#i struggle to write as well

[kenjakusbraincum]

Heey, I LOVE your writings on soft sukuna, you write so beautifully🩷 please can you do one where he is jealous (fluff)😭🩷

Thank you sm for the kind words!!! Here's my best attempt at doing your idea justice <3

Sukuna has no real reason to be jealous. He practically owns you, controls every aspect of your life, who or what could he possibly be jealous of? Every servant who dared approach you in an inappropriate way would be dealt with swiftly. And you're a good pet, who has eyes for no one other than your master. You really don't give him a reason.

But there's this one thing... Since you've been so good and obedient, Sukuna has allowed you many liberties. You're permitted to skip around the mansion, watch Uraume cook, even enjoy little hobbies. You've tried many before you found that crocheting particularly piqued your interest. Ever since you've learned the basics, you've been spending hours working on perfecting your skills. At first it was cute, watching you squint in concentration as you move the hook. But then the math became really simple - having this hobby to keep you busy meant you approached Sukuna out of boredom a lot less. And he noticed it. It irked him, but you're not technically doing anything wrong. You were still as happy to serve him as ever, he just had to ask. But why would he have to ask? You should be all over him on your own. He should have to push you away, not beg you to give him attention. He didn't like this disturbance in your master and pet balance that this little hobby of yours caused.

He stands at the door now. You're crocheting again. You and your favorite servant laugh at your failed creation so sweetly, you don't even notice he's waiting. He clicks his tongue to establish his presence, and your servant falls to her knees immediately. You however, are not held to that high of a standard anymore.

"Master!", you call him, and hop up to greet him with a deep bow. Before he can say anything, you've picked up the piece of fabric you've been working on and ran into his arms to show him.

He looks at the ugly form and scoffs. "This is what I'm sponsoring?", he says and pulls a loose piece of yarn, making your little creation fall apart. He always was a bully, but you note his bad mood.

"I'm only a beginner...", you sulk.

"That much is obvious.", he flicks the yarn away and it falls onto the floor. Before you can bend to pick it up, he seizes your wrist and pulls you back. "Aren't you a little young to waste time with hobbies for the elderly?", he asks. You look at him with your cutest, practiced doe eyes, but it doesn't work.

"Come, pet. I know an activity more suitable for your age.", he says when you don't respond, and steps out of the room. You hop after him, unaffected by his condescending comments. You know that they're just for show. If he really thought you were a hag, you would've been gone a long time ago.

"Sitting at your throne all day?", you tease innocently and join him at his side, sliding your arm underneath one of his. You hope your playfulness will distract him from whatever is bothering him. "Or in a bath?" His lower set of eyes peeks at you and smirks, noticing that you're feeling particularly daring today. He's not sure how he feels about that. "Or in your bed." He rolls his eyes gently and opens the door to his chambers.

"At least then you'd be serving your purpose and actually spending time with your master.", he comments and shuts the door. His comment catches you a bit off guard and you stop in front of his bed. He makes his way towards you, and you look up at him with an insulted expression.

"Master, are you jealous of a ball of yarn?", you ask playfully, and squeal when he suddenly pushes you down to sit on the bed. Now you're at eye level... with his crotch.

"You've got quite a big mouth today. Put it to good use for a change, will you?", he runs his hand from the crown of your head to the back of your neck. You seem to have struck a nerve, so it really is the ball of yarn. Is it possible that Sukuna is this clingy?

"Will you?", he repeats and tugs on your hair and narrows his eyes. You smile obediently and reach behind him to untie his obi.

"Yes Master."

-

You try your best to manage the time you spend crocheting from then on, working on productivity in the hours that you dedicate to developing this skill. And it helps that you have a specific goal in mind now: helping Sukuna realize that this hobby is a friend, not an enemy. He still catches you engaging in it sometimes, and gives you a dirty look, but you're as quick as ever to drop what you're doing and join him. That seems to satisfy him.

When you're finally happy with the result of your creation, you look for Sukuna around the mansion. It's not really that hard to find him, as he frequents three places most of all: the dining room, his bedroom and his throne room. This time, he's sitting on his throne, and a small line of people wait for their turn to be gifted his attention. You on the other hand, don't have to wait in line to get it. His lower set of eyes spots you the moment you enter the chamber. You're allowed to roam the mansion, but barging in unannounced is not standard even for you.

Still, Sukuna has learned that you usually only feel daring enough to cross boundaries when you're sure he'll like what you have in mind. So for now, he will let this slide. He's bored as hell anyways. The people are dismissed and you pass by them on your way to his throne, nestled on a pile of bones. You stop in front of it and greet him with a bow.

"Master, I come to you with a humble offering.", you say with your hands on your thighs and your eyes fixated on the ground.

"Show me.", he says simply, but you recognize entertainment in his voice. You climb up the bones and feel his stare scan you from head to toe, before you sit on his knee.

