Tumgik
#its interesting to me the range of when people recognize it
deoidesign · 23 days
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i just realized theyre named adam and steve. i need to go to bed
My dad is a pastor and I named them during church, fun fact
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star-anise · 2 months
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reading supercut: disability, body image, and trauma
A glimpse into the clothes thrashing around in the washing machine of my mind, with apologies that it is still a wet lump and not an actual synthesis of ideas.
From Easy Beauty: A Memoir by Chloé Cooper Jones:
[This event] embedded a damaging idea in me, one I’d recognize deeply when I read Scarry years later: beauty was a matter of particulars aligning correctly. My body put me in a bracketed, undercredited sense of beauty. But if I could get the particulars lined up just right, I could be re-seen, discovered like the palm tree is discovered. To be deserving of the whole range of human desires, I had to be extraordinary in all other aspects. In this new light, I started to see my work, my intellect, my skills, my moments of humor or goodness, not as valuable in themselves, but as ways of easing the impact of my ugliness. If only I could pile up enough good qualities, they could obscure my unacceptable body. [...] accepting the argument that beauty was malleable came, for me, with a cost. The Platonian view rejected me cleanly, but Hume and Scarry left a door ajar and I’ve spent a lifetime trying to contort my form to see if I could pass through it.
From Til We Have Faces: A Myth Retold by CS Lewis:
I now determined that I would go always veiled. I have kept this rule, within doors and without, ever since. It is a sort of treaty made with my ugliness. There had been a time in childhood when I didn't yet know I was ugly. Then there was a time (for in this book I must hide none of my shames or follies) when I believed, as girls do — and as Batta was always telling me — that I could make it more tolerable by this or that done to my clothes or my hair. Now, I chose to be veiled.
From Cognitive-Behavioral Therapy of Borderline Personality Disorder by Marsha Linehan:
Inhibited grieving is understandable among borderline patients. People can only stay with a very painful process or experience if they are confident that it will end some day, some time—that they can "work through it," so to speak. It is not uncommon to hear borderline patients say they feel that if they ever do cry, they will never stop Indeed, that is their common experience—the experience of not being able to control or modulate their own emotional experiences. [...] In the face of such helplessness and lack of control, inhibition and avoidance of cues associated with grieving are not only understandable, bur perhaps wise at times. Inhibition, however, has its costs. [...] Volkan (1983) describes an interesting phenomenon, "established pathological mourning", which is similar to the pattern I am describing. In established pathological mourning, the individual wishes to complete mourning, but at the same time persistently attempts to undo the reality of the loss.
From How to Respond to Criticism by Danny Lavery:
Apologize, but don’t really mean it, and plant a seed of secret resentment so deep in your own heart that years later you can’t even remember that you’re the one who nurtured it and made it grow, it seems that much like a native part of you.
From Tiny Beautiful Things by Cheryl Strayed:
[After learning that state child protective services had made a budgetary decision to only intervene with children under 12, to one of the teenagers that regularly shared stories of abuse at home] I told her it was not okay, that it was unacceptable, that it was illegal and that I would call and report this latest, horrible thing. But I did not tell her it would stop. I did not promise that anyone would intervene. I told her it would likely go on and she’d have to survive it. That she’d have to find a way within herself to not only escape the shit, but to transcend it [...] I told her that escaping the shit would be hard, but that if she wanted to not make her mother’s life her destiny, she had to be the one to make it happen. She had to do more than hold on. She had to reach. She had to want it more than she’d ever wanted anything. She had to grab like a drowning girl for every good thing that came her way and she had to swim like fuck away from every bad thing. She had to count the years and let them roll by, to grow up and then run as far as she could in the direction of her best and happiest dreams across the bridge that was built by her own desire to heal.
From Essays in Aesthetics by Jean-Paul Sartre:
Freedom is what you do with what's been done to you.
From "I Know What You Think of Me" by Tim Kreider:
if we want the rewards of being loved we have to submit to the mortifying ordeal of being known.
