Kidnapped Zuko? Rescued by Gaang who dont know who he is and he has to hide his identity.
Okay, so. There’s already a teenager down in Commander Muttonchop’s brig. This fact is so far past concerning it’s wrapped around to let’s-not-think-too-hard-about-this hilarity, and Sokka finds himself grinning, and offering the guy a good ol’ fashioned Water Tribe wrist shake through the bars. They’re neighbors, after all.
“Hello, Fellow Prisoner. What are you in for?”
“I, uh,” says Fellow Prisoner, who is clearly undersocialized from his time in here. He’s looking a little grimy around the edges of his all-black outfit, and the bruises on him have had time to get newer, fresher bruises on top, which is just. That is all kinds of reassuring. Oh, and the giant fiery facial scar. Also reassuring. Though at least that one’s a few years old. So… inflicted when he was, what, Aang’s age?
So reassured, is feeling Sokka, for the Fire Nation’s upcoming hospitality.
“Uh,” repeats Fellow Prisoner, who is uncoiling a little in the direction of Sokka’s offered hand. As if Sokka was trying to coax him out, and hadn’t just sort of forgotten he was holding it there while his thoughts were doing their downward spiral. But hey, one man’s desperate attempts to keep his cool were another man’s offer of friendship. Fellow Prisoner grasped his wrist and shook it, in both the most technically correct and least experienced Water Tribe wrist clasp Sokka has ever experienced.
“Zhao thinks I was stealing military correspondence,” the guy says.
“Were you stealing military correspondence?” asks Sokka.
“Only his,” scowls Fellow Prisoner, to whom Sokka takes an immediate liking. “...What did you do? To get arrested. But not killed. He doesn’t usually…”
So, so reassured.
“Oh, you know,” Sokka says, continuing to shake wrists, because it is becoming clear that Fellow Prisoner has no idea how long this is supposed to last and Sokka isn't going to be the one to stop him. “The usual. Found the Avatar. Became traveling companions. Got captured doing something definitely heroic that did not in anyway involve excessive screaming of an unmanly pitch.”
“...The Avatar?” says Fellow Prisoner, who clearly knows how to focus on the important points.
“I’m bait,” says Sokka.
“For the Avatar.”
To be fair, Sokka is still a little stuck on that point, too. It’s been a few weeks, but he still wakes up too-hot in the night and wondering why the stars above him aren’t quite right.
“Yep,” he confirms.
Fellow Prisoner’s face does a thing. A sort of processing, processing, processing thing that involves progressively more scowling. “The Avatar left you? I knew the old man must be a coward.”
“So,” Sokka says, “about that.”
Fellow Prisoner drinks up Sokka’s story like a man who’s spent three years in a desert searching for water.
- - -
(It’s been two and half years.)
- - -
Their escape involves a significantly higher swords-to-escapees ratio than Sokka had anticipated, which is distractingly epic.
Also, the last-minute bison save is both the stupidest thing his little sister could have possibly done and very welcome, which means that Sokka is going to catch his breath and let some of his adrenaline fade before channeling his inner Gran-Gran for a lecture.
Fellow Prisoner sheaths both his swords. And kind of stares, rather than sitting down, so Sokka pulls him over before the bison turbulence (read: catapult dodging) can do the job. This does nothing to interrupt the staring.
“Hi,” says Aang, looking back from Appa’s head. “I’m Aang! What’s your name?”
“...Li?”
Under the sunlight, Fellow Prisoner’s eyes glint gold. He is… very Fire Nation-y looking, now that there is enough light to see him. And he is warmer against Sokka’s side than anyone not feverish should be, even in the ridiculous heat these northerners call ‘winter’.
“Are you a firebender?” asks Aang, like that question hasn’t spent decades earning its status as an insult.
“Uh,” says Li.
“Great!” says Aang, who has already figured out Li-speak. “I need a teacher!”
On the deck below them, Zhao has gone from shouting to laughing.
Sokka continues to be reassured.
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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Alright. I came across someone saying that Rick "put Jason in a pedestal" and "overhyped" him by emphasizing how good looking he is and that Jason shouldn't have been so attractive looking. (Tbf tho that person made it sound like they seemed more mad bc their least favourite character was considered good looking lol) but I'll yap about the significance here anyways. Beware of a very long yapping session below.
I do understand their frustration though, because jason getting told that he looks good all the time makes it seem very shallow and unfair to the others.
And let me tell you, Jason is SUPPOSED to be gorgeous looking in everyone's eyes. He is supposed to be conventionally handsome, Rick didn't intend for his looks to be "beauty is in the eyes of the beholder " or something like Percy's (like how Piper didn't find him as impressive) Percy's is supposed to be more authentic. Percy's character isnt centred in people idolizing him, everyone can acknowledge that he's handsome looking, but it isn't in a "perfect" type of way, he's a carefree spirit and that reflects on his looks. While Jason is hardwired as this ethereal looking hero in people's eyes that not even ONE can deny that he looks good, bc ppl in Rome had set him as the "standard". Jason said this before in the lost hero, that him being a son of Jupiter, makes him feel like the support he gets is only because his dad is a very regal and intimidating figure.
That's kind of the whole point, he's supposed to look like this perfect man who can do no wrong. His "Golden noble boy" arc is literally the whole concept of his character. Why else do you think rick wrote Aphrodite approving of Jason's looks saying that he needed no improvement (which she rarely does) ?
Because Jason is supposed to be put like a statue to admire and idolize, that's ALSO why rick made sure to add that Jason looks like a Roman sculpture, bc that's like a metaphor for his inner conflicts. The guy was put like an artifact for people to ogle at in camp Jupiter ever since he was a kid of 4. That's part of the tragedy.
Annabeth said it perfectly “Annabeth tried to hide it, but she still didn’t completely trust the guy. He acted too perfect - always following the rules, always doing the honorable thing. He even looked too perfect. In the back of her mind, she had a nagging thought. What if this is a trick and he betrayed us?” Mark of Athena, page 6.
His mother, whom he's supposed to look like, is also a literal world wide tv actress. So you can't expect anything less either.
Also, Jason is supposed to mirror Percy. And let's be real. Rick put Percy in a VERY high pedestal looks wise, aswell, Not just Jason. And that's okay.
Rick made Hazel mistake Percy for a literal god because he was just that good looking (tbf, in a way, when I was younger, I found this to be a little bit of an exaggeration, bro was covered in mud and seaweed and was compared to a god, it was rlly funny to a 10 year old me 😭 yeah but don't mind this though, this was just a younger me jealous that I couldn't be as pretty as Percy was in mud lol) If Percy can be "hyped" up so "unrealistically" in that particular situation then so can Jason. They are both literal half gods, so unrealistic praise is very normal) and rick also made sure to emphasize that almost all the teen characters had a crush on Percy. So apparently that isn't called putting a character in a pedestal but Jason's is? They are BOTH put in pedestals, because they're both heroes.
Jason and Percy are supposed to be equals, so both of them being in the top two when it comes to looks makes SENSE. Because people are supposed to argue about who is better looking, since they're written as foils.
You cannot expect rick to make Percy look like a god and Jason look like a rat 😭 then there's no point of having them as parallels if one has the upper hand in something. Rick did a good job by conveying that they are BOTH attractive, but in different ways. That's why the Percy/Jason looks debate always have mixed answers.
Jason getting complimented by Aphrodite, the GODDESS of beauty, for his looks and her saying that he didn't have anything to "fix" in his face BC it already looks gorgeous = Percy getting compared to a gorgeous Roman god by hazel. They are both equal comparisons in slightly different tones.
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