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#because i really don't think it fits his character and they already established he was a huge nerd in the first episode
dig-jules · 1 year
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you're telling me..... we almost got a movie... about TOS kirk and spock meeting at the academy...... and jim is roommates with mccoy.....
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AND THEY CHEAT ON EXAMS TOGETHER
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🚨🚨🚨🚨OFFICIAL YOUNG COWBOY MCCOY CONCEPT ART 🚨🚨🚨🚨🚨
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viviennevermillion · 1 year
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When you faint because of the heat
notes: new theme. i am speed. set during tamashina-mina and yasamina silk events. there's also no translation out yet at the point of writing this so I apologize if I accidentally fuck something up, i'm piecing this event story together from twitter threads and japanese-speaking mutuals exposing themselves to my annoying questions. varying lengths again because what is consistency?
contains: character x gn!reader, established relationship
characters included: leona, jamil, malleus, lilia
warnings: spoilers for new event, heatstroke
dark content creators & consumers dni
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Leona may have acted like he wasn't very keen on going home and bringing anyone from Night Raven College along, but he did care a lot about his homeland and he was feeling a little proud that he got to show it to you. He just wished he wasn't the loathed second prince while doing that. The others? It didn't matter to him if they enjoyed their trip. But you were his significant other and he wanted you to have a good time. So if he already had to go back to the Sunset Savannah? He might as well bring you along. He didn't want to admit it but you brightened up every moment at least enough for it to be tolerable for him. And even though he felt like the trip was going to be quite the hassle, he was looking forward to it at least a little bit in the aspect that he'd get to spend some time with you in his homeland. Maybe he'd even show you the palace. The others could wait outside.
You wandered the plaza with Leona and the others, sneaking your hand into his at one point. "Careful, y/n~", Leona teased and looked at you with his signature smirk, "the people of Sunset Savannah still don't know I have a significant other, we don't want anyone from the royal guard to tackle you for your affection now, do we? They might throw you in jail and then you'll never get to see me again." You rolled your eyes at your boyfriend. "If you weren't the prince, I'd dunk you in the fountain." "So violent, huh?", he said with an uncharacteristically dramatic sigh, "drowning in the fountain built to commemorate my beloved nephew would be a fitting end for me, huh?" You poked his side. "I'd be foolish to believe I could get rid of you by drowning you in a fountain", you joked and now Leona took your hand in his for a moment and squeezed it gently, still smirking at you.
"Could you people stop flirting for two seconds?", Vil looked at you both with a disappointed expression. "This is their version of flirting?", Lilia put a finger to his chin in confusion. "It is and I hate it", Vil replied dryly.
All of you noticed that it had become even hotter in the plaza and none of you were really dressed for the occasion. When Jack fainted, Leona was shocked and needed a moment to process what was happening. "Y/n, could you hand me the water you packed? Y/n...?", Leona turned around to see you unconscious in Vil's arms after he had caught you. "Oh for fucks sake", Leona held his head.
He made his way towards you. "Move, prickly queen", he hissed at Vil and picked you up from the ground bridal style. Vil stared at him like "tf did you just call me?"
"This really isn't the time to get jealous, you know?", Vil sighed and Leona carried you to the shade as the others helped bring Jack there. They could see Leona seemed a little distressed over you fainting though. He put you down on a bench and sat next to you, waiting for you to regain consciousness before he helped you drink some water.
"Ah shit, how are we supposed to win if y'all die on me like a starving gazelle with three broken legs?", Leona growled and rubbed the back of his head. Despite his annoyed expression, anyone who knew him well enough could tell he was worried about the two of you.
"Do you think you two can walk with us or should I call the corpse wagon?", Leona asked about your condition, ignoring Vil's sarcastic commentary of how charming he was yet again.
At the hotel he has you sitting sideways on his lap and resting against his chest. His tail is wrapped around your waist and he holds your cheek with one hand before pressing a kiss to your forehead. He looks up at Vil and Lilia smirking at him in a teasing way and Kalim letting out an "aw" sound.
"Fuck you starin' at?", Leona commented dryly. "I'm sorry", Kalim apologized and looked to the ground.
Jamil was glad you were coming along because not only would he get to show his homeland to you but you would always cheer him up and help him relax when he was feeling too stressed with his responsibilities. When he joined you in the evening after a long day of running after Kalim, you'd sometimes massage his shoulders or kiss the tension away. He'd need that today, he mused. He'd make sure to show you all of his favorite things about the Scalding Sands in return.
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What he wasn't expecting was for you to faint from the heat. If anyone was an expert in keeping people safe and comfortable, it was Jamil. He had warned you about the harsh desert heat. Repeatedly. Yet it had still happened.
So now that you had fainted despite him making sure you're hydrated and otherwise protected from the sun, the only thing that was left for him to do was to make sure you'd get back on your feet as soon as possible.
It wouldn't be Jamil if he didn't bring a first-aid kit so he uses anything in there that could possibly help you.
He ignores Kalims worried commentary of the situation and makes sure you're provided with the best possible support.
Kalim orders food for you specifically so you get your energy back.
Jamil has an arm wrapped around you and makes sure you drink enough water. When the food arrives, you enjoy the exquisite meal. "Out of all things, you had to order a gourmet lunch that's more expensive than a street food vendor's entire shop?", Jamil stares at Kalim with his typical half-lidded expression, "you know a wet burger would have been much cheaper and been here earlier right?" You immediately stop eating, still having a bite in your mouth while staring at your boyfriend in shock upon the realization of what Kalim had ordered for you. "Just eat it now, Kalim is just like that", Jamil sighs, gesturing for you not to worry about the cost.
Jamil presses a kiss to your forehead and holds your hand as you continue your trip, urging you to take things slow for now. He stays by your side and keeps you safe. Once you're wearing the outfit Kalim's family had specifically prepared for his friends, Jamil at least doesn't worry anymore about you not being dressed appropriately for the desert climate. "You look beautiful", he squeezes your hand and presses a kiss to your lips, relieved you're safe and seem to be doing well.
Malleus is so hyped when he not only gets to go on a trip to the Scalding Sands without his retainers but gets to be with you on top of it all. It's like Halloween and Birthdays and International Gargoyle Day (something he may or may not have made up) in one.
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If he's waiting for three hours in front of the dark mirror before the trip out of sheer excitement you can bet you're waiting with him. "They're not going to forget about us, we don't have to get up at 4am for this, Mal-", you protested as he dragged you out of bed to get ready for the trip.
He wants to share every moment with you. The trip has barely begun and he already feels like these are going to be memories he'd treasure forever.
When you faint because of the heat, he's super worried. He catches you and holds you in his arms with a panicked expression. So terrified he's losing you for a moment. "Viper, y/n is dying", he calls out with noticeable fear in his shaking voice. The people around you are raising an eyebrow and staring at your group. "They're not dying", Jamil corrects Malleus hastily and tries to signal to the concerned spectators that you were going to be fine, "they've just fainted from the heat. Let's get them somewhere in the shade and provide them with water."
Malleus nods and water droplets start forming from thin air everywhere around you. "Not with magic", Jamil gestures wildly and is happy to see the car Kalim called arrive, "we brought bottled water. No. more. magic." Jamil is so stressed out already, he's glad when you wake up again because that makes him avoid more fun surprises from their royal guest out of worry.
The thing is that Malleus getting into a relationship with anyone is not something to be taken lightly and could have a huge impact on the political landscape of Briar Valley so until you're sure you actually want to rule over his kingdom with Malleus, your relationship unfortunately has to stay a secret. Which means none of your classmates except for Lilia, Silver and Sebek are actually aware you two are an item.
"You're all seeing this right? This is not a mirage?", Cater whispers audibly with a shocked expression while in the limousine. The reason for his bafflement is Malleus gently holding you in his arms while you were resting and recovering from your heatstroke. Malleus holds Twisted Wonderland's equivalent of a Capri Sun, letting you drink from the straw while he had an arm wrapped around you. There was still worry in his voice and he would have loved to be alone with you right now to give you some affection in order to cheer you up.
He stays super close to you throughout the rest of your trip to make sure you'll be okay because you really did a number on his poor inexperienced heart.
He's simultaneously so relieved you're okay that he's even more affectionate than usual. He shares one of those melons with you and says it's so your love lasts forever. ❤️
Lilia was so excited to take you on this trip. The last time he visited the capital of Sunset Savannah, it hadn't been urbanized yet so he was looking forward to exploring the modern metropolis with you and being able to provide you with some stories and trivia about the past during the trip.
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Lilia himself is pretty sensitive to the sun and he definitely warned you about the heat.
Nevertheless, you faint early on in the trip due to a heatstroke. Did I not pay enough attention to them?, Lilia asks himself as he carries you to the shade.
He thinks it's unlikely anything too bad is going to happen to you but he's still worried. He holds you in his arms the whole time until you wake up. He gently rubs your wrist with his thumb and kisses your forehead gently. You come to your senses not long after, your eyes flickering open and looking into the face of your lover who is giving you a soft smile. True love's kiss, Lilia mused and chuckles.
"We were quite worried about you, dear", he pats your head, hugs you and Kalim hands him the water bottle. Lilia helps you drink if your hand is shaking and you struggle to hold the bottle on your own.
He raised Silver and one overgrown dragon fae, he knows how to take care of someone, so you're in good hands unless he brings up his cooking. Then it's time to hit the bricks.
Lilia has an arm wrapped around you all the way back to the hotel, so you have some support if you're still low on energy or feeling a little dizzy.
He makes sure you get something to eat and drink enough water once you're back at the hotel.