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mistymem0ryy · 1 year
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Il Dottore x Reader
The Fall of Icarus Chapter 1 - An unexpected letter
Summary: While being a student in the prestigious Sumeru Academy, the reader begins to form a weird friendship with the genius student Zandik, only to then lose said friendship due to his banishment. Years later a rogue letter finds its way to their report-file desk.
The gender of the reader is not specified.
(Minor spoilers for Dottore’s identity ig)// Word count: 2066
Notes: I am quite tired of the constant fics where the Reader happens to not be at a similar intellectual level as Dottore… Do not get me wrong I understand that it could be quite intimidating since the guy is quite literally a genius, but I always wondered how different his common behavior and developing intellect would have been during his Academia years…
Chapter 2
{No beta we die like Zandik’s grades}
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People like Dottore are usually blessed with what I call an Imaginative Genius, he is inventive and curious in nature but that is not all you need in order to excel in an Academic environment. Any undergrad level Science student will complain to you about obligatory courses that range from boring classes on how to write an adequate lab report, to mind draining mathematics units that you have to take in order to graduate but most probably will never need in your actual profession.
Dottore is a genius, yes, but he is also impatient and insatiable, and those are the traits that led him to his unlabeled relationship with you…
The Academia is constituted by various facets dedicated to different areas of research, but they all possess one common thing, and that is the dreadful compulsory mathematics and report units. Mathematics is the language of the world, therefore it would be only logical that a self respecting scientist would have a certain degree of fluency in it…And to add unto that, a great researcher must too be capable of describing all observable phenomena in harmonious text.
Dottore… or should I say Zandik? Well, no matter how much his brain was capable of maneuvering itself into creating unimaginable gadgets and devices while simultaneously researching lost ruins of forgotten civilizations, he simply could not wrap his head around a certain set of classes that he deemed utterly useless.
He wanted to go out and research the unknown, feel his surroundings and understand their development, he wanted to acquire knowledge beyond the one present in the various dust collecting books that encircled him every minute… 
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He wants to punch down that godforsaken door and leave this classroom at this precise moment… But to his utter disdain he cannot.
You see Zandik is quite the intelligent fellow, his curiosity leads him further in his personal research but he must balance all of that alongside all the courses the Academia requires from him in order to finish his initial program. But no matter how “important” a certain class might be, if it doesn't strike the interest of the blue haired student then he will not even glance towards its direction twice… His time is precious and slowly but certainly running out, so he must make the most of it, even if it means missing a rather concerning number of classes.
You would like to say that perhaps, in some sick and twisted way, Zandik considers you a friend… an appreciated company? a tolerant fellow student?... 
After years of being in the Academia you have come to recognize the fact that you were the one sole person he did not outright treat with pure hatred. Sometimes you look back to your first year in the Academia, when you were solely a freshman ready to embark on a new intellectual endeavor and happened to be partnered up with Zandik for a class on “The Etiquette of Writing a Concise and Clean Scientific Report”. A boring class that you honestly thought quite useless, I mean haven’t you all been writing for years already? Why would you need a specific class centered around writing a report when you could be spending this precious time on other more alarming subjects? 
After receiving your first graded assignment, and looking to your side only to be met with the hellish mess that was your Partner’s crumbling sheet you finally realized why this class was an obligatory module for graduation… You cannot decipher at which point his description of physical phenomena turned into a horrific amalgamation of scribbled equations, and- is that khaenri'ahn script? Nevermind, you do not want to know…
Zandik catches you fearfully attempting to understand the meaning behind his rather… messy report…and lets out an annoyed huff in the process.
He is an excellent scientist in the making yes, but he has a hard time translating the concepts that take place in his head into a mere sheet of paper, and the fact that someone, especially YOU, happened to be witness to one of his intellectual weaknesses, that he so arduously attempted to hide, stroke a nerve.
