly pulled by different bullshit the show comes up and makes her pull the answers the episode needs out of thin fucking air just because the writers said ‘fuck you’ to development and that they need to end the problem at some point right?

If characters can’t be tied correctly to the worldbuilding then there’s a chance that the character themselves would break, because it just can’t often work with what you’ve already placed in the previous episodes you’ve set up in the first place. Arcs overlap with each other and LWA doesn’t do shit for that until it needs a banging climax.

Akko is constantly renewed and she learns nothing from what she learned (or at least hints of it), except for the metamorphosis bullshit and Shiny Rod. Which brings me to my next point on why Akko is such a horrible character.

Shiny Rod is a Leech

This thing is basically the plot device that Akko is so tied to. If there’s ever an episode where it solely focuses on Akko herself, it’s often related to either Shiny Rod or Chariot du Nord, which is the shittiest way to limit a character with so much exposition with everything the series has thrown at her. The only other way the series doesn’t do this to her is Diana in episode 12, but it isn’t even focused on her, it’s focused on the cabbage and her Draco Malfoy syndrome.

Anyways, were an episode be connected to Akko in some way, it’s always limiting to her duty as the holder of the Shiny Rod and the occasional situation from Chariot. Not from her friends, who she clearly relates to and has more history with, but with the Shiny Rod and Chariot.

The series lazily signs this as Akko’s resolution to her character by the last episode (FUCK THAT) and does nothing else with her relationship with other characters outside of Diana and Chariot. Honestly, you’d expect that after going through Sucy’s mind and visiting Lotte’s hometown, she would’ve grown as a better character and more than being a two-dimensional ‘chosen-one’ character who only gets an episode if it focuses on the plot-device that pulled her in the magical world in the first place.

But no, Trigger is still insisting pies, weird shops, and other boring stuff needs to be shown for the series to make it interesting, and dumps the idea to the next. An arc is never properly made for all the shit they let Akko go through because the series is so fast-paced in the wrong places. And when it does focus on what is important (more important than finding about Nightfall’s author), it’s usually done spontaneously thus eliminating the suppose suspense that the single important thing is supposed to do *I HATE EPISODE 15 WHAT THE FUCK*

The point is, Akko is just a ‘believing heart’. A holder of Shiny Rod, who managed to get under Chariot without her knowing. It’s like she’s Midoriya (My Hero Academia) but much watered down and if you take that away from her, she has nothing, when out of all the stuff she could’ve had.

What LWA’s writers hadn’t realized is that what they actually wrote for Akko is what could’ve been her focus but Trigger insists for the world-building theme is that Akko’s arc should only come in the climax and the filler episodes are for her friends because you know, it won’t be more interesting that way and now they have a main protagonist that’s actually interesting beyond their design and suppose-personality.

Thus I’m next to my last bullshit:

Akko, the Wasted Potential™

I recently rewatched Citrus lately, and though the show is much narrow than LWA’s world of magic, I realized what actually makes it better than it in ways that the latter fails. And it’s their protagonist.

I know you guys will trash about Yuzu being a simp and all, and I absolutely agree with that, but what makes Yuzu better than Akko is not because she’s more down-to-earth, but she has a three-dimensional mindset, a mindset which is the very thing kept away from Akko.

While Yuzu may not have been pushed into a world of magic by the neck and gets dragged by the plot as violently as Akko (and the two very different themes of the two shows of course), but if you pull those away, their passion are nearly built the same. What differs them both is that Yuzu actually acts out what she needs to do and builds a steady relationship with the other characters around her, even if it’s very subtle and small. (Like, Harumin being her wicked hot sidekick? God yes, top-tier Gyaru)

Akko, on the other hand, literally goes into one of her best friend’s mind in a poison-induced coma and gets shoved into her other best friend’s culture by visiting her hometown. You might think she’d grow from that and realize what it takes to be a better character, right? WRONG.

Of course, Trigger uses these things as filler episodes and nothing more. It doesn’t reflect on Akko’s character because she’s not allowed to think like it should. Though the show would insist she has personality, it does the opposite when Akko’s only character is only used as ‘believing heart’ for the Shiny Rod and nothing much else, because the only times when they do get her a new attitude is dropped off right after.

It would’ve been cool if they dropped the world-building theme for a bit and focus on how they should make the characters much more interesting than having their personalities as the root problems of episodes.

When I first watched LWA, I had so much more expectation for the characters themselves, especially Amanda O’Neill after her introduction in episode 3. But came episode 5 and then she… didn’t really matter that much despite being in half of the episode. And she didn’t have another one not until 11 episodes later. Imagine making and hyping up such a unique character and barely giving her screentime of three episodes! That’s one of the grossest things you can do in baiting lesbians, Trigger!

And it doesn’t stop at Amanda; it applies to almost every other character. Chariot is the pink-print disappointment of a hyped character that didn’t have enough time. She’s a plot-device character that everyone was anticipating but she’s barely given the after of a shitty episode 14 (that has another completely different problem altogether). Episode 15 was literally the worst you could’ve done to make a twist because a) the development leading to that revelation was undercooked, and especially shitty because the show basically used Croix as a plot device, b) it’s done nearly towards the end of the series so the timing for her hype was weirdly placed, and c) Chariot’s personality from that episode is being used repeatedly just to let Akko become a sitting duck.

So yeah, Trigger was so focused on the concept of world-building and making magic look as interesting as possible that the idea that maybe the characters would flat-out look bleak was not in their cone of vision. Akko was fundamentally a boring protagonist because she keeps getting pulled apart and has not ingrained anything in that, and to rub salt into the wound, she becomes so used to it that when Croix set her up with the Wagandea trap, Chariot has to intervene and at the cost of her flight powers, which does not help their characters one bit.

Akko is a shitty protagonist Trigger shredded apart just for their sake of world-building and she has learned nothing from what the show has thrown at her because the writers didn’t think she needed it, because, in the first place, it’s not about her. It’s about the Shiny Rod and completing Chariot’s story (which is half-assed in its own way). Lord knows how they botched her to the point she’s blank. She’s nothing more than a ‘believing heart’ and if Trigger just keeps there, that’s forever what she is. And that, in itself, is why I think Akko is a horrible character.

#LWA #little witch academia #atsuko 'akko' kagari #citrus #yuzu aihara #chariot du nord #shiny rod #bleewrites #pluggin in the notes so yall see this mess

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rayofspades · 3 years

Text

How to Write a Horror Story: The Magnus Archives

This post is kinda weird since most tumblr fandom content is based on the assumption that Everyone Has Seen The Thing, but since this is a transcript of a video essay, it’s more broad.

I might link the video in a reblog since, you know, tumblr doesn’t like links.

Anyways, here’s the post:

Hello Jon, apologies for the decep-

I’ve seen a lot of mystery shows in my day, and some supernatural shows, and the common thread between them is that they kind of...fall apart as they go on.

Obviously, this is a generalization and I haven’t seen every mystery show or every paranormal show, but it’s a pretty common problem.

At this point in pop culture criticism, it’s basically common knowledge that these shows fall apart due to a lack of planning. If a mystery series is making shit up as it goes along while trying to surprise the audience, it’s going to stop making sense at some point. And if an episodic paranormal show is constantly trying to up the stakes, eventually it’s going to become absolutely ridiculous and stretch the audience’s suspension of disbelief past a breaking point.

Other people have already talked about this stuff to death, but today I want to talk about a paranormal mystery show that actually succeeds at what it set out to do.

The Magnus Archives is a podcast written by Jonny Sims and directed by Alexander J. Newall. It ran from 2016 to 2021 and it’s...really really good. It’s an episodic horror story, taking place at the fictional Magnus Institute where the head archivist reads various statements about people’s encounters with supernatural entities. It’s got it all; scary stories, mystery, an overarching plot, office comedy, office romance, office tragedy, a villain that’s making straight men everywhere question their sexuality, and an overall really solid structure.

If you listen to the Q+As put out by the writer and director, you’ll hear them talk about how they planned the series from the beginning, setting up the layout for each season. Some things were definitely changed throughout the actual writing process; that’s just inevitable and necessary when you’re working on a long running show, but in a general sense, they knew where they were going. But, writing a good story doesn’t just involve knowing where you’re going; it’s about executing whatever plan you have effectively. And I think the execution of The Magnus Archives is pretty brilliant, so I want to talk about it.

And for the record, I said “brilliant,” not “perfect.” I do have a lot of criticisms of this show, and I’m definitely going to talk about those too, because honestly? Even the problems with this show are interesting in their own right.

Ok, let’s go.

Oh, spoilers by the way. For the whole plot. Whole thing.

Part 1: Horror and Mystery

Ok, so The Magnus Archives has two separate plots going on: the episodic stories that can be listened to individually, and the underlying meta plot. The former is where most of the mystery storytelling takes place, and it’s a really engaging mystery. It’s starts off slow, and almost undetectable at first. The main character, Jon, also known as The Archivist, is just reading out old scary stories that people have delivered to the Magnus Institute. Stuff like; a college student sees a ghostly inhuman figure asking for a cigarette, a woman’s fiancé dies and she finds herself trapped in an empty graveyard, there’s this goth kid who apparently murdered his mother and then skinned her? But she’s kind of still alive? What the f*ck? Hope we never see that kid again. Also, this “Jurgen Lietner” guy wrote a bunch of cursed books and Jon knows about this? Are more books gonna come up? And then you’re like, wait is the goth kid who killed that burn victim the same goth kid who killed his mom like 8 episodes ago? Holy shit the family of that girl’s dead fiancé FUNDS THE MAGNUS INSTITUTE? Did this famous youtuber meet one of the missing people from episode one? The goth kid is back and he’s looking for Leitner books? The name “Michael” has come up like 6 times? Are they all the same guy? I just—who the f*ck is Jurgen Leitner?

So yeah, as you can see, a lot of these stories connect in cool ways, and I’ve only mentioned like, 0.2 percent of all of those connections. Furthermore, these stories are told out of chronological order, and sometimes the same scenario appears in more than one statement, told from different perspectives. This asymmetrical storytelling and odd doling out of information creates a mystery that’s really interesting. It also makes for a great re-listen, since you can retroactively see what elements were set up before you even realized that they were going to come back.

The audio format contributes to this too; you can’t just see that the table from episode three matches the pattern on the box in episode eight. You have to pick up on clues that were mentioned and pay attention to what people are describing, and it’s highly rewarding when the pieces all start to fit together.

There is a bit of a downside to this though. Technically The Magnus Archives is a horror story first and a mystery second, and these two elements can mesh in weird ways.

The horror is element is really strong. Each story is completely different, sometimes focusing on psychological horror, body horror, or supernatural versions of more primal fears like heights, darkness, enclosed spaces, etc. Basically, if you’re afraid of anything, there will be at least one episode of The Magnus Archives that gets under your skin.

Jonny Sims can really sell his stories through both his writing and acting. He plays Jon, by the way, and plagiarized his own birth certificate for the character name. (For future reference, Jonny is the actor, Jon is the character). Overall, he’s really good at writing prose, and each narrator has a very distinct voice even though the large majority of the stories are being read by one character/actor.

Obviously not every episode is a bull’s eye. Sometimes it’s due to the subjectivity when it comes to what you as an audience member are scared of, and occasionally it’s just weird writing decisions. I’m thinking specifically of episode 21 where the line “the sky ate him” is said, and it is the worst line in the entire show. The whole goddamn show. That’s it. That’s the number one worst line.

But still, overall, the horror storytelling is incredibly solid, and some episodes even gave me brand new fears, like the unholy isolation of being in space, or the concept that someone you love could be replaced by someone completely different without you noticing.

But here’s the thing;

A lot of good horror is based on the absence of explanation. Most of the episodes that gave me the most visceral reactions of genuine terror come from the first two seasons, because that’s when the audience has the least amount of information.

For example, in episode two, a really terrifying coffin is introduced. It’s creepy, it reacts very strangely to water for some reason, and appears to compel people to try opening it. By the end of the episode, the audience never finds out what’s in that coffin and that is a good thing. That is a huge part of what made that episode so unnerving.

And then a few seasons later, we do find out what’s in the coffin, and to be fair the answer is both very creative and very scary, but it also takes a lot of the punch out of episode two.

No matter how f*cked up your thing is, it’s not going to compare to whatever the audience can conjure up in their own mind after such a creepy set up. This problem isn’t just stuck in this one scenario either; there are a lot of early episodes that, while still good, seem a lot less creepy in hindsight after you learn more about the scenario.

I don’t think it’s bad writing, but I do think it’s a double-edged sword. Jonny Sims even mentions this sort of issue in the first Q+A.

But yeah, to sum up; the narration is good, the ideas are creative, and seeing the mystery unfurl itself is deeply compelling. And for the record, the mystery elements aren’t of the Sherlock Holmes variety. It’s less about finding out who did the thing, and more about discovering how all of these individual points are intricately connected, pulling on each other as they move. Woven together like a... oh shit what’s the word? Gah, it’s on the tip of my tongue. Ah, whatever, I’m sure it’s not like a running motif or anything.

Part 2: Stakes

One of the main reasons I stopped watching Supernatural is that it devolves into complete f*cking nonsense. At the end of season five, the boys literally defeat the devil, and then the show...keeps going? Which would be fine. It’s also, largely, an episodic show, so if they have more creative ideas, they could definitely keep going with it. In fact, there are some post season five episodes that I thought were pretty good. But as they kept trying to outdo themselves with Bigger Bads, it got kind of difficult to suspend my disbelief. And the final nail in the coffin for me was the end of season nine, when Crowly basically points out to the audience that the main characters keep dying and coming back to life, so there are no stakes. The most-badest bad guy can always be defeated because some new Thing can just come out of left-field, and dying isn’t even on the table as a threat since people have tons of ways of coming back to life.

The Magnus Archives, while being a show based in the supernatural, notably doesn’t bring anyone back to life, even though some very beloved characters die. I say “notably,” because in the season three Q+A, Jonny even says, “We make a point not to bring people back from the dead in Magnus, I know it sometimes feels like that, but we are very careful to never actually resurrect anyone.”

Upon listening to this I said “oh my god, these guys are the only writers left who at least kind of know what they’re doing.”

Also, as far as plot progression goes, The Magnus Archives is lowkey structurally perfect in the way the threats escalate in the underlying plot; both in terms of destruction and power and in terms of emotional consequences. Season one starts off with one major threat that’s dealt with by the end of the season, season two reveals the main villain, season three lays out the grander forces at play, season four ends the world, and season five is about un-ending the world. The difference between season one and season five is vast, but how we got there makes perfect sense.

As for the emotional stakes, let’s talk about themes and characters.

Part 3: Themes and Characters

At the very end of season two, it’s revealed that the supernatural happenings in the Magnus universe are the result of entities far beyond our understanding. Since their existence is so fundamentally different from what we can comprehend, they interact with the world through cursed items, creatures, and humans who have dedicated themselves to an entity.

A lot of people read this as a metaphor for late-stage capitalism, and I am one of those people. A bunch of faceless entities exploiting humans through means of dehumanization and causing people to suffer because it feeds them seems like an appropriate metaphor.

While we’re on this topic, I do want to talk about Elias, since he’s the main villain of the entire series and also one of my favorite villains of all time. The Magnus Archives is a series that deals with a lot of moral questions and has a lot of characters who do morally questionable things, so one might assume that the villain of said series is, you know, morally ambiguous and sympathetic to some extent despite being “the bad guy.”

Nope! No stops, full bastard. It’s great.

He falls under what I’ve deemed the “unbeatable boss” archetype. He just doesn’t tolerate insubordination or resistance, and that combined with his lack of empathy means that anyone who crosses him is either killed or brought to heel. His power set is cool too. On the surface the ability to see out of any eye and read minds sounds useful, but not deal breaking, but the way he uses that power to manipulate people and anticipate threats...yeah, it makes him kind of impossible to beat.

He’s just...so evil and he loves being evil and every single f*cking thing he does pisses me off and makes me want to kill him. It’s. Great.

Anyways, I think Elias’s role as the central antagonist is what makes the capitalist reading so common. He’s the head of the institute, he’s wealthy, he’s powerful, and he dehumanizes people in ways that are both brutal and chillingly indifferent. He seems like an appropriate stand in through that lens.

I also love how voice actor Ben Meredith plays him like’s he’s trying to seduce the audience.

With all of that said, I wouldn’t call this the critique of capitalism a direct allegory or anything; in much looser terms, this could be a metaphor for any power structure that exploits humans. Organized religion or cults might be even more on the nose, considering there’s a lot of mentions of rituals and worship within the show.

But if we boil it down to its barest aspects and focus on the avatar characters, The Magnus Archives is a series about people becoming monsters. Or, at the very least, becoming worse versions of themselves. That can mean a lot of things to different people in a metaphorical sense; the tense relationship between desperation and morality, the eagerness to please at the cost of one’s own mental health, the psychological traumas that lead people down dark paths, and how personal choices can still be dictated and manipulated by outside influences. It’s kind of heavy stuff, but put into a digestible package through the show’s abstractions.

Well, for the most part.

