I usually like to pretend the Q&A aren’t canon, but I find the one about Kenichi & Naoko great for several reasons. Here I explain:
When I first read how they met—
Q: Please tell me how Subaru’s parents first met.
A: Naoko was being tricked by a bad adult, and Kenichi managed to skillfully talk her out of the situation. The next day, when Kenichi found the same person was about to trick Naoko in exactly the same way, he saw that just giving her a warning wouldn’t suffice, and thought “If someone’s not looking out for her, she’ll get sold off to a tuna fishing boat……!”; that set off his motherly instincts, and he grew attached to her.
—I was a bit annoyed, because I interpreted it as “yet another female character ends up being written as extra dumb.” And I hated that. But then I actually thought about it and realised it could also mean that Naoko is an idealistic person that sees no wrong in the world, while Kenichi is the total opposite (sees the glass half empty), which I think it’s fascinating and makes their dynamics much more interesting than "perfect couple does everything right!!"
Kenichi loves that she sees the world as he WISHES it was. And she loves to show him wrong— the world is really that good.
bUT THEN. But then: Subaru goes missing, gets kidnapped— or worse. And this is why I love this interpretation!!! Because it proves in my mind that Kenichi thinks that Subaru killed himself and says nothing because Naoko still holds HOPE.
And guess what? As impossible as it, Naoko is the one that is correct, even if they might never find out. Subaru is alive, in love, and making a name for himself. He never gave up!!!
Which is great. Because even if this is just fiction, it makes me think that the quote “if it's not happy, it's not the end,” is actually right.
And Naoko as a character would absolutely love to teach us that.
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/ekuoto chapter 50 spoilers/
warning: discussion of very sensitive topics, usual ekuoto stuff
You know, I can’t stop thinking about how the whole situation with Sarah technically is almost all Asmodeus’ fault.
Let me explain.
Make the Exorcist Fall in Love has an interesting approach to how the 7 Deadly Sins are portrayed. It’s not simply about going into harmful excess, a sin becomes a sin when it crosses into violence.
Greed is not simply about wanting and hoarding wealth, it’s about trampling others to get what you want.
Gluttony is not just about gorging yourself, it’s about the slaughter that comes with feeding yourself.
Envy doesn’t limit itself to coveting what others have, it’s also about destroying them when you can’t have what they have.
Lust then, isn’t just about drowning in sexual pleasure. It’s about forcing your wants upon the other.
But it doesn’t stop there. Because the way the manga chooses to talk about these different kinds of violence isn’t in a vacuum. No, it shows them through the lens of systemic violences.
(which makes perfect sense to me, as the Demon Lords of Sin would be the original "corrupters" of humanity)
Greed talks about systemic racism, xenophobia, slavery and, more prominently, sexism and toxic masculinity, through both Mammon’s view on women and his peculiar relationship with Tachibana.
Gluttony talks about the inherent violence in living/surviving/eating, through the slaughter of animal and overconsumption of meat, and also discusses about veganism and food crisis.
Envy discusses general power imbalances in relationships and systems. And this one, I’d argue, actually focuses on the burdens and responsibilities of the people on the top, and the inevitable consequences of power gone unchecked.
Lust, if it wasn’t obvious before, through Asmodeus’ relationship with Sarah, talks about systemic rape, including child brides, forced marriages (upon both heterosexual and, as with the case shown with Sarah, non-cishet women) and sex as a duty.
The thing is, these are systems that benefit the Demon Lords. These are systems that they endorse, that they encourage, even when they call out the atrocities of humanity. These are systems that they likely helped create in the first place, what with our introduction to Mammon saying that he “taught humans how to excavate gold”.
Similarly, going back to the very first chapter, Asmodeus was seen collecting “lust” by proxy, through a succubus subordinate of hers, specifically by said subordinate posing as a prostitute. The brothels, and other establishments that sexually exploit women, then are a source of energy for her.
It’s worth noting that Asmodeus herself either collects energy by proxy or through roles that inspire adoration, such as Aria, the diva, which maintain her in a position of power. Even as Aria, a teenage singer, she’s the one calling the shots and making outrageous demands of her staff.
So, the system that harmed Sarah, was a system that Asmodeus helped create, or at very least, one that gave her power. Of course, Asmodeus did love Sarah, she could not rape her as she did others, nor did she want Sarah to suffer, but even at the end, Asmodeus could not part with her unhealthy, twisted mindset, with the way she views sex.
It’s sort of a pattern at this point, I think. The Demon Lords get attached to a human, becomes violently protective of said human, make said human their “exception”, who eventually gets harmed directly or indirectly by the Demon Lord’s mindset/sin.
Like… Mammon also got attached to Tachibana, who, according to the extras, got saved by Mammon from workplace abuse.
Credits to translation group Pastel Clouds for scans and translation.
It’s heavily implied she worked in a very sexist environment, and outright stated that she was chosen to be eye-candy. Mammon treats her differently: in his own words, “she may be a woman, but she’s his subordinate/friend”. She’s spared from his sexism. She has his protection. The organization who hurt her was slain by his hand.