He holds you for a while and kisses your lips gently. "Don't scare me like this again, okay?", he chuckles as you nuzzle his neck and hug him back.
He'd let the medics do a check-up and he'd be really happy if you're in the condition to continue exploring the capital with him and the others but if not he vows to take note of everything that might interest you and show it to you before you go back to Night Raven College.
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sukinapan · 6 months
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honestly would be pretty interested in hearing about all of them, if thats alright
it's no problem o( ❛ᴗ❛ )o i like talking about this
for context, apart from making personal art i'm also an artist and character designer at Smarto Club, so I don't know if these count as OCs but i have posted art of them here: Haco from >Bubblegum Galaxy and Teacup from >Teacup.
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you can check the steam pages on those games for more info if u like. i love all my characters but i don't usually make personal art of these two since i already do it as my job.
my newest Smarto Club character is a bit different since she's more in the style of what i'm doing personally so i want to make more art of her soon. her name is Abigail:
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she's a kid who likes reading about bugs and catching them but she never hurts them : ) this is a short game in early development but it's about catching creatures called angels. it's got horrorish vibes but i don't think the end result will be full-out horror, since it's also kinda silly...
then there's Peklo, it's a game for which i created the whole concept and story but the plan is to develop it as a studio at Smarto Club. i wrote more context for it on this post, but for the characters, they're my favorites to make art about at the moment. the main ones are Kiku (the cat) and Mi (the bunny):
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i recently created these human forms of them for fun but i'm not sure whether i'll establish them as canon or not... they're trapped in limbo/hell so there's space for them to have a past human form. they don't remember their lives but Kiku feels a deep sense of regret about things unkown to her and wants to break out of Peklo. Mi feels trapped in an eternal sadness, she longs to see the ocean, she can always hear it but has never been able to reach it.
the antagonist in Peklo is a frog entity called Guppy but i haven't really shown him outside of his froggy logo
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i also have OCs from my smaller games. there's Hlina that i created specifically for >this game that was commissioned to me for a zine. i don't have any plans to use her again for now but i might make more art of her in the future for fun. she's part of a strange dream realm and is hostile to the player:
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there's iro from the >game with the same name who's my oldest game OC. i created that bitsy game for her story but she existed previously in my art degree final project, it was a version of the same story but just a section of it. it's a dream of mine to create a full-fledged 3D game for her some day.
she's a bit of a defective space exploration robot, sent to explore planetoid Iridium-3 in search of human contact. it's set in a future where humanity has dispersed among the whole galaxy so lots of groups have lost contact with each other.
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my latest game OC is Michtat, a wizard cat that i created just for this silly zine.
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lasty, there’s the characters from my comic that I’m working on, called The most distant planet. the main characters are Victor and Mitya, two 9 year olds whose families end up living together.
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i'd say these are the dearest characters to me of all. i don't post as much of them because they're mostly in the shape of comic pages and it doesn't spark as much interest as my games. i love drawing them though.
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they’re both little weirdos who isolate themselves and don’t fit in much with other children, so the friendship they develop is very special to them. they have almost opposite personalities where Victor (darker hair) is very shy and dorky but also very sweet to everyone, while Mitya mostly gives 0 fucks about what anyone thinks or says, he blurts out whatever he’s thinking and just wants to run around wild.
the story is mostly slice of life-ish but there’s also a science fiction element ^-^ Victor is obsessed with things like ghosts, aliens, etc but Mitya thinks it’s all just dumb tales.
another important character is Alyosha, Mitya’s 17-18yo brother. he doesn’t know how to talk or relate to his little brother and is kinda weirded out by him. they where very close when they were younger, but when Mitya was 2 he had an accident that Alyosha feels guilty about, and has been somehow different ever since.
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he still worries about his little brother and how isolated he is, though. at the beginning of the story the two of them live alone with their grandma who does love them but has kind of a cold and distant personality. 
Alyosha was the type of kid to be considered “gifted” but now feels completely burnt out and had to repeat a grade at school. he felt so humiliated by this he eventually stopped going entirely, so he now works part time and just studies at home. he cut contact with his old classmates but he still has 2 best friends from the last few months he spent at school in the grade below, Manon and Min Na. they’re the kind of friends who just show up unannounced at his house and job, and are very involved with his family’s life.
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i’ve also included Min Jie in some art, she’s Min Na’s younger cousin and comes into the story later:
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i should have like character sheets and stuff for all of these OCs but i’m the kind to just jump head first into drawing/modeling lol, that's why i included all these finished illustrations.
i really wanna publish this comic, i’ve been working on it for a long time and i’m currently waiting for the results of a public funding application here in my country to decide what i'll do next.
hope this could be of interest (^人^) thanks for the ask!
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sustinentiae-spei · 14 days
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Sam/Rosie (Book vs Movie)
There's a post going 'round with a lot of notes about the difference between Sam and Rosie's relationship in the book vs the movie, and I wanted to share my own thoughts.
It's undeniable that Sam and Rosie's relationship in the movie is different from in the books...but is it actually worse? Let's discuss!
Facts.
In the book, we know that Sam and Rosie are friends; we know she's willing to wait for him; we know that after he comes back, they then get married.
In the movies, we know that Sam and Rosie admire each other but from a distance; we know it's only when Sam returns that he has the courage to ask her out himself; they then get married.
These two scenarios are different, yes, but which one is better?
I actually think the second is better, and here's why.
Shallow vs Deep
The original post suggests that Sam and Rosie's relationship is more "shallow" in the movies, but this is an assumption. An understandable assumption, but nonetheless only an assumption.
Consider this: what if Sam and Rosie's years of friendship was based on only what we see in the books: they hung out with her brothers in a mutual group and enjoyed splashing around the rivers together?
That's...fine. But there's no depth to this. They were just hanging out and eventually developed a mutual crush - maybe due to nothing more than proximity and familiarity.
Alternatively, consider all the possible reasons why Sam and Rosie could admire each other, even from a distance. Maybe she admires him for his steadfastness in caring for Bilbo and Frodo and for refusing to care about the gossip of other hobbits. Maybe he admires her for her determination to create a safe and hospitable place for hobbits to rest and for her ability as a barmaid to listen well to other people.
There actually would be quite a bit of depth in that scenario.
The reality is, we just don't know which scenario has more depth. Either could have quite a bit of depth; either could be shallow. It's really up to us to fill in the gaps as we like.
Impact
So if neither is objectively more shallow or deep, why do I prefer the movie's ending? Simple: because of what it adds to the story - the significance, the impact.
In the books, Rosie's steadfastness adds because the Shire has been torn apart. The Shire is heartbreakingly upside-down, yet Tolkien gives us Rosie to hold onto: she is still the same, and she and Sam are able to get married at the end even after everything, giving readers much-needed comfort.
But in the movies, the Shire is tranquil. We already have the comfort of everything being the same back home (though with an additional discomfort of no longer fitting in). To have Rosie and Sam already basically established wouldn't add anything.
Instead, we see it is Sam's adventure that gives him the courage to finally pursue her, and this adds so much to Sam's character. Sam, who is so self-deprecating, who doesn't get fancy titles like the rest of his friends, who generally does not see himself as a hero.
What does it tell us if, prior to the adventure he felt unworthy of her, but now after the adventure he feels worthy of her? It tells us that Sam finally sees himself as heroic.
And that is a wonderful, wonderful thing.
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azullumi · 1 year
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wanderer — love in strings and songs ☆彡
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summary — just you and him, together, as he rambles about the things that he loves.
pairing — wanderer/gender-neutral reader
tags — fluff, established relationship, modern au; oneshot
word count — 700+
note — sleepy anon's ask from earlier had me just doing this. literally no thoughts, brain empty, just wanderer
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"And no, I am not exaggerating when I say that they are the modern reincarnation of Mozart himself so I don't understand how—Are you even listening to me?"
He pauses mid-sentence, looking at you with his eyebrow raised. Sitting on top of his lap, you straddle both sides of his thighs as you hold a pack of stickers on your hand, your other attempting to place yet another one on his forehead while you listen to his rambles. You hum, pressing it on his face, before responding, "Of course, I am."
Doubt crossed his face and it was evident that he didn't believe you, "What was I talking about then?"
"About how you think this artist that you like should have more recognition than the ones that are mainstream nowadays?" You respond, your hand searching yet for another sticker but the pack was already empty and there was nothing left to put on his face. Bummer, but looking at him, at the images that decorated his pale complexion, you think that was already enough.
"Well, at least you are paying attention somewhat. Do you agree with what I'm saying though?" He gazes deep into your eyes, emotions of tranquility swirling in his own like a calm wave on a shore, as he wraps his arms around your waist, linking both of his fingers, which leads you to being locked in his embrace.
"Hmm… I can't say anything on that especially when I haven't listened to any of them but if you say that they're better than this one, then sure, I agree," You just relax in his cradle, leaning your body against him as you rest your chin on top of his shoulder, and he, too, does the same. He lies his head on the dip where your neck meets your shoulder, his breath warm and ticklish against your skin.
He just hums in approval upon hearing what you said as if your answer was sufficient enough to his ears.
"You should give them a listen. They create such amazing music, I'm sure you will love them," He murmurs, loud enough for you to hear as he pulls you, pressing you much closer to him, inhaling and being intoxicated in your scent. You only gave him a hum and a silent nod as an answer, closing your eyes and indulging yourself in the intimate feeling of being so close to him.
This moment was romantic itself, save for the fact that he has hello kitty stickers stuck on his face—and he wishes he could take it off, however, he's way too comfortable in this embrace; you fit yourself perfectly in his hold and he doesn't want to move nor break away from you.
"When is your next performance?"
"Next week, are you going to watch?"