"May I ask you to close your eyes?", you ask and flutter your lashes. Oh the way you seduce him. Who else could ask Sukuna to do something as dangerous as close his eyes? Give his opponent valuable time to land an attack. Who else could dare? And who else would he ever listen to and really close his eyes? Really do as he's told? Oh how safe he feels with you.

You take one of his large hands into yours, and gently pry his long fingers away to open his palm. He has beautiful hands. The only ones you've ever known, but you're sure they're the most beautiful hands in the world. So dangerous, so elegant. You want to press a kiss to his palm, but you hope your gift will have the same, maybe even more profound effect.

Something soft touches his skin, and then you speak, as politely as before. "You may look.", in your softest voice. And when he opens his eyes, he finds himself looking at you first. You're an offering on your own.

Then he looks at his hand. Two crocheted plush figures resembling him and yourself lay flat on his palm, connected through their holding hands. At first glance, it looks like they're two separate creations. In a sense, they are, but... He tries to part them.

"We're sewn together.", you explain. He hums in amusement and inspects your gift more closely. His plush is bigger, recognizable by the pink hair and four buttons for eyes. It's even wearing his favorite kimono. Yours is smaller and less detailed. You look like any other human when placed next to him, insignificant. But in a sea of pets, entertainers and lovers he's had in the past, he would never fail to recognize it as you.

He's spent so long looking at it with that face of his that you just can't read. You're starting to grow restless in his lap, and he feels your eyes dwell into his soul. When he looks back at you with one pair of eyes, your brows are furrowed in worry and you're fiddling your hands in your lap. He pats you on the head and pulls you closer, so you have no choice but to lean on his frame.

"It's beautiful, darling.", his fingers run through your hair, scraping your scalp softly. "No loose threads either.", he looks at you with all four eyes now, and you feel so small in his arms. You're not used to receiving this many compliments from Sukuna at once. Not ones that weren't directed at your body or performance. Especially not when he's looking at you so tenderly, when every word sounds so loving and genuine. "You've improved so much.", his hand is on your face now, and you catch him glancing at your lips. You part them to start thanking him, but you already know how much he hates listening to that.

You stay quiet instead, and lean closer, letting him take you. And he kisses you so softly, fingertips light against your heated skin. You feel like you're floating, like a lily pad in a warm pond. The littlest gesture of his affection has you melting in his embrace. The power he has over you... and how wonderful it is to surrender yourself to it.

None of the liberties and privileges you've been awarded with compare to this. You know that many pets have walked these halls before you. Many warmed his bed and claimed the title of his favorite. But how many loved him like this? Enough to dedicate time of their day to making intricate gifts. How many could say Sukuna kissed them lovingly, for no other reason than to show gratitude and affection?

You're flushed completely red by the time his lips leave yours. You can't hold the intensity of his gaze, as he stares at you in adoration. "I'm happ.. I'm glad you l-like it...", you stumble through the words and win a giggle out of him. You are just so cute. Like a pet should be. He rubs your head again and pushes you away lightly.

"Go now, the people await me.", he says with a benevolent smile gracing his face. "I'll see you tonight."

You bow to him and leave.

And when you visit him that night, he is as gentle as he was when he kissed you earlier, still in a good mood after your gift. Caressing your hair, shoulders and back, as you lay comfortably with your head on his chest. Keeping you warm in his embrace. You're trying your best to follow the conversation, but sleep is slowly taking over you. Sukuna notices and plants a kiss to your forehead, wishing you goodnight. The last thing you see before your eyes close, is your handcrafted plushies sitting on his nightstand.

#sukuna x reader #ryomen sukuna x reader #sukuna fluff #jjk x reader #jjk fluff #ryomen sukuna #sukuna #soft sukuna #ok hear me out #im not sure how well i did the “jealous” prompt justice #bc i just struggled to conceptualize how sukuna would even be jealous #when hes in control the way he is in this little universe #(which i write in by default bc i know it best as it lives rent free in my head) #sooo maybe the jealous part got lost along the way #and maybe this ended up exploring gift giving as sukunas love language further #but i hope you like it anyways!!! #also> i have no ideas how to use tumblr in other words line break and stuff like that is maths to me #im also not sure and welcome any input is it better to post writing directly in the answer to the ask #or should i post it separately and just add that it was requested by anon/other person

[rottmnt-residuum]

promised raph angst. so much under the surface

this takes place right before leo and mikey get back from checking hidden city entrances

#rottmnt #rottmnt rapheal #rottmnt residuum #residuum #bonus! an aside #i dont write internal dialogue in the comic #i struggle so much with it that i wouldnt even be doing this comic if i had to write internal dialogue lmao #i dont consider residuum angsty because. well. #to me angst is entirely internal? #if you aren't privy to the characters thoughts angst isn't possible #but from i've learned and what co-author has told me- that isn't the case??? weird lmao #bonus stuff

[cemeterything]

a common theme in a lot of media is a character insisting "i'm not crazy" and eventually being proven right. but to be honest? i wish we had more characters who are canonically "crazy" without it being a bad thing or condemnation. characters who struggle with psychotic symptoms like delusions and hallucinations. characters who are unreliable narrators because they're not always sure what's real and what's in their head. characters who need help and support from their friends and loved ones to maintain their grip on reality and stay safe sometimes. psychotic characters who aren't just one-dimensional caricatures or harmful stereotypes but fully fleshed out, developed people with satisfying arcs and meaningful relationships. just more well written canon psychotic characters.