There’s some debate as to whether or not Daisy’s arc was handled tastefully. While her demise and Basira’s character arc were clearly meant to condemn police brutality and the deeply corrupt system that allows it to foster, it’s still a weird subject to discuss in such a fantastical context, and there is a strange sympathy for the devil angle that can get kind of uncomfortable for some listeners.

Okay, stepping back from that for a bit, let’s talk about Jon and how he fits into this whole “people becoming corrupted” thing.

Jon has one of my favourite brands of character arc, which is one based in deterioration alongside growth. The most obvious way this takes form is his departure from humanity as his relationship with the Eye drives him to psychologically harm others, and he finds himself sympathizing more and more with the people he was afraid of, stating in episode 152 that anyone listening to his recordings might compare him to the other avatars that have had their minds and morals twisted.

Over the course of the series, he is repeatedly traumatized and the show makes a point that he is being both physically and emotionally scarred. These happenings are what drive his motivation for revenge in season five, and he even states that revenge is making him a worse person. As a character he’s constantly berating himself and his own monstrousness, much to Martin’s dismay.

That’s why the finale destroys me in the best way. Upon seeing that Jon has betrayed him and basically given himself over to the Eye, Martin asks “how much of you is even left?” And when Jon tries to reassure him that he’s still himself, Martin’s response is “how would you even know?” This cuts through me every time. Up until this point, Martin had consistently stood up for Jon and Jon’s humanity, even in the face of Tim’s doubt, Basira’s mistrust, Elias being cryptic, and Jon’s own self-hatred. This is the ultimate breaking point, the point where even Martin, the love of Jon’s life, doesn’t really recognize him. It’s brutal. Because at the end of the day, Jon is still himself; he’s a deeply broken person trying to make the right decisions.

We’ll come back to the finale later, but for now I want to talk about the romance.

Jon’s emotional growth throughout the series is largely tied into Martin. Martin’s the first person that Jon really opens up to, and this later grows into trust which then turns into a genuine emotional connection. On the flip side, Martin’s growth in season four is largely tied into Jon. Martin starts season four basically waiting to die, but Jon’s return gives him a reason to keep living, and he’s later able to recognize his own value outside of the pure utility of ‘you need to set yourself on fire to keep everyone else warm.’ Both of them give each other reason to push onward despite everything becoming more and more hopeless.

It’s a good romance. I wish the two had had a few more scenes together before the culmination, but it is built up over the course of four seasons and comes together in an utterly fantastic confession.

And yeah, the scene with Martin and Jon in the Lonely is cheesy as hell, but it is the highest quality of cheese. These are some gourmet nachos.

Umm, also kind of stating the obvious here, but it’s also pretty cool that the main character in this horror story falls in love with another man. You don’t see that a lot, and it’s cool that no one even makes a big deal out of it. It’s just a normal romance, but with two guys. It’s nice.

So, they go to Scottland, they hang out, they’re in love, Jonalias starts the apocalypse through Jon, the world ends, and season five starts!

...Let’s talk about season five!

Part 4: Season 5

At the very start of this post, I said that supernatural mysteries tend to get worse as they go along, and I am deeply sad to report that I don’t think that The Magnus Archives is an exception. It just goes downhill in a very different way than its ilk.

And, so we’re clear, I don’t think season five totally tanks or becomes unlistenable, it’s just, in my opinion, notably worse than the rest of the show.

As discussed earlier, it doesn’t fall apart due to a lack of planning; everything still makes sense, but the presentation has changed drastically. The episodic statements are no longer scary stories, but more like slam poems about the various hellscapes that Jon and Martin are trekking through. Honestly if these were published in a book of slam poetry, I would probably think they slapped pretty hard. I genuinely believe that Jonny Sims is a good writer, but as a podcast a lot of these statements just made me zone out. There’s at least four that I don’t even slightly remember. Myself and many others have noted that they just...aren’t scary, unless there’s a specific episode that really gets under your skin due to a certain fear or phobia.

To quote my friend, “it’s harder to feel a solid impact when the setting is literally divorced from reality. People would either go numb or insane to the point where their fears become unrelatable.”

And, to be honest, I think that this same surreal odyssey set up could have worked with a slight shift in narration. Two stand out episodes for me were “Strung Out” and “Wonderland.” Both of them show the tormented target actively trying to resist and interact with their tormenter, instead of just trying to escape or live through their situation. “Strung Out” is also more of character study; you learn about Francis’s life before the apocalypse through their interaction with the Web hellscape. Meanwhile “Wonderland” is just...f*cked, and you get to see Jon take the perspective of first-person Bad Guy throughout the whole thing, which is its own level of disturbing.

But the majority of episodes feel so abstract that I kind of forget the people trapped in them are supposed to be characters and not just concepts, so it’s harder to feel their dread and pain.

But I’m still here for the metaplot, the drama, and the romance. And when that’s good, it’s great! I think the final handful of episodes are really solid in that regard.

Buuuuuuut...

A decent chunk of season five is dedicated to the “kill bill” plot. Jon discovers he has the power to smite people, and while at first, he’s embarrassed about this, since he actively enjoyed killing Not!Sasha, Martin is super into it! He’s encouraging Jon to murder people.

This is actually the set up for a really good arc. As Jon gets more and more into his own avenging angel persona, Martin could get more and more disturbed by it so by the time they get to London, Martin could be really upset that Jon is so willing to wreak his own divine justice by killing or torturing all of the avatars.

And this does kind of happen. We do reach this end state, and it makes for a good final conflict, but the way we got here was borderline nonsense. Thematic gibberish, if you will.

Throughout the journey, Martin is clearly motived by a sense of justice; these people are bad, and so they should die. Whereas Jon is clearly more motivated by revenge; he only goes after the avatars that hurt him personally. At one point, Jon admits that maybe all of this killing isn’t making anything better, but just making him worse. Martin apologizes for egging him on, Jon absolves him by saying he started it, and then Martin’s like “I’ll keep my apology then.” This is the second worst line in the entire series, right after “the sky ate him.” And it’s close.

But it kind of feels like we’re back at square one. Jon is back to being ashamed of killing and Martin is still keen on his justice stance, but now just less pushy about it. The arc is basically half resolved at this point.

But then it doesn’t matter, because Jon kills Helen anyway. So, Jon’s back on his revenge/justice thing. Then what was the point of his earlier revelation? Why have that if it’s not going to matter and the conflict that was escalating still culminates with Jon leaning into the avenging angel stuff, and Martin being disturbed by it? It just makes both of them look like huge hypocrites! I f*cking hate it when they’re in the tunnels and Martin says “you weren’t meant to enjoy it this much,” regarding Jon’s smiting. Where did this come from?! Why didn’t you say this earlier? Third worst line in the series.

And yeah, I’ll say it; the boys fight too much in this season. I loved their romance up to season five, and their cute moments and more lowkey serious discussions are still good in this season, but God, they fight so much. And I’m not saying couples can’t have fights or tension, that’s just realistic and also stories need conflict to be interesting. Jonny Sims is on the record saying that balancing a healthy romance with the stress of a literal apocalypse was a priority, and I’m sorry, but I don’t think it’s well balanced. I’m just saying that sometimes it feels like they don’t even like each other and it really started to grate on me.

Maybe it would have been better if the beginning of this season was dedicated to charming romance at first, so we as an audience could better appreciate how strong their love is and how it’s truly being tested. But obviously that was never on the table—

ALEX NO.

So, yeah, I have a lot of problems with season. I think it’s the worst one by far, even though there is a lot of it I still enjoy, including the ending.

As I mentioned before, the moment where Martin confronts Jon in the panopticon absolutely kills me, and Jon’s reaction kills me even harder. Throughout the season, Jon had largely been motivated by revenge, martyrdom, and the subconscious call of the Eye, and all three of those factors led him to his position as the pupil. He’s getting revenge against the powers, sacrificing his humanity to get rid of the Fears, and taking his place as wearer of the watcher’s crown. But all of this gets thrown out the window when he realizes that Martin is going to die. And not only is Martin going to die, Martin is going to die specifically because he loves Jon and refuses to leave Jon alone to die horribly. Martin had always been an underlying motivation for Jon, his “reason” as stated in episode 167, but now love as a motivator has come to the forefront, and Jon can no longer go through with his plan because of it. But at this point in the series, they’re both utterly doomed, and Jon concludes that the only possible chance they have of surviving, however unlikely, would be to sever the pupil of the eye, technically killing Jon, but maybe, just maybe, allowing them to escape with the Fears. Whether that’s meant to be literal or more ethereal is left unclear. Hell, maybe Jon’s just making it up completely and creating his own potential happy ending. It’s a pretty potent ending in emotional terms; Jon has to release the Fears and Martin has to kill Jon, and those are the two things they were dead set on not doing.

The Web, arguably the real main antagonist, basically won, and their manipulation of Jon worked. The destruction spread, and there is kind of a bleak underlying tone to that.

But at least this ending has some semblance of hope to it. I’m not saying that releasing the Fears was objectively the correct moral decision; the entire point of the dilemma is that there was no objectively correct moral decision. But, while Jon’s solution does have merit, it was also the most hopeless. I think dramatically, any one of the choices on the table could have worked if the writing was well executed, but thematically this one seemed like the perfect combination of grim and optimistic. Like, all of the evils that plague humanity can’t just be defeated forever and things could get worse, but maybe not. Maybe everything works out...

So yeah, The Magnus Archives...is a podcast. And it’s a really good podcast. Great, even. I can complain about season five all I want, but regardless of how that worked out, you can tell throughout the entire show that the people working on it were trying to tell a genuinely excellent story.

It’s good. Go listen to it. Even though I spoiled the entire thing and if you’re still here, you’ve probably already listened to it. Listen to it again.

#tma #the magnus archives #jonathan sims #martin blackwood

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khadij-al-kubra · 4 years

Text

Worst Impressions are the First (ch 7)

Main Characters: Logan, Patton, Roman, Virgil (Human AU)

Pairings: Romantic LAMP

Word Count: 5036

AO3

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Author’s (longer than usual but it’s for good reason) Note: *The Apocalypse—2020. Zoom in on a plague rat turned writer. She has survived thesis projects, getting a Master’s degree, burnout, writing and illustrating a children’s book, being a slave for the U.S. census bureau, months of overthinking anxiety spirals, and one or two incidents involving an asshole skunk. But now, battle weary yet unwavering in her love of art and love for her loyal readers, this onesie-clad tea slurping book dragon....has finally arisen from the ashes*

I LIVE BITCHES!!!!!!! And I am SO SORRY for taking so long!!! I’ve been hard at work, been editing like a mad woman, and I even have a beta now! The gorgeous and talented @humbletortoise So I am OFFICIALLY off hiatus!!! *cue confetti canon*

Also, one of the biggest reasons I’ve taken so long to update is because I’ve spent the past month or so essentially retconning the fuck outta this fic. I realized looking back at earlier chapters in this story that, although I was proud of them at the time and greatly appreciate the positive reactions, they were...not my best work. (shitty first drafts if I’m being honest) That’s because, at the time, I was trying to split my attention between writing this fic and working on grad school stuff, which resulted in my writing for this not being as best of quality as it could have been upon first posting. This story deserves my best, and so do all of you. So now I hope to give you that.

I encourage you to go back and re-read the previous chapters up till now (trust me, they’re near unrecognizable to the first drafts, but in the best way). Or if you don’t feel like doing that, you can just continue on from here. totally cool. For the sake of convenience and my own sanity, I’ll attach the AO3 Link to this fic from the start. I may also start just posting chapter updates on tumblr but only have the link to the chapter and add my reader tags. Again, for the sake of my sanity because Tumblr is a bastard when it comes to posting fics. (Also PLEASE let me know if there are any tagging issues if anyone’s on my tags list; yet another reason i’m considering just linking my fics in the future)

Anywho, without further ado, at LOOOOOONG last, here is the next chapter!

Chapter 7 - (POV Roman)

When Roman had offered to walk with Logan to class, it was only partly out of an innate sense of chivalry; a side of himself that he rarely got to show on account of being a socially awkward gay disaster. Though mainly, he saw it as a chance to get to know his second soulmate better.

He certainly hadn’t expected two long minutes of civil but silent walking. Well, as silent as a stroll through their school could be with its usual racket buzzing around them. With a vocabulary as big as the continents of Africa and Eurasia combined, you’d think Logan would be more of a conversationalist. Alas. He merely walked in step with Roman. They glanced over at each other every so often, but Logan stayed tight lipped and seemingly impassive; fiddling with his bumblebee hair pin every now and again. Damn. Looked like he was going to have to make the first move.

Roman was bad at this. How did people usually…Oh yeah, common interest. That’s a thing. He wracked his brain for some sort of ice breaker. One that’d make him look cool and calm or, something, in front of Logan. He was a fairly decent student though not quite mathletes level. He could compliment his outfit maybe? Was that too forward? Too shallow? Maybe he could find common ground? That was as good a place to start as any.

“So! So uhh…What kind of music do you like?” Roman asked. Yeah, that’s good. Everybody likes music.

Logan glanced at him. “Can you be more specific?”

Roman’s brow furrowed. “I mean, like, your favorite genre of music to listen to?”

“Classical,” said Logan in a clipped tone.

“That’s cool. I don’t really listen to classical myself.”

Logan only hummed, his face neutral. Roman was really hoping for more than that. A few awkward seconds passed, then Logan spoke up.

“Are you perhaps a fan of the classic Sherlock Holmes novels?” He inquired.

“Um, I haven’t gotten around to the books yet, actually,” Roman said, scratching his earlobe. “I mean, I’ve heard great things about them. And I’m a big fan of the Robert Downey Jr. movies.”

“Ah. I see.” Logan said, giving him the judgiest side eye.

Come on, Roman thought. Give me something to work with. “Oh! What about theater?”

“What a frustratingly vague inquiry.”

“Well, excuse me for trying to get to know my soulmate a little better.” Ay come jode, work with me here, man!

Logan sighed. “While I understand and appreciate your intention, I believe ‘getting to know someone’ as you put it, requires a certain level of specificity. Anything less indicates a somewhat shallow level of sincere interest, and I greatly despise shallow conversation. That said, if you’re inquiring as to whether or not I enjoy theater, no. I don’t understand the concept of professional make believe, though I appreciate it as an art form. I assume you’re a fan?”

Is he seriously implying I’m shallow? Roman groused, pushing his red frames up the bridge of his nose. Ugh, forget it Roman. He’s throwing you a bone here. Take it.

“Obviously,” said Roman, gesturing dramatically. “I mean I’m no actor—Eesh. No. Yikes—but everything about the artform enthralls me. And I like all kinds of genres and eras of plays, from Shakespear to Ruhl, but musicals are by far my favorite, because like, there’s so much you can do with them design wise. I mean just look at how groundbreaking Hamilton was.”

For a second, Logan’s face actually softened, his eyes lighting up. But just as Roman thought they were finally about to make some progress, his stony companion was back to wearing that platinum puss.

“Ah. How… original.”

Roman blinked. “Are you saying my tastes are basic?”

“Well, yes.”

Augh! Okay. Yep. I don’t like him. Patton was going to be so disappointed, and Roman was too. He’d wanted so badly to get along with all his soulmates, but Logan was a snob! Way less intimidating than Virgil and his ilk, but still a jerk. I wonder if soulmarks can make typos or something? Thank the stars they’d already arrived.

Roman and Logan filed in with the rest of the class for seventh period. Somebody had the liberty of opening a window– the AC was still busted in this classroom– so for once there was actually a decent breeze cutting through the usual mucky Florida humidity. Still smelled like it would probably rain later. Good thing Roman had packed an umbrella just in case, Mom’s orders. His hair looked too good today to be wrecked by frizz.

Roman took a seat at his desk, running distracted fingers over the carved letters in the wood while he mulled over his predicament. Just look at him over there, thought Roman as he glared at Logan, not two rows away from him. Sitting with his hands clasped on the desk all smug—of course he’d be near the front—and with such disturbingly good posture. What is he, a robot? Who is he to call my interests basic, the NERVE! And okay, sure, like Hamilton, sometimes I get over excited and shoot off at the mouth. But great Zeus, does that guy show passion for ANYTHING besides academics? Roman blew a raspberry, plopping his head in his hands.

He always thought soulmates were supposed to get along, even as just friends for life. Balancing each other out, bringing out the best in you and forming a deep connection—that was the whole point. He sighed to himself. Cymbals clashed less than he and Logan did.

He was stirred from his brooding by the bell. Apparently Mr. ‘Call-me-Terrence’ Williams had materialized without him noticing. Okay fine, he should probably pay more attention, but he was having a crisis here.

“Afternoon everyone,” Terrence greeted in that measured, upbeat tone of his.

He draped his navy blue blazer over the back of his desk chair and rolled his shirt sleeves to the elbows. Roman pitied the poor guy; he had to teach sauna of a classroom all day. He could see the glisten of sweat on his teacher's smooth forehead as he wrote things on the board. Yet he still kept a pleasant attitude towards his students.

“Alright class!” Terrence started, “Today we’re covering the next section on the American Revolution. Specifically, the Battle of Yorktown...”