"Can I?" You answer, parting yourself away from him to take a look on his face, adorned with pink cartoon characters to which you decided to take off before he gives you a look of disappointment once he sees what you did to him.
"Why are you even asking that when the answer is so obvious?"
"I just wanted to hear you say it."
"Say what?"
Taking off the last sticker on his face, you smile at him, mischievously, before responding.
"Say that you want me to come."
"Stop playing around," You ignored the way he grimaces.
"Say it or else, I really won't watch," You threaten, knowing for the fact that you'll still go and watch him perform anyways even if he'll never say it. You just wish to tease him, to see the light shade of pink tinges his face as he hides the way he shys himself closer to you, a curse escaping his lips.
"...Fine—" He stills, silent and you wait until he speaks, expectation and enthusiasm etched on the expression of your lips and cheek. "—Will you watch me next week?"
"Why?"
"Because—fuck—I want to see you there."
And your smile then curls into a wide grin and he could say that your expression was as bright as the sun with how it beams, "Where's the magic word? Please?"
"..."
"Okay, okay, chill. I was just messing around," You pressed a kiss on his forehead as a form of apology for teasing him too much and you couldn't miss out the way his wrinkled visage soothes.
Silence didn't even last for a second when you spoke once again:
"Do you think you could let me do your makeup sometimes?"
"If you don't mess up, go ahead."
At this point, he just lets you do as you please.
— navigation | masterlist
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evilbihan · 2 months
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Alot of people see bi han as the jealous/possesive type what's your thoughts on that?
Bi-Han is not the jealous/possesive type
I'm so glad you asked because this is another popular mischaracterization of him that I just don't understand.
As grandmaster of his clan, Bi-Han has a reputation to uphold. He knows that and he wouldn't take the risk of dating someone he can't trust to be absolutely loyal to him as it could make him lose the respect of his fellow Lin Kuei if his partner ended up cheating on him/leaving him for someone else. However, that would not make him overly jealous, just more hesitant to enter a relationship. Bi-Han would never date someone he doesn't fully trust. Therefore, if the relationship is already established, it means he already knows that his partner is trustworthy and that there's no need for jealousy.
In fact, I feel like Bi-Han would hate jealousy. After all, there are plenty of women in the Lin Kuei and it would be exhausting for him to deal with a significant other who would get jealous every time they see him interact with one of them. Cyrax, for example, seems to be a close friend or at the very least a trusted advisor of his. Bi-Han is also allies with Nitara. He would be interacting with other women quite often and he would expect his partner to have faith in him. In return, he would have faith in them, too.
Bi-Han wouldn't mind it to see his partner interact, spend time or be friends with other men either. Unless there's a solid reason for him to get jealous, he wouldn't care much about who his significant other spends their time with.
Besides that, Bi-Han is a very confident and arrogant man. Let's face it, he would probably find it hard to believe that his partner could even want anyone else when they already have him. Insecurity often manifests as jealousy and Bi-Han is certainly not the insecure type.
I also don't see him being possesive. All that edgy "You're mine." wattpad nonsense that can often be found in reader insert fics really doesn't fit him. It's just so out of character for Bi-Han to act in that way. This man thinks very highly of himself. He wouldn't waste his time trying to convince anyone they belong to him. If they can't see it for themselves, it's their loss, not his. Someone worthy of his affection will value and cherish their bond with him. Again, possesiveness screams of insecurity and that's just the opposite of what Bi-Han is. He would be fairly casual as a partner because he knows he doesn't have competition.
Sorry, this turned out much longer than I thought it would, but I hope it answers your question!
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babyrdie · 2 months
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Achilles if he was the Champion on Olympus instead of Theseus and Asterius, inspired by a fic (by @baejax-the-great) I read recently.
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I ended up drawing Achilles because I wanted to train more metal and Patroclus in this fic doesn't have much metal in his design. Maybe I'll try to do Patroclus too, but I can't promise anything because trying to imitate Hades has already taken me a long time for a train.
I tried to use Hades' style as a kind of observation study. Honestly, I already knew it was going to be difficult all along because I don't have stylization as my strong point, and also the style of this game seemed so unique that it gave me the impression that it would be difficult to replicate. All said and done, it really is. Even if I cheated by establishing a firmer pose on Achilles to avoid the need to draw a good gesture, it doesn't change that the rest is still outside my comfort area.
My conclusion was: the head is the hardest part for me, which I didn't expect. My facial style is very different from Hades' style, so it complicates my life. Plus, using just one brush for the whole thing is surprisingly good. I should practice gesturing instead of avoiding it.
And here I'm going to put some notes about Hades' style that helped me try to replicate it, but that's it: in Jen Zee's case, perceiving characteristic X is more complicated than doing characteristic X! I still think I need to train a lot to really be able to replicate it, especially in the head area. I don't know if this counts as a tutorial of sorts? But that's it, expect lots of images and explanations from here on in this post.
SHAPES
You can easily see "geometric" aspects of the drawing. It's easy to "disassemble" characters into shapes, which is a kind of basic concept often used in drawings.
I think that trying to be "sharp" is a good thing, as most of the shapes I saw on the characters were more sharp than rounded.
I got the impression that Jen Zee focuses on the macro and then goes to the micro, not micro for macro. In other words, she first establishes a visible and well-made shape and then cares about details.
This is very good in terms of anatomy, because a common mistake artists make, for example, is to care too much about detailing things like the face and muscles instead of creating a well-done silhouette. It turns out that the detailed parts are realistic, but the character as a whole has questionable anatomy. Typical case of a perfect face, but too big or small for the body.
I think the most obvious example of Hades' style is its hair. There is no separation of hair strand by strand, but rather making a large, recognizable shape that will later be further molded.
LINEART
The line is always black. Don't paint!
Lineweight: the outer line is thick but the inner lines are thin. There isn't much more line weight variation other than that.
It's mostly consistent but, in some parts, it's purposely interrupted or less polished. It's nothing so noticeable that if you do it completely polished it will greatly affect the result, but if you intend to get as close as possible I would advise you to purposefully "fail" in some parts.
Even with these "flaws", it's a CONFIDENT lineart. This means that you will have more luck copying the style of making your drawings in firm, quick strokes at once rather than slowly retouching stroke by stroke. Draw a line and if it looks bad, just do it again. I don't recommend drawing over it to fix it.
I don't know if this fits in line, but I'll put it here. There are some random lines of striking colors here and there. At first glance, you don't even notice them, although they actually help the drawing stand out, but they are there.
COLORING
Color blocking is your friend.
Don't use blending tools, and use a hard brush and hard eraser. I used one of CSP's default brushes for the entire drawing. It's a style that doesn't require fancy brushes.
From what I saw, Jen Zee doesn't paint this style in grayscale but directly in color. If your fear is getting the color wrong, using layers is a faithful companion because it's easy to change a specific part.
It's IMPOSSIBLE to do the Hades style without inking, which is that part where in the traditional drawing you would apply the ink. In Hades, this is visible in the parts that are shaded black.
Inking is MAINLY used in areas where there is less light, such as the neck, but it's also widely used on metal surfaces.
Don't insist on gradients and blurring the drawing! The shadows here are more solid, quite easy to point out where they start and where they end. In some parts, the transition is made by putting an "edge" on the shadow in a tone that is between the shadow tone and the base tone, not by blending. In others, there is no transition at all. Faces, in particular, seemingly have no transitions.
In the illuminated parts, I particularly found it easier to use rubber to shape them. First paint straight and then start erasing and making the shapes.
Highlights are very important in this style, and they are generally in a more saturated tone.
It seemed easier to follow the order of base color > lighting than base color > shading. That is, first paint in the darkest tone and then add lighter tones instead of painting light and then making it dark.
-Use of complementary colors and analogous colors in certain palettes.
Color picking can make you a little insecure about the base colors, but trust the process because color theory is crazy. The base skin tone of Achilles in Hades is a yellow that is strange at first glance, but together with the other added tones it simply looks like a normal tan. Believe me, I was surprised at first! But, sure, it doesn't all have to be color-picking.
SOME EXAMPLES IN IMAGES
And now trying to explain what I already said, but visually. If you look at the images, I recommend zooming in. Very simple images because some of them were actually loose studies and not something made with the intention of posting so don't expect anything beautiful lol
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fontasticcrablettes · 7 months
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not sure if anyone's asked this before, but
a common criticism of Vesperia is that Yuri is never really punished for the vigilantism conflict, but I feel that the fandom's proposed solutions are too extreme or boring without much regard for his established character
have you ever had ideas on how you'd rectify this? whether it be a rewrite of certain parts of Vesperia or fanfic ideas
I've definitely thought about this before. I think the issue is that the game tried to address it with Sodia's attack on him, but due to the change of writers between acts 2 and 3, the payoff for that never really happened.
The set-up is there. Yuri spends act 2 inflicting his justice on those he has determined have escaped justice, and the act concludes with Sodia enforcing her own justice on him. But then act 3 comes, and those ideas are never really brought up again. The closest we get is Yuri calling Sodia out in Capua Torim for not carrying through her resolve and giving up on Flynn despite her earlier dedication to him. This could even be interpreted as "Yuri's vigilantism was fine actually" because the lesson he seemed to take from it was "If you're going to kill people, commit to the bit."
I've had a few ideas about addressing this. Disclaimer that I'm a novelist, not a game writer, so my thoughts are around what would work if this story was a novel and not necessarily considering gameplay needs.
The first consideration is that I don't think the game ever intended to 100% condemn Yuri's actions. Rather, I think they were going for a middle ground between his and Flynn's methods. Neither purely solo vigilantism nor a single man rising through the ranks and taking control of the Knights will save the world. You need a bit of both, and not to go to the extremes of either. So, I think it would be against the spirit of the story if Yuri was resoundingly punished and all of his choices punished and portrayed as wrong.
