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#but hey the planning phase of stuff like this is super important too
sheliesshattered · 4 years
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Clearly my spacing and stitch sizing is a little off, but for a proof-of-concept and just eyeballing the distances as I stitched, I think this (very) rough draft of the embroidery for the Oswin apron turned out pretty good! For the real deal, I’ll have to iron that linen fabric, and then lay out my stitches with a ruler, make sure both the length and the width is closer to screen accurate than it is here.
The late night lighting on my craft table makes the red look really orangey, but it’s actually a perfect match for the red of the dress, which is somewhat of a miracle considering that I ordered them online from two different sources, sight-unseen. I would have been happy with close enough, so that was a nice surprise.
Doing all the embroidery for the apron will definitely take quite a lot of time, but even just this little bit was so relaxing and satisfying, I’m suddenly really looking forward to this project. I’m going to try to keep myself focused on finishing the belt in time for Halloween -- and I actually made really good progress on the most complicated bit of it today -- but once I have a little more free space on my craft table I think I might work on getting the first part of this prepped and measured out, so I can start embroidering in the evenings. I’ll probably start with the middle of the neckband so that my roughest stitches will be the least visible.
But first, the belt! 
I really do want to get the belt finished in the next two weeks or so, so I can have the whole base costume to wear on Halloween. I have all the pieces for the belt pulled together, but nothing is actually assembled yet, and I don’t want to start attaching things to the belt until I have all the individual pieces made, so I can figure out the spacing. I’m making several of the weirder bits from various odds and ends I have lying around, but the only thing I’m making completely from scratch is the wedge-shaped oddity:
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The screen-used one was probably a bit of toy the prop department dug up and painted, but since this costume has no pockets or bags of any sort, I want to turn that wedge into a flap-top pouch to stash my phone and room key and such in -- on the assumption, of course, that someday I will eventually get to wear this to an actual con.
My original plan for it was pretty simple, just a wedge-shaped bucket pouch with a flap that secures with magnetic snaps, make a faceplate out of foam to replicate the look of the screen-used one, easy peasy. But my phone is so big that keeping it upright made the wedge way too big compared to the rest of the belt. Turning my phone sideways helps, but to keep the pouch from getting too wide, the phone really needs to stay at the top of the wedge -- which then leaves a weird smaller wedge of empty space below it. 
So now I’m thinking an upper pocket, accessed by lifting up the flap, where the phone will lay sideways, parallel to the belt itself. Then below that, a smaller pocket in the lower part of the wedge, which turns out to be perfectly sized for room key, credit card, ID, cash, chapstick, etc -- all those small but important things that I hate not having a way to stash on me while I’m in costume. That bit will have a zipper closure, hidden under the flap, so I can make sure none of that important stuff falls out.
Which all sounds like an excellent and useful final product, but trying to think my way through the 3D shapes involved was seriously breaking my brain earlier. I ended up spending like 30 minutes just sort of staring into space, imagining moving the fabric around, how I would connect the pieces together, where the weak points are likely to be (specifically, the bottom of the pocket that holds the phone), how to make the whole thing hold its shape when built out of scraps of wool, suede, and craft foam, and how to machine-sew the seams in the wool in an order that won’t result in being unable to sew something without sewing the whole pocket closed.
I think I have it. I’ve drawn out the foam faceplate in its true size, based on the size of my phone, and I’ve sketched all the pattern pieces for the wool lining in miniature. There are a couple of places where cutting the seam allowance from a flat piece of fabric will be a little odd, but I think I’ve managed to shift those to the corners that can survive having small holes (ie, my phone isn’t going to fall through a hole that size, but something like a safety pin might). Tomorrow I’m going to cut the whole thing out of paper in its true size, tape the seam allowances together, and make sure it actually works.
Did you ever make those 3D papercraft cubes as a kid? Where the six sides of the cube are printed on a single sheet of paper, with fold lines and extra little tabs so you can overlap it in places and tape it down? This is just like that, only it’s an irregular wedge shape instead of a cube, and the interior is broken up into two parts, with a solid wall in between them. And for the real deal, I can’t tape the edges, I have to pass the wool through a sewing machine, hopefully without any of it getting too fiddly. But hopefully the paper-and-tape version tomorrow should point out any flaws in my plan before I start cutting out the wool pieces.
I also did a proof-of-concept today on gluing both wool and craft foam to suede, and it seems to have gone well. Suede (and leather generally) is odd in that sewing it actually weakens it, so my plan is to make the interior out of wool, with a bit of (faux) horsehair braid to give it extra structure along the straight lines. Then I’ll glue pieces of suede cut to size onto the outside of the wool, to provide the outer body of the pouch, and give the whole thing more structure and strength. The back panel of suede will extend up and over to become the flap that covers the top and front of the pouch, and onto the exterior of that I’ll glue the foam pieces with all the details to match the screen-used one. I think with all those together, it’ll have enough strength and structure to keep its shape, but the wool interior will provide a soft and quiet lining, so nothing in the pockets is banging around.
But honestly, I’m mostly using these materials because I have scraps of black wool and black suede that have been lying around in my fabric stash for, oh, let’s see -- just over 9 years for the wool, and almost 18 years for the suede, though the suede at least has been used in other projects since then. These are small enough pieces that this is really all they’ll be useful for, and the black should be unobtrusive enough that the only thing anyone will actually notice will be the foam faceplate that looks like the screen-used one.
That’s the theory, anyhow. We’ll see how it all comes together. This is by far the most complicated bit of the belt, and it’s up there with how complicated it was to flat-draft the pattern for the drape at the neckline of the dress. Once this is done, putting together all the other little bits for the belt should go a lot faster, really just combining pieces together, gluing them down, and painting.
Not counting today or the 31st, there are 17 days left until Halloween. I should be able to knock out the whole belt in that timeframe, but only if I don’t let myself procrastinate too much. And on that note, maybe I’ll start on that paper mock-up tonight rather than putting it off until tomorrow...
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painted-crow · 3 years
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hey so i'm looking to figure my sorting out. i'm p sure of my secondary but honestly i've gone in circles so many times that i'd believe anything lmao
so i guess to start like. i'm fairly sure i'm an idealist, but with a twist. i care about making the world a better place-- i'm kinda infamous among my friends for being a little TOO outspoken about my opinions. on a small scale, i have strong opinions about a lot of things, but on a larger scale... idk. i don't think any one person can know what an ideal world looks like cause there really is no such thing. there are literally countless variables when it comes to implementing even small systems, countless ways to fuck it up, so i don't think i'd be choosing some grand ideal over the people i love anytime soon.
that being said, i think my idealist streak gets directed into something else most of the time. i'm very focused on understanding myself to a fault. i want to know why i do the things i do, why i believe certain things over others. when it comes to my beliefs about the world, they're strong but take it or leave it, but when it comes to myself they are not a good idea to push. i've ended relationships over not feeling like myself with them or feeling like i'm losing myself or they're pushing me to be someone i'm not. i make strong instant decisions about what the "right" thing to do is when it comes to how it impacts my perception of myself, especially with intimate relationships (i'm a lot less impulsive with things like friends and things i'm less personally involved in). i NEED to know who i am, way more than i care about any one specific person or thing. obviously i love people very deeply and would do just about anything to have both, but if i don't know who i am, if i'm not true to myself, then i have nothing. losing people happens.
the issue is, because i'm prone to doing that and not thinking as much about how it'll impact people, i've been called selfish a lot over my lifetime. recently i've started thinking more about how my actions impact people and their feelings, and i'm feeling a lot more torn. i want to do what i want to do, what i feel is best, but i feel immature for doing it a lot. i've started worrying a lot about being a bad person and hurting people, and i've been thinking about how the "right" way to be is. i went through a phase where i was repressing myself to make the "moral" choice, but i just felt so flat. ultimately i realized that it doesn't really matter how good i am if i have to repress myself to get there, cause then all it is is performance. tldr is i feel super guilty for making "selfish" choices rn, especially as i've gotten more aware of other peoples' feelings.
what i think is probably going on is that i'm an idealist primary with a badger model, but i'm not sure between lion and bird, and i'm still open to badger. pretty sure i'm not a snake.
the section on my secondary's gonna be a lot shorter, sorry this got so long! so i'm p sure i'm a badger secondary. considered lion and snake secondary too. whatever i am, i have a p loud lion model over it. i've always had a gift for making people trust me, for acting. i kinda blend in and become what i need to to both help them and get them off my back so i can do what i need to do. i have a serious passion for helping people with tough love (i like to think of myself as a p good advice giver, since i can both tell people what they need to hear and really get in their shoes and be kind where other people might not). i think i judge myself the least when i can kinda toe that line between pushing boundaries and stepping back-- i track where peoples' boundaries are constantly so i can push them to the limit without stepping over them. i'm very fluid when it comes to presentation in reality, even though i think people actually think of me as kinda controversial. i tend to see people who are ACTUALLY overstepping boundaries as lowkey selfish at times, even though i also really respect them. i like to do things the "right" way as long as i give a shit about them. the catch is, i don't want to blend into the background, and i don't think i do. a partner of mine called me a fox cause he noticed the way i constantly toe that line where i can get people to notice me and still keep them off my back, still make them comfortable. i'm also NOT a planner. people constantly give me shit for only ever feeling things out in the moment, and honestly thinking about the future freaks me out. i don't want to plan how i do shit i'd rather just get in the zone and figure it out from there. tldr i'm pretty sure i'm a badger secondary? but i could be convinced of snake. definitely see elements of both but my gut's telling me badger so take that how you will
anyway! thank you so much for taking the time to answer this, i know it's a lot.
also sorry one thing i forgot to add about my secondary! i think my lion model got so loud because when i do the shifty presentation thing, i have a tendency to lose myself and start perceiving myself as whatever i'm presenting. it's made it really hard to figure out who i actually am and so i started just being as clear about it as possible.
for my primary, i really care a lot about being right. i try to take every side into consideration to make sure i get the best conclusion. i can be super stubborn when it comes to certain things, but i don't want to just... hold to perceptions that are wrong. that being said it's important to me to trust my gut and i take it as a big input. i'm very felt out for most things, don't really have a strong system of how to be. i really wanna be able to trust myself but i just don't. i have a big habit of relying on other people to tell me what to think, which is uh. yeah.
Primary
You're a Bird primary with a Lion model, and you're trying on some Badger ideals. That's one of the easier Sorts I've done, lol! Possibly because your primary and models actually House match mine :p
Your reasoning process screams Bird xD and so does your writing style and just the length of the ask. Birds love self-analysis, it's part of how we make sure our systems stay as close to true as we can make them.
You've got some Lion too, but it's a model. It sounds like your Lion and your Bird have come into conflict before, and like most Birds with Lion models, it bugs the snot out of you when your Lion's intuition (which is important data!) doesn't line up with what your Bird knows.
You've prioritized Bird's conclusions before, but (as with many Birds) you don't entirely trust your own system and you're wondering if your Lion might have been right and you should give its reasoning more weight.
Also, you're consciously deciding that maybe Badgers' way of doing things is more moral than yours, and you're pulling in some of those ideals. That doesn't make you a Badger primary. Birds are notorious for this kind of thing actually 😂
The line between whether some ideals you've pulled into your Bird system vs. what counts as a model is fuzzy. It's up to you really, how important those pieces of Badger are to you.
For me, I think the line might be--is it wired into your sense of self on its own, or does it get filtered through your Bird and Lion? It really sounds like your Lion is a strong part of your sense of self: if you ignore its advice, you feel not totally like yourself. You don't have to feel all your models equally strongly, but thinking of it that way might help.
(It's also hard because Birds often feel like they kind of are their systems, or they are their ability to reason, that's a core part of their identity. ...It's complicated.)
Secondary
You sound really really Snakey. I'm not sure where you're getting Badger, actually!
Badgers are more than the mirroring ability. They also bury themselves in work or community, and it can sometimes look like they're neck deep in so many responsibilities that they couldn't possibly handle any more problems--and then they do have a problem, they do need something, and they stand up and all that stuff they were buried in turns out to be armor and tools.
Snakes, otoh, are improvisational and tend to be very aware of their surroundings. Unlike Badgers, the Snake brand of social shapeshifting involves a lot of keeping track of other people's reactions to what they're doing--trying something and then watching the response, then adjusting, rinse and repeat. You turn yourself into exactly the right person for this situation.
Badger mirroring is usually simpler. You reflect the other person's energy back at them: it's an empathetic response that says we're alike, I accept you, you're safe. A lot of Badgers do this without thinking--it can be hard to turn off.
Snakes also don't go in for prep work as much, it tends to trip them up (Snakes with Badger or Bird models notwithstanding). They're Improvisational secondaries, unlike Bird and Badger which are Built and rely heavily on some form of preparation.
The Lion model sounds legit, but just check for yourself: you might be learning to use Snake's neutral state. Snakes will sometimes drop all their layers of acting and maneuvering and suddenly they're just themselves. Different Snakes have different relationships with neutral state. For some Snakes, it's a relief to drop the mask; for others, it feels vulnerable and they only trust certain people with their full authenticity.
It does sound like you really admire Lion secondaries, though, so you might indeed have a model there! This is just something else you could check on.
Hope that helps!
- Paint
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steve0discusses · 3 years
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Yugioh S5 Ep 18: A Series of Ecological Disasters
Booting up ye old Yugioh, booting up a new aesthetic playlist to type to. (today’s playlist is webcore, which would feel like such a damn fake aesthetic, if it weren’t that every single one of these -core aesthetics are pretty damn fake and everyone knows it.)
Anyway, it’s been so long that, I’ll be honest, I thought I booted up the wrong episode:
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I usually skip the anime intro, but I try to watch it once each arc, cuz the intros change, and this arc was like “screw it, here’s all the other villains, just pretend this arc isn’t happening.” They had Pegasus, they had Marik, they have Bakura (who is kind of in this shot as well, you can see him phasing in there.) And like...I guess they’re hiding the villain of this arc or something because that was it. Alexander the Great got just nixed from this villain list and that’s a shame.
Just a real weird choice, but since apparently this arc didn’t air in Japan they probably had to outsource this anime intro and whatever studio in charge of it just cobbled together stuff from every other season and then a couple of shots of capsule stuff.
Speaking of capsule stuff: get a load of how many freakin lines the animators have to deal with every time they draw Grandpa.
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Bro saw this and was like “oh yeah, this is a Shonen Jump” and yeah. The hair does give those vibes. We got a good look at what Vegeta would look like if he really let himself go.
(read more under the cut)
Sorry, my playlist started playing a song where every single line of the song is “Adrien Brody” and it took me like a few minutes to realize I was listening to “Brodyquest” completely seriously.
Damn it, webcore, don’t betray me like this.
Anyway, this arc does something super surprising: Yugi actually hugs somebody and doesn’t look like he’s going to pass out standing up.
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It is pretty fitting that the good Yugi hug would go to Grandpa.
And, as night falls, Joey Wheeler has gotten hungry, and there is nothing to eat but his new best friend and spirit animal, baby dragon. Unfortunately he shares life points with the dragon, and I think if you eat it that just instakills you.
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And directly underneath him--since this world is like 100 feet wide and things just conveniently happen--Tea has told everyone that they needed to stop worrying about Joey. Which is a lot coming from Tea, because her worrying about Yugi/Yami getting hurt is most of what occupies her headspace in this series.
But even Tea was like, screw Joey, I guess.
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Who kinda just falls directly into them upside down, and shows us what Joey’s hair looks like when it’s sticking straight up.
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For reals, admire how long Joey Wheeler’s hair is. If Tea were upside down, she would have the same length of hair.
Also speaking of Vegeta, I am low key concerned that Joey has what appears to be a significant amount of male pattern balding going on for a teenager.
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Apparently getting set on fire many, many times did have an effect on Joey, and this massive pompadour he wears is a combover. Poor baby.
Holy crap, if this is what card stress and getting killed multiple times did to Joey Wheeler, can you imagine what’s going on under Seto’s bangs? That’s probably why his bangs ride so low, Seto likely wears a freakin toupee.
Guys, Joey’s gonna lose his hair at 25 at this rate. Those locks just aren’t long for this world. Poor baby.
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After Joey rejoins the party, he immediately eats all of their food. Not sure why they can’t just have Baby Dragon eat like...whatever Baby Dragon naturally eats...and then transform that into shared Joey Wheeler life points, but it’s not clear exactly how much of a life-connection they have with their Yugioh monsters. Not like it matters because Joey Wheeler is default starving all the time anyway.
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Tristan has decided we should start laying blame, I guess because Duke Devlin isn’t here anymore to be the local kill joy. This doesn’t seem to be important at any point, and most of the characters are just ignoring Tristan because like...once you’re in the haunted game in a haunted tomb in a random part of India--it’s kind of moot to argue about who’s fault that is, youknow?
Joey reminds us that he found this quest item in a treasure chest under a secret waterfall. No one says “that was convenient that you landed there after getting chased through a ravine by man-eating birds after you got your dragon from when you got your crotch injury from getting spliced by that tree.”
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Which is when Tea says “Wait! We haven’t had a plot thing happen in like 4 seconds! Wait!”
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Hey what degree of “I don’t trust nature” do you have to be to assume that all the flowers are trying to eat you?
Like what level of anxiety is Tea where she not only is like “pretty sure the flowers are going to destroy us?” but also...she’s correct? Like she’s not wrong.
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They set the dog flowers on fire, but unlike the Jungle Book this doesn’t solve any problems (which apparently got taken off the Disney+ kid’s menu so...yet again, I make a Disney reference in these recaps that future generations will not understand because so much of the Disney library has been banned from the vault. It’s almost like Disney should let go of that copyright they held on for like a hundred years, because what they’re holding on to is only going to get more racist with time. But nah. Gotta hold on with their greedy mickey mouse gloves.)
So instead of using fire, Tristan used his monster to electrocute the air (?) and blind the dogs. Wisely, the animators quickly jumped to this other scene so we wouldn’t have to analyze why it’s suddenly daytime or why that plan would even work.
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Joey and Tristan do a lot of buddy buddy stuff this arc. Usually we see a lot of Joey and Yugi’s bottomless friendship, but we don’t get this much Tristan/Joey love. So shippers rejoice, these two seem to have several coordinated dances and songs...and I’d say that teens don’t typically do that, but I went to summer camp, there are situational places where teens will sing the entire vacation and make coordinated dances.
Weirdly, since Joey and Tristan share so much time together, this also means Tea and Yugi actually sit next to eachother for a lot of this arc, almost as if they were a couple. Mind you, they’re chaperoned closely by Grandpa, but youknow...that’s a different energy than I’m used to seeing.
That and like, they can’t have Tea dance with them because last time she did a dance, it was like a DDR fight and she elbowed some guy like it was a fisticuffs situation. Like there was some sort of dance war going on behind the scenes of Yugioh’s card war, and it came up once and I guess Tea resolved it and the dance fights haven’t come back since.
Overall, if they did a dance with Tea, they would get kneed in the face, so that’s probably why they insist on doing cancans as a duet and not a trio.
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After Joey and Tristan freak out over having no food, Tea decides to just start eating in front of them.
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and like...didn’t Joey eat that food yesterday? Like last night? The short term memory loss on all these fools.
Immediately after this we realize something weird in the water. That’s right, it’s a massive head.
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Yugi seems to have forgotten they lit this turtle on fire and electrocuted the entire sky the night before. Not that it mattered.
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There were like...nesting birds on those trees on that island. What the hell? They just killed so MANY of those man-eating dogs that are flowers.
Seriously are land turtles allowed to just...dive underwater for long periods of time? How does that ecosystem even work? It’s like...That’s wild to think about.
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Inside the temple, they have to fight a genie or something.
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In case you were wondering, the only reason Tea and Grandpa got iced is because they were the closest to the door. The two who were actually standing out of harms way were the closest to harm the whole time.
Bro tells me this is also what will happen to you if you are in the front or the back of the party while playing Cthulu D&D
Anyway, Pharaoh decides to disclose that his big problem of feeling guilty all the time and taking all the blame, which he did all of last season...is still a huge problem he will probably never tackle.
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Straight up, don’t be fooled by my caps, everyone else has completely forgotten about Alex, who is still running around that temple up there. They haven’t even asked Grandpa “hey is this your protege? Is this your mentee you never told us about?” Nah. They already forgot. 
How wild is it that Pharaoh thinks this is all his fault when he was the only one who was like “YUGI IT’S A TRAP DON’T GO IN THE- well...OK I guess we’re doing this, fine.” Is he upset he didn’t take control from Yugi and walk back to the plane? Because that’s the only way he could even be partially responsible, He was the only guy who was like “I see the end from the beginning on this y’all, and it’s the massive pyramid in India.”
Speaking of forgetting, they came across this language Pharaoh has decided to have nothing to do with.
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This was actually a riddle and it was like...it was a riddle, sure, I guess.
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And so Joey Wheeler does not hallucinate his dead wife from a previous incarnation and get on the back of his Baby Dragon to sail away into the sunset. Instead they’re just gonna walk.
Too bad Tea’s orb covered in wings only seems to hover a bit. Every single wing on that weird orb is absolutely useless.
And then Pharaoh’s pokemon is just a fire--which is hard to sit on--and Celtic Guardian...who would allow it, sure, but probably doesn’t fly (I think. He might fly)
And then Tristan’s Pokemon kinda seems like if you sit on it, you will get electrocuted. It can probably fly though. It’s very round. Seems like an anime thing that the more round your mascot character is, the more likely it can at least bounce a good distance.
So, next time, I’m just going to assume that we are going to do even more camping. And youknow, if you told me exactly HOW MUCH CAMPING was in this card game show with super future tech, I would not have believed you. But like...a lot of this series is set in the woods right? Like a lot a lot? I have grown to appreciate the woods.
Anyway, as always, if you just got here, this is a link to read these in chrono order:
https://steve0discusses.tumblr.com/tagged/yugioh/chrono
See you next time!
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moon-light-jukebox · 4 years
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“All you have to do is ask” Chapter 4 - [Reid x Reader]
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previous chapter // series index // next chapter
Summary: The morning after! How awkward could it be when Reader and Dr. Reid meet in the bullpen the next morning? An honest conversation turns smutty and Reader is starting to rethink some decisions.
Pairing: Spencer Reid / (Female) Reader
Word Count: 3.6k for Chapter 4
Content Warnings: No smut actually happens this chapter, but there is a lot of smutty talk. BDSM themes. Fluff. Tiny bit of angst if you squint.
A/n: This chapter was initially just supposed to be filler, but when I sat down to write it, it became really important to me. The way BDSM dynamics are presented is really important to me, so I wanted to do it justice. The actually femdom kicks off in Chapter 5 😌 (Also, tumblr isn’t letting me tag some people and its slowly driving me insane.)
y/n = your name. y/l/n = your last name. italicized text are Reader’s thoughts.
-- Chapter 4 – “Please don’t lie to me.” --
I wasn’t sure what I expected to happen when I got to work the following morning; my mind spun in circles while the elevator slowly brought me to the floor that housed our elite FBI unit. Try as I might, I couldn’t stop my thoughts from straying to last night.
Spencer had fallen asleep with his head in my lap, my fingers moving softly over his scalp, brushing through his curls. I sat there for longer than I wanted to admit, lost in thought. How did I let this happen? I thought over and over again. Did I break my rules because I knew Spencer? I trusted him with my life; I trusted the entire time with my life, I had to. Perhaps that’s why I let him kiss me, let him touch me. I trusted the good doctor in a way I hadn’t trusted anyone I had been intimate with in a long time.
That must be it. I refused to look at it on a deeper level; I couldn’t. I had to keep my feelings in check. I wouldn’t risk my job, my life, my world over unchecked emotions. Not again.
The metal doors slid open; the bullpen was already buzzing with activity at 7:50 in the morning. I usually arrived earlier, but I had stopped for coffee. I reasoned that it was just a treat for myself; not an excuse to avoid the office coffee station, which we all knew was the domain of Dr. Spencer Reid. I hadn’t received any messages from Garcia or Hotch, leading me to assume today was another day of paperwork.
I tried to stop my eyes from searching for him, but it was no use. He was like a magnet for my senses. Most of us typed up our reports and only wrote when we had to, but most of us were not Dr. Reid. He was hunched over, papers scattered over his desk in some pattern of order only he would understand. His pen scribbled quickly over the pages, his tongue poking out the corner of his mouth in concentration.
It wasn’t until he glanced up suddenly that I became aware of the world around me; someone had said my name, alerting him to my presence. Looking around, I shot Prentiss a smile, her gaze already on my face. “Hi, Em,” I said in greeting.
Her smile confirmed my suspicions that she was the one who had spoken. “Did you do anything fun last night? You didn’t answer my text.”
Who, me? “Oh, nothing much,” I said brightly, placing my bag at my desk, setting my coffee down. “I just did some stuff around the house. I’m sorry I didn’t see your text.” I hadn’t seen her text until hours after she sent it. I was so wrapped up in that man I didn’t even look at my phone. For hours.
One of the wonderful things about SSA Emily Prentiss is that nothing phased her; she had lived a life that was too complicated and dangerous to sweat the small stuff. “Not a problem. Are you doing anything tonight? Garcia is trying to organize a girl’s night.”
I could still feel my boy’s eyes on me. “No, I don’t have any plans. If she asks me, I’ll let you know.” Prentiss scoffed, turning back to her work. We both knew Garcia would ask.
Don’t look, don’t look, I kept repeating to myself; but how could I not? Slowly, my head turned towards him, finding him already staring at me. To anyone else, his face would have appeared blank, but after last night, I knew him better than that. He didn’t have his glasses on today, he wore a button-up shirt with the sleeves rolled to his elbows, his messy curls hanging in a state of permanent disarray around his face. Calling his eyes brown was doing them an injustice; not quite hazel, they were filled with so many tiny shards of color, giving them a depth I had never noticed before last night.
No, his face wasn’t blank; his face was filled with uncertainty. When he eventually woke up last night, he lifted his head from my lap quickly, his cheeks red with embarrassment. I hadn’t said anything; I kissed his cheek and walked out of his apartment. My poor nervous, beautiful boy. I offered him a small, soft smile. This didn’t have to change anything. Not if he didn’t want it to.
--
Just because you expect something doesn’t mean you’re ready for it; that’s a lesson I had learned a long time ago that had always held true. I expected Dr. Reid to try and talk to me at some point today. I expected it, but I wasn’t ready when he finally cornered me on my way back to the bullpen from the bathroom. I felt his presence before I saw him; he stepped around the corner, briefly meeting my eyes before he started shuffling awkwardly.
He cleared his throat. “H-hey, y/n. I was…I was hoping that I could talk to you for a minute?”
Still such a nervous boy. I gave him a nod; I knew he needed answers. It wasn’t fair to ignore him just because I was uncomfortable with how I was feeling. I had done this before, Spencer hadn’t. Honestly, I wasn’t sure what Spencer had done before. I turned as he walked past me, following him down the hallway until we reached JJ’s old office. It was filled with old boxes and scattered with case files. It was as private as we were going to get.
I waited for the boy genius to speak first; it might have been cruel, but I really didn’t know what to say, I didn’t know how to begin. How was I supposed to start this conversation when I remembered the noises he made when his cock was in my mouth? When I could still see the desperation in his eyes when he begged me to cum? After I had gone home last night, I lay in my bed until I couldn't resist the urge anymore. I slid my hand into my panties and remembered those sounds, how he looked, as I brought myself to a powerful orgasm.
I had masturbated thinking about Spencer Reid. That probably wasn't as earth-shattering as I was making it out to be, but I didn't do those sorts of things. I didn't do this shit with someone I work with…someone who has some form of power over any part of my life. I wasn't vulnerable; I was never vulnerable.
“Y/n,” his voice cracked on the last letter of my name. “I…I wanted to talk about yesterday.”
“I figured.” I kept my tone light. Despite my complicated feelings about the situation, I really did care about Spencer. I knew that for certain. Seeing him nervous, squirming, and desperate yesterday was one of the sexiest moments of my life. Seeing him nervous, squirming, and desperate today was different; it made my heart squeeze.
He gave me a smile. “I know we didn’t…talk about things before or after. But…I wanted to thank you.”
I quirked an eyebrow at him, earning a beautiful flush rising on the apples of his cheeks. “No, not about that,” his voice squeaked out, furthering my amusement. “I meant for staying with me. Last night. You could have left after we were…done. But you didn’t. You knew I needed to be close to you…and you stayed with me.” Dr. Reid finally stopped fidgeting, his words less rushed, but still tinged in nervousness. “No matter what happens after this, that meant a lot to me. So, thank you.”
“You don’t have to thank me for knowing you needed aftercare, Spencer.”
“Yes, I do.” Those three words made my breath stutter. Did he know? Did he know how scared I was? Could he tell how badly I wanted to run from the feelings he brought up in me? Knowing my luck, probably.
“You’re welcome, Pretty Boy.” Spencer smiled at the nickname, but I could tell he wasn’t done. Thanking me wasn’t the only reason he’d pulled me in here. I decided to speak before he got the chance to again. “Can I ask you a question?” When he nodded, I asked what I had wanted to know since the moment I met him. “Are you a virgin, Spencer?”
He must have known it was coming; he tried to keep his face impassive, but I could see the embarrassment in his micro-expressions. "No, y/n. I'm not a virgin…" Not super convincing, Doc. “I’m really not,” he gave a small huff of amusement. “I’ve had sex before…just not a lot.”
There is it. “What is not a lot?”
My boy shifted his weight from foot to foot then. "I had sex for the first time when I was 24, right after I joined the Bureau. I've gone on a few dates since then…It's lead to some…stuff, but it's never gone that far again."
“So, you’ve had sex with one person? Was that a woman or a man?”
“She was a woman.” I loved that he didn’t seem offended at the question. Spencer didn’t put on airs of hypermasculinity; I wonder if he had ever given any thought to his sexuality, or if he just accepted that it was what it was.
“Okay. Have you ever thought about having sex with a man?” This wasn’t relevant, I was just curious.
Spencer licked his lips; I could tell this conversation required a lot of courage from him. "Yes. I've been asked out…I've gone on two dates with men." He smiled when my eyebrows rose in surprise. “I’ve kissed men, but men are…they’re so aggressive. At least the ones I have been interested in.”
“Is aggression bad?”
“No,” he went on quickly. “It’s not, usually. I just…I don’t pick up on cues very well. I didn’t feel…safe with them. I was attracted to them, and I wanted to have sex with them…but I didn’t want to do that unless I felt like the person cared about me.” His voice shook, but his eyes never left mine, even as his fingers began to fidget with the end of his tie. “With you…yesterday, I knew you wouldn’t hurt me. I knew you’d…you’d stop if I wanted you to. And you made me feel like it was okay.” Fuck, why does he do this to my heart? “You made it feel like exploring my sexuality was okay. With you.”
I took a step towards him then; I couldn’t stop myself. He was the sun, lighting up the entire room, and I was just a mere mortal that wanted to stand in his light. I raised my hand to cup his cheek, gazing up at him; he was so tall, so much taller than me. “Exploring your sexuality is okay, Doc.” My voice was firm, leaving no room for debate. “It’s important to feel safe with the people you explore it with. You should never do something that makes you uncomfortable or with a person that doesn’t care about you. I’m honored that you saw that in me.”
He wanted to kiss me; I knew he did, I could see it in his eyes…but he didn’t. I don’t know if it was because we were at work or because he was afraid that I would reject him. I wouldn’t have. His hand came up to cover my own, pulling it down from his face so he could lace his fingers through mine. Just like my kissing him, it wasn’t lost on me that holding my hand was significant to him.
“I know we didn’t talk about it,” he said quietly. “I don’t want to do anything that would make you uncomfortable. We work together…but, I like you. I trust you. And…if you wanted- if you’re okay with it…I’d like to explore what we talked about yesterday. With you.”
I knew he would want to. Who wouldn’t want to explore the unknown? Especially a curious man like my Dr. Reid? Despite all of that, my heart couldn’t help but swell at his declaration. I loved being dominant in the bedroom. I found that amount of control arousing beyond belief, and I’d never say otherwise. But there was something about the trust that my submissive put in me that fulfilled a different part of me. To be trusted like this…It was something so important and it triggered a feeling of pride in myself. I was worthy of their trust.
I squeezed his hand. “Okay, Doc.” He looked so fucking hopeful. “We can discuss it. This is the unsexy part of any BDSM dynamic. We have to talk…a lot. Communication is what makes this work.” And I do want this to work, which was terrifying. “I want you to take some time to think about this,” I hurried on when it looked like he’d interrupt me. “You need to do some research, Doc. I want you to look at things and decide what or how you want to proceed. Or if you even want to proceed. If you change your mind, that is okay.” He needs to know that. “Then we can have a discussion and go from there.”
