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#because I cannot be nice about that movie even to people who love it
Idiot Cringe Gawain Failing Upwards For More Than 2 Hours
Okay okay okay. I’m gonna write my very disorganized statement on why I don’t like The Green Knight. I’ve been putting it off because it makes me angry, and I have noticed from past experience trying to write essays about the 2005 Pride and Prejudice adaptation, that when I’m angry, I tend to rant and tangent. I’m going to avoid complaining about stuff that isn’t related to adaptation of the main plot and themes. I’m not going to talk about how annoying I found most of the acting, or how bad I thought the CG was. I’m also not going to nitpick all the little changes that do annoy me, but could be valid in a better movie, like the decision to make everyone in Camelot really old rather than really young. I am going to talk about Gawain’s failure in the book vs. his success in the movie, and I’m not going to edit at all once I’ve written it because I find thinking about this movie exhausting :)
In the original story Gawain is trying so hard, the entire time, to live up to a rigid and unachievable ideal. The story is so good because he doesn’t succeed because he’s only human. That his failure isn’t really a failure, but a part of humanity’s nature, and the fact that Gawain doesn’t take that lesson, and continues to beat himself up for it, is still a unique and interesting story now. I relate to the story as someone with social anxiety and a perfectionist streak. I always feel like I’m playing a game with rules I don’t fully understand.
What is The Green Knight but a really generic coming of age story, and a poorly paced and characterized one at that. It feels like the filmmakers were trying to make up for the weakness of the writing by making the visuals really trippy and the acting really unnatural, but that doesn’t manage to make movie Gawain an interesting character. He’s a mediocre guy who breaks his promises and doesn’t have a strong motivation. He gets into bar fights for no reason, has an extremely annoying manic pixie dream girlfriend (I despise Essel, I think her inclusion was so unnecessary except to make Gawain as boringly heterosexual as possible), immediately gets beat up and left for dead the second he leaves for his journey, actually does commit adultery with Bertilak’s wife, doesn’t manage even a single day of the second game, which was, you know, the main part of the original story, and still gets rewarded at the last minute for doing THE OPPOSITE OF WHAT HE DOES IN THE BOOK. I
’m sorry but I do not like this Gawain. He just sucks. Dev Patel could have played such a good Gawain in a good movie but, alas, this is what I get. I get that I’m kind of a purist. I am of the opinion that if you are going to adapt something, you should:
a) understand what’s good about it
b) only make changes for the sake of the new medium, or if it will improve on the original
That’s obviously not everyone’s idea of a good adaptation, but personally, I’d much rather read a subversive story where Gawain tries really hard to live up to the ideal and fails, and that’s okay, than watch a movie where Gawain runs away from his problems for most of it, refuses to acknowledge his flaws, at the last minute gets a super hetero normative happy ending that he doesn’t deserve and that kind of insults the original story.
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augustinewrites · 9 days
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yesterday afternoon - after an unsuccessful coffee shop date - you’d decided that dating sucked. it was much too awkward and formal and not at all like it was in the movies, putting too much pressure on the people involved.
last night - after watching shoko flirt her way into free drinks - you’d been tipsy enough to take her advice. 
casual sex! it doesn't have to be with a stranger, just pick someone you know. someone you’re sure you won't fall in love with.
this morning you’d woken up to find gojo laying in bed next to you.
you lay shoulder to shoulder with the one person you should not have picked, staring up at the ceiling, waiting for the other person to speak. 
“did we really–” 
“three times,” satoru confirms happily, rolling onto his side to grin down at you. “i'm surprised we didn't do this sooner, really. our sexual tension has always been off the charts.”
when he leans in to kiss you, his lips meet your palm as your expression wrinkles. “don’t get familiar.”
“we’re naked together in bed– we slept together in more than the literal sense. can’t get more familiar than that.” 
“and this never happen again,” you promise, refusing to look at him. 
“why? because you’re afraid you’ll fall in love with me? it’s okay to admit it. i'm extremely lovable.” 
you’ve seen the way girls fawn over him. how they swoon over his pretty eyes and confident smile. he’s satoru gojo. a legend amongst jujutsu society. you’re no one in comparison, not a user of an otherworldly cursed technique, not from a major clan. 
people like him don’t fall for people like you. you’re afraid of rejection, afraid of being hurt. 
“we’re friends,” you tell him honestly. “i don’t want to risk ruining our friendship over something like this.” 
he tilts his head as your look at him. “shoko told you to try casual sex, didn't she? why not with me?”
“she told you?” you groan, dragging a hand down your face and making a mental note to never ask your roommate for advice for anything ever again. 
“hey, look at me,” he urges, grasping your hand. you do as he says, meeting his earnest gaze. “i can be casual and chill, it’s not like i have a huge crush on you or anything.” 
it’s so hard to say no to him. you really wish you could.  
“i’ll think about it,” you tell him, rolling your eyes when he fist pumps. “but you need to go home before shoko sees you.” 
but you’re dealing with satoru gojo, who almost never does what he’s told. “you’re not getting rid of me that easily. come here.”
he winds an arm around you, pulli my you in so you’re snug against his chest. explicit memories of last night flash through your mind, sending heat through your veins.
 “i can’t.” you tell him (though you’re mostly reminding yourself.) this is insane— satoru, what are you—”
you’re cut off when he shushes you, whispering let’s sleep in for a little while longer. 
he starts to drift off again as you struggle to escape his grasp, but your efforts are futile. even on the throes of sleep, satoru is stronger than you. 
so you give up, resigning yourself to a few more minutes of…cuddling. shoko isn’t a morning person anyways.
after a minute, you find it's not entirely awful. it’s a purely physical reaction. gojo is good looking, even with his hair mussed with sleep and his mouth hanging open. because you know that under the softness of his skin lays defined muscle, and spending the morning in his nicely toned arms isn’t the worst thing in the world. 
(it’s purely physical, is what your head tries to convince your heart, which is beating a little faster than usual.)
a very soft, content sigh slips past your lips. 
then, shoko knocks on your door. 
“hey! don’t tell me you’re too hungover for grocery shopping.” 
“shit!” you whisper harshly, shoving him away from you. “she cannot see you in here.” 
“afraid you’ll have to share?” he teases, narrowly avoiding being hit with a pillow. “okay, okay! where do you want me?”
“closet!” you instruct, scrambling my around the room to make sure none of his clothes are lying around. you thrust them into his hands, pushing him into your closet. 
he catches the door before you can close it, smiling down at you. “aren’t you glad we’re doing this?”
you shove him inside, slamming the door shut just ask shoko bursts into the room.
“hey,” you greet, trying your best to appear casual as you lean against the door. your heart beats in your throat, as she squints at you, then lets her gaze sweep across the room.
“did you bring someone home last night?”
“no.”
she looks at you. really looks at you, you think. 
“okay,” she finally says, though you can’t tell if she believes you. “i just– i thought i saw you leave with gojo. suguru said you two were flirting all night.”
“gojo and i?” you try to laugh, but it comes out a little strained. “never in a million years.”
shoko only shrugs, and you let yourself relax when she turns to leave…
…only for her to turn around once more, leaning the the doorframe. “well if you really don't like him, just let him down easy, alright? suguru told me he has a huge crush on you.” 
wait–
“gojo?”
you hear a sharp inhale through the door. 
“yeah,” she nods. “you really couldn't tell?”
gojo…has a crush on you. it takes a few seconds to truly sink in. “i had no idea.” 
“of course you didn't. he’s definitely got a really weird way of showing it.”
she turns to leave for real this time, but you wait a couple extra seconds before opening your closet, finding a wide eyed, blushing satoru staring at you. 
you can't help but laugh. at his expression, at shoko’s revelation, at this entire situation.
dating sucks, but maybe it won’t be that bad if it’s with him.
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ashintheairlikesnow · 10 months
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Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.
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First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.
They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.
Fair enough, Henry.
They also do something even goddamn better.
They are friends. They are believable as two people who could actually get along long enough to fall in love.
They are allowed to become FRIENDS.
They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.
One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.
Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.
They laugh.
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Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.
They like each other, they stumble, they laugh.
But also, another reason this works so well?
The sex scene isn't scorching.
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Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.
It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.
It felt like we walked into their room during and saw them both laid utterly bare.
Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.
It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.
You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.
And you believe that between the two of them, they can find a way around the wall entirely.
This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.
And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?
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P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.
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irndad · 1 year
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in every other life- s.r.
a/n: my soul is in this mf fic. there's a lil sexual tension lol! this is a behemoth of pining. so much fucking pining. this guy needs you like air wtf!! ALSO the poem is from a book, the lover's dictionary by david levithan. summary: the love of spencer's life is also his best friend, and she goes on a few dates. he does not handle it well, internally. ft. metaphysics by our dear genius boy. wc: 3.3k (holy shit)
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While he recognizes that no direct injustice has actually been done to him, he can’t help but feel that it’s so unfair. 
Because Spencer had never actually wanted much of anyone, actually. He was too much of a child through his entire education, and he’d found anyone that he’d even consider had almost instantly had dismissed him. He’d grown used to a life where companionship wasn’t a desire that crossed his mind. 
But he wanted her. 
His lovely friend, his coworker, who was the kind of lovely that it feels unfair you’d ever have to take your eyes off of. She’s the best person he’s ever met, the sort of wonderful you read about but never convince yourself you’ll ever see. He knows the shape of her, has her form memorized from watching, waiting for her to step into the office every day.  
It was only a matter of time until he wasn’t the only one with his eye on her. 
She’s actually absurdly easy to want. There’s nights where they watch something, often what he picked, Doctor Who or some other science fiction which would be great if he could focus on anything but her. Her warm disposition ruminating his too-small apartment with a kind of light that follows his every movement. He’d adore her even if she wasn’t, but it’s impossible to ignore how beautiful she is- the kind of pretty that you hardly expect to see in real life. 
