how did narr even managed to survive outta there irl world before he found stanley again..? bet was confus- anyways, UR ART IS SO SILLYYY N SKOINKY /pos
CW: Panic attack, overstimulation, depersonalization, eyestrain
Begging tumblr to not send this post to the void again
Anyway, The Narrator wasn’t left alone for as long as Stanley was. He followed a familiar stream of thought to safety shortly after he arrived.
To say he was confused would be an understatement to say the least
Also thank you :]
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More Tomarry doodles 😌✨️💚❤️
Au where Harry is constantly struggling bc of Tom's good looks and gestures of affection. He totally has a crush but really REALLY doesn't know how to deal with it.
He's seen either frowning or looking constipated whenever he's by Tom's side and people naturally mistake it as distate/hatred (which technically wouldn't have been wrong back in his old timeline).
In reality, Harry is so down bad for his past nemesis that he's always close to hyperventilating at the proximity between them. With Tom manoeuvring situations behind the scenes so that they can constantly be near each other/are partners in every class they're in, Harry has no chance to relax his heart at all and thus, suffers. It just so happens that his face, misleadingly, reflects that pain. Lmao.
-end (tbc?)
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Probably my last doodle (of them?) for awhile bc I really need to finish my other wips and I have an upcoming bday project to work on hhhh. Like I'll still make time for them but right now? it's a challenge. /n
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I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.
Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.
Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.
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the appeal of yeojeong as a normal guy who’s just a little bit off. not enough that you would notice when talking to him, of course, but it’s just there, under the surface. a disturbance. and i think it’s interesting because typically you have two types of guys somewhat adjacent to this: guy who seems totally normal but is secretly sadistic/a psychopath, and then guy haunted by a traumatic/troubled past, who has that secret layer of torment running beneath the surface of their image. but yeojeong breaks through these archetypes, and i think part of it is because he’s just so...calm. it’s not that he’s living a double life (kind doctor by day, killer by night) or hiding part of his past (everyone he worked with knew about what happened to his father, and watched his downward spiral during his college days). he’s not the typical male character who is, at every attempt, trying to outrun his tragic past (even though he does run once or twice); he’s not haunted by flashbacks, or suffer from PTSD in the way that is usually portrayed in dramas. and i think part of that is because the glory is a story about victims. it’s dongeun’s story, first and foremost, even though it is also yeojeong’s story, and hyeonnam’s story, and sohee’s story. but it’s a story about dongeun’s pain, and when it’s not about her pain, it’s just about the pain of victimhood - unlike other dramas, this isn’t a show where male pain outweighs the rest.
so yeojeong is just a normal guy. he’s handsome. he has a good career. he’s a plastic surgeon, an interesting choice when both his parents were/are hospital directors, and his father seemed to have worked in the er or something of the sort prior to his death (or at the very least wasn’t a plastic surgeon). something could be said here of yeojeong choosing the ‘safe’ path as a doctor, a path where he cures pain and makes people happy without the added risk of being attacked by one of his patients. there’s no proof of that in the show - why he chose to be a plastic surgeon - but it’s an interesting thought path to travel.
dongeun says he must have lived a good life. that he’s never had to worry about the path that he’s on. and that’s true, to a certain extent. to everyone, including her in the beginning, yeojeong is perfectly friendly. he’s perfect, but not the perfect that people perceive as too perfect (i.e. the guy who’s hiding things); he has his moments where he spazzes out, gets into fights, goes crazy over dongeun texting him back, teases his mom. he’s perfectly well adjusted (a perfect contrast to dongeun’s ‘maladjustment’). he wears flip flops to work and gets the same coffee order daily. he plays go with old men in the park.
he likes to listen to the fizzing of vitamin tablets in water because it calms him down. is this a strange thing? only because he thinks it’s important enough to mention to his therapist. he does it at work too - drops the tablet in, closes his eyes, rests his head. he does it at home - drops the tablet in, opens the drawer, draws a knife. it’s about the noise. bubbles rising to the surface, like bubbles rising from underwater. he stays underwater until the last possible moment, when he has to break the surface in order to breath. dongeun makes him feel like he’s at the eye of a storm - a deceptively calm center, while everything else rages outside. and i think it’s kind of important that he makes that comparison, when he’s someone always seeking that calm. the soothing noise, that makes him feel lonely.
so he’s just a normal guy. a normal guy who receives letters on a regular basis from the prisoner who brutally murdered his father. he doesn’t like letters, he tells dongeun. who knows what he does with the letters - does he keep them? does he throw them away as soon as he sees them? he must have read some of them; maybe you only need to read one to know what is in the rest. maybe he’s still reading them; maybe he keeps them without reading, an invisible torment. it’s not what he does with the letters that matters, but that he receives letters at all.
can you still call it a haunting if you’ve almost made your peace with it? if you’re living with it?
he’s just a normal guy, who looks his therapist right in the eyes and tells her that she couldn’t fix him. he diligently attends therapy for years on a regular basis, even though it doesn’t work. he finally abandons it when he moves to semyeong, because he chooses to embrace dongeun’s revenge. he chooses his own revenge, too, in a way. the dark part of him that he can’t escape. the one that makes him pick up the knife, who asks dongeun who to kill before she even tells him she wants any of them dead, even when he’s a doctor from a family of doctors, and doctors don’t kill - they save lives instead.
you couldn’t fix me, he tells his therapist calmly. so calmly. as if there’s not a bloodied man sitting next to him, a man he dreams of killing. the man is just life to him, just like the letters are life to him to. a dulled numbness. an acceptance of it.
is your son going through hell? can you even tell it’s hell, if it’s what you’ve become used to? is it hell when you’re a doctor dreaming of murder? is it hell to no longer be tormented by dead men and living murderers who send you letters? is it?
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