Spencer nodded, seeming more comfortable now that he had a task to focus on. “What about work?”
“That’s an important thing to talk about too. Obviously, we can’t do anything obvious at work. There are cameras everywhere. And we need to focus on cases.” He made a noise of agreement. “We need to talk about what works for us. If you’re open to playing together when we’re on a case in certain settings, like back at our hotel, if you want this to be a monogamous dynamic, signals, safe words, and how we establish when a scene starts.”
His eyebrows were so high I was worried they’d disappear into his hairline. “O-okay.”
I smiled. “Good. Think it over; you know where I’ll be.”
--
Again, just because you expect something doesn't mean you're ready for it. I expected Spencer to want to talk to me again, but I wasn't ready for the text message that popped up on my phone at 6:03 pm.
“I’d like to talk whenever you are free.”
A normal person wouldn’t have been able to do the required research in just 40 minutes, which was the maximum amount of time he could have been home for; but Spencer Reid wasn’t a normal person.
Which is why I text Emily and Garcia some lame excuse about backing out of girl’s night before I told Spencer I was free tonight.
“Are you sure? You don’t have to cancel girl’s night.”
Fucking profilers with eidetic memories. “I’d rather do this. I’ll see you in 20.”
--
I raised my hand to knock on his door but felt myself pause before my knuckles connected to the wood.
What the fuck am I doing? It was a valid question. It wasn’t too late to back out…but it was also far too late to back out. Before my fingers could decide if they wanted to knock or not, the door in question swung open to reveal the curly-headed man that plagued my thoughts.  
He was in the same clothes he wore to work that day, only his tie was missing, the first few buttons of his shirt undone. Spencer’s hair always looked like he just woke up, his curls having a mind of their own and he couldn’t be bothered to tame them. They looked different right now; it was like he had been running his hands through his hair.
I offered him a smile. “Hi, Doc.”
“Hi, y/n.” With a smile of his own, he waved an arm, ushering me into the apartment. It didn’t look any different than it had yesterday, not really. It just felt different. I walked over to his couch, just like I had yesterday. I sat on the same cushion, just like I had yesterday. Everything just felt so different.
Spencer sat beside me, just like yesterday. “I feel bad about making you cancel girl’s night.”
“Don’t. You didn’t make me do anything I didn’t want to do, Doc.” I pushed my hair behind my ear; a nervous habit I hope he hadn’t picked up on quite yet. “I want to be here.”
“I want you to be here too.”
It’s unprofessional to swoon, y/n. Get it together.
I mentally shook myself. “Right. So, where do you want to start.”
“Why do you hold your submissives at such a distance?” he licked his lips; he was nervous, but his gaze never dropped from mine. “I respect you and your decisions, but I would really like to understand.”  
“…Well, that’s certainly a place to start,” I gave an awkward chuckle. He didn’t return my amusement. My curious boy really wanted to know. “I told you, I got my heart broken. That’s it.”  
His eyes narrowed. “I don’t want to pressure you,” his voice was so fucking earnest. “I just…I don’t understand. I want to understand. You don’t have to tell me everything, but please don’t lie to me.”
Shame washed over me; I had been stressing how important open and honest communication is and here I am avoiding something because it makes me uncomfortable. This had never been an issue before; none of my previous subs had ever wanted to know. But how could I even explain how embarrassed I was? How stupid I had been? How I gave someone my entire heart when I didn’t even know the kind of person he really was? How could I explain the choices a 22-year-old girl made?
"You're right, Spence," I took a deep breath. "Trust is important. I won't lie to you, but please understand that I'm not comfortable talking about it right now. I've never talked about it with anyone." I reached out for his hand, holding it softly in mine. "It's not that I don't want you, I just…haven't done that with anyone in such a long time."
He didn’t understand, hell, I didn’t even understand, but he accepted what I said…for now, anyway. “Okay,” he squeezed my hand. “We don’t have to do that, and you don’t have to talk about it until you’re ready.”
My mouth couldn’t help but turn up into a smile. This man. “Thank you.” I let go of his hand, clasping both of mine together and putting them in my lap. I wanted to touch him, but I needed him to not feel any pressure from me for the next part of our conversation. “Now, we need to talk about limits and expectations.” He began shifting in his seat. “I know it’s uncomfortable, but this is all part of it. I assume you’ve done some research, so tell me about what interests you and what doesn’t.”
My boy looked so unsure of himself; he was bearing such a vulnerable part of himself to me, and he was frightened. But no matter how afraid he was, my boy was also brave. “I-…I don’t have any real frame of reference. I’d like to experiment with some things before I decide if it’s a hard limit for me or not.” I nodded in an attempt to encourage him. “I don’t want extreme pain. Or things that are…unsanitary.”
I laughed. “I never expected any different.”
Maybe my laugh relaxed him; he didn't seem quite as tense as he went on. "I'd like to…touch you when you allow it. I've never…really done anything with a woman outside of just penetration. I know the basics of how to…I just would like to do those things. With you. If you ever felt comfortable." I'm almost positive I was blushing now. Spencer Reid, Dr. Spencer Reid, the pride of the BAU wanted to do things to please me; and I was tempted to let him. Who would have thought? “You don’t have to decide now…but the moment you feel comfortable, I’m ready.” His eyes ran up and down my body, I could see his throat work when he swallowed. “I’m really ready.”
After a beat, he went on, “Beyond that, I’m interested in being restrained. I like the idea of choking…but I’m nervous about it. The idea of giving up control and following order is what fascinates me. I…I also wanted to tr-try what you mentioned. In Nebraska.”
As I live and breathe. "Spencer, are you asking me to fuck you?" He knew what I meant; I could see it in the way he bit his lip. "Do you want me to tie you to my bed and make you beg for me to fuck your ass?"
He tried to disguise that whimper, but I fucking heard it. “I-I…It’s not uncommon for men to like that sort of stimulation, given that-“
I raised my hand, placing a finger on his lips before I broke my own rules again. I leaned forward and placed a chaste kiss on his full pink lips. “No shame here, pretty boy. None at all, especially with me.” He watched my mouth move, his posture becoming less tense. “I’d love to fuck you. Pegging a man is something I found arousing, Spencer. The thought of doing it to you turns me on. We can work up to it.”
The smile he gave me was so hesitant and sweet. "Okay." He waited a minute before he went on. "I know that you don't always orgasm with your subs…you don't let them make you cum. I don't want to pressure you or make you uncomfortable, but I really, really want to make you cum." I clenched my thighs together. Jesus fucking Christ. “If you’re comfortable, I’d like for you…for that to be part of what we do together. You’re so beautiful when you cum, y/n. I thought about it last night after you went home. I thought about how you taste…I really want to taste you again.”
Fuck. I really wanted him to taste me again too.
-- 
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makeste · 4 years
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BnHA Chapter 278: MOMO IN CHARGE
Previously on BnHA: Deku and Kacchan were all “SIR, THAT’S OUR EMOTIONAL SUPPORT SENSEI” and got really ferocious and made a very passionate attempt to blow Tomura up and it was great. It basically did nothing, but it was still great. AFO was all “COME HERE LIL BRO”, and Tomura was all “silly Sensei, you can’t just take over my mind and body just like that”, and he was very confident of this despite there really being no evidence to back it up, but okay! Gran was all “time to make the fandom mad at me” and grabbed Tomura by the collar and yelled at him about Nana a bit, and then Bakugou and Endeavor made an even MORE passionate attempt to blow up Tomura, which may or may not have done some actual damage. The chapter ended with Gigantomachia battling Mt. Lady, just kinda out of the blue, which is FINE, but she had better be all right, though!
Today on BnHA: Everyone is all “WAUGHH IT’S GIGANTOMACHIA” and running around freaking out about it. The U.A. alums all kick some ass, and pretty much everyone else not from U.A. does jack fucking shit. Mt. Lady, who I plan on naming all of my future children after, does her best to stop Machia but he keeps flinging her aside. Kamui Woods is all “here I come with Midnight to put Gigantomachia to sleep!” and is PROMPTLY FUCKING MURDERED!? by Dabi because he’s a flammable tree man, and so Midnight falls all the way to the ground and is badly injured. So then she’s all “well I better call the most competent person I can think of to fix this mess” and dials up YAOYOROZU FUCKING MOMO, who proceeds to take charge LIKE THE BOSS SHE IS, and mobilizes the rest of the kids. And honestly I have more faith in them than in any of the adults at this point, so yeah, you know what? Let’s do this.
so I am possibly a bit spoiled on this chapter because I did a “top five predictions” post earlier this week, and someone replied to that yesterday on Thursday saying that they were mostly correct. I don’t know exactly how close to the mark I was though, and in any case most of the predictions were just “so-and-so shows up, probably”, so it’s not too bad. we’ll see how it goes!
OH THANK GOD MY BABIES ARE SAFE
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I mean, CLEARLY they’re all about to be in horrible danger, seeing as Jirou is about to inform them of the whole “THE BIG GUY EVERYONE WAS AFRAID ABOUT WAKING UP WOKE UP” thing, but in the meantime at least Kami and Toadette and Honenuki made it back to the group safely
also Kaminari’s use of “Jirou-Jack” here is fucking inspired and I want him to teach a class on nicknames. isn’t he the one who coined “Yaomomo” as well? this boy has a gift and it needs to be appreciated
so Jirou is all “SOMETHING REALLY BIG IS COMING”, and actually she says “INSANELY HUGE”, which if anything is still an understatement, hard as it is to believe
WOW
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“A BAD GUY IS HEADING THIS WAY?? SOUNDS LIKE IT’S TIME TO ABANDON THE CHILDREN IN THE WOODS” kjlfakh okay you know what?? fine!! you weren’t even going to do anything anyway so let’s not pretend!!
holy shit it’s like Mt. Lady isn’t even there
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look at those speed lines!! goddamn. I just felt this huge rush of empathy for Mt. Lady though. like can you imagine growing up with this super-destructive quirk, and managing to become a hero with it against all odds, and having to put up with the manga making fun of you all the time just because sometimes you have a tendency to DESTROY A LOT OF STUFF, but it’s not like you can help it!! but the upside has always been that when your quirk is on, you are fucking UNSTOPPABLE though. so even though it’s been a hell of a rough ride for you, it’s worth it because you’re a complete badass and the number of people who can beat you out in terms of sheer physical strength is probably in the single digits. and you’re working really hard too, and lately you’ve been moving up through the ranks and actually becoming a damn fine hero if I do say so myself (and I do), and it’s like, about time though?? like finally, finally it is all starting to come together for you. and then this snarling trashrock person suddenly comes stampeding along and you put your all into trying to stop him, and it doesn’t even do a damn thing. like, holy shit. that’s just not fucking fair and YOU DESERVE BETTER, MT. LADY
anyway so she’s still hanging in there for now though so let’s check in with our villain squad riding on his back
lmaooo they’re all “I don’t even understand what is going on here”
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YOU GUYS, THIS IMPLIES THAT THEY WERE ALL PLUCKED OFF THE GROUND BY THE SCRUFFS OF THEIR NECKS AND THEY HAD ABSOLUTELY NO SAY IN THE MATTER OMG. like I’m picturing Spinner being held by his cape pinched in between Machia’s thumb and forefinger, and awkwardly trying to lecture him like a mom with his hands on his hips all, “BAD GIGANTOMACHIA! NO! NOOOUAGH -- !” and cutting off with a yelp as he’s dropped onto his back
and I am glad they got Toga some clothes! I like to think Gigantomachia grabbed those for her as well. so thoughtful
wow Skeptic actually wants to go back to Re-Destro??
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color me legit impressed. I underestimated your loyalty my dude. and let me also just take this moment to extend my gratitude toward Horikoshi for leaving the rest of the MLA out of it because good fucking riddance to them, goodbye forever hopefully!!
I guess they’ll be needing Skeptic’s quirk down the line for some reason? maybe he is meant to be like a new, less out-of-control Twice. smdh y’all out here trying to replace your dead buddy like a pet goldfish
who is this “they” Dabi is referring to
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do you mean the heroes? lol yeah I guess they’re pretty distracted by the literal fucking kaijuu you’re currently piggybacking on
SIGH
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“the Jakku team must’ve made a mistake” BOY, I’LL SAY. you know what, don’t even talk to me about that yet. it’s still too fresh. suffice it to say that your suspicions are correct and things in Jakku are not very daijobu right about now
anyway here’s a closeup of this bubble person just cuz
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they are everything and I want them to be my friend. also there’s a squid person a few paces behind them who can probably do anything a squid can do. or they might actually be a shark person, actually. I don’t know. either way I love them
GETEN PLEASE GO AWAY
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WE ARE PHASING OUT THE MLA!! MOVING FORWARD IT’S ORIGINAL LOV ONLY!! I’M SORRY BUT YOU DIDN’T MAKE THE CUT. we already have an ice character so shoo
OH DAMN MY MAN CEMENTOSS HAS HAD ENOUGH OF HIS NONSENSE TOO AHHHH YESS
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1) hey so Cementoss is legit terrifying who’d’ve thought
and 2), did Cementoss always have a mouthful of gigantic perfect teeth each the size of a slice of bread, or is this just something I’m only noticing now because I’m behind the curve. either way, let me just say sincerely, DKJDLKFJLSKJG
RE-DESTRO YOU GO AWAY TOO!!
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@waywardfacegarden​ you asked the other day which are the characters I actually dislike, and this is one of them lol. he’s just a big ol’ prick, and on top of that has the audacity to not even be interesting in any way so as to balance it out. anyway so apologies to any Re-Destro stans out there but I basically spend every panel he’s in hoping that someone will punch him in the face hard enough to finally make him shut up
anyway so my man Edgeshot is here though, finally!! but of all the people for him to fight! this is a real predicament for me. the most soothing character in the series contrasted with the character who grates my nerves the most. Edgeshot’s sexy ASMR voice is gonna be drowned out by all of RD’s punching and self-important ranting in the anime and I’m lowkey devastated but I’m gonna pull myself together and read on
SPEAKING OF SELF-IMPORTANT RANTING
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Edge, if you can liberate us from having to put up with his insufferable ass once and for all I will be so grateful to you. can you do this. please. for me
and it looks like some other boring MLA villains are following along behind Machia so I’m gonna need someone to kick their asses as well. please
-- YESSSSSS
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okay so now I see what that comment on my prediction post was referring to lol. I did indeed have my fingers crossed that these two would show up again, and sure enough! THE GANG’S ALL HERE YAY
and Mt. Lady is being sumoed aside!
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anyone want tonight’s lotto numbers. during this brief fleeting moment of having my predictions be actually credible, I would just like to say that Hagakure is the U.A. traitor. thank you and goodnight
OH NO KAMUI IS WORRIED
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HE LOOKS SO PANICKED?? OUT OF THE BLUE I SHIP IT SO MUCH?? I keep forgetting they’re on the same team and stuff and wow, I need to calm down
LOL MIDNIGHT IS ALL “NO TIME FOR SHIPS!!”
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I wonder if her quirk will actually be enough to take him down? this is something I’ve been itching to see for a long time, actually. just how powerful is she? we know her quirk is more effective on males than females, but is anyone actually capable of resisting it? imagine if she really did just knock Gigantomachia out after all of this buildup. that would be some god-tier shit omg, DO IT
(ETA: I am just going to assume that since Horikoshi had to go to elaborate lengths to take her out of the fight, this means that her quirk really was capable of knocking them all out. another tragic case of Too Badass For The Plot. y’all better respect Midnight.)
YESSSSSSSS
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is she stripping. you know what -- don’t think about it. I won’t let you ruin this for me Horikoshi. Midnight’s gonna be a badass because the ladies are fucking ruling this arc and that’s all there is to it
NOOOOOO
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DABI GET BACK HERE I JUST WANT TO TALK!!
oh thank god, she’s all right. BUT KAMUI ISN’T THOUGH DLKJSFLKSJDG??!
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did Kamui Woods just... die
(ETA: okay but for real, is there an actual curse in effect on the Billboard Top Ten right now, though?? did one of them accidentally disturb the tomb of some ancient king??)
...
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( ・ั﹏・ั)
oH MY GOD!?!
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NOOOOOOO WHY ARE YOU SO QUICK TO SLEEP ON MAJESTIC, LET’S SEE IF THEY CAN DO IT!! GIVE US MAJESTIC GOD DAMMIT
(ETA: Horikoshi is seriously just yanking our chain at this point. when Majestic finally does show up, he or she better have the coolest fucking quirk of all time, that’s all I’m saying.)
okay how badly injured is Midnight here, though?? she just fell all that way?? DO I NEED TO BE REALLY MAD. I CAN WORK MY WAY UP TO IT PRETTY QUICKLY, JUST SAY THE WORD. I’M ALREADY HALFWAY THERE HONESTLY. WHERE’S KAMUI WOODS
!!!!!!!!!!!
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AND JUST LIKE THAT MY ANGER EVAPORATES INTO THE NIGHT, YESSSSSSSSS!! MOMOOOOO
holy shit. “a quirk that can stop that thing,” she says. and goes and calls YAOYOROZU FUCKING MOMO y’all I am barely holding myself back from SCREAMING right now I...
you guys
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you guys. if Midnight and Yaomomo team up to take down Gigantofuckingmachia using some sort of MOMO MADE A MACHINE TO SPREAD MIDNIGHT’S QUIRK strategy, or whatnot?? I will fucking die on the spot. you can end the manga right there. Kacchan you can keep your quirk I don’t even care
“IT MIGHT BE AGAINST THE LAW” lmaooooo insert John Mulaney “WE’RE WELL PAST THAT” gif here. holy shit. listen, that is fine. if anything it’s even better
WHAT THE FUCK
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DO I NEED TO START GETTING REALLY MAD AGAIN!?!?! FUCKING WHIPLASH, IS WHAT THIS IS, BUT YOU JUST TELL ME WHAT SORT OF OVER-THE-TOP REACTION IS NEEDED HERE AND I’LL GO FOR IT
(((( ;°Д°))))
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[GRABS HORIKOSHI BY THE COLLAR] listen, you. if you only just now, for the first time ever, gave us a lady hero actually mentoring another lady hero, which we have somehow NEVER HAD BEFORE in almost three hundred chapters, only for you to then KILL OFF THE MENTOR IN THE MIDDLE OF HER GODDAMN SPEECH TO THE MENTOREE, I will... there’s... I’ll... okay, listen. DON’T. THERE WILL BE A RECKONING. CAPSLOCK SUCH AS THIS WORLD HAS NEVER WITNESSED!!
ヽ(#゚Д゚)ノ┌┛
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I DON’T EVEN KNOW HOW TO REACT TO ANYTHING IN THIS CHAPTER AND I’M LOSING MY MIND OVER IT
so the other kids are all “what the fuck” and “so Momo’s in charge??” which, YES!!! IT’S THE ONE GOOD PART ABOUT ALL THIS SO DON’T YOU DARE QUESTION IT
MOMO NOW IS NOT THE TIME TO BE CRIPPLED BY YOUR ANXIETY, YOU CAN DO THIS GIRL I BELIEVE IN YOU
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hell, it’s not even just an “I believe in you” thing, because it’s not just belief, it’s fact. you motherfucking can do this, you are the most capable and brilliant student in 1-A, you just gotta have faith and let yourself shine!!
so now there are some more panels of Machia running and the villains and heroes fighting, blah blah blah. and Momo screwing up her face as she makes her decision...
YESSSSSSSSS
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my baby girl is all grown up and TAKING THESE MOTHERFUCKIN REINS and MOMO I WILL LAY DOWN MY LIFE FOR YOU JUST SAY THE WORD!!
lol she’s all “Jirou use your ears and scientifically calculate how long it’ll take him to get here”, and Jirou is all “I can literally fucking see him, he’s gonna be on top of us in like two seconds” WELL OKAY THEN
thank god there are no adult pros left to fuck this up. is that weird that this is a real and honest and completely sincere thought that just ran through my head? like, at this point if any of the adults were around I’d just be afraid of them dying honestly. but with the kids I actually feel real hope that they’re somehow gonna do this. of course it helps that unlike the adults they’re pretty safe from being killed off
also! way to represent the entirety of class 1-B there Honenuki lulz. sorry, The Rest of Class 1-B
OH MY GOD
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MT. LADY I WILL LAY DOWN MY LIFE FOR YOU AS WELL!! YOU HAVE MY LOVE AND FEALTY!!
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I’M STANNING HER SO HARD I’M GONNA EXPLODE SOMEBODY HELP!?!
JIROU SAYS THAT MACHIA HAS SLOWED DOWN!! YOU GUYS I’M ABOUT TO GET “MT. LADY FOR PRESIDENT” TATTOOED ACROSS MY FOREHEAD
lmao at Shouji using his power of “putting some extra eyeballs on my arms” to inform everyone that Gigantomachia is Right Over There and Very Big
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good job Shouji
oh my glob I have so much love for Momo right now that it can’t even fucking be contained. brb wildly flailing my hands around a little to try and release some of this excess excitement
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maybe Momo can be president instead and Mt. Lady can be the vice president
NO THE CHAPTER IS ENDING I’M NOT READY
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AND JUMP IS ON BREAK AGAIN NEXT WEEK TOO, FML!!
okay!!
Kaminari is so fucking brave right now I just want to crush him in a hug?! we know he’s still scared!! look at his eyes!! and he was freaking the hell out earlier too, and now the situation is much worse! but he doesn’t give a fuck because his friends need him! he is ready to be a hero, my little baby boy is all grown up and I’m so proud??
Mineta’s face in the bottom right corner is everything. I know, I know, boooo Mineta, but that’s still the best face anyone has made in the entirety of this manga
Tetsutetsu’s out here all “I humbly request to also represent class 1-B” and Momo is all “okay fine I guess we can have two of you guys”
can we all just stop for a moment to appreciate how KamiJirouMomo is alive and well. like, we had interactions between all three of them in this chapter, in all possible permutations? do you know how happy this makes me?? I am vibrating with joy??!
I really can’t stress this enough -- I have no clue at all what these little soda can things are (anesthetic, I guess??? you know, like how you sometimes buy cans of anesthetic at the supermarket?? what do you mean you don’t do that??), or what they’re gonna do with them. I have like negative clues. but DAMNED IF I GIVE ONE SINGLE FUCK. the next chapter can be them all fucking hurling them at his face for all I care. THE DETAILS OF HOW SHE KICKS HIS ASS DO NOT MATTER!! GOOD MORNING TO YAOMOMO AND YAOMOMO ONLY!! MY MOMO ACADEMIA
432 notes · View notes
dannypuro · 3 years
Note
You said your askbox was open so!! From Something Telling I am very invested in the mutual pining of Feuilly and Baz and just that individually they were like. Whispering their feels to their friends. I am parched for any details of. Them. If you are amenable. BYE <3
YOU!!! YOU UNDERSTAND!!!! YOU AND YOUR WONDERFUL ASKS AND GIANT COMMENTS UNDERSTAND THE IMPORTANT PARTS OF SOMETHING TELLING ma’am i owe you my life. i adore you. and yes, without further ado... A Very Long Post about the boys.
feuilly moves into bahorel’s apartment building when he first moves to france, like, five or six years before the start of Something Telling. and he doesn’t speak a lot of french at ALL, at first, because he wasn’t expecting to move, but he got an opportunity with a gallery kind of last minute and he only had time to panic and duolingo it up a little bit. but he moves into baz’s apartment building, all the way up in the tiny attic apartment, and he doesn’t hire any movers because he’s broke, and that would be fine, except the elevator breaks sometime between when he goes out to find some furniture and when he gets said furniture delivered to outside the building. and now he has to figure out how to get this stupid second-hand couch up five flights of stairs and he doesn’t even know anyone in the country he can call for help. 
cue bahorel, coming back from the gym and all sweaty and gross. (nasty.) and he’s never seen feuilly before, but he is CERTAINLY seeing him now. 👁👁. and they have an awkward little conversation--all “hey, dude, do you, like, need a hand?” and poor feuilly desperately trying to remember his duolingo to figure out what the fuck this hot guy is saying to him. bahorel is instantly enamored--feuilly is fucking pretty, okay, and he’s funny and his accent is cute and baz just fucking knows feuilly’s smarter than him and he’s so fucking into it. just. he’s so into him.
and the thing is, baz is pretty sure feuilly’s maybe into him, too--he helps him drag the couch up the stairs, and they make conversation, and he thinks that he’s flirting, a little, and he’s definitely ogling baz up a bit. and, like, yeah, sure--he knows he’s hot, and feuilly’s smoking hot, in an overworked, tired, starving artist way, so... yeah. he’s totally gonna sleep with his brand-new hot neighbor.
only, then they start talking about why feuilly’s moving into the building--he tells baz that he’s new to paris, new to france, and he doesn’t know anybody, doesn’t even really speak french, and he moved for work but he doesn’t really know what he’ll do outside of that, and he’s just so! fucking! charming! and smart! and baz is like. right. well. 🥺, dude. 
they get up to feuilly’s apartment (and HOOOO, feuilly’s pretty strong, actually 👁👁 wow 👁👁 what a coincidence bahorel is shredded as well👁👁 maybe we can hook up and be shredded together👁👁) and set the couch down. and bahorel looks around his empty little attic apartment and takes in his nearly-empty kitchen and his one beautiful houseplant in the middle of the room, because that’s where the most light is, and he can’t just LEAVE. not when feuilly doesn’t have any friends. feuilly’s awesome, baz already knows it! he should meet baz’s awesome friends!
only, feuilly’s kind of- feuilly’s kind of leaning in, a bit, and bahorel has hooked up with enough dudes to know when someone’s putting on the moves. and he’s SO into it, and he almost just kisses him, almost hooks up with him on the couch that they just hauled up five flights of stairs together, only-
only, if feuilly’s a one-night stand, he won’t want to meet baz’s awesome friends, and he seems so lonely. so bahorel takes one for the team. and instead of leaning in to make out with the hottest dude he’s ever met, he’s just like HEY MY FRIENDS ARE HAVING A GET-TOGETHER TONIGHT WANNA COME YOU CAN MEET THEM THEY’RE SUPER NICE AND COOL. (oh, god, he really hopes feuilly wants to.)
feuilly’s a little taken aback, for obvious reasons, but- but he does want to meet bahorel’s friends, and mostly, he wants to spend some more time with bahorel, and it’s a shame that he wasn’t reading the room right when he thought baz was into him, but, well, you can’t have everything. maybe he can’t get laid by his super-hot neighbor, but hey, if he can meet some people who don’t mind that he doesn’t actually speak french yet, and if he can get to know bahorel a little better, he’ll take it.
feuilly goes to the party. jehan adores him, obviously. feuilly doesn’t, like... get what’s up with them, yet, since he didn’t watch french media growing up and therefore missed all of their child-stardom, but he likes them just fine, anyways. jehan’s like 20 and is blazed out of their mind and is having a medieval phase (one of many). feuilly is confused, but also within 90 minutes realizes that he would INSTANTLY throw hands with ANYONE if it was for jehan’s sake. so. 
jehan’s all like “go talk to grantaire! he knows all sorts of things about art! he’s working on painting me naked!” so feuilly goes to talk to the lump in the corner but like. listen. grantaire’s having a hard time. he doesn’t make an awesome first impression. not awful, just... he’s having a hard time. feuilly gets it. they become better friends a little later, mostly because bahorel keeps dragging feuilly around with him whenever he’s free. (not like feuilly minds)
but feuilly doesn’t make a move on bahorel again. because he must have misread the situation, right? otherwise they would have fucked. they’d BE fucking. too bad bahorel doesn’t like him like that. oh, well, at least they’re friends!
bahorel DOES like him like that. duh. feuilly’s awesome. but he hasn’t made a move on bahorel since that first afternoon. he’s probably just not that into bahorel, past the one-night-stand type stuff. oh, well, at least they’re friends!
life goes on. they hang out a lot. like, a LOT. they’re totally each other’s best friends. feuilly learns more french. (baz is actually super relieved when he can’t quite manage to get rid of the accent, even though he would never say so, because that would hurt feuilly’s feelings. baz tries not to act like a dick around feuilly, even though he kind of is one around other people, sometimes. he just... wants feuilly to like him.) feuilly gets absorbed into the group. he picks up another job, in addition to the work he’s doing for the gallery, and he’s making a little more money, which is good for both of them, because feuilly can afford meals that aren’t mostly rice, sometimes, and bahorel doesn’t have to spend all day every day wondering how he’s going to be able to get feuilly to let him pay for his food this time around. (if they were dating, baz thinks, if they were dating, he could take feuilly out for dinner and pay for it and pay for the wine and for the dessert, too, and feuilly wouldn’t be able to give him that look he shoots him whenever baz “accidentally” orders the wrong dish from the thai place down the road, so what if it always happens to be feuilly’s favorite, shut up, man, it’s a coincidence)
but feuilly’s making more money, so he decides to move out of his shitty attic apartment, because it kind of sucks, and it’s miniscule, and he’s an adult, damn it. he finds a new place that is marginally larger and marginally less shitty, and it’s not even that far away, just a couple blocks, and he tells baz he’ll be moving when his lease is up that year. 
bahorel just wants to beg him to move in with him, but he only has the one bedroom, and feuilly’s not his fucking boyfriend. so he helps feuilly move, because he’s a good buddy, and he gets hammered with grantaire, after, because grantaire is lonely for someone he hasn’t met yet and bahorel is terrified that feuilly isn’t going to want to hang out with him now that they aren’t neighbors anymore. 
feuilly, meanwhile, is across town at grantaire’s apartment (sans grantaire) getting blazed with jehan because he’s terrified that bahorel isn’t going to want to hang out with him now that they aren’t neighbors anymore. (jehan’s all 🥺You Are Always Welcome At My Humble Abode🥺 and feuilly’s very touched but he’s pretty sure he’s totally in love with bahorel and he’s scared and he’s also not sure that jehan even pays rent. so.)
they totally keep hanging out. obviously. (maybe a little bit less than they used to, but if baz thinks about that he’ll fucking cry.) bahorel feels a little bit like his heart is going to break, which is totally lame and which was not the plan when he agreed to help move a couch three years earlier. it’s just... there’s nobody like feuilly. there’s nobody even CLOSE to being like feuilly. and feuilly doesn’t like him. and so he spends a lot of time at grantaire’s place, and jehan finally gets their own apartment, so he’s free to cry into grantaire’s shoulder all he fucking wants.
feuilly goes on dates, sometimes. bahorel could totally treat him better than any of those dickheads. damn it.
bahorel hooks up with people, sometimes. feuilly could totally fuck him better than any of those dickheads. damn it.
and then grantaire gets a weird new roommate, or something. baz doesn’t know, fuck, nobody tells him jack shit. but he stops hearing from grantaire for a couple weeks, for the most part, and then he gets the party invite in the groupchat, and fuck, if there’s a housewarming party, he shall attend. feuilly mentions something to him about R’s new roomie being some philosopher, or something, but bahorel was kind of busy watching him fold up little origami flowers out of newspaper, so he missed all that. it’s cool, he’ll catch up.
apparently, grantaire’s roommate is from the 19th century. apparently, grantaire also has a massive fucking crush on him. huh.
when they first meet, feuilly and enjolras are kind of hilariously enamored by one another. not in a romantic way, just in a Very Intense Admiration type way. after they meet at the housewarming party, enjolras is like “I Must Find A Way To Speak With Feuilly Again, For He Is A Brilliant Mind And A Good Man” and combeferre is like... want me to invite him over? and enjy is like “No, I Must Pen Him A Letter. Yes. This Is A Good And Rational Plan.” (he spills coffee all over the letter right when he’s almost done and almost cries. ferre just invites feuilly over anyways.)
feuilly, of course, is freaking out about whether or not he can find a way to hang out with enjolras again. because! ahh!!! that’s François-Marie Enjolras, political revolutionary and philosopher!!!! feuilly’s read his essays like five times!!! what reason would he have to want to talk to feuilly? but also, like... he did want to talk to feuilly--at the party, he’d talked to feuilly for hours, and he’s so smart and a little funny and he’d listen to Feuilly go on and on about slavic history and he hadn’t looked bored once, and just- Ah!!!! and he’s trying to figure out if it would be weird if he asked enjolras if he’d want to meet over coffee when he gets combeferre’s text. (it’s something like, enjolras just composed a letter trying to ask you if you’d want to hang out with him do you want to come over before he uses up all of my printer paper? and then, also, don’t tell him i told you about the letter he’s kind of freaked about making a good impression) and feuilly’s just like. :o
and both grantaire and bahorel see enjolras and feuilly embarking on this sweet, awkward, smart person friendship and they’re like. Oh Shit. They’re In Love With Each Other. Shit. because of course feuilly would fall in love with enjolras--feuilly’s too smart for bahorel, anyways, baz has always known that, and it makes sense that he’d fall for someone who can keep up with him. and of course enjolras would fall in love with feuilly--feuilly is kind and super smart and he knows all sorts of things about modern philosophy and he’s hot, okay, and enjolras is too smart for grantaire, anyways. ugh. baz and R get hammered and cry about it together, but the shitty thing is that they can’t even be too angry, because it’s so obvious.
meanwhile, enjolras and feuilly are across town talking about their stupid crushes on their hot beefy friends. commiserating, yanno? feuilly’s all “sometimes i wish i just kissed him that first day i met him, sometimes i wish i hooked up with him at that party, maybe he would have started liking me after” and enjolras is all “why does he never wear shirts with SLEEVES, i do not know what to DO with myself!!!”
and then one day feuilly and baz are hanging out and baz is like “haha grantaire has the biggest crush on enjolras” (because he can’t keep a secret to save his life.) and feuilly’s like.... “grantaire likes enjolras?” and baz is like “uh YEAH dude. DUH” and feuilly’s like. “that can’t be right--enjolras told me grantaire doesn’t like him back” and baz is like... “bACK?” and then he’s like “WAIT ENJOLRAS DOESN’T LIKE YOU?” and feuilly is like... no?
they realize that their friends are idiots. and they try to help, really, they do--feuilly keeps suggesting that maybe, maybe, enjolras can’t know that grantaire doesn’t like him if he’s never actually asked, and he keeps pointing out things that grantaire does that nobody actually does if they’re not totally gone for somebody; bahorel is straight up just like “R bro enjolras wants to be your boy so bad” and R is like I Am Electing Not To Listen To You.
and then-
and then, they all go out to a bar together. they get hammered, etc. etc. and they’re laughing about how grantaire and enjolras are oblivious, how could they not know that they like each other, everybody keeps telling them to go for it, and then-
hold on.
hold on, because- because that’s what everybody tells bahorel about feuilly. that he should just go for it. that maybe it’s not as hopeless as he thinks. and feuilly’s just sitting there, and he’s so fucking pretty, sometimes, honestly, and bahorel loves him so much, and he’s drunk, and he can’t stand not knowing even a second longer. 