But... some of them should be. Flynn's side of the justice question was about working within the system, and the flaws of his choices smacked him in the face with Alexei's betrayal and realization that his actions to work within the system had led him to aid a coup. The closest thing Yuri gets to a comeuppance like this is Sodia stabbing him, which doesn't really get adequately addressed.
And after all this preamble ("#Nightfoot is bad at brevity" is a tag for a reason) I can finally get to some of my ideas for things that could have happened in the game to strengthen Yuri's character arc.
1. Repede
I think Repede is under-utilized. Yuri is not a very talkative guy when it comes to his own feelings. He doesn't want to burden his friends with his issues, so if he's going through some inner turmoil about his choices, he won't talk it over with his friends unless they bring it up first.
In a book, this could be easily solved with internal narration delving into his thoughts, but in a visual medium, he has to verbalize these. Repede could have been a perfect solution to this. They already set up Repede being a confidant when he got that title for being the only witness to Ragou's murder, but never did anything with it.
I think it would have fit Yuri's character to open up to Repede - to talk things over with his dog whom he knows will never tell another person and won't talk back - in a way he wouldn't want to with one of his human friends.
2. Alexei and Duke
There's a parallel between Flynn & Alexei and Yuri & Duke that could have been stronger. I've always been fond of the idea of Alexei and Duke being old friends who grew apart and became enemies over their dispute about how to handle the corruption of the empire. It makes them a neat parallel for Yuri and Flynn, and a dark shadow of what they and their friendship could become if they keep drifting away from each other and into more extreme deeds.
3. More Sodia
Having Yuri fall victim to the same sort of vigilantism that he inflicted on others is a great plot beat, but then it never really gets addressed again. Sodia does this huge thing, and then we never see her again until pretty late in act 3.
This kind of ties in to me talking about "Yuri and Sodia forced to work together" fic, but what if this happened in the game? What if there was some scenario where Yuri and Sodia had to go off alone together and actually talk to each other and having some messy shouting matches and acknowledge that they aren't so different?
4. Comeuppance for Yuri
Now an actual proposed scenario to "punish" Yuri for his choices. My idea is that when Yuri leaves his friends behind in Halure near the end of act 2, he makes it all the way to Alexei by himself. Rather than his friends catching up with him in the Quoi Woods, Yuri makes it all the way to Zaphias and confronts Alexei alone at the Sword Stair. There, he promptly gets his ass kicked.
The rest of the party catches up to him before Alexei can finish the job, and at that point it can switch to the whole party fighting Estelle as Alexei leaves, as in the game.
In the Quoi Woods scene, his friends call him out for trying to lone-wolf it and point out to him that he does in fact have good friends who want to help him. By shifting this reunion to the Sword Stair, just after he's almost died and fucked everything up, not only is he forced to learn that he can rely on his friends, but that he should.
5. Replacement for Ragou
It's briefly mentioned that there's a new magistrate in Capua Nor and that he's much better than Ragou and the city is so much better off now. This feels like a wasted opportunity to me.
I propose the group returning to Capua Nor in early act 3 to discover that Ragou has been replaced, but that the new guy is almost as bad. Maybe not "feeds children to monsters for the fun of it" bad, but still corrupt, still oppressive, still another head of the Empire's rotting body.
This forces Yuri to confront the idea that while he solved the immediate problem of Ragou not being punished, he didn't actually create any sort of system change. His methods alone are not the solution to justice because picking off the worst of the worst does nothing to change the system that produces and enables those people. While Flynn's focus on changing the system abandons people who suffer while he slowly reforms things, Yuri's focus will never create lasting change and just leads to him playing whack-a-mole with whatever pieces of garbage the corrupt system spits out next.
They need each other, and neither their methods are the solution in isolation. They can't do it alone. In the very last scene of the game, Duke tells Yuri that he's strong, and he replies, "That's because I'm not alone." That's the main message Yuri learns over the course of the game! Yuri goes from a lone wolf to someone who supports the help of his friends and that he's stronger when he's backed up by bonds of friendship. Showing Yuri that simply killing Ragou on his own was not enough, that he needs the cooperation of his friends all working on the same problem from different angles, strengthens that message.
6. Same Choice, Different Decision
This is one of my favourite literary tropes and such a simple way to demonstrate character growth and change.
With either some or all of the proposed changes above, let's end the game with Yuri having the chance to go after Duke alone. He has an opening to break off from the others, but this time, he doesn't. He takes everything he's learned about the necessity to work together and the importance of relying on others chooses not to be a lone vigilante this time. He proves that he has internalized the idea that he is strong because he's not alone.
7. Dark Enforcer
This sidequest could (should?) have been incorporated into the main plot. There's no reason for a storyline that directly parallels the main protagonists' journey and confronts him with the possible downfalls of his approach to be an easily missable sidequest.
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So, there are some of my ideas! I've thought a lot about this over the years and tried to cut this down to just my plot changes that would directly address Yuri's vigilantism arc.
I think Yuri is often unduly criticized for having "no growth," because I think that just isn't true, but I do think the game flubbed the development of it. He's clearly changed his mind about being a lone vigilante by the end, but when did he emotionally process this? The pieces are there, they just aren't utilized to their full extent.
These are also all ideas about changes to the game itself, but I think most of them would also work as the basis of a fic, either canon divergent, post-game, in squeezing some scenes in.
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yumeka-sxf · 1 year
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A chronological analysis on Twilight and Yor - Part 14
*This is part of an ongoing post series. If you missed the Introduction/Part 1, click here*
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While it is an anime-only story, the episode where Yor brings Anya her gym clothes helps establish the current state of Yor's character, since it will be challenged soon. We see how hard she tries to be a supportive wife to Loid and a good mother to Anya. But despite the fact that they show appreciation for what she does and don't harp on her mistakes, her self-doubt makes her continue to be unnecessarily hard on herself.
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This helps set the stage for Nightfall's introduction a few episodes later, which brings the first real romantic tension in the series…a tension that will eventually force both Twilight and Yor to take a step forward in their relationship.
When Nightfall first visits the Forgers and initially spends time alone with Yor, Yor is understandably nervous – this is the first person besides Yuri and Franky whom she's had to entertain at the house while keeping up her wife/mother facade (plus Loid isn't there to help her this time).
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Twilight's first reaction upon seeing Nightfall in his home is that of concern, since it's unusual for WISE agents to interact with each other without good reason. But when she starts laying on the condescending comments, especially in terms of Yor not doing his errands for him, he becomes irritated. Similar to when Swan was making misogynist comments about Yor during the Eden interview, and Twilight insisted on sticking up for her, he reacts the same here (though he has to be more subtle about it so as not to let on that Fiona is a fellow spy). In both cases, it would have benefited his situation if he placated them, but it seems like he can't hold back whenever Yor is slighted, whether by a stranger or a fellow WISE agent.
The two spies exchange glares, with Nightfall stating that they should review whatever tactics he has going on for the operation, and Twilight retorting that it's not her place to make such a decision.
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As Yor prepares their drinks, the meaning of Fiona's last statement – that Loid complains about her at work – starts to sink in. Even though she knew nothing about Fiona prior to that day, her inner insecurities already start creating extreme scenarios in her head. She imagines Loid wanting to take Fiona as his wife instead because he thinks Yor is so useless. And of course, her lacking self-esteem makes her unable to blame him if he really does feel that way.
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At this point in the series, she's already stated that she's grateful she married Loid and is happy to be in the Forger family. And while she did have internal conflicts along the way about whether she's fit for the role, this is the first time something external, something she has no control over, is threatening to take her newfound happiness away.
There's no concrete evidence that Loid complaining to Fiona about Yor is a lie, but there's plenty of reason to assume it is. I've discussed about Twilight being a non-judgmental person who never speaks or even thinks ill of others, so I can't imagine him suddenly complaining to a coworker, especially a coworker who's in on his mission. There would also be no reason for him to react the way he did to Nightfall's condescending remarks about Yor if he was in agreement with her.
The insight we get about Nightfall, both from her own inner monologues and from Anya reading her mind (and discovering her unhinged obsession with Twilight), reveals that she would be the exact opposite of Yor in terms of the support she could offer Twilight. All she fantasizes herself doing for him are either related to his work, or the typical wife responsibilities like laundry and cooking…all of which are things he's capable of doing himself, albeit if he had a little more free time. But Twilight had specifically said that he's counting on Yor to be everything that he's not…namely, giving Anya and, though he won't admit it, himself, the affection and emotional support he's not allowed to give. But Nightfall, being a hardened spy like him, can only think of a wife role in "for the mission" terms too, and to her, that means doing all the tedious chores and errands so he doesn't have to. She can't imagine Twilight would actually enjoy doing something "mundane" like walking the dog for example. The kinds of things Nightfall wants to do for him are things a personal assistant would do – complete surface-level fulfillment, but lacking interpersonal, soulful understanding.
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@queenofapeacefuldawn describes the contrast between Yor's and Nightfall's relationship with Twilight perfectly in this reblog. To quote:
"…Yor sees him as an actual, flawed human being, and knows that as a person, he needs emotional support too, especially in raising a child, something that Yor relates with. She wants to be there with him, and although their marriage is more of an agreement, (at the beginning, anyway), she wants to be a partner to Loid, for his emotional support, and for Anya's wellbeing.