The moment the class is dismissed Zandik is packing his materials and leaving this humiliating experience, you quickly come to the understanding that his speed is not necessarily a byproduct of his failing grade, but rather of the fact that you saw said grade.
You knew Zandik had a reputation for being a Genius in the making, and honestly a part of yourself could not help but be relieved by the fact that this class was proof that he could also fail, that he was indeed human.
You gather your belongings as fast as you can manage, and decide to follow the boy into whatever corner of this building he has decided to retire himself into. When you find him you offer to secretly help him with his failing grade, which he reluctantly accepts. That is the beginning of the rather weird relationship you happened to establish with Zandik, you weren't necessarily friends… you knew that despite his act in front of the professors and all the well calculated smiles he threw into the air, Zandik didn't actually see any of your colleagues on exactly friendly terms… but you hoped… You hoped that perhaps after all of this he could find in himself the sympathy to see, at least yourself, in a softer light…And the thing is, he did, trully. You simply weren't capable of perceiving it.
It was rather unnoticeable, and only someone with an extremely keen eye and patience would be capable of noticing the slight ways in which Zandik would relax his composure when in your presence, how his gaze would linger on you while you corrected another maze-like report of his, how he would lie to you about being offered 2 coffees instead of one thanks to his Genius-like reputation among the academic staff, and now you would have to drink the other one so he doesn't over caffeinate his system.
It was honestly quite warming, while it lasted at least. You helped Zandik obtain the grade he needed in order to pass that tormenting class, and sincerely hoped that this would not be the end of the untold arrangement between the two of you.
The unnamed relationship between you and Zandik, to your surprise, remained intact after that class, he continued to talk to you whenever you too happened to be in the same room (which even though at first glance does not seem to be that much, it is actually quite important for him since you happened to be the only other student which he does not see as a complete waste of his time), and when he noticed that you were having a hard time with Multivariable Calculus he took it upon himself to tutor you through that fearsome class. It was those tutoring sessions that really allowed Zandik to learn more about you, from your favorite dish to your family history, and eventually to teasingly referring to you only by the name of your favorite constellation.
“Careful there Icarus you don’t want to burn your wings away now do you?”
“Zandik why is the lab on fire?”
It was all going quite well… until the rumors began…
All the compliments that embellished Zandik’s reputation in the beginning slowly metamorphosed into quick whispers in the hallways pertaining to his rather unorthodox ideas, people began fearing for their safety after the disappearances and deaths began… And the initial worry directed towards your person and safety, as being the closest student to Zandik, eventually transformed itself into comments about how you too must also possess some sort of sickness in that head of yours in order to talk with him so casually…
Zandik was ok with people gossiping about him, that is as ok as one can be when your sanity has turned into a theme of communal discussion, but when the hatred that those around him started to deviate from being completely aimed towards him and began to shift towards your unknowing figure, he had to put it all to a stop. You were the only person in that damned establishment that saw him beyond the performance he put up every waking hour, the only person that treated him as if he were an actual human being and not an interesting concept, and no matter how ardently he wanted to be accursed alongside your embrace he couldn't bring himself to actually bring the both of you into your own doom.
He stopped talking to you completely. It's as if in the matter of a fleeting night your bodily presence had been turned invisible to his eyes, your voice echoed upon deaf ears, your pleas for an explanation gone unheard, left to rot alongside yourself.
You tried, you really did, but Zandik persisted, and at some point your loud requests for an explanation had been turned into a fleeting glance on your way to class, only to then become the impossibility of seeing him for weeks on end…
You want to say that you were surprised when he was expelled, but honestly you saw it coming before he did. Zandik, no matter how many times he bashed in his capacity of predicting the outcomes of any possible situation, was always a victim of his own ego, he thought himself undefeatable and it was (temporarily at least) your job to ground him to reality when necessary. 