“Hey you,” her so-sweet voice is what breaks him out of his daydreaming, and he looks up at her lovely face smiling down at him. Fondness seeps through her tone, and it’s everything he can do not to preen that her first thought at seeing him is one of pleasure. 
“Hey back,” he says, greeting her with a warm grin of his own. “How was your weekend?”
It’s a calculated question. 
She had canceled their weekly movie night. He’d tried not to look too disappointed, like the idea of her next to him on his couch, of her nimble fingers raking through his unkempt hair while something nice, but far less wonderful than his company played in the background wasn’t all that was keeping him going. These days, and he knows it’s likely delusion, that she sometimes seems to gaze back at him with a similar sort of desperation, hooded eyes and tenderness. 
It’s a liminal space, those nights. How can people be two things at once? You cannot be both in love and not. In the low-light of his place, under his blanket- it’s like Schrodinger’s experiment. She can’t love him like a friend and more at the same time- it resists the laws of physics. She is his best friend, a fact he knows as sure as gravity and the elements, and believing anymore than that- it’s asserting an impossibility. 
When they’re alone together, though. It seems like the impossible exists. 
But she’d canceled it, something she hadn’t done for the months they’d been engaging in their little tradition. So there had to be a reason. She sits next to him, her desk next to his. 
She looks a little disheveled, only in an adorable way- but a little like she’s been busy, like her flow is disrupted.
“It was good! I finally went out with that guy Penelope’s been begging me to let her set me up with.”
It’s all that he can do not to freeze up. 
Penelope has been trying to get her to go out with her friend Ben, which Spencer thinks is a stupid name, by the way, and secretly he’d been so, so pleased when she had brushed off the invite. It’s a dangerous thing, hope. He tries not to have too much of it, tries to savor the thought of her, of more for moments of particular vulnerability. It’s treacherous, to want her the way he does. He knows he can’t let himself feel it all the way. 
And logistically- romance is not a reason for a valid reason for him to be panicking the way he is, but all he can think about is the physics. Two opposite things cannot be true at the same time. 
“You know, studies suggest that even now, the majority of couples are meeting in person or through friends over any other medium.” 
It hurts to say. She’s part of a couple, one half a whole that he doesn’t complete. 
“Seriously? I’d have thought it’d changed by now. I guess it’s safer to date someone you know.”
She’d date someone she knew? Is that what she prefers? 
“How did it go?” He hears Emily ask, and this conversation is already the bane of his existence.
“Guys, it really wasn’t a big deal! We got dinner, it was just a little thing.”
Spencer isn’t experienced in dating, but he does know that dinner is a serious date. Coffee is a smaller thing, but dinner-
Dinner means she got pretty for him. Probably picked out a dress for the evening, spent time on a carefully manicured look. Spent hours of her precious, rare, time on him. 
It’s not fair how much he fucking hates this guy. 
“Dinner is not nothing!” Penelope squeals, and he would love to share in her excitement, except it kind of feels like a piece of his heart is being shredded. 
“Dinner means coming up to my place, have coffee, oh look who doesn’t have her hair done-“
Please kill me, he thinks. Please. 
“Oh, that definitely did not happen.”
Thank god. 
Except he can’t miss her flush, how her expression shifts- and he has the sickening feeling he’d be hearing that guy’s name again. 
When they all settle around the table, her doe eyes focused on gruesome images that were the exact antithesis of her spirit, he couldn’t help but feel that even if it hurt, there was finality. 
The cat was out of the box. Two things cannot be true at once, and so only one is- she does not love him, at least not the way he does. 
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Ben, is not in fact, going away. 
If he had more willpower or self-preservation, Spencer would keep his distance from her, but the truth of it is that as much as he wants to be the person she turns to, her smile is most of why he can stand his job anymore. 
It’s a Tuesday, and everyone is grumbling about being pulled in early in the morning, but he’s just happy to have a reason to leave the house.
“Spence!” He hears her excited voice carry, the pretty sound picking his ears up at once. “I got you coffee. It’s hazelnut, and it’s like, 90% sugar. You’re gonna love it.”
She beams at him, and he takes it in his hands. Their hands brush, and he tries so hard not to notice how soft her hands are. Her name is on the cup, and an unconsenting fantasy of her name meaning that he’s hers creeps into his mind before he can bat it away.  
But her cup says Ben. 
“Thanks,” he says her name, tries to sound measured and friendly. “Coffee date?”
She preens, and god, if this guy doesn’t get how lucky he is it might be thing thing that actually sends him over the edge after all these years.
“Just a quick thing, we were just in the same place and he bought me a coffee, I’d already gotten yours.”
If there’s two roles he can fill and he doesn’t get to pick, if he’s stuck with friends, he’s gonna be great at it, and he’s gonna be grateful. Because knowing her is a grace in itself, the kind of thing you should could yourself so lucky to have. 
“He sounds like a great guy,” he hears himself say, “I’m glad you’re doing this.”
It’s the right thing to say. He’s sure of it. The thing he’s not sure of is why the smile she offers him doesn’t reach her eyes. 
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The next time he notices the cracks in their relationship, it’s when they’re out. She’d suggested this bookstore-cafe kind of thing, and he’d jumped at the thought, all of his favorite things in one afternoon. He’d felt foolish spending so much time picking out his outfit out, wearing the blazer she’d once complimented-he’d actually stuttered so hard in thanks that Morgan laughed for a full minute when she left the room- but she always looked beautiful, and he knows he sometimes pales in comparison. 
“Oh, I love this one!” She thumbs over the spine of a thin book of poetry. She’s wearing a forest green sweater that hugs her frame, and a bracelet hangs on her delicate wrist. He loves looking at her, though he tries to conceal it. His goal of being a supportive friend includes trying not to make it that known how gone for her he is. 
“I don’t read too much poetry,” he admits, “But I’m sure you have excellent taste.” 
Her keen eyes skim through the pages intently, clearly seeking out a specific passage before stopping, gaze alight with recognition. 
Her tone is molasses-sweet when she begins reading, and his heart skips a beat.
“When I say be my lover,” her voice hitches, reverent of the quote and he is reverent of her, “ I don’t mean ‘let’s have an affair. I don’t mean Sleep with me. I don’t mean Be my secret. I want us to go back to that root. I want you to be the one who loves me. I want to be the one who loves you.”
It feels impossible to look away from her, doe eyes practically sparkling in the low light of the shop, and there it is. His heart’s in his throat. Of all the things you could have told Spencer he’d experience, hearing her lovely voice wrap around the words be my lover in hushed tone, in sacred sweetness, would never ever be one he’d guess. 
He’s not sure how he feels about the multiverse theory, but right now, he can feel all the versions of himself pressing right up against him. Can see into lives he doesn’t get to live, lifetimes where his love isn’t a buried, worn-out tattered thing to keep his ever-frigid chest warm. Versions of himself that in this very moment can smile back at her, warm and open and kind, and kiss her perfect smile. 
Because he would be her lover. He would come home to her, spend the rest of his life building a home that she could fit  into. It’d be easy, actually. She’s easy to imagine- nights of laughing in a shared kitchen, evenings where her company is a fine wine, sipped at leisure with the comfort of knowing it’s never going to slip from your grasp. 
“I like that,” he says, voice too vulnerable for his own good, eyes unable to tear from the eye contact. “I really like that.” 
In the root of it, he already is her lover. He is the one who loves her. She’s just not his. 
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It comes to a head on a Friday. It’s a few weeks from he book shop, and the air feels heavier between them now. The last handful of Fridays he’s sat with the ghost of what used to be their plans, empty time lingering where in its’ place used to be her company. 
He doesn’t know if she’s been with Ben. He tries not to think about it. 
The sound of her voice lingers in his mind, sweet and bitter in his mind like old lemon candy, the kind his mother would save for special occasions. He’d spend any amount of money he had to hear her lovely voice say those words to him out of the context of a poem. 
At work, they seem almost normal. Like one of them wasn’t desperately in love with the other; like a genius and his lovely, incredibly empathetic, kind best friend. In the field, their actions flow together seamlessly. She is always the first to listen and to understand (and god, isn’t it intoxicating to have someone meet you in understanding) and there is nothing to suspect is off.
But there’s still a cloud lingering. The poem- the soft melody of her voice curling around the words, the request of it all, the way she had sounded so wanting- and then, there’s Ben. 
She doesn’t mention Ben to him, of course, but Penelope does. Penelope, all bows and bright colors and cheeriness keeps bringing the absolute worst news to Spencer with a smile on her face. 
He’s taking her out for drinks! Oh, he’s reading her favorite book, do you know what it is?
This anger isn’t an emotion that he’s familiar with. A roar of possessiveness, the bite of it not tempered at all by rationality. Has he touched her?
It seems almost a tradition at this point when she shakes him out of his jealous storm of thought.
“Spence?” she muses, “You alright?” They’re alone at his desk, everyone having fled for their own evening and weekend plans. This was one of the Fridays that she had agreed to spend with him, and he wonders if he’ll be able to handle the scent of her shampoo so close after such a lapse of the sensation. Will all of his judgement go where he can’t follow?
“Yeah,” he says, tucking his papers into his bag, “I’m excited for tonight.”
His place is actually a short walk from the office. He’d been embarrassed to show her the place at first. It’s all function over fashion, and a bit cramped, but she’d looked at as though it was made of something more, something good. She didn’t even tease him. It had actually been her idea, to start these movie nights. 
Ironic, really. 
The walk was pleasant, the weather a little frigid but still nice, and she looks beautiful under the setting sun. It’s incredible to him, how her lashes catch the light and make her irises look like polished stained glass. His favorite color. Through the looking glass of another life, he sees a version of himself that gathers her up in his arms. In this daydream, she grants him one of her smiles that seems to carry its’ own light, and leans into his body like it’s the only thing that keeps her steady. It’s so clear. On the other side of the veil, he kisses her reddening nose, and keeps her warm himself. 