#🐉 #like there are a few good ones out there (jinx arcane my beloved) but #the majority of canon psychotic characters arent very well written and #there just arent many. i have to headcanon most of them. #and i know that people whove never experienced psychosis can struggle to write psychotic characters who arent harmful representation #but if nobody ever tries nobody ever will. id rather people tried their best than didnt bother at all. #ALSO HARROWHARK NONAGESIMUS I CANT BELIEVE I FORGOT YOU BABYGIRL

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #xue yang #Its such a relief to not have to draw so many characters once again. #Redrawing the specific font from the English translated mdzs books was surprisingly fun! #Maybe I'm alone in this...but I think characters switching to a different font of speech for *emphasis* is peak comedy #you can't communicate voice changes of sound very well in non audio forms so this is the best I can do. #Anyways...rip Xue Yang. You finally meet your idol and he brushes you off #Rather— he doesn't live up to the expectations you built in your head #Kind of an on going issue there Jester (I refuse to call him king or sir) #XY is constantly making people out to be the versions he needed them to be to feel justified in his actions #but struggles to pivot when confronted with the fact that these ppl are *more* than just one surface reading! #wwx doesn't actually think xy is flirting. He's just tired of all the fake fans + wants to get out of this convo. #button mashing the A button to skip the unskippable cutscene #Lan Wangji is in the next comic btw. I've missed him dearly. I'm sorry he's been gone so long </3 #edit: poorly spelt MDZS strikes again. This is why I need more time to write my comics. So I can actually proofread B*( #edit2: I cast 'Power of Technology' and fixed my error. Everyone reblog this version instead please

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

#ramblings of a lunatic #dc comics #Jason Todd #batfamily #it's just a fun quirk! it's a fun lil detail and I simply cannot slight ppl for enjoying and incorporating it into works #like obviously jason isn't the only one. I'm a big believer in the batfam having over lapping interests they refuse to bond over #i know dick canonically used the robin hood stories (which are pretty flowery in their language far as i can tell) as inspo for Robin #and i know babs was a librarian and even tho her area of nerddom is characterized as more computery she probably knows quite a lot- #-about literature as well #duke is a hobbyist writer i believe? i saw a fan mention that- which if so is great and I hope he's also a nerd #(i mean he is canonically. i remember him being a puzzle nerd in his introduction. but i mean specifically a lit nerd) #damian called Shakespeare boring but also took acting classes so i think he's more of a theatre kid. #Tim's a dropout and i don't think he's ever shown distinct interest in english lit and i can't remember for Steph? #I'm ngl my brain hyperfocused on musician Steph i forget some of her other interests I'm sorry (minus softball and gymnastics!) #and then Cass had her whole (non linear but it's whatevs) arc about literacy and learning to read #went from struggling to read in batgirl 00 to memorizing Shakespeare in 'tec and is now an avid read in batgirls! #she's shown reading edgar allen poe but we don't know if it's his short stories or his poems #point to all of the above being: i know Jason's not the only lit nerd in the batfam #but also i do need him to be writing poetry in his spare time and reading and reviewing it #jason at the next dead robins society meeting: evening folks today I'll be assigning all of us poems based on laika the space dog #damian and steph who have been kidnapped and brought to jasons warehouse to hangout: LET US GO BITCH #speaking of^ random poem i think jason would like: space dog by alan shapiro #wake up one morning in an unfamiliar more mature body with a profound sense of abandonment. the last four lines. mmm tasty

[sanguineterrain]

Hiii, discovered your fics on AO3 and they’re very my jam! If you’re still taking requests, could I suggest something where Jason rescues you, an angsty hurt/comfort? Maybe they’re pining for each-other and maybe confront/confess their feelings, or are already together, up to you.

No worries if not 😊😊 Thanks for the good words ❤️🖤

Hey I know you! Thanks for leaving nice comments over yonder 🥰 Idk if I really delivered on this prompt but I hope you like it anyway lol 😅 I combined this prompt with another I received about Jason and the reader fighting before the reader is hurt/kidnapped.

jason todd x fem!reader. tw: creepy men, crime alley, injured reader, jason shoots people (🎶whatta mighty good man🎶)

****

"If you don't know who this is, you shouldn't be fucking calling. Leave a message after the beep or whatever."

Beeeep!

"Jay, it's me. Can we please talk? You can't ignore me forever. I want us to fix this. I—" You swallow hard. "I miss you."

You sigh, rubbing your forehead as you think of what to say. You've already left three unanswered messages. There's no more for you to say. You just want things to be fixed.

You want your best friend back.

"Okay. Call me when you can."