Roman mentally punched the air. My time has come. He opened his textbook to the right page but didn’t bother looking at it. He already knew most everything about Yorktown. Not just because he’d listened to the Hamilton soundtrack fifteen and a half million times, but also because he’d done actual research on the event and time period that the musical took place; There was always the off chance he’d get to stage crew or, heck, even dramaturg the show. He liked to be prepared.

“So the battle of Yorktown took place in 1781, but a great deal of its success was thanks to the French Allies. Many especially aided in fighting the British Troops surrounding New York. Now who can tell me where the French Soldiers first landed?”

Roman half raised his hand. He was pretty sure he knew the answer.

“Logan.” Terrence called.

Roman turned to Logan desk, where his hand was held high and mighty.

“The French Ally ships first landed in Rhode Island, then made their way to Chesapeake Bay,” said Logan, adjusting his glasses. Not even a hint of second guessing in his voice.

“That’s right!”

He almost missed the quick smirk on Logan’s frustratingly pretty face. Look at that smug—thinks he’s so smart...Okay yes, he is smart, but he doesn’t have to be a show off about it. Terrence continued through the passages, calling on a student every now and again to review. Of course, Logan got called on most and he got every answer right. Roman didn’t feel like raising his hand anymore.

“Of course there were many turning points in the revolution, but Hamilton’s return to the field for Yorktown was a key point.” Terrence continued on. “And keep in mind- this was a man who up till now had never been in a position of command before. Not to mention the mental strains he must’ve been under, especially having had to miss the birth of his son Philip, the first of three children he had.”

Wait a sec. “Well, that’s not right.”

Even though he’d muttered, apparently Mr. Terrence still heard him. “Come again, Roman?”

Shoot. “Um, I said,” Stop sounding timid, you know you’re right. “I said that was, um, wrong.”

The whole class turned to him. Oh great, history class has its eyes on me. Roman cleared his throat and tried to look taller.

“What I mean is: Hamilton had eight kids, not three. And on top of that, Phillip was born a few months after they won the Revolution, not during, so Hamilton didn’t miss the birth of his son. I mean sure, it’s a small thing, but the devil’s in the details as they say. Heh.”

Terrence gave the most insultingly bemused look. And Roman definitely heard a few kids snickering behind him. He glanced quickly at the culprits and felt his ears go hot. This is what he got for putting himself in the spotlight.

“Roman, I applaud you for participating in the class discussion,” Their teacher started gently, “but I’m afraid you’re wrong on this one. If you read your textbook close you’d see in the fifth paragraph where it mentions from one of his later letters—“

“Actually Mr. Williams, if I may, Roman is correct.”

Roman saw Logan at his desk, one hand raised while the other adjusted his neck scarf. Was the teacher’s pet actually… backing him up?

“It is a common misconception that Alexander Hamilton only had two children, even more so modernly, what with the musical having only named two of them. However Roman has clearly done his research on the plays historical accuracies, which is more than I can say for some.”

Logan shot a cool but scathing look at their recently snickering classmates and they withered. Roman fought the urge to point and laugh aloud. He did however stick his tongue out real quick. What? He could be shy and petty at the same time.

“My guess,” Logan continued, “is that this textbook edition is also either misprinted or outdated, judging by the publication date in the copyright section.”

Brows furrowed, Terrence looked at the textbook laid open on his desk. He flipped back to the front, before pulling out his cellphone—“I’m the teacher, I’m allowed to do this. You guys aren’t.”—and after what Roman guessed was a quick Google search, their teacher looked up. His eyebrows drawn in a ‘hm, well damn’ expression.

“Looks like you’re right, Roman. And thank you Logan for bringing to my attention about the textbooks. I’ll have to talk to the principal about hopefully getting some updated materials. But we’ll see how that goes,” Terrence, muttered the last part, though Roman was close enough to catch it. Terrence cleared his throat and moved back to the board. “Maybe if we call on assistance from the inside. Much like how the Sons of Liberty sent in Hercules Mulligan to spy on the British...”

“Perhaps if we knew of an immigrant who was unafraid to step in,” Logan said just under his breath.

No one else seemed to notice the reference, but when Roman did, he felt like a mini volcano about to burst rainbow lava. Apparently there was a lot more to his soulmate than first meets the eye; and now that he knew, Roman was determined to see more of it. The rest of class passed quickly and everyone filed out to the halls as the first bell for the last class period of the day rang. Roman made sure to catch up to Logan on the way out and staccato tapped him on the shoulder.

“Hey, Logan?” He said.

When Logan turned, he swore time slowed down for a moment. The brilliant boy’s skirt flared around his waist, and somehow his skin glowed even under the dull, inconsistent school lights. His posture was erect yet natural, he could have been raised among nobility. Amidst the stench and clamor of loud sweaty students, Logan was as poised and striking as the goddess Athena. Oh...

“Yes, Roman?” Logan asked.

Roman gulped. “I uh, just wanted to thank you for backing me up in there.”

“Thanks are unnecessary,” Logan said. “I detest when someone is shamed by other students for speaking up in class, regardless of whether or not they have the correct information.”

“Well regardless, thanks for coming to my aid in the face of academic danger.”

“Dramatic, but my pleas—oof!”

A hurried passerby bumped into Logan from behind, rushing off with a half-assed ‘sorry’. Logan, caught off guard, stumbled right into Roman’s arms. The two looked at each other, cheeks filling with heat. Roman caught a whiff of something faintly floral on Logan, something natural– a lavender and honeysuckle perfume, perhaps. It was heavenly. They were still in the middle of foot traffic though, so he maneuvered them to the side. Which was tricky since Logan was still so close to him and also a good two inches taller with the heels.

“Well,” Roman flashed his pearly whites. “Seems you’ve fallen for me.”

Logan pulled away, but his lips quirked upwards in a teasing smirk. “Oh please, I merely stumbled into you.”

“Ah, but stumbling is the first step towards being swept off your feet.”

“Bold words from an abashedly charming homunculus in such an… eye catching ensemble.”

Did he call me charming!? He composed himself, “Hey, don’t let the sweater vest fool you. I may be short but I’ve got guns.”

“Aaah. But mind over muscle, as they say. Do you find yourself up to the task?”

“Only if it’s you, my brainy blossom.”

Roman’s class was in the other direction, but Logan didn’t need to know that. They walked through the halls, conversing. class was still in the next ten or so minutes, but Roman was having fun. Banter with Logan felt surprisingly easy. Natural like they’d been at it all their lives.

“By the way, was that a ‘Guns n’ Ships’ reference I overheard, pastel poindexter?” Roman asked.

Logan cleared his throat. “It… may have been, yes. I found myself unable to resist toppling the figurative dominos.”

“In other words, you seized the opportunity you saw,” Roman said, matching his own reference to the source’s cadence, which got a chuckle out of Logan.

“Precisely. Under more casual circumstances, I may have even recited Lafayette’s part.”

“You can rap? You can rap Guns n’ Ships? Like, the whole thing, no tongue twists?”

Logan stopped for a moment, turned to Roman. The taller boy cleared his throat, and after a moment wherein he seemed to mentally restrain himself, he simply adjusted his glasses. “I have an appreciation for poetry.”

Roman blinked rapidly. Holy shit, he’s an even bigger nerd than I am. He definitely needed to see that at some point.

They turned a corner, stopping just outside of the science room. Some students were going in to take their seats, and the teacher was already making notes on the board. Logan pulled an AP Physics book from his backpack, but made no move to leave, much to Roman’s delight.

“So then,” Roman leaned against the eggshell wall, “How come you acted so indifferent earlier and called my tastes basic? Oh, and I think I remember you also implied I was shallow?”

Okay, yeah, he was still kind of salty about that. But then he saw the shamed look on the nerd’s face, and Roman wished he could have taken it back. Logan looked at his shoes then back at him.

“To be candid I was… hesitant to show the full extent of my enthusiasm. In case you thought I’d be—I believe ‘being the most’ is the term— it wouldn’t be the first time I’ve caused someone to lose interest in conversing with me due to informational overload. I nearly bored my Aunt Patricia to sleep once talking about a fascinating article on jellyfish. And considering how I blundered our initial meeting—“

“Pfft, ya think?” He mentally slapped himself again when Logan went tight-lipped and turned to go. “No, no, wait. I—I’m sorry. Truly. ...Truth is, I was no gentleman either. I’m not always great at thinking before I speak. It’s why I’m so awkward around people. Takes a while for my true charming nature to shine through.”

“Clearly. Still, you show a level of interpersonal aptitude that I, well, lack.” Logan fiddled with his hair pin again and a stray hair came loose. “Reading people and expressing emotions has never really been—It’s something I struggle with.”

Much as Logan tried to maintain his cool composed posturing, Roman could tell that this was something that really bothered him. He tried so hard to seem put together and confident and serious, but really he was just as awkward and insecure as anyone. Roman smiled softly and stepped closer to Logan, reaching up to tuck the loose ebony strand behind his ear.

“Hey, everyone’s got things about themselves they can work on. Including me,” Roman smiled. “And believe me when I say that I will never judge you for being passionate about something you like. So if you ever want someone to ramble about jellyfish or Sweeney Todd to or—I dunno, calculators or something?—I’m all ears.”

Logan’s cheeks went pink and he gave a hesitant yet sincere smile. “That’s...very kind of you, Roman. And coincidentally, I also greatly enjoy Sweeney Todd. The use of iambic pentameter and alliteration to give a succinct synopsis to the story in just the first sentence alone is pure brilliance.”

“Right!? I mean the man’s a mad genius. I’m dying to design sets for one of his musicals someday. Like last year? I came up with the concept of having the Sweeney Todd sets done in a way that highlights the class differences with the characters.” Roman went into a small three minute ramble regarding the specifics before he cut himself off abruptly. Logan was blinking rapidly, a look of mild shock crossing his feature. Roman nearly started sweating; Had he messed this up again?

“That… that’s ingenious”

Roman’s ears were burning. Ohmygosh!Ohmygosh!Ohmygosh!

“Hey, Logan!” They both startled and turned to an impatient cheerleader with a ginger undercut and they/them pronoun pin shaped like a coffin. “What’re you doing just standing out in the hall, ya dork? Oh, hey Roman.”

“Uh. Hey, October,” Roman said, waving awkwardly to them.

“I told ya, Red, you only get to call me that when we’re working on a show.”

“Wait, October? Red? You two know each other?” Logan asked, brow arching.

“Kind of. They sometimes help out with costumes for the drama club,” said Roman. And they have terrible timing. I mean seriously Tobes, we were having a moment.

“Come on Lo, class is about to start, and you promised to go over my homework with me real quick beforehand. See ya ‘round, Ro.” Toby grabbed Logan’s hand and pulled him into the classroom. “You can fill me in on what you were doing with Red later.”

Logan followed his—apparently—friend into their classroom, but he shot Roman an apologetic look over his shoulder. Roman bounced a bit on the balls of his feet before following halfway into the room. Logan was in his seat with Toby showing him an open notebook. A teacher in a tight grey hair bun was writing on the board. Students at their seats were chatting, and some looked up at the short dork in red who burst in. For once Roman ignored them, his mind set on one last attempt at wooing his green skirted genius while he still had the nerve.

“Hey, Logan,” he said. “I’ve also got some great layout designs for an Into the Woods set. If you’re interested, maybe we can meet up after school and I can show them to you? Maybe we talk a bit more over iced lattes or something?”

“Excuse me, Mr. Prince, seventh period starts in five minutes,” said the teacher. “Unless you’ve suddenly transferred to my class, I suggest you stop distracting my favorite student and get going.”

“I’ll be gone in just a second,” he said. “Well?”

Logan smoothed the silky fabric of his pink scarf and said, “That sounds optimal, Roman. I’ll meet with you. By the first floor water fountain perhaps?”

Roman grinned. “I shall be counting the minutes.”

“Mr. Prince,” said the teacher with a warning glare.

Roman blew a kiss at Logan and then ducked out of the doorway. Was he embarrassed of himself? Oh definitely. Did he regret it? Absolutely not. He felt ten inches tall.

Now to complete the quest of making it to class in time. He slid off a shoulder strap to unzip his classic Mickey backpack, getting out the notebook and the relevant homework. He found them amidst the mess of spiral notebooks, granola bar wrappers, two textbooks and rainbow sticky notes. But something was missing from his folder.

“Where are those– it should be here.” He could’ve sworn he had his stapled the blocking notes in his folder. No, wait, the last place he saw them was— “Ah shoot! I left them in the tech closet again.”

Under normal circumstances, Roman would’ve grabbed them after school, but the auditorium was locked on weekends. He’d have to wait till Monday to get them and that just wouldn't do! he wanted to show Logan his notes today! I’ll bet David Korins never has these kinds of problems. Okay, okay. Still got four minutes. He could rush to the auditorium, grab the notes, and then head straight to class. I should have enough time, right? Right. Besides it was only Spanish Class, he was already pretty fluent after all those summers visiting his grandparent in Nicaragua. He spent most of class time dreaming up blocking notes anyway.

Despite not being totally convinced by his own argument, Roman immediately turned on his heel and started running in the opposite direction. After a teacher told him no running in the halls, Roman power walked through the halls with a skip in his step and a song in his heart, feeling absolutely gay in both senses of the word. Logan had actually called his idea ingenious! And the way those sharp eyes softened just for him- he would squeal if not for the fact that it would draw too many eyes to him. The halls were still filled with a few stragglers rushing to the last class of the day, and he was already trying not to get caught being late for class.

Now he knew how Maria felt in West Side Story. Y’know, before Act 2. Oh sure, they’d gotten off to a shaky start, but as the Bard’s adage on the course of true love said; and Roman felt it in his gut that this was certainly the start of true love. Not just with brilliant Logan but also with soulful Patton as well. He didn’t know how an awkward geek like him ever got so lucky in the soulmate department…Then again, there was still the matter of Virgil. So maybe not so lucky.

Roman touched his arm, remembered flustered yet flattering purple words. I know they both said Virgil is secretly sweet and I can sympathize with the terrors of closet town, but COME ON! Virgil? Really? That gloomy gladiator? There had to be a mistake in that. After all, Patton liked to see the good in everyone. Logan was much more of a skeptic, but he does seem to have a blind spot with sarcasm. Maybe Virgil was messing with them somehow. Even if he’s not a jerk jock, the guy’s still kind of a creepazoid; with his dark eyes and cheeta-esq gait and those probably huge muscles hidden under that bulky jacket and big hands...

His gay disaster train of thought came to a merciful halt as he reached the auditorium. Roman pushed open the doors, took a pause to breathe in the quiet comfort of this chapel of the arts. Okay yeah, chapel was maybe a little kind for the school’s auditorium which doubled as the drama Club’s rehearsal space/prop closet backstage/Mx Joan’s unofficial office because the school didn’t fund the arts programs enough. Even so this space was Roman’s sanctuary. The place where he could help create magic from the shadows, bring stories of those gone and living to life. Here, Roman found something of a community with his fellow backstagers, glee club losers, and budding thespians (the nice ones). So he loved every squeaky stage plank, every duck taped seat cushion and every speck of dust that floated in the spot lit air like fairies.

Mx. Joan wasn’t around for once, thankfully. Probably in the teacher’s lounge or rendezvousing with the school nurse or something. They were pretty chill and Roman knew he was their favorite student, but the choir director/drama club moderator/music teacher (this school really needs to fix its funding habits) wouldn’t have been too keen on Roman being deliberately late for class.

Roman walked down the aisle and to the side room by the stage. It was originally a janitor’s closet, but their club moderator transformed it into a ‘Crew Only’ Storage Unit… Okay it was still a closet, but with less bleach and more coils. This was where they kept important equipment for semester shows, like the lighting and sound boards, along with other supplies. Roman made a quick mental note to get more gaffer tape later, seeing their supply was low.

He looked through the small pile of scribbled and highlighted sheets with the lighting cues for the spring show. I’ve really gotta get a binder for these…Ah-Ha! Here you are! Roman pulled out the stapled sheets titled ‘Into the Woods Dream Set’ and carefully shoved them into his bag. Perfect timing too. He might just be able to make it to class after—

RIIIIIIIIIIING

“GAH!”

What the heck? He could’ve sworn he was alone in there, but that yelp just now said otherwise. Up close, Roman saw that the curtains were rustling, accompanied by sounds of heavy breathing and moaning, yet not a footstep to be seen or heard.

Holy SHIT, this place IS haunted! I KNEW that backdrop fiasco last semester wasn’t caused by cheap slit plywood. My supplies are the best quality allowance money can buy. Great Macbeth’s bloody knife, I TOLD Kai we should've sprung for a ghost light! Remus always teased him for being superstitious but look who’s laughing now.

He dashed back into the crew closet and grabbed the heavy push broom leaning in the corner. Roman Prince was NOT about to be caught unawares and possessed by the ghost of a disgruntled student without a fight. He would defend his domain of imagination!

Roman slowly climbed the stage steps, wielding his broom like a bow staff, turned the curtain corner where the noises were coming from and was about to release a war cry on the—

“Virgil?”