In the here and now, Her coat is long, and hangs low by her ankles. It’s an elegant thing, like the woman who wears it, and Spencer would be grateful for a lifetime of just looking.They stop in front of his door, some invisible force stopping him from entering. 
She sheds the coat inside his home. It smells like the candle she got him for his birthday, a reminder of her grace. He’s saved a bottle of wine for them, a sweet thing for the sweetest thing he’s known. 
“I’m sorry,” she speaks the warmth of the beverage on her tongue, and it should feel abrupt but it doesn’t.
“What for?” He can’t imagine what she would have to apologize for. 
“I know things have been…off between us,” she says carefully, considering the phrasing of each word. He watches her with a reverence, his hazel eye brimming with affection with nowhere to go. “You’ve been so great through it.”
Her legs are thrown across his own, and she’s dangerously close to sitting in his lap, but not exactly. He’s missed having her this close, the last time she’d been in his orbit was before she’d had reason to be gone. She smells floral. He fights With limited filtering through his already treacherous mind he thinks, He can’t take this from me. I still get her like this. 
“I’m not entirely sure what it is.” 
She slowly shuts her eyes, go for a moment to somewhere he can’t follow. Her cheeks are rosy from the cold. 
“This whole Ben thing.”
“Oh.”
Logically, it always had to come back to this. Someone else had the good fortune to know her like this, to be the person she reads poetry to in deep meaning to. 
He’s been stealing moments from someone who’s not his to take them from. 
“I don’t even know how I wanted you to react.” she murmurs, staring at the rim of her glass. 
“I just want you to be happy” His voice is something low, grit in the sound of it. His hand rests on her thigh. There’s warmth blanketing the room and he wants to kiss her. He wants to kiss her all the time. 
She laughs, but it’s not her normal laugh. It’s tinny and a little bitter. He pushes his luck, and reaches out to brush the side of her face, moving the hair but still holding her face. Her breath smells like strawberry wine and temptation. 
It feels different tonight. Low light and tension that could be sliced with wire. Every part of her is in reach, and something in the air makes all of this talk of relativity, of physics, moot. 
Like maybe he’s not in the only world they don’t end up together. 
Her face is warm and soft under his touch and he loves the sight of her. He’s never touched her like this. Every point of contact feels electric, addicting. 
“What is it? The Ben thing?” He doesn’t know what he’s expecting to hear. What he wants, is for her to tell him that it doesn’t matter anymore, that she picks him-
“I only went out with him the once.”
“What?”
“I told Penelope I was still going because it made her happy and she said I couldn’t keep going to your apartment and reading you poetry and call that romance.”
Romance? 
Wasn’t it romance, though? 
Her eyes widen in something akin to horror. 
“Shit, Spence- I’m sorry, that is so fucked of me to say-“
“You,” he tries to say calmly, “aren’t going out with Ben.”
She blinks. 
“No?”
He has spent so much time living in other lives, existing in the minds of versions of himself he wasn’t lucky enough to be. Drinking coffee imagine a life colored in her presence, falling asleep yearning for the presence of something lighter than what he has to carry. 
He can’t exist in two places. That was the entire basis of the experiment. 
He moves his other hand to hold hers, and somehow she’s shifted to being on top of him, and he looks up at her with unwavering desire. 
Spencer isn’t good at wanting people, but it comes naturally with her. Less of an action and more an urge, a course of motion to which he is at the mercy of. This is what leads him to close the gap between them, and kiss her. It’s 
Her delicate fingers run through his hair, and she can’t be close enough, please, and he could spend the rest of his life kissing her, actually. He probably will spend the rest of his life thinking about the soft sigh he pulls out of her. 
“I want it to be me,” he manages to say through shallow breath, still so close that his lips brush hers every other word, “I want to be the one you pick. I want it to be me.” His hazel eyes seem to shift in the moment, swirling with emotion. 
She brushes a lock of his overgrown hair out of his face. He normally shaves when he sees her, but he’d been so busy that he’d forgotten, and felt embarrassed of it now. That is, until she runs her index finger along the edge of his jawline.
It’s then she leans down and kisses him again, pliant and good, his hands around her waist. He breathes a prayer into her mouth, one that hopes that she never ever comes to her senses about him. 
“Spence,” she says, her voice golden silk, a kindness.  “There was never anyone else to pick.” 
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honkaimethrail · 22 days
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Aventurine dating headcanons (part 1)
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Nsfw under cut!
sfw
Contrary to what a lot of fans believe, I don't believe Aventurine would spend a lot of money frivolously on the person he loves
Forming connections with people, letting them use him as much as he benefits from them, is a talent Aventurine honed and polished as years grew by, letting it come naturally to him. If you were just normal friends, he would willingly hand out thousands of credits to you, simply replying to your surprised expression with a chuckle.
He is well-aware of his power and status as one of the 10 Stonehearts of the IPC, but Aventurine's actual self-worth is in shambles. The first time, you actually do something nice for him out of pure goodwill, you'll immediately recieve a few thousand credits as a "meagre" thanks. He's seen these genuine gestures in movies, but Aventurine cannot bring himself to believe someone would do it for him.
Anywayss, on to the dating part! I hope you're patient because it would take a LOT of time before you're actually close. You will learn about him, gradually, but it will be slow.
Which is why there won't be a difference when you first start dating him, with the exception of your relationship being strictly hidden, Aventurine is a private man after all, and he was already taking a big gamble as it is by dating the person who has his heart.
I personally hc him as someone who's attracted to a person who has the freedom to make their own choices, more of an explorer. Which is why he's more likely to fall for a Nameless! Reader than one of the IPC workers.
One of the easiest ways to get close to him is by texts and calls. The amount of texts you'll recieve will increase two-fold, with your conversations ranging from your work, friends to miniscule details, your habits, his habits, multiple promises on your side to visit different views with him by your side, and silences on his end, before changing the topic. In Aventurine's defense, he gets sentimental at night, you only laugh in return and immediately, Aventurine feels his heart leap in his chest.
Physical affection is alien to him. Aventurine has had experience, no doubt, but none of them felt as real as with you. He's lowkey scared of the person he will become if he comes to reciprocate your touches, or even encourage them,so you'll have to be patient, he's trying his best to accomodate you in his world.
It will take a long time for Aventurine to kiss you but that's fine, because he secretly feels himself bursting with adoration when you intertwine your fingers with his, brush his hair, or trace along the length of his nose with your index finger. He's a goner, he's much more in love than he believed and Aventurine unfortunately knows that.
nsfw
It's not that Aventurine would say NO to you if you imply to do anything sexual, he's had experience of course, but he would blank out during the experience. It would make hin feel even more shitty because he's doing it with you. Memories of his past experiences would swirl in his head and he would become instantly naseous seeing you beneath him. Needless to say, you learned sexual intimacy is something that will take time do it again.
Aventurine views sex as a tool, something that either has to be simply released, or used as a chip in his plan. He loves you, loves you a lot, and the idea of sex between lovers, being much more than two bodies would take a while to settle in his head. His mind would keep alternating between his past exploitative partners, to the current you, feeling all the more disgusted with comparing you to them.
So you both take your time. Make out with each, kiss his face, hands, and reverently tell him things that you would do to him once you have the chance to properly make love again. It will melt Aventurine to bits, but he's also assured that doing it with you will be different.
"It will be amazing. To feel a part of you connected with me, I want to see you make the most wonderful expressions, Kakavasha. I want to see your face when you c-
"I-I get it! You're enjoying this, aren't you? "
When it finally happens, Aventurine is absolutely moved. Sex finally became something that felt comforting and good to him, and he makes sure you know that with how vocal he is (someone posted aventurine moaning on yt and it's... without context it's... Open to misinterpretation.)
I don't headcanon him as having a high sex drive, it's fairly moderate, or maybe higher than average when he's around you but that's about it.
Sexting happens more often than you think. A lot of times you both are unable to be with each other because of work, which is why it's time for Aventurine to whip out a handy tool called a phone to see your face, and in much more needy times, use your voice to gently coax him to orgasm, which he gladly does too in return.
Imo, he's a switch, but a prefers bottoming. Can easily top too but i dont think he would prefer to be a hard dom. That's just not his thing.
After the first time you had sex, Aventurine was honestly quite surprised. At himself. He becomes much more needy at the prospect of being so close, with you, turning putty into your touch. He's easier to turn-on, and slowly it becomes a challenge at times to see who breaks first.
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(To be continued because this was accidentally posted lmao)
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churipu · 5 months
Note
HAIIII IPIN !!!!!!! can i request gojo, geto, and nanami (separate) having a gf that's really optimistic? just someone who sees the good in everything and anything, and positive at all times! thank SOOOO much !!!!
JJK MEN + OPTIMISTIC GIRLFRIEND
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featuring. gojo satoru, geto suguru, nanami kento x fem! reader
warning. people being mean to u >:(
note. HAIIII ANONN!!! i love this request bcs sometimes i read books, mangas, watch movies, you name 'em and see a certain character having the most positive mindset and i just go must protecc >:( anyways, thank you anon for requesting just after i opened the request box, istg i love all your ideas so much it makes me feel full <;33
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GOJO SATORU. absolutely hates the way you try to see the good in people — specifically people who have hurt your feelings in the past. he just wonders what goes on in your mind to just forgive and forget everyone who has wronged you.
you did. but not him.
"baby, that guy called you names when you were in high school!" gojo whines, laying down on the bed, draping an arm over your torso, "why are you still willing to meet him?"