You hang up and pocket your phone.

The fight was stupid. Jason doesn't respond well to being pushed, but you pushed him anyway. You wanted to know where he disappeared to at night. You were sick of the secrets, of always feeling like you were three steps behind, left in the dark.

If you really cared about me, you would tell me where you go.

Jason had stilled, expression cold.

I don't owe you anything.

Your voice had turned wobbly then.

Jay, don't I mean anything to you? I want you to trust me, I want this to be a normal friendship!

He'd put on his jacket and collected the few things he left in your apartment.

You're right. You deserve normal.

You haven't spoken since. At first, you thought Jason left for a few hours to cool down. So you gave him space.

But then hours turned to days, and now it's been a full week and a half since you'd fought. Last night, you broke down and cried. This is it. You've lost him for good.

Part of you fears the reality is darker than him just leaving. You've long suspected that whatever Jason goes out to do is probably illegal since he's always out at night.

What if you're called down to the police station to identify a body?

All those things left unsaid. Jason will never know you love him.

Screw this. You're going to his apartment.

It's late. It's really late, and this is actually not the best idea to carry out at eight o'clock at night in Crime Alley. There's a reason Jason always insists on hanging out at your apartment or at a cafe.

A man whistles at you down the street. "Goin' somewhere, girlie?"

This was a bad idea. Jason might be the one who has to ID a body tonight.

You can't remember which of these apartments is his. But you can't call him. He can't know you're here, not yet.

"You shouldn't be here, lady!" a kid shouts at you from a fire escape. "He don't like new people on his turf!"

You don't take the time to figure out who the kid means. Crime Alley is known for, well, crime. The sooner you can locate Jason's apartment, the better.

A group of men light cigarettes down the road. You pause and turn around. In the process, you stumble over a garbage can.

That instantly draws their attention.

"Well, what have we here?" one jeers. "You lost, sweetie?"

You run.

You don't care if it makes you look afraid—you are afraid, and you're beyond caring. You shouldn't have come here.

You turn abruptly. You have no idea where you're going, but maybe if you act like you do, you'll throw them off. You take another turn, then another, and you look behind you to check if—

Wham!

You crash into a body. A muscled body, one that forces you backwards.

White, glowing eyes that smolder inside a red helmet meet your own.

Jason's never warned you about the Red Hood. He just tells you to stay away from the area altogether. You don't really need to be warned about Hood anyway. You know what he's about. You know you've probably just sealed your fate tonight.

"What the fuck?" he asks, modulated voice rough.

"I'm sorry," you babble. "Please don't hurt m—"

Gunshots ring out, and you realize you've just stumbled into an active gunfight. With Red Hood.

Fuck your luck.

The gunmen have spotted you, and they take great pleasure in using you as a distraction; they fire at you instead of Hood.

He shields you with his body, blocking the bullets. It works until a flash grenade is thrown, and you're separated from Hood, ears ringing. You hit the ground hard from the impact, scraping your hands and arms.

Someone's arm wraps around your neck, and you're suddenly dragged backward. You scream, scratching at the arm, and a fist thumps your head. You blink at the pain, too dazed to keep fighting.

"We had a deal, Hood!" your captor shouts, arm tightening around your neck. "Let us go or she dies!"

"Negation's over," Red Hood snarls, and shoots all four men.

You cry as the shot echoes too close to your face and for a moment, you fear you've been shot too. The now dead man slips off of you, collapsing in a heap on the ground.

Your ankle protests when you step on it. In the chaos of the fight, you hadn't realized you sprained it. You trip and fall on your butt, scrambling away from the pooling blood.

"What are you doing here?" Hood growls at you, stalking closer.

You start to cry, edging backward.

"I'm sorry, I didn't mean to interrupt your fight, please d-don't kill me—"

You press down hard on your wrist and that hurts more than your ankle. You cry harder at the pain, grabbing your wrist.

Red Hood gets closer, and you try to scramble away with one arm and one leg. He kneels down and holds your good arm in place so you can't move.

"I'm sorry!" you say again, tears thick on your lashes.

"Fuck," Hood says roughly, and unlocks his helmet.

Your eyes widen as he pulls it off.

"J—"

"I told you to never come to this area, and you come alone, in the fucking dark, without a weapon? What the hell is wrong with you?" Jason snarls.

"Please don't yell at me," you whisper, covering your face with your hands.

You're shaking, adrenaline turning your stomach. A moment later, you throw up.

"Shit," Jason says and puts a hand on your stomach to help you sit back up. "Shit, I'm an asshole. I'm sorry. I didn't mean to yell."

"I thought you died," you say, daring to look at him. "You weren't answering my calls, and you only go out at night. I thought..."

Jason immediately looks avalanched by guilt. He cradles you to his chest.

"Fuck. I'm sorry. I should've—I thought it would be better, leaving."

"I didn't want you to leave," you cry, arms curling around his neck. "I love you so much, Jay. I was so scared. Don't leave me again."

Jason's breath hitches. You freeze, suddenly sure you've screwed it all up.