Roman nearly dropped his weapon at the sight of Virgil Alighieri—star athlete, object of his fears and supposed soulmate—curled in on himself trembling and crying.

His jacket was pulled over his head like a hood, yet Roman could see the tear stained face peeking out from underneath. Virgil’s eyes were squeezed tight, making the dark circles he’d never noticed before more prominent. There was no denying the athlete had muscle but he was more lithe—thin enough for Roman to wonder if the guy ate enough. Virgil’s trembling could rival a chihuahua, shaky hands clutching his knees, and he was clearly in the midst of a bad panic attack.

Roman had built Virgil up in his mind as being like some odd combination of Hades and Ares. The strong silent wolf within his pack of jocks, a surging thunderstorm just waiting for the right nerd to come along and piss him off enough to strike down like the bolt of Zeus.

Someone to be afraid of.

But now? Seeing him in this state, all alone and whimpering like a wounded animal...it broke Roman’s heart.

He set the broom down gently and carefully crouched down in front of Virgil. “Virgil,” he said softly. “Virgil, can you hear me?”

Virgil let out a breathy sob but otherwise didn’t seem to register him. Just how long had he been sitting here like this?

Roman was at a loss for what to do. Sure he knew plenty of people with anxiety but never saw someone having an actual panic attack before. He did know that if he didn’t help the other calm down soon, Virgil was liable to pass out. He’d never wanted to hug someone so badly in his life. Roman tentatively reached out a hand but stopped. What if touching him makes it worse? What if I startle him so badly he actually has a heart attack!? Maybe I should get the nurse. But I can’t just leave him like this.

He caught sight of the colorful soulmarks written on Virgil’s arm. Saw his own harsh thoughts: ’Dios mio, he’s staring right at me—like he wants to punch my face!’

Roman took his shame and forged it into steel. I won’t abandon you...my soulmate.

Virgirl’s let out a hiccuped cry, and this gave Roman an idea. Something from back when he was a child. It was probably stupid and a long stretch, but it was all he could think of. He readjusted himself so that he was now sitting right next to Virgil, making sure not to startle him. Roman cleared his throat, then as softly as he could, he began to sing.

“Come stop your crying, it’ll be alright.

Just take my hand, hold it tight.”

Roman one and carefully gentled his hand over Virgil’s. After a moment, he felt a light squeeze, and that encouraged him to keep going.

“I will protect you from all around you.

I will be here, don’t you cry…”

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ncisladaily · 3 years

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CBS’ NCIS: Los Angeles, by writing out not just Eric but also Nell in its Season 12 finale, made the question of Linda Hunt’s involvement in the CBS series more burning than ever.

After all, if Nell (played by Renee Felice Smith) was groomed all season long to take over for the MIA Operations Manager, who will lead the team in her sudden absence?

Or might the “new Hetty” be in fact the very best Hetty, as in Hunt herself?

TVLine spoke with showrunner R. Scott Gemmill about Hunt’s cameo in the season finale and what that means for Season 13, and more. (And as always, if you seek additional NCIS: LA scoop, email [email protected]. I’m sitting on tons!)

TVLINE | Hetty showing up…. Eric and Nell riding off into the sunset…. “Densi” picnicking on the beach…. Sam seeing his son take his fighter pilot exam…. Correct me if I’m wrong, but was this the happiest damn NCIS: LA season finale we’ve ever had…? Well, it wasn’t what we were going to do, that’s for sure. We were going to use the finale that we had written for last season, which got bumped because of COVID, and then we realized everyone had such a tough, s–tty year, that we couldn’t in good conscience put the fans through any more trauma. So we decided to go in the exact opposite way and do a fun, feel-good episode that leaves everyone happy and hopeful for what is coming down the line.

TVLINE | What was the gist of the original, bumped finale? It involved Anna and Katya and that storyline, which we still want to play out. But it was a little darker than [what we went with]. If ever there was a season where you wanted to go out on a fun, happy note, this was the one where everyone needed that more than we needed to show off some cool episode. We needed to make everyone feel good.

TVLINE | I liked how at that one point Sam and Callen recounted everything that they’d gone through during this crazy year. You know, the fans have been really loyal for 12 years, and sometimes we do things that are exciting but are also a little bit traumatic, and we felt like we should have as much fun as we can and share that with the fans. It was like a little “love letter” to the audience, to show how much we appreciate them.

TVLINE | Amongst other things, you also apparently had an election in your world, because the president who gave Kessler the pardon is now a former POTUS. But it’s not Trump, because your guy was a former congressman, right? Yeah. Yeah. We always have to have a loophole!

[We then discussed the decision to write our Eric and Nell, reported here.]

TVLINE | What sort of reactions did you get from Barrett and Renée, when you told them your plan? You know, it goes back and forth with each season. There have been seasons where Barrett has gotten sort of bored — he really pulls toward Broadway — and I would always have to have the duality conversation, which is, as a friend, “I totally understand. You want to be doing something else, something cool. You should.” But as a father figure, I’m like, “Keep getting the paycheck because one day the show’ll be over, and then you can do whatever you want.”

Renée’s the same; a lot of the time when we haven’t seen her, it’s because we’ve written her out so that she can pursue [other projects]. She’s developing her own shows, and just wrote a book that’s out. A lot of the actors have other projects; Dani [Ruah] is directing a movie in Portugal right now. It’s such a gift to have a show go this long, but it’s also a big ask to have someone do the same thing for a long time, whether it’s actors or writers or one of the crew.

TVLINE | With Nell gone, what is the plan to fill Hetty’s position? Right now, we’re kicking around some ideas….

TVLINE | It seems like you may have to bring on someone new. As you know, Linda [Hunt] was away a lot more this season because of COVID and us trying to keep her safe. The couple of episodes that she was in, where she was supposed to be in the Middle East, we actually shot in her driveway. That was getting a little more difficult to do, and then finally, Linda had both her vaccines, she was feeling great, and she came back. And she was so happy to be back. She had been gone for so long and hadn’t really interacted with anyone, so she was just so thrilled to be back on set. The minute I saw her, she’s like, “Let’s talk about next season…,” so I think that as tough as last year was, for a lot of reasons, she, like the rest of us, is starting to see a little light at the end of the tunnel and feels good about coming back to work.

TVLINE | That’s good to hear, because Hetty’s line about still being up to her “ass in alligators” made me worry you were hedging your bets. Whenever [a cast member] goes away, we introduce some predicament that we’re forced to deal with. We always try and incorporate it. I think those are instances of opportunity rather than problems. Like when Dani was pregnant, or whatever it is that’s thrown at us, we try to incorporate that. You normally wouldn’t ever write one of your No 1 through 6 actors out for four or five episodes, because you couldn’t afford to, but when they have to for whatever reason, you try and jump at that because that’s something you don’t normally get to do, and you build that into the story. Like, “Where is this character?” Obviously, Hetty was away, but we want there to be a real reason, and we’ll probably revisit that next season.

TVLINE | So, we might get a good amount of Hetty in Season 13? That’s the plan, yeah.

TVLINE | In the meantime, what an MVP Gerald McRaney has been, as Kilbride! Oh, man…. I have been a huge fan of his forever. I mean, I grew up watching him and I was really happy when we had him on the show the first time, a few years ago. He’s such a pro and so cool, he raises everybody’s game.

TVLINE | And Kilbride’s such a pisser, grumbling about the millennials and their TikToks. He’s so great because he can do comedy, and he can do drama, and he likes to be out running around with guns, because he’s a big hunter in real life. We hope to see a lot more of him.

TVLINE | Was there anything you didn’t get to in Season 12? There were a lot of things, like Callen’s past as a child; we probably would have started to explore that a bit more. We didn’t get to where Hetty was; that was a big storyline that we were building towards with, what she was involved in. If we were having a normal season, we would have gone to where Hetty was.

TVLINE | When she and Nell hugged, I got teary-eyed, man. I felt like Renée was really crying in that scene. That’s what we wanted. We didn’t want to shortchange that return, so we had Hetty make an appearance with Nell, and then had a little fun with her and Kilbride.

TVLINE | Turning to the week prior, I kind of loved how Joelle is basically a Bond villain at this point, dressed all in black with one gloved hand and a prosthetic leg…. I talked to Elizabeth [Bogush] ahead of time and said, “I think we’re going to cut your leg off,” and she was like, “What??” [Laughs] You want to have some legitimate repercussions for some of this craziness, and that seemed like a good way to do it.

TVLINE | Renewal came later than usual this year. Are you preparing for next season to possibly be your last? We sort of always have that in the back of our mind, and this year wasn’t any different. Next season, I hope to get a heads-up if that is the case, just so that we can go out with an episode or a bunch of episodes that really tie up things and send our characters into the future in a way that makes everyone happy. But we’ll just have to wait and see. No one ever knows. If there is someone that knows, they’re not telling me!

TVLINE | You think it’ll be a full season? I think we’re scheduled to do 18 episodes. I would like to do [at least] 19, because that will get us to 300. I would really like to get 300, because that’s such a milestone.

#s12 #interview #Linda Hunt #ncis la #ncisla #NCIS Los Angeles

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reyloandotherfandoms · 4 years

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When I first saw that Chris Terrio had given an interview “explaining” TROS, I wasn’t going to read it.

But then, I thought, hey! Let’s see what the corporate spin is on this disaster!

1. “...it’s about taking the ideas that came from ‘VIII’ and trying to complicate them and develop them and to have some new surprises.”

Umm...the ideas from VIII were plenty complex. They didn’t need to be “complicated”, they needed to be explored. And if you were trying for new surprises, you failed utterly. Everything about this movie was completely predictable to anyone who’d seen the other eight movies. Okay, moving on.

2. re: Rey Palpatine. Terrio argues that this reveal is in dialogue with “The Last Jedi” rather than just a ret-con of it. What dialogue? The idea that the Force isn’t tied to bloodlines, that people can be strong no matter their ancestry, was a major theme of TLJ, and it was echoed even at the end, with Broom Boy. Saying that Rey actually did get her powers from her genetic heritage is directly opposed to that theme, not in dialogue with it. Unless, of course, that dialogue is nothing more than a taunt of “In your face, Johnson!” So that statement is some bullcrap. Next one.

3. Terrio added that anyone who thinks he and Abrams ignored the direction of “The Last Jedi” or countered it rather than developed and deepened it...are “not understanding how writers think.” That’s an interesting statement, since what I’ve seen from this fandom is an enormous amount of creativity and intelligence, including fanfiction that is far superior to many works of published fiction. There are also innumerable meta that explore the story structure of the ST and of the three-trilogy body of work as a whole, written by people who know what they’re talking about. I agree that somebody doesn’t understand how writers think, but I don’t think it’s the fans.

4. “We wanted to show all the characters growing in some way.“ One of my biggest problems with this movie was the static nature of the characters. They had basically no arcs whatsoever, except for Ben, whose arc has been building from Episode VII and who regresses immensely before making the final push to become Ben Solo again. So you failed at that, dude. Big time.

5. “ Luke stopping Rey from tossing a saber away....That moment for us was about Luke having learned something and ... he will not let Rey make the same mistake that he did.” Unpopular opinion incoming -- I actually agree with this statement. That’s how I read the whole Luke interaction when I saw TROS. In TLJ, he was still too into his own head, still a bit of the whiny farm boy from Episodes IV and V; here, he actually seems to finally be wise. My issue with this particular Luke segment is simply that it was rushed too quickly (which was no different than the rest of the movie).

6. “ As J.J. said, that it would almost be weird for Palpatine not to be in some way in this movie.” No, it wouldn’t, because he was canonically dead.Threats to peace can come from anywhere, and there were any number of big bads in the EU that could have been used here, if you didn’t want to go with an original character.

7. “We probably could have written a whole movie that was just a lead up to Kylo Ren going to get the wayfinders...Where he now is the king, and he had to sort of earn the throne. And now, how will he perform as Supreme Leader?” Innumerable amounts of people would have paid such good money, multiple times, to watch that story, if it were done well (and probably if it were done in a mediocre way, to tell the truth). You left something really interesting in the Idea Trash Can.

8. “I think Rey has to keep asking herself who she is and keep declaring who she is in the course of this movie, and that changes. At the beginning of the movie, Rey is a different person than she is at the end,” Actually, she’s not (see point #4 above). You may have intended for her to wrestle with her Palpatinian heritage, but then you never gave her time to do so (never even wrote it into the script, apparently). She struck me as frustratingly indifferent about it, to be honest. So, that’s another big fail for you.

9. “I don’t think we think of it as she’s going to live there,” Terrio said. “We thought of it as just paying her respects and sort of undoing the original sin at the end of the third movie, which is the separation of the twins.“ Then that’s another big fail, because everyone I’ve talked to about that ending believes she is going back to live there. That was the message we got from the way it was written, shot, and edited. It says the exact opposite of what you’re claiming it says. So either a) you’re spouting bullcrap because you realize it was a horrible ending; or b) J.J. Abrams is an utterly incompetent filmmaker.

10. re: Rey Skywalker “In the end, we thought that the final victory of the Light and the final act of self-affirmation for Rey was to declare that despite her blood she is a Skywalker. At that moment, the Skywalkers truly win the family saga.” Um, you people had a whole-ass actual Skywalker with a complex backstory and a tremendous fan following -- remember him? Yeah, the guy who sacrificed his life to save the woman he loved, the woman who was essentially his parents’ “replacement child” for him. He died and then was never mentioned again, and there is no indication that even his soulmate ever mourned his passing. That is not a win for the Skywalker family, not by any stretch of the imagination.

11. re: the Force Ghosts at the end. “Spiritually, it’s not a crazy idea that all the Jedi would be standing with them, but it might’ve been a bit of a visual shock to see all these new characters on Tatooine who weren’t part of the story of Leia, Luke and Rey.” The Ben Solo erasure is breathtakingly astounding. I just can’t even with this. AN ENTIRE MAJOR CHARACTER FROM THE FRANCHISE’S MAJOR FAMILY DIES AND IS COMPLETELY IGNORED. It is absolutely shitty storytelling. But then again, I’m probably way off base here, since I “don’t understand how writers think.”

12. re: the specific Force Ghosts they chose. “But, the twins never got to Tatooine together. So, the idea of seeing the twins together after the sabers are laid to rest felt like it was something that was very moving to me and J.J.” First of all, the twins were on Tatooine together in Episode VI, so jot that down. (Seriously, did these people even watch any of the other movies? Sure doesn’t seem like it, from the amount of canon that got exploded or ignored.) Second, I’m glad it was a moving idea for you and J.J.; how nice that you were able to share those feelings with each other. However, this movie isn’t about you. It’s about the story. And within the context of the story, it made no sense for Rey to go bury the sabers on Tatooine in the first place, no matter how great you all thought that Force Ghost thing felt. That, in short, is what was wrong with the entire movie -- it wasn’t about the actual story, at all. It was about making pretty set pieces and cool-looking battles. It was a shallow veneer that hid a hollow core.

Ugh. Enough. Had to have my say but am going to go write some more positive fanfiction now. Because what we need in the world is hope, not melancholy, and we sure didn’t get it from TROS.

#tros spoilers #bensolodeservesbetter #allthecharactersintrosdeservebetter

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mermaidcashton · 4 years

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i hate to admit it

author: claire (@mermaidcashton) ship: michael clifford/reader prompt/AU: this is a gift for the wonderful @h0tsos who wanted soft, subby Michael in an enemies to lovers capacity (and i snuck some coffee shop!au in there as well, and some weebness because, well, it’s Steff and Michael) wordcount: 4k+ warnings: swearing, alcohol mentions, explicit sexual content a/n: • written for @maluminspace & @h0tsos ‘s 5sos fic writers collab (which was a gift exchange this time around) • i do not give permission for this (or any of my writing) to be reposted, by anyone, on this or any other website. please don’t do it! • title from ‘this means war’ by mariana’s trench • ‘my hero academia’ is a manga/anime series. there are references to it and a few of the characters in this but you don’t need to know anything about it to understand what’s going on.

i hate to admit it *** “So, they’re like...superheroes?”

Luke sipped on his glass of rosé, nodding like he understood whilst making a face that showed he absolutely did not.

“Yeah, dude, pretty much!” Michael nodded along with your co-worker with so much enthusiasm he looked like one of those dogs people put on their dashboards. Except less cute. Wait, no - not cute. Definitely not cute at all. Good save, you. Couldn’t have your own internal monologue thinking you felt anything for the moron you were forced to work with 3 times a week was anything more than an annoyance you had to endure. With a butt that wouldn’t quit. Dammit, self!

Michael took advantage of Luke showing an interest in his (and yours) favourite anime, and began bombarding him with half baked theories, predictable favourite scenes and shitty character analysis. He nearly knocked his own hat off as he flailed his hands around in an attempt at explaining the dynamics of a battle from the second season. Luke smiled politely.

You snorted into your drink as you drained the last of it; you were definitely going to need another. If Michael started fanboying over Deku again, you were going to scream.