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heartofether · 3 years
Text
Episode 13 - Dog with a Bone TRANSCRIPT
[You can listen to the show wherever you get your podcasts, or go to our “Listen” page if you’re on desktop.]
AUTOMATED VOICE
[INCREASINGLY SLOWLY] Please state your message.
[THEME SONG PLAYS.]
VAL
Three-eyed Frog Presents: The Heart of Ether.
[THEME SONG FADES TO A STOP.]
[PHONE BEEP.]
[INT. AGENTS MAY AND JUNES’ COMPANY VEHICLE, DRIVING INTO DAUGHTLER, WASHINGTON, MIDDAY.]
[THE TWO ARE HEARD DRIVING THROUGH THE TOWN.]
AGENT MAY
This is the audio log of Operation Saturn, phase 1.2. Investigation taking place in Daughtler, Washington, 2019. Set to last for two months minimum. This is day one. Conducted by Agents May and June. All recordings are legal property of the Harper Foundation. Any unauthorized access to these recordings will result in—
AGENT JUNE
[OVERLAPPING] Does Daughtler know no God? That church is crumbling like a communion wafer!
AGENT MAY
Agent June.
AGENT JUNE
I’m just saying! You’d think for a place of worship, they’d take better care of it. Basic maintenance, maybe a new paint job.
AGENT MAY
Well, I guess the people of Daughtler aren’t particularly religious.
AGENT JUNE
Oh, not that I care. I’m an atheist. Raised in a Catholic household, which went about as well as—
AGENT MAY
Look, in the future, could you please avoid speaking over me when we’re recording important information?
AGENT JUNE
What important information? We just got here.
AGENT MAY
Well, if we’re going to be constantly on the record, I would like to maintain some level of professionalism.
AGENT JUNE
Ahh. Hate to break it to you, bud, but if you expect me to shut up for this whole mission, I think you will be greatly disappointed. I am, you see, constantly burdened by great ideas—trust me, it’s exhausting.
AGENT MAY
[SARCASTIC] I’m sure it is.
AGENT JUNE
[AFTER A BRIEF PAUSE, HE SNORTS A LAUGH.] DVD rentals? Dude, who’s renting DVDs in the digital era of pirating—I mean, uh, legally buying and streaming everything online?
AGENT MAY
[DEADPAN] Nice catch.
AGENT JUNE
Anyways, where are we heading first? I’m guessing the motel?
AGENT MAY
Actually, we’re going to make a quick detour. Stop somewhere for a quick interview.
AGENT JUNE
[HE GROANS.] Seriously, dude? We have so much time to do that kind of stuff. Can’t we just, you know, relax for our first day? Settle into Weird Town, USA?
AGENT MAY
I’d like to start this mission off on a good foot. It would be valuable to meet some of the residents, see what they’re like. Besides, this particular individual is important enough that by establishing a relationship early on, it may be beneficial in the long run.
AGENT JUNE
Ugh, fine. Who is our person of the hour, then?
AGENT MAY
Actually, it’s less about the person and more about where they’re living.
[A BEAT.]
AGENT JUNE
Yeah, dude. Obviously. They’re living in Daughtler, Washington. You know, the place we’re investigating?
AGENT MAY
[OVERLAPPING] I mean their house.
Agent June, please, please tell me you know who Bernard Kelly Valencia is.
AGENT JUNE
Obviously, dude! That’s like asking a chemistry student if they know what an electron is. [THEN, UNDER HIS BREATH] Actually, I failed chemistry, so maybe that isn’t the best analogy.
But yeah. Bernard Kelly Valencia. Super weird dude that the entire town was kinda freaked by. Supposedly was well-known among the Ether community for his vast range of research conducted with Dorothy Wood. Nobody actually knows where all that work went after he and Dorothy died, though.
AGENT MAY
Actually, it’s possible some of it was left behind in his own house.
AGENT JUNE
Wait, seriously? Didn’t all of his belongings go to his son afterwards?
AGENT MAY
According to the original house plans, there’s an attic. His son, after leaving the house once and for all, never mentioned there being anything in the attic. This could mean it was just empty, but that fact would have to have been noted at some point. His son was thorough in his complaints about clearing his father’s house, from what we could find. It’s possible nobody ever even bothered to look up there.
AGENT JUNE
So you think he had something in his attic that just never got found?
AGENT MAY
That’s what the Foundation believes.
AGENT JUNE
Alrighty, then. That’s not too bad. We just break into a dead guy’s house and pillage through his attic. I mean, how hard can that be?
AGENT MAY
It’s not that simple. There’s a new tenant living there.
AGENT JUNE
Ahh, I see. Do you think they know?
AGENT MAY
Perhaps. There was a recent missing person report linked to the house—an inspector who the landlord sent out to investigate a supposed mold problem.
AGENT JUNE
Classic.
AGENT MAY
Which leads us to believe that the new tenant is at least familiar with Ether—assuming the mold problem was of supernatural origin, which is probable due to the house’s location and the report filed by the landlord describing the mold: yellow, with an odd scent.
AGENT JUNE
So, what’s our plan? Are we just going to go and ask to search the house?
AGENT MAY
Unfortunately, the Foundation couldn’t acquire a formal search warrant. We’ll have to convince the new tenant to let us in of their own free will.
AGENT JUNE
Who is this person, anyways?
AGENT MAY
Her name is Irene Gray. She’s twenty-one years old. Works as forestry aid.
AGENT JUNE
Do we know anything else about her?
AGENT MAY
Let’s just say the mold inspector isn’t the only missing persons case she’s connected to. Four years ago, an 18-year-old girl named Rosemary Quinn went missing. Officials think it’s likely she ran away. Irene Gray was Rosemary’s girlfriend. The police’s interview with Irene states that the two of them had planned on running away together not long after the date Rosemary had gone missing.
AGENT JUNE
Way to rat your girlfriend out like that.
AGENT MAY
She could have been desperate for any sort of lead, even if that meant getting herself and Rosemary in trouble. And she did get in trouble, I believe, though not with the law, per say. Irene couldn’t have known where Rosemary had gone, though. She was so emotionally devastated after the event, there was little chance she was faking it or lying to cover for Rosemary. She actually started therapy not long after.
AGENT JUNE
So, why does it matter? Did they ever find Rosemary?
AGENT MAY
Unfortunately, no. The official record states that the last place she was potentially seen was a local animal shelter, where she dropped off her cat, whose name she said was Sage. This, however, does not sync up with reports from her family claiming the cat’s name was Sir Griffin the Third, which led to some uncertainty. They had a difficult time tracking her after that, though. All they had to go off of was one potential gas station siting, but all that resulted in was another dead end.
AGENT JUNE
Uh, you still haven’t explained why any of this matters.
AGENT MAY
[FRUSTRATED] Could you just be patient for one— [HE HUFFS A SIGH.]
Look, it’s important because it’s unlikely Irene Gray will let us explore her house if we just ask nicely.
AGENT JUNE
So, we have to use bait?
AGENT MAY
It could be a mutually beneficial relationship, is what I’m saying. We both have something the other wants.
AGENT JUNE
Wait, does the Foundation, like, know what happened to that girl?
AGENT MAY
Not quite, but, potentially. I’ll show you what we have once we stop the car.
AGENT JUNE
Great! This should be interesting.
AGENT MAY
[UNDER HIS BREATH] I’m sure it will be.
[PHONE BEEP.]
[RECORDING ENDS.]
[INT. IRENE GRAY’S HOUSE, MIDDAY.]
[IRENE IS ON A PHONE CALL WITH ADEN. ON HIS END OF THE LINE, THERE IS THE LOOPING SOUND OF A BROKEN FAX MACHINE ATTEMPTING, BUT FAILING, TO PROCESS PAPER.]
IRENE
It’s a fax machine. How do you not know how to use a fax machine? I’ve literally watched you do it before.
ADEN
Well, I thought I knew! And I mean, come on, how come you get to judge me when you can’t even use your phone properly?
IRENE
Oh, my god—Aden, it’s my day off. Can’t you just look it up?
ADEN
I don’t know how to describe the problem in a way a search engine will understand. It’s too—you know—specific.
IRENE
Ask someone there, then. Carol and Julia probably know better than I do.
ADEN
Julia’s sick, and Carol’s on some important phone call. Look, I just—if we have to replace this thing and it’s my fault, I’m going to freak out—
IRENE
Okay, wait until Carol gets off the phone and then—
ADEN
[WORRIED] What if it sets on fire or something?
IRENE
[FRUSTRATED] It won’t! It’s probably just jammed.
ADEN
But what if it does?
IRENE
[SNAPPING] Jeez, dude, just go find the manual! Why are you calling me?
ADEN
[PANICKED, STUTTERING] Because I’m panicking, alright? Look, ever, ever since the mold incident, I’ve been so scared constantly of everything. Every tiny thing that happens feels like it’s the end of the world, especially because that dude’s van went missing and it’s like you guys are just constantly waiting for the police to just show up at your door—
IRENE
[HER TONE SOFTENS, GROWING SYMPATHETIC] Oh, Aden—
ADEN
[CONT.] —and you and Carol almost died, and I did nothing. Okay? I sat in my office and talked to the knitted cat on my desk while I had a panic attack and did nothing.
I just want to find some way to, to do good, to fix something, but instead I think I ruined the fax machine and now I’m just failing you and Carol, again.
IRENE
[CHOOSING HER WORDS CAREFULLY] Hey. Look, I—I’m sorry I snapped. It’s not…it’s not that big of a deal.
ADEN
[COMING DOWN, GUILTILY] No, no, you’re right. I shouldn’t have called you on your day off.
IRENE
It’s fine. Seriously, don’t worry about it. Do you need me to go down there and look at it?
ADEN
No, don’t. I’m kinda starting to calm down, and I think if I can’t find the manual, I’ll just wait until Carol gets off the phone.
IRENE
That’s a good idea.
[A BEAT.] Um, if you need a distraction or anything, we can still talk for a bit. I know how anxiety can be.
ADEN
[SINCERE] That means a lot, Irene. Thank you.
IRENE
Of course.
Is there anything in particular you want to talk about?
ADEN
[A BEAT, THEN, HESITANT] I actually have a question. I’ve been thinking about it for a bit, but if it’s too personal, you don’t have to answer.
IRENE
I mean, I think you’ve already seen me at some pretty low points, so…
ADEN
[HE CHUCKLES.] Alright.
[CAREFULLY] You said you had a girlfriend who went missing.
IRENE
[A BEAT.] Yup.
ADEN
What was her name?
IRENE
[A HESITANT BEAT.] Rose. Er, you may have seen the name Rosemary Quinn at some point, but it was years ago.
ADEN
Yeah, I don’t remember. Sorry.
IRENE
It’s fine.
ADEN
What happened to her?
[THERE’S A PAUSE.]
IRENE
[GRIM] We never found out.
For a long time, I’ve thought that she just decided she was sick of her life as it was. Ran away to start a new one without telling anyone where she went. It would have made sense—she had planned on doing it for a while. Even took cash from her savings out in chunks so nobody would be able to track her card when she did. Her mother simply wrote this off as poorly thought-out impulse purchases.
We had planned our entire future together, though, and for her to just throw it out didn’t make sense, it—well… [SHE TRAILS OFF.]
ADEN
I’m sorry.
IRENE
I thought it was her mom at first, though. Grace Quinn. [SHE SAYS THE NAME WITH VENOM.]
They investigated Grace for domestic abuse. Believed Rose ran away to escape a dangerous situation. Upon Rose not answering her bedroom door, Grace, well…broke it down. Rose had locked it before she went out the window, and her mother just—decimated the doorknob to get in. At least, that’s what the police report says.
ADEN
Jeez.
IRENE
Without the child there, however, it was difficult to prove any abuse. I had some texts. Her aunts had a couple of anecdotes. That was all, though. Grace refused to admit to anything, of course.
ADEN
[HESITANT] Was there? Um, was there abuse?
IRENE
[A BEAT.] Yeah.
ADEN
I’m so sorry.
IRENE
It was rarely ever physical, but it definitely happened.
ADEN
I mean, if Rose was trying to escape something, I hope she was safe in the end.
IRENE
[PAUSE, THEN, SOFTLY, ALMOST SAD] I do, too.
[A BEAT.] That wasn’t all, though. Grace acted really strange afterwards. When police asked what had happened the night before, she said she couldn’t remember. Seriously, she didn’t have any concrete details. She said she had just woken up that morning and Rose was gone, but her story kept changing in little ways. It was disorienting.
She seemed…paranoid. Jumpy. Confused, even. Angry, but her anger wasn’t directed anywhere. I might have felt bad for her if just the thought of her hadn’t made my blood boil. I mean, I imagine your daughter going missing has gotta have some sort of effect on you, even if you’re not on good terms with her.
Grace wasn’t entirely there, though. Looking back, it’s a lot more clear. I…know some things, I didn’t know back then. I just, I wonder what was really wrong with her. I haven’t talked to her in years. Certainly not about to start now.
ADEN
I mean, I kinda sympathize with her, but also, she doesn’t sound like a great person.
IRENE
Oh no, she’s horrible. I know I should feel some remorse for all the awful things I’ve said about her, but I don’t. Not really.
When Rose first went missing, I became blinded by rage. I screamed at Grace when I saw her. Cursed in her face. Said it was all her fault, because I was—well, I was scared, and I had no other explanation. My dad had to drag me away before I attacked her.
ADEN
Jeez, Irene.
IRENE
I’m obviously better about my anger management now. Therapy at least did that for me.
ADEN
I mean, I get it. I can’t imagine how hard that must have been for you.
IRENE
Yeah. Um, yeah. [IT SOUNDS LIKE THERE’S SOMETHING ELSE SHE WANTS TO SAY.]
Thanks, Aden.
ADEN
Of course. If you…I mean, I know it’s been a while, but you can always talk to me about it. I’ve said that before, but, y’know.
IRENE
I appreciate it.
[A PAUSE.]
ADEN
I think Carol’s call ended.
IRENE
[TEASING] And did the fax machine catch on fire?
ADEN
[HE LAUGHS.] No. No, it did not.
[IRENE LAUGHS. ANOTHER PAUSE.]
IRENE
[MORE SERIOUS] Aden?
ADEN
Yeah?
IRENE
I’m…I’m working on something. It’s a personal project.
ADEN
[CAUGHT OFF GUARD] Oh. Okay.
IRENE
I don’t think I can tell you what it’s about, but…just so you know. I mean, I trust you, so.
ADEN
That’s—um, that’s fine. Uh, let me know if I can help at all?
IRENE
Sure. I’ll talk to you later.
[AS THEY SPEAK, THERE’S APPROACHING FOOTSTEPS ON ADEN’S END OF THE LINE.]
ADEN
You, too. Thank you again for talking.
IRENE
Not a problem. Bye.
ADEN
Talk to you soon!
CAROL
[IN THE DISTANCE] What did you do to the damn—?
[PHONE BEEP AS ADEN HANGS UP. IRENE SIGHS.]
IRENE
[CONFUSED] Oh, uh. Didn’t realize my phone was recording. [MUTTERS] When did that start? Guess I turned it on at some point.
[A BEAT.] Well, Rose. I’m talking to you now. Not just some figment of you in my head, but, you.
I know you’re going to hear these. I don’t know when, but you will. Of course you will.
[A BEAT.] Only problem is, I’m kind of at a dead end. My only lead so far is a mysterious recording that popped up on my laptop with no explanation. I have no idea how any of those files got there. Do I just have to wait until whatever weird force that gives them to me decides to throw one my way?
It’s like gambling at that point. I don’t know when I’ll get something or if what I find will be helpful or not. I mean, hell, I could get a new file on my computer and it’ll just be some voicemail I sent you sophomore year about baking brownies. Who knows what I’ll find or when I’ll find it?
I have to figure out something more reliable. Maybe figure out where the recordings are coming from, and if I can use whatever it is to my advantage. Or, I don’t know, Phoebe is coming over at some point to look in my attic. Maybe I should just—
[THERE’S A KNOCK AT THE FRONT DOOR.]
IRENE
…huh. Wasn’t expecting anyone.
[IRENE IS HEARD GETTING UP AND WALKING TOWARDS THE DOOR. AS SHE APPROACHES, THE AGENT'S MUFFLED ARGUING IS HEARD, GROWING LOUDER AS SHE GROWS NEAR.]
AGENT JUNE
[MUFFLED] I'm just saying, it could be pretty cool, you know? I'm all like, "Ooh, ahh, no, tell us what we wanna know, and you're like—"
AGENT MAY
[MUFFLED, OVERLAPPING ] June, you're too impressionable by all of these movies that you watch.
[IRENE OPENS THE DOOR, BUT THEY CONTINUE AS IF SHE ISN'T THERE.]
AGENT JUNE
[CONT.] No, no, listen. It could be great, it could be great! We could like, stand back to back, and like, ooh, finger guns—
AGENT MAY
No, I'm not doing finger guns!
IRENE
[OVERLAPPING] Um, can I help you?
AGENT JUNE
[TO AGENT MAY] Okay, but just try it—
AGENT MAY
[HARSHLY CUTTING HIM OFF.] Yes, actually. Is this the residence of Irene Gray?
IRENE
[SKEPTICAL] Who’s asking?
[AGENT MAY IS HEARD FLASHING HIS BADGE.]
AGENT MAY
We’re Agents May and June of The Harper Foundation. We’d like to ask you a few questions, if you don’t mind.
IRENE
The hell is that?
AGENT JUNE
Ah, see, that’s the point: you’re not supposed to know. [A BEAT.] I mean, well, we do leave kind of cryptic ads in the local paper sometimes, but, still.
AGENT MAY
[UNDER HIS BREATH] Agent June.
AGENT JUNE
What? I don’t choose to put those weird ads there!
IRENE
[UNIMPRESSED] …so, what, you’re secret agents?
AGENT MAY
If you’d like to call us that. May we come in?
IRENE
Why?
AGENT MAY
We just need to ask you about a few things. I promise it won’t be long.
IRENE
…are you going to, what, search my house?
AGENT JUNE
You got something to hide?
IRENE
[DEFENSIVE] No! I’m sorry that I value my privacy.
AGENT MAY
We’re not searching your house right now. This will be much easier for all of us if you comply, Ms. Gray.
IRENE
[SHE THINKS FOR A MOMENT, THEN, DISGRUNTLED] Fine.
AGENT MAY
Thank you.
[IRENE IS HEARD LEADING THE AGENTS INTO HER HOUSE, CLOSING THE DOOR BEHIND THEM. THEIR FOOTSTEPS ARE HEARD AS THEY ENTER.]
AGENT JUNE
It’s a nice place you got here. Oh, wow, did you paint that yourself?
IRENE
It was a gift.
AGENT JUNE
Ah, gotcha, gotcha.
[THERE’S A PAUSE AS THEY STOP WALKING.]
IRENE
Well? Take a seat. Be my guest.
[AGENTS MAY AND JUNE ARE HEARD SITTING AT THE TABLE. THERE ARE TWO LOUD THUNKING NOISES, AS IF SOMEONE IS HITTING THE TABLE.]
AGENT MAY
Agent June, take your feet off the table.
AGENT JUNE
Sorry, sorry.
[SHUFFLING NOISES AS AGENT JUNE MOVES HIS FEET.]
IRENE
Can I get you both anything to drink?
AGENT JUNE
There are your manners!
AGENT MAY
[UNDER HIS BREATH] You’re one to talk.
AGENT JUNE
Whatcha got?
IRENE
Um, water? I could make coffee? I also have lemonade in the fridge, but that’s for emergencies.
[A PAUSE.]
AGENT JUNE
I think I’m in the mood for an emergency lemonade. You, Agent May?
AGENT MAY
I’m fine, thanks.
[AS THEY CONTINUE THE CONVERSATION, IRENE IS HEARD GRABBING THE LEMONADE OUT OF THE FRIDGE, TAKING A GLASS FROM THE CUPBOARD, AND POURING JUNE'S DRINK.]
AGENT MAY
How long have you lived here, Ms. Gray?
IRENE
Not long. I moved here for work.
AGENT MAY
And what do you do?
IRENE
[HASTILY] I’m an engineer.
AGENT JUNE
Mm! Enjoying the area so far?
IRENE
It’s nice. The people are friendly.
[SHE SETS AGENT JUNE’S LEMONADE DOWN ON THE TABLE.]
AGENT JUNE
Much obliged.
[HE TAKES A DRINK LOUDLY. IRENE SITS DOWN ACROSS FROM THE TWO OF THEM.]
IRENE
…well? You said you had questions.
AGENT MAY
We’re here to ask you about a missing person.
[A TENSE PAUSE.]
IRENE
Which one?
AGENT MAY
Which one are you thinking of?
IRENE
[SHE PAUSES.] Are you talking about Rosemary Quinn?
AGENT MAY
[A TENTATIVE PAUSE.] You and Rosemary were close, correct?
IRENE
Why do you care?
AGENT MAY
I’m asking a question. An answer would be nice.
IRENE
[HESITANT] I knew Rose, yeah.
AGENT MAY
When was the last time you saw her?
IRENE
Um, it was two days before her disappearance, I believe?
Look, this should all be on her file. I don’t see the need to recount this all to you unless they’ve opened the case again. Hell, you’re not even cops, are you?
AGENT JUNE
Oh, don’t be that way, Irene. I know this case isn’t as recent as the other one you’re involved with, but you should be able to remember, right?
IRENE
The—
[THERE'S A LOW, EERIE INSTRUMENTAL AS IRENE'S BLOOD RUNS COLD.]
IRENE
[BLUFFING] What other case?
[AGENT MAY SLIDES A PIECE OF PAPER ACROSS THE TABLE.]
AGENT MAY
You were the last person to see this man, correct?
IRENE
I, um, I don’t know him, no.
AGENT JUNE
You’re not as good at lying as you think you are, you know.
[HE'S HEARD FLIPPING OVER A PIECE OF PAPER TO EXAMINE IT.]
AGENT JUNE
[CONT.] I mean, why lie to us about your job, anyways? There’s no shame in being a forestry aid. I’m sure it’s a lovely profession.
IRENE
Who the hell are you people?
AGENT MAY
Relax, Irene. The Harper Foundation has already taken care of his vehicle and rerouted the case so it doesn’t trace back to you. Investigators will come up with a dead-end soon enough, and nobody will know what you did.
AGENT JUNE
You’re welcome for that.
IRENE
I— [THEN, GUILTILY] I didn’t kill him.
AGENT MAY
I’m sure you didn’t. That’s not important right now. We’re just trying to give you a nudge in the right direction so maybe then you’ll be inclined to tell us the truth.
IRENE
Why? What do you want from me?
AGENT MAY
If you’d give me a moment to speak, then I can explain.
[IRENE HUFFS A SIGH, BUT LETS AGENT MAY SPEAK. HE FLIPS OPEN A FOLDER.]
AGENT MAY
Are you aware of this house’s previous tenant?
IRENE
You mean Bernard Kelly Valencia? His reputation precedes him, but I never knew the guy.
AGENT MAY
That’s correct. We believe he left something behind after he died, however. Something that could be incredibly beneficial for the Foundation. Have you found anything like that?
[IRENE STAYS SILENT.]
AGENT JUNE
[WHISPERS TO AGENT MAY] I think she’s trying to plead the fifth.
AGENT MAY
We expected such stubbornness. We’re not asking you for this for free, you know. We believe we may also have something that would be beneficial for you.
IRENE
And, what is that, exactly?
AGENT MAY
I’m glad you asked.
[HE'S HEARD HANDING A PAPER TO IRENE. MYSTERIOUS MUSIC BEGINS PLAYING IN THE BACKGROUND.]
AGENT MAY
Sometime in July, the same year Rosemary Quinn disappeared, a dusty yellow bicycle was found in the middle of nowhere in Oregon. It appeared to have had a broken piece in the front where a basket was supposed to be attached. It was never brought to the police, so unfortunately, it could never be examined as possible evidence.
AGENT JUNE
Hiker who found it posted about it on Twitter, though. The guy didn’t have many followers, so it never got traction.
AGENT MAY
This photo was taken not too far from Bent. If this is Rosemary’s bicycle, it could mean that we have a possible travel path for her after her disappearance.
[A TENSE PAUSE.]
AGENT JUNE
Oh, that was quite the shift in your expression, Irene. Have we struck a nerve? [MELODRAMATIC] I guess young love tends to leave such sore, open wounds, doesn’t it?
AGENT MAY
If you let us look at whatever it is Mr. Valencia left behind, we can help you find Rosemary Quinn. It may take some time, but we believe we can determine what happened to her. We just need your help.
[THE MUSIC STOPS. THERE'S A LONG PAUSE.]
IRENE
Get out.
[SHE'S HEARD GETTING OUT OF HER CHAIR.]
AGENT JUNE
Wh—hey!
IRENE
[GROWING MORE UPSET] Get out, I said. Get out!
[AS SHE SPEAKS, SHE'S HEARD PHYSICALLY GRABBING THE AGENTS AND PUSHING THEM OUT OF HER HOUSE. WHILE SHE'S AT IT, SHE GRABS THEIR FOLDERS AS WELL, THOUGH ONE PAPER STAYS BEHIND.]
AGENT JUNE
Hey, no, stop! You can't just grab our things like that! Please.
AGENT MAY
[OVERLAPPING, STUTTERING] Hey—!
[BOTH AGENTS STUMBLE OUTSIDE. IRENE IS HEARD THROWING THEIR PAPERS OUT THE DOOR.]
AGENT JUNE
Woah!
AGENT MAY
That's confidential information, you can't keep that in your house—
[SHE CUTS HIM OFF BY SLAMMING THE DOOR. THERE'S A PAUSE AS SHE BEGINS PACING THE FLOOR.]
IRENE
Who the hell do they think they are? Do they think I’m just some sort of—some sort of tool for them to use? Do they think they can dangle Rose over my head like I’m a dog with a bone, all over some—
[SHE PICKS THE PICTURE UP OFF THE TABLE, STOPPING HER PACING]
IRENE
Some picture of a bicycle?
[THERE’S A PAUSE AS IRENE STARES AT THE PHOTO, BEGINNING TO CALM DOWN.]
IRENE
[CAUTIOUS HOPE.] Is this really your bike, Rose? Why would you tear the basket off? You loved that basket. [WANDERING INTO DAYDREAM TERRITORY] You’d put flowers I got you in it and then ride around your block. Said it made you feel like you were in a painting.
[A BEAT.] Maybe I shouldn’t have kicked them—
[THERE’S ANOTHER KNOCK AT THE DOOR. IRENE STORMS BACK OVER TO IT.]
IRENE
[YELLING] I told you to get out! I’m not some stupid—
[SHE OPENS THE DOOR, AND REALIZES IT'S NOT THE AGENTS.]
IRENE
[EMBARRASSED] …dog.
TEEN
Well, I sure hope you’re not.
IRENE
[AWKWARDLY] Um, hi. Sorry, it’s just, someone else was just over and—
TEEN
Those two dudes? Yeah, they didn’t look very happy. That one guy, the one who had his tie undone for some reason, he had to chase one of the papers down the street. It was really funny.
IRENE
You were watching?
TEEN
Well, I didn’t realize you had a line going out your door of people waiting to talk to you.
IRENE
[DEADPAN] I’m new to the famous life.
TEEN
You’ll get used to it, I’m sure.
IRENE
Well, are you here to interview me and talk about my darkest secrets?
TEEN
That would be cool, wouldn’t it?
IRENE
[DISGRUNTLED] Not after the day I’ve had.
TEEN
Well, you see, I’ve actually been dying to meet you. My mom told me about you, said she met you at the store. I don’t know if you remember her, but from what she told me, it sounds like maybe you could use a bit of help.
IRENE
Your m— [IN SHOCKED AWE] Oh my god, are you the meat lady’s kid?
AVERY
Actually, my name is Avery.
Wanna grab lunch sometime?
[PHONE BEEP.]
[RECORDING ENDS.]
AUTOMATED VOICE
Today's quote is: "Most of the people are homesick anyway, and a little lonely, and they hide themselves in their hair and are turned into flowers."
Tove Jansson in Sculptor's Daughter, 1968.
[A PAUSE AS A HOLLOW NOISE BEGINS TO GROW IN THE BACKGROUND, FOLLOWED BY STATIC.]
AUTOMATED VOICE
[SLOWLY, AS IF STRAINED] Sometimes, when I close my eyes, I can feel it—
[THE VOICE IS CUT OFF BY STATIC.]
[OUTRO MUSIC & CREDITS PLAY.]
[AN EXTENDED PIANO VERSION OF THE NIGHT POST’S OPENING THEME PLAYS IN THE BACKGROUND.]
NIGHT POST PROMO
Hello there, citizen. You’ve lived in Gilt City for a while now. Maybe you’ve wondered, when you wake in the morning and retrieve the letters tucked neatly into your postbox, just where your mail comes from. It comes from the Night Post, of course. Those faithful couriers deliver it while you’re sleeping--all the better that they stay out of sight, and keep the unseemly strangeness that follows them out of our city, in the Skelter, where it belongs.
Ahem. If, for some reason, you’d like to know more about Gilt City’s conscripted couriers and the burden that chose them, their secret hopes and fears, the ancient, untamed threats that hound them on their nocturnal journeys--you have only to listen. The Night Post is a supernatural audio drama by an all-LGBT team, delivered weekly, in dead of night, to wherever you listen to podcasts.
Find answers at nightpostpod.com.
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cals-sunflower · 4 years
Text
our 2020 grad (all)
summary: the friend group decided to surprise you with a small party to celebrate your graduation because they knew you were a little down you couldn’t have a real one.
warnings: talks about covid (i didn’t know if it was a possible trigger for anyone so i wanted to be mindful of other people’s feelings!)
-
when they announced quarantine that meant no more sleepovers with sierra and crystal. it meant not going to lunch with calum and arguing over who’s paying bill. he always wanted to be the one to pay the bill but you felt as if you don’t treat him enough. it sucked so bad but you knew how serious covid was and didn’t want anything happening. which resorted to you guys having zoom calls together or group facetimes where everyone had a drink of their choice in hand with music to mimic being at the club.
they had finally gotten to phase three in la meaning some of the restaurants were opening back up with safety protocols. you were happy because you finally are able to see your friends as long as everyone was being safe about it.
“so life update everyone, let’s start with y/n. how are you doing honey?” you smiled at sierra’s question because you were excited to share the big news.