"Jay—"

"Y'love me?" he asks, cupping your cheek.

You nod emphatically.

"Even though I'm..." He gestures to the helmet.

"I'm just happy you're alive," you say. "I missed you so much, Jason."

His arms tighten around you. "God, I missed you too, baby. I was going crazy not talking to you. I'm sorry I ignored you. Wasn't right of me. But don't ever do this again, okay? If I hadn't been here—"

He takes a shuddering breath and kisses your neck. You nod against his shoulder.

"I promise. Just don't shut me out again, please."

Jason's quiet for a moment. You can feel him thinking.

"This isn't gonna be normal," he says. "If-if we do this. This is part of me. Who I am."

"I don't care," you say. "I love you, Jay. Every part. Whatever that entails."

#jason todd x reader #jason todd x you #jason todd fanfiction #red hood x reader #red hood x you #batman fanfiction #dc fanfiction #i do notttt like how this one came out but im lowkey struggling to write this week so. oh well 😔 #inbox #blurb

[scificrows]

i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.

idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.

#sorry i'm rambling i'm a little depressed rn (hah) and i've been thinking about murderbot again #at least writing this got me out of the adhd/depression paralysis :) yeah this might be self-indulgent so what #the murderbot diaries #murderbot #𓄿 #i just love martha wells' writing for things like that #and i love murderbot as a character so very much #also i'm pretty sure some of this could be read in a way i did not intend #i'm not trying to say that depressed people have the option to just not be depressed #or that it's as easy as going “okay well i can either care or not care... i guess i should care! done!” #listen i know it's not like that; i know that first hand #but murderbot had just enough energy and fight in it to try and it had people in its life that cared about it and helped it #and it managed to get out of that deep dark hole #and we see it struggling with trauma etc in the later books #things are not magically better #just yeah #okay imma add #tw depression #tw suicide #(this is not about suicide though; this is about sitting on the couch while the dishes and the laundry pile up #and watching netflix because getting up and taking care of yourself and calling a friend or going outside are too difficult) #(but i can see how this might hit a little close to home if that is something someone's struggling with&better safe than sorry) #also sending lots of love to everyone who this resonates with

[knox-knocks]

As much as I love writing from Andrew’s perspective, sometimes it’s sooo hard to get into his headspace and capture his voice. whereas Neil is a little easier because no matter what’s goin on around him he’s always a bitch at heart

#spreading my bitchy neil agenda #he’s sooo mean guys #like yes he loves his foxes but if he doesn’t particularly care for you he’s not gonna hesitate to let you know #I love him #andrew loves his bitchy boyfriend #he voices what andrew doesn’t say out loud #it’s also why he and allison get along so well #because allison is also a bitch (affectionate) and they bond over it #anyway #andrew minyard #neil josten #andreil #aftg #writing struggles #knox talks

[sihtricfedaraaahvicius]

Take me.

Note: a tiny little story to help with the drought😮‍💨

Warnings: 18+! fluff/smut.

pairing: Sihtric x you (f)

summary: you and Sihtric were reunited after a battle. 

wordcount: 653

Masterlist

Sihtric's mismatched eyes were glazed over. His lips curled into a dazed smile while his rough, warm hands wandered your bare skin as you laid underneath him. His body weight pleasantly pressed onto you as he was positioned between your thighs. His hair was dishevelled, after your fingers had tugged his braids when you felt the warmth of his lips onto yours, kissing you intensely and deeply until he had you undressed and picked up in his arms, carrying you to the bed.

The warrior had missed you, his wife, immensely when he had been away to fight what would be unbeknownst to you both his last battle, for peace was within close range. As soon as he had returned home on horseback and his eyes had landed on you in the cheering crowd, he dismounted and allowed you to leap into his arms. You had buried your face in his neck and your fingers curled around his leather armour. Sihtric; your husband, your sanctuary and the keeper of your heart had returned to you without any grave injuries, and no more time was wasted. No words were spoken for your eyes told each other everything one needed to know, and your lips immediately locked into a fiery kiss, pouring out the happiness and relief of being reunited again.

And now Sihtric gazed down into your eyes as he was on top of you, unclothed and scarcely covered by the warm furs. His hot, ragged breath feelable on your face while his tattooed fingers tenderly brushed over your warm cheeks. He then leaned in and kissed softly underneath your ear, his tongue stroking your skin in between teasing kisses and kittenish nibbles, dragging his lips down to your pulse point. Your breath hitched when he sank his teeth delicately in your neck, marking you with his endless love while he teased your folds with his arousal, readying you to take him after being separated for far too long.

His growls sounded low and heavy in your ear, making you tremble with anticipation and desperate to feel him inside you and to be as close as you can possibly be, never wanting to let him leave you ever again. You wrapped your arms around him and buried your face in his neck, inhaling his earthly scent as he lifted your leg and hooked it around his waist.

'I missed you,' he breathed in your ear and bit the soft skin.

'And I missed you,' you murmured against his shoulder, 'I love you.'