As you placed the empty bottle onto the wood of the coffee table, you took another glance around the apartment you were in. You’d never been up here before, despite spending a minimum of 20 hours a week in the coffee shop downstairs. But after this evening’s staff meeting tackling such issues as ‘who forgot that milk needs to be kept in the fridge overnight’ (Luke), ‘who is putting too much whipped cream on hot chocolates’ (Michael), and ‘who wrote ‘THIS COFFEE IS HOT, BUT U R HOTTER ❤ ) on a customers caramel macchiato’ (Luke again), Ashton had invited you all upstairs for a ‘employee chill’. You had been surprised a week or so into your employment when you had found out that the manager was also the owner who lived in the apartment above Screamin’ Beans; he was only in his mid twenties, but the more you’d experienced his drive and determination, the more your surprise had dwindled. Ashton really was a great guy, with one big flaw; Michael. They had been best friends for years, hence him moving into the apartment when he came back into town and the job Ashton had given him; which in your humble opinion was the equivalent of setting a monkey loose on the milk frother.

Michael had sealed his fate with you the same day he’d started work. He arrived 10 minutes late (from upstairs), sleepy eyed and shy smiled. His fluffy blonde hair was spilling out of his beanie, and he kept biting his very pink lip bottom with sharp little teeth. The way he pronounced your name was adorable. You’d burned your hand on the espresso machine. Strike one. Things unravelled quickly after that. He was ‘too shy’ to take orders and work the register so you were stuck there all day talking to goddamn customers about why it wasn’t a good idea to have 3 pumps of every syrup while he hid behind silver machinery and dirtied way more jugs than you deemed necessary. Strike two. And then he’d dropped a latté into that ladies bag - sorry, very expensive bag. Michael had let out a ‘uuuhhh’ sound like a malfunctioning robot without moving for so long that the furious customer had stopped trying to yell at him and focused her rage on you instead. When he had eventually come to whatever passed for his senses, Michael had power walked into the employee bathroom and didn’t return until Calum arrived to join the shift and assured him the woman had left, twenty minute later. You were beyond strikes. You’d been so sure you could talk Ashton into scheduling you together as little as possible. There was no reason to put you down to work nearly every shift together, especially shifts where only two staff were on! Except, apparently there was because he kept fucking doing it. Every time you pressed Ashton on it, he’d say something about how he needed Michael ‘trained by the best’, or ‘matching availabilities’, or he thought their ‘energies combined well; auras are meshing, y’know?’ The one might have been on you for catching him as he was returning from his Vibe Check Yoga class at the studio down the street.

He’d also emphasised that Michael needed more friends now he was back in the city, and you two had loads in common! You both liked pop punk! You’d rolled your eyes. And Italian food! A ‘tch noise. And anime! Okay, you’d bite.

The next time you’d gone into work, you’d engaged Michael in a conversation about ‘Tokyo Ghoul’ and recommended ‘Demon Slayer’; things started to pick up. You didn’t fantasise about locking Michael in the walk-in fridge the whole shift. And then…

“You watch ‘My Hero Academia’, right?” “Uh, yeah! I love it.” “Me too! I just ordered a Todoroki tee yesterday. And another Deku one, of course; gotta rep my main man!” “Oh..cool! He’s your favourite?” Of course Michael was a basic bitch. But hey, that’s fine. Deku was fine. He was the main character, after all. And he’s a little less whiny in the recent manga issues, you guess. And the way Michael’s face was right now - open, comfortable, lit up like the 4th of July? That was good, too. His eyes were so green. “Yeah! Who’s your favourite character?” “Well, I would die for a bunch of ‘em, but I’m a Bakugou girl at heart.” You laid a palm flat on your chest, choosing to ignore the feel of your heart beating faster than it had been five minutes ago beneath it. Michael wrinkled his nose. “Bakugou? But he’s like...he’s so mean! And angry!”

Oh no. You’d had this conversation before. You locked eyes with Michael, hoping he could see the warning in your eyes. Don’t do it, ho.

“Like, he’d probably make a better villain than hero!”

“You okay, boo?” Calum slid into the space on the couch beside you, holding out a fresh beer for you to take. “You look deep in thought.”

You hummed and accepted the bottle from him, letting go of your train of thought as you caught sight of Luke trying to prove he could get his overly long leg behind his head. Michael and Ashley F. were both actively trying to avoid getting kicked in the face with a sparkly boot, whilst Ashton was just monitoring the situation very intently; you’re not entirely sure when he last blinked.

You snorted again as Luke’s foot slotted into place in a position you were 85% sure he would not be able to get out of again without assistance, possibly from the emergency services.

“I’m fine. Gotta be one of us capable of thinking here, y’know.” You teased, looking sidelong at Calum. He laughed, rubbing a hand over his freshly shaved hair; he’d always been as easy to get along with as he was obnoxiously handsome. “Hey! You’re lucky I know you’re talking about the human pretzel over there! And I guess, your boyf-” Big brown eyes glittered at you over the hand you’d slapped over his mouth. “-fwendth.” Narrowing your own eyes at your friend, you hissed. “Shut up! I would rather die.” Calum waggled his eyebrows incessantly at you until you relented and dropped your hand. “You knew who I was talking about, though.” Ugh. Smug was not a good look on Calum. “You know, smug is not a good lo-oh fuck, is that the time?” The clock behind Calum’s head showed 8:58; your auction ended at 9:00. You fumbled into your bag for your phone, unlocking it and flicking straight to the app you needed. Phew - still the top bid. “Whatcha doin’?” Calum hooked his chin over your shoulder, blowing your hair out of his face before settling down.

“Bidded on a really cool, limited edition figure. One of my all time favourite anime characters. The auction is about to end.” You explained, making sure Calum could hear you other the cacophony of sounds associated with Luke trying to get his other leg behind his head. You both watched the seconds tick down, your username sitting securely by the words ‘Winning Bid’. At two seconds to nine, the page refreshed, then refreshed again; it was over.

‘Winning Bid: BIGRED69’ “Uh...what happened? That’s not you, right?” Calum asked, tilting his head to look at your face, and the rage it contained. BIGRED69. He’d done it again.

“Uh oh, Y/N - what’s wrong?” Ashton’s voice pulled you out of your internal screaming, and you looked up at him.

“She’s losing her weeb shit at a heavy eBay loss” Calum answered for you, nodding solemnly as he pulled away from you, giving you room to bonk him with a cushion. “Oh! That’s too bad, but that’s another thing you and Mikey have in common!” Ashton beamed. “Mikey!” Oh no. Oh no, no.

“Yeah?” Michael sloped over, getting his black boot caught on the corner of the leopard print rug as he did. Ashton caught him with an ease you suspected (knew) came from practice. “Why don’t you take Y/N to see your anime dolls? She collects them, too!” Ashton looked so pleased with himself and his suggestion for further ‘bonding’ for you and Michael, and Michael looked like he’d been force fed raw lemon at the phrase ‘anime dolls’, so you let it go on your own behalf. Except now Michael was waiting expectantly for you to follow him to his room and Calum was shoving you off of the couch to get you moving. Fuck your life. You sighed as you got up and started walking. “Fine, let’s go; you can show me your Todoroki body pillow and then we can get on with our lives.” Michael let out a small hiss like an angry kitten, his cheeks colouring a pretty pink. He spared a glance at everyone left in your wake. “I, um, don’t have a body pillow, you guys.” “Suuuuure!” You rolled your eyes, waiting for Michael to enter his bedroom so you could follow. The blonde flicked the light on and moved slightly further in so you could pass him, before shutting the door with a small ‘click’. You decided not to comment on this action, looking around at the posters on the walls and figurines on the shelves instead. You were undecided on whether or not you were going to comment on how cool a lot of Michael’s shit was. A ‘Full Metal Alchemist’ poster over his bed, a full shelf of Funko Pops from movies you loved, framed prints of album artwork by Waterparks and The Maine. Fuck. You were really aware of Michael staring at you with an almost hopeful (?) look on his face as you let your eyes travel around his room before he could show you his ‘anime dolls’. Fuck. Your stomach felt fluttery, and you thought you might have a serious problem here, before you caught sight of a very different problem on Michael’s desk.

A rare Kirishima Eijirou statue - box signed by the voice actor - you’d been outbid on last month. By BIGRED69. What were the chances a different one was sitting by Michael’s laptop?

“So,” You said, trying to keep your voice neutral and non-murderous. “Where do you get your collectibles from?” “Forbidden Planet, Tokyo Toys, eBay…” Michael rattled off, until you interrupted him. “Where did you get that one? Looks rare - it must have been difficult!”

“Oh! eBay! It was, but I have an app for it, so…” Michael grinned, looking pleased with himself. An app? “An automatic bidding app? You sniped me?! That’s cheating!” You squeaked; you could not believe this. It was unbelievable.

Michael blinked at you, head empty. “BIGRED69?!” You managed to make the world’s stupidest screen name sound like a terrible accusation. Which it was.

Comprehension dawned on his stupid, beautiful face all at once. “Oh my God! That was you that I’ve been fighting for this stuff? No way! But you didn’t know it was me?”

“Why the hell would I know it was you!” You threw your hands up, and Michael just stared dopily back at you.

“‘Bigred69?! Obviously I assumed you were 12!” Michael let out a squawk of protest, before folding his arms defensively across his chest.

“Clifford!” “What?” Michael’s tone became more insistent. “My last name! Clifford!” You pulled an exaggerated ‘so?!’ face, throwing your hand in the air again.

Michael had the unmitigated gall to huff, like you were the biggest idiot in the room; like he wasn’t always the biggest idiot in every room, all rooms, ever, in the history of rooms. “Clifford the Big Red Dog!” He said, insistence heavy in the words.

You often swore you could almost hear the old internet dial up tone trilling inside Michael’s brain when customers at the coffee shop asked him such difficult questions as “What dairy alternative milks do you carry?”, “Where is the bathroom?”, and even once - you swear - “What’s your name?”. In Michael’s defence, that last one had been asked in more flirtatious-than-not tone by a brunette who clearly had some kind of vision problem (he’d been dressed more horrendously than usual that day beneath his uniform apron; was that a utility vest?!), but had fluttered her eyelashes at your idiot colleague so hard, for so long, you’d been concerned she’d be leaving without what little vision she’d arrived with. But still. Idiot. Michael, not you. And yet, now it was you with your brain puttering through the information you had with the shrill electronic sound of the 90’s in your head. “Clifford the- are you for fucking real?” This could not be real life.

“It’s totally clever!” Michael asserted, continuing in earnest once you scoffed in reply. “No, listen! Because of Clifford, and also, I had red hair when I made it, and 69 is funny - it is! - and, well-” His face flushed slightly before he puffed his chest out a little, apparently deciding to commit to his defence of his screen name. “I’m big, so it works on like, loads of levels!”

This could not be happening to you. You were decidedly not standing in the bedroom of a coworker you simultaneously couldn’t stand and also couldn’t stop thinking about kissing as you restocked the counter fridges in the evenings, as he explained that his auction site handle was a combination of a previous dye job, an insinuation about his dick and a massive fucking dog. You could not let Michael have the upper hand here, but you were floundering. So you fell into more familiar, more pathetic territory.

“If you were called something like ‘deku-loving-loser’, then, sure - I would have known it was you!” “Who’s 12 now?!” “Uh, still you!” Okay, so this wasn’t your finest moment, but you were in it now. And you’d really wanted the Kaminari figure tonight. Michael didn’t even like him that much!

“The point is, you totally sniped me! And you get stuff about basic canon wrong! And your understanding of the characters is one dimensional! And, and...your hat is stupid!” Well, shit. In your defence, Michael’s hat was stupid. You could feel how hot your face was, and Michael’s eyes looking right at it was only making it worse. You couldn’t read his expression at all; he looked like he was searching for something, and you didn’t know what it was, or if he’d find it. You could only assume he had when he took the most decisive steps you’d ever seen him take, reaching you in two huge steps and cupping your face with both hands. Michael kissed in a way he didn’t do anything else; he felt sure and certain as he pressed his lips to yours, moving them with intent. Your brain became overtaken with television static almost immediately as you moved your mouth in time with his, opening your mouth immediately at the questioning press of his tongue. You had enough of yourself left aware to yank his stupid fucking hat off his head as you tangled your fingers in his blonde hair, Michael’s hands sliding down to clutch at your waist as you swayed with the kiss. As Michael pulled back ever so slightly, you took the opportunity to press your teeth into his plush bottom lip, the way you’d thought of doing in afternoon slumps on shift. The whine that came from deep in Michael’s throat made a split second decision for you.

You pulled back further from Michael, yanking your top off in one go and starting in on the buttons of his black shirt before he fully registered the sight of your bra and the top of your full breasts.

“Shit, Y/N, are you…” Michael trailed off as you pulled his sleeves down his arms, and the shirt off this body. Your eyes met his as you popped the button on his black jeans and placed your hand on his zipper. “Do you really want me to overthink this, Michael?” A moment’s pause, then he shook his head vigorously, leaning down to pull his boots off once you’d yanked his jeans to his knees. By the time he was left in his (funnily enough, black) boxer briefs, you’d discarded your own jeans and were knelt at the foot of his bed in your soft, lilac underwear. Michael’s breath hitched as his gaze drifted down your body, taking it all in under the artificial light of the room. “Get over here, Clifford…” You teased, trying not to second guess what was happening. Michael broke out of his trance and more or less threw himself onto the bed, settling his head on the pillows and pulling you on top of him for another kiss, and then another, and another. By the time you pulled back to catch your breath, your head was spinning. You braced yourself on your forearms on the bed, taking the time to admire Michael’s body beneath you.

You’d seen the tattoos on his pale, strong arms before, but they looked different in this context; the contrast between the milky skin and dark ink made your stomach swoop. The blonde hair on his head is also a contradiction; to the dark hair on his chest and the hair trailing down his stomach and disappearing under his waistband. Your mouth felt very dry as you let your gaze continue downward, to the straining bulge beneath the fabric.

You flicked your eyes back to meet Michael’s in question, your fingers suddenly resting on the waistband of his underwear. Michael swallowed thickly, and then nodded once before fixing you with a gaze of pure anticipation.

No use waiting around. You propped yourself up onto your knees over him and pulled on the fabric decisively, not stopping your motion until his underwear bunched up at his ankles. Holy shit.

You always knew Michael had to have at least one redeeming quality, and you’d finally found it. His cock was huge, hanging heavy and hard between his fuzzy thighs. The head was flushed the darkest pink you could ever remember seeing, and the slit was already shiny with precum.

If a voice in your head that sounded unfortunately like Calum pressed that Michael had lots of qualities you secretly found redeeming, you ignored it in favour of getting straight to business.

“FUCK! FUCKIN-”

Apparently, Michael hadn’t been prepared for you to take half of his impressive length into your mouth in one go. You sucked with intent, casting your eyes up to take in the sight of him. His pupils were already starting to blow, and you’d barely done anything. God, that was so sweet.

But then Michael threaded his fingers through your hair, his hand pressing ever so slightly into your scalp. The blonde wasn’t pushing down, but his grip was firm. You could feel the weight of his hand on the top of your head as you held his cock in your mouth, and that shit? Would not stand.

You grab the wrist brushing your hair a second before your other hand finds his idle one, fingers twisted loosely in the sheets. Once you’ve captured both wrists, you guide both to the same point above Michael’s hips, before slamming both into the mattress with purpose.

If you’d had time to think about it, you’re not sure how you would have expected Michael to react. He didn’t really put out the energy of a man who’d properly fight you for control, either in a domineering way or with more of an air of fragile masculinity. Perhaps a bit of questioning but ultimately compliant as long as he got his dick sucked. But the wanton moan that kicked out of Michael’s chest as you settled into a tight grip on his wrists where you had them pinned on the sheets with intent? That was unexpected. That was interesting.

Your mouth had remained still on his cock whilst you got his wrists pinned down, more cockwarming him than blowing him. But now you had him so pliant and under your control, it was go time. You pulled back up his cock, wrapping your lips tightly around the head of Michael’s cock, and sucked with gusto. Another groan from above you. You worked your tongue all the way around the head before pulling back enough to flick it into Michael’s sensitive slit. “Oh my fuuu- Y/N, God, I-” Michael was starting to writhe, his hairy legs rubbing into the sheets beneath you. You could feel his wrists moving along with the rest of his body, but you knew you’d made it clear you’d wanted him pinned, and he made no move to get his hand free. Good boy. You sank steadily back down Michael’s length, at least to the six inch mark, before pulling back up, hollowing your cheeks as you went. Back down a little further, then up, back to teasing the head, using your tongue. Michael couldn’t predict what you were going to do next, and it was clearly pushing all of his buttons. You could taste the precum that his cock kept kicking out into your mouth and throat, and see the flush spreading down his neck. By the time you’d pulled, drool beginning to build at the sides of your mouth, Michael was a mess, moaning as much as he was breathing. This could get addictive, you thought to yourself as you let your mouth drop to his balls, and your thumbs press into the pulse points on his wrists. You hummed before you released his left ball from your mouth with a wet pop, and that’s when Michael started begging. “Please, please, Y/N, I wanna-” he panted, cutting himself off over and over. “You’re so beautiful, lemme- God, fuck, it feels so amazing, you’re- I’ve been good, I’ll do anything, please…”

You pretend to consider his pleas as you dragged your tongue over his right ball, dipping into all the creases and leaving them wet behind you. Drawing back up onto your knees, you released one of his wrists so you could push his sweaty blonde bangs back from where it was plastered to his forehead, drinking in the vision before you. His green eyes were nearly completely black, blown out with arousal. The sheen on the skin of his face and body made him glow. His lips were chapped from his teeth tugging on them, and the pink of the matched the flush spread from his cheeks down his chest. And the wrist you were no longer restraining hadn’t moved a centimeter, still pressed firmly to the mattress. Michael was a good boy. And you knew how to treat good boys. With no preamble, you took Michael back into the wet heat of your mouth, relaxing your throat and not stopping until your nose was buried in the soft thatch of trimmed hair on his crotch. You took a moment to situate yourself and enjoy the deep whines bursting out of Michael’s throat into the quiet of his bedroom, before you began to move again, swallowing around his cock. You saw his thighs begin to tremble to the side of you before you heard him speak. “Fuck, fuck, Y/N, please, I’m gonna-” You hummed as hard as you could, pushing Michael’s wrists with that little bit more force into the bed as you did. Michael let out his loudest whine yet - bordering on a sob- as he came, shooting down your throat as he writhed beneath you.