“you guys are now looking at a 2020 graduate with a bachelors degree in photography” they burst into shouts and claps for you.
“fuck, i’m super proud of you love,” you laughed at your friends and you were happy that you get to share this moment with them even if it wasn’t in person.
“are you upset at all that you aren’t getting a graduation? you don’t have to answer if you don’t want too,” you nodded at michael and pouted a little.
“well yeah, just a little bit because you guys won’t get to see me walk across a stage. i won’t have my parents to give me flowers afterwards but it doesn’t matter at the same time because i feel our health is way more important.”
that’s when they all silently decided to plan you a small surprise party when you guys got to finally meet up.
-
“okay guys in order to have a successful surprise for y/n we need to agree on who’s getting what,” crystal warns the group.
“me and sierra will get the cake and balloons in her favorite color,” luke calls out on first dibs and crystal writes that down on her little notepad.
“i’ll get some of her favorite flowers,” calum says next.
“i don’t mind hosting at my house and getting the catering orders from her favorite restaurant,” ashton adds.
“that’ll leave me and crystal to get the small stuff like the party hats, paper plates, napkins and things like that,” michael says.
“perfect guys! this is truly going to be the best surprise. make sure you all get tested and I’ll tell y/n to get tested too! love you guys talk more later,” the friend group waved bye to each other before signing off.
-
everyone got tested and in two weeks the test came out negative. so when sierra told you the next week she was coming to pick you up to hangout with everyone you couldn’t contain your happiness. what you didn’t know was that it wasn’t going to be a regular hangout.
it was around noon when you started getting ready. you showered, did your skincare, and picked out an outfit. you decided to wear light washed ripped mom jeans with calum’s ‘did you get the sensation today’ graphic tee you stole from him paired with your white platform vans. you kept your hair down not wanting to be bothered with it. you also slipped on some of your cool chains you thought matched the look.
from sierra mist :) - hey babes i’m outside!! can’t wait to see you😙
to sierra mist :) - kk, coming out right now :)
you grabbed your purse and threw on your mask before locking up your door. you practically ran to sierra’s car and opened the door embracing her in a hug. it felt good to hug your friend you have seen in person since the beginning of march.
“i missed you too crazy lady and you look beautiful today.”
“me? girly look at you serving greatness,” you guys laughed and she drove to ashton’s house. “wait where’s luke?”
“he’s at ash’s house with the others. we took separate cars today,” she glanced at you for a minute to see if you were suspicious at all and you weren’t at all. the drive to the house was making you anxious because you’ve never been this long without seeing your friends but you were also still bubbling with happiness.
when sierra finally drove into the driveway you were ready to get out but she stopped you and made you put on a blindfold.
“wow sie, i already have a mask on and now have a blindfold over my eyes? quite a day,” sierra laughs and guides you into the house. “can i talk it off yet?” she didn’t respond to you but instead took her hands off of your shoulders.
“sierra?”
“you can take it off now,” you take off the blindfold as your friends yell surprise. you’re taken back at first before looking at the small banner that said 2020 graduate. “you guys, this so sweet,” you felt your eyes watering. crystal was the first to pull you into a hug.
“aw no crying here cutie, we’re here to celebrate your accomplishments!! you graduated college for crying out loud,” the group cheered and you made your way in hugging everyone.
“that’s where my shirt went. i was fuckin looking for that you know,” calum chuckles before hugging you. “looks better on me than on you anyways nerd,” you teased him knowing that he won’t get mad over your joke.
“we know that you were disappointed about not really having a real graduation so what better way then to throw you a small surprise party,” michael explains to you while hugging you as you’re on the verge of losing it.
“there are no words to express how much this means to me! like i have the best friend group ever,” you wiped away the tear that fell from your cheek.
“group hug?” luke suggested and the seven of you piled into one big hug making you laugh because everyone was squashed together.
“now let’s party!” ashton turns on some music while everyone grabbed food and sat on the couch to either start conversations or playing the game that ashton had set up in the living room. they all posted you on their stories on instagram to congratulate you again on your success. you really wouldn’t know how your life would be like if you didn’t have amazing friends like them.
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petersasteria · 4 years
Text
The Forces of Nature || Ch. 2
Pairing: Peter Parker x Superhero!Reader
Summary: “There’s this kid out there that can control the wind or something. I think she’s a great addition to the team. Let’s recruit her.”
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Peter was torn. He didn't know what to do. All the information he got was a lot to take in. First of all, Tony wanted to recruit someone new even though they could catch 'The Violent Swine' on their own. Second of all, Tony wanted to recruit Y/N; the girl he despised. Lastly, he had never spoken to Y/N before. While he and MJ ended on good terms, he never approached Y/N because he simply had no reason to. Approaching her now would be so weird. Plus, his jealousy might get ahead of himself.
So, he sought advice from Ned the next day at school. Peter grabbed his things from his locker as Ned told him about something that happened yesterday. Peter couldn't focus, though. All he could think about was how he could recruit Y/N without actually saying the word 'recruit'. Peter swiftly turned to Ned and whispered, "I have something to tell you and you CANNOT tell anyone."
Ned stopped talking and quickly nodded his head, "Okay. What's up?"
Peter closed his locker and fully turned to Ned, "Do you know Y/N?"
Ned nodded with a smile, "Yeah, she's really nice. She's new here and she's friends with MJ. Why'd you ask?"
Peter looked around to see if anyone was listening. He knew he didn't have to because no one would pay attention to him and Ned, anyway. But he just wanted to make sure. As much as he despised Y/N, the least he could do was to make sure no one else heard his and Ned's conversation.
"She has super powers." Peter whispered. Ned's eyes widened and his jaw dropped. After all, it's not every day that you get to hear someone having super powers. "Close your mouth or flies will get in there." Peter said and nudged Ned, who closed his mouth immediately. Ned was about to speak when MJ and Y/N passed by.
"Hey losers." MJ said with a bored look on her face. Y/N stood next to her looking flawless as ever. She was wearing a plain white blouse paired with a skirt that had a nice shade of green that ran all the way an inch below her knees. Around her waist was a dark green belt and her white Keds made her outfit look complete. To top it all off, she wore a dark olive green headband to keep her hair from going to her face and a thin gold necklace around her neck with a star as the pendant. In summary, she looked prim and proper. It was cute.
Peter looked at Y/N up and down and his face contorted in disgust, "What the hell are you wearing, Y/N?"
Y/N looked at Peter with a shocked expression because they've never spoken to each other before. Heck, Peter never even made an effort to acknowledge her presence at school in spite of having the same classes. Y/N looked down at her clothes before she looked at Peter with a small smile on her face, "Clothes. I'm wearing decent clothes, Peter."
MJ and Ned snickered at her response. Peter rolled his eyes and said, "I know that, dumb-ass. But what the hell is that style?"
"U-Um, the- the 1940's...?" Y/N stuttered. She didn't know why she stuttered, but she was certain about one thing: Peter was being mean. She thought only kids were mean, but she never expected people to be mean in high school. In her old school, everyone was nice to her.
"Did Steve Rogers throw up on you?" Peter teased.
"E-Excuse m-me? Steve Ro-"
"Yes, Captain America, doofus!" Peter rolled his eyes. "You look like a grandma. Were you frozen like Steve too? I bet he knew who you were, grandma."
"Cut it out, Peter." MJ said sternly. They made eye contact and MJ shook her head in disappointment. "Let's go, Y/N. These losers aren't worth it, especially Peter."
MJ walked ahead and Y/N just stood there as she looked at the two boys, "Um, have a nice day, guys!" She quickly followed MJ and Peter huffed. Ned lightly smacked the back of Peter's head and asked, "What the fuck is wrong with you??"
"What do you mean? Have you seen her?" Peter asked with an amused expression.
"Yeah, I've seen her. I actually like her outfit." Ned said with a frown. "Get over yourself, man. Take a chill pill. Relax. Why are you mad at her, anyway?"
"Mr. Stark wants to recruit her to be an Avenger because of her powers." Peter said quietly. Ned furrowed his eyebrows, "What's wrong with that? You should be happy that you have someone your age on the team."
"She's not on the team!" Peter shouted, his voice echoing the school corridor. Students turned to look at Peter as he muttered apologies. They quickly looked away and as soon as they did, Peter continued, "She's not on the team, not yet at least. Mr. Stark wants ME to recruit her and I kinda don't want to but I know I have to. I'm having a dilemma."
"That's easy. Just befriend her." Ned shrugged as they walked to their class. "That doesn't explain why you're so mean, though. I mean, it does, but it's not enough."
"She's also better than me at everything. Teachers used to ask me the hardest questions, because I was usually the only smart guy in class. Now, this bitch comes in walking around like she owns the fucking school-"
"She's literally shy, Peter."
"-And she effortlessly grabs the teachers' attention?! Now, they give HER the hardest questions and I'm stuck like everyone else! It's annoying, Ned! I used to be the big shot nerd around here. It also doesn't help that she's part of the decathlon team. She's also in the band when I joined again!"
"You know, I heard she joined every club." Ned informed.
"Even glee club? There are only, like, five people in that club." Peter snorted.
"Hey, I'm in that club!" Ned exclaimed. "And F.Y.I., we have 10 members. Not 5."
Peter rolled his eyes and sarcastically said, "Thanks for informing me, Ned."
"No problem, Peter." Ned smiled as they stopped in front of a classroom. "This is my class. See ya later, dude!"
"See ya!"
They did their handshake before Ned entered and Peter left. He internally groaned when he entered his classroom to find an empty seat next to Y/N. His day was not great.
He walked towards her as she fixed the stuff she needed on the table. She looked up and saw Peter. She gave him a small smile as he sat down next to her.
"Hi, Peter."
"Hi, grandma. Where are my cookies?" Peter mocked and gave her a sarcastic smile. Y/N didn't have the time to respond because their teacher came and discussed about world history.
"Good morning, class! Today's topic is about the Tudors. Has anyone have an idea on who they are?" Mrs. Johnson asked.
Y/N ecstatically raised her hand and answered with a bright smile. Peter glared at her and looked away. "Of course, you fucking know. You know everything." Peter muttered under his breath. Y/N heard this, but she didn't let it phase her or bother her. Peter was just a boy anyway and he was allowed to feel upset or annoyed or angry. He was only human, after all.
After a long discussion about the Tudors, the bell finally rang. However, Mrs. Johnson had other plans. "Class, before you leave, I have an announcement."
The whole class groaned because they were all ready to leave. Y/N sat patiently, though. All her things were neatly tucked away in her bag. As the students trudged their way back to their seats, Peter turned to Y/N, "Why are you such a pretentious girl?" Y/N turned her head to look at him.
"You don't have to act that way all the time." Peter added.
"Pretentious? What do you mean?" She asked with a confused look on her face.
Peter sighed in frustration, "Pretentious. Like, why do you have to act all prim and proper or something? Why are you acting like the queen is coming?"
Y/N looked away and looked down at her hands that was resting on her lap, "I'm sorry if it annoys you, then."
"Don't be sorry. Be better." Peter said before turning to look straight ahead.
"All of you will be paired for a presentation about the Tudors. Your partners will be your seat mates. I'll be going around to tell you what your topics are and you're free to go." Mrs. Johnson said as she started roaming around.
Peter groaned. He currently hates his life.
When Mrs. Johnson arrived at their area, she smiled proudly, "Ahh, Ms. Y/L/N and Mr. Parker! I'm so glad that two of the smartest people here are joining forces for this presentation. Your topic is about Elizabeth the First. I'm expecting a lot from both of you. You’ll present Monday next week."
Y/N and Peter smiled at Mrs. Johnson as she walked to the next one. They both grabbed their stuff and walked out the classroom. Peter quickly walked to his locker as Y/N followed him. He opened his locker and put his things in it and getting the things he needs for his next class.
"Wow, you walk really fast!" Y/N chuckled lightly.
"What do you want, Y/N?" Peter internally groaned. He slammed his locker shut causing Y/N to jump slightly. He turned to look at her with an annoyed look on his face.
"I, uh, I figured that we could work on the presentation together later today. You know, the earlier we finish, the better." Y/N politely smiled at him.
"I can't. I have the Stark Internship." Peter shrugged. He sees her at school every day since she got there and she wants to meet up after school for their presentation? It's a no from Peter.
"That's why we have cellphones and social media, Y/N. But you wouldn't know that because you're such a grandma." Peter spat before walking to his next class. Y/N went after him and walked beside him, "Can we walk to class together, then? We have the same classes, anyway."
Peter abruptly stopped walking and fully turned to her, "Fine. We can walk to class together. In one condition."
"Sure!"
"Don't fucking talk to me unless it's really fucking important. Like, literally shut up unless it's an emergency. You can also talk to me when I start the conversation. Just speak when spoken to. Got it?" Peter said. Y/N just nodded her head. "Good. Let's walk." Peter said as he began to walk to their next class with Y/N trying to catch up.
Their next class was chemistry and Peter made it his ultimate goal to try and beat her in answering all the questions. Every time he beat her, he smiled proudly to himself. At one point, he let out a small, celebratory, 'yes!'.
Y/N giggled and Peter looked at her, "What?"
She shook her head and smiled to herself, "Nothing. It's just adorable whenever you get an answer right. I admire you, Peter. You're really smart."
She didn't talk again after that, but Peter blushed at her words. He shook it off, though. He didn't want to be distracted. He was too competitive.
When lunch time arrived, Y/N sat with Peter, Ned, and MJ like usual. MJ was reading her book as she chewed on her sandwich. Y/N sat next to her and smiled, "Hey MJ."
MJ smiled at her, "Hey Y/N. What's up?" They began talking about random stuff. Peter sat next to Ned and Ned immediately asked how his classes were.
"They were alright." Peter said and ate his lunch.
"How the process of befriending her?" Ned asked. Peter shrugged. Ned sighed, "Peter, just do it. She's really cool, I swear."
Peter was about to respond, but Y/N interrupted him. "Ned, I have something to tell you!" Y/N smiled as she stood up from her seat and moved to sit in front of Ned.
Ned subtly nudged Peter as he smiled at her, "What's up, Y/N?"
"I already have a song idea for our performance on graduation." Y/N smiled excitedly. "Also, I have good news."
"Oooh, what is it?" Ned asked, matching her excitement.
"So, I'm doing community theater, right?"
"Yup. What about it?"
"I got you a part in our show!" She squealed. Ned was in shock. Peter looked at Ned expectantly. He wanted an explanation. He didn't know Ned was into that.
"Wow! Thanks, Y/N/N! That's so cool! I'll text you, okay?" Y/N smiled before going back to her seat next to MJ.
"Um, Ned? Please explain." Peter said. He's never been more confused in his entire 18 years of existence.
"Oh, I wanted to try my hand at theater. So when I found out that Y/N did community theater during summer until now, I asked if I could join. Then, I got in!" Ned grinned. "I can't wait, man. I'm excited. And that's how you befriend someone, Peter. You're just stubborn and jealous."
Peter said nothing and just ate his food. The rest of the day, Y/N stuck to her word stayed quiet. Peter immediately left after the last class to patrol and to go to the compound. His patrol was surprisingly short. No crime was happening that day. 'Maybe the criminals are lazy today.' Peter thought as he swung his way to the compound.
When he arrived, he was informed by Pepper that everyone was waiting for him in the meeting room. He went inside the meeting room and took off his mask and sat on the empty seat, "Hey everyone!"
"Ahh, young spider boy! It is always lovely to see you." Thor smiled.
"I'm just surprised he's on time." Bucky said with his arms crossed. Sam hummed in agreement.
"Okay, let's skip the pleasantries-" Tony said but Scott cut him off.
"Let's go. Grab your pistol." Scott sang with a smile as everyone looked at him. "Get it? From Hamilton? 'Blow Us All Away'?"
"Scott." Steve said sternly. Scoot cleared his throat and said, "Sorry about that Tony."
Tony just looked at Peter and asked, "So, how's the recruiting? We all really want her on the team now."
"Yeah, it's about time we have another girl in here." Wanda said.
"Preach!" Natasha said. "We want her in the team now."
Peter looked at everyone and sighed, "I'm still figuring out how I'll do it. Besides, why do we need her? We're the Avengers! We can do anything."
"Is this some misogynistic thing?" Natasha raised her eyebrow. Peter quickly shook his head, "N-No! Of course not. It's just that we don't need another person in our team. We're all powerful together."
"But imagine her in our team. We'd be MORE powerful." Rhodey added. A chorus of "that's true" and "yup" filled the room. Peter leaned back on his seat and sighed.
"Kid, she has powers BEYOND ours. She's powerful, it's admittedly scary." Tony explained.
Steve nodded, "Tony's right. If she could control the wind, we figured that there's no doubt she could control other elements. And if we're right, we really need her more than ever."
"The more, the merrier." Scott said with a shrug. "If you ask me, I agree that we need that kid. All in favor of getting her on the team, raise your hands."
Scott and everyone except Peter raised their hands. Peter sighed and gave in, "Fine. Maybe we do need her."
"Yes, so do your best in recruiting her. We don't take 'no' for an answer." Tony said. "We also don't want the swine flu to kill more innocent people."
"Swine flu?" Peter asked with a confused look on his face.
Steve chuckled, "I understood that joke. That's a good one."
Peter drowned out everyone else as he thought to himself deeply. He didn't know what to do. He didn't really hate her. He just disliked her. If he didn't recruit her, he'd be in trouble and Tony would probably take his suit away or something. If he did recruit her, he'd have to think of something on how to do it. But what'll happen if he doesn't do it?
"Hey, Mr. Stark?"
"Yeah?"
"What happens if I don't recruit her? What'll happen?" Peter asked. "I'm just curious."
Tony thought for a bit and looked at Scott and smiled before turning to Peter, "Scott will recruit her. He has a daughter and he could probably relate to her on some level or something."
Scott cheered and grinned, "If Peter fails, I solemnly swear that I got this! I can fulfill the task that you thrust upon me."
"Man, you're weird." Sam said as he looked at Scott. Scott just shrugged, "At least I'm unique and I love it. I encourage Cassie to be unique too. I love that kid so much."
Peter nodded, "Okay."
If he did it, he'd have to befriend her. If he didn't, his suit would probably be taken away and Scott would do it instead. He guessed trying to befriend her wouldn't be so bad.
-
Y/N entered the apartment she shared with Eunice. It wasn't small, but it wasn't really big either. It was just right. She loved every second of every day living with Eunice. They clean the apartment together every weekend, they sing together, on Eunice's day off she takes Y/N to the mall and buys her new clothes, they dance when one of them plays music, and so much more. Y/N loved Eunice like an older sister she never had.
Y/N went straight to her room and called Eunice.
Hi! I'm sorry I can't answer the phone right now. Please leave a message after the beep.
Y/N sighed and left a message anyway, "Hey Eunice! I just got home. So, uh, I just want you to know that. I'll cook dinner tonight, by the way. Love you!" She hung up and did her homework.
About an hour later, Y/N started to prepare for dinner. She decided to cook lasagna, because why not? She and Eunice loved lasagna. Thirty minutes into cooking, Eunice arrived home.
"That smells delish, Y/N!!" Eunice grinned as she entered the apartment and closed the door. "Do you need help?"
"Can you please set the table and wash the things on the sink?"
"Sure!" Eunice started washing the used utensils on the sink as they talked about their day.
"Oh, hey! It's your birthday next week and it falls on my day off. Why don't you invite your friends over? We could have a small celebration here." Eunice said excitedly. Y/N smiled at the thought and said, "I'll ask them."
Her only friend was MJ and she wasn't even sure if she and Ned were friends. If she invited Ned, he'd probably bring Peter. The things is, Peter disliked her. Strongly disliked her. She didn't know what to do.
"Is everything okay?" Eunice asked, her voice lacing concern.
"Yeah." Y/N smiled. "I was just thinking about something."
"Tell me about it." Eunice smiled.
"There's this guy at school named Peter and he really dislikes me for some reason. He's also my partner in world history. He's always so angry at me or something. I haven't even done anything." She sighed heavily.
"Hmm... maybe he likes you." Eunice teased. "Boys do that when they like someone. Either he likes you or he's jealous of you. BUT don't ever assume things, okay? We don't know his side of the story, so let's not judge him no matter how much you say he dislikes you. Just get to know him better. You said he was your partner, right?"
"Yeah."
"So, try and befriend him while working on your project or something. Both of you need to work together to get a decent grade and you'll both be friends in no time." Eunice suggested.
"You know what? I never thought of that. Thanks, Eunice." Y/N smiled and pulled Eunice in a tight hug which Eunice gladly returned.
"I'm starving." Eunice chuckled and pulled away. Y/N laughed and continued cooking as Eunice set the table. After a while, the food was ready and they ate their dinner.
"This is really good, Y/N." Eunice said with her mouth full.
"Thanks." Y/N laughed. "Should I prepare it when Peter gets here for the presentation thing?"
"Definitely."
"That's settled, then."
* * * *
𝐏𝐄𝐓𝐄𝐑 𝐏𝐀𝐑𝐊𝐄𝐑 𝐓𝐀𝐆𝐋𝐈𝐒𝐓: @myblueleatherbag​ @harryismysunflower​ @buckys-little-hoe​ @justanothermarvelmaniac​ @itstaskeen​
𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐓𝐀𝐆𝐋𝐈𝐒𝐓: @marvelousell​ @justasmisunderstoodasloki​ @rubberducky-jrr​ @petersholland​ @osterfieldnholland​ @miraclesoflove​ @god-knows-what-am-i-doing​ @perspectiveparker​ @parker-potters​ @itstaskeen​ @call-me-baby-gir1​ @the-panwitch​ @iamaunicorn4704​ @chloecreatesfictions​ @holland-styles​
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etherealwaifgoddess · 4 years
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Run To You - Chpt.6
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Summary: Fleeing their old lives in New York, Bucky and Becca find new possibilities in their new hometown. Master list is HERE :)
Content Warning: None, just lots of plot in this one.
Word Count: 4.7k
Author’s Note: Hello lovelies! This chapter is pretty dense but it was needed to keep the plot moving forward. I personally love the domesticity of it, and I hope you do too. 
Chapter Six
Blending in amongst a sea of tired passengers proves easier than Bucky expected. Becca is fast asleep, a warm and comforting weight in his arms. He’s grateful they’re the only ones in their train compartment so he has room to throw his bags on one seat and stretch out on the others. It’s a long ride, just over five hours, and he manages to catch a few cat naps here and there. Becca wakes up as the train comes to a stop, looking around confused and a little startled.
“Hey sweet girl, take a minute.” he says quietly, rubbing a hand along her back soothingly. 
“Where are we?” she asks, looking around.
“We’re on a train, it just stopped in Boston. This is where we’re getting off. I promise you I’ll explain everything once we’re on the next train but I need you to do two things for me, okay?” he waits until she nods before continuing, “Okay, good. I need you to stay real close to me and don’t use our names. Can you do that?” 
Becca scrunches her nose in a confused expression Bucky knows she gets from him. “Okay?” 
“We’ll be on the next train soon, promise. Just be a big girl and hang on ‘til we get there.” The attendant comes through to let them know they can exit the train and Bucky stands up to once again juggle a sleepy four year old and two duffel bags. Becca is thankfully more cooperative now that she’s awake, holding onto him and making the whole ordeal much easier. They have just enough time to use the bathrooms and buy some snacks and a picture book on Boston to keep Becca occupied on the next leg of their trip. 
On their next train, from Boston to Portland, Bucky finds they once again have a whole compartment to themselves. He wonders how Natasha manages to pull off this kind of stuff but figures it’s better not to think too hard on it. Becca is happily munching through a pack of teddy grahams while Bucky gets them settled in. Not a great breakfast, but it’ll tide them over until they get to Maine. He cracks open his can of cold brew coffee and tears into his own pack of teddy grahams. Kid snack or not, they’re freaking delicious. 
“Bu... uh…” Becca starts to say his name but catches herself. 
“Good girl, bug.” praises the little girl. “What’s up?”
Becca looks around unsure before quietly asking, “Why can’t we use our names?” 
It’s a simple question, one he knew was going to come up sooner rather than later, and he’d spent a good portion of the first train ride figuring out how he’d explain this to her. “Well, those aren’t our names anymore.” he starts simply. 
“What? Why?”
“Because we’re moving far away where those bad guys from yesterday can’t find us. I need to keep us safe and this is the way it needs to happen. New names, new apartment, new school, new everything. It’s going to be really nice and I promise you’ll love where we’re going.” He hopes.
Tears well for a moment, “What about Auntie Nat and Uncle Clint and Steve?” 
“They’re staying in New York but we’ll still talk to Auntie Nat sometimes, okay?”
“What about Steve? You liked him. I liked him. Why can’t he come?” 
Bucky sighs, he won’t throw Steve under the bus for this. “Steve has a really important job in New York so he needs to stay there.” 
“I’m gonna miss home.” Becca grumbles sadly. Bucky pulls her onto his lap to hold her close.
“I know, I am too. But we’re gonna have a great new home. Want to know your new name?” he tries for a distraction. 
“Sure!” Becca takes the bait. 
“Your name is Elena Stan. My name is Sebastian Stan.” 
“Seb-bast-tan?” Becca tries his name out slowly.
“Close enough. But you know how you asked if you could call me daddy when you were little?” 
Becca nods. That had been a rough phase for both of them. She had wanted to call him daddy so badly but it had made him uncomfortable at the time so he insisted she call him by his name. 
“Well, now you can. In our new lives Sebastian is Elena’s daddy.”  Part of him still dislikes that the effort he put into making sure Becca knows her own identity has flown out the window overnight. When she gets older he hopes she’ll understand why he’s doing this. “It’s gonna be hard to remember at first, but we’ll get used to it.” 
“Okay.” Becca shrugs and goes back to her snack, her curiosity sated for the time being. 
Bucky settles in, starting to feel the weight of the previous day pressing down on him. He prays the coffee kicks in soon so he’s not a zombie by the time they get where they’re going. Becca seems happy enough keeping herself occupied with her new book and he makes plans to buy a few toys once they get to the next stop. Just a few things that will keep her busy at their new place so he can catch a quick nap. He doesn’t know what their financial situation is but he can’t imagine Natasha wouldn’t have moved over his money for him. There had been two hundred in cash in the wallet so that will at least tide them over until he can check the card balances. He’s lucky Becca is an easy kid and he just hopes that she’ll take this all in stride like she does most things. And if not, well she’s a four year old, distractions and redirections still work at this age thankfully. 
The second train ride is half the time of the first but Bucky is starting to feel worn out and grimy. The last leg of their trip is a twenty minute bus ride from Portland to Cape Elizabeth and once again they have just enough time to use the bathroom and hit up a train station gift shop. He buys a plastic tea set, a stuffed ladybug, and breakfast sandwiches before they have to race over to catch their bus. Becca is more awake now and she’s keeping up on her own, hugging the ladybug for dear life while she settles into their bus seats. 
Maine is different than Bucky expected, colder sure, but the water even looks different than back in New York even though both places connect to the Atlantic Ocean. There’s something about the clear, turbulent water that seems more powerful and deeply elemental than the easy going tides back in Brooklyn. Bucky’s captivated watching the ocean out the bus window while the old Greyhound travels down the coastal highway. After two long train rides, the bus ride feels like it’s over in a blink of an eye. The bus stop they’re let out at is small, barely more than a little hut alongside the road outside of town. 
Becca is full of wide eyed curiosity as they make their way into town. Bucky has the address of the apartment, but with no clue of the little town’s set up it’s not very useful. He misses his phone and being able to GPS his way around. It’s a few minutes later that he remembers the phone in the package Natasha gave him. He’d forgotten about it in his sleep deprived state, having stashed it in his bag since he wasn’t able to use it until after the first leg of the trip. Booting up the sleek red iPhone, Bucky’s relieved to see it has a full charge and it finds a GPS signal quickly. The apartment is only a fifteen minute walk away at that point and Bucky happily tells Becca they’ll be home soon. She nods but she’s clearly distracted by her new surroundings. 
The little seaside town is quaint and reminds Bucky of something out of a movie. Small brick and glass fronted shops line the town’s main street, brightly colored banners and awnings announcing the businesses inside. There are a lot of artisan shops and Bucky finds himself looking forward to exploring the town more when they have time. The first priority though is getting settled in. Becca is tired and starting to whine a little by the time they turn onto their street. It’s as picturesque as the rest of town, tree lined sidewalks and charming old brick homes. Finding their house number, Bucky pauses outside, not entirely sure how to proceed. Natasha hadn’t given him a key, just an address. He’s still standing there, thinking out his next moves when an older woman pops her head out the front door. 
“Are you Sebastian?” the woman calls out with a smile. 
“Yes, I am.” Bucky replies easily, the new name less foreign than he had expected it to feel. 
“I’m Anne, from the emails. You two made good time getting up here. Come on in and I’ll get you set up.” The woman stands back from the doorway letting them through and Bucky is thankful Natasha set things up so thoroughly for them. 
Anne, as it turns out, grew up in the large Victorian style home before she and her sisters renovated it back in the 70s and turned it into apartments. She still lives in the bottom floor apartment but rents out the second and third floors now that her sisters both passed on. She’s chatty and grandmotherly, doting on Becca by plying the little girl with blueberry cake. Becca doesn’t bat an eye at being called Elena and Bucky couldn’t be more proud of his girl. 
“You both must be exhausted from the trip.” Anne says after Bucky has finished signing all the paperwork for the apartment. “If you need anything, I’m here. Like I said in the email, it’s fully furnished but if you would rather bring in your own things just let me know and I’ll move the existing pieces into storage. It’ll at least get you started though.” 
Bucky stifles his yawn but nods, “Yeah, I think we’re both due for a nap. I’m sure what’s there is fine, we’re not super picky.” 
Anne gives him a smile and shows him outside to the stairs that lead up to his apartment. Bucky thanks her again and makes his way up the narrow wooden stairs. After the long trip and lack of sleep the stairs feel like Everest and a grumbling Becca clearly agrees. The door is cheerfully decorated with a sunflower wreath and the apartment inside is instantly welcoming. The living room has a little tile entryway where they shuck off their shoes before padding across the fluffy beige carpeting. The dining room is off to one side after the hallway, connecting to the kitchen which is brightly decorated in white and yellow. The hallway leads to two bedrooms, and a bathroom decorated with beautiful tiles reminiscent of mermaid scales. Becca falls in love immediately and begs Bucky for a bath. He promises her one that night once they can buy soap and things at the store which seems to appease her for the moment. The bedrooms are both decorated in the same neutral colors as the rest of the house and Bucky thinks it’ll be easy to add a few homey touches to the place to make it feel more like theirs. 
Becca throws herself on the twin size bed in the first bedroom announcing it’s the best big girl bed ever. Though she slept well and hasn’t needed a nap in ages, she agrees to lay down for a little while to rest. There’s a small play table and dresser off to the side and Bucky sets her new toys down on the table. He makes Becca promise to come get him right next door if she needs him and gives her a coloring book and box of crayons if she’d rather draw quietly too. Seeing her favorite coloring book from home cheers her up a bit but she still burrows happily under the fluffy comforter. Bucky gives her a quick kiss and heads over to his room at the end of the hall. It’s larger than his bedroom back in Brooklyn and the bed is larger too. He’d been fine with his old full sized mattress but seeing the king sized behemoth has him throwing himself on the bed much like Becca had done in hers. Bucky lets out a groan, this is a real adult bed. The grey duvet is impossibly soft and fluffy and the mattress itself lets him sink into it, unlike the spring mattress he was used to. Bucky is in love with the bed and allows himself a few happy moments to roll around in it. 
Eventually, needing to be responsible, Bucky gets up to change out of his clothes and shed the grime and stress from the past day away. He grabs the phone and takes a picture of the bed with it’s now rumpled comforter and shoots an Instagram message to Natalie with the caption “Now THIS is a bed”. 
Bucky sets the phone down on the nightstand and takes a minute to enjoy the view from the bedroom window. The view is so different from New York and he knows it’ll take some getting used to. The phone chirps an unfamiliar noise and Bucky sees that Natasha responded already. “Jealous! Enjoy your nap. TTYL.” 
Bucky sends back a heart emoji and then sets the phone on the nightstand so he can crawl under the covers into his new bed. It’s been a long 24 hours but at least the hardest part is behind him. 
What was meant to be a short nap turns into three hours of Bucky being dead to the world. He wakes up a little after noon to find Becca coloring happily at her play table. She also figured out how to use the remote for the little TV on top of her dresser and turned on the Disney channel quietly in the background. Bucky shakes his head, the little girl is too smart for her own good. “Hey bug.” he calls from the doorway. 