'I love you more,' Sihtric whispered, to which you softly protested.

He chuckled in your ear, and you gasped when he abruptly sheathed inside you and kept still, wanting to feel your walls clench around him. You mewled, desperately, begging him to move. But Sihtric took pleasure in hearing you beg for him and he wanted to hear more before he would give you what you wanted.

'Please, Sihtric,' you rasped, 'give me more.'

'More?' he laughed quietly, his lips grazing your ear as he spoke while he moved with slow, deep strokes, 'you want more?' he murmured.

'Please,' you begged and clawed his muscular back.

'Please,' Sihtric mocked, lovingly, 'you're so sweet when you beg for me,' he whispered and pushed hard inside you.

He stilled inside you again and hummed softly, watching you with a satisfied grin as you almost cried out for him.

'So beautiful,' Sihtric whispered, smiling, and he pecked your lips, 'so desperate for me,' he kissed your lips again, then grabbed your chin and his eyes darkened, 'I will give you more, my love,' his voice soft and playfully threatening, 'but I don't want to hear you whine that it's too much. I know you can handle me,' he murmured against your lips and chuckled again, 'mhm, and you will take me all the way, like the good and devoted wife that you are for me.'

taglist: @foxyanon @alexagirlie @sihtricsafin @neonhairspray @gemini-mama @lexwolfhale @sigtryggrswifey @skyofficialxx @djarinsgirl27 @m-a-s-h-k-a @verenahx @mrsarnasdelicious @diiickbrainn @little-diable @maii777 @urmomsgirlfriend1 @dixie-elocin @elle4404 @bubblyabs @ylvie50 @succnfuccubus @hb8301 @willowbrookesblog @apolloanddaphnis

If you want to be added/removed from the taglist, message me 🖤

#i had a shitty day and a weird mental week #i am going to rearrange my furniture now before i go insane #this may be the only fic i'll post until next week #i'm really struggling atm no matter how badly i want to write.. it's just not working out #surprised i managed to get this written tbh #anyway #sihtric kjartansson #the last kingdom #tlk #sihtric #sihtric x you #sihtric x reader #the last kingdom fic #sihtric fic #idk what the planets are doing rn but can they stop making me feel awful and hating everything i write #and can my adhd demon stop lurking bc i am exhausted. it's that time were even my meds are not working well enough at moments #maybe i need a break #maybe i need a good [censored] #who knows #just make it stop i beg 🥲 #and also those posts that are going around again about reblogs vs likes??? #yeah that's a real mood #part of my struggle atm is hugely influenced by the lack of interaction lately and i hate that it affects me #i just really feel like my writing is shit lately and am constantly comparing it to others #not to be a cry baby lmao i'm just *deep sigh* feel like i'm losing it?????

[skunkes]

Experiencing the opposite of the Enjoying Torturing Oc phenomenon where I dont want to send talon back to his canon anymore like nooo stay here u have a home and food sources and clean water and a happy life and various places to lounge and loaf. My adopted feral cat....

#My seasonal boyfriend #talkys #along with not knowing how to write Any story this is also why i struggle with ocs #i develop and get attached to them enough and its like. well now i cant put u in a story that has a bad ending. i love u. #but its also bad like maybe al could have been more interesting if he wasnt permanently my boyfriend ykwim (for example) #whatever its not like i was ever planning on actually doing anything with my ocs...im not a writer or storyteller

[comradekatara]

sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times) #see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’ #but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry) #anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

[chalkrub]

ended up cleaning up one of the mendel sketches!

#my art #oc #mendel #anthro #furry #dragon #illustration #i REALLY struggled drawing this beastie for a while but i think i'm starting to get it again #avoiding doing classwork rn but staying ''productive'' by drawing my ocs in my comfort zone #i am NOT a smart person! oh well i've got plany off time (does not have plany off time) #also ive started to add a signature to stuff when I remember to. idk if this is worth it but it DOES sort of add to a composition sometimes #i love putting words into illustrations it's like the easiest way to make it interesting. imo #hence why i'm always writing character's names onto things

[prince-liest]

I just wanna gush bc omg I love the 666 series so much. I think it made me realize I might be... furry-ish? adjacent? I just find it so satisfying how you go into detail about the unique body features of both of them, the way it feels to have deer ears or kiss a TV and just generally how much thought is put into the way their bodies work, and I've realized that my interest in that kind of idea is a pretty good reason to partake in more explicitly furry media lmao. Anyways

I'm also really in love with how you maintain the balance of each of their personality traits. Vox is simultaneously so pathetic and cringefail (also your dialogue for him is perfect, I can hear it crystal clear in my head) but also he has vastly more emotional intelligence than Alastor, no doubt at least in part because he has to deal with Val, and he's able to marginally calm down with his obsession to deal with sticky situations, but even then he still retains his personality and bumbles things sometimes because of the flaws in said personality! It's great. I also really appreciate the balance you've struck with Alastor, I feel like often Alastor is either written to either soften up so immediately that it feels disconnected from his character or is written overly mean and heartless for my liking and the way you've written him is such a delicious balance between softer aspects such as the prey instincts or moments of vulnerability and his untouchable and manipulative self, and also the way this side of him is neither written as wholly a front or wholly his real nature and the complex ways this makes him struggle with his increasing vulnerability. TL;DR arghgr your characterization is so good it makes me go a little feral