You swallowed everything he gave you, and when you were sure he was finished, you pulled off slowly, and gently, releasing his wrists as you stood back up on your knees.

Michael looked blissed out, staring dreamily up at you with bright, adoring eyes. He still was yet to move his hands. “Hey.” “Hi.” You smirked down at him. “I believe I heard something about you’d ‘do anything’?” You shot a quick glance at the figurine on his desk, and down at yourself. “I had some ideas…”

collab masterlist • my masterlist

#5sos writing collab #my writing #mermaidcashton #5sos fic #5 seconds of summer fic #5sos #5 seconds of summer #michael clifford #michael 5sos #michael clifford x reader #michael 5 sos x reader #5sos x reader #michael clifford fic #michael 5sos fic

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katierosefun · 3 years

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andddd july flew by, and i’m here to give everyone an unasked for report of...things...i watched / read / listened to this month because why not

kdramas:

miss hammurabi

aaaah oh my god the way i told myself that i won’t be watching any more legal kdramas because your honor stressed me out so much--but god. i wound up watching this and fell in love with it so fast? miss hammurabi is about a rookie judge (the gal on the right) disrupting the judicial system with her strong sense of justice. i really wasn’t too sure if i’d like her, but oh god. i fell in love with her so fast, with her desire to make the world a better place and her ability to smile even though she’s had a horrific life of her own.

honestly, i really just loved this show, mostly for how it covers so many issues in the courthouse, from working overtime to the emotional fatigue to the frustrations with those brought to court to the actual cases themselves, which are all civil court things (so we get some stuff about sexual harassment, child custody, medical malpractice, etc). this show really demonstrated that each of these cases were important--and also...really hard-hitting. i think i cried at least once per episode just because...yeah. i’m reminded that no one goes to the courthouse because they’re happy or because they’re having a good time, and it really is the job of judges and lawyers to keep a cool head and execute justice the best they can.

so basically: i loved this show. i loved it a lot more than i thought i would, and that’s always a good thing. there’s also not a whole ton of romance here either, if you’re looking for a show that’s not really too deep into that. it’s def. more focused on depicting the legal field, as well as all of the complications that come with that. as a result, there’s a lot of heartbreaking moments in the show, but there’s also many, many, many uplifting ones that reminded me a lot of why i personally want to enter the legal field. so if you’re looking for a show that might restore your faith in humanity, then i def. recommend this kdrama!

beyond evil

so.....it’s no secret that i’ve been mildly obsessed with this show. i binge-watched it in the span of...i think four (4) days, so that’s averaging about four episodes (4 hours) a day. let me just say...i was kind of on the fence about watching this, but now i’m really glad that i did because whooo boy, i was in for a ride. basically, this show is about lee dong sik, who was accused of murdering his sister (amongst others) 20 years ago...and han ju won, the young detective / inspector who’s trying to track down the murderer (who he believes is lee dong sik).

lots of other things happen, but that’s the least spoiler-y summary i can give of this show because....whooooo boy, there’s just so many twists and turns in this show? as soon as you start thinking you have everything figured out, this show tosses in another thing that reminds you of just how clueless you actually are. that said though, none of the twists felt out of place--they all felt very planned and very smart, so kudos to the writers for that!

overall, i hella enjoyed this show--the plot, the characters (who all want to do the right thing, but they’re all very jaded in their own ways which makes being a 100% good person basically impossible in this monster of a town), and, of course, the relationship between dong sik and ju won. there was just an absolutely fascinating push and pull between their relationship, lots of distrust and mocking each other in the beginning...only to slowly but steadily grow into trust and respect for each other (and in my head, def. something more....but lol i’ll let you guys decide on that for yourself ;))

i.....genuinely loved this show. i found this show just incredibly smartly written, and all the characters were incredibly intriguing? and the relationships were all fascinating to me? just. god. this show ripped me apart so many times, and i loved it all the more for it. like. guys. i wrote or started writing about six fics for this show in the span of 48 hours because i love it that much.

movies:

the handmaiden

ohohoho this movie has been on my to watch list for the LONGEST TIME, and i was glad that i gave myself some time to watch this movie at the start of the month, because...whoooo boy, it was so good. this movie is inspired by the book the fingersmith by sarah waters, only whereas i think the book took place in victorian england, this movie takes place in japan-occupied-korea. sook hee, a pickpocket, is hired by a conman to persuade the secluded lady hideko to marry him. the conman plans to later inherit hideko’s wealth and send hideko off to the madhouse.

many things happen over the course of this movie, and i’m not going to spoil anything, but oh boy...oh boy. i mean, this movie is pretty well-known for the main relationship between the two protagonists, sook hee and hideko. the romance was such a ride, and i thoroughly enjoyed every aspect of it. this movie really said “be gay, do crime” in the best way possible.

as a quick warning though, this movie definitely is erotic. i kinda knew that heading into the movie, and i was still a little caught off-guard. so maybe if you’re a little squicked out by sex/erotica in general, i’d maybe skip over this movie. that said, this movie was beautifully filmed, with beautiful writing, and the cast was just perfect. i don’t think i’ve seen a movie so beautifully or smartly crafted like this before, and i’m very glad i watched this film.

the meg

let me caveat by saying....i watched this because my brother wanted to watch it, so i sat through this movie and...y’know? it wasn’t awful. kinda predictable as far as shark movies go, but it wasn’t bad! i found myself enjoying it a little more than i thought i would...? but basically, this movie is about, you guessed it, an underwater research facility that was just looking into a deeper part of the ocean and etc. surprise, they found! a megalodon. multiple megalodons! cue the chaos.

so...there were definitely some more suspenseful moments. i shouted “these people just KEEP FALLING OFF THE BOAT” a few times. there was one character who i was like “oh man he’s gonna be the villain isn’t he :( darn :(” to “oh hey he has a heart” to “oh never mind” to “ooph”. there were some more slightly emotional moments, but?? not particularly thought-provoking or impactful. so like? overall? it was one of those movies where like....it’s not bad, it’s not really good, but! hey, not all movies need to be incredibly deep to be even somewhat enjoyable! (and like, i mostly just enjoyed watching this movie because my brother and i cracked commentary all throughout it, much to my father’s chagrin.)

music:

so, apparently my music taste changes when i’m thinking about something that’s not star wars related, and i saw a bit of that when i was making this playlist for lee dong sik and han joo won from beyond evil. as spotify works, it wound up with me adding a few of my songs that i thought fit them, and then i wound up going into the radio part of my playlist and listening to a lot of new songs, and i just have to list some of my new faves here:

let me follow by son lux: you know when you hear a song that just feels so...strangely cinematic? like, you get all kinds of vivid images in your head and stuff? this was def. one of those songs. it’s quiet, and there’s something weirdly...ephemeral about it? that’s the only way i can describe it. and mildly haunting. and mildly tragic. idk why, but i think big fans of tragedy & the patroclus/achilles kind of feel might like this song. it’s just. god. i spent 2 hours sitting in my bed just listening to this song on loop.

not in the same way by 5 seconds of summer: this is a public scolding @ 15 year old me who thought it was lame to like 5sos just because they were getting popular. boo, 15 year old caroline and her “i’m a weirdo, i’m not like other girls or other people my age” phase! because 5sos actually slaps, and this was one of my fave songs? idk. another weirdly cinematic song. the refrain is just chef’s kiss, in the kind of rambly way that leads to a shout. i love that kind of stuff.

start of time by gabrielle aplin. bro...the way gabrielle aplin’s voice brought me straight back to 2014-2016 era caroline...but weirdly, i haven’t heard this song from her before? and bro. bro....i’ve never wanted to run to the top of a hill and watch the sunrise with a loved one so bad in my whole life. god. idk. if you need a song that makes you feel like. things just might get better. this one’s for you.

sedated by hozier: okay, so i’ve only ever listened to a handful of hozier songs in my whole life (i know, i know, how can i bicon like myself not listen to hozier 24/7? le sigh), but bro.....bro. i get it now. i get why people screech about hozier. i already liked his music before, but...ah. idk. something very powerful about this song. i now understand why people want to lie down in the middle of the woods when they listen to his music.

#caroline recs #i didn't watch or read a whole ton of things because....super deep into lsat prep now #but yee here we are

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elencelebrindal · 4 years

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Actually, that last one was a really good question, so: for TLC Golds, how would you rate fanfic getting them right? I'm curious!

I don’t read as much TLC fanfics, mostly because a lot of them are pairing-based and those pairings are not my cup of tea, by I did read enough to have a couple opinions. Maybe not as thorough and complete as the one for the classic Golds, so excuse me if I’ll miss some characters. Also, same disclaimer: I might have read different stuff from other people. My opinion could sound wrong to you if you read something I didn’t and viceversa. With some of them I’m not familiar enough with the canon version at this point in time to have a 100% good answer. I forgot at least half the manga because art history replaced all my knowledge, and I have no free time to read it again.

Shion 7/10 I mostly saw good depictions of him, with a fairly good respect for his canon characteristics. Though, some stuff was... questionable. I won’t go into details, because this particular post has to stay sfw, but there’s some things out there were Shion is definitely not in character. Plus, I’ve seen him depicted with a somewhat dull personality more than once, and people apparently (even if it’s a running joke) like to think he’s not as skinny as he actually is. It’d be totally fine either way, obviously, but it conflicts so much that it automatically triggers me. You ever looked at a bulky armor, guys?

Alebaran/Rasgado ?/10 I never read actual fan fiction with him as a character, other than one that was basically just comedy and no character accuracy. So I can’t have an opinion on him. I have a couple posts to use as reference, but they’re not enough to pinpoint what people do with him.

Aspros 10/10 This score is mostly due to the fact that I’ve only read a couple works with him in them. And he was perfect, really to close to his canon counterpart. Since I’ve nothing to expose, I’ll move on.

Defteros ?/10 Same as Aldebaran, I never read a proper fan fiction, just posts here and there tackling him. I don’t even know if my representation of him is actually good or not, I am not familiar with Defteros enough at this particular time.

Manigoldo 10/10 Never seen a bad representation of him in fan fiction. Then again, this man is not that difficult to get right, once you understand his mentality. Bonus for him actually flirting during a battle, pretty sure writers have a blast with this Saint.

Regulus ?/10 The only fan fiction I read with him properly in it was pure comedy. I have no idea how people depict him outside canon, unfortunately. He’s never been one of my go-to characters when searching for stuff to read, so I have almost nothing to use as a comparison. I read some other works, but he was mainly a secondary character with the task of being adorable, so I don’t know.

Asmita 10/10 I only read one single work with him as the protagonist, and it was good. So damn good. I don’t remember the title or where I read it, or I would have definitely linked it to you all. So... kind of a biased score, but it’s all I have. The rest is just random posts, and he’s cool in those as well, so I guess Asmita got lucky.

Dohko Same as the previous, is literally impossible to get him wrong, unless you’re doing something purposefully ooc.

Kardia 10/10 I love every single work I’ve read with Kardia in it. It’s always spot on. His personality is not that easy to handle, being who he is, but so far I’ve only seen good depictions of him, as close to his canon behavior as they can possibly be. Honestly speaking, I almost exclusively read fan fictions with him and Degel as a couple, but still! Those authors never betrayed Kardia. Good job, everybody. The one and only complain I have is the depiction of him that one artist has (not going to say the name, I’m not a snitch and their art is still pretty darn good), but since it’s such a little drop in the ocean I’ll completely let it slide. For now.

Sisyphus 5/10 They either get him right, or he’s the way too overprotective uncle with one too many issues to deal with. I get it, you people want Sisyphus to care for Regulus, but don’t you think that making him act exactly like my mother is a bit much? I’ve seen some very impressive depictions of him, some works where his personality was absolutely amazing, but others... eh, I still wish I didn’t read them.

El Cid 8/10 Most of the time he’s perfect. People nailed his personality and behavior, it’s so close to the canon version that the whole thing is actually scary. But, sometimes, authors tend to exaggerate his traits too much, and then the story becomes unpleasant to read. Perfectionism can be dangerous if not used in the right amount, after all.

Degel 9/10 As far as I’m aware, and I’m only aware of works with him and Kardia as a couple (I’m hopeless, I know), he’s pretty good. His personality is not easy to grasp, and I’ve seen people making him too stuck up or too obsessed with his god-forsaken library, but if you get it right... well, you get it right. And it’s beautiful.

Albafica ?/10 I’m unsure about him. I grasped his whole character myself, because I stuck my head so far into the lore I’m actually still unable to get it out, but even with this I’m not sure how to relate with Albafica in fiction. There’s so many versions of is personality and a lot of them seem good, while at the same time some of those feel weird. To me, obviously, not in general. The fact I mostly read stuff with him in different pairings doesn’t help the confusion I have in my head, because it’s a different behavior with every person. I think that most authors are able to fully understand him, and they wrote Alba with justice for him in mind, but I’m so unsure I don’t feel like giving him a score.

#saint seiya #i cavalieri dello zodiaco #los caballeros del zodiaco #os cavaleiros do zodiaco #gold saints #lost canvas

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csykora · 4 years

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hey i was reading your post about evgeny kusnetsov and alexander semin (the friendship necklace one) and i got into hockey somewhat recently but i've heard/read some things about sasha and i was wondering if you could give me a rundown/what your perspective is? you mentioned cultural assimilation, but also social class, ethnic identity, ability, neurodiversity, and trauma and i was really curious what exactly you were talking about??

First, that’s cool you’re getting into hockey! How’s that going? I hope you’re having fun. Second…thanks for making me reread my old writing as we come up on the New Year ;)

That was one of my very first posts, and I think it reads like it—I definitely wasn’t much of a sports writer back then, and (I don’t think) I tell stories quite the same way now.

I don’t think some of those words I used mean much, except that I was angry. So I’d like to spell out what made, makes, me angry. The first half of this is stuff I’ve said before, more organized, with jokes. The second half is not fun, but it’s also something I think NHL fans have a duty to think about. So I want to try to talk about Lokomotiv.

Sasha Semin is the star and captain of a quite good, more fun KHL team. Today he was named to the All-Star team, actually. KHL All-Stars is a magical place where the players sing acoustic covers and routinely set things on fire, so hopefully they’ll let him bring his sword.

(I love the KHL)

Before that, he was the cool big brother of a generation of Russian stars. In the early 2000s the first post-Soviet young players were coming of age and working out what post-Soviet, now-Russian style hockey was going to be. In that moment we got two spectacular players: Sasha from Siberia, and Sasha from Moscow.

The Soviet style of play was supposed to be egalitarian—players skated the opposition sick and pass-pass-passed, always giving it to a teammate instead of taking chances, until whoever happened to have it had a sure shot. The Alexanders grew up in that style, and they grew up fuck-off strong. They started feeding off all their teammates’ passes and beginning to gun down goalies with one of two shots: Alex Ovechkin had the one-timer, and Alex Semin had the best wristshot in the game.

Did you watch Vegas’ magic season? Pull some clips of Wild Bill Karlsson. Imagine if he had upper body strength but was just as light on his feet. That’s how inexplicably electric young Semin was.

His and then Ovi’s performances at World Juniors were so explosive they convinced American businesses to risk money on something new. Semin was oldest, and the Capitals kind of sucked, so they got him first. Then a few years later they still sucked, so they got Ovi too. Then the two of them got Nicklas Backstrom and matching line promise necklaces and played really good hockey together for a number of years.

(If anyone would like 3,000 more nicer words about the above subjects, @ me)

A couple things shaped what happened after that:

▪ Semin’s unique wrister, twisted to be almost as hard as a slapper, is like spending every night downing jägerbombs with a shot of carpal tunnel. He seems to have chronic wrist and hand problems from inflammation, with apparent flare-ups that sometimes got rest and sometimes didn’t. So that’s a factor—not the only, but a—in why he had periods of poor shooting.