“Hi!” Becca’s whole face lights up when she sees him, “Wanna see what I colored?” She holds up her book and Bucky joins her at the tiny table. She couldn’t have been up for very long, she’s only gotten halfway through one Cinderella picture so far, which she proudly shows him she only colored outside the lines once. 
Bucky lets her get back to her artwork and wanders down the hall to explore the apartment more. It’s crazy to him that for a third of the rent of his apartment in Brooklyn he has more than twice as much space here. There’s even a backyard down below with a patio area and a fire pit. The apartment has tall, wide windows in every room which let in ample natural light through gauzy curtains. Bucky looks out the kitchen window down at the backyard and wonders what Becca will think of making s’mores. He finds a shopping list note pad and pen on the fridge and starts making a list of things they’ll need to pick up at the store. The kitchen is fully stocked with plates, cups, pots and pans, and miscellaneous cooking and baking supplies. It makes Bucky look forward to whipping up meals, no longer having to rely on the cramped little kitchen with a temperamental stove they had in their old place. The appliances are all shiny steel and new looking, the flat top stove making Bucky grin from ear to ear. 
Sitting in the corner of one counter top is a french press with a bag of local coffee and a wrapped loaf of blueberry cake. There’s a little welcome card next to the treats and Bucky plans to thank Anne again when he asks for directions to the grocery store. He wanders down the hall, adding toiletries to the shopping list as well as laundry detergent and dryer sheets when he discovers the hallway closet houses a stacked washer / dryer unit. There isn’t a whole lot more that they’ll need for the time being and Bucky figures if he budgets correctly he should be able to keep them afloat for a little while until he can get a steady paycheck again. That is if Natasha moved all of his money over for him. 
Bucky frowns, suddenly worrying that he’s making plans without even checking their financial state. He retrieves his phone and flicks through the screens until he finds a banking app that matches the debit card in his wallet. The app loads and brings him to a home screen that displays four different accounts. Bucky’s head is swimming as he looks at the accounts and numbers. Checking, Savings, College Fund, Car Fund. The college fund has enough to set Becca up at a decent state school or even private school if she can get scholarships. The car fund has enough for a low end new car or nicer used model. Savings has four times what he’d had in savings back home and the checking account contains about what he’d had in savings. Where in the hell did Natasha get all that money?! 
Hopping into Instagram, Bucky fires off a message to Natasha loaded with shocked emojis and exclamation points. “I can’t accept all this.” Is the second message. 
The three little ellipses pop up almost immediately. “You can, and will. Happy housewarming.” 
Bucky frowns and types out, “Where did it come from?” 
“Let’s just say some less than savory sources who won’t even miss it.” Natasha sends back.
The frown on Bucky’s face deepens. He wonders how deep Natasha has gotten herself into with this mystery life she’s apparently been leading. He hopes she knows what she’s doing. “I guess I just have to say thanks and trust you.” he finally replies.
Natasha sends back a few grinning emojis and a kiss. 
It’s not ideal but Bucky can’t exactly return the money at this point. And living in a more rural area he’ll need a car sooner rather than later. He hasn’t driven in years but it should be just like riding a bike, not something you ever really forget. They still have a full day ahead of them and grocery shopping without a car to haul it all back is going to suck, so Bucky decides that lunch and car shopping can be their first stops. 
“Hey Bec… uh….bug.” Bucky quickly corrects himself. 
Becca giggles at his slip up. “Yes daddy?” she asks in her sweetest tone, emphasizing that she didn’t slip. 
“How about we go find some place for lunch and then run errands?” 
“Lunch out?!”
“Yep, lunch out at a restaurant. Come on, let’s go ask Miss Anne where the good food is.” 
Becca flies out of her room to put on her shoes, getting both on before Bucky’s even gotten his first boot tied. He scolds her lightly as she bounds down the stairs, sounding more like a herd of elephants than a little girl. 
It’s loud enough that Anne comes to the window of her living room to greet them. “All rested up?”
“Much better, yes. Thank you for the cake and coffee, that was really nice.” Bucky says as he tries to keep Becca close despite her best efforts to keep going. “Would you by chance be able to give me some pointers for places to go around here? We need to run errands.” 
“Of course, it depends on what you need though.” 
“Well, lunch to start. And a car. Then groceries and some basic necessities.” 
Anne thinks a moment, “Go down two blocks and make a left, head for the docks. There’s a diner called Jerry’s. Everyone loves it there. For a car your best bet is to catch a taxi over to All Star Service. It’s on the other end of town. Mark takes good care of the cars and he’ll get you set up nicely. If you get a car, or can catch another taxi, head over to the strip mall near there. It’s called Oakwood Plaza and they have a grocery store and a few other little shops where you can find everything you’d need. Otherwise you’ll have to head out of town to the Target over in South Portland.”
Buck is frantically writing all of her advice down on the back of his shopping list, not having expected such a wealth of information but immensely grateful for it. “Thank you, really. It’s going to take a bit for us to get used to where everything’s at.” 
“Not a problem, dear. You’ll get acclimated in no time, I’m sure.” 
Bucky thanks her again and then finally lets Becca lead him down the sidewalk. He lets her go ahead, a happy bounce in her step, giving her directions when they need to make a turn. The diner comes into view a short distance later and Bucky hopes they end up liking the place since it’s so close by. 
A waitress seats them right away in a faded red and white booth. Becca is looking around at the retro decor like she can’t see it all fast enough. Bucky makes small talk with the waitress once she discovers they’re new to town, following her recommendation on some local fare. She doesn’t steer them wrong and both Bucky and Becca are thrilled with their lunches. 
“I like it here a LOT.” Becca announces, setting her spoon down into her empty bowl of baked beans. The little dish had been full of beans and cut up hot dogs which had made Becca’s day for some reason. Bucky wasn’t going to question it, it was a hit. His own chowder and Italian sandwich were both delicious and he already plans to come back and try the lobster roll another day. Maybe they can make weekly trips together now that they won’t be scraping by quite as hard as they were. 
Bucky mentions needing a car to the waitress and she recommends the same place Anne had, so he pays for a taxi ride across town to see if he can find something. He doesn’t really care too much what he gets as long as it’s reliable and within his budget. Becca doesn’t seem to understand why on earth he needs a car despite him explaining a few times it’s different here than living in a big city. The taxi driver has a good chuckle and offers to wait if they want, just in case they don’t find anything. Bucky thanks the man and tells him he’ll be back in a few minutes to let him know one way or another. 
The lot isn’t huge and Bucky moves through the few dozen cars pretty quickly. A dark green Jeep catches his eye and he can’t help but be drawn to it. It was his dream car when he was a teenager. It’s not a difficult decision. The Jeep is only five years old, the mileage is pretty low, and best of all the price leaves a few thousand in that savings account once it’s all said and done. Bucky doesn’t need to think it over so he lets the taxi driver know they’ll be fine and heads off to find the shop owner. He finds the man, Mark, under the hood of an old beat up pick up truck covered in oil but with a wide smile on his face. A quick test drive and a few forms later, Bucky is the proud owner of his first car. It’s a far cry from driving around his parent’s beat up old Lincoln Continental when he was a teenager. Becca is thrilled at the idea and is barely able to sit still as Bucky secures her in the back seat. He realizes his next stop has to be for a car seat, the last thing he needs is to have his new ID tested out by the Cape Elizabeth police.
The strip mall is barely a mile down from the auto shop and thankfully has a thrift shop at the end opposite the grocery store. It’s a huge shop run by the local church and has everything from clothes, to home goods, and toys. Bucky picks up a few new outfits for each of them and finds a gently used booster seat as well. Impulsively he throws in a few toys and books for Becca and some candles and house decorations. With that taken care of, he runs an overly excited Becca through the grocery store, not even bothering to protest when she makes a few special requests. Bucky can’t get over how inexpensive the prices are compared to the city, especially the seafood. He takes note of prices, wanting to be able to budget out their shopping the next time. It’s nice to be able to just shop for what they want for a change, but old habits die hard and he can’t just do that every time. 
It’s late afternoon when they get back, arms loaded with bags. Becca insists on carrying some bags upstairs herself and together they get it all in three trips. Bucky lets Becca run off to her room to set up her new toys while he puts away the groceries and sets up the few house decorations he bought. There’s something extremely soothing about getting everything set up to look like a real home. Their home. It’s far nicer than the little apartment they shared in the city and for a bleak moment Bucky wonders if staying in the city after he adopted Becca had been the right call. He pushes the thought out of his head as quickly as it arises, shoving the laundry in the dryer with a little more force than necessary. He had done his best for the both of them, and he would have never managed to get his nursing career started without having Natasha and Clint around to help with childcare. 
By dinner time both he and Becca are worn out but they’re fully moved in and the apartment is even starting to feel more homey. Despite his better judgment, Bucky orders them a pizza for dinner. Becca is shocked and Bucky assures her this won’t be an everyday occurrence. They curl up together on the plush sofa after dinner, finding an old movie to watch together until Becca is sleeping peacefully nestled against Bucky’s side. He picks up the little girl, toting her off into her own bed. The room is perfect for her, but Bucky thinks he might want to get her a new bedding set for her birthday in a few months. One that suits her better like the ladybug print one she had in Brooklyn. 
Falling into his own, frankly amazing, bed, Bucky wonders how long this adjustment period is going to last. Surely they’ll hit some stumbling blocks as they go, but he hopes they both adapt to their new lives quickly. He wants to just jump forward to the point where their new lives here in Cape Elizabeth feel natural to them as their lives before. He thinks he’ll always miss his name just a little bit, but he can learn to adjust if it means a better, safer, life for Becca. There are certainly a lot of perks to living in a small town even if he’s going to miss his friends desperately. It’s only Steve that he can’t bring himself to think about. The pain is too fresh, too raw. Bucky thinks he could have loved Steve, if he hadn’t already been completely in love with the man already. He’s certain the gripping heartache he feels when he thinks of Steve is being felt by the other man as well. Sleep eludes Bucky until close to midnight, his mind busy between making plans to set up their new lives and trying not to dwell on the too painful thoughts of what they’ve left behind. Despite his best efforts it’s Steve that’s on his mind when he finally drifts off to a restless sleep.
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typewriterghcst · 4 years
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Title: Leave Us Your Stardust Rating: G like all my other fics l m ao Characters: Natoru, babby Lune, Natori. Mentions of other characters. Words: 2730-ish Summary: The World can be quite an intimidating, tough place for a seven-year-old, particularly after the sun goes down for the first time. Written for the 2020 TCR Birthday Bash, in particular the ‘Ghosts’ prompt. Notes: This is chock full of headcanons regarding these three, particularly during Lune’s childhood, so uh. Hopefully someone else finds this interesting or amusing like I do orz I will admit I’m hesitant on Natoru’s portrayal here because I’m not sure how most people interpret her (or him, if you prefer the dub, aha). I haven’t gotten the chance to write her that often on my RP blog, so this kinda feels to me like jumping headfirst into a shallow pool
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Natoru plays a lot of roles. She is at once first-line defense and confidante, exorcist and companion. She weaves wild stories and tall tales while battling and eradicating the monsters that manage to sneak out of their imaginary environments to threaten her little ward’s security. She takes care of spiders and hornets. Checks the closet for less rational pests. Peers under the bed each night to shoo out the monsters, too.
It’s because of this, she thinks to herself later once her wits finally arrive, that she ends up being very gently nudged awake by a visibly shaken charcoal-colored kitten in the middle of the night during an extended visit to a neighboring but distant kingdom (the queen’s original home, in fact, a detail that still brings Natoru no small amount of confusion).
“...Natoru..?” Lune sounds hopeful but timid.
“Ehhh.” It’s vaguely questioning, she rationalizes, if a little muffled. She hasn’t quite found the motivation to lift her face from her sleepy haze just yet.
“Can I… can I sleep in here?”
“Why do y’ wanna sleep in ‘ere..?”
Lune fidgets, plays with the edges of his sleeves. “...be… because there’s a ghost in my room.”
Oh. It takes at least a solid minute for that childish (albeit straightforward, she’ll give him that) reasoning to sink in, but once it does, Natoru realizes she’s not getting off the hook that easily. Finally resigning herself to being awake and active again, she hauls herself up from her face-down, torpid position and searches for Lune in the darkness, rubbing at her eyes sleepily.
“Should I go throw him out?”
It takes Lune some time to answer, and when he does, he stares down at his feet as he speaks. “...N-No. I’d rather just stay in here.”
“Eh? How come?”
“...b-because… um. What if… what if the ghosts here are stronger than the ones at home?”
“There are no ghosts stronger than me,” Natoru brags. What a more sweet-natured, maternal cat might have claimed only in the interest of reassuring Lune, she seems to wholly believe, and not for the first time it becomes obvious just why the kitten has taken such a shine to her.
“Really..? How do you know?”
Natoru doesn’t falter, patting her chest with one paw and planting the other on her hip.
"Because I'm the strongest," she answers matter-of-factly.
Lune, still standing at the edge of the bed she'd chosen (though now noticeably with a straighter posture than before), seems to spend some time thinking that over. Finally, hesitantly, he says, “But this isn’t home. What if the ghosts here are stronger than the ones you know? What if the dark makes them stronger?”
Natoru pauses thoughtfully, but ultimately shakes her head. “Nah. I’ve been all over, Lune. And I was born in the human world-- it gets dark there, too. Still no match for me~” She gives him a sunny smile, patently cute as it always is because of her soft, chubby face, but the undercurrent of chaos can not be denied.
What had been a gradual and noticeable decrease in his fear appears to reach a plateau; Lune is convinced, his tail and ears perking back up.
“I’m so grateful! You’re super cool, Natoru!”
“Yep,” Natoru agrees as she hops off her bed to join him on their trek back to his room.
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Lune begins to trail behind her the closer to his guest room they approach, but she neglects to comment on it. Instead, she tosses the beaded curtain in the doorway aside like a particularly bothersome obstacle, and strolls inside. In stark contrast, Lune tiptoes in behind her, looking furtively from one corner of the room to the next as if he expects to be ambushed. (Well, perhaps he does.)
“Okay, Ghost, you had your fun!” Natoru starts as boldly as she can, paws on her hips. “How’s that one song go? You don’t have to go home, but you can’t stay here! It’s bedtime for Lune.” Then, a little quieter but just as determined, and in a smug tone that shows she absolutely relishes saying it, “And if you don’t listen, then I’m gonna kick you in the head.”
To Lune, she adds, “That’s another great song. Recommend it.”
“It’s about kicking monsters in the head..?”
“Yeah,” Natoru says with a cheerful, heedless shrug.
The two of them are met with a stifling silence afterwards, as Natoru expected, but still she waits for Lune to give his approval. Creeping out from behind her, he pads softly further into the room, one, two steps at a time, again scrutinizing the corners. In the end, he doesn’t turn directly to face her, most likely mindful of the darkened void beneath the bed behind him, but he does look back to her.
“...will you check the bed and closet too..?”
“Of course.”
                                                         &&&
It’s after he’s tucked back into his own bed that Lune asks, “It gets dark in the human world?”
“Every night.”
“How long does a night last?”
Natoru pauses there. 
“...I don’t remember.” She does remember it feeling quite long sometimes, though. It doesn’t seem pertinent to tell Lune. “Time feels different in the human world.”
“How so?”
Again, she pauses, this time in thought more so than in uncharacteristic caution.
The truth is, she thinks, maybe it’s not that time feels different in the human world, but simply that she had once been different. A long time ago, before she came to the Cat Kingdom. Those memories are odd— they don’t fit like they should. She thinks sometimes it may be akin to trying to play one of Natori’s beloved records in a CD player. 
“It’s different because you can tell time has passed just by looking around at the sky and the ground, but it doesn’t actually feel like time has passed. It’s disorienting.”
“The ground changes, too?”
“Yeah!” She chirps. “Sometimes it snows, or it rains. Then you get mud. That stuff’s tons of fun.”
“I’ve seen pictures of it,” Lune starts thoughtfully. “It looks messy.”
“Mm. Natori would have a fit if you discovered how fun it is, too.”
“Maybe I’ll get to play with it, too, then. Someday.”
“Probably! You’ll have your own adventures in the human world, eventually.”
“I hope so,” Lune starts. “It sounds like such a funny place.”
Whatever Natoru might have planned to say to that, no doubt to agree, to tell him of the other oddities abound in the human world, it’s lost in obscurity, as, of all cats, Natori seems to see fit to enter at that time, peeking in through the beaded doorway with a look of subdued disapproval. In some distant part of her brain, the part that’s always faintly amused at her coworker’s finicky quirks, Natoru briefly entertains the idea that perhaps he’d been supernaturally summoned by the talk of mud.
“What on earth are the two of you doing awake at this hour..?”
Natoru answers easily enough, tone blithe as ever. “Don’t look at me, Lune’s the one who dragged me out of bed ‘cause of a ghost.”
Judging from Lune’s offended expression in return, he’s not at all appreciative of his idol throwing him under the bus. Natori, also, regards her with a disapproving frown, paws settling at his hips. To herself, Natoru thinks his current countenance lines up pretty solidly with that of the quintessential, matronly governess.
“Natoru, don’t go blaming your foible on the child.”
“But he did wake me up because of a ghost,” Natoru protests.
It’s at this exchange that Lune’s indignation seems to fade, so that he appears relatively chastened, shamed. “...I’m sorry, Natori, I did wake her up for that.”
Natori seems to… deflate, almost, padding to Lune’s bedside with a sigh. “It’s nothing that warrants an apology, my prince. You’re in no trouble.” Then, while busily straightening the crocheted blanket atop the comforter, “...another ghost, then..?”
Lune’s embarrassed silence says it all, he supposes. So it appears then that Natori decides to move past it without comment in response. A phase, he tells himself, brought about by recent stressors, and one that will fade as they do.
“Well. It is quite late, and there’s an early morning ahead of us all. We should all be more rested, you know. This isn’t the night for tall tales.”
“Hey, speaking of, how come you’re awake, Natori?” Natoru starts shrewdly.
An inquiry the grey cat was clearly not prepared for, as his first response to it is to open his mouth to voice his answer… only to close it again with a light snap once he realizes either he has no suitable excuse or that that suitable excuse is tremendously weak in theory.
“...It’s not important,” he eventually settles on, formal, demure. Leaving precious little room for followup clarifications, though he must know by now that such a thing will not stop Natoru.
“Natori, have you ever been to the human world?” Lune asks.
“Yes, occasionally,” Natori replies, head canted just slightly in curiosity at where Lune’s evident investigation is going.
“Do you have a favorite thing about it?”
“A favorite thing? Well, let me think…”
After a moment, all too aware of Lune’s expectant gaze on him and doing his best to ignore Natoru’s amused, knowing stare (yes, Natoru, he realizes he’s being massively hypocritical right now), Natori seems to decide on, “I suppose I’d say it’s probably the scenery— er, the variety in it, in particular.”
Lune nods excitedly. “The variety! That intrigues me so much, Natori. I’ve seen the pictures of the  forests and mountains and the oceans— they’re all so huge, Natori, aren’t they? I can’t imagine how big the human world must be to have multiple oceans in it..!”
“I do imagine it must be hard for you,” Natori agrees indulgently with a laugh. Then, a touch diffidently, “...having seen but a fraction of it myself, I must admit it’s rather difficult for me, as well, at times.” His attention wanders to Natoru, who is still lounging propped up on her paws on the end of Lune’s bed like a proper house cat. She wears a thoughtful, somewhat faraway expression, and he wonders what it is she’s thinking of. But, unobtrusive and respectful as ever, Natori doesn’t pry. Instead, he asks, “Did you shoo out the ghost, then?”
Natoru snaps out of her apparent reverie, nodding a time or two and waving her paw in disregard. “Oh, yeah, he’s toast.” And to Lune, “I scared him off, didn’t I?”
“Yup! You said you’d kick him in the head if he came back.”
Ah, that earns her another long-suffering look from Natori, though he doesn’t voice his disapproval this time. Natoru just gives him another of her patented sunny smiles.
“...Well,” Natori starts readily. “If that’s the case, I think that’s enough ill-timed chatter to last us the night. Morning will arrive before you know it, and I’ll not oblige any requests to sleep in.” Spoken while gently tugging the comforter up over Lune’s shoulders, now that the crocheted blanket has been righted.
“Can I ask one last question, Natori?”
“Yes,” Natori answers primly, somewhat absently, if his concentration on Lune’s already straightened bedcovers is anything to go by.
“It’s about the human world again.” And there Lune hesitates, at least until Natori gives another acknowledging noise. “I keep reading about... how big the human world is, and you and Natoru say it is, too. And— and all the stuff that’s in it, things you can’t see here. Do you think… I mean, because it’s so… There’s so much in it, so do you think… someone could go there, but eventually run out of things to see?”
His voice has lowered to be so soft his two companions nearly miss his question in its entirety, and it along with his insistence on keeping his gaze glued to some indeterminate spot to his side tells them both this line of questioning is not just a child’s rambling, all-encompassing curiosity. Because of this, it seems the two of them struggle for an answer for some time— one that must be reassuring and optimistic, but also can not conclusively discuss the issue. It hasn’t been named yet; it has yet to be spoken aloud to Lune, and it is not the place of the royal advisor nor their vaguely-defined assistant to do so.
Paws lingering over the plush comforter where he’s folded it over Lune’s shoulders, Natori finally replies, timidly, “...Anything is possible.” 
“Sure, there’s a lot to see. But nothing beats good old home,” is Natoru’s helpful addition. “A cat’s bound to get homesick at some point.”
Lune doesn’t respond for a few long minutes, but neither Natori nor Natoru move to prompt or hurry him, even when the silence begins to feel acutely oppressive, and Natoru almost wishes a real ghost would break the tension. Eventually, however, Lune gives a very small sigh, and his attention wanders from his earlier inconsequential spot to Natori’s face. It’s not quite his more usual bright and inquisitive demeanor, but it’s at least a step away from the nervous reserve he’d been exhibiting just moments before.
“...I hadn’t thought of that.”
“Yes. It’s certainly a fascinating place, but it’s no Cat Kingdom. The comforts of familiarity compel all of us to look homeward at least occasionally.”
Lune seems to think that over for a moment, glancing down to the hem of the blanket covering him once (Natoru thinks he must be imagining his own bed back at home, and his colorful bedroom, eternally bathed in sunlight). This time, when he looks to the two of them, it’s with a decidedly more self-assured air. 
“Okay! So I’ll stay as familiar as I possibly can!”
Natoru laughs— she can’t help it. It’s such an endearingly straightforward conclusion to come to. Natori, however… she notices the way his expression tenses, the conflicted, nervous debate he must be waging on the inside. Lune has taken away the wrong message from all this, and it should be addressed and amended, but... it’s only getting later, and Natori had entered the conversation with a chiding lecture about the late hour. He looks tired, too, Natoru notes to herself, probably a crucial trigger for his indecisiveness.
“You got it, Lune,” she decides to chime in, pushing herself up onto her haunches now. “But I think it’s time to stick a fork in this one, because I’m ready to go back to dreamland.”
Lune’s eyes light up further. “Oh! Maybe I’ll dream of the human world.”
“Maybe!”
Natori seems to just accept this abrupt left turn in the conversation in his usual yielding way, but he does see fit to add, in a soft tone that comes perhaps dangerously close to pleading, “...Lune… it’s all well and good to desire to remain... recognizable, but…”
There he dithers for some time, at a loss for what he wants to say or how to say it, most likely, as he utters numerous false starts before finally appearing to give up. Instead, lips straightening to a thin line, he fixes the kitten with a sort of wistfully helpless smile, and gives a comically uncharacteristic shrug.
“...Well. It’s late, as we’ve all pointed out. Goodnight, my prince. Now that your room has been cleared of its phantoms, please don’t dawdle on your way back to the Land of Nod. The sun will rise before you know it.”
“I won’t, Natori.”
Natori inclines his head once in wordless approval as he turns to leave, gaze also lingering meaningfully on Natoru (one she again only returns a blithe smile to), before he leaves in much the same natural way he’d first arrived. Natoru takes the opportunity to hop off Lune’s bed and dust herself off, though even her own reasoning for doing so escapes her. Lune, meanwhile, appears somewhat thoughtful, if distantly uncertain.
“Is it really so close to morning? I’m sorry for waking you, a-and for keeping you up all this time.”
“Nah, don’t worry about it. I’ll let you in on a secret, actually—” Here she glances behind her to confirm that Natori has, indeed, left, before continuing in a hushed but shrewdly amused manner, “I know Natori said he wouldn’t let us sleep in, but just keep in mind that what your dad says goes, and he hasn’t seen a morning in years.”
And so it was that Natoru gained another point from the child prince to set in her ‘cool’ pile.
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magewriter · 5 years
Text
Understanding
Understanding
Kalex Week Day Four: Marriage Tropes
Wednesday, 11/20 - Supertrope - Marriage - Marriage tropes! Fake married, arranged married, accidentally married, betrothal, etc.
I own nothing. So…I went with another AU for this one. I’m not entirely happy with it and will probably eventually revisit this in order to continue it.
Words: 4,198
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Alex sighed, closing her book and taking off her headphones. Her parents were still at it, discussing what to do with her new ‘sister’. The alien girl that had yet to leave the room across the hall for more than meal times. The same girl who spoke very little English and seemed terrified of her own shadow.
She could hear her cry at night, although neither of her parents had appeared to be aware of it. Alex was used to this, since she knew from experience that her parents could sleep through practically anything. Alex was a light sleeper, like her grandmother.
Scowling down the staircase, Alex had to wonder if they realized how much sound carried upstairs from the living room and kitchen. If Alex could hear them, then Kara with her super hearing could as well. Better, actually, when Alex thought of it.
Sending a dark look at the closed door guarding the younger girl, Alex returned to her room and began gathering supplies. She didn’t want to have anything to do with the new girl that had invaded her family and clearly did not want to be here. Not that Alex could blame her for that. Alex didn’t always want to be here either.
Looking over the pile, Alex nodded to herself. Talking was all well and good, but sometimes action was better. She was fairly certain action was always better. It certainly got more done than talking a subject to death did.
Creaking open the door (they would need to replace it at some point, Kara’s uncontrolled strength having cracked the door and frame several times), Alex slipped into the dark room. Searching the space as her eyes adjusted, the thirteen year-old felt her heart break.
Kara was curled up in the corner furthest from the door. Her hands were over her ears and her eyes were squeezed shut. She was once more dressed in the same odd white clothing that she had arrived in, the tattered remains of the outfit she had worn to breakfast scattered beside the bed. Things were broken and torn all over the room, testament to Kara’s abilities.
New abilities, Alex reminded herself. With that, Alex began approaching the smaller girl. Kara looked up at her and Alex stopped. No one had ever looked scared of her before, but she didn’t know what else to call the look in tear filled blue eyes.
“Hey,” she said softly.
Kara blinked at her. “Hello,” she said slowly, “Al-Ex.”
“Alex,” Alex corrected at the odd pronunciation of her name. At least she was no longer using Alexandra.
“Alex,” Kara repeated slowly, nose scrunched up in concentration. She shifted more into the corner, winching when she felt the material crumble from the movement.
She hated this. Not the Danvers, but the situation. None of them understood exactly what Kal-El had done, and he was too busy ignoring her to learn his mistake or assist her in rectifying it. Kara doubted he would want to, as human as he was.
He had taken everything but the clothing she wore to his Fortress. All the things she could have used to assist her in adjusting to this planet were now hidden away from her. She was prohibited from using powers she didn’t understand, much less know how to control.
Like his, her parents had planned for the changes that would occur. Unlike his, hers had planned for her to raise him and hide both of them should the need arise. No one had planned for her to go off course, but then she doubted they would have expected Kal-El to abandon her to strangers.
Kara almost wished she was back in the Phantom Zone. At least there she was no one’s inconvenience. She was not betrothed to a girl who had no understanding of just what that meant. Kara was pretty certain Alex disliked her, either as a ‘sister’ or future spouse.
She did not have the language needed to explain all of this. The older Danvers were trying, but they lacked the same understanding as Kal. They were all focused on her adjusting to Earth and being human. None of them had stopped to consider that she had just lost her family and the world she knew as home. They all appeared to be under the impression that she should be ‘over it’ already.
Alex broke their staring contest, moving to sit beside her. “Can you at least understand what I’m saying?” She asked bluntly.
“Zhi,” she winched, “yes,” she repeated the affirmative in English. Understanding the language was the simple part, trying to use it to express herself was proving more difficult.
“Okay,” Alex nodded to herself. “This is how this is going to work. You are going to teach me Kryptonese, and I’ll help you with your spoken English.”
Kara nodded. It would help and she owed the girl that much. Perhaps eventually she could explain what Kal had done.
“While that happens, we’re going to work on your powers.”
“I am not to use them,” she repeated the phase she had heard far too many times to count.
Alex scoffed. Adults. “Then how are you going to learn to control them?” She took Kara’s silence as agreement. “We’re starting with hearing and strength. And once we figure it out, you’re taking me flying. Got it?”
“Got it,” Kara nodded, feeling a smile form on her face for the first time in days. Flying was easy, and she would be very careful with Alex.
“Good,” Alex pulled out a fresh notebook. “So first thing, alphabet.”
Several weeks went by like that. Using basic skills most people learned in preschool and kindergarten, Alex helped Kara control her strength. She found sounds for Kara to focus on when things began to be too loud. Kara taught her the basics of Kryptonese, both the simplified alphabet and key words. Alex made a game of it, exchanging word for word around the house and figuring out terminology when there simply wasn’t a translation available.
Kara was much faster with English, although she still spoke formally instead of with the vernacular of a thirteen year old. Once she had enough words, she lamented the loss of her pod and what it contained to Alex in the dark of the night.
“We could try to ask for it,” Alex suggested quietly. She had discovered that Kara was tactile to the extreme, so it was no longer odd for her to have the smaller girl curled in bed with her. It meant that Alex was not yanked from slumber to Kara’s night terrors, plus she was never cold.
“I doubt they would allow us to have it. Kal-El desires me to forget, to be human.” Kara had tried before, argued that it belonged to her. Would it really harm anyone if she was allowed those small pieces of home?
Alex snorted. She was beginning to like, possibly even love, the odd girl. She was not, in anyway, the least bit human. Why should Kara have to forget anything? Alex equated it to being told to forget her Nana and Papaw after they had passed away. How could she forget the man who had first taken her surfing, or the woman who made her favorite blanket for chilly nights?
She was well aware it was not the same, but she had nothing else to compare it to.
“So we don’t ask permission.” She wondered if she had the right clothing for a trip to the Artic. “You fly us there and we steal it back.”
“I do not believe I can carry you and my pod.” Perhaps if Alex was inside? Kara didn’t think so, not when she would need to fly high enough to remain unseen.
“So we take the big back pack,” Alex replied, “and we fill it with the important bits to bring back here. That I know you can do.”
Kara nodded. “Yes, but it would take time. More than a single night.”
“You have a point,” Alex mulled it over. “I have an idea, but it means waiting. We’ll need to be really convincing in order to pull it off.”
“Okay.” Kara trusted Alex. Kal-El may have made many mistakes, but this one might actually become something Kara was no longer angry about. She hoped that Alex would be understanding and accepting of it.
“Okay,” Alex hoped this worked out. If not, they would be grounded until college. Well, she would be at least. “I need to make a phone call, but this will work.”
A single phone call later and her Grandma Mason (Eliza’s mother) was a firm ally. Alex hadn’t even really had to try to convince the woman to begin asking for the girls to visit. The eccentric woman was always up for trouble, a trait she shared with her granddaughter.
Not that Eliza had much room for complaint. She had agreed to take in an alien child using faked documents to make it look legal. She also managed to use the ‘sister’ title as if she actually believed it.
Emily Mason took exactly three months to arrange for the two girls to spend two weeks in Indiana in June on the family farm. Eliza and Jerimiah were fine with it, although both gave the same lecture on keeping Kara’s origins a secret. The ‘no powers’ rule was to be strictly enforced, and they left it on Alex’s shoulders to ensure it happened.
Dutifully, fingers crossed behind her back, Alex promised to take care of Kara and keep the secret. Kara did the same, although she still did not fully understand why crossed fingers negated a promise.
It took all of an hour once the elder Danvers were gone for Emily to turn to the girls and ask them what the plan was.
“Kara’s an alien and we’re going to get her stuff back.” Alex answered.
“And that’s the reason for all the missed family gatherings then,” she nodded. It made much more sense than the excuse her daughter had been using. “Well, come along and fill me in. I have fresh gingerbread and tea. Kara dear, how to you like yours made? Sugar or honey?”