"satoru, he said he was sorry!" you smiled at him, tracing his features softly — the male grumbled but leaned into your touch, "and plus it's not nice to hold grudges, it's been what? how many years?"
a loud whine escapes his throat as he pulled you close, "it doesn't matter how many years it has been, he still hurt your feelings. and nobody does that to my baby," he said, miffed.
you couldn't help but to chuckle, "well, you are coming along, so i have nothing to worry about."
the male grins, "damn right i am coming, he better sleep with one eye open starting from now," gojo threatens.
gojo just cannot wrap his head around your concept of "forgive-and-forget" because you never hold grudges, you forget everything and still talk to people who've wronged you, and you still have the heart to accept them.
as much as people say "forgive and forget", they end up at least holding the tiniest bit of grudge — or even a bigger grudge, right? but you? you don't. you actually forgive and forget.
well — thankfully, not him. he takes his job to protect you seriously, from any kind of harm, including monsters (people who were mean to you) both in the past, present, and possibly the future.
"baby, can you stop hanging out with that one girl? the one who always wears the purple colored eye-shadow?" he asks you, wrapping his arms around your waist.
"hm? why?"
"i don't like the vibe she gives out. it's giving...well...cruella de vil." he murmurs into your neck, nuzzling his nose in content as you went on with your skincare routine.
"satoru," you mumbled, "you can't just judge her by her vibes."
he groans, "but baby, i swear i could just feel it! she's evil," he whispers in your ear.
"satoru."
"okay, fine. just tell me if she does anything to you, i'll give her a piece of my mind (hollow purple)." he mutters out, pouting and upset as you brushed his speculations off.
GETO SUGURU. he loves it and hates it at the same time. geto loves how positive you are against the world — and what more does he need, really? it's you and him against the world at this point, although he feels like he doesn't contribute much to your positive energy (that's what he thinks).
geto thinks of himself as a pretty negative person. and you know. the both of you had a lot of deep talks about everything, including what you both had in mind. and honestly, geto wasn't surprised if he hears you talking about how your life was going smoothly; and his was just a contradiction to what you have.
it's life, people come and go. but geto seemed skeptical of that term, why couldn't people come and stay? he finds it hard to believe that you could be the one leaving him at anytime of the day, and the thought just terrifies the male.
the death of amanai put a hole in his mind that couldn't be closed off, and it fucking scarred him. but you were there for him, you didn't sugar coat words or tell him white lies — you tell him everything, straight to his face, and your choices of words made him feel loved. what else could he ask for?
"'m sorry," he mutters into your shoulder, and his voice comes out a bit muffled.
you brushed his nape gently, "it's alright sugu, you know you don't have to apologize for being sad, right?" you tell him, pressing a kiss onto the side of his head, "it's okay to be a little sad."
sometimes he asks himself if he really deserved you or not. but at the end of the day; you always convince him that he deserved it.
geto hates your optimism sometimes because he watches people trample over you and you brush them off with a smile, it makes him feel angry. he asks himself why you were doing this to yourself? believe me when he tried asking you to try talking back, or putting up a fight.
"angel, you know it makes me kind of sad that you'd let people talk to you that way," he said to you, grazing his finger over your cheek gently.
you shot him a gentle smile, "'ts okay sugu, what good do i get from arguing back to them, really?"
he just pulls you into his embrace, nuzzling his face into the crook of your neck, saying nothing. god, he just wanted to protect you from the world — why does everyone have to be so fucking mean to you?
"will you be mad if i tell them off for you?" he asks
"depends on your methods, tell me about it."
"threatening them. if it doesn't work, violence." he mutters out briefly.
"sugu, no."
NANAMI KENTO. he doesn't mind it, he finds you endearing, really. a cat getting hurt? he'll accompany you to the vet with it. or a child crying because of a fall? he'll watch you help them without any single thoughts behind.
he just loves how selfless you are. nanami once read a quote, "when given the choice between being right or being kind, choose kind." and every time he sees a selfless act from you — he just kinds of chanted it in his mind, and tell you what, nanami is such a proud boyfriend.
nanami loves how you see the good in everything, a person spilled their food on you? you tell them mistakes happen. a person bumping into you and then blaming you for it? you tell them you're sorry and thought that maybe they just had a really bad day.
but sometimes he couldn't help but to worry over you — someone so positive, bubbly, and optimistic around people who (probably) have disgusting minds. when he's not around to keep an eye on you, he just worries that someone might took advantage of your kindness and throw it out the window.
and he wouldn't be there to stop it from happening.
"ken, i'm going to go out for a hang out. it's fine, i've got my friends with me!" god, the jitters that he gets whenever you mention your friends — he was never really fond of the friends you have now, especially since they were trying hard to earn his attention. he knows they were just using you.
the texts they sent to him behind your back, the shit-talking about you, and everything else. god, he wanted to tell you about it; but he just didn't have the heart to, because he knows it will break your heart.
although nanami told them off quite rudely, defending you — it baffled him to how they still try to hang out with you with no shame after. and he tried telling you about how he doesn't like them, but you tell him it was fine.
"may i come along then?" just the thought of leaving you alone with those people pisses him off to the core, if he can't stop you from being friends with them — he will be with you.
when you agreed, he made it his job to expose them as nicely as he could. and he succeeded, oh the ecstasy he felt when you finally told them you didn't feel like hanging out with them anymore.
(and he ended up showing you the texts).
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© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !
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cheriladycl01 · 3 months
Note
Could you do one for Checo with wife reader? He's not getting enough love. Just something fluff and romantic. You decide how it goes. Thanks!!
No es suficiente! Sergio Perez x ActressWife! Reader
Plot: Sergio having just married you wanted to show you of in the Red Bull Garage, but you feel so happy to be back after being so busy in your own career that everyone is dying to talk to you and someone gets a little jealous.
Credit to jamesvowles for the GIF
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It was your first time back in the paddock for around a year. You'd been away for a large period of time, between filming for an up and coming blockbuster and being in an ongoing TV show you had a tight schedule and only was able to see your husband when he had breaks.
He helped you scan your paddock pass and then placed a gentle hand on the small of your back.
"Are you excited?" he asks you as he looked over to you, the media noticed the pair of you walk through and were quick to snap pictures of your return to the paddock.
"Yes, I cannot wait to see everyone! I haven't seen Lance or Max in ages!" You admit, knowing you hadn’t really seen his friends in a while.
“Good!”
Before you know it you’ve been thrusted back into the world of F1, all the cameras and the people wanting to talk, the smells coming from the hospitalities and the cars. It was an introverts nightmare.
However, Sergio always knew you were a people person despite your social battery draining quicker than most people’s. You loved the hustle and bustle life that came with being on track and with Sergio.
Whether you were off chatting to Will Buxton about his latest Drive to Survive meme, or hunting down Crofty timo interrupt his grid walk, or chatting to the mechanics in the garage about the car, to finalise it all up speaking with Christian about Max and Sergio.
Today was a little different, you were feeling anxious where it was your first day back in a while. However the minute you and your husband walked into the garage he’d been whisked away along with Max by their race engineers towards the big bosses office.
You and Kelly not having seen each other in so long decided it would be nice considering it was media day and there was no actual racing if you guys rounded up some of the other wags and did a little shopping.
You guys ventured from Red Bull to some of the other paddocks on the hunt for the other girlies. You stumbled upon Lily, Alexandra, Rebecca and Kika who all decided they were down for some shopping to save the boredom that was media day.
You guys hit Milan central getting a train down from Monza. There were some fans around who excitedly asked for pictures. You guys all obliged before getting on with the day and going into the different high end stores.
By the end, you guys had taken the phrase ‘shop till you drop’ far to literally. You all travelled back to the hotel that you were staying in courtesy of the team in which their partner drove for. The bags were placed on the coffee table and sofa in the living area of the room.
Kelly had a separate room for her and P because she was doing a fashion show in Milan on the Monday and Tuesday after the races, so she had a lot of cases with her because of the clothes and shoes and just general space she would need. So when she invited you back for a girlie sleepover with her and P you couldn’t decline.
Sending a quick text to your husband who was still at the racetrack you left the room straight to Kelly’s which was only a few doors down. P answered the door which to Kelly’s dismay who was currently in the bathroom taking her makeup off before she could even get to the door.
“We don’t answer the door, it could have been a stranger Penelope!” She lightly scolds, the younger girl not caring to much and pulling you into a hug.
“Awwww hello P” you sigh hugging her back beofre picking her up and placing her on your hip.
“Are you going to let me do your hair tonight while we watch a Disney movie!” You ask and Ps eyes light up with excitement.
“Let me guess, the little mermaid?” You ask her and she nods furiously going towards the controller in the room to pull up what you assumed would be Disney +.
You spent the rest of the night with the daughter mother duo, doing facials, watching films and ordering an obscene amount of desserts from room service.
The next day you woke up and went to your room to see if Sergio would join you for breakfast but the room was empty, bed all screwed up and unmade showing you your husband had in fact come home last night.
You sit alone for breakfast which was nice, just to be able to think on your own thoughts for some time. Most of them being about your new movie, or the TV show and how to develop your character.
You took and Uber to the race track not wanting to be rudely late for FP1, wanting to support your husband. As you got there, running through the paddocks gates and mumbling profanities at the electronic gate which wouldn’t let you in after 4 attempts on your pass, you spotted Sergio.
“Hola, good night with Kelly?” He smiles at you, kissing your cheek lightly. You nod and open your mouth about to say something but his race engineer calls out for him pointing towards the garage entrance.
“Go, don’t want to be late on the job now!” You home and he just laughs lightly shaking his head before turning away and running out the the garage where his car was.
You stood with Kelly watching your boys drive. It felt like forever that Sergio was in the car, but again the minute he got out he was whisked away to a debrief with what went wrong with the car.
That was how the rest of the weekend went, whenever you had free time it felt like he was being taken away for important meeting, interviews and various media commitments and when he was free you were either on the phone with work or had organised to do something with the girls because you thought he was busy at that time but due to scheduling mixups he was actually free and refused to let you cancel on the girls.
It got to Sunday night after the race. Sergio had come in P2 behind Max and with Carlos just behind him. He’d had a great drive and you couldn’t have been prouder to celebrate his podium with him.