▪ Either because he never really went to school or just because he’s wired that way, Semin seems to suck at math.

▪ Ovi’s hot stick and the Sid Incident (Sidcident?):

In their first interview together, Ovi described him and Sid as “partners”, and Sid asked for Ovi’s shirt. But over the first few years the League swung from branding them as buddies to making money off a rivalry, and Don Cherry started a string of bitter conflicts with Ovi.

Local journalists who knew him wrote about seeing Ovi flinch in interviews. They described him starting to hesitate, pale, tired, doubling back over answers to make sure they were watertight. We now know from Tatyana Ovechina that he was spending a lot of nights on the phone back home with her, asking if he was letting everybody down.

Sasha, who’s basically that guy on twitter who found kittens in his sock drawer and adopted them all, but with little brothers, got protective. He told Russian media that he thought Sid was a good player, but not his favorite, and said that the way the League was pushing media attention could make someone a ‘star’ even if they weren’t that good. The phrase he used means “dead wood”, or boring, useless person. The grammar he used means something like “even if he were (ie, he isn’t)”.

I think this was objectively very funny. And I still hold that anyone saying the level of exposure Sid endured was good for him or anyone sounds like the stage parents on Toddlers & Tiaras.)

But people get protective of their person, and most won’t stop for a grammar lesson before deciding what they think something meant. There was a media blitz, mostly accusing Sasha of wanting the attention Sid got, which made sense, if you didn’t know Russian or two things about him—that he’s best friends with Alex Ovechkin, and that he’d only just started to practice English with local reporters after several years. If he were an egomaniac, he was bad at it.

From his reaction it seems like he hadn’t thought his comment was that wild, and wasn’t prepared for the backlash. Next time he talked to local reporters, he brought the translator back. Asked routine questions he’d been getting for a couple years, he flinched and turned to them to rehearse every word of his answer. Asked what was up with the translator, he said “I just don’t want to say the wrong thing.”

Although teammates like Mike Knuble, Jeff Schultz, Backstrom and Ovechkin kept talking about his personable, joking side, and we’d see it plenty in practice, he started insisting to reporters that he didn’t know English and that he was boring anyway, claiming “I’m just an ordinary person, just like everybody else. The only difference is I’m out there on the ice and that’s it. I’d just rather talk about hockey.”

–> Without math or English, Semin’s career depended on his agent, Mark Gandler.

Try not to depend on Mark Gandler.

As the Globe and Mail put it, “to many Canadian hockey fans, Mark Gandler is nothing less than the Prince of Darkness.”

Mark Gandler’s business was based on presenting himself as a friendly face to young Russian athletes, and pissing of NHL franchises. I’m pro-pissing off the NHL in general; my problem with Gandler is that if he was sincerely trying to get the best deal for him clients, he was bad at it..

When anyone talks about something Semin decided, they’re talking about what Gandler decided for him. Semin was honest with the media that he had no fucking clue what Gandler was asking for in negotiations. The Caps and Gandler couldn’t agree on anything, so while Ovechkin was locked down for life, Semin was only ever signed to one and two year bridge contracts, constantly up, his performance a constant subject of discussion and every wobble obvious.

Note: the following is the bit where I got angry and A. asked why the hell I was looking at photos of this and told me to go lie on the floor and do my butterfly exercises for a while.

One year Semin’s game really sucked. It didn’t help that Ovechkin was sucking too—they both got benched, Coach got fired, and still the Capitals just kind of sucked. Around the league, Russian stars were mostly fizzling. That was the 2011-2012 season.

On September 7, 2011, the airplane carrying the Lokomotiv Yaroslavl team, coaching staff, and four youth players had overrun the runway, struck a signal tower, crashed, and caught fire moments after takeoff. Every member of the team onboard was killed.

I can’t understand, so certainly can’t explain, how that day changed the community. I’m not trying to speculate too much on anyone’s personal situation, but to point out how much more profound it was than just some other league’s trivia.

I don’t think there’s a mainstream North American parallel for the hockey community in Eastern Europe. Players are raised in a small number of hockey schools, often at that time in dormitories like the one where Semin lived in Chelyabinsk. While young North Americans are quite strictly separated by age, the Russians are growing up with older and younger kids from the same school all around them. Older teens are encouraged to mentor younger ones—Kuznetsov’s attachment to Semin is endearing, but not really so weird. Stanislav Yarushin is several years older than Sasha, and he befriended him, and then down to Kuz. In a community like that, any one person is intimately connected to the others.

From the coaches to the rookies, someone from three generations across nine nations was killed in the disaster. Each of them was connected not only to their peers, but to players older and younger than them, and to the city that raised them. Every Russian, Czech, and Slovak in the NHL lost at least one person they knew deeply.

Just that spring, Kuznetsov won gold at World Juniors with a little clique of friends. Vladimir Tarasenko, Artemi Panarin, and Dmitry Orlov are stars now, and two of the others are dead.

Kuznetsov is the one draped in the flag. #14, with the awesome hair, smiling, is Danylo Sobchenko. #12, reaching up towards the cup, is Yuri Urychev. Urychev had been injured, and supposed to stay home the day of the disaster, but he asked to be allowed to fly with them, so he could cheer for his friends.

Tarasenko himself was born in Yaroslavl, and his father played for Lokomotiv; he knew even more of the team, and if he’d taken a hometown offer instead of signing with Sibir, he would have died that day too.

The thing about a loss like this is that it keeps budding with new losses. It hadn’t been a problem with the plane, or a freak accident. Over the following month a miserable investigation revealed that the airline had fudged documents, and the pilots just didn’t know what they were doing. So as well as losing friends, the younger players lost any trust that people in authority were going to keep them safe in the future.

After the disaster, Ovechkin, Semin, and Malkin had to hold their phones waiting while Alexander Galimov (a friend from nationals) was found with burns over 80% of his body, stabilized, transported, placed in a medically-induced coma and ventilated. He finally died five days later. The day he died Tarasenko and Kuznetsov and all the others got back on their own planes and kept playing, so the NHLers just had to keeping waiting up for them, too. Now Tarasenko and Kuznetsov have little brothers on those planes. They’re better fucking planes now, because the disaster changed Russian law, but they’re still not great.

In a grim way, Semin and Ovechkin were lucky, because they had each other. At the time almost no NHL team had as many Eastern Europeans as the Caps, meaning almost all the others were alone.

Of course it just wasn’t possible for the North American public to grieve with them the way that Europe did, but how quickly it was boxed away and forgotten as a factor in players’ lives just…sucks.

You don’t just grieve somebody when you lose them; people who aren’t sure what to say will say it fades with time, but what it really does is rise and fall in waves. You grieve them when you lose them, and again when you’re as old as they were and realize how insufficient it really was, and again, when you’re older than they’ll ever be, when you’re old enough to see children their age. Like injuring your wrist, you can get back to work, but never back to exactly what you were before.

Five years later, when Tarasenko scored his 100th goal, he dedicated it to Sobchenko and Urychev.

Most of a decade later, Alex Ovechkin wears the Lokomotiv crest on his chest protector, over his heart.

So if we know all that, we can start to imagine why they sucked at hockey.

Actually, after a slow start to the season, Sasha sucked the least of all the Capitals. Always a stronger possession player than Ovechkin, Sasha actually recovered after the Caps brought in Dale Hunter, who ripped up the Goals First, Goals Always game plan and tried to make Ovi play defense. Sasha ended the season with the best possession metrics on the team (yes, including Nicke Backstrom).

His goal-scoring didn’t recover, but that was because Coach Dale was basically treating him like Ovi’s security blanket, putting him on the second line with Mojo so Ovi couldn’t cuddle him until Ovi backchecked. Mojo (this is a Science fact) is not Nicke Backstrom.

The reason the Capitals traded Semin is they desperately needed to trade someone to make up for the team’s collective failures that year, he could be traded due to his shitty contracts, and he was worth trading.

I’m not actually angry the Caps traded Semin. It made sense. I am mad the Habs did, because it was one of many decisions made by Marc Bergevin coughing up a heavily-gelled hairball on a depth chart, but hey.

Sports is hard. I don’t mean that teams should keep players who aren’t playing the way that team needs them to out of sympathy. I mean that it’s possible to say that Semin or Ovechkin sometimes play badly without saying they don’t care. It’s possible to name a practical problem without making it a moral one.

Because when we see someone not doing what we want, and we make it moral, we say, “well gosh, I can’t imagine a reason why they aren’t jazzed to do what I want right now, so there can’t be a reason, they just suck,” we’re always wrong, because we miss shit!

In 2011, the common complaint that Russian players “don’t seem to care” went from boring to breathtakingly cruel.

It’s a collective failure of empathy, where a lot of us didn’t even know that empathy’s needed. How many NHL fans don’t know Lokomotiv existed? If we don’t even know what weight another person’s carrying, we can’t possibly judge them rightly!

The athletes we’re watching aren’t just cartoon characters for American consumption, who always act and react in easily-readable ways. They’re people with beliefs, behaviors, and problems which might be meaningfully different from what we’re personally familiar with and really hard to sympathize with.

But when we see someone struggling to do what we want them to, we have to wonder why, and look around to learn more about moments like this, and then offer empathy. I believe that if we have information, most people use it to be kind. So we really fucking need historical information.

I’m back on the floor and don’t have a closer, so here’s a picture of a cat with big mitts like Sasha. His name is Peppers.

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reverseblackholeofwords · 4 years

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My First Story

So everyone is sharing their artistic progress through the year right now, and while I’m not much of an artist, I am a writer. And luckily enough, I’m also a sort of a packrat, so I just so happen to have the very first “book” I ever wrote from way back in 2010 or 2011 so you guys can see how far my writing has progressed in the last decade. This isn’t so much of a “Look at me and how good I am!” I hope it’ll be encouraging to all my little word nerds out there!

So, it’s called “Atomics: Chemical Disaster” which is just about as melodramatic as it sounds. It’s about a bunch of teenagers that get turned into mutants by evil scientists, and they run away from society and live in a water tower(??). It’s basically a mash-up of Teen Titans and Maximum Ride, which I was watching/reading at the time.

And this is a trip, I’m telling you. It is handwritten entirely in a single composition notebook from when I was in--I think--seventh grade. And since it’s quite long, I’ll just give you a few of the sweet, juicy highlights I’ve found:

“As I stepped down the stairs I fell on purpose. When I fell I knocked down three people behind me (including Andy) and two people in front of me. It was the perfect distraction! I then cryed my best fake crocodile tears to draw in every last bit of attention I could get, but don’t worry this is all part of the plan!” The main character A.J. is so obviously just me it’s painful, but also, I can’t spell “cryed” but I can spell “distraction” and “crocodile.”

“I ran towards the building and pulled off my black clothes revealing normal fifteen year-old clothes. I popped in two blue contacts and slipped on my wig. I ran inside the building. By the time I got inside though there was no door (don’t know what the heck that means). I made sure to cause plenty of terror as I set fire to everything in my path.” I’m sorry, I’m still in tears over “I pulled off my black clothes revealing normal fifteen year-old clothes.” I can’t. Also this girl has fire and ice powers because I was obsessed with that, apparently.

In the same page that I spell the word “nauseated” perfectly I misspell sandwich as “samwhich” three times.

Okay, this one is long, but you just have to get the full picture okay? “I turned swiftly around and I’m sure I looked like a demon sent straight from hell (Tiny Caroline! Language!) because those two huge buff guys ran screaming. Tacks ran in along with Andy in their disgises. Tacks lifted up a computer with his mind and smashed it against the wall. Andy picked up two filing cabinets at once and kept banging them together making papers fly everywhere. I set fire to all the papers in the air. I added a chilly effect by making the room get really cold. Tyler ran in and whipped up all the burning papers. He stopped and stood next to me. Scarlet transformed into a wolf and jumped over our heads and at the two scientists. She transformed into a massive snake in mid air which had the effect that we had intended it to. “Hell has come for a visit,” I said.” I just-- Nothing I’ve ever written in my entire life can top this scene. The drama. The imagery. The dialogue. Just *chef’s kiss* I peaked at age twelve, guys.

Okay, okay, one more. “One of the things I remember reading about these Atomics was that they only had infra-red vision. That meant when I was mad I was a glowing yellow beaken in their eyes. Then an idea donned on me. Ice! My other power... I concentrated and felt myself cooling down. Eventually I turned into ice. I crumpled down into a ball trying to look as bush-like as possible.” I too crumple down and pretend to be a bush to avoid my problems.

But all joking aside, this is when I first really got into writing. This was my first real attempt at creating a longer story that was about something that I loved, something that I wanted to read. And at the time, I thought this was just as good as any book I’d ever read. I didn’t know how to spell, how to vary sentence structure, how to break up paragraphs and dialogue. I just knew that I loved it.

Ten years later, and I’m still learning! And I hope I continue learning because one day I’ll probably look back on what I’m writing now and poke fun at it. But never be ashamed of what you create because you don’t think you’re good enough, because everyone starts somewhere. Everyone has their first attempts. The idea is to create and keep going.

#new year #new decade #writer stuff

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thecorteztwins · 4 years

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I love how you care so much about obscure characters. Who is your favorite underrated female X-men character

Awww thank you! I love bringing them love, so it makes me really happy for you to say that! My absolute fave is Haven, but I read “faves” as plural so I wrote down a bunch...my faves can bounce around a bit but here’s a list of some of them! It’s under a cut because it’s long, I really like to explain who these gals are and why I like them so much! Warning, there is some description of pretty horrendous sexism and racism for some of these, since nothing makes me latch on to a woman harder than wanting to defend her from the SHITTY THINGS WRITERS DID TO HER! I kinda wrote novels for Haven and Madelyne, then I did links to previous things I’ve written about others. This is a LOT, I’m so sorry, I just love sharing!! Thank you for asking!!