Meanwhile, Nightfall sees Twilight as a perfect, god-like figure, who can control his emotions easily, and won't need any emotional help. She thinks that all he will need are material comforts, not emotional comfort. In Nightfall's spiel, she never once thinks about Twilight's emotional stance, which is a kind-of implication that she thinks his emotions are secondary— according to her training. She does not intend to— or maybe doesn't even know how to, given her training— provide emotional comfort."
@connoisseursdecomfort also brings up the fact that because Twilight has such a disillusioned view about romantic relationships, it's not possible to win him over by romance alone, which is exactly what Nightfall is trying to do. However, while Yor tries to comfort and help him whenever she can, she also keeps a respectable distance from him and his personal affairs. But probably the most important thing she does in his eyes (and is something he'll tell her in full later) is being a good mother to Anya. Loid never asked that she remain Anya's mother after the interview, yet she chose to anyway, with her upmost sincerity. And despite that, as Connoisseursdecomfort also mentions in her post, Yor never uses Anya as a way of getting closer to Loid. The main strike against Nightfall is not that she sees the role of a wife as more of a servant to Twilight than anything else, but she sees the role of a mother that way as well. As such, unlike Yor, Anya's personal happiness is secondary to how she can become a "stella procuring machine" for the sake of Twilight's mission (even Twilight admits later that Nightfall has no parenting skills).
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Nightfall can't imagine that Twilight's happiness could be tied to anything besides the success of his missions, like the happiness of his (fake) daughter for example (ironically, Twilight felt the same way back when he was pressuring Anya to study, until Yor stepped in and made him see things a different way).
As expected, Anya wants nothing to do with such a harsh mother and does what she can in the moment to thwart Fiona – she lovingly nuzzles Yor's lap and says she loves her mama (of course, Yor practically melts at this unexpected show of affection while Twilight is just puzzled). She then goes a step further by saying how lucky she is to have a mama and papa who love each other and how grateful she is to be in the Forger family. After hearing Anya say all this, Yor can't hold back her insecurity any longer – she can't let Anya's happiness in the Forger family be compromised by Loid deciding to marry Fiona because she's so useless (as is typical of her, she thinks of others first and doesn't realize that her own happiness is at stake too). She turns to Loid with a face full of resolve, much to his surprise, and exclaims that she'll try harder to be a better wife.
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It's ambiguous as to whether the compliments he proceeds to give her are genuine or not, since Nightfall notes that his smile is fake. However, she also notes that she can see traces of real emotions seeping through. So, as is becoming usual for him, he thinks he's lying, but more truth than not ends up being revealed. Since Nightfall is someone who was not only trained by Twilight, but has "studied" him for a long time and knows all his various fake identities, I think we're meant to trust her assessment of his emotional state (also, as we'll see later on, Twilight's comments about how hard Yor already works and how much Anya loves her are not lies).
When he chases after Nightfall in the rain to give her an umbrella, she flat out tells him that he's gone soft. And once again, just like the times Franky warned him that he shouldn't grow attached to his (fake) family, Twilight doesn't deny the statement at all.
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Why would he not deny something so detrimental to his spy profession, especially to a fellow spy? If he was confident he wasn't actually developing feelings for his family, there's no reason for him to not say so and put her mind at ease. So the only other explanation is that, deep down, he is starting to feel attached. But due to his lack of emotional comprehension, he never realized he could ever have such feelings, so when someone points it out, he's at a loss, which causes him to either change the subject or just not say anything, like in this case with Nightfall.
Continue to Part 15 ->
<- Return to Part 13
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blacknovelist · 7 months
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(one piece wano arc spoilers)
So like @guardianlioness and I were talking about one piece and thematic stuff and generally losing our minds and we were talking especially about like
How Zoro and Sanji and Luffy are a Trio but also how Zoro and Sanji are explicitly also painted to be a duo to Luffy, right, like. They're the "Wings of the Pirate King". Together, they protect and look after the crew, but also their captain. They are, effectively, equals in what they do, "official" roles IN the crew itself aside. Zoro, with his high physical power as their physical defense and Sanji, with his high empathy and compassion as an emotional bulwark
And
Like
Okay. Here's the thing. Here's the proverbial problem. Cause right now, as it stands, Oda's introduced an unbalance to the duo. We were specifically talking about how frustrating it kind of is that the imbalance exists.
Because Oda gave Zoro conqueror's haki. He and Luffy share this— but it leaves Sanji as an odd one out. Thematically, it makes no sense to end with this like... off kilter seesaw. Why would you build these two up to BE on even standing only to take that away from them? Don't get me wrong, Zoro having conqueror's haki is a delicious character choice that I think adds fascinating complexity to Zoro and his position in the crew. He's a powerhouse, he's exerting his will over reality, and he follows his Captain the future Pirate King without question. Haki. Love it. Brilliant. But it makes no sense in the overarching thematic line between him and Sanji in regards to Luffy.
Giving Sanji conqueror's naturally wouldn't fix the issue, because frankly that defeats the entire purpose OF the char building that's been established in whole cake island. Sanji rejected the line of noble, of royalty, of power. It makes no SENSE for sanji to have it, he's not someone looking TO conquer or overcome the way Zoro is, it doesn't FIT him. And saying the stuff with his raid suit and the Germa augmentation rearing its head is the balance point is nonsensical for the same reason. Sanji already rejected all of that power and what it means and reclaimed it in a new way. Explicitly, directly, he denounced these things, directly ASSOCIATES them with a loss of humanity and his very self, wants nothing more to DO with it. Not only does it not make sense, but going back on it would be a slap in the face to all the development Sanji's gone through up until now, even laying aside the fact that it doesn't parallel Luffy at all so the unbalance isn't really addressed in that case.
But you know. Conqueror's Haki isn't the only thing Luffy has to proverbially offer. Conqueror's Haki is the overt, the direct, the loud and forceful. There's a lot we don't understand, between the stuff we do. It bears down and exerts over reality, makes demands of it. It tells you to listen.
What do we know about The Voice Of All Things? Not a lot. We know it seems to enable one to hear not the words, but the intention, the truth of other living things and even in objects, especially those with will like the Poneglyphs. We know Roger had it, Zunesha has it, the Kozuki line seemed generally to have it. The Three Eyed tribe may be capable of awakening it in themselves. We don't know if it's purely something you're born with or not. We don't know what it means, if anything, except for this: to hear the voice is to listen to the world around you and understand its heart.
When Luffy enters Gear 5, the only one who can tell at first is Zunesha. Zunesha can hear his heartbeat, and conveys this through the Voice to Momonosuke.
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The anime conveys it more clearly, but it's in the manga text, too. Immediately after Zunesha realizes this... Onigashima is shaking. No one quite knows yet what's going on, other than Kaido is here and the world around them is trembling. Those on the battlefield, they've got front row seats to witnessing the transformation, what comes next.
Zoro and Sanji have finished their fights. They're conked the fuck out post battle, like usual... or they should be. But here's the thing. Right after Zunesha calls for Joyboy, from a room distant to the fighting, offset from the war waging outside...
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Sanji's part in the major battles is over by this point. If they wanted to emphasize a "the crew knows their captain" moment, why not showcase the other strawhats too? The ones not on ground zero? But it doesn't show anyone else. It focuses. on. him.
Sanji, who's a deeply compassionate and kind man. Sanji, who stopped and paid attention even to the biological relatives he couldn't stand when he could've walked free without a care. Sanji, with his skills in Observation, in already listening to and feeling out others' intentions...
Zoro having conqueror's haki doesn't make sense on its own. It unbalances the duality of the Wings of the Pirate King. But give Sanji the power to hear the Voice Of All Things or something damn well close... that's a pretty good parallel to each other and their roles to Luffy, don't you think?
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atinyjules · 1 year
Text
HOW I MET YOUR MOTHER - MARK
Wassupp! So...I'm in the dreamies phase again😭 soo like...the Seonghwa angel request will take a while since I'm stuck in a writer's block for that one (╥﹏╥)
Anyways here's dad!mark~
pairings : dad!mark x Female oc (as his wife but doesn't appear in the story)
Genre: Dad au, fluff, established relationship.
Warnings: Barely any.
Characters : Mark and Geonu (6)
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"Appa! Appa! Appa!" an overly excited Geonu pulled on his father's shirt while jumping like a bunny.
"I can hear you if you didn't already know. You're supposed to be asleep...what's wrong?" he asked his son who kept jumping causing a chuckle to leave his mouth.
"I can't sleep without a storyy!" he said making his father groan.
"Geonu, I'm busy...can't you sleep without a story?" Mark said making a large fit of whines to leave the little boy's lips.
"Nooo, eomma always tells me one before I go to bed!" he said causing his father to freeze at the mention of his wife.
He let out a sigh as he remembered the way you barged out of the house with tears on your face after a really bad fight. None of that was supposed to happen but it did and now you were in your sister's house and he knew you weren't returning anytime soon. Geonu had no clue as to what happened due to still being at school that time. Telling him you would be out of town for while-
"Please...eomma always tells me one." softening at the sight of his son's glossy big eyes that resembled yours.
"Alright...go wait for me in the bed, I'll be there in a sec." Mark said as Geonu excitedly waddled to his bedroom causing Mark to let out a chuckle.
"You ready?" Mark asked Geonu, sitting beside him on his bed.
"Yes!" Geonu exclaimed and laid his head on Mark's chest.
"Since I don't have any stories to tell you...I'll tell you how I met eomma." he said as Geonu nodded.
"I originally first met your eomma at a summer camp during middle school but it was at high school that I got to actually know her and let me tell you...she was gorgeous, the most beautiful person I ever laid eyes on...she still is, her beauty wasn't the only thing that intrigued me." Mark said as Geonu looked at Mark in confusion.