You were in the hotel room together, you’d just gotten out the shower and into night wear, he was laying on the bed, in his pijama pants and shirtless like normal.
You jumped onto the bed curling up into his side pulling him so as much as your skin was touching his.
“I feel like I haven’t seen you for ages mi amor” you voice before tilting your head that was laying in his chest to look up up him.
“Mmmmm No es suficiente!” He mumbles looking down at you. (It’s not sufficient!)
“What isn’t?” You ask perplexed.
“The time I had with you this weekend, not enough of it. I brought you here to spend more time with you and everyone didn’t want to see us together” he sighs pulling you closer with a pout on his face. On camera your husband didn’t seem like the clingy type but boy of boy was he.
“Argh you big baby, I’m not filming for another 5 weeks so your stuck with me all this time. This week was just unfortunate” you smile pulling him into a soft kiss which he quickly returns.
“God I missed this, just you” he smiles softly before pulling you into another kiss.
“Is this making up for it?” You offer smirking slightly knowing now that you were giving him the attention he was craving he was happy.
“Mmm im considering kidnapping you, so you have to spend all your time with me!” He groans pulling you over so your straddling him and laying in his chest on top of him.
“But who will be the lead in your current favourite TV show?” You gasp playfully.
“No way! Ellen Pompeo is leaving Greys?” He teases, knowing it would tule you up. You slap his shoulder lightly looking down at him.
“Mmmm im sure they could find someone to replace you if I kept you all for myself!” He teases again and you laugh this time.
“Mmmm and I’m sure if I kidnapped you Red Bull would too!” You tease back and he gasps in mock shock hand to his chest.
“Well seeing as we both seem to be staying respectively in our professions… I suggest we order room service!” You smile again, pulling him in for a kiss. He nods, rolling you off and getting up towards where the phone is on the desk. You watch as he used his hands to motion around as he talks to the receptionist on the phone.
You were so completely and utterly in love.
A/N: short and sweet! Hope you enjoy!
Taglist:
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artydonsgf · 23 days
Text
hi everyone here is art, tashi, and patrick with random headcanons i have of them<3 i have first time saying i love you headcanons coming up!
Art Donaldson
- incapable of fixing his face
- for example, if you guys are at a party n someone says something wild, he reacts SO viscerally
- literal whole body reaction
- extremely ticklish
- you found this out on accident, you were cuddling in bed and your foot poked him while you were adjusting yourself
- he reacted without meaning to and kicked you (not that hard)
- he felt so bad but you were dying from laughter, ofc he’s the ticklish type
- likes to bite you whenever you cuddle
- it started off as a joke but he genuinely loves to gently bite when you don’t expect it and hear your soft gasps in response
- it’s half because he thinks it’s cute n half because it kinda turns him on
- wants to impress you so bad that he’ll read up on something you like n then carefully drop it in the conversation
- he does it as nonchalantly as possible except it’s impossible for him to be truly nonchalant so he’s very obviously glancing at you with a small smile
- would unironically wear the i ❤️ my gf shirt
- little spoon champion
- likes when you’re little spoon but he LOVESSS when you’re big spoon
Tashi Duncan
- also totally incapable of fixing her face
- she can hide shock but she cannot hide dislike, if she doesn’t like something you will know
- hyperfixates on meals
- like she ate this breakfast wrap you randomly made for her for a month straight
- likes when you cook for her because she’ll stand behind you and hug you the whole time
- so dead serious about game night
- you are the love of her life but during game nights you are the enemy
- likes horror movies so she can cuddle up with you
- she’s not really that scared but it’s nice having you next to her when a jump scare pops up
- loves hand holding, she’ll seek out your hands n doesn’t even realize she’s doing it
- cute thing she does is she’ll craft backstories for random people you see walking down the street
- it’s hilarious because she gives very fleshed out background to people you see briefly
- “that guy? cheating on his wife with his secretary who’s also married and has a kid his age” she likes to make the stories messy
- will do anything to make you laugh, really truly obsessed with your face
Patrick Zweig
- he cannot whisper for the life of him
- sees a girl you had beef with in high school n he basically yells “oh my god is that the girl?? the one who had sex with your boyfriend??”
- it’s a mix of not caring n also just not being aware
- extreme tease but if you tease him back he’s heartbroken
- started doing this 👉🏽👈🏽 ironically just to fuck with you but he can’t stop doing it now
- “hey babe, can you please put my bag in the car?👉🏽👈🏽”
- it has consumed him
- extremely stubborn
- also very prideful, it absolutely kills him when he has to speak up n ask for something
- extreme staring problem
- if something crazy is happening in public, he’ll just stare even if it’s really obvious
- doesn’t let you carry your bag
- he can have 100 bags in his hands and he’ll still find a way to carry your little purse
just silly thoughts, enjoy!
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marvelobsessed134 · 2 months
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Just got done spewing some facts under a video supporting Priscilla and her “movie” I thought I’d share them here:
So many people here are uneducated and will blindly believe everything Priscilla says because she’s a woman and it’s edgy to hate on Elvis.
1. Elvis was never actually wanting to date or marry Priscilla he was with an actress very much his age that was back home while he was in Germany. He just saw Prissy as someone to talk to. She has so many issues with her yandere type fan tendencies being obsessive over a man she wasn’t even with in the first place and who didn’t give her a second thought
2. She did NOT hopelessly wait around for Elvis after he left she continued to play several different guys and she did have a very normal high school experience she went to dances and football games
3. Prissy’s father blackmailed Elvis into marrying her. Elvis did NOT want to marry Priscilla
4. Yes, Elvis cheated but not until after Priscilla cheated first with her dance instructor. She’d also call him while she was doing the deed so he could hear
5. Priscilla said herself the chair scene is highly inaccurate. Elvis was angry on the phone with the Colonel and threw a chair to the wall as Priscilla was walking in the room and he immediately apologized and said he didn’t see her come in
6. She constantly changes her story and her book she said herself isn’t accurate because she said if she didn’t make it dramatic enough it wouldn’t sell
7. For those who might say “she’s a child, she can’t do no wrong she didn’t know what she was doing” at 14 I was well aware of shit and what I did. And I know she did too she wasn’t some innocent angel
8. She’s an awful mother to Lisa Marie. Actively dated and let a man around Lisa that had said he had inappropriate feelings for Lisa when she was a child
9. Got with a married man who had a PREGNANT wife. Yes it’s also the man’s fault but she knew damn well he was married and his wife was pregnant
10. She cannot stop talking bs about Elvis cause he’s the only reason she’s relevant. In contrast to one of (what I believe to be) Elvis’ true loves Ann Margaret who only says nice things about him but she also had a career before meeting him
All in all, yes Elvis had some flaws but people spread misinformation about him all the time just like they do with Michael Jackson. Priscilla is no saint, she’s a lying gold digger who only cared about money in the first place. Not to mention she was laughing at Elvis’s funeral so if she truly was “in love” then why would she do such an awful thing by laughing? She continues to use the Presley name even though Elvis told her not to after they divorced and constantly spew lies and drop his name over and over again. She’s told her story countless times, this movie was slander towards a man who cannot defend himself. Like I said Elvis wasn’t a saint either but you need to take off the rose colored glasses and see both sides of the story. Thank you.
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tibbythetiger · 7 months
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Okay, so what I’m thinking is that Mike is a BoyFailure™️, he’s probably worked at every single place in town, or at the very least tried. I’m imagining, in his large job pursuit, he had a brief stint working at Sparky’s. This is how he and Ness meet, I imagine at first they start Mike out as a server, so he’s being trained by Ness. Ness, who yes, Mike thinks grudgingly, is kinda cute, if not mostly annoying (the guy never stops talking) and meanwhile, Ness is just enamored with someone who just lets him talk (again, he never really stops.) Over the course, of his training, Mike decides that maybe Ness is a little more cute and funny, than annoying, but decides not to bother even trying anything. He knows he’s a mess, and he has Abby (not to mention, he’s pretty sure he’s not going to be a server here for much longer, because as nice as Ness is, Mike cannot seem to pick up an ounce of that when he’s speaking to customers). They eventually do decide, that Mike cannot handle being around customers, and decide to put him in the kitchen, much to everyone else who works at the diner’s chagrin, because at this point, Ness has decided he also thinks that Mike is cute and kinda funny when he lets himself talk to people. A Ness with a crush is loud, flirty, easily flustered, and always in Mike’s space. This means Ness is always in the kitchen, and his service starts to slack, coupling that with the fact that Mike cannot seem to cook anything without starting it on fire (or worse, injuring himself) Sparky’s sadly lets him go. Ness is devastated, as Mike is cagey about personal details, and won’t give out his phone number so he’s sure he’ll never see him again. Because he’s overdramatic, he’s moping around the diner for weeks afterward; then he walks out one day to serve a table. It’s a cute little girl, sitting by herself drawing a picture. Ness is great with kids, and it’s obvious she’s probably waiting for someone in the bathroom, so he strikes up a conversation with her, even making her laugh when lo and behold, who sits down but his long lost love, Mike. At first, Ness is shocked, because surely this means that Mike was kinda shutting him down before because he’s straight, or maybe in a long-term relationship. But still, he bucks up, takes their order and as the two are leaving he tells Mike he makes a pretty cute kid. (Mike and Abby react pretty similarly to this as they did when Vanessa thought they were parent/child) From then on, Abby and Mike end up becoming regulars, and Abby adores Ness. He’s one of the few people she’ll talk to, and once she even draws him a picture of him, she and Mike (Ness and Mike both try to act like this is not a Big Deal, despite Ness framing it in his apartment)  Mike and Ness still lowkey flirt, and even exchange phone numbers (for Abby, is Mike’s reasoning, but Ness is so overjoyed he just brushes away the very flimsy excuse) As the events of the movie take place, and with Mike’s new schedule, they’re unable to stop in, and only exchange a few phone calls. (Ness does overhear the conversation with Jan, Max and her brother, he leaves vm, after vm for Mike but he never sees them, and then Jan deletes them when she’s at the house) I also am assuming that the diner is 24hrs, and Ness is one of the few servers, so he’s unable to watch Abby to keep the original plot of the movie progressing the same.  