Also while I'm here, I'm curious whether you can give an answer to the degree to which Alastor is touch-averse. There's obviously a lot of ways in which he fundamentally dislikes touch but it also seems like there's at least some kinds of touch where he doesn't dislike the touch itself so much as he's afraid of the way it brings about feelings of caring and/or enjoyment being cared for. I'm curious how much, in general, you would say his touch aversion comes from either cause and possibly what kinds of touch do/don't provoke those flavors of aversion

Omg, what a lovely ask to receive. Honestly, everything you said that you enjoy about how I characterize these two is very much what I've been actively gunning for, so it's an absolute delight to see it outlined back to me. Success!!! Thank you so much!

And ahaha - I'm not a furry but I fucking love inhuman characters. Being raised in the pits of Homestuck fantroll RP made me enjoy the whole "they're bug/fish aliens" thing and it definitely rears its head again any time I encounter characters with inhuman qualities. I love writing Vox's TV/computer-ness and Alastor's deer and radio bits, and integrating them into who they now are as people.

As for Alastor's touch-aversion: It's funny that you ask about this, because the next chapter of 666 is going to dive into it a bit. Specifically into the fact that it's not, like, a set of boundaries that is consistently defined, and I write him that way on purpose. The very first time he and Vox sleep together, Alastor bottoms. He becomes significantly less amenable to touch after he goes through an uncomfortable rut cycle that gets sexual. By the time Vox convinces Alastor to fuck him, Alastor would never let Vox do that again and frankly only agrees to topping because Vox gave him an option that didn't involve getting his dick out. Then in the next episode, they're having clothes-off sexual contact. So, what gives?

Things that play into Alastor's willingness to touch and be touched as far as Vox is concerned:

How does he see Vox at that point in time? Disgustingly entitled (ew)? Hilariously beneath him (haha who cares)?

Does he care about what Vox thinks of him? Does Vox touching him draw his attention to positive or negative assumptions he has about Vox's perspective on doing so?

What value has he attached to this particular touch in the power balance of their relationship? Is he humoring Vox? Does he assume Vox thinks he's owed this? Does he perceive it as something Vox is genuinely doing for him?

Has he tried this particular kind of touch before? He's pretty willing to experiment, but that doesn't mean he'll do something twice without a compelling reason if he didn't like it the first time.

Is he getting off on this situation sexually? If so, is it fully willing (read: not a byproduct of uncomfortable hormones) on his part? That only really happens when he's in a submissive role and Vox is hitting a few very specific kinks, a major one of which is basically CNC tilted 30 degrees to the left.

Is he enjoying the touch in platonic ways? How does he feel about that? Is it a vulnerability to want something? Is it feeding his ego to be catered to? Is he worried that what he enjoys platonically is being read into in ways he doesn't like?

Is he fucking drunk? Things that bother you when sober often seem like a non-issue when you're not, both on a physical and emotional level.

How much touching has been happening recently? Has he hit his limit? Did he deliberately put himself into a situation earlier to have his limit be hit and surpassed, and now he's in the aftermath?

He does have a certain fundamental purely physical dislike of touch, but it's something that is really affected by how he perceives each individual situation as well as his relationship with Vox at that time, and his previous experiences!

#ask #personal #Anonymous #t #hazbin hotel #my writing #666 live on air #I'm not a furry but the perils of being agender aromantic and asexual #aka the full complement of “none of the above” box checks LOL #means that a lot of the time I feel vaguely detached from the ways people tend to even subconsciously define humanity #I think that's where a lot of my appreciation for inhuman traits in very human characters comes from #(also my favorite SFF genre is “non-human entity struggles with very human emotions” as well a la murderbot and imperial radsch) #(ANYWAY. tangent.) #long post

[clerichs-xi]

nothing to see here, just the party rogue reporting to the party tactician after a scouting mission... being that close and shirtless is mandatory. for party morale of course.

#clerichs.png #first time drawing astarion and hoooo boy the hair was a struggle #still dont have it down right but alas.... better luck next time #theyre so evil and so bisexual and freaky #i let him hit because it gives me a sense of control as well as pleasure to be depleted #looks around who said that #maybe one day ill write a short fic and drop it here... theb youll see whats wrong w dante #DANTE IS THE NAME OF MY TAV BTW!!!! IN CASE YOURE NEW #i need a tag for him fr #anywyas here come the obligatory game tags for visibility #bg3 #baldurs gate 3 #bg3 tav #bg3 astarion #astarion #my artwork #my art #oc art #tav art #tav x astarion #original art #original artwork #original character #artists on tumblr #sketch #digital art #digital drawing #okay thats so many tags lolol #dante le comte

[galaspar]

Li and her cat

#chulip #cloud.png #i struggled a lil to caption this because technically she Does and Doesn't have a name #and because i've recently been watching a playthrough of this game my first instinct was to write guide gfdfdssfdgfdfsd #i called her li in my mind bc i like how it's shortened for love interest and it's cute #but also the first playthrough of chulip i watched just called her 'Her' so i sometime default to that as well #just interesting to me. personality test type of question

[billfarrah]

I can’t talk enough about how important and well-executed the locker room fight in episode 4 was, and how necessary it was to flip the dynamic between Wille and Simon in this way.