He had strayed too far, and now his own genius could not save him from whatever grave he had dug for himself this time, not even you could stretch a lending hand to bring him from the darkest pits of his mind back to the light…
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It has been years since the last time you saw Zandik, out of everyone in your sector of the Academia he was the only one you were certain of achieving greatness in the future, only for that hypothetical greatness to be cut short before he could even graduate successfully…
You tried to find him, after he was banished from Sumeru, no matter how hideous his actions, you could not forget the fact that he too was a human being, you had seen parts of Zandik the world considered utterly impossible, and you hoped that he could see that no matter how tarnished his person could become by the words of the masses, you still saw him as the boy that would ramble about Ancient Civilizations while you studied anatomy, the same boy that would take you to the areas of Sumeru streaming with wildlife and lecture you on all the different properties of the various species inhabiting your surroundings, the same boy that sent you letters nearly every two days when you had to temporarily interrupt your studies to help a sick family member…
But now it has been years, and even though you were able to somehow balance out both your professional research and that for the whereabouts of Zandik, you have found yourself with absolutely no fruitful outcome to the latter.
You quickly realized that you had completely spaced out with your various reports left untouched in front of you, recently the amount of times you temporarily lose awareness only to daydream about your old days with Zandik has become alarmingly bigger, you really should get some healthy amounts of sleep from now on…Especially after receiving a heads up from Alhaitham of a wandering Traveler that supposedly is going to pass by your office today in order to request your help.
You begin to clean up your reports, organizing every sheet according to your personal system until your eyes land upon a rogue letter that you cannot recall having in your possession.
The only tip that could lead to the identity of the sender was the initial -D stamped upon the untouched envelope. You switfly grabbed and began to open the lonely envelope in an uninterested manner, that is until it suddenly fell upon your paralyzed feet, leaving your trembling hands stuck in their prior position, as if you were still holding that now forgotten letter within your grasp.
All it took was one inked phrase.
“Greetings, my dear Icarus…”
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wen-kexing-apologist · 7 months
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Who is Mew Anyway?
I realized we are over halfway through Only Friends now, and that I have only talked about Mew once in my write ups. Which…makes sense for me, all things considered, until now he’s kind of been a blah character in my eyes. And I am leaning in to and really appreciating how intentional that is beginning to feel on behalf of Jojo and co. 
When you think about it, until literally halfway through the show we have known almost nothing about Mew besides the fact that he is the table keeper for his friends, he is a hotel management student, and he’s a virgin. If you asked me to list any other facts about Mew’s life or his role in life, I would not have been able to answer much of anything. 
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And that’s because Mew isn’t really anything. Personally, I feel like Mew thinks he has a strong sense of self and the second that something comes along to question that, all those illusions he has of himself start crumbling. When I look at Mew’s character, and I mean start getting in to the nitty gritty of Mew’s character, I don’t think Mew has any idea who he is. Which, for a show about college students is fucking brilliant. I thought I knew who I was in college, and then I graduated and promptly became queer and trans. I thought I knew what career I wanted, and then I ended up going to grad school for something outside of my initial plans. I know @waitmyturtles mentioned something similar about trying on different personalities in college in her Episode 7 Review. 
Think about Mew’s apartment, it was his mother’s old place. He took it over after she moved out. He didn’t choose this place, we can’t be certain this is the type of apartment or the location that Mew would actively decide to be in. When he brings Top home the first night they meet, Top comments on the place:
“Your room is nice, it suits you” 
To which Mew replies ‘It’s my Mom’s old room. I decorated it using ideas from the internet” 
Which says to me that Mew’s own personality, his own interests weren’t even involved in the creation of his own personal space. He decorated it based on inspiration from what other people had done to their own places. And Mew’s apartment fascinates me further, as a color-coder in BL kinda person. Because Mew’s apartment is all over the place in its decoration. 
On one wall we have striped wallpaper, in orange hues.
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On another we have light blue walls with white and golden patterning. A yellow couch, a blue bookshelf. 
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In his room he has a wall that is painted a solid green
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And I can’t quite get a good image of it, but the opposite wall in his room is painted a dark turquoise with white patterning, which is different from Ray’s house, but still evokes a similar visual point of comparison.