That’s what I got for now!! I’m coming to visit this again and add some more for post-movie development, or maybe write this out as an actual fic!! If someone decides to write this themselves, please feel free to, just credit me and tag me in it so I can read it!! <3
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tossawary · 5 months
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Regarding "The Hobbit" film trilogy, even if I ended up personally disliking and resenting how much time and focus the elf characters (and others) ended up taking away from the dwarves whom I think deserved more focus as rich internal characters (I know that studio pressures are a factor in that terrible love triangle and so on), I still... vaguely appreciate the effort to create and include named female characters like Tauriel, when the book is sadly lacking in them. I think she's fine, actually. Comparatively, there are many other elements in these adaptations that I think are much, MUCH worse.
But still, if you want to add female characters to this story, the obvious answer to me seems to be to just make half the Company into dwarf women? (With similarly fancy beards and other facial hair! Because I think that's fun.) It's just... so much easier?
Do NOT come at me with that "dwarf women are rare" bullshit. Unreliable narration. Logistically unlikely. Also, if you believe that "men are the warriors and craftsmen, the women stay at home" is how dwarf society strictly functions (boring, honestly, on top of being incredibly sexist), I could argue that the Battle of Azanulbizar and other struggles probably left a significant dent in this dwarf group's male population, leaving behind many widows and mothers without children to pick up the work. The battlefields have come to and TAKEN both Erebor and Moria from the dwarves. I see no good reason why dwarf women would not have equal investment in reclaiming their home and the gold. Many of the Company are not presented to be formally trained warriors, anyway.
Now, ideally, we could do way queerer stuff in terms of both romance and gender here, but we know cowards with veto powers would not let this happen. Still, I feel like basic genderbending would have been a very doable move and is, actually, a very reasonable ask of an adaptation that would have added some depth to the story even if you didn't acknowledge the change at all.
Like, preferably, this would be an adaptational change that would be directly addressed. Maybe all of the Company appear male at first due to traveling that way (and assumptions made by humans and hobbits), then Bilbo might learn that some of the Company are dwarf women when he becomes closer to all of them. We could have a brief scene acknowledging that dwarf women are fighting these battles for their pasts and their futures too. It doesn't have to be a big thing! They can just be there. Existing. Participating.
I even think it would be fun if two of the dwarves were actually an older married couple traveling together, instead of brothers or cousins, because loving married bickering and battle couples are fun. You can have running jokes in the background about how Smaug's invasion ruined their wedding day, and going back and forth with "you never take me anywhere nice" @ each other whenever they're stuck in Goblintown or the Mirkwood dungeons. (I like seeing good marriages & partnerships in fiction and established couples going on fantasy quests together. I just think it's neat.)
But another (sillier) direction is that you could just cast some actresses in beards to play some of the dwarves, then leave the fact that some of these characters are probably dwarf women (traveling as men) as a fun detail for the audience. Bilbo is either too oblivious to notice or much too polite to bring it up at all. It's canonically compliant to the text this way!
Now, obviously some few people would have complained that Tolkien's work was being ruined by "political correctness", but they complained anyway about Tauriel (when there are MANY other bad choices in these movies), and what worthwhile arguments could they have possibly made against genderbending some of the THIRTEEN dwarves? Like, most casual fans I know cannot NAME the entire Company, who get so little character development in the book that the films had to come up with unique designs and backgrounds for most of them anyway. Bro (directed towards someone objecting to the idea of including female dwarves), be real, there's no way that you honestly cared this much about "Nori the Dwarf" before right now.
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olderthannetfic · 5 months
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i'm dumb and its actual hard to guess
--
Haha.
Okay, so... the big issue in minority languages, reviving dying languages, etc. has to do with their draw.
To keep a language vital, you generally need:
monolingual speakers
economic advantage
cultural power
Pick two.
Any language that has its own territory where it is the majority language that is used for business and entertainment and daily life outside of the home does not tend to become endangered. There are plenty of people who only speak that language or who at least preferentially use it and are far more competent in it. They can't and won't run off for other languages at the drop of a hat.
But when you don't have that... boy, you better have a lot going for your language or it's fucked.
People go where the jobs are. If you need English in order to eat, you learn English. Or Mandarin. Or Russian.
Grandma cares deeply about our ethnic heritage and the traditions tied to our ancestral language? Too bad. I'm hungry, the jobs are in a factory in the city, and I need a roof over my head.
My kids want to watch TV. They want pop music and movies and comics. They want to feel cool, not like losers in some dying backwater.
Why the fuck would they care what grandma thinks?
...
Until they hit 40 and they realize their entire heritage just got stolen by the big boys. Who even are they because they're not this majority they tried to join, but they're not the old thing either? Gosh, it might be nice to reclaim their own history, but grandma is gone and so is her language and it's far, far too late.
--
If you don't have the territory and the economic power, your only other option is coolness.
If you've got some hot culture people love, they'll want to learn your language. Native speakers will take pride in that language and keep using it routinely instead of relegating it to the kitchen and living most of their life in another language. Their kids will grow up wanting to speak it instead of beating a hasty retreat for the nearest source of jobs and blockbuster movies.
This is why you get initiatives to make entertainment media in languages like Irish and Welsh.
When the sheer might of English is right next door, you're not going to beat that in usefulness or economic opportunity, but you just might be able to strike back by making people care.
It is very, very hard to make people care.
--
So on AO3, which is largely in English, if you want your ASL fic to matter, the last fucking thing you should do is make it available in English. Other languages, even super globally powerful ones, just aren't so common on AO3, so those translations don't really make a difference in this context.
The ASL translation of an English-language AO3 fic is a curiosity.
An ASL original that English speakers cannot access is a middle finger up to language hegemony.
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Imagine if, while in the zoo, the tributes of the 10th hunger games had spent their time bonding and at some point kinda joked about escaping together? And they all thought out exit strategies and such and even the word they’d use as signal to initiate the plans. They discuss who’s good at what, jokingly dividing tasks between them, with Wovey, Bobbin, and Mizzen getting the task of “stay behind us and don’t die” because they’re the youngest. No one really takes it seriously, they just use the fantasy to escape their horrid reality for a second because it’s nice to imagine all of them can make it out alive, even if they know that’s not the case.
Then the arena bombings happen
Otto and Ginnee probably still die, since they died from schrapnel, but Panlo and Sheaf were far enough away to still be conscious and moving around (that last part is mostly because of adrenaline). Everyone’s caught off-guard, but someone (probably Coral) sees their chance and screams the word they discussed, and all tributes jump into action. Jessup and Lucy Gray still save their respective mentors, but because the tributes are working together the peacekeepers have been taken out so there’s no one to drag them away. Instead, all 21 remaining tributes book it as fast as they can and manage to escape the area before reinforcements arrive. They are now on the run, and cannot show their faces without getting shot on sight, but they’re alive and that’s what matters. Mizzen, Sheaf, and Treech are the best thieves of the group (Mizzen’s small and fast (he was just closer to the snakes than everyone else shut up), Sheaf is described as "a limber little girl", and Treech sneakily stole Dill’s water bottles. That’s my evidence. Also they need more love) and thus go out to scrap together anything that may be helpful.
They, being the overachieving badasses they are, get their hands on futuristic medicine to cure Dill’s tuberculosis faster than the real world ever could and help Hy manage his asthma (because it’s chronic, there’s no way they can find a cure for that just lying around even in the future). I say they’re overachieving, because Sheaf did the back handspring for food, Treech only died because of Lucy’s cheating (still getting 6th(movie)/3d(book) place, and he definitely would’ve killed her and been a real contender for the win if she hadn’t cheated), and Mizzen is 13. A 13-year-old got 5th(book)/4th(movie) place. I rest my case.
They use the newfound supplies to heal their wounds and disinfect them, Jessup doesn’t get rabies because I make the rules here, and things are good. They spend a while utilizing their unique skills to stay hidden until one of two things happen:
1) the mentors, who have gotten quite attached to their assigned tributes, fight for the games to be disbanded and rally the rest of the academy, leading to a better Panem where the Capitol and the districts become a functioning, not-dystopian nation again and everything ends well.
Or
2) the tributes manage to escape the capitol and flee into the woods, letting Lucy Grey lead them to the Covey because ain’t no way they can just go back to their own districts just yet. The covey, being nomadic, is the best place for them to stay until they’ve grown up enough to be unrecognizable from their child selves to anyone who doesn’t actually know them.
Either way, things are better. I wanted to share this because I’m sad that all these wonderful (fictional) children died for the amusement of genuine monsters (and those indoctrinated to believe district people are not people)
Edit because a lot of new people are liking this post: someone wrote it :)
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aetherdoesthings · 5 months
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Hey hey, am back again (the one who requested the movie headcanons)
I do have another request but I just got to say your impressive as hell. I had put in the other request just a day before it was made. Which is just crazy and the fact the headcanons were so accurate and good. Thank you for doing the last request once again.
Ok now I will get to my request now, just had to give that recognition 😅
I was wondering if you can please do, what it’s like to spread a morning with luffy, sanji, nami, and robin. How it would be like to wake up with them and get ready for the day with them. Stuff like that.