“Honey, please!” Kara’s eyes were bright at the thought of two of her favorite things on this planet. Krypton had not had bees. She wasn’t entirely certain what went into gingerbread, but the spiced sweet reminded her of her aunt and the candies she would return with from her travels.
Alex grinned, following the two inside. Grandma was the perfect ally.
Emily listened as the two teens told her Kara’s story. Her heart went out to the girl. Her own grandparents had been Holocaust survivors and she had grown up with their stories of the camps and the war and the aftermath. To have lost everything and not truly been given the time to deal with the trauma, it was hard enough on an adult.
“The old field outback is well hidden,” she told them after a few minutes of silence. “You should have no trouble practicing out there. The barn is old, but still perfectly sound. There are plenty of things around here where we can work on things, and hide others.” She studied them a bit. “How certain are you that your pod is at the Fortress?”
“Where else would he have taken it?” Alex asked. “He wouldn’t have…” she trailed off. Clark wouldn’t have destroyed it, would he? He had been cruel enough to leave a distraught, traumatized twelve year old on her parents’ doorstep.
“It is there.” Kara said. “He took it and myself there first, before taking me to the Danvers’. He said it would be there for when I was older.” She didn’t think he would be capable of destroying it. There was a failsafe in the pod to prevent such a thing. Her father had assured her of it, mostly to assuage her worries probably but she trusted him not to lie to her.
“Then it won’t hurt to at least check it out.” She sighed. “That would be something to see. You’ll have to tell me all about it when you get back. Alex, your grandfather’s old jacket might be a bit big but I think a few extra layers and it’ll fit just fine.” She set her empty mug down. “I want it to be understood that I do not like the thought of you two going that far away without adult supervision, but I think this is something you both have to do.”
“It is,” both girls replied. Kara needed that information to help explain what it was Kal-El had done. Accident, misunderstanding, whatever it was, he had still done it. Considering her foster parents’ constant stressing of the title ‘sister’, she was beginning to suspect they had some inkling of what had happened.
“Alright, but you leave and come back at night. And,” she stressed this, “you do not leave until I am satisfied that you are prepared.”
Not wanting to lose their only ally, they both agreed. Kara thought it was smart. The cold wouldn’t affect her, but Alex would freeze in moments. She did not want to lose her betrothed. Alex was the absolute best thing on this planet. Even better than potstickers.
They were allowed to leave two nights late. Alex was bundled up to the point she was more concerned with heatstroke before they got off the ground than she was of freezing once they were in the Artic. Kara was dressed in a brand new black leotard, blonde hair tucked up in a black beanie. Both of them had new black combat boots, Alex’s a size too big to accommodate the layers of socks on her feet.
Emily was prepared for everything. From the amount of snacks she provided, not even Kara’s appetite fazed her.
“Your grandmother is,” she struggled for a moment to remember the correct wording, “amazing.” She beamed when Alex smiled at her.
“Yea, she really is.” Alex looked around the woods they had stopped in for a break. It was pretty, all pine trees and very different from the beach she had grown up on. “Um…Kara…we need to go.”
“Why? You are still cold.” Despite the layers, her human was still shivering from being so high in the atmosphere going at speeds just under dangerous for humans. She had promised Emily that she would take care of Alex, keep her safe and bring her back in one piece.
“Yea, I can deal with the cold. That, not so much.”
Kara turned to see what Alex was looking at. She knew the animal from the television and books, but it took her a moment to place it. “Oh! A bear! It’s so cute!”
The animal saw them. It growled, rising onto its back legs to tower over them. Soft snuffling sounds came from behind them.
Alex swallowed as two bear cubs appeared. Kara cooed over them.
“No Kara, don’t pet them!”
Kara froze when the mother bear roared. Catching herself, she changed targets to Alex, picking her up and taking them back into the air. The adult bear roared again, but the girls ignored it in favor of locating another clearing. This one without any bears.
“Don’t pet wild animals, ever.” Alex told her firmly. “No matter how cute they are.”
Kara looked down, ashamed. She was invulnerable, but Alex wasn’t. She could have gotten her betrothed hurt, or worse killed. “I am sorry Alex.”
Alex sighed. She pulled Kara into a hug. “I’ll get you a stuffed animal. You can pet those as much as you want.”
Kara’s eyes widened in horror. “Who would stuff an animal? Why?”
“No, no!” Alex shook her head. She no longer had any of her stuffed animals, having long ago abandoned them in favor of science kits and other more interactive amusements. “It’s a kind of toy. I don’t have any, not anymore, but,” she paused. “Find us a town, I’ll show you.”
That was how their quest got sidetracked so Alex could buy Kara her first stuffed animal. It was a floppy puppy with bright orange and green fur. Alex had no idea what kind of dog it was meant to be, but it made Kara smile as she looked it over.
Toy tucked carefully in the bag, they continued on. Alex had absolutely no idea what time even was when they arrived at the Fortress. She knew she was cold and the light was strange. Kara was tired, she knew that as well by the way she had slowed even as they reached an area where it was safe for them to fly lower.
“A giant key, really?” Alex crossed her arms, words muffled by the layers of scarf covering her face.
“Kal-El’s security measure could be much improved.” Kara agreed. It was easy enough to get inside.
It hurt a little, to see this small piece of home. However, it didn’t take her long before she had the Fortress online and warming to safe human temperatures. Scowling at the computer, Kara quickly fixed the settings so that such functions were automatic.
Lights turned on, illuminating the different spaces. Alex was awestruck, absently shedding her outer layers as she tried to take everything in at once. The little robots that appeared speaking Kryptonese took the clothing and began leading them to a room Kara’s presence had apparently unlocked.
“Oh Rao…” Kara felt tears escape her eyes and didn’t try to stop them. Her Uncle had nearly perfectly recreated her room and the view from it. She suspected that one of the kelex units had moved her pod here. It was set against one wall, waiting for her.
“Is that…Kara, is that Krypton?” Alex asked softly. “It’s pretty.”
“It was,” her voice trembled.
Alex listened as Kara began half singing what sounded like a prayer. She remained quiet as Kara’s voice flowed from one prayer to another, eventually choking off. At that point Alex wrapped the girl in a hug, offering what comfort she could.
For some time, they just sat there in the room staring out the ‘window’ at a view that no longer existed. Eventually, Kara stood up and broke the hold.
“I need to show you something. I do not know how to explain it. You need to know.”
Alex, confused, watched as Kara opened her pod and began to take things out of it. Clark had clearly not done anything more than set it down. Kara paused over a few items, wiping away tears as she separated things into two separate piles.
“Here, this is a translator.” Kara held out what looked to be (and were) a combination of contact lenses and tiny earbuds.
Alex hesitated a moment, but took them. Kara had to help her put it on, but they managed it with only temporary discomfort.
“How do I know they’re on?” Nothing looked different.
“Can you understand me?”
“Yea?” Alex looked at her weirdly.
Kara smiled sadly. “They’re working. Can you read this?” She held up a small tablet, sliding a crystal into it before the screen lit up.
“Tales of Firebird,” Alex frowned as the shapes she recognized as Kryptonian rearranged themselves into English. “That is freaking awesome.” Her frown turned into a grin as she began to understand how this worked. Of course an advanced civilization like Krypton had technology akin to something out of science fiction.
Kara’s smile was weak. Yes, she supposed it would be amazing. She took the tablet back and removed the crystal. She picked another, this one a simplified explanation of Kryptonian culture. Inserting it, she skipped to the section concerning the joining of families.
“Please read this.”
Alex took the tablet, eager to learn more. Kara seldom spoke about her life, mostly because all of the adults were so intent on her learning to live on Earth. It had been nearly a year. Kara would be going to school soon instead of studying at home.
She began reading. She paused, moving back to the top of the page to reread it. Then she did it again. And Again. Finally, she looked back up at Kara.
“We’re engaged?” No one had asked her about this! Is this why Kara was so reluctant about certain things?
She rescanned a few phases.
Gift giving. Alex had given Kara any number of things since her arrival. Kara, once they had begun testing out her powers, had taken to giving her small stones she had shaped. The blonde had also gifted her with several sketches, mostly of Alex surfing or fantastical animals.
Food sharing. Kara was often reluctant to try new foods, but she gave anything a try once Alex had tried it or offered it to her. Once Kara knew what her favorites where, she often brought them to Alex when the older girl was slow to get going in the morning or when they were having a lazy day.
A family Elder turning over the person in question to the new House. Clark had done that, insisting in both English and his terrible Kryptonese that the Danvers were adopting Kara. They were to be her new Family, her new House. He had fulfilled the negotiation stipulated in what she was reading.
“Holy shit.” Alex breathed out. “We’re engaged.”
“Yes,” Kara spoke. “We don’t have to be if you don’t wish this. I understand,” she kind of did, more than she had anyway, “kind of, that adoption is different here. Kal-El did not know what he was doing.” She continued to babble, apologies mixed with explanations.
“Kara,” Alex set the tablet aside and went to her alien. “Kara, it’s okay.” She could handle this. “We can be engaged.” She swallowed, determined to see this through. She had been told to take care of Kara. She was just going to do it in a vastly different way than had been intended. “When we’re older,” she covered Kara’s mouth, “when we’re older,” she stressed, “we’ll talk about it again.”
Kara nodded and Alex removed her hand. “So is there a ring to go with this?”
“Ring?” Kara frowned.
“Humans exchange rings when they get married, and one person usually wears an engagement ring.” Alex explained.
“Oh! We exchanged bracelets,” Kara explained. “Plain ones, made by the larger house for the engagement and more ornate ones for the ceremony.” She swallowed. “Marriage was for life. Unless one of a pair died, there was no dissolving the bond. Even then, the remaining partner seldom bonded with another.”
“Right,” Alex could do that. Bracelets would certainly be easier to get away with. She was going to have some fun with this. “Does my being a girl bother you? Is that why you waited?”
Kara looked confused. “I do not understand. On…on Krypton gender is not…was not…it’s a thing that is. Why would it matter?”
Alex had a feeling she would be reading the information on the crystals over and over again. “It doesn’t,” she finally decided on. “So, do we have bracelets?” They were easy to make, she probably had all the supplies needed at home. If not, her grandmother would have them.
“I think I might.” Kara got up and looked through the small pile of items she had set aside. She pulled a small box engraved with the House of El crest. “Here.” She brought it over, opening it to show Alex what was inside.
Two silver bracelets rested inside, both embossed with the same House of El crest that Clark had made so popular the world over. This was sharper, the lines and points less rounded.
“I have a set, and another that were meant to be Kal-El’s.” Kara said. “Betrothal bracelets are often handed down through the generations while the ones used for the formal ceremony are forged through the courtship. These were last used by my parents.”
“You’re awfully calm about this,” Alex commented, hesitantly reaching out for one of the bracelets. She stopped. “Does it matter which one I wear?”
“I always knew my marriage would be arranged once The Matrix chose my match.” She gave Alex a small smile. “I think we would have been matched. I think my family would have liked you a great deal.” She set the box down so she could remove one of the bracelets. “Do you…are you sure?”
“I’m sure.” Alex was well aware she could have taken the out. They could work on becoming the sisters her parents wanted them to be. Alex…didn’t want to do that. She held out her left wrist. “I accept your proposal Kara Zor-El.”
“I accept your proposal Alex Danvers.” Kara slid the bracelet onto Alex’s wrist. Alex startled when it reshaped itself to her wrist until it was the perfect fit. Kara’s did the same when Alex repeated the actions.
“We should pack up and get back to Grandma’s.” Alex looked around. “Pity we can’t take this with us. We could have our own clubhouse.”
The trip back was simpler.
There were no bears for starters.
Alex took a great deal of pleasure in informing her parents that they had already arranged her marriage.
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p-artsypants · 5 years
Text
Longest Night (1)
Ao3 | FF.net
The day started out sucky to begin with. Her crush ousted to the class and Adrien. Lila taking pride in exacting her revenge.But by the time patrol was over, a young man was dead, and Ladybug’s identity was at risk. Lila was the least of her concerns.Good thing Adrien was taking it all like a champ.
Set two years up from season three.
PLEASE NOTE:
This story starts out kinda rough, but in oncoming chapters, there will be graphic torture of the physical, emotional, and mental nature. But I WILL NOT be writing anything sexually graphic. It would make sense, in terms of story, but I just don't want to.
--
Three years was a long time to fight against one man. Hundreds of Akuma, thousands of frightened citizens, and yet they were no more closer to finding Hawkmoth than day one. He came out when it was convenient for him.
Because of the continued attacks, Paris was starting to grow concerned. It came out on forums and political talks on TV.
What was taking Ladybug and Chat Noir so long? What were they doing? Why haven’t they stopped him yet?
It started out slowly, and just in the most radical groups. But as time went on, more and more jumped on the band wagon.
Ladybug’s saving grace was the Ladyblog, that always reported every detail of any Ladybug related news. And Alya, reporter that she was, was quick to remind everyone that Ladybug fixed all damage that was done, and criticizing them wasn’t helping.
Still, concern and restlessness persisted in the back of minds.
But Ladybug and Chat Noir persisted in their promise to protect. They patrolled more often, and started to branch out into other crime fighting. Thieves, muggers, carjackers, pickpockets, any sort of criminal was taken care of.
But since they weren’t the police, there was no arrests made. It was mostly just a slap on the wrist and making them return what they’ve stolen. It was effective in the moment, and helped ease some minds about the heroes.
Then came Edward Savauge.  
If there ever was a god on earth, it was Mr. Savauge. A man who held no qualms about doing what needed to be done in business. He held all the cards, could pull any string, and had a lot of people wrapped around his fingers.
By trade, a drug dealer, a pimp, and a casino owner. And he excelled in all of those areas. Ask most people, they had either never heard of him, or pretended not to.
The most powerful man on earth, and his existence was only a rumor.
Until that fateful night when Ladybug and Chat Noir did their evening patrols.
But I’m getting ahead of myself. Let’s start in the morning, when Marinette and Adrien had to face what would become a minor problem.
Yet felt like the world was crashing down around them.
Marinette’s alarm blared some awful tune at maximum volume. She jumped, flailing, not knowing where she was in her sleep addled mind.
“That’s one way to wake up.” Tikki snickered, having also been startled.
Marinette sat up, her hair a tangled mess, and her legs twisted in her sheets. Blearily, she blinked to wake herself up. What a crummy night’s sleep. It was too hot with the sheets, too cold without them. The bed was just a little lumpy. And there had been an firetruck at work down the street. (Ladybug had checked in. It was just a false alarm) but the truck had remained there for at least an hour with its lights on.
“The point of setting the alarm was to make you actually get up and get to school on time.” Tikki chastised.
Marinette turned her bleary eyes on the floating red dot, and tossed her blanket over it.
“Hey!”
“Snooze.”
“I don’t work like that Marinette! Come on!” She phased through the comforter. “Don’t you want to see Adrien?”
Marinette smiled. “Adrien…” Then she groaned. “Fine!” She actually got up, throwing her blankets off, and got out of bed. Her hair took too long to untangle, her clothes were just a little too tight, or a little too itchy. And despite waking up early, she was still running late.
She threw her hands up into the air in the courtyard. “Anything else wanna go wrong today!? Go on! Take your best shot!”
Oh, how she regretted that.
She walked into the classroom, five minutes before the bell, and the room fell absolutely silent. Lila was sitting on a desk as everyone was gathered around her, but as Marinette entered, they all turned to look at her. The other thing of important note, was that Adrien’s face was bright red and he looked absolutely mortified.
This was very not good.
“G-Good morning?” She asked, tactfully, hoping to break the silence.
“Girl…you’re not serious…”
Marinette looked down at her clothes. She wasn’t wearing her pajamas, right? She didn’t have any embarrassing stains on her clothes, nothing on backwards. “Um…what?”
Alix crossed her arms with a ‘hmph,’ “You know very well what we’re talking about, pervert.”
Pervert? That was really really not good. “I’m…I’m sorry? I’m not sure what you’re talking about?”
Kim backed Alix up. “Lila just spilled. She said she caught you taking pictures of Adrien while he was changing in the locker room.”
Marinette’s eyebrows flew up to her hairline. “I would never do that!”
Alya couldn’t meet her eyes. “I don’t know, girl…you tend to go overboard when it comes to Adrien…”
“But I didn’t!”
“I’m sorry Marinette,” Lila said, pathetic little snivels between words. “I saw you, and I wasn’t going to say anything, because it’s none of my business, but…Adrien is my friend. He deserved to know. Everyone deserved to know.”
She dared to look at Adrien, who still was red and extremely embarrassed. “I would never do that to you.” She told him.
“I believe you.” He assured, but his eyes darted away.
Lila had hit hard and right in the weak spot. Adrien couldn’t support her here, because how would he know?
“Everyone knows you’re basically a stalker,” Alix said again. “Everyone has seen all of his pictures all over your walls.”
“And don’t forget that you have his schedule all written out.” Added Mylene. “And all those plans you made so that you could just be alone together.”
“Marinette, you’re obsessed. And you definitely crossed a line here. You need serious help.” Alya said, concern in her features.
Marinette frowned, her chest unbelievably tight, and her eyes prickling with the tears of betrayal. “So that’s how it’s gonna be, huh? Fine.” She took off her bag, and placed in at her desk, then she stood in the front of the room, and addressed her peers.
“I’m in love with Adrien Agreste.” She announced.
Adrien looked to her, his mouth opening slightly. He didn’t know how far this lie went, but it seemed pretty steep.
“I figured out his schedule, and made a calendar, so I could know where he was at any given point in the day. Because I wanted to be able to find him if I ever actually got up the courage to talk to him. I think he’s super cute, so I hung pictures of him all over my room. And that was easy, since he was a model.” She let out a sob, as tears started rolling down her cheeks.
Bless her heart, Rose started crying too.
She rubbed her cheek with her fist, and sniffed, but continued. “I stole his phone once. I called and left the world’s most embarrassing voicemail. So I stole his phone and deleted it before he could hear it.”
Lila just sat there, looking smug and triumphant. Though no one else saw it, since they were all focused on Marinette.
“Every week, I made a special macaron, passion fruit, just for him. But I never got the courage to ever give it to him. I stole a note he threw away in the trash, that was a love letter for someone, and I dared to hope it was for me, so I responded to it. I even tried to kiss a wax statue of him at the museum…only it turned out it was actually Adrien, and not a statue.”
There was some snickering at that.
“So yeah. I love Adrien. I don’t always think clearly when it comes to him. But I’m a dumb teenager, and I’m allowed to make mistakes and do cringey things.”
She wiped her face and swallowed hard. “But I swear, on all that is good and holy, that I have never taken pictures of him in any context without his permission. I respect him too much for that.” Then she took out her phone, unlocked it, and placed it in front of Adrien. “To prove it, I want you to go through my photos. If there’s any of you that shouldn’t be seen, you’ll be the only one to see them.”  
So the class waited in silence as Adrien swiped through her phone. He checked her recents, and then some other albums, including the biggest one labelled ‘Adrien <3’
“There’s…a lot of pictures of me…” he said sheepishly. “But none of me changing. They all look like they were saved from shoots. Which…isn’t that weird.”
“So,” Marinette spoke up, evening her glare at Lila. “One of us is lying, and it isn’t me.”
Lila pouted, and said with an irritatingly concerned voice, “Well, I’m just glad that you recognized what you were doing was wrong, and decided to delete the pictures.”
Marinette punched the table, overcome with palpable rage.
Adrien glanced around the room, keeping a watch for an akuma. Doubtless, one was on the way.
Marinette seemed to notice this gesture, and took a massive breath. When she spoke, her voice was eerily calm. “What did I do? What made all of you suddenly so eager to distrust me? Since when did I become a liar?”
“Marinette...” Alya tried to say.
“You doomed yourself, Dupain-Cheng.” Said Chloe, speaking for the first time. “If you were willing to do all that other stuff, what’s stopping you from doing this?”
“Because it’s not only wrong, it’s a felony.” She returned.
“So is stealing a phone.”
“I gave it back!” She nearly shouted. “Yes! I get it! I…I have a problem…but I wouldn’t do this. Please believe me, I wouldn’t.”
“But Lila saw you…”
“She’s lying! She’s always lying! All she’s ever done is lied!”
“Marinette,” Lila said, hiding her face in her hands, hiding the fact she wasn’t even crying. “All I ever wanted was to be your friend, but you let your jealousy get in the way of it. You need to face the truth.”
“The truth?” Marinette let out a humorless laugh. “The truth is that I have done everything I could to help everyone in this room. I bent over backwards to arrange parties, to make banners, give encouragement, talk to teachers, stand up to bullies! And the moment I need support, everyone is gone! There’s no proof! No evidence! Just some faked tears from a girl who has lied to get attention.”
She snatched her backpack up from her desk. “Congratulations Lila, you made good on your threat. You’ve turned everyone against me, just like you said you would. But I’m ending things on my own terms.” She glanced around the room. “If you ever need me again, think twice.” She shouldered her backpack to leave, and then looked at Adrien.
He had tears in his eyes, his heart breaking for her.
“I’m sorry,” she said. “For all the immature stuff I did. I…I still love you. I hope you can forgive me.”
Then she bolted, without looking back.  
Back at home, Marinette darted into the bakery.
“Marinette! Why are you home? Oh goodness, what happened?” Sabine noticed her daughter’s distress almost immediately.
“Girls are catty and stupid!” She cried out.
Sabine took off her apron and called to her husband. “Tom, I need you to take over the register! Marinette needs me.”
“Okie dokie darling!”
Sabine led her upstairs, as she sobbed and squeaked out everything that had happened. Sabine just held her, hushing her silently.
“And-And then I just…I just left! I didn’t know what else to do!”
“No, honey, leaving was a good idea. That was a terrible thing for your so-called friends to do.” She handed her a cup of tea. “Don’t even worry, darling. I’ll make sure to pick up any homework you miss. There’s no reason for you to have to see your classmates, unless they come groveling and begging for forgiveness.”
Marinette managed a laugh. “Thanks maman.”
Sabine kissed her on the forehead. “So what do you want to do? Wanna watch a movie? Or play some games?”
Marinette shook her head. “I…I just want to be alone for a while.”
Sabine seemed hesitant, the thought of an akuma taking her daughter…
“I’ll be okay. I’m just kind of tired from all the crying. I’m going to lay down. Maybe I’ll watch some funny videos.”
“Okay, honey. but if you need anything, don’t hesitate to call for me.” She gave her another kiss, and then returned to the bakery.
Tikki appeared the moment they were alone. “Marinette…” She sniveled. “I’m so sorry…”
“Oh Tikki…” She cupped her in her hands, holding her gently to her cheek. “Thank you. I’m so glad you’re with me.”
“I won’t leave you alone for a second.” The kwami insisted. “Not until you’re smiling again.”
Marinette stood and went upstairs, closing the door behind her. “Will you keep watch?”
“Of course.”
She hooked up her phone to her speakers, and started blasting Jagged Stone as loud as she could stand. The bass rattled in her chest and the shred of the guitar numbed her skull. Over the next few minutes, she went around and yanked every last picture of Adrien off her walls.
When the song ended, and the walls were bare, she collapsed on her chaise, spent and exhausted.
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comicteaparty · 4 years
Text
May 23rd-May 29th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from May 23rd, 2020 to May 29th, 2020.  The chat focused on the following question:
If someone came to you for advice about starting their first comic, what would you tell them?
Cronaj (Whispers of the Past)
The biggest hurdle I see beginner comic creators (including myself) struggling with is the fear to begin because they "aren't good enough yet." I would tell them to just start. The best way to learn how to make comics is to make comics. You can always go back and fix old pages. Or you don't even have to. The improvement throughout your work can be encouraging. So I say, just begin.(edited)
carcarchu
know your ending before you begin! so many webcomics start and then have no idea how to continue. at least have some kind of idea of the direction you want to go to and at least a basic outline before you begin. you can always change things but going in without a roadmap is a recipe for disaster
LadyLazuli (Phantomarine)
I would tell them to consider a few things: your desired scope, your current skill levels, and how likely you are to still love the project months or years later. I didn’t start with a small scope, so I can’t tell people to keep it simple no matter what, but it absolutely helps. Doing a short 6-10 page comic as your first thing will totally tell you if this is something you like, or totally hate. Assessing your own skill level is hard, but I try and encourage people to practice anatomy and perspective and other skills before diving right into creating a massive world. I’d encourage them to practice some writing as well. But even the act of creating a comic can help with all that. So, YMMV! And you gotta love what you’re drawing! I didn’t feel comfortable creating a story until my late 20s because I felt I hadn’t settled on something I’d be indefinitely passionate about. My likes and dislikes were still changing so much. If you can look at your idea and pretty confidently say you want to draw this stuff over and over again for years... that’s a very good sign
eliushi [a winged tale]
I find my advice will vary depending on what their vision is for their comic! For instance, if it’s a short form, I would recommend looking at different styles and experimental storytelling to find ways to best explore their work. For a long form I would advise as y’all have done so as well: start and keep going to improve. Have an ending in mind. Know the basics of character/plot and storytelling; essentially if you know the rules then you are more easily able to break them in an informed way. Most importantly is to have fun drawing, have fun with friends, have fun sharing your work
I guess sort of as a follow up... did you all receive any advice before starting your comic?
carcarchu
i didn't ask anyone in particular but the advice i read before starting mirrored what has been said so far
the advice about just starting and not being afraid is probably what helped the most
LadyLazuli (Phantomarine)
I was told to make my first comic shorter... but with the caveat that if I absolutely could not, it was okay to try a long-form one from the get-go
carcarchu
another thing that i often tell people looking to start is that comic making is actually a gigantic time sink and requires a LOT of discipline. a lot of people i talk to really don't realize how much of a time investment it is. i don't want to dissuade anyone by telling them this but it's important to realize
Eightfish (Puppeteer)
I agree with lazuli! Right now I'm actually feeling more motivation for my long comic than my short story.( I will absolutely finish both though)(edited)
carcarchu
x2 agree with claire, i've realized i'm not good at short stories
Eightfish (Puppeteer)
I've been asked this question before, about first comics. I always say the most important thing is to draw what you like, for yourself.
LadyLazuli (Phantomarine)
Short stories are hard! I’m often jealous of all the marvelous one-shot comics on twitter, telling an affecting story in such little time. I often wonder if my own stuff will ever be half as successful in the emotions department. Short stuff is easier to digest but requires a ton of skill to craft well.(edited)
Eightfish (Puppeteer)
Absolutely. Two of my favorite comics are 3 pages and 5 pages long and years later I am still thinking about them.
I think it takes even more skill to craft a compelling story, world, and characters in only a few pages
It is witchcraft, I swear
carcarchu
there was a beautiful short story i read about a cat before, i'll see if i can find it and share it in recs
eliushi [a winged tale]
I think a lot about the unfinished comics! even though they aren’t finished, they still stay with me. Ultimately if you draw comics, it will touch people and people will remember
Eightfish (Puppeteer)
I've always wanted to do a short story like that but am not a good enough writer yet unfortunately
LadyLazuli (Phantomarine)
Also agree with @Eightfish (Puppeteer) - you must make something for yourself. You can try and tailor it to certain audiences, but don’t stray too much from your own sensibilities. Make a comic that speaks to your soul, and people will feel it.
chalcara [Nyx+Nyssa]
Pick something you love, you‘ll spent a lot of time on it.
Eightfish (Puppeteer)
If you don't love it, who will?
chalcara [Nyx+Nyssa]
And short stories are their own medium with their own rules, needs and patterns; they‘re not interchangable with longform and the otherway round.
That‘s what annoys me about the „start with 8-page shorts!“ advice. It‘ll teach you how to do shorts, not how to do long form. And I‘ve seen so many treating shorts as a stepping stone to „proper“ long-form comics, and that format deserves better.
Eightfish (Puppeteer)
I do see the merit in that though. There are a lot of unfinished long comics. If you have a good short story, might as well make it first. For me though, they are way harder than long stories.
I did give myself the option to end puppeteer after about 80 pages though
Luckily I fell in love with making it and won't be doing that now
But it was an option
Capitania do Azar
Yeah I'm gonna have to repeat the points already stated. Everytime I get the chance to give advice to a starter, I do focus on the discipline aspect. Webcomics (any comic actually) does take a lot of work and if you wanna make it in the long run you gotta know your pace and you gotta know where you wanna go so you can make the best use of your time
You don't need to have super solid plans but it's good if you know how much time it takes you to make one, five or twenty pages, so you can get organised
And at least in my experience being organised is one of the most important aspects
That, and liking what you do but also allowing it to change because things take time and you will change too
Cronaj (Whispers of the Past)
^^^I can't reiterate this last point enough
Eightfish (Puppeteer)
For sure cap! I spent a lot of time experimenting with art style before starting and I think choosing a simpler but still nice looking (to me) style has been vital for me being as consistent with my comic as I have
Having a schedule was really important to me starting out
shadowhood (SunnyxRain)
I think I would have said..... MAKE SURE YOU DRAW IN ADVANCE BEFORE POSTING.
I've made this mistake, and I know many people have made this mistake, but it's really easy to get stressed and demotivated when you realize that you might not be drawing as fast as you want...particularly if you're starting out.
So make sure you have buffers so that you can post those updates as consistently as you can.
Tuyetnhi (Only In Your Dreams!)
I'd say for my past self that make sure you have.... at least almost everything ironed out for your story first if you want to make a long form comic as your first try because trust me if you don't, you'll end up redrawing the first chapter twice lmao. knowing how it begins and ends, knowing your drawing speed and also recognizing if you're just either motivated to work on it or you're doing it despite motivation. Because those are like the main factors that affect burn out and if you don't watch out, you'll get fucked over from it. have a good sense of your self in terms of your work ethic, and your writing. Art will be supplement for that writing but you're pretty good at least understanding the basics you should be aight Also if you don't feel doing your long story first, you can always make a short story to test waters. but if ya like me and rather just jump making a long ass comic first, go for it lmao
sierrabravo (Hans Vogel is Dead)
I think the biggest advice I'd give would be is to accept what you've already done, kinda related to the "you're good enough to start" advice. A lot of webcomics stall out in the "gotta redraw this to be Good Enough" phase, and it's easy to get caught up in the cycle of redrawing early pages (especially once you get a few years into a comic), but learning to sit back and appreciate early pages for the stage you were when you drew them is important!
also something I don't hear creators talk a lot about, is having a support group. Getting positive responses from strangers from the internet is a rush, but it's not always going to happen, and relying on it isn't a great idea mental health wise. Having a group of friends you can bounce ideas off of and that can support you in your story helps make the lonely art of making comics a little less lonely. I wish I had known about this group sooner because it seems like a really great resource of creators coming together and being supportive!
Tuyetnhi (Only In Your Dreams!)
oh yeah that last point especially
like honestly if I didn't met other webcomic creators I probably wouldn't be working in webcomics tbh
sierrabravo (Hans Vogel is Dead)
It's so nice to have outside perspective both for art advice/critique stuff, but also just the general "hey guys drawing pages amiright"
Tuyetnhi (Only In Your Dreams!)
yeah lmao
sierrabravo (Hans Vogel is Dead)
plus if/when you ever meet up with people at conventions, it's always so nice!
mariah (rainy day dreams)
Yeah, I would second that. Starting out I had a really hard time knowing how to take praise from my real world friends who are into my comic. It felt like maybe it wasn't real praise and they only like it because they liked me. But honestly the longer I make comics the more I just want my friends to like them and the less I care about what an internet stranger might think X'D Also, I watched the video on new creator tips that Joichi post in #writing_n_misc_resources last night before bed and those tips are super solid. I think folks have already hit on all of them but writing something you really like and is for you first and foremost and being being prepared for a lot of work are super important. Also, get that buffer!
kayotics
I think this was touched on already but having an idea you’re really passionate about, especially for a long form comic, is kind of essential to keep you going. You gotta keep up momentum for years, not just a few weeks. The thing that helped me, personally, was building my comic in a way that let me end it after the first story, but also let me continue if I liked it. My first chapter was definitely like a pilot for a tv show. If I didn’t want to continue, I’d just stop. But I ended up writing the second chapter before I knew it so I guess it worked out
Joichi [Hybrid Dolls]
I don't have too much new things to add but I agree that webcomics, is a lonesome job on your own. But once I started hanging around this discord, sharing frustrations, comic compliments. The support made a big difference, no longer having to shout in the abyss of Twitter to be heard. I know when you first start out, it's overwhelming. There's so many platforms, do I do color or grayscale? (as it felt that way for me.) The best is to begin small baby steps, write scripts. Draw thumbnails, talk about it with people you trust. Generate ideas and put them on paper. Something I learn, is finding a good group community who raise you up, than put your works down(edited)
keii’ii (Heart of Keol)
Seconding/thirding/etcing about support. Other than that, I really don't have a single advice that I could give to someone starting out. Because it would need to be tailored to their situation. Someone who's in my exact same situation back when I started my first webcomic? They don't need ANY advice honestly. They just need to do it (which they will anyway) and learn from the experience.
sierrabravo (Hans Vogel is Dead)
https://tenor.com/view/doit-gif-5247874
keii’ii (Heart of Keol)
(Again, I'm talking about a hypothetical person who's exactly like Younger Me. Not every beginner will "do it anyway.")