"It wasn't?" he asked as Mark shook his head and ran his fingers through Geonu's hair.
"Nope...you might not know this but your eomma has a black belt in karate, the undefeated champion of Korea for 5 years...she would always use her strength to defend the weak and punish the bullies." Mark said as he smiled, memories hitting him like a fresh breeze.
"That seems like a very eomma thing to do! I can't wait to tell Dasom and Dawon!" Geonu said referring to Jisung's twins who were coincidently their playmates and friends at school.
"Don't brag too much or else you'll regret it." Mark said with a chuckle.
"Eh? Appaa! Continue!" Geonu asked as Mark smiled.
"Alright, alright....so yeah...I got to know your eomma at high school since we had around four classes together. At first I found her a bit scary since she was so strong but as time went on I realised that the both of us had a lot of similarities.
Like our same love for watermelons and music. I also found out that she followed me on soundcloud which came as a shock to me since I only had like 8 followers so I was touched...so touched. And in no time we became besties. Hanging out on the weekends and helping out at her family dojo be came my favorite pass time especially since I get bored really easily." Mark said earning a nod of agreement from Geonu.
"I agree, appa your interest level is only 20 percent that's what me and eomma think." he said as Mark let out a laugh.
"Is that so huh?" Mark asked causing Geonu to nod.
"Appa, when did you ask eomma out?" Geonu asked as Mark chuckled at the memory.
"I asked her out right after she threw a punch to my stomach." Mark said with a sigh, still remembering your face after he confessed.
"Why did she punch you?" Geonu asked.
"Because I indirectly told her she was too intimidating and boyish without realising, so she got angry." he said making Geonu giggle.
"So you told her you loved her?" Mark nodded at that.
"Yep...she slapped me right after I confessed." Mark said rubbing his cheek and smiling sweetly.
"Appa...you love eomma don't you?" Geonu asked his dad who chuckled at the response.
"Of course I do! Why do you ask?"
"If you really love her then tell her you're sorry..." Geonu said making Mark widen his eyes.
"You always give off a guilty/sad vibe whenever you upset eomma and also...uncle Haechan told me." Geonu replied causing Mark to make a mental note to kick Haechan's ass tomorrow morning.
"I'm sorry...I know eomma is probably really really sad with me but I promise you that I'll apologize to her...even if it means to get a punch from her." Mark said earning him a hug from Geonu.
"I know..." Geonu said with a yawn as Mark lulled him to sleep and sat down on the floor beside the bed of your empty shared bedroom. He took out his phone and sent you a voice message.
"Hey...it's me..."
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Note
hi bestie saw ur post and im kinda curious about this since it's something not a lot of ppl are talking about next to ed's arc and izzy's death and all— what do you think about how they handled stede in the finale? I felt like a lot of the "incompetent wannabe pirate" jokes undermined his progress this season and also him deciding to stay at the inn with ed felt odd as he expressed he wanted to be a pirate and sail the sea. just wondering what other people think about that
[Oct 31, 2023]
Before we get into it, you are allowed to enjoy this show! My past (and next few) responses WILL be negative, but you aren't wrong for agreeing or disagreeing with most posts. Thanks to all the people who have already sent in messages! I can't wait to respond!!
I am an Izzy fan first and foremost, but how a show handles it's protagonist says a LOT about how it handles it' characters overall!
TLDR for this post: In any character-centric media, explore your characters as characters first. Develop your plot around them and their arcs. Don't treat an ensemble cast as faceless props for the story you're trying to tell. Stede's arc is weird because Stede is shoved in places where it feels like he doesn't fit anymore.
Creating a narrative focused on central character conflicts can work. This is how S1 was written. Stede and his actions directly lead to revealing truths of the world that push the plot forward. This worked because I'd argue the strongest part of OFMD overall is its characters. S2 misses out on this strongest aspect by only referencing its characters when it needs something from them.
S1 We went from Stede killing a guy-> The Act of Grace. S2 Stede tells a guy he shouldn't be an idiot and leave behind a calling card -> burning down the Republic of Pirates and killing Izzy. S2 doesn't feel as tied to Stede's arc of growing into a pirate. But Stede isn't the only person this has fucked over.
Each crew member has their role established from S1, we fans know how they work as a family. But in S2 most of the cast can be swapped out interchangeably unless its something that features this side character NICHE (Wee John in drag being good with fabrics, Roach being a cook).
Sadly, by focusing on the larger Zheng vs. Military arc, a story our characters BARELY caused, the audience misses out on potential character development. Instead of our characters facing the consequences of their actions, our favorite side characters are used as faceless narrative tools. This is largely why the crew was abandoned this season unless they had a romantic side plot. Seeing The Revenge sail off in episode 8, it feels like we barely care about them at all anymore.
As seen from @the-buttspie 's comment, even Stede's arc isn't left out of the firing range. His characterization in episode 8 is constantly thrown back and forth between 'Captain doing his best' and 'Village idiot' if the scene needs it.
Analyzing WHY I started to dislike Stede post episode 4 is FASCINATING, and I feel that digging all the way back to the beginning is a smart way to look at his character growth this season.
FRAMING: Stede's early story get's fucked over pacing-wise because his storyline happens side by side to that of Ed/Izzy.
Any dramatic moment is cut short to show just how much the other crew is NOT about to die. Every time I watch S2 with a new person, for episodes 1-3, they'll comment on how much they don't care about Stede's plot. Which is not a thing you'd want for your protagonist in a season of TV that's only 8 episodes long.
Stede goes through a really strong arc from S1 to the start of S2. For the first three episodes of S2, he puts the needs of his crew before the needs of himself. Literally making sure his crew is safe before going down to see Ed's corpse. I genuinely enjoyed how Stede stepped up for his family. How he doesn't blame the Revenge crew for killing Ed, realizing that yes. Ed is the love of his life and also a man who has seriously hurt so many people.
Eps 4-5: From that we see him trying to talk it through with Ed. While both of them aren't telling the whole truth, it's a good start! We're midway through the season, so we should expect things to get fleshed out more soon.
Until Stede decides 'I'm going to bring a man that tortured my family for 80+ days onboard less than 24 hours after my crew voted him off' Yes. Stede loves Ed to a stupid extent, but this starts the trend for Stede to be dangerously selfish this season using his power as captain to overwrite the want of his crew, a habit of his that partially gets Izzy killed.
I really enjoyed Stede in episode 5, and for me, this felt most like the Stede we recognize growing into a real Captain with hints of who he was. I think it says a lot that Stede still misses his layers and silks. That he craves the softness he used to have in the form of that cursed jacket. But as soon as Izzy is like 'you idiot, please listen to them, they will mutiny' Stede gives it up!!!! He's grown. He's listening to Izzy, he's talking with his crew! This episode did the one thing I wish the season did more of, show the reunited crew just living their lives.
This is where Stede stands out, it lets him be a bit more of a leader to the crew. Let him find his groove again. I loved it!!
Now: Killing Ned Low.
Stede choosing to kill Ned Low is the first time Stede killing someone counts. Yes, he burned down the ship French ship. But this is the first time the audience is supposed to care. I think this moment WAS in character and a really important moment for Stede. He chose this. This wasn't up to crew vote, Ned insulted Ed so fuck him, he deserves to die. Ned walks the plank, also referencing historical Bonnet's tendency to do the same thing.
This is where both Ed and Stede make an in-character mistake, having their first time after the rush of 'oh shit, I'm still alive, and I'm hurting and you're here too'. They don't regret their first time, clearly, they both enjoyed it, but both of them can't ignore what fueled it. Stede has had 3 episodes to re-establish himself with his crew, and now has very little time for the rest of the season with them to show off his growth. That's why, after the party, we don't feel like this show is showing off a family anymore. Even when reunited, they barely feel like a united front.
But from this point on, I personally feel that Stede should have toned down the humor a bit and act like he did in episode 3. Well, I'm getting a bit ahead of myself so-
Episode 7: Stede enjoys being popular, following in Ed's footsteps. He holds his ground against Ed, and overall this feels like a natural progression of his arc from episode 5. He knows what he wants in life and Ed not communicating is genuinely frustrating for him. Him being heartbroken and trying to fight Zheng like she's Izzy is one of the few callbacks I feel that works. As it compares a Stede who was supported by his crew, to this Stede who feels totally alone. I loved Stede this episode, only to be disappointed by-
Episode 8:
Where Ed is allowed to have his silly moments in private, I feel that Stede fluctuates between silly and serious WAY too much for us to take him seriously. Stede's response to Ed telling him he loved him being 'I know' also felt off to me.
"You're not a dick, life's a dick" This line is frustrating to me as it's Stede's response to Ed apologizing. Genuinely apologizing for his actions in the previous episode. This could have been a moment for us to feel like Stede and Ed were a united front but Stede's constant joking and not taking shit semi-seriously. Yes. He feels more comfortable around his family which is amazing.
But I can't help but point out how Stede chooses to go along with a plan the rest of the crew doesn't like. What NARRATIVE purpose was there for Stede trying to sell the captain? He has money, clearly. With the loot they still have, and a future alliance with Zheng.
Stede fucks up. His choice a plan that gets Izzy killed. The writers sacrificed Stede being a competent Captain who cares about his crew into what is described as a 'suicide mission' to push Izzy into his rushed death. A disservice to both characters.
ONTO:
Stede abandons piracy
I'm not shocked they did this, not after the other flubs of the episode, but I hate that it wasn't a conversation held between Ed and Stede.
They could cut the stupid joke about Ed being bad at fishing at the beginning and have these two idiots talking about their issues. Maybe establish that, yeah, piracy is a lot, and they deserve to settle down and get to know each other. Even if they return to the sea, this frames it as Ed finally finding peace and Stede getting pulled along, going against his character growth this season.