Up until this point in the season, it had only been Wille reaching out to Simon and continuously getting rebuffed. Wille has been the impulsive one - an emotional open wound - saying some very not fair things to Simon because he’s incapable of processing his hurt and coming to terms with his loss. He doesn’t reflect on his behaviour or actions and he doesn’t listen to Simon’s request for space. This begins to change in episode 3 - it starts with Wille acknowledging that him losing Simon was his fault, the first instance of him reflecting on his behaviour and taking responsibility. His mistakes aren’t over yet, though - as it finally hits him that he has perhaps lost Simon for good, and desperate to feel something, he kisses Felice, which was very selfish and out of line. At this point in the story, if this behaviour continued, it would be very easy for the audience to pull away from Wille completely and stop rooting for him. But the writing rightfully uses this situation to have Wille actually finally fully reflect on his actions - acknowledging the reason why he kissed Felice and how selfish and wrong it was for him to do that - and use this as the moment he decides to finally listen to Simon and let him go. Most importantly, he’s not only doing this for Simon - he’s doing it for himself too. He doesn’t want to keep hoping when he feels there is none. Wille still has his moments of impulsivity as the season goes on (that ending) - he can’t change completely overnight - but it does mark the start of him reflecting better on the decisions that he makes and how those decisions affect other people.

Moving onto Simon, up until episode 4, Simon had very much been in avoid, avoid, avoid mode. He’s incredibly hurt by Wille’s actions and the leak of the video and he deals with that by trying to forget. He keeps his distance yet he can’t help but still be concerned for Wille (him going to the principal to try to get her to let Wille stay, him being upset at how sad Wille is over him hanging out with Marcus). Simon tries to be thoughtful while still trying his best to stay away and move on. Until episode 3, it feels like Simon could genuinely like Marcus, but when he realizes it’s not working, he does do the right thing and tries to break things off only to be gaslit by Marcus into continuing to see him, which Simon very, very passively agrees to. Simon has never used Marcus to make Wille jealous at this point; when Marcus kissed him after the rowing match, Simon was very uncomfortable with it. In fact, I think that was Marcus’ nasty ass trying to lay some kind of claim on Simon in front of Wille.

My point is, if Wille continued to be an emotional basket case and Simon continued to be thoughtful, if a bit misguided, the audience would potentially begin to support the relationship less, and that’s why their role reversal in episode 4 is so damn important, to show that Simon is not perfect and Wille is not toxic, nor is he bad for Simon. In fact, episode 3-4 works to show that it’s actually Marcus who is bad for Simon, not Wille. That’s why when Simon is listing all the reasons why Marcus is the better option for him, he ends up listing reasons that are all perfectly applicable to Wille (liking his singing, accepting him for who he is), and Simon is forced to acknowledge that the real problem isn’t Wille being a bad partner to him, but rather Simon not accepting Wille’s role as a prince. It’s a rude awakening for Simon to realize that he has had just as much of a role in keeping them apart as Wille has.

Another important role reversal in this scene is Simon instigating a confrontation with Wille. Up until this point, it had been Wille instigating their interactions. This scene mirrors episode 2, another scene where Wille and Simon are alone. Simon is minding his own business, when Wille instigates a conflict between them - “I don’t understand how you can just not care.” In episode 4, the opposite happens - Simon walks into the locker room and Wille doesn’t engage with him. He just continues getting dressed, then Simon instigates a conflict with him - “Would’ve been nice to have a heads up about Felice… really nice to hear about that at lunch.” It’s petty and hypocritical and Wille rightfully calls him out on that. In episode 2, Simon walks away from the conversation. In episode 4, Wille walks away.

In episode 2, Wille is the one chasing after Simon, who is trying to let go.

In episode 4, Simon is the one chasing after Wille, who is trying to let go.

These interactions serve as a way to ground and equalize their relationship. The fact is they’re both traumatized teens dealing with their broken hearts in the only ways they know how - they’re in love with each other but are too wrapped up in their own torment to see each other’s point of view. It’s through these role reversals that we see their feelings for each other are equal and that they are both capable of being messy and petty. And most importantly, we know that no matter how messy they get, their hearts are pure and they’re trying to learn and grow, and that’s why we continue rooting for them until the end.

#young royals #wilmon #i rly struggled writing this lol #i hope my point came across well #things I think about on my commute to work