Joichi [Hybrid Dolls]
I corrected my definition, as I found out what the topic was about! I thought from everyone's comment, they felt like talking about internal feelings about community spirit.(edited)
Deo101 [Millennium]
I think that "just do it!!" Attitude is probably what I'll echo, it's what I'd have needed to hear and what I think there's probably the biggest hangup on. I think everyone tries to wait til they're ready, and it's like "you are gonna learn so much so fast and never stop learning once you start making your comic" so just, start learning now! Make changes later. You can't fix something that doesn't exist yet!
LadyLazuli (Phantomarine)
One thing I often think about is when artists completely relaunch their comics once they become a bit more intermediate in skill level. They've improved so much during the creation process that they feel a need to go back and totally start over. I've even run into some comics where they... almost seem in a constant state of relaunch I often wonder about how to encourage new artists to move forward instead of reiterating existing stuff. Or is the reiteration not necessarily a bad thing?
keii’ii (Heart of Keol)
I mean I guess it's not a bad thing if they're still having fun? Sometimes they're still having a blast; other times it's a form of torturous perfectionism.
Sometimes it's a bit of both, even
Deo101 [Millennium]
Yeah, I always frame it as "unless you are rewriting, don't redraw."
Eightfish (Puppeteer)
I have seen a redrawn comic go well only once
Deo101 [Millennium]
Cause if it's just to fix your art but nothing is really fundamentally changing, then you'll get stuck in a loop I think
Eightfish (Puppeteer)
and that comic kept updating latest pages while redrawing the first ones
Deo101 [Millennium]
Yeah I've seen people do that. Where it's not a rebooot that basically stays the same, just a revamp of old stuff.
I could see myself doing that eventually tbh.
Eightfish (Puppeteer)
The guy had very messy art in the beginning. Not bad art, he just didn't put much effort into it. The comic just evolved into something way bigger and more professional than he'd expected so he went and made the first pages professional looking as well
Deo101 [Millennium]
Yup Cause conics make your art improve so fast, every 50 pages you'll feel like your first one has sooo much wrong with it! So you can't get stuck just remaking pages
Eightfish (Puppeteer)
Deo I don't think your first pages are any impediment to new readers. I have noticed a ton of art evolution though :0
Deo101 [Millennium]
Unless, yeah, you are rewriting and need the content on the pages to be different.
Yeah they might not be impeding but they're uglyyyyy
Eightfish (Puppeteer)
I didn't notice your art changing much while reading your comic but then i went back to the first page and, woah.
big difference
Deo101 [Millennium]
It would be smth like way off in the future though if I did do it. It's not currently in my plans
I'd rather make new pages and new comics
Eightfish (Puppeteer)
has anyone ever commented on your art evolution?
Deo101 [Millennium]
Yeah my art has changed uhhh a lot LOL I think maybe a couple times? I don't have a good memory
mariah (rainy day dreams)
I think it's probably different for everyone. Personally, I don't think really believe in going back and redoing stuff, but I also say that as someone who just spent the last year redrawing most of my first five chapters. For me, Ive always wanted to print my comic, and I felt a lot of self-created pressure to have my first book look really good. Because it's going to be new readers first introduction to the series and if I don't feel 100% proud of it, sell it to other people was going to be impossible. I kind of just felt embarrassed by my old art and writing(some of it was like 8 years old and hadn't aged well). And also if I was going to use up resources to print something, then it should be the best version of that thing. But on the other hand, redoing the old stuff has also made me really sad that I haven't been able to move forward with new chapters. I definitely second Deo. And I also think you have to know where to draw the line. Like "ok, I'm going to redraw this once and then not again" or "I'm going to redraw up to X point and call it good. I think can be a really easy perfectionist trap and time sink if you aren't careful.
Eightfish (Puppeteer)
it is also hard to get your existing audience to follow the same story twice
OH, webtoons features are rebooted comics oftentimes
I guess that counts as going well!
keii’ii (Heart of Keol)
Yeah, since getting featured by Webtoons is kinda like going print; it's a form of getting Published
Deo101 [Millennium]
Yeah. For this other comic I've not launched yet, I've redrawn the intro 4 times. The intro onky takes like, 20 hours absolute max (latest) but I still find myself looking at it and thinking.. I could have been making new stuff :/ BUT! I did rewrite it every time so it did need to change. I should have just waited to start it til I could commit more so there wasn't a year between each intro
Eightfish (Puppeteer)
But since webtoons features update so fast I don't really mind following the same story again. Lone is already almost to where the canvas version was
Deo101 [Millennium]
And yeah wt features need to reboot for a lotta reasons, there's also probably a lot of times like. At least lengthening updates to fit the requirements
They're not necessarily redrawing it, too. They just have to post from the beginning which totally makes sense
Joichi [Hybrid Dolls]
I'm giving myself a mantra, don't redraw, don't look back. Just move on with what you got. There's chapters I want to cover. It's just years ago, I had constant panic that the story's theme was going to change as it went, so I 'must' change the first chapter to suit the general overview of the story. But it resulted in me burning out and being self destructive to my work. I'm going to take better care of myself(edited)
Eightfish (Puppeteer)
i think most redraw significantly though
Deo101 [Millennium]
Yeah I mean, wouldn't u?
Eightfish (Puppeteer)
I'd have to! My whole story is only like. 20 webtoons updates?
Deo101 [Millennium]
Truuu
If that, 40 panels.. a page is like usually around 5
Tuyetnhi (Only In Your Dreams!)
agreed on redraw hell. tried it and I didn't like it at all lmaO
I'm kinda glad I have a good footing on my current comic and I don't want to redraw it at all unless it's adapted for something else. still like
work what you have, if you can orz
keii’ii (Heart of Keol)
"Don't look back" is hard when you feel like the first X pages are dragging all the future pages down with them. I agree that you need to draw a line (no pun intended), set some criteria
The thing Eightfish mentioned -- not so bad that it'd deter new readers -- is a very useful criterion IMO
Eightfish (Puppeteer)
if you must, i wonder if redrawing the first scene would be okay?
Just as a taste of what's to come for new readers
Deo101 [Millennium]
Do you think they would notice the difference in quality and question that?
Tuyetnhi (Only In Your Dreams!)
rip maybe
keii’ii (Heart of Keol)
I've read a long webcomic where only the first chapter was redrawn, and when I got to the second chapter and saw an immediate drop in quality, I knew what exactly happened XD
Deo101 [Millennium]
Yeah, but you're a creator! Readers don't have the same background to necessarily be able to assume that
Eightfish (Puppeteer)
Just put in a note saying that it's art evolution
Cronaj (Whispers of the Past)
As someone who redrew their first scene for a lot a reasons, I will say that I personally think it's worth it.
Eightfish (Puppeteer)
Also same, I've seen it and knew exactly what happened
keii’ii (Heart of Keol)
Yeah, it was mentioned in the notes, but I didn't read the notes at first because I knew the archive was huge, and I wanted to Get Through It
Eightfish (Puppeteer)
if i were to do that, i'd put a note in the page itself
keii’ii (Heart of Keol)
That sounds like a good idea
Deo101 [Millennium]
What were your reasons for redrawing crona?
keii’ii (Heart of Keol)
I'm not Crona but I redid a big chunk of my chapter 1 for writing reasons. (This was in addition to a whole reboot done prior.) The writing was... not 'this screams terrible writing' kind of bad. But it was extremely misleading/ unclear on what the overall story was going to be
Tuyetnhi (Only In Your Dreams!)
dang tbh I did kinda redraw some panels to make the dialogue flow better. But I also tried my best to match up the quality of the pages drawn the time so it doesn't look jarring.
kinda what keii said but just minimizing the effects of shockkkk
Eightfish (Puppeteer)
I think this is one of the reasons why i don't want to do a comic that goes on for more than a couple years (well, for now that is. Maybe that'll change as i improve)
Deo101 [Millennium]
I redrew one intro 4 times, cause I kept rewriting the whole story.
Tuyetnhi (Only In Your Dreams!)
after that I was like "don't touch Ch. 1 again" lmao(edited)
Cronaj (Whispers of the Past)
1. Several panels didn't properly show what was happening in the scene. 2. Rewrote some of the dialogue 3. My art had improved so much that even if I hadn't redrawn it, the next scene would look very different. 4. I wasn't super far along, so I thought it would be good to give this another go, knowing much more about paneling, page-layout, and pacing.
Eightfish (Puppeteer)
do you think there's a chance you'd eventually redraw wotp as it is now?
Cronaj (Whispers of the Past)
Hell no(edited)
Eightfish (Puppeteer)
lol then i think it's fine that you redrew!
Cronaj (Whispers of the Past)
Even if I go back and clean some things up later for print, I'm not completely redrawing anything about WotP anymore
I finally got it to a point where I'm happyish with the way it looks
LadyLazuli (Phantomarine)
I've never totally started over, but I did a ton of drawing edits (and a few writing edits!) on my first chapter before releasing it to the public. The previous version of the chapter does look far less polished. But even then, I really only completely redrew 1 or 2 panels. The rest was just liquifying wonky faces and whatnot. Still, once it got printed, I basically locked the artwork. With how long new pages take, I really don't have time to look back much anymore which is its own kind of blessing!
In that way, I'm very glad I kept it private for a while. I wasn't confident with my skills yet - and I wanted some wiggle room. It's part of the reason I encourage people to at least have some sort of foundation, so that the jump in improvement isn't so... startling
Cronaj (Whispers of the Past)
I actually kind of love to be startled by art evolution
Deo101 [Millennium]
Yeah I could see myself editing wonky faces and things like that more than I can see myself redrawing! My pages only take me like 2 hours and I still wouldn't redraw, can't imagine what your timeframe would look like...
But not in your own work, crona?
Cronaj (Whispers of the Past)
It happened with a lovely comic called Wind Rose, and it is so inspiring
I wouldn't say I don't like it in my work
More that I was completely changing art styles too
Deo101 [Millennium]
I see
Eightfish (Puppeteer)
I think starting a comic is a good way to get those foundational skills though, lazuli
Cronaj (Whispers of the Past)
Even if you didn't post it online, you did start
Which I think is enough
Eightfish (Puppeteer)
one of the biggest examples of art style shift I've seen
Comic is still doing really well though!
I don't think anyone minded the art evolution at all
LadyLazuli (Phantomarine)
@Eightfish (Puppeteer) Yeah, that's my dilemma! I've seen a couple very new comic artists burn out quickly, or say that they're relaunching because of their own unhappiness. And part of me wants to tell them to slow down - they don't need to post anything, just use it as a training ground.
Eightfish (Puppeteer)
Of course, if you yourself hate your old art you're probably more important(edited)
hm
It's still nice to have your story read though
even if just by a few friends
LadyLazuli (Phantomarine)
I haven't read through it, but I know this is another good example...
Eightfish (Puppeteer)
another one!
This was intentional though, to convey a change in setting
It's kind of fun to look at these comparisons(edited)
I think most readers would feel the same
carcarchu
my most inspiring art evolution is from zero point idol chapter 1
chapter 90
the artist also got better at panelling too. also not only did the art change but the genre completely did too. it started out as a comedy romance then slowly became a drama romance
Eightfish (Puppeteer)
Looks like you switched the images around?
carcarchu
oh it's in the right order on my side
the more bishounen looking one should be the newer one
Eightfish (Puppeteer)
Oh! I think the more colorful one looks much better actually?
But perhaps the author chose a different style to draw more quickly?
carcarchu
uh i think the opposite
the newer art looks objectively better
Eightfish (Puppeteer)
okay i'm gonna look it up maybe I will think differently if i see a bunch of panels in context
looking it up it is definitely clear that the author is putting much more effort into later updates.
Though skimming it I still sort of prefer the style of the earlier pages?
carcarchu
i have never heard someone say that before
people usually complain they got gipped in the first chapter lol
Eightfish (Puppeteer)
Can't say anything about the paneling or anything like that because I just skimmed it
Well, I like the style of the things in the first pages that they tried harder on
There are a lot of like, chibi or messy panels there
Joichi [Hybrid Dolls]
I'm looking up the titles for these screencaps you guys presented!
Eightfish (Puppeteer)
The first one I shared is A Matter of Life and Death!
The second is YU+ME Dream (highly recommend)(edited)
mariah (rainy day dreams)
Seconded, YUME is very good and it's complete!
kayotics
I think there’s a lot of good reasons to restart or redraw past pages, but there’s a lot of people who DO get trapped in the constant iterative state of restarting/redrawing their comic, and then they don’t get anywhere with it
snuffysam (Super Galaxy Knights)
It's hard to come up with any consistent advice because people have different goals starting their comic. Like, some people just wanna do a comic to get better at art, or because they have a bunch of OCs that they want to do something with. And to those people... like, just have fun with it. Now, if you have a full story in mind, and your goal is to complete it in a timely manner that isn't overwhelming (without sacrificing on quality), this is the advice I give: 1) Plan out your story. You don't need to do a full script or whatever, but do try to have at least an outline, with an estimate of how many pages each part will be. 2) Spend a typical month (like, a month that you also have other work to do) drawing the first few pages of your comic. Don't post them yet. Count the number of pages you drew. The number you post per month should be less than that. e.g. if you drew 6 pages in that month, you should post 1 page each week. That way, you can have a bit of leeway to build a buffer without burning out. 3) Look back at that outline. How many pages did you plan it out to be? And how often are you planning on posting each page? Let's see... carry the two... this comic's gonna take HOW many years to complete?! 4) If you're comfortable with the task ahead of you, continue on to step 5. Otherwise, cut some stuff from your outline and repeat step 3. 5) Have fun with it! You might change your mind on future plot points, and that's ok! Just... try to do so in a way that doesn't create more work for yourself.
sssfrs (JOE IS DEAD)
My advice is to just get started. I see so many people caught up in the idea that you need to perfect your art skills before starting a comic and then they just never start working on it
Your art is never going to be "perfect" and its better to have a tangible comic than a perfect one
I don't mean that in a discouraging way I just mean like no one can really achieve perfection and it's better to just create things
Joichi [Hybrid Dolls]
I like snuffysam's advice because I have noticed there are different kinds of approach to webcomics. Some do it for fun and practice like I do nowadays. While others have a big long form series they are deeply passionate about but to start it seem overwhelming. Everyone's advice is pretty great! (edited)
DanitheCarutor
Fff I don't feel like I'm really qualified to give advice to people. I don't take art and comics seriously enough to follow most rules, so I would just be a bad influence if anything. Lol (Also everyone else has already said what I would.) I guess the one thing I would tell someone on the fence about starting their comic is to do it when you're ready. Like, I wanted to start doing comics when I was 15 but I wasn't quite mentally ready yet? I was used to doing illustrations so I couldn't stick with doing anything longer than 1 page, throughout the years I experimented with doing 1-2 pages of random scenes in stories I wanted to do, it wasn't until I hit my 20s when I was like "Okay, I want to do this!" In a way I didn't totally get into comic mode until my current project, since I was still feeling things out with the previous ones. Kinda went on a tangent there. Lol But yeah, comics are a huge commitment, I don't think it's super good to push yourself into starting if you're not mentally ready yet. Give yourself some time, do some casual stuff to prepare for the comic you really want to do in the meantime (brainstorming, concept art, character studies, etc.), or don't think about it at all if that's how you do things, then when you really get that itch go for it.
FeatherNotes(Krispy)
My advice won't be anything that hasn't been touched on in this chat (so many good vibes ;_;) but I do wanna say that if I had any advice for someone to get into comics, it's to do it for yourself as the main priority. Webcomic popularity has been on the rise very quickly in this past decade, with copious amounts of creators trying their hand at their One Story, competition, exposure, and pressure are sure to set in with this wild ride that is comic making. So what do you do to combat that? How do you stay above water, make sure you have fun, or avoid turning this into what seems like never ending homework? You make your goal you. Whether You want to improve, whether You want to explore characters, or whether You just want to experiment- such a large project (let's be real, there's no easy way to do comics!) should be handled with that initial fire you had when you wanted to start the project, when you felt inspired to lay those panels down and tell that story. Don't compare your journey to others, don't feel that pressure to always Be Something.(edited)
Comics are a medium, just like film, canvas, or Video games for that matter, they have their own process and steps. Find what works for you and enjoy the ride, because it could easily turn into a long one!
eliushi [a winged tale]
I love it Krispy! You gotta do what you love
I’m just curious. What are your personal goals that keeps you going for the comic if you don’t mind sharing?
(And for anyone to answer too!)
keii’ii (Heart of Keol)
I get what you mean and 100% agree with you. But I wanna bring up a caviat -- some people use the whole "do it for yourself" thing to shut down creators who are doing it for themselves, but also want some recognition. It's not their main priority, but it is a thing they want and it's okay to want it. I guess that goes back to the other advice about getting support. Find support, find people who won't make you feel guilty for simply wanting some recognition. People who will understand and support your goals.
Tuyetnhi (Only In Your Dreams!)
told myself that I won't let my self to lay my soul to rest till I'm done with the projects I have
so lmao that's somethin that drives me contracted to keep living till everything I do is finished lmao(edited)
keii’ii (Heart of Keol)
One of my friends got told she wasn't a Real Writer simply because she wanted a readership. That kinda disrespect is not okay
Tuyetnhi (Only In Your Dreams!)
oh dang
FeatherNotes(Krispy)
oh that is a whole different level from what i'm saying for sure
first off those people can go away lol
keii’ii (Heart of Keol)
Yeeeah
Again, not what you were saying, just... how SOME people twist the advice
FeatherNotes(Krispy)
and secondly, if you're not doing your work for yourself, you can easily fall into pleasing others and drown in Trying to Stay relevant, burning your creative drive too (i mean, if you can make ur comic and do that , good on you woah) but i've seen multiple comic artists crash and burn for the sole purpose of doing the comic in competition with others, convincing themselves that 'other styles' are crap bc their own work doesnt match up (gosh that was a rough one) and all in all, them just becoming so bitter with their work! THOUGH! this essentially applies to all creative fields and not just comics! And those entitled ppl who do that suffer from jealousy and nothing else. I cannot stand for those types who tear others down when faced with their own insecurity
and creators have every right to ask for help too. y'all deserve that recognition for the hard work you do, sometimes however, that isn't always available to them
Tuyetnhi (Only In Your Dreams!)
yea
FeatherNotes(Krispy)
(which is why we gotta lift eachother up!)
keii’ii (Heart of Keol)
You bring up a good topic that's very relevant to my struggles. It can be very difficult to know: is it okay to disregard this criticism. Am I allowed to do that? Am I allowed to like this thing about my work that people are pointing out as the bad part? Or does that make me a.... bad creator. Unprofessional, bratty, whatever. I'm not even talking about picking a fight/ getting verbally defensive. Just, silently disagreeing. I WANT to say the answer is yes, we are free to have our own opinion about our work. But dang if it isn't hard to feel guilty for doing it.
eliushi [a winged tale]
I think any trailblazers and pioneers feel this sort of sentiment.
keii’ii (Heart of Keol)
That sounds about right
I don't really think of myself as a pioneer, but it is still something I feel in my bones
LadyLazuli (Phantomarine)
I guess that’s the beauty of a self-run webcomic. You are the boss. Your viewership can give you critique, but you can choose what to listen to. You’re not beholden to a higher power (producer, director, patron, etc) to change things no matter what. It’s your project to run, and oftentimes only YOU know where it’s going, and you know how that criticism would change things.
Tuyetnhi (Only In Your Dreams!)
ya lmao. idk like I don't see a lot of stories that run in conflict of towards what I'm doing so it's kinda nervewracking when you're like "oh god am I setting a good example or what? Should I be worried when I just want to create and share a story?"
LadyLazuli (Phantomarine)
If you can be proud of the story as-is, I think there’s power in that, and it comes through in the work. A confident comic is a lovely thing.
FeatherNotes(Krispy)
That makes me really sad that you have these struggles Kei. Your work is a project of love. Love for the things that inspire you, love for the way to tell your story, and love for that process. You are allowed to proud and tell the world about it, you are allowed to embrace the success that you gain from your work. We as comic makers do SO MUCH WORK and wear SO MANY HATS to make this mainly free to read story available, and that should be celebrated. SO YES, you CAN and you MUST choose what you want to take from others comments, their feedback, reactions, etc- but in the end, it's still about what YOU wanted to make of this work, bc in the end, you are the wheel that keeps this whole thing spinning
keii’ii (Heart of Keol)
I dunno about confident, but I can say my comic is an honest one. Even if I don't feel confident, I still don't let outside criticisms change what I do.
FeatherNotes(Krispy)
webcomic creators aren't given the space they need to grow a lot of times too-- we're essentially producing work that easily requires a small studio to create- there's gonna be ups and downs to the process. But you have to keep in mind for your own sanity that this is still your work and your vision. If you want to explore options of improving then you should be in control of that. (we all know how i feel about crits from randos too XD!)
eliushi [a winged tale]
Agree so much Krispy. I think everyone’s goals and visions for their project are valid and if they sustain your project, then that’s a success in itself
FeatherNotes(Krispy)
agreed!
eliushi [a winged tale]
Often I see this tip and pass on to other writers that when they write their story it’s important to think of a logline or something central that is the heart of the story. I put that as my first page so every time I open my document I see it. I think it’s the same for webcomics. Find the heart of your story — why you want to write it and remind yourself of that. I find it’s helpful to keep me going
FeatherNotes(Krispy)
omg eli....i love that!!!
sierrabravo (Hans Vogel is Dead)
wow that is really great advice eliushi!! I'd love to steal that if you don't mind?
eliushi [a winged tale]
Please do!! It’s a gift!!
take ittt
Miranda
these are all such great suggestions. You people are a fountain of wisdom.
Deo101 [Millennium]
I wrote in the header of my documents, "everything bad that happens in the story is because of me, and everything good happens because of them." Basically to remind myself not to do any sort of ex machina or whatever. And also put my tagline. It definitely helps!
keii’ii (Heart of Keol)
I think it's a good guideline -- the "pure luck can only be the bad kind" thing. But my bro brought up the Walking Dead (I think? either that or some other really well known zombie thing?) as an example of going too far in that direction. He said the characters take a turn, open a door, etc. and the zombies just come pouring out like an unholy explosive diarrhea all of sudden, to a point where he was like "lol?" He said it was like the universe was setting it up against the characters, and he couldn't take it seriously. He's played/watched lots of zombie stuff so he's no stranger to jump scares or zombies appearing in hordes, but that one was still too much for him.
Tuyetnhi (Only In Your Dreams!)
wh lmao about that spoiler part like
Deo101 [Millennium]
Oh yeah no, too much of anything is bad.
keii’ii (Heart of Keol)
Yeah like, I can see that kind of extreme bad luck being used in farce comedy
Deo101 [Millennium]
Ahaha yeah
Eightfish (Puppeteer)
I wonder what a story would be like in the opposite direction where everything bad that happens to them is because of them and everything good that happens to them is because of the writer
Deo101 [Millennium]
Everything Goes Bad Man A horrible superhero trying to do his best
Eightfish (Puppeteer)
A comedy! Could also make it a Shakespearean tragedy
Deo101 [Millennium]
Horror could make it work too
I was meaning my thing more like uhh, make them earn their good things and success kinda thing
Eightfish (Puppeteer)
Depressing drama about a person who tries to succeed in life but fails at every turn
Nah I got it deo
Just throwing out hypotheticals
Deo101 [Millennium]
I would hate to watch or read any of these horrible things btw
But it's fun to hypothesize
Eightfish (Puppeteer)
I think for like, most stories, your direction is much more engaging
I don't want to watch someone fail over and over
keii’ii (Heart of Keol)
There's also that trope where everything goes bad despite their effort, and then Luck just drops success on the character's lap, leaving them feeling empty
Deo101 [Millennium]
Me either LOL coming out of stories like that is always like 0_0 well nkw I'm just depressed
Eightfish (Puppeteer)
But I think something like watamote, a comedy about a socially inept girl, might be an example of what I said that a lot of people like. I haven't watched it though so I'm not sure
keii’ii (Heart of Keol)
Yeah, I don't know that specific one, but there are cases where people feel comforted by reading about tough luck in that "I'm not the only one" way. Certainly not everyone's cup of tea, though.
Eightfish (Puppeteer)
Oh
Grave of the Fireflies
That movie seemed more like a message about war though. It seemed like it was trying to say something
I think I could enjoy a depressing story like that if it was nonfiction or historical fiction
keii’ii (Heart of Keol)
It was sorta semi-autobiographical (not 100% but inspired by his own experience)
Eightfish (Puppeteer)
Something that feels real
shadowhood (SunnyxRain)
yeah, grave of the fireflies WAS based off of the author's experiences
keii’ii (Heart of Keol)
I personally am okay with depressing fiction if it feels real
Eightfish (Puppeteer)
Same
keii’ii (Heart of Keol)
Doesn't have to be based on true events
shadowhood (SunnyxRain)
his sister and him were taken in by the aunt and they were actually left that way the sister died of starvation (edited)
Eightfish (Puppeteer)
Hey, spoiler tag that!
shadowhood (SunnyxRain)
whoops mbad
Deo101 [Millennium]
I'm one of those who is 100% not... I can be okay with and love depressing stories after having seen it and then getting time away from it, but watching or reading them is a horrible experience for me
keii’ii (Heart of Keol)
My Sweet Orange Tree is thought to be at least sort of based on the author's own experience, and I think that adds something to the book. (Can't confirm because the author's dead.) But even if it were pure fiction, it would remain a lovely, compelling book.
@Deo101 [Millennium] Nothing is for everyone!
shadowhood (SunnyxRain)
I remember feeling really depressed for the rest of the day after watching grave of the fireflies
Eightfish (Puppeteer)
Not everything bad that happens to them was their own fault, but Grave of the Fireflies was sort of a story about pride though. A boy who refused to suck it up and apologize to his aunt, resulting in his and his sister's deaths. I think that did make the story more powerful
hubris and all that
shadowhood (SunnyxRain)
so I can definitely relate to only watching short bursts of depressing stuff
Deo101 [Millennium]
I honestly try to avoid them entirely, not even short bursts tbh
shadowhood (SunnyxRain)
correct! however, a lot of viewers also blamed the aunt for not keeping them. Apparently the real life aunt felt a lot of remorse for being indirectly responsible for their deaths, and her daughter was angry at her. However, the aunt was also feeling depression from her husband who recently died
Eightfish (Puppeteer)
I read them rarely, but I feel like they make me more? Grounded? I liked the way Man's Search for Meaning (Holocaust survivor's book) changed the way I thought of the world
Deo101 [Millennium]
I'm just hyperempathetic and they really hurt me
Not like I'm like "I wanna be ignorant" or anything
Eightfish (Puppeteer)
I think that one scene with the farmer telling him to suck up his pride was highlighting that he could have been taken back in but refused to even try
keii’ii (Heart of Keol)
@Deo101 [Millennium] 100% Valid!
Eightfish (Puppeteer)
Yeah. Entertainment is supposed to be fun or meaningful and if it's not then don't read it
Although, I do really believe we should learn about these topics in school at least
You have to be exposed to them somewhat
Deo101 [Millennium]
Yeah I just don't like the kind of idea that gritty depressing stuff is more realistic, I understand learning about history and hardships but it's not something I like to think of as like "the truth jusy is that the world is terrible" it makes me feel very alone because I work very hard to see the world nit like that.
Miranda
Re: the extreme bad luck/I cause all the bad stuff for my characters I saw a tip that said coincidences can happen to get your characters into trouble, but not to get them out of trouble, and I thought that was an excellent way of putting that. (sorry to plop that in the midst of the most recent discussion)
keii’ii (Heart of Keol)
TBH as someone who has lived in Eccentric Relatives' House under not so great circumstances, I didn't even get any hint of "the boy should've sucked up" from Grave of Fireflies. My experience may have been worse than the boy's in his aunt's house though, and maybe my bias led me to see his experience as being just as unfair as mine. In any case it's been years since I watched it, so maybe I'm forgetting some key details.
Eightfish (Puppeteer)
I think "realistic" means a mix of good and bad
My favorite nonfiction books contain a lot of cruelty, but also very good people
Reading about people's good work and outlooks despite tragedies really got to me
Or like, perseverance
Perseverance as a theme really, really hits me
Deo101 [Millennium]
Yeah I like perseverance but I hate stories that are hopeless or treat hope as naiive
It makes me angry tbh
Tuyetnhi (Only In Your Dreams!)
oof same yeah
Eightfish (Puppeteer)
the aunt was still feeding them though, and allowing them to stay. If he had left his sister at home and tried to get a job like his cousins did, I think it is implied that they would have survived.
Tuyetnhi (Only In Your Dreams!)
I do like my dark themes but lmao i dont want to go to wreckless cruelty. there's an art with that(edited)
Eightfish (Puppeteer)
Endless pessimism is as unrealistic as endless optimism(edited)
keii’ii (Heart of Keol)
I feel like there's hopeless stories and there's stories that treat hope as naive. The former is like, yeah sure, not everyone's cup of tea, but the latter is like "if this isn't your cup of tea, then you're dumb" which is
Deo101 [Millennium]
Yeah I don't mind dark themes it's just that sort of grittiness, humanity is inherently evil, hope gets you nothing kind of stories that I hate
Eightfish (Puppeteer)
Btw. My favorite nonfiction books: Man's Search for Meaning The Gift of Fear The Gift of Pain (no relation to the gift of fear) All showcase a lot of cruelty and suffering but all are still very hopeful
I know it's unlikely you guys will read them but
They're good and I still reccoemend them highly
They are books that changed the way i think
They are also all written by people who have gone through and seen terrible things and yet made it their life's work to help others
I just can't reccomend them enough
But I will stop talking about it now
Tuyetnhi (Only In Your Dreams!)
for me, uhhh it's from famial experiences mostly
Eightfish (Puppeteer)
Do you think your stories err on the side of optimism or pessimism?
@ everyone
Tuyetnhi (Only In Your Dreams!)
since most of my family suffered from the vietnam war, a lot of stuff they told me were fist hand accounts of war and cruetlty
like from my mom, my dad, my aunties and uncles
even like the older members of my communties so that stuff is still fresh lmao
Deo101 [Millennium]
Optimism. I want to say neither but I know nearly no one would read it and say it's realistic
Eightfish (Puppeteer)
Oh, I've had similar stories. My great grandmother had her whole family except her killed by a Japanese bomb and my family, despite traveling a lot, has still never visited Japan out of respect to her
Tuyetnhi (Only In Your Dreams!)
but since they already living better lives I see that the darkness in those times have at least kick started them out to their kind of propserity or still striving towards
so I see myself as a realist lmao
shadowhood (SunnyxRain)
I think my stories usually go a bit more on the pessimistic side I’m afraid. People have remarked that my more emotional scenes can be surprisingly dark, so I’m trying to introduce some more heartwarming scenes
keii’ii (Heart of Keol)
I don't wanna say "err on the side of".... I do bittersweet and slightly LEAN towards the bitter more often than not! But I think this particular aspect may be partly up to the readers to gauge.
Eightfish (Puppeteer)
I think my story is realistic to me. The worst my characters experience is similar to mine, and the best is also similar to mine. But I have no idea if my own life has had more good or more bad than the "average person"
keii’ii (Heart of Keol)
"Sometimes life super sucks in ways you have little to no control over, but you can still be there for each other, and that really, really counts" <--- is this too bitter or just right? That's up to each reader to answer, I think.
Deo101 [Millennium]
Hey you said optimism or pessimism you gotta pick
Tuyetnhi (Only In Your Dreams!)
like there is hope and optimism but that is meaningless without the critical side of things. and I want to depict those sides in life.