I'm surprised that they're setting this up now and not at the end of Season 3. Hell, I used to think S3 would be focused on Ed and Stede avoiding/faking their historical deaths. Given all the bullshit they'll have to clean up to wrap up all the loose ends established this season- S3 will be VERY Ed/Stede focused, I think the crew will still be inserted in without care or arc. Characters like Jim and Oluwande will be prioritized as they are in a relationship before our nonromantic characters like Wee John and Frenchie.
Stede and Ed's relationship, the driving force of the plot, still falls flat because after everything it still feels like puppy love. They've spent at most two months in person together, and two weeks in a serious relationship. I don't really feel convinced that they actually love each other. Ed still doesn't know that Stede was kidnapped at the end of S1, or why he struggles to talk about his feelings. Ed still hasn't talked about why he feels he needs to leave piracy, or his issues feeling like he doesn't belong anywhere in life. Their habit of running away the MOMENT things get hard just makes me not care about them.
I blame the size of the Izzy fandom on the fact that if you don't buy into the leads, there's almost nothing left here to sink your teeth into. The moment the show seems like they'll talk about it they hard pivot.
I hope S3ep1 happens after a LONG time jump. I want these fuckers to be snippy like two people snowed into a cabin for months. Sick of each other and bitching back and forth like no tomorrow. S3 is about genuinely breaking down their walls. Until then, I'll stick with Izzy, the Canyon, and his depressing version of this reality.
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peacerisendove · 5 days
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Once again I’m complaining about Bernard’s current characterization and random decision to make him a chef of all things/how he is currently a watered down milquetoast white boy. I still don't think it makes sense for him as a character, but I am suggesting my own solution on how Bernard being a chef could work while also rewriting how Tim and Bernard reconnect.
At the least if you want to make him a chef and still pull from his original (and honestly actual) personality at-least make a bit of an unhinged and maybe depressed chef as he tries to find himself. Like give him a bit of The Bear energy.
One of the things about Bernard was that he was a social chameleon. He could make himself fit in, in a lot of places, but that also opens up him to not really knowing who he is in himself. Which plays so well with being a chef. While in culinary school you might think you’re on top of the world, but beyond that you have to find yourself, you question your skills, whether your cooking is up to snuff, how you compare to other people/chefs, their skills, and their food constantly, and of course there’s multiple strong egos in a kitchen which you have to contend with.
I feel like chefs are fraught with identity issues and that could work so well with Bernard because he would also be searching for himself concurrently as he pursues Tim or figures out his sexuality/attraction towards Tim.
I think instead of the cult angle in Batman: Urban Legends that brings Bernard and Tim back together and them already knowing definitively that they are bisexual and pretty much immediately jumping into a relationship in subsequent comics, I think it should have been more exploratory and organic on both of their parts, and that while Bernard what sort of chef he is and his basis for cooking, he is simultaneously figuring out himself and who he is. His lack of knowing himself is reflected in his cooking, and that while he's figuring out himself his sexuality, and reconnecting with Tim (and they're going through a reconnecting period and dancing around flirting with each other) this development of himself and beginning notes of knowing who he is as an individual is reflected in his food.
So, yeah, my answer is basically make Bernard a bit depressed and and have him in an exploratory state where he's trying to find his own identity not only as a chef, but in his own personal life (which in turn is reflected in his cooking). And instead of things being all cookie-cutter neat and him having an established relationship with Tim, we instead get to see them both in an exploratory state of figuring out who they are as people, their sexuality, and their feelings toward each other as they reconnect.
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posletsvet · 8 months
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Some further chapter 235 thoughts
Alright, a little disclaimer before I get carried away: this may and chances are will in some ways contradict my thoughts from when I last talked about it here. Right after the spoilers came out my thinking was driven by emotion, and before I got a chance to sit down and shape my opinion properly, the emotion was what defined it. I guess I shouldn't have written it down in the first place, as all I really did was allowed my feelings to get the better of me and judged the situation biased. My bad, really,,
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With that out of the way, my opinion has shifted since, and as I've come to see it, there's at least one important thing that Sukuna vs Gojo fight did, and that is precisely cementing Gojo's position as the strongest. It's already a pre-established truth when we enter the story, but it's put into question with Sukuna finding a way out of his seal through Yuuji consuming that finger. Sukuna merely being brought back to existence is already enough to challenge Gojo's title. Is Satoru Gojo rightfully the pinnacle of Jujutsu, or is he, as Sukuna brags, just somebody who is considered the strongest when the King of Curses wasn't around to provide a contrast? Is he the most powerful sorcerer of all eras, or is he simply the one of his time, comparatively mild and peaceful? Two characters getting to be named the only honoured one throughout heaven and earth is an explicit contradiction, so how could both statements be true at the same time? These were the questions hanging in the air from the beginning, looming over both the audience and the characters' heads, and Gege undoubtedly has been laying the groundwork for Gojo and Sukuna's confrontation since the very start. So as much as I or anybody else may dislike it, the purpose of this fight was never solely to rescue Megumi. The debate over who should claim the title of the all-time strongest had come into question long before the necessity to save Megumi entered the equasion, it's been a thread unravelling itself throughout the whole narrative. If Gojo's arc is about to reach its conclusion, that could only be possible with this uncertainty dispelled. Now that we have a concrete answer, the narrative can move on from there.
What's also been a reappearing idea in the manga since the outset, is the notion that the strength positions individual's value in Jujutsu society, brought to us from perspectives of various characters. However, it's not the strength alone which defines one's place, or rather it's not all kinds of strength that are accepted as valuable and deserving of admiration. In actuality, what really matters is how well the person in question fits into the conventional image, which is backed up by centuries of tradition followed by those in charge. Otherwise the instances when extremely powerful in their own ways individuals are driven out to the outskirts of society just because they don't fit into the mold of traditionalistic beliefs enough wouldn't be present in the narrative, we just wouldn't have characters like Toji and Maki. The moral of their stories is, essentially, that in order to be recognized as an individual and have at least some singnificant say when it comes to making decisions in the Jujutsu world, you need to uphold a standard.
And by whom is that standard set?
My thoughts keep circling back to what Gakuganji once said regarding the defining forces in their society which Grade 1 sorcerers are, whereas Special Grades are rather 'something of a misrepresentation'. I guess those who are assigned Grade 1 really do have a greater influence on the world around them, and that is not due to their strength, but rather because they're setting an ideal for those below them in the hierarchical order. They're better fit to serve as role models, and in society where climbing to the top is a way to ensure survival, younger and less experienced sorcerers have no choice but to look up to those who thrive, seeking a way to achieve it, too. The strong get to dictate the standard, yes, but it's still essential that they uphold said standard themselves, providing an example. This even finds a reflection in the procedure of promotion. One needs to be deemed worthy upon receiving recommendations, and that requires having characteristics which fall in line with what is conventionally approved of. So while Gojo is considered the strongest of his generation, he is not, paradoxically, the most powerful player in the field, not in terms of political and influential significance. Not when he displays a mindset that is a stand-alone against traditional beliefs held by the absolute majority. That is a contradiction pointed out by Sukuna in early chapters: he finds it amusing that someone so strong plays by somebody else's rules.
How is all that relevant to the importance of Gojo winning the fight?
As we know, Special Grades tend to be lone wolves, too vastly outnumbered for their voice to be heard clearly. For instance, who in the Jujutsu world knows of Yuki's research and what fruit it bears, what insight into the nature of cursed energy her investigation provides? She's stigmatized for being a delinquent (I think it's no coincidence that the only thing Geto heard about her was how she didn't carry out her duties as a sorcerer), the work of her life going unnoticed with her death. It might be a complicated way for me to get to the point, but what I'm trying to say is that Gojo, as recognizable within sorcerer's society as he is, probably isn't that different from Yuki. No one really remembers his goals when asked to describe him. He's the strongest, and that's the only lingering impression of him. By coming out of this fight triumphant and therefore cementing his position on the top of Jujutsu society, Gojo makes sure he will be remembered -- just like Sukuna is still remembered, even though centuries have passed since he was at the peak of his power. With surpassing the King of Curses under his belt, Gojo's name is now set in stone, and so is his example for the future generations. This means Gojo's ideology will outlive him, and even if his beliefs might seem delusional as of now, it doesn't mean this won't change in the years to follow. Because the adequacy of one or the other set of ideas can only be measured by the context of society they exist in, and now that society has a stimulus to reconstruct itself, adapting to the views of someone who's proven himself ultimately superior judging by its own standarts. So yes, in the end Gojo and Sukuna both fought for the sake of proving they could win, but while Sukuna was after personal gain in terms of self-affirmation and growth, I'd argue that for Gojo it was rather about setting an example.
Now, to once again address my previous thoughts and how they've changed, I no longer think it's Gojo's loneliness that should be breached in order to bring about change. Gojo's being lonely is converted into somewhat of a symbol by the narrative, and, using a little bit of metaphor here, symbols should remain static, unchanged in order to carry meaning. In that sense Gojo still represents the flawed past which the main characters of the manga need to break away from, making him the last strong sorcerer forced to fight alone and trapped in his own position. Gojo as a side character needs to stay at least in some ways inferior for the protagonists of the story to outshine him, claiming the spotlight back. After all, it's all about giving way to the new generation, and Gojo himself acknowledges it well. He as a sorcerer of the previous, older generation is too well-ingrained in that very society which the whole narrative focuses on deconstructing. It's about surpassing your predecessors, and if anything, making sure his students will do so is Gojo's main goal as a teacher.