But she also remains trapped within the same system that hurt her. She has to harm other women. She still has to work under a toxic, sexist man. She now has to perpetuate the violence she suffered. Even some of Mammon’s final words to Mr. Priest mirror the things she apparently complained about in a letter, in the volume two extra, particularly about women and wombs:
Again, Mammon does seem to genuinely care about her. Even at the end, when he’s turned into kid form and is naming every single one of his subordinates in apology for losing to Mr. Priest, the forlorn expression when he says Tachibana’s name… it’s telling.
But it's not enough to make him question his own toxic views, and how the systems he's endorsed hurt Tachibana. How this will affect their relationship in the future remains to be seen, as Tachibana seems hellbent on supporting him still.
Beelzebub, whose feelings towards Leah remain ambiguous and unknown to the readers (although it’s likely his affection for her was/is genuine, regardless if Leah and/or Beelzebub themselves are aware or not) also follows this pattern.
He kills everyone in the village (composed of livestock farms), except for her. Leah is not food, but a companion, a “flower needed for a pleasant meal”. The extra with Daniel’s report on her also mentions that, other than being emancipated and malnourished, she was unharmed and showed no signs of black magic contamination.
Credits to translation group Pastel Clouds for scans and translation.
The ones who receive the most brutal deaths, incidentally, were Leah’s family, who she complained to him about, as she was feeling neglected at the time.
Of course, like Tachibana, just because she was an exception, doesn’t mean she’s free from Beelzebub’s twisted philosophy. He actually takes it upon himself to teach her that “to live is to kill”. Only, Leah gets to sit at the top of the food chain, so to speak, with him.
Even after she’s rescued from him, Leah seems to have internalized what he said, as she admits to herself that veganism doesn’t exempt her from this.
Still, the harm was done, and Leah not only struggles with the guilt she feels over the incident, but also with a heavy shame over the very want and action of eating/living/wanting to be alive.
Leviathan is an interesting case in that she precisely chose Mr. Priest to be her friend because she thought he could be her "exception", in that he'd be strong enough to survive her, instead of him naturally becoming that because she cared for him.
She also doesn't harm people who harmed Mr. Priest. Instead, she harms innocents to give herself an alibi and a reason to approach and befriend him.
Still, it's important to note that this sort of harmful, abnormal behavior and monstrous strength is exactly why the Church relies on him so much. Despite wanting to be his friend, Leviathan is part of the reason why Mr. Priest suffers, and this odd mindset of being strong, and therefore, dangerous and harmful is so ingrained in her, that, instead of going away after Mr. Priest comforts her ("I'm not afraid of you and you don't need my acceptance"), she still decides to fight him (something he hates and often leaves him traumatized).
And so, we have Asmodeus and Sarah. When she considers making Sarah hers, as she wants the girl, she can’t stomach the thought of raping her like the others. She never touches Sarah herself, actually. Asmodeus can’t even kiss Sarah back, as she seems unable to separate all matters of sexual intimacy from sexual violence.
Nevertheless, Sarah is her exception. Those who Asmodeus perceived as harming Sarah received brutal deaths. And yet, it’s Asmodeus’ twisted views on sex, and the harmful systems she endorsed that hurt Sarah in the first place.
I just… really find these dynamics so, so interesting. I love how intense the Demon Lords love, I love how they end up harming their “special ones” despite trying to help them (and perhaps they harm their “exceptions” the most), I love how they keep shooting themselves on the foot.
It’s their own fault that they’re so lonely!! I love how it’s obvious that, if they don’t try to change their mindsets, if they keep denying responsibility, they’ll never have a successful relationship with a human and they’ll never be happy.
(of course, we gotta consider humanity’s free will and such and they’re also accountable for their own actions, yada yada, but my point still stands)
On a side note, it’s pretty interesting to note that women seem to get more… relevance, I guess? when it comes to the Demon Lords actions/issues (like, Mammon’s sexism, the pains of growing into a woman with Asmodeus/Sarah, Leviathan throwing a rather misogynistic remark at Leah “women’s worst enemies are women” and the whole “the kanji for envy has the character for ‘women’ appear twice", Beelzebub mildly objectifying Leah as a “flower to make his meals more pleasant” and most of his notable rivalries being with women- Mother Rosa, the ancient witch, Leah)
That along with the fact that harmful systems are very present within the narrative…. I think it makes sense, that we’re introduced with a subplot regarding the two divisions of the Church, and that Leah seems to be a central player within the division that seeks to make changes within the system. But that’s a whole other post.
Anyway!! This was just me rambling, but there are some last things I want to point out:
The Demon Lords are essentially a bunch of lonely, love-starved menchildren/womenchildren with daddy issues who got majorly traumatized by the events surrounding the rebellion against Heaven/God and the fall from Heaven (except Leviathan who is the only Sin who isn't a fallen angel, and thus her issues are centered mostly on her isolation);
The past and current relationships between the Demon Lords and the girls they love/loved/"possessed"/haunted are important to understanding what Imuri and Mr. Priest need to do in order to be happy together;
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