Thank you if you take this request, I hope you have a good morning 🫶🏾
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hey hey! welcome back! thanks for the compliment, i'm glad you enjoyed it and found it accurate!
forethoughts: i can't believe i hit 100+ notes one of my post 🥹. thank you all so much for reading my stuff even though it occasionally breaks your hearts! ahhhh. also gonna use this space to have an fyi for people who request(ed) me. i just finished eneis lobby!!! if you request something that's way after eneis lobby, i'm either gonna have to wing it (aka poorly write bc i lack context and i don't wanna google bc google = spoiler), or you have to wait patiently for me to reach that arc. sorry for any inconvenience! anyways back to the matter at hand.
notes: all gn!reader
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Luffy always sleeps whenever his body tells him to, so it’s not odd for him to suddenly disappear next to you while you two slept together. But ever since you two had gotten together, he would always make sure that he was by your side whenever you woke up. The moment your eyes open and consciousness rolls in, you feel a heavy weight on your body. Luffy’s fast asleep on you, his head bruised-no doubt from Sanji trying to steal food. You smile softly at him, petting his hair as you roll him over to his side of the bed, placing a kiss on his bruise as you look at him, admiring his peaceful sleeping form. Whenever you’re asleep, he’s awake. Whenever you’re awake, he’s asleep. You found this annoying, but seeing his sleepy baby face always washed your annoyance away. You would proceed with your morning routine as it is, and usually by the time you’re done, Luffy would’ve awoken, and smother you with kisses and whine about Sanji. Additionally, because now that you were with him and sleep with him (every now and then) at night, his hygiene significantly improved, so now he wasn’t always sweaty and covered in dirt!
Sanji is a gentleman, so of course he lets you steal the blanket at night, letting you snuggle up against him. Sometimes when you wake up, he’s not by your side, as he has to start preparing food for everyone, but you would always find a handwritten note and your favorite breakfast right next to you, as well as a rose in a vase on your nightstand. This was life with Sanji; he always had to be up at 5am, ready to cook every meal, while you always slept in. He’ll always make it up to you by giving you the best night, as he can never really give you the best morning, even though he tries his best. 
Nami loves to either big spoon or little spoon you. Either way, she craves the physical intimacy she can generate with you. She expects to either be treated like a princess one day, or absolutely spoil you with kisses the moment you wake up, and help you shower, get changed, etc. You cannot change my mind about the fact that Nami is a pillow princess, and will steal the blanket if she’s cold. You don’t mind it; in fact you're already used to this behavior, but you love it anyway, and she loves you for indulging her. Once she wakes up, she’ll kiss you on your lips, whispering a good morning as she snuggles with you. Once you’re awake too, the two of you get ready for the day. Nami spends majority of her time on makeup and clothing, while you simply shower and pick something nice to wear. Ever since you started dating Nami, you found yourself sitting down on a stool, Nami’s hand deep into your scalp trying to ‘fix your hair’, while making you look the most attractive person in the world (to her you already were).
Similar to Nami, both you and Robin will always wake up at around the same time, to say good morning to each other and be the first thing you see once you wake up. In the beginning of your relationship, she isn’t too keen on snuggling/cuddling due to her trauma and the hardship of opening up to others, but after a while of being with you, she’ll let you cuddle her and she grows to love it too. She always smells like fresh paper or flowers, a scent you’ve grown to love. Robin usually wakes up before you, and loves seeing your sleepy face buried in her chest. She’ll plant a soft kiss on your forehead, whispering ‘good morning’ to you. Soon enough, you’ll wake up, and whisper a ‘good morning’ to you. The two of you stay in bed slowly waking up, talking about your dreams and your sleep, then about what you were going to do/plan to do for the day. Robin loved talking to you and helping you achieve your goals, as nothing makes her more happy than to see you succeed. Everyday, she’d check in on you to see if you had completed your task you said you would in the morning, and always reward you with a special night. Ending your discussion with a kiss, the two of you get out of bed, ready to accomplish what both of you set out to do today.
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ijosten03 · 1 month
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Let’s talk about the sunshine court
Pt 2
THE TROJANS
I need to talk about the Trojans
Okay, so I’m not good at sports, I don’t like them so I know absolutely nothing about how sport teams work or whatever. My only reference for that were the foxes and the ravens (both not the ideal)
It was so weird seeing Trojans be nice? And having all of that stuff, like a gym for themselves and the court and so many people on the team, and actually be college students and not just players.
That last part, probably has to do with the fact that Jean is not as obsessed with Exy as Neil, because, although he feels the need to play and be amazing, he doesn’t love the sport. So a lot of Jean’s narration is not focused on Exy
But yeah, like the ravens are a cult, the foxes have A LOT of trauma to deal with, and like, their relationship is more aggressive, yes they care about each other, they would kill for each other (they would, change my mind) but they would also kill each other (sometimes)
And then the Trojans are just trying to manage being a student and a player, and they actually, you know, cool and clean the house, drink boba tea, go to the beach, worry about their classes, watch movies, listen to music.
Of course they all have their own trauma and stuff, like Lucas being Grayson’s brother or whatever Jeremy has going on at home. But they are still really nice.
And my favorite part? How they are so accommodating to Jean.
You need to eat healthy because they drilled that into your head? No worries, we will find a meal plan that works for everything
You need to be with someone from the team in all your classes because you are traumatized? Don’t worry, I will find you a list of who is in which class so you can always have someone from the team in your class and I will be in the only one that’s left even when it has absolutely nothing to do with my degree
You need to have a partner? I’ll be your partner
You had a rough day? Let’s go to the beach in my motorcycle, because life is still good
You cannot swim because they fucking tortured you? Don’t worry, I will find something else for you to do
Like, they just met him and loved him and showed him that he can live and not just survive
(I don’t know if anything I wrote makes sense, but whatever)
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the-cat-and-the-birdie · 10 months
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hi! i saw your post about how true the makers of atsv were to real-life brooklyn and i loved it so much that i just had to ask if you'd be willing to make a more in-depth analysis on that? i'm not from america but i adore the movie so it's very interesting to hear firsthand accounts about its authenticity from locals! ofc this is just a humble request and i completely understand if the answer is no <3
I'd LOVE to! The Spiderverse Series is honestly the most accurate movie of New York I've seen in my life - including live-action movies. I say that not just in essence but in everything. And Across the Universe takes it over the top. Like, INSANELY so.
Across The Spiderverse & It's Dedication to Cultural Accuracy [aka ATSV is so goddamn good I can tell you exactly what street Gwen and Miles went to Mumbattan from. It's that accurate.]
I'm a black, afro-latino, and a born and raised 'Brooklynite'. Despite there being thousands of movies of New York, I'd say less than 5 percent of them are in any way accurate or current. (Yellow taxi cabs are no longer a thing here really.)
But Across the Spiderverse defies that in every way - nailing it historically, culturally, and even by replicating exact locations.
Wanna see the Bodega Spot robbed? Cause it's a real, random bodega! And the building he goes into at the end - I can tell you exactly where it is, with 100% assurity. All by street signs.
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In the first scene with Spot we see him standing outside on the curb, looking into the store. On the corner there is a street sign that reads Fulton St.
Fulton is an actual street in BedStuy (Bedford Stuyvesant, pronounced Bed-St-eye), literally a stone's throw from my house. And they take it further.
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Although it can be hard to see, the other side to the left of it reads Nostrand Ave. Fulton and Nostrand is a very popular intersection in the neighborhood, mainly because there's a subway station for the A line located on one corner.
There's Nostrand and Fulton.
But if you turn to the other corner you see...A Bodega! Looks familar?
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That's the bodega Spot robbed.
99% of the people who watch this movie will be from New York. Even less will be from BedStuy. Even less will catch the split second sign on the corner, only on screen for only a few frames.
It took me 3 watches to notice. But I noticed. And my jaw dropped. How much that means is unexplainable. I've been on that corner, and the TacoBell across the street. And so has Miles. That's insane.
It doesn't stop there.
Spot enters the store, as we pass we see a sticker for 'WIC/EBT' on the cashier's counter. I'm not sure how common this is - but WIC and EBT standards for Welfare Benefits and Food Stamps. As you cannot buy warm food with Food Stamps (sadly), lots of bodegas advertise taking EBT for the deli sandwiches.
Nice shout out to the struggling families in the communities, I love a Bodega that takes EBT.
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We move towards the back of the store - In the Bodega while Spot messes with the ATM we get a wider shot, and another very insanely specific shout out.
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Behind Spot is a sign showing a Beef Patty (which I'll mention in a moment) and a sun logo called 'Sunny Patty'.
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This is a direct call out to a specific chain of Beef Patty shops in Brooklyn and Harlem called 'Golden Krust'.
I cannot stress how much of a niche reference this is! Golden Krusts only exist in low income neighborhoods - mainly in Brooklyn, Harlem, and the Bronx. If you're anywhere near Times Square or any place else New York shows choose to portray - you're not finding a Golden Krust.
Golden Krusts are store that is ingrained in Caribbean culture, which Brooklyn is full of - hence the adapted Jamaican flag up front. I grew up eating Golden Krust and I'd eat it more if they didn't close so goddamn early.
But it's there.
Once again, only a few pixels, only a few frames, but someone probably took 6 hours drawing that. For the 0.009% of the people who'll get the reference. Low-income, black New Yorkers - like me.
ATSV is so accurate that you can even find the exact spot in which Miles and Gwen leave through the portal.
But before I tell you where it is - I wanna talk about why it's so important.
It's important because one of the most famous Spider-man scenes in history is just plain WRONG to New Yorkers.
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This scene is ENTIRELY incorrect, and I knew it even as a child.
Firstly, based on the skyscrapers everywhere, this is solidly Manhattan. The train says Bay Ridge, which is in South Brooklyn, maybe 40 minutes away by train. So I'm going to assume this is the Q or B train, running through Manhattan. Which, okay they do, but -
There are NO elevated trains in Manhattan. The Q, like every other train, only goes above ground in Brooklyn and Queens. This is very clearly Chicago.
So he couldn't be doing this. It's a simple but HUGE fuck up. Any one born in New York will notice it because Manhattan just looks wrong with elevated trains.
And it would've been fine if they just set it in Brooklyn where Bay Ridge and the elevated trains actually are.
But instead they made generic Manhattan streets - so much so I can't even tell what neighborhood they're in. Do you see how this is such a problem?