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carelessflower · 1 year
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lucifer helped alec survive the svefnthorn - a theory
story time! i was ranting to @dustandducks about how i can't believe alec survive being stabbed by the svefnthorn (he stabbed himself but same sentiment) which was attuned to sammael at the time. sammael who, you know, is a literal prince of hell, with power only second to lucifer himself. and to add more onto this.
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it is stated that only a warlock can survive being stabbed by the svefnthorn and nothing can reverse its effects. no other magical creatures in the shadoworld stand a chance against the svefnthron, except the warlock. pretty terrifying right? but this happened
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alec survived being stabbed by the svefnthorn. not only did he survive, not only did there was no blood or injury or visible scar from the stabbing, but he was also able to call the thorn's power to him and used that power to help magnus. but why? how could that happen? we already established the power of the svefnthorn, and it was clear alec was not meant to survive it. i love alec, i would absolutely do something that ends me up on national news if it would make him happy, but i know his ability. he doesn't have extra angel blood or any blessing from the angels, or any secret gift that makes him exceptionally powerful, he's just your normal level shadowhunter
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even alec himself was surprised when he realized he was not burnt to a crisp due to his 300 IQ decision-making skills. and i know we have the explanation about the alliance rune smoothing the thorn's demonic magic and alec's angelic magic to work together, but once again, how? we don't have a clear exposition for this, even from characters in the story
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alec didn't know it would work, magnus didn't know why it worked. everybody's best guess were fate taking it easy on them. and for sammael-
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he just...left, like how corporate taking down their pride flags the second pride month is over. no rage, no murder, nada, just disappeared into space. he also seemingly non fazed by the fact that alec survive a thorn with clearly anti non-warlock embedded to its manual.
@dustandducks raised a really good point, what if someone else, some higher power meant for alec to survive. the usual, and maybe logical answer would be angel looking out for their descendants, cause alec need to fulfill a greater destiny in the future. im going to play the devil’s advocate here and suggest that lucifer popped up and gave alec a little demonic magical assistance. this conspiracy somewhat tied up the loose ends in the lost book of the white and built some interesting story beat for the wicked power and the black volume of the dead
the twist fitting to what we already known from tlbotw
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maybe the reason why sammael didn’t snatch alec up and put him in some demonic science lab in his realm is because he sensed lucifer’s presence and decided not to mess with anything lucifer was cooking up. (as lucifer is more powerful than him, which is also stated before the stabbing scene in tlbotw) it can also tied in sammael’s motive of gathering other princes of hell to talk about lucifer in the epilogue. tlbotw was setting up the grounds for tbvotd, magnus escaped becoming a greater demon’s minion leading to alec becoming the minion of a greater greater demon
how the twist affect the future events in the tsc universe
one might be thinking, why would lucifer saved alec, he just a normal shadowhunter, why would the literal mega ultimate OG devil care about him? as much as i would like to say it’s because everything revolve around alec and everyone love him (as they should), i know it’s not the case.
many have speculated that in the final series, there will be a showdown between demons and the shadoworld. and what if lucifer wanted to infiltrate the enemy’s side, wreck them slowly from the inside and make them suffer at the hands of their kind. his spy should held high position, a major voice among the children of the angels and has a connection to the downworlders, and someone who wouldn’t pose as potential suspect easily.
enter alec who fit all these criteria and more. who would think their consul is under the control of lucifer and is working against them? if alec under the influence of lucifer wreaked havoc from the shadow, it could create more base for the cohort to claim that they were right and the clave in exile would suffer under an incompetent lead, causing animosity and conflicts in the already tense political situation. and when the truth comes out? chaos everywhere. lucifer didn’t even have to lift a finger to see the shadowhunters crash and burn
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catoslvt · 9 months
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Ethan Landry x Reader
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He's not ghost face like always.
Everyone in this are in established relationships.
U live in the dorm across from ethan and Chad.
As Tara and I stare at ourselves on my tik tok camera, I can't help but laugh at how stupid we look.
We're both wearing our boyfriends hoodies, with makeup on to make it look as if we've got beards, our hair tied up and pulled over our foreheads and tinfoil over our teeth, from far away we could potentially look like boys but close up we look like idiots.
"I think we look beautiful." Tara states with a small nod.
"Not beautiful, handsome." I correct before we both laugh.
"Do you know your part?" She quizzes me and I gasp.
"Of course I know my part!" I exclaim, and she smiles before handing me the fake money.
As I sit in front of the camera, Tara, out of view, I press record with a timer, so I've got three seconds to prepare.
"Don't laugh." Tara coos before it begins.
"Take a look at these diamonds wrong, It's a life of squintin', can't just stare." I lip sync, throwing the fake money everywhere.
"With bae through thick and thin, She already thick, so I'm halfway there." I continue.
"Brown and bad couldn't change my mind, I was halfway there one hundred meters, huh? I just put nine gyal in a Sprinter." I finish before i quickly move out of view, so Tara can get in the camera.
"One hundred eaters. They won't fit in one SUV." Tara then begins.
"S-O-S, somebody rescue me." She continues spelling out SOS with her hands.
"I got too many gyal, too many-many gyal, I got They can last me the next two weeks." She finishes before I quickly come back in the camera, both of us standing side by side.
"Alright, like send the address through please." We both exclaim, not really needing to say it outloud, but we're both on the brink of laughter, so we have to.
Once the video is finished and we've watched it like twenty times on repeat, hardly even watching it just laughing at how weird we look, Tara quickly perks up.
"We should tell ethan and Chad to come over." She gasps, and I nod because by over. She means out of their dorm and straight across the hallway into ours.
"Yes." I state and she quickly grabs her phone.
"I'll just tell Chad to come through with ethan." She tells me, and I nod before I pick up my phone and save the video to drafts, I'll post it later when I come up with a creative caption for it.
"We should stand in front of the door and give them like a fist bump when they walk in." I tell Tara as I quickly scramble to my feet and position myself in front of the door, Tara following close behind.
"You wanted us ove- oh what the fuck." Chad says with a large laugh as he walks in the door.
"My best friend, what's good!" Tara exclaims as she raises her fist up to fistbump him, and he just stares confused.
"Ethan, my bro, long time no see." I say with a small smile as I try not to laugh.
"Y/n? What're you doing." Ethan quizzes as he walks into my dorm, closing the door behind him.
"Isn't y/n your girlfriend? I'm zack. It's a little freaky if you're getting us mixed up, dude.." I gasp as I back up from him and he just smiles at me.
"Well, zack, it appears that you're wearing my hoodie." Ethan then states, and I shake my head.
"Nahhh, remember we got matching hoodies, man?" I argue and Chad lets out a laugh from behind us, him and Tara are clearly sitting on mindys bed so that ethan and I can sit on mine, so I quickly make my way to my bed and ethan follows.
"So who's that then?" Ethan asks as he raises his eyebrows between Tara and I.
"That's Travis." I tell him, and Tara instantly breaks character and laughs, which then sets all of us off, resulting in my tinfoil teeth flying out.
"Shit!" I gasp and ethan just laughs.
"Oh my god y/n what did you do to zack!?" Ethan screams as he grabs my shoulders and shakes me back and forth, which sets the four of us off again.
"Tara, your package came to my dorm earlier, do you want me to bring it through?" Chad asks her and she shakes her head.
"I'll come through now and get it." She tells him and they just nod before standing up and leaving.
"Oh my god, they planned that! Tara wanted you two to come through so that she could leave with Chad." I gasp as I stare at ethan, before I begin to take my hair down.
"Okay, wow, I didn't know i was such a bad thing to be stuck with." He tells me as he pretends to be offended, I know he's joking because he slaps a hand over his forehead and falls back dramatically back onto my bed, and I just slap his legs which almost fall ontop of me.
"You know you're my favourite person to be around." I tell him, and he happily sits up and kisses me, I jump in shock but kiss back.
Sometimes I forget me and ethan are together, not in a bad way, more because I still have a crush on him, so when he kisses me, I'm always shocked.
"I'm gonna go take all this off." I tell him motioning to the mess I've created on my face.
"You're keeping my hoodie on though, right?" He asks in a panic and I cup his cheek with my hand and nod.
"Of course." I tell him before I kiss his head and walk towards the bathroom, ethan following close behind like a lost puppy.
As I pour some makeup remover on a cotton pad and begin to move it around my face, the makeup coming off slower than usual, ethan wraps his arms around my waist and rests his head ontop of mine.
That's what I love about mine and ethans height difference. When I stand with my back to his chest, my head slips perfectly underneath his, like we're a jigsaw puzzle.
And that's exactly what we are, ethan was the missing piece to my jigsaw puzzle, and he fit perfectly in the space where my heart is.
"I thought you looked quite good as a boy." He says as he stares at me through the mirror and I smile.
"Not as good as you, though."I tell him with a small smile, which he returns as I continue to wash the makeup off of my face.
Once it's finally off, I look crazy, my skin is all red from how much I was rubbing at it with cotton pads, and I cover my cheeks with my hands, really embarrassed for some reason.
Ethan has seen me cry, eat, get angry, sleep, watch me wake up in the mornings, but yet I'm embarrassed at the fact my skin is slightly red.
"What are you doing?" Ethan quizzes as he doesn't budge from our position infront of the mirror.
"My skin is really red." I tell him, and he takes his hands off of my waist and raises them up to my face, where he slowly removes my own hands from my face.
"And? You don't look any different." He states before he twirls me around using my hands and cups my face with his hands before he leans down and kisses everywhere over my face, which leaves me a blushing mess, before he presses one last kiss to my lips.
"You always look beautiful." He states, and I smile, kiss him.
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