Alex Toth's character sheet of the Fantastic Four in civies for the Hanna-Barbera animated series (1967).
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Portada variante de Fantastic Four (2018) #35 por Betsy Cola.
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Trans people after Trans Day of Visibility
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Cover of the Day:
Fantastic Four #187 (October, 1977)
Art by George Pérez and Dave Cockrum
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Galactus Strikes! by Michael Cho.
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Fantastic Four 186 pg1 by George Perez
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anyway not to be all deep and all but the symbolism of Aoyama loosing his belt -- the very thing that he used to restrain and focus his power and fit into society -- at the 11th hour, and now he has to fight without the support that artificial support gave him (or the condemnation that accepting the belt came with) and now has to fight with his light spilling out of him, unrestrained and unrefined, is so much. He can no longer posture. He's messy and undignified and all of the least acceptable parts of himself are showing, but it's in this state that he will defeat Kunieda. It will be him, and a friend who has already seen all the ugliest sides of him -- all the sides that he tried to hide his whole life -- and chooses to fight beside him, and together they will harness his quirk (his individuality) in a way that has never been possible before. He never needed his parents to buy him acceptance into hero society. He never needed a fancy belt or a mask hide behind. He needed someone who would see him for who he is -- how brightly he can twinkle and how dimly his light can fade -- and will stand by him no matter what.
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Hagakure’s design is so cute it’s actually criminal
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