THE BIG ONES Basically my consistent mega-faves I’m always ready to talk about! RADHA “HAVEN” DASTOOR - This lady has been at the top of my list for over five years and counting! She just really resonated with me on a deep level. She’s this mysterious woman who turns up in X-Factor for seven issues, and though she’s very benevolent towards them (even when they attack her) she is technically a villain, as she’s trying to destroy 3/4 of the world to bring about the Mahapralaya, a sort of Hindu apocalypse that will bring about an age of peace and end to suffering. So, her motives are very compassionate, and as it turns out, the horrible things she’s trying to do aren’t actually her fault. She’s being posessed by the Adversary, a demon of the highest order and an entity of cosmic evil. Or more specifically, her unborn child is. See, Haven was a really, really good woman. She was not a mutant, but she was sensitive to the pain and suffering of others from an early age, and she devoted her life to helping the poor and needy. She’s incredibly rich, so she could have helped just from afar, but instead she not only used her wealth to help others, she herself went out in the streets to attend to the poor and sick with her own hands. She bathed lepers, cradled dying babies, everything. She actually GOT the name “Haven” from a children’s hospital that she renovated, the kids started calling HER that instead. What a villain, huh? It all goes super wrong when she fell in love with a guy. After he took her virginity, he took off, leaving her pregnant. This was in 1970s India, and she was a very a religious woman, she felt INTENSE shame and horrible guilt and sunk into a deep depression, now living on the streets herself she was so broken. And then...then her fetus started talking to her. Yeah, see, technically she wasn’t posessed by the Adversary, her unborn child was. It incubated in her for twenty years, corrupting her mind, making her its pawn, all basically for its own amusement til it could be reborn into the world, killing her. And the guy who knocked her up? Got off scott-free. Basically she had sex ONE time and she had to be punished for it by being stripped of her agency, forced to betray everything she loved and believed, and then finally killed in the mud while a Marvel deity stood over and told her how she brought this on herself. It’s a slut-shaming Victorian morality tale of how no matter how good a person you are, you’re tainted forever if you violate purity culture just once, and we’re expected to AGREE with this narrative as readers. It’s sick. It gets even worse in how X-Factor treats her. She first appears RESCUING Polaris from government agents who are trying to kill her, because despite WORKING for the government at this time (X-Factor was a government team during this period) Polaris’s energy signature matched Magneto’s. Haven is the one who saved Polaris by teleporting her away. Polaris was distrustful and threatened Haven. Haven tried to talk her down, but also opened her arms and said that if Polaris truly did not believe her, then she would not resist. Polaris decided to “give trust a try” but I also truly believe that if Lorna had attacked her, Haven indeed would have let her. Haven is a human but the Adversary gave her INCREDIBLE power, she could WIPE PEOPLE FROM EXISTENCE by THINKING ABOUT IT, but she was a pacifist every step of the way, even as a villain. X-Factor would REPEATEDLY attack her later...she NEVER retaliated. The worst thing she did was, once they kept on attacking her, she just kinda put them in her pocket dimension as a time-out, but didn’t hurt them any. I really don’t think she COULD, possessed or not. Anyway, after meeting Lorna, she ‘ports Lorna back to safety and leaves her be. She is interested in recruiting Lorna and the rest of X-Factor to her cause, but she’s very moral about it, and never uses situations like these as leverage; for instance, when she heals Rahne of the Genoshan bonding process and gives her back her free will and her ability to resume her fully human form, Rahne is ECSTATIC and ready to do ANYTHING for her. And rather than exploit this, Haven just hugs her and tells her that her joy is thanks enough. Again, what a villain! Anyway, it turns out this Haven lady is also an activist! She’s big on promoting peace between warring groups (which I think makes it very significant that she’s an Indian character from Mumbai, then Bombay, who was created in 1992, the same year when Hindu/Muslim tensions in India resulted in the Bombay Bombings and subsequent riots, and she indeed mentions Hindu/Muslim tensions in her pro-peace speeches) and she emphasizes accepting MUTANTS in particular. It is very rare we see humans who are pro-mutant, though they had happened before, but this is the first time we see a human who is pro-mutant WITHOUT any affiliation or friendship with the X-men, and who is a public figure who seems to have some real social power---she’s a best-selling author, lecturer, and apparently her being a very wealthy woman has made some very wealthy people listen to her. She is basically the perfect ally for mutants if you take out the demon-possessed part, and I always found this super interesting and wish more had been done with it. So, she’s speaking at Brahma Hall (Brahma, notably, is the Hindu creator god) and...THIS happens. It’s...it’s really distressing. I’m sure it’s bad enough in its own time, but reading it NOW, in a post-9/11 world, a world where POC are routinely slaughtered by law enforcement (they always were but social media has made us more aware) it’s chilling. And we, the reader, are supposed to see X-Factor as JUSTIFIED in how they treat this unarmed, non-threatening, apparently-human-for-all-they-know woman who is promoting peace. Because no matter how nice she is, the US government says she’s an evil terrorist, and the US government turns out to be right! Yay, America! This might be a good time to mention Haven was the first Hindu character in X-Men comics, and the philosophy that the Adversary is manipulating her with comes directly from Hindu cosmology, and that is WAY IFFY to say THE LEAST. Holy xenophobia, Batman! And in an X-MEN comic of ALL PLACES! Oh yeah, and our good guys also describe her beliefs as “New Age psychobabble” and make fun of her temple decor as "very 60s" when BOTH ARE FROM HINDUISM, WHITE USA HIPPIES DID NOT INVENT IT, YOU IGNORANT SHITS So anyway, Haven’s very interesting to me as someone who is so deeply pacifistic and compassionate, that even when she’s being steered by a literal demon that has been talking in her womb for 20 years, she’s still someone who is perpetually polite, who won’t hurt the HEROES even when they want to hurt her, who SURRENDERS during a FIGHT in order to HEAL ONE OF THEM, and...who ends up with an abruptly aborted arc where she’s killed by her own “child” and victim-blamed in her last moments by Roma, the Omniversal Guardian Goddess and foe/counterpart of the Adversary. It’s made all the more tragic by the fact that Haven’s last pleas to Roma weren’t for herself, but for Roma to stop the Adversary, as she had realized now what her “child” really was. Even in her final moments, Haven was thinking of others, of the world. It’s just....awful to me that a character as interesting and unique as she was was thrown away like that, and that she was treated in such a sexist, racist, xenophobic way by both the HEROES and the story itself. I stan Haven 4 life. MADELYNE PRYOR- She’s maybe not “obscure” per se, I think most X-Men readers have a basic understanding of who she is, but the problem is that “basic” is not enough. What most people know is ”she’s Jean Grey’s evil clone” and some might know that “she was married to Scott Summers and went evil when he ditched her for Jean”. But that’s so far from the whole story, and it really does Madelyne a disservice, and canon has done her ENOUGH disservice already. Madelyne was originally created by Chris Claremont to truly be just a human woman who looked just like the dead Jean, with whom Scott would settle down and have a kid, and leave the X-Men. It’s a pretty nonsensical notion, the idea that this woman just happens to look exactly like Jean and meet Scott and fall in love, but this was his plan, he has confirmed it. And like...that’s pretty sexist from the start, in that she’s very literally created as a replacement for Jean on a narrative level, there’s NO REASON that she should have to look exactly like Scott’s dead ex besides as a way for Scott to still “get” Jean in a way. But Maddie rises above that swiftly by being a super strong, super cool character in her own right. She’s a pilot, she’s fearless, she’s adventurous, she’s got a mean right hook, and she’s got a tragic backstory when she crashed her plane and cost the lives of over three hundred passengers. She gets involved with Scott and by extension the X-Men, and she holds her own despite having no powers. Weird fact, this means that some of the X-Men, like Rogue, met Madelyne before they ever met Jean. She also gets a cool story where she gained healing powers, and the reason her powers specifically took the form of healing is because they were what she wanted them to be. She’s a good person, and also a total badass. Then, Jean came back, and the Powers That Be wanted her back together with Scott. But Scott was married to Madelyne. Rather than have them get a divorce or something, it was decided Madelyne had to be very literally demonized and then murdered, because we can’t just have two women co-exist, no, they must be divided into a “good” woman and a “bad” woman and fight over a man. Actual quote from Chris Claremont: “ Then, unfortunately, Jean was resurrected, Scott dumps his wife and kid and goes back to the old girlfriend. So it not only destroys Scott's character as a hero and as a decent human being it creates an untenable structural situation: what do we do with Madelyne and the kid? ... So ultimately the resolution was: turn her into the Goblin Queen and kill her off.” So, after something like EIGHT YEARS of being a character unto herself, Madelyne gets retconned as actually having been Jean’s clone all along! Which, okay, does make sense, certainly more sense than ‘this woman just happens to look EXACTLY like Jean and hook up with Jean’s ex” but then the REASON that Sinister cloned her...is nothing to do with Maddie or Jean themselves. Madelyne’s creation isn’t ABOUT her the way so many other clone/created-in-a-lab type stories are, like Laura Kinney. She wasn’t important. She was made literally just to have a baby with Scott, the BABY is what’s important. She is REPEATEDLY called a “brood mare” in fact (a female horse used specifically for breeding) So basically, her only value, her only REASON for existing, is her reproductive capacity. A lot of people think that Madelyne either found out she was a clone and went crazy-evil, or she went crazy-evil when Scott went back to Jean. That’s not what happened. Madelyne goes through a long, long series of arduous tragedies that piece by piece dehumanize and violate and traumatize her, and even then she doesn’t become evil until she’s TRICKED into being infected with demonic energy. Being “evil” was NEVER her choice, and everyone forgets that. See, first Scott walked out on her and the baby. Then, the Marauders attacked her, nearly killed her, and stole her baby and left her for dead in a coma for months. When she woke up, her baby was still missing, and she rejoined the X-Men to help them while they also helped search for her son. She sacrificed her LIFE alongside them to defeat the Adversary (yes, the same one Haven was pregnant with!) and then was resurrected with them too by Roma (yes, same Roma). She continued to work with the X-Men, despite the fact Scott had left her, and used her tech expertise to be the X-Men’s computer gal in Australia. When she saw X-Factor on one of the news monitors, including Scott with Jean, she realized why he’d abandoned her. She punched the screen and the explosion knocked her unconscious. While she was knocked out and dreaming, the demon Sym invaded her mind showed her a few different reflections of things she could be, one of which was a demonic reflection of herself. She chose that one, saying “What the heck, it’s only a dream.” And then Sym infected her with demonic energy. So she literally JUST found out her husband left her and their now-missing son for another woman, and she thinks she’s dreaming so yeah she picks the idea of being a demon IN THE CONTEXT OF A DREAM, A FUCKING FANTASY, WHEN SHE’S GOT EVERY RIGHT TO BE PISSED and oh well now you’re gonna be evil for real honey you don’t get a choice. Serves you right for being angry even for a moment, woman! But even then, she didn’t instantly turn evil. Horrible shit had already happened to her, but she still held out…so of course, more shit happened to her. While she and the X-Men were trying to help an escapee from Genosha (which was still enslaving mutants at that point) she ended up captured herself, and since their readings indicated she was not quite human (though what exactly she was, they didn’t know) they tried to put her through the “mutate bonding process” that would enslave her too. As a result, her latent psychic powers finally manifest, and she telekinetically explodes the place. From there, we start seeing big hints that something is going really wrong with Maddie, she seduces Havok and she’s entered into a secret bargain with the demon N’astrih, who promised to help her find her still-missing son (whom she still wanted to find and save at that point because she was still mostly herself) and of course, that bargain transformed her into the Goblyn Queen. After this transformation, though, she STILL had not gone past the point of no return. That didn’t happen until she met Sinister and she found out the truth of her origins—-not only was she a clone of Jean Grey physically, the few memories that she had also came from Jean, and her emotions from Scott had been PROGRAMMED into her (meaning she never had a choice at all in the man she loved) and it was all to be a brood mare, to produce a child with him. Only then did she go off the deep end completely, and agreed to N’astrih’s plan to sacrifice her own son (who he now found and gave to her, as this was his plan all along) because it was the absolute BIGGEST fuck you she could give to Sinister and to Cyclops. And like, yes, that’s evil, but given at that point she was not only magically infected/corrupted with demon energy AND insane with trauma that had been building up for months if not YEARS of development…she basically had a better excuse than ANYONE in all this who was also corrupted by Inferno. Yet she’s the one who doesn’t get a break. The unfairness is just…staggering, really. Even her death isn’t without indignity, violation, and depersonalization---she tries to commit a murder suicide, linking her mind with Jean’s and killing herself so that Jean will be dragged down into death with her. Jean, who really is the kindest to Maddie, urges Maddie to live instead, but Maddie’s last words are “not in the same world as you”. Jean survives. Maddie does not. And then...Jean takes Maddie’s memories and psyche into herself. It’s meant as beautiful, but to me it’s a heinous violation. Maddie wanted nothing more than be APART from Jean, so much so she KILLED HERSELF, and now Jean has made her a part of her forever, and we’re meant to applaud this? It’s DISGUSTING. Madelyne gets resurrected in the 1990s by Nate Grey, but it turns out that was an accident on his part, his mind was subconsciously seeking...Jean Grey, of course. And we he finds out he’s the one who brought her back to life, HE TRIES TO KILL HER. Jean stops him, but it’s no wonder to me that poor Maddie runs to the arms of Sebastian Shaw...who, of all people, actually treats her as an individual from the get-go and ends up being a pretty good boyfriend to her. Never even tries to use her in any evil schemes, it’s crazy. Madelyne has come back and died again and come back a few times since then, but she’s never really been “Maddie” again, whether it was brave adventurous Badass Normal pilot Maddie who just wanted to help people, or the bitter, conflicted, morally grey Maddie of the 90s. No, she’s just....she’s not even Goblyn Queen anymore, she lacks the pathos, she’s just this sexy evil misogynist caricature of herself and I hate it. I really love Madelyne Pryor. She came into this crazy world as a normal human, and when she got pulled into superhero shenanigans she held her own. She was a badass, she was a spitfire, she had a huge heart. She deserves a lot better than just being a gross Sexy Evil Lady with no personality, especially since she no longer has the whole “demonically possessed” issue going on. It’s just stupid and sexist at this point. I personally love original 80s Maddie, and also 90s Maddie where like...this shit has happened to her and she’s darker for it now, and understandably so, but she’s also still HER. Like, she leaves Sebastian Shaw not because he ever treated her badly, which he did not, but because he was doing things that could hurt OTHER PEOPLE, and that was where she drew the line. She was an enemy to the X-Men now or at least really hated them, she killed Threnody for bringing up her past as being “bred to breed”, but she also wasn’t about to be with a man who would risk the lives of millions of innocent people with his schemes, no matter how well he treated her, no matter if he was the one man who ever saw her for HER. Real Maddie is INTERESTING and Real Maddie is GOOD and I want Real Maddie back so she can call everyone on their shit and then go off and live her best life instead of being eternally dragged back into pointless villainy by authors who can’t think of anything better! MEGGAN PUCEANU - As with Madelyne, she’s maybe not UNKNOWN per se, I mean she’s one of the lead characters of Excalibur, but I also don’t think she’s an A-lister at all either. I’ve written about her HERE and HERE and her relationship dynamics with Brian Braddock/Captain Britain HERE so I feel like those links will probably be better than another novel like I did for Haven and Maddie! CATSEYE AKA SHARON SMITH - The deaths of all the Hellions were a tragedy, but Catseye is the one I found most interesting and with the most potential! I’ve written about her HERE and the Hellions in general HERE with a segment on her. She’s just so cute and innocent and INTERESTING, I want to know so much more about how she behaves, how she perceives the world and interact with others, how she gets on with her teammates, how she reacts this and that, I just love her! MINDMELD - Appears for only one issue, is arguably the first transgender mutant in Marvel, and also a total badass who I think is really sexy. I write more about her HERE and HERE. HONORABLE MENTIONS I’m not freaking out over these girls AS MUCH or AS CONSISTENTLY but they all have a place in my heart!! Really all it takes is someone MENTIONING them to get me revved up all over again!

THRENODY AKA MELODY JACOBS- Another Marvel gal who can’t catch a break, when she’s remembered by anyone at all. I wrote about her HERE prior to her most recent return in Deadpool, then HERE about said return. I just really, really want Threnody to be happy. She’s suffered enough. Admittedly, that could be said for most women on this list, maybe all of them. GOSAMYR- Wrote about her HERE! Most people who know of her at all typically hate her but I find her extremely interesting. She’s like everything people HATE about women, every stereotype of “toxic femininity”, but then this is explained as part of her culture and biology, and this is, to her, what is normal, and how is she to KNOW that everyone acts nuts around her when she has no basis for knowing how they act when she’s NOT around? She interests me in the questions and dilemmas she raises, and I just kinda have a thing for women we’re supposed to hate because of their feminine traits. KWANNON- The Japanese woman whose body Betsy Braddock had for years. I was very excited when she was brought back to life and given her own series, I wanted for her at last to be a CHARACTER with her own PERSONALITY and LIFE that wasn’t just an excuse to give a white woman a ninja makeover, and then I got...Fallen Angels. And she’s just...she’s literally just 90s Psylocke. I was very disappointed. But I still like Kwannon HERSELF in terms of potential, and now that she’s back maybe she’ll become a real person sooner or later. SATURNYNE AND SAT-YR-9: Wrote about them HERE! I really like Sat-Yr-9 as a villain (I especially enjoyed her short stint in the Hellfire Club as White Queen with Viper as her lieutenant and not-so-subtle girlfriend) and I like Saturnyne as a sort of celestial bureaucrat, someone who isn’t a force of good or evil but a force of ORDER, like the opposite of “embodiment of chaos” type characters. MURMUR AKA ARLETTE TRUFFEAU: I have not written about her before but HERE IS HER WIKI ARTICLE. As with Gossamyr, she seems like the “sexy shallow slut we’re supposed to dislike” type, so of course I like her. BIANCA LANEIGE- A Generation X villain who bore a grudge against Emma Frost from her days in the Hellfire Club, I wrote about her HERE. She’s pretty comedic as a bad guy, but that’s not a bad thing! I’d like to see her around again one day, either as silly as ever or made more serious. LIFEGUARD: Wrote about here HERE. She was in the first X-Men graphic novel that I bought and I’ve always had a soft spot for her since. I really liked that she didn’t give a shit when she found out who her bio-father was, it’s such a refreshing reaction compared to the usual “what if I’m just like my father/I can’t believe I’m adopted/etc” angst. Comparatively, she’s super upset about her Shi’ar lineage, because that actually altered her INTERNAL self when it manifested, she started seeing everyone around her as PREY and I reckon that’s pretty distressing for someone like her. Always wanted to see her come back; she’s in the background at a Krakoa party! SILHOUETTE CHORD: Wrote about her HERE and HERE. I just like her I guess! She’s maybe not obscure per se since she’s a main cast member of The New Warriors, but I’ve never really seen her get any attention. BLACK MAMBA AKA TANYA SEALY: Wrote about her HERE! THE ASP AKA CLEOPATRA NEFERTITI: Wrote about her HERE! SKEIN AKA SYBIL DVORAK: Wrote about her HERE and HERE! She was on the “Woman Warriors” team with Black Mamba and Asp, and I like the idea they just hang out as friends a lot!! ANACONDA AKA BLANCHE “BLONDIE” SITZINSKI: Wrote about her HERE! I just want her to hug me...really, really hard :) SHARADA DARTHRI: A minor villain that shows up during the “all female X-Men” team era in...2013, I think? Wrote about her HERE. DRAGONFLY AKA VERONICA DULTRY: Wrote about her HERE MANTIS : Despite the fact that she’s very well-known for her film version in Guardians of the Galaxy, most people don’t seem to know much at all about her comics version even though she’s been an Avengers member since the 70s. Wrote about her HERE and HERE and HERE, someone else writes about her HERE PENDING These are characters that I have not had the chance to personally read up on myself yet, but I want to! Their names link to their Marvel wiki articles! TOPAZ FIREBIRD SNOWBIRD SILVERCLAW There are honestly countless others I’m probably not remembering but this is a good handful I think! Oh, yeah, and also...COOTER. Because her name is COOTER oh my god.

#xmen #marvel #marvel women #x men women #women of marvel #x women #out of cortez

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