Across The Spiderverse is animated. And they still put in the effort.
I can't tell you where Peter Parker is stopping that train - it ain't Manhattan - but I CAN tell you where Miles and Gwen leave for Mumbattan.
So let's go back to where we started. We're on Fulton and Nostrand both in BedStuy.
Throughout the fight, we see Spot and Miles go through a couple streets - most notably a very popular street in the neighborhood - Broadway.
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This happens twice, once while fighting Spot, and once when Miles and Gwen grab the hot dogs. They show this twice, cause this will be important for what we're trying to do.
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Now this may not make any sense to you, since it's just random streets, but I'm about to tie it together.
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Gwen releases the bug near an elevated train. When we see Miles and Gwen swinging, they cling to a train. Now, it's hard to tell what train this is but so far we know.
We're in Brooklyn
We're near Broadway
We're near an elevated train line
There's a station on Broadway called Broadway Junction. It serves the G line and the J,M,Z line.
When we see the train pass by, we get a glimpse of the model. Each train line has a slightly different variation, with some being a lot old. The one that passes is one of the newer ones.
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(Once again, very accurate, as those models do run on elevated lines)
And although we can't see the letter on the train, by that alone, I can guess we're by the elevated J,M,Z lines in BedStuy - near Broadway Junction. Easy. Now we just need to know what stop we're at.
Well, they tell us that too. Finally, When Spot heads into the building we get a glimpse of the exact street he's on - Bedford.Ave
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So I just threw a LOT of information at you - but look at this map of the J,M,Z line and hopefully it comes together
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At the bottom along the green line - we see Bedford/Nostrand Ave. Remember, the robbery starts us off on Nostrand. Let's move up the green line. We get to a part where the green line passes the brown and orange ones - the JMZ trains.
They connect at Broadway (Officially Broadway Junction Station). We see Broadway with the hot dog vendor there.
If we move to left of Broadway we see Marcy Av. - and if we look to the left OF THAT we see a faint white line heading north.
THAT line is Bedford Ave. Where Spot enters the building.
Because we know they're in Brooklyn, and we know they passed Broadway. Plus we know they're now on Bedford by an elevated train that runs newer models.
So from those signs alone we can definitely say that Spot is on Bedford Ave. and Broadway. Next to the JMZ elevated trains, two stops from Broadway Junction in Brooklyn.
100% that's the spot (lol). That's the only place Bedford crosses an elevated train. And as a New Yorker, I got that from this photo.
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Trust me when I say - we can tell.
By those short shots of street signs, we know that Miles started in BedStuy, swung north towards Broadway, then took a turn towards Bedford Ave in Williamsburg. And that's where Gwen plants the bug - and the place she returns to before going to Mumbattan.
Is that crazy? That's CRAZY. Percision accuracy that I have never seen in a movie live-action or otherwise.
All throughout the first scenes of ATSV - they are on actual streets, that are reasonably within swinging distance of each other, along actual train lines - with their stations accurately located.
That's INSANE. There was no need for that amount of detail, but they did it anyway.
There's SO many times in Spider-men movies where they'll start swinging in Queens, and then the next scene is like Upper Manhattan. They don't label the neighborhoods, but from buildings alone, I can tell what neighborhood it is.
And I'm supposed to believe Peter just swung 2 and a half boroughs in twenty minutes. I don't notice. But I NOTICE.
Here, Miles and Gwen are truly swinging accurate distances in the right amount of time. That's mental. And refreshing!
In a live action movie - they have NO excuse. Just film in the city, it's not like we're Gotham. And we give film crews huge tax breaks. In an animated movie - completely understandable. But they still said 'No, that's subpar.' and went the extra mile.
They didn't even have to show ANY street signs, they could've left it at the easter egg at the corner store.
But they didn't. Because they're telling a story about a Black kid from Brooklyn, who leaves for someplace completely unfamiliar. BedStuy is Miles' home, and they wanted to make it feel that way. So when he's not there - in the cold polish of Neuva York - you can feel it.
You can feel Miles leaving his warm, rich community when he lacks that community in the Society. In the movie and IRL, BedStuy is so full of color, with so many people doing so many things and sharing so many cultures.
And in the society, everyone is the same. There's no culture. That's dedication.
Because of a train in Spider-man 2, I was immediately taken out of the story. And because of train in ATSV, I was immediately brought in.
For once, it feels like they're swinging around a neighborhood - cause they are.
A Large Detail in ATSV:
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So I talked about Trinity Church - the real church that Peter Parker was buried at in ITSV - and how accurate the team got it to the actual building.
In fact, this is the spot where Miles is standing.
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Like he's standing maybe 20 feet AT most from this spot, you can see in the windows and spires at the top.
But I also wanna explain why this - and why the fact that Peter was buried there is SO important.
Trinty Church is one of the most famous historical churches in the United States. It was started by the first English settlers in New York. It's extremely famous, and extremely sentimental.
For reference - Alexander Hamilton and his family are also buried at Trinity Church, along with dozens of other important US historical figures - across centuries.
You can't just be buried in Trinity. It's a city landmark. The cemetery is full, small, and you CANNOT pay your way in. The church is extremely choosy with who they will bury there - and honestly, I don't think anyone has been buried there for maybe a century or more.
So for the city to bury Peter Parker's body in the most prominent church in all of the city, if not the country - that speaks VOLUMES.
Like I said in the last post, my father use to work at Trinity Church - and they're the whole deal. Candles burning everywhere, super quiet and devote. The church has catacombs under it, everything.
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They didn't just bury him anywhere. The people of New York went out of their way to give Peter Parker the most honorable burial physically possible within the city of New York.
The highest honor for any New Yorker. One reserved only for Spider-man.
Which I think was an amazing touch. Especially since Trinity is in downtown Manhattan - so anyone could come visit and pay respects.
Other Cultural Accuracies
Before we wrap up I wanna breeze through some other cultural accuracies that appear in ATSV.
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Miles stops to eat a Jamaican Beef Patty while in the Bodgea. I spoke about these earlier with the Golden Krust sign. Jamaican beef patties are these flaky pastries colored with tumeric, full of spicy meat. And they are very popular with the large Carribean community in Brooklyn - which I'm apart of :)
In the case, we see the Beef Patties labeled with red dots. But Miles seems to go for the only one without it.
I'm guessing the red dots indicate which ones are the spicy Beef Patties and which ones are the mild, and Miles grabbed the last mild one they had.
They draw it really well, especially while Miles is eating it.
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"Spider-man seems more Dominican." Genuine question - did anyone laugh at this joke in your theatre?
Because all three times I went, people laughed. The first time people LOVED that joke.
NYC, especially the Bronx has a HUGE Puerto Rican AND Dominican population - many times living side by side
And there's this kinda 'beef' in the same way Yankees fans have beef with the Mets fans (NYC baseball teams)
The best way I can describe the joke is that they're two very strong, very proud Spanish cultures that are often mistaken for each other - but Puerto Ricans and Dominicans can very obviously tell each other apart. Mainly because of the Spanish they speak.
So for him and his mom to have that back and forth, it's kinda an inside joke of Puerto Ricans and Dominicans getting confused for each other - but them being able to tell the difference.
His mom says Spider-man is Puerto Rican, but Miles corrects her - without backing it up with any reason.
It's like they can just TELL.
I don't know how else to explain the joke but its a very New Yorker thing to do - discuss that out like that.
Since a lot of us are the children of immigrants - it's knee-jerk to identify with your parent country and not this one.
If you ask someone in New York 'What are you'. Many young people (me included) would say "Oh I'm *parents nationality*." In my case, I say I'm Bajan and Peruvian. Even though I was born in New York.
Miles would say he's Puerto Rican though he's never been.
So them discussing where Spider-man is 'from' even though he's obviously a New Yorker is the joke.
Like - someone on the writing team HAD to be from New York to add that in cause it's so...oddly New Yorker???
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While swinging Miles and Gwen pass the B46 bus. Once again, completely accurate. The scene starts on Nostrand and Fulton. The B46 does indeed stop on Fulton St.
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When they're swinging, the movie accurately shows the new World Trade Center (aka The Freedom Tower) - which is the tallest building in the picture.
Also, the bridge to the LEFT is the Brooklyn Bridge, while the tall one on the right is Manhattan Bridge. Many people don't know there's actually two bridges. (There's more but those two are the main ones)
Good on them for showing both Bridges, both accurately placed as well
Fun fact: Trains run over the Manhattan Bridge - the Q, B and a couple others (beautiful - I love it when they do) but trains do not run over the Brooklyn Bridge.
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And lastly, when Miles and Spot are on Broadway, the school behind them is actually architecturally accurate for a Brooklyn school. So much so that design is iconic.
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______________________ So those are most if not all of the cultural accuracies in Across the Spiderverse!
I cannot stress enough how ridiculously bang on this movie is in terms of everything.
The team put in so much work, and it paid off. To me, at least.
I don't feel like Miles is some kid from a different alternative New York. I feel like he's a real kid in MY New York. From everything down to his Jordans (don't even get me started on how much Jordan's has a CHOKEHOLD on teenagers in New York. Like...it's a status thing. Even since I was a kid, everyone wanted Jordans. Jordans or Nike Air Force 1s. So having Miles wear Jordans is my favorite thing cause yea a kid from BedStuy would think those are flyest shit ever even though they're just regular degular Jordans lol. And you KNOW Miles 42 a sneakerhead. Look at those shoes. He aint creasing those)
This movie, is chef's kiss. It tops all other New York portrays - live-action or otherwise and I stand on that.
If you read this far, thank you SO much. I love sharing New York culture (and the cultures that make it what it is to begin with) and I'm SO happy I can share this stuff and hopefully help people appreciate the movie more too!
If you learned something or have any questions, I'm all ears!
And I usually leave a photo of Hobie here as a send-off but this post hit the photo limit LMAOOOOOO
Bye.
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