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#it still makes no sense

iridescentis · 1 year

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Something I realised quite recently is how much my views of Girl Meets World changed as I got older and how much more critical I am of it now.

I went from saying "everyone who says the Maya becomes Riley plotline doesn't make sense is stupid" to "Yep that plotline made no sense"

When I was Maya's age I thought her relationship with Josh was adorable and once I got to Josh's age I immediately went absolutely the fuck not

I think such a big appeal of GMW canon comes from a younger perspective, at least for me, and now I'm older I have a much more canon critical viewpoint of the show.

#one thing that never changed tho #i have never and will never understand the appeal of rucas #i just can't #there's just nothing there #i never shipped lucaya but i kind of understand where people are coming from with that #but rucas...#not so much #nothing beats rilaya that's all im saying #ALSO where the fuck did people get riarkle from??#like that pairing didn't even occur to me until i was in the gmw fandom #it still makes no sense #I AM A FIRM BELIEVER IN SMARKLE #I DON'T CARE IF YOU THINK THEY ARE BORING #SMARKLE HAVE MY WHOLE HEART YOU CAN ALL FUCK OFF #im sorry i got carried away there #i put way too much ranting in my tags #i need to be stopped #girl meets world

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usedtobemygirl · 1 year

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im still so confused as to why all the midnights photo shoots / video aesthetics before the release literally pointed to it being a 70s inspired record yet it was nothing like that 😭

#like why on earth did she do that .#????#it still makes no sense #and I’m still waiting for her soft rock fleetwood Mac inspired record #idk why she played us like that #it would be so perfect 😭😭#txt

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inkskinned · 10 months

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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME #there is no replacement here bc i am not filling a position. i am just writing #and the writing is what i need to be doing #writeblr #this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to #edited for the typo wrote it and then was late to a meeting lol #i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means #i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong #i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse #i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO #i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness #and i would still be writing pretentious angsty poetry about it #im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us #i'm saying. you could take away our jobs and we could go hungry and we could suffer #and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work #even if it means being miserable #but i will not give up this thing. for the whole world.

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crabgirlfriend · 1 year

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“WTNV walked so [insert whatever media] could run” no. WTNV did not walk, it was fucking running marathons while other media was crawling on the ground gasping for air. it’s still running and the world needs to catch up

#welcome to night vale #astrid speaks #i resent the implication that this podcast with a beautifully written m/m couple at its heart was like. a stepping stone #instead of something that can still blow most other ‘rep’ out of the water #does this make sense? probably not #wtnv > your fave any day

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lgbtlunaverse · 5 months

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One thing i've run up against when dealing with fandom and characters making less than ideal choices is that people seem to treat a character's decision being sympathetic, the decision being understandable, the decision being reasonable, and it being objectively the best solution for the situation, as synonymous. When those are 4 very different things.

#fandom #complaining and whining about fandom #'oh x didn't make any sense' and it's a character working with incomplete information #or in a super high stress situation having to act quickly #or a deeply traumatized character making a choice that even for their situation makes no sense but they couldn't help it #and sometimes it actually is the best solution and still not sympathetic because it betrays someone close to them for the greater good!#all of these things can be true!

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loumands · 1 year

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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

#the way some people (usually lestat fans lol) talk about louis being an unreliable narrator has frustrated me #i still insist louis' unreliableness is mostly subtle (passing quickly over things he doesn't want to think about #presenting things that factually happened in a way he can build a story that makes sense to him #not knowing what lestat is thinking and feeling so interpreting him differently than lestat himself probably would)#rather than he's telling something that didn't really happen or is under armand's mind control or something #like for example i think it's been made very clear all the abuse really happened they're not gonna suddenly pull the rug from under it #if anything i feel lestat is going to turn out to be even worse than louis perceived him when we hear people who are not in love w him lol #keanu.txt

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loriache · 23 days

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"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

#dungeon meshi #dungeon meshi manga spoilers #dungeon meshi meta #kabru of utaya #laios touden #labru #laios x kabru #dunmeshi #og post #kabru is such a big picture thinker. and he evaluates people more than he judges them imo #the hater jokes are funny but the people he judges most harshly arent laios and co. they're people like the island's lord.#but you don't see that as clearly because he isn't interested in the island's lord. he understands him. finds him contemptible but useful.#whereas laios lives in his brain rent free because he WANTS to understand him but doesnt quite.#even though he sees the elves as a major threat to his ultimate goals and dislikes the way they treat short lived races #he still understands and evaluates mithrun as an individual based on his own merits #he's one of the characters who is least judgemental in that sense because while he's always making judgements and evaluations #he's also constantly revising them whenever he gets more information #my beautiful machiavellian prince <3 #it's genuinely a really laudable way of understanding others imo.#the only problem is that because he's driven towards his goals by his PTSD and survivors guilt #he pushes himself into situations (the dungeon and also interpersonally) that trigger him or even just upset him #without regard for what he authentically wants or his own wellbeing.

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kelocitta · 20 days

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Anthro Au Survivor drafts feat. too much worldbuilding because I cant just put pants on a slugcat like a normal person & my godawful handwriting

The Survivor (Their full, scavenger-given name includes the 'The') was separated from their family while traveling between colonies and stranded in the dangerous unpopulated wilds. Against all odds they managed to survive (and wander) far longer than they should have been able, but rather than reconnecting with their (or another) slugcat family, they instead made contact with one of the many wandering scavenger troops- But unfortunately not one that had ever met a slugcat nor had any idea what to make of a stranded one. Regardless the group gave it their best, ended up committing to the role of slugparents, and The Survivor and their troop still consider themselves close family long after Survivor finally reconnected with their sibling. (They're a bit of a mess though, understandably)

#rain world #rw anthro #subject to change and sorry if you actually try to make sense of this #but since arti is more anti-scav and survivor is a lil 'plain' i thought mixing scavengers in them would be a fun thing to explore #with the vanilla slugcats #unfortunately it means survivor was a very confused child who is a still confused adult #Also just cause of the way this is set up I think they have reconnected with Monk at this point #making this all so much harder on myself by not just going 'yea theyre in high school they ride bikes and drive cars' instead im being weir #and theyre turning more to rw if the creatures were sentient enough to do taxes #scribbles

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starbuck · 6 months

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reading and watching “classic” books and films is such an interesting experience because, before you get into them, when you only know them by name and maybe the vaguest plot outline, they’re intimidating and stuffy and up on a pedestal, but then you finally take the leap and check them out and realize that almost every story that’s achieved such a legendary level of popularity did so because something in its emotional core reached out and grabbed a lot of people by the throat and you are NOT immune.

#not that anyone but me probably needs to hear this but…#it’s OKAY to have Big Feelings about popular things #they’re popular for a reason - it makes sense to have a big reaction #but yeah - i should really know by now but i’m STILL floored every time i read or watch a classic and it Gets Me #like. this story has been Getting people for decades or centuries or MILLENNIA and yet STILL i’m surprised #‘i didn’t think the story would Get me’ says man about story that’s Gotten everyone who’s ever heard it

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