Eightfish (Puppeteer)
Optimism
But I'm optimistic
Deo101 [Millennium]
Keiiii that's the way I write too and I think it's optimistic
Eightfish (Puppeteer)
My life has shown me that I can escape bad things so I don't think optimism is unrealistic though
keii’ii (Heart of Keol)
You can't fix life but you can give love
Deo101 [Millennium]
Exactly
Tuyetnhi (Only In Your Dreams!)
i guess for my stories they kinda like what keii said like there's good side of things but lmao I somehow add some painful elements that they have to endure in order to have those good times(edited)
shadowhood (SunnyxRain)
personallly I think stories work if you give people hope
keii’ii (Heart of Keol)
Eh, not every story is meant to give hope
Eightfish (Puppeteer)
Yeah
keii’ii (Heart of Keol)
but it's a good goal
shadowhood (SunnyxRain)
like as long as you give people a semblance of hope, even if you throw some depressing stuff.....it can work. Oh, I meant as a bittersweet story
Eightfish (Puppeteer)
But I think not giving hope is unrealistic
Tuyetnhi (Only In Your Dreams!)
lmao I guess I'm a target since the last story i write
Eightfish (Puppeteer)
Though perhaps I only think that because I haven't experienced true tragedy(edited)
Tuyetnhi (Only In Your Dreams!)
it was just bleak in a hopeful light
keii’ii (Heart of Keol)
It depends, like I can imagine a short story that hyperfocuses on something extremely depressing.
Deo101 [Millennium]
Y'know what I have actually hopeless things in my life and I have 0 interest in reading a story that's hopeless
Tuyetnhi (Only In Your Dreams!)
ye and that's fair
Deo101 [Millennium]
And even though I have hopeless experiences I don't think my life overall is hopeless
shadowhood (SunnyxRain)
i wonder if people actively look for stories that focus on not having hope because i know many people read these stories as a way to escape their lives
Tuyetnhi (Only In Your Dreams!)
I agree on that. idk. for me writing stories that lead to an end that really don't work with both parties... could be just my morbid curosity in just seeing how things won't work out as planned for both persons.
could be like a philosophical thing maybe? or giving a different perspective of some sorts?
like "things are the same but given with the option you gave me, I can't go through with that"
keii’ii (Heart of Keol)
I can relate to curiosity being a motivation for exploring dark stories. It's why I check out horror stories -- horror stories (games especially) show the MC in an extremely "wrong" situation at the beginning, and I check them out to find out the presumably equally extreme "why" for that wrongness. I don't think I could write stories like that myself, though.
Psychological horror specifically
Tuyetnhi (Only In Your Dreams!)
yeah, horror has been uh ingraned in my life to this point. and I like writing stories with that kind of edge in mind, more of the psycholgial aspects than horror.
shadowhood (SunnyxRain)
Do you guys think some people search for morbid stories like these to not only satisfy their curiousity....but also to make themselves feel better about their own lives?
keii’ii (Heart of Keol)
I don't particularly care to find out why Mr. Chainsaw is going around killing everyone in a splatter/slasher horror, for instance X'D
Tuyetnhi (Only In Your Dreams!)
it's a possibility tbh.
sometimes I do that but I also had experienced simalar kinds of sorts that seeing those works i'm like "dang not alone in these wack feels"
keii’ii (Heart of Keol)
I guess it depends on each person?
"Gee, at least I don't have any literal demons coming after my eyeballs" is not very comforting to me, personally
Tuyetnhi (Only In Your Dreams!)
i mean lmao
Eightfish (Puppeteer)
Sometimes sad stories do make me feel more thankful for my own peaceful life but I don't seek them out for that reason
Deo101 [Millennium]
Imagine if ur disabled and that's the narrative used to make other people feel better about their lives
keii’ii (Heart of Keol)
DX
Deo101 [Millennium]
Off topic but that's why disabled people hate "inspiration porn"
It's something that's really hard to explain cause "do you not want to inspire people" is really hard to answer
Tuyetnhi (Only In Your Dreams!)
yeah, those kinds of stories I really don't like at all.
Deo101 [Millennium]
So I wanted to jump on the opportunity to explain even though it's really off topic sorry
keii’ii (Heart of Keol)
No, don't be sorry. "Life sucks but hey, at least you're not me!" is not something anyone should have to put up with
Tuyetnhi (Only In Your Dreams!)
it's understandable tho!
Eightfish (Puppeteer)
To be honest I do seek out stories about disability because I find it fascinating how people adapt to mental and physical changes. I find ingenuity very interesting?
Tuyetnhi (Only In Your Dreams!)
I guess I look at it more towards like how some relationships with people don't work, and also the diaconomy between individuals interest me. Not for those kinds of stories but I've seen elements of that appear in some works i read in the past
Deo101 [Millennium]
I also seek out stories about disabilities, but only hopeful ones not like "my life is ruined and this is my driving motivation, to not be like this"
Eightfish (Puppeteer)
One of the books I recommended was by a doctor who spent his life working with people with leprosy and the workarounds for missing limbs and sensation he and his patients would come up with was just so fascinating to me to read
It's something that's really hard to explain cause "do you not want to inspire people" is really hard to answer
@Deo101 [Millennium] I think I understand you but just curious- how do you respond to that?(edited)
Deo101 [Millennium]
It's usually like "I want to inspire people to be like me because they're proud of what I can do" but they're always like "I'm proud of what you can do in spite of-" and it's like. Idk just a deep sigh
Tuyetnhi (Only In Your Dreams!)
oh yeah rip
i had that happened to me before like "Dang you do did this and you're from some a family that suffered so much--"
"uh huh please focus on the work not my life thanks lmao"
Deo101 [Millennium]
Like don't hold me to a different, lower standard. Don't pity me
Yeah exactly
Eightfish (Puppeteer)
Hm it's sort of true but also if someone said "I'm proud of what you can do despite not having a dad" I'd be like fuck yoooouuuu
Deo101 [Millennium]
Like there's other things please
It's like, pity. It's not actually inspiration I think
Eightfish (Puppeteer)
I'm proud of what you can do in spite of not having a brain
Tuyetnhi (Only In Your Dreams!)
pity has left the building
like sure, yeah let's go with that but there's other experiences other than my background and my identity the brought out this work too. that's how we can get some unique voices into the field.
Deo101 [Millennium]
Yeah
Tuyetnhi (Only In Your Dreams!)
so yeah, I can understand rip people saying fustrating things like that. maybe they don't have a better way of phrasing it. orz
Eightfish (Puppeteer)
At the very least it's better than the opposite side
"your experiences were not that bad" angle
Deo101 [Millennium]
I get that a lot also
Tuyetnhi (Only In Your Dreams!)
and sadly I too experienced that angle LMAO
Deo101 [Millennium]
LMAO tuyetnhi same hat
Tuyetnhi (Only In Your Dreams!)
no one wins
hurrah
most of it came about because of my mixed idenity like I don't get hit by the usual racism my viet friends experienced
Eightfish (Puppeteer)
This is overall a very small thing but I casually mentioned I was attracted to women to a long time friend yesterday and she went full on "thank you so much for coming out to me this doesn't change my opinion of you I love you you're a great friend" And then the conversation got hella stilted and awkward after that and AG I Hate that
Tuyetnhi (Only In Your Dreams!)
but er.... I have seen people look at me and was like "mixed baby? that's hot"
Eightfish (Puppeteer)
Wtfff
Tuyetnhi (Only In Your Dreams!)
"please no."
it's wack like u put me in a scale where that scale is already wack to begin with
it don't make sense lmao
shadowhood (SunnyxRain)
wait what the fuck
Eightfish (Puppeteer)
People are like why TF are u using a cane you're young and I tell them I have a condition and they're like, what does it do and I say the symptoms and they're like :/ I get those too :/
Freak out and tell them to get tested right away
shadowhood (SunnyxRain)
also i really get annoyed when I see people just.......treat people with personality disorders like we're all psychos and tell others
hey at least you're not like these psychos
Eightfish (Puppeteer)
Oh the telling others bit(edited)
Nooooo
Tuyetnhi (Only In Your Dreams!)
like my experience isn't that universal but it's already terible enough knowing that if you have mixed ethncities then you're treated as an "exotic creature" and i'm like "I'll shoot you down"
Eightfish (Puppeteer)
Mann luckily I grew up in a place where that doesn't really happen
I hope
shadowhood (SunnyxRain)
Oh my god i'm glad i live in a really diverse city and yeah deo....they do
we get labelled "troubled people" particularly if we're female in the mental health sector
a LOT of psychiatrists push us around and they use it as code for "difficult"
Tuyetnhi (Only In Your Dreams!)
rip I live where 80% the folks here are mostly er homogenous white folk
and they ask me these questions that I know boil me blood
I'm too poor for cali man
shadowhood (SunnyxRain)
oooooof I feel that tuyetnhi i went to a really white uni town for my alma mater
i got called a tall chink by a frat boy there
Tuyetnhi (Only In Your Dreams!)
yeah I experienced that shit durring uni
it sucks
shadowhood (SunnyxRain)
yoooo you can also come to toronto if you can't go to cali ;3
Tuyetnhi (Only In Your Dreams!)
I can travel to toronto but lmao maybe next year
shadowhood (SunnyxRain)
maybe ;A;;
also @Eightfish (Puppeteer) wait what do you mean by your question? is it pertaining to personality disorders or to the race questions?
......yeah people tend to treat you better if they don't know you have a personality disorder
LMAO I MEAN TRUE, that's pretty obvious XD
because people think that personality disorders are untreatable. And I would like people to be more informed about them
Heck, a lot of people don't even know about BPD. So I'd rather that people stay informed about it, even if it means that I might suffer for it.
What if there's another person with BPD who needed help but the people around them didn't know? And I don't think it's fair to keep it hidden when it can easily damage relationships.
Deo101 [Millennium]
And also, "why don't you just hide that part of yourself if people treat you badly for how you are?" Is hardly ever a healthy way of dealing with things
Tuyetnhi (Only In Your Dreams!)
better be informed than being ignorant
shadowhood (SunnyxRain)
Yeah...I've actually considered just...putting a joke warning label on myself lmao
(but thank you guys for understanding <3)
Tuyetnhi (Only In Your Dreams!)
negatively changed? rip
ohhh nooo
shadowhood (SunnyxRain)
yeah.....it's kinda like.....just because you have these negative experiences, you try not to let it stop you
because there's ALWAYS a chance that you'll meet people who understand
........I actually told a good friend that I had bpd and she started ghosting me. She was scared of me and thought i was...."weird"
and scary.
She was scared that i was gonna go psycho.
but I think it's important to know that not everyone is going to be an asshole.
Tuyetnhi (Only In Your Dreams!)
it really is
shadowhood (SunnyxRain)
i had a psychiatrist tell me that i probably lost friends....because i was a bitch ;A;
after formally diagnosing me with bpd
yeah and i had one psychiatrist just....diagnost me with anxiety disorder and he wouldn't listen to me just gave me a survey to fill out
Tuyetnhi (Only In Your Dreams!)
makes them feel like they're 2d?
shadowhood (SunnyxRain)
yeah and they are usually very complex and have very VERY varied pasts doesn't help that the media paints us as monsters in horror movies a lot
you see sociopathy and antisocial disorder in the news a lot and then they see people with bpd and they're like
LOOK! YANDERES!
Tuyetnhi (Only In Your Dreams!)
ooooffff
that's not even part of the DSM lmaO
shadowhood (SunnyxRain)
screams every time i see an article about how to "save yourself from someone with BPD"
Tuyetnhi (Only In Your Dreams!)
speaking from my experiences as a former psyche major
like that can't be determined solely just by those factors alone
cormidbity is a factor too
oh my godddd
shadowhood (SunnyxRain)
NOOOOOOOOOOOOOO
I get that a lot
also yeah psychiatrists..........they need to keep themselves updated man
they put a lot of blanket terms for people with pds because it's easier or maybe because psychiatrists are simply not equipped to deal with people with pds?
i mean look how many psychiatrists i've met or heard fuck it up with bpd
and that's one of THE EASIEST pds to rehabilitate
imagine rehabilitating someone with narcissism or sociopathy
Tuyetnhi (Only In Your Dreams!)
APD
is the proper term lmao
or ASPD
shadowhood (SunnyxRain)
also eightfish....nope. it's a really long LONG road to rehabilitation. Some take years.
but it's kinda...a relief to be diagnosed OH WHOOPS
mbad
OH MY GOD THE TRANSGENDER THING
coughs in victorian times exCUSE me
hugs
Tuyetnhi (Only In Your Dreams!)
rip this is from my understanding but if the condition of the disorder is either: a combination of bringing harm to yourself, restricting yourself from your routines, harm to others, or sense of losing control of your daily life then they will mostly likely dianoise. though that's what I
I've known years ago rip. idk if they hold up those standards today
or changed things from it
it really bites when you're seeking help and the folks that supposed to help you say like "but you're normally functioning so I see no problem ya u free to go"
shadowhood (SunnyxRain)
"if we can't see it you're not injured so get the fuck back to work"
psychiatrists who just brush you off because it doesn't fit THEIR narrative piss you off
like you're going to them for help....and they categorize you as they see fit
and when you try to go against them they label you as "difficult"
eliushi [a winged tale]
Hey friends, good discussions here but just wondering if it’s best in #general as this will be archived? Just want you all to be safe
shadowhood (SunnyxRain)
ah okay! Thank you Eli
sssfrs (JOE IS DEAD)
Oof wait archived?
In what way?
eliushi [a winged tale]
Check pins(edited)
shadowhood (SunnyxRain)
OH GOD
sssfrs (JOE IS DEAD)
Ahh
I'm deleting every message lol
Cronaj (Whispers of the Past)
(And this convo is off topic)
shadowhood (SunnyxRain)
will do man
Deo101 [Millennium]
already on it
I just deleted everything to about 1 cause I think thats where we went off topic
Eightfish (Puppeteer)
Oh shit yeah this is creator babble
I will delete messages as well
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rpgmgames · 5 years
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April’s Featured Game: Magical Disaster X
DEVELOPER(S): Atlas ENGINE: RPG Maker VX Ace GENRE: Comedy, Side scroller, RPG WARNINGS: Strong Language SUMMARY: Magical Disaster X is a zany comedic romp that has you control a posse of awful magical girls as they cruise through a secret hideout of hideously incompetent villains.
Play the IGMC version of the game here!
Our Interview With The Dev Team Below The Cut!
Introduce yourself! Heya I'm Atlas aka Melon Kid, making games is a serious passion of mine and I hope to stick with it for the long run, otherwise I occasionally do other junk like animation or slowly decompose in my chair as I disassociate from reality and become one with nothing, oh and I've been trying to get into art lately too.
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What is your project about? What inspired you to create your game initially? *Atlas: I've always wanted to make a project that was outrageous and fun, but for a while I've never really had a proper vessel for it. But in the past year or so, I began recognizing magical girls as a seriously underappreciated genre in video games and I thought the two were a match made in heaven!
How long did you work on your project? *Atlas: I began concepting some stuff not terribly long ago but it was sitting on the backburner until the IGMC rolled around at the end of the year in 2018. The time limit for that contest was one month, so naturally I put it together in roughly a month too.
Did any other games or media influence aspects of your project? *Atlas: Oh yeah, a for sure influence is Panty and Stocking with Garterbelt, some people have actually picked up on that on their own which was pretty surprising to me - and there's no way I can't mention Space Patrol Luluco which so excellently captures the feelings I want to put into the game. Both of them are Trigger animes. . . coincidence? :3c
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Have you come across any challenges during development? How have you overcome or worked around them? *Atlas: BOY HOWDY-- okay so basically, the first half of the contest was a disaster because I somehow had to condense all of the cool things I wanted to do in the frame of a one hour game. I literally spent the first two weeks just scrapping story ideas over and over because I just couldn't be content with anything, halfway into the contest I had virtually nothing to show for it. At some point with a little encouragement from a friend I just stuck with my best idea at the time and rolled with it and. . . it turned out not so terrible, but man was my brain on fire the whole time from overthinking so much. To make it worse, the artist who worked with me last year (Inazuma / Golden Mimic) was suddenly out of commission and wasn't sure if he could participate or not. It wasn't until the last stretches that I was able to scramble together and get some friends on board for the project to try and make up for all the lost time. Remember how I said I made the game in a month? Yeah that was a lie, this flaming pile of wreckage was cobbled together in just a few weeks of massive crunch, god bless you Floramy.
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Did any aspects of your project change over time? How does your current project differ from your initial concept? *Atlas: The initial concept differs from the IGMC project which differs from the current iteration so yeah. It definitely changed over time. For the IGMC game, pretty much all of the features, story ideas, and characters were gutted to make space for a compact 1-hour experience that could best convey everything I wanted to do with the game. It's like the core concept on crack, because I wanted to squeeze in as much fun content as I could in that short amount of time.
What was your team like at the beginning? How did people join the team? If you don’t have a team, do you wish you had one or do you prefer working alone? *Atlas: At first it was just me and my artist Inazuma who I worked with last year, and then over the course of development it became me and @f-loramy, a very cool and handsome friend B^). And I definitely got a lot of support from other friends as well!
What was the best part of developing the game? *Atlas: I think the best part of development for me is seeing characters come to life. Story is such an integral part of everything I make and I love writing dialogue so when I feel like I get those interactions to click, it's very satisfying.
Do you find yourself playing other RPG Maker games to see what you can do with the engine, or do you prefer to do your own thing? *Atlas: I do play other RPG Maker games from time to time but just as a hobby, I've seen some impressive things done with the engine but a lot of the time I'm not too interested in the spectacle or fancy features.
Which character in your game do you relate to the most and why? (Alternatively: Who is your favorite character and why?) *Atlas: Hesperos is definitely my favorite character. She's a blast to write for, she acts like a sailor-mouthed idiot and constantly does REALLY stupid things, but at the same time she's actually very observant and is a lot more soft-hearted than she'd have you believe.
Looking back now, is there anything that regret/wish you had done differently? *Atlas: I don't think I could've done anything differently realistically, but I do wish I'd gotten it together sooner so I didn't have to finish the game last minute!
Do you plan to explore the game’s universe and characters further in subsequent projects, or leave it as-is? *Atlas: Yeah!!! Magical Disaster X is just a teeny slice of a giant five layer cake, I have so many things planned for it when I start on the full version of the game!
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With your current project, what do you look most forward to upon/after release? *Atlas: There's nothing more I love than to watch let's plays or streams of the games I make and seeing people enjoy them. It's a very fulfilling experience that reassures me that folks out there really do enjoy what I put out.
Is there something you’re afraid of concerning the development or the release of your game? *Atlas: I do want to go commercial and that aspect is honestly pretty daunting. I can easily imagine commission costs ramping up fast so I'm not gonna lie that has me sweating a little as a poor person. . .
Do you have any advice for upcoming devs? *Atlas: This is going to be pretty unusual advice since most people will tell you to start with small projects, but here's what I have to say: Get to know the engine for sure, BUT, when you start working on a game for real, make sure you LOVE the concept or world. Something that you know for sure you'll want to come back to even if you have to sideline it for a while. See, I had this problem in the earlier phases of developing games, and that was to jump into projects where I thought "hey this is a cool idea! I'd like to do this!" But then it happened again, and I pushed the previous project behind me figuring I can work on two at once. And then it happened again, and again, and I was just shelving projects and ideas left and right. The one time I actually committed to one of these ideas, it sucked hard because I initially wanted it to be a smaller project but I started concepting a ton of cool stuff for it and expanded the universe and it got the point where I realized, I have all this sweet content but the core of the game was one I wasn't like super passionate about. It collapsed under the weight of its own feature creep and I gave up on it entirely - I had no intention of putting that much time and effort into a game I know I wasn't going to really love. That's why I've been curating my ideas WAY more carefully lately and been all the better for it. Maybe this won't apply to everyone, but for those that it does. . . you already know who you are ;j
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Question from last month's featured dev @abigailfortune: Is there a certain theme or a topic you would like to explore in a game one day? *Atlas: Too many to count! Here's a funny story, my college English professor once told me that every story ought to have a message of some kind and I scoffed at the idea like "huh? That's dumb, it can just be something meaningless and fun." Which I still hold to be true, however, as I've gotten more and more serious about making games I've come to realize that I've wanted to include strong underlying messages in each and every one. Social and economic injustices, mental health, love and abuse - these are things I think about all the time and I feel somewhere in my heart that it's important to connect with people and let them know they're not alone, or to bring awareness to things they might not have even considered before. The point where a story, no matter how fantastical, really becomes 'real' is when it speaks to your audience on this deeper level and that's something I want to strive for all the time.
We mods would like to thank Atlas for agreeing to our interview! We believe that featuring the developer and their creative process is just as important as featuring the final product. Hopefully this Q&A segment has been an entertaining and insightful experience for everyone involved!
Remember to check out Magical Disaster X if you haven’t already! See you next month! 
- Mods Gold & Platinum
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purrincess-chat · 5 years
Text
Marinette and the Lost Temple CH3
Finally finished typing this up. Would have gone faster if my cat didn’t sleep on me for two hours and then crawl over me the whole time I was typing it. Things are about to change next chapter ;) Get your bodies ready
Read on AO3
Chapter 3
“Is this really all you’re going to do on this vacation?” Plagg’s voice in her ear startled her into dropping her shovel as he peeked out of one of her pigtails. “You’re just digging in the dirt all day.”
“I’m spending time with my grandmother,” she hissed, casting a nervous glance across the garden to where Grandma Cheng was clipping damaged leaves from her pepper plants. “And we’re not just ‘digging’ it’s called gardening.”
“It’s boring! When are we gonna do something fun?” Plagg whined.
“You told me yesterday to relax, and I happen to find gardening very relaxing,” she said matter-of-factly, retrieving her phone when it dinged in her bag. “Ah, here’s something that should cheer you up. Grandma, I’m gonna take a break and go explore town a little.”
“Alright. We can pick back up this evening when it cools off again,” Grandma Cheng said, waving her on as Marinette removed her gloves.
“Where are we going?” Plagg asked as she cleaned up, and a small smile curled on her lips.
“You’ll see,” she winked. “Mama, I’m gonna go walk around town and mail some post cards to my friends.”
“Okay, sweetie. Lunch should be ready when you get back,” Sabine said as she trotted for the door.
“Is this field trip going to actually be fun, or are you just saying that so I’ll come along?” Plagg poked his head out as they biked up the dirt road.
“As if you have a choice,” Marinette laughed. “I think you’ll find it pretty enjoyable.”
The post-office was only a few minutes away, and she leaned the bike against the side of the building before heading inside. She passed the man at the counter a card that Master Fu had written for her, and he disappeared into the back, returning a few moments later with a box. Marinette thanked him awkwardly before shuffling back outside. Stuffing the box inside her basket, she rode a short ways up the road to a secluded bench along the street to open her gift. Plagg poked his head out the moment she broke the tape, sniffing excitedly.
“Could it be? My precious Camembert!” He flitted from her hair into the box as she retrieved a folded letter taped inside.
Dear Bugaboo- She rolled her eyes.
Here is a portion of Plagg’s Camembert stash. To prevent him from greedily eating his entire allowance for the week in one sitting, I’ve arranged for packages to be delivered each day of your trip. I hope you have a purrfect vacation, and I eagerly await your return to Paris.
With Love,
Your dearest Chat Noir
P.S. Don’t go falling for anyone! I am your one and only soulmate.
“That cat is so full of himself,” she sighed, flipping the letter over. “Nice stationary though, and he has surprisingly excellent penmanship. I wonder how he can afford so much Camembert.”
“His family is super rich,” Plagg said around a mouthful. “I really do have it made.”
“Hey, no personal details!” She covered her ears with a scowl.
“Lots of people are super rich, it doesn’t prove anything,” Plagg waved it away. “Personal details would be telling that his phone is full of pictures of Ladybug.”
“Why does that not surprise me?” She sighed, leaning against her fist. “That cat is so obsessed.”
“It’s hardly different from your wall of photos of that model boy,” Plagg said pointedly with a belch, patting his swollen belly.
“Okay, but that’s-” she started, but when Plagg cocked a brow, she deflated. “Touché.”
“You’re both lovesick, and personally, I find it revolting,” he stuck out his tongue, and Marinette suppressed a giggle.
“C’mon, let’s ride around and see the sights a little,” Marinette prodded him with her finger.
“Eh, you’ve seen one tree and rustic building, you’ve seen them all. I’m gonna take a nap in your bag,” Plagg squirmed away and phased through the box down into her purse, and Marinette rolled her eyes before standing up and loading her bike.
The countryside really was beautiful, but it did make her a little homesick. She hoped that everything was going okay in Paris…
***
“Tikki, can I ask you something?”
Adrien leaned against his fist glumly, swiveling side to side in his chair as he turned a Chinese notecard over in one hand. The small kwami floated over from the bed where she was reading and came to rest next to his stack of cards with a prompting smile.
“Do I have any chance with Ladybug?” He asked, and Tikki averted her gaze. “I keep hoping that she’ll fall for me, but it seems like she’s just getting more and more fed up with me lately.”
“Well, you do tend to flirt during important battles,” Tikki said pointedly.
“I know, but if I don’t flirt during the fight then I don’t get another chance. She always rushes off as soon as the battle is finished. We barely have time to talk,” he said leaning back in his chair with a pout. “Does she ever talk about me?”
“Well,” Tikki rubbed the back of her head, and Adrien deflated. “Ladybug takes her job very seriously, and I think she feels like you don’t take it seriously when you crack jokes and flirt all the time. If you want to win her over then just show her that you’re serious and focus on being her partner, not her boyfriend.”
“It’s not that I don’t take our job seriously, I just…she makes me a little crazy. She’s so smart and incredible, and I just want her to look at me,” he sighed.
“You really do love her,” Tikki remarked, and Adrien’s cheeks flushed.
“She’s the most amazing girl I’ve ever met,” he rubbed the back of his neck with a small smile.
“Just be patient and don’t push. Show her that you can be soft and caring too, and don’t blame her if she doesn’t reciprocate,” Tikki advised. “Doing so is only going to push her away from you.”
“You’re right, Tikki,” Adrien said, shifting his gaze to his lap. “I guess I’m just not good at this stuff.”
“You’re young and learning. Just think of it this way, there are probably people in your life looking at you the way you look at her who feel the same way you do right now,” Tikki said. “The boy Ladybug loves doesn’t see her civilian self either, but she can’t help her feelings any more than you can.”
“What kind of boy could be so blind? How could anyone ignore the most amazing girl in the world?” Adrien scoffed in annoyance, and Tikki averted her gaze.
“Just lay off the heavy flirting during akuma battles, and be patient. I’m sure she will be far less annoyed with you,” Tikki said before hovering back over to her book.
She’d been alive since the creation of the universe, but truthfully, it took every ounce of her will power not to bury her face and scream. Hopefully Marinette’s journey would speed up their fight with Hawkmoth, so they could hurry up and reveal themselves. She wasn’t sure how much more of this she could take.
***
Marinette’s vacation was going swimmingly.
She and her grandmother were getting along, the scenery was giving her all kinds of inspiration for new designs, and for the first time in a long time, she was able to relax. Every morning she woke up and checked the news in Paris to ensure that things were going okay and was relieved each time her partners defeated another akuma themselves. Chat continued to include love letters in each box of cheese he sent for Plagg, but she didn’t mind it so much. It gave her a laugh each time and reminded her of home.
But time was running out, and she still had Master Fu’s request to fulfill. With only a couple days left on her trip, she knew that she would have to make the journey soon.
“Plagg?” She prodded him awake one evening after her shower.
“What?” The black cat moaned groggily.
“We need to come up with a plan to find Fu’s place soon,” she whispered, and Plagg sat up with a yawn.
“Oh yeah, that,” he said, stretching his limbs. “I almost forgot.”
“I’ve relaxed enough, we should go tomorrow,” she insisted, and to her surprise, Plagg didn’t argue.
“We’ll go after breakfast. Tell your family you’re going on a nature walk through that trail your aunt mentioned to get some inspiration for your designs. I’ll take you to the place,” he said with a seriousness she’d never seen from him before, but just as quickly as it had come, it faded. “Got any Camembert left?”
“Not until tomorrow,” Marinette rolled her eyes as a knock sounded on the door. “Come in!”
Plagg darted under the pillows as Grandma Cheng poked her head in.
“I brought you some tea to relax you before bed,” she explained, setting the tray on the old vanity and preparing a cup. “Have you been enjoying your stay?”
“I have,” Marinette said, accepting the cup and taking a sip.
“I know it’s not as exciting as the city, but I’ve loved spending time with you,” she set the pot down and picked up an intricately carved brush. “May I?”
Marinette nodded, turning her back as her grandmother ran the brush through her wet hair, gently combing through tangles.
“Your mother used to love having her hair brushed when she was little. Every night she would come sit in my lap, and I’d brush her hair until she fell asleep,” she said with a small smile. “I see a lot of her in you, and not just in your pretty face.”
“Maman used to brush my hair too. She’d tell me stories about visiting her grandparents in China,” Marinette said, closing her eyes. “Sometimes I wish I could be closer to my Chinese heritage.”
“You are still young, my dear, it is never too late to learn,” Marinette smiled at that, breathing deeply as her grandmother’s hands worked through her hair. She felt like a little girl again, listening to stories before bed.
The next day, Marinette packed a bag in preparation for her journey, silently hoping that no one questioned her too much.
“Marinette.” She jumped at the sound of her own name, spinning around to find her grandmother standing in the doorway. “I’ve been saving something for you for quite some time.”
Marinette tilted her head to the side as her grandmother laid a dark pink cheongsam on the bed.
“It was your mother’s when she was your age. Your great-grandmother sent it as a gift for her birthday. Why don’t you try it on?”
Marinette’s heart lurched, a warm smile curling on her lips as her grandmother helped her into it. She paced over to the mirror and turned side to side to see every angle. It was beautiful, and she felt a sense of pride wearing it.
“Fits like a glove,” her grandmother said proudly. “Normally we only wear them on special occasions, but you should wear it today.”
“Are you sure? I was planning to go on that nature walk Aunt Jie told me about,” Marinette ran her hands along one of her pigtails. “I’m such a klutz, I would hate to ruin it.”
“I’m sure you will be fine. I’ll pack you a lunch in case you get hungry along the way. You’ve got a long road ahead of you,” Grandma Cheng cupped her cheek before retreating from the room.
Marinette turned back to the mirror with a smile before pulling down her hair and tying it up into buns. When she emerged with her backpack, Grandma Cheng was wrapping a small lunch box for her.
“The dress looks so good on you, Marinette,” Aunt Jie remarked. “You really do resemble Sabine.”
“Thanks,” Marinette’s cheeks flushed.
“Try not to get lost,” her mother pulled her in for a hug.
“Don’t worry. I have my phone,” Marinette patted her purse.
“Have fun, sweetie!”
Marinette set out up the road, and after she’d put a considerable distance between them and the house, she dug out her instructions. Plagg floated out lazily as she read over them with pursed lips.
“What do you need these for? I know where we’re going,” he said, sticking his head through the paper.
“You said it had been a while since you’ve been there. Things may have changed,” she said pointedly, and Plagg pressed a paw to his chest.
“You don’t trust me!” He gasped accusingly. “After I’ve put my neck on the line for you, and this is the thanks I get? I am speechless.”
“No, no, it’s not that I just-” Plagg turned away stubbornly, and she sighed, tucking the note away and smiling. “Okay, Plagg. I trust you. Lead the way.”
“This way, if you don’t mind,” he instructed pointing in the direction of the woods. “Or was it that way…”
Plagg led her on a long, winding journey filled with lots of wrong turns and dead-ends. After an hour, she was beginning to suspect that he’d forgotten the way after all until his expression grew solemn.
“We’re getting close,” he said with a tone she’d never heard from him.
“We’ve been wandering around in the woods for a long time, and there hasn’t been anything but trees,” she said with a hint of skepticism.
“That’s because the place we are going is hidden by magic. Only those with a Miraculous can get in,” Plagg said, stopping short and causing Marinette to nearly bump into him. “We’re here.”
Marinette surveyed the overhanging trees with a creased brow as Plagg led the way forward, and as they traveled deeper down the grove, the scenery began to shift and change before her eyes, the ring on her finger glowing green.
“Welcome to the temple of the Order of the Guardians,” Plagg said, holding his arms out to encompass the remaining archway and stone slab. “What’s left of it anyway.”
“So, this is the temple that got destroyed because of Master Fu’s mistake?” Marinette’s eyebrows raised.
“Yeah, he really messed up,” Plagg said, placing his arms behind his head and crossing one leg over the other. “I’m starving after all that walking; did you bring any cheese?”
Marinette rolled her eyes and pulled her purse over her head, setting it down on a nearby stump.
“In there. I’m gonna look around a little, okay?” She said, glancing over her shoulder as Plagg dug out a wedge of Camembert.
“Sure thing,” he waved her on, watching as she cautiously crept forward, and in a flash of light, she disappeared the moment she stepped through the arch.
“Good luck, Marinette.”
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