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Even Mew himself, when we first meet him is alllllll over the place with his colors. He has lines all over his shirt, with squares of different colors. His second look of the show is a solid light blue shirt over top of a striped shirt with orange, green, yellow.
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His bed sheets are similarly stripes with dark gray, green, yellow, and orange.
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Which is to say, at the beginning of our time with Mew, it is hard to pin down who he is as a person. He doesn’t have a color, he doesn’t have a pattern, to associate with his character. He fluctuates between rich, saturated colors and light, washed out pastels. 
When I think of Mew, I think of all the outfits he’s worn that have a strong green tint to them, but honestly, looking back through his wardrobe, Mew has a broad range of colors he chooses from. 
(Now, I recognize that all of this could be because the costuming department does not actually care about color coding, and that the eclectic styling of Mew’s apartment was just how it already was. And that’s fine, but I’m here so I’m gonna overanalyze it.)
All this to say that, Mew’s colors, Mews home, Mew’s pattern choices are all very disparate. All this to say that as a result I am now assuming that Mew does not know who he is, and neither do we. He could go any number of ways. Mew could go orange, yellow, green, blue. He could be complicated (with complex patterns) or straight forward (with solid colors). But none of us know at the beginning of this show quite where he will go. 
Truthfully, the only aspect of Mew that I have seen be steadfast throughout the show, is Mew’s moral superiority complex. Everything else is mutable. Mew has throughout most of the show, regarded himself as a good person. He doesn’t drink much, he doesn’t dance much, he doesn’t sleep around at all, and that somehow in his mind, grants Mew the opportunity to talk down to his friends. 
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He’s not an alcoholic like Ray who he has no problem lecturing in the bathroom about how he is  going to be dead by 30, despite knowing that Ray is/was suicidal. He’s not a slut like Boston, who is far too obsessed with Mew’s virginity, etc. etc. etc. Mew fucks with Top, deciding that he is going to wait to have sex with him for awhile. And that is his right, but Mew doesn’t say he’s waiting because he isn’t comfortable with sex. He tells Boston and Cheum that he is waiting to have sex with Top to make sure that Top is serious about their relationship. Because if Top is serious about dating Mew without sex being involved, that means that Mew is worthy of the top tier because he is top tier, and not because he is an easy lay that Top can use for bragging rights (bagging a virgin). 
And I would have previously entertained a conversation around whether or not that is true, but unfortunately for any dissenters to my read of Mew, now that Mew has decided to #embracethenasty, there is no convincing me out of my observation that Mew does not know who he is. 
Why? Because the second that Mew starts retaliating against Top, the second he decides to ruin Top’s life, to stoop low, to be the lesser person…Mew starts dressing like Ray. I am certainly not the first person to notice this, it has been circulating in multiple different forms across my tumblr page, but.
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Gif from @firstmix
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Mew doesn’t know who he is, Mew doesn’t know how he fits in to the world now that he has decided to make Top’s life a living hell. I am not convinced Mew is capable of seeing himself as a bad person, because he isn’t a slut or an addict or a cheater. [As an aside here, this is Mew’s thinking, not my own personal beliefs on what makes someone a good or bad person]. So, of course, if he wanted to become a bad person. If he wanted to play at being as toxic and terrible as the people around him, it makes sense Mew would don the wardrobe of his “best friend”, Ray. Ray, who Mew looks down on for being an alcoholic, for not valuing his life. Who Mew has told time and time again to love himself, and to quit drinking and doing drugs, as if that is going to cure Ray’s addiction. And who in under five minutes just took a blowtorch to everyone’s relationships. 
Why? Because Mew is so self-righteous that he looks down on others around him. Mew isn’t ready or willing to look at and acknowledge the nasty, flawed parts of himself, so he adorns the nasty, flawed parts of others, to abstract himself from his own behavior. He uses Ray’s clothing, Nick’s methodology, and Boston’s personality to retaliate at the people he feels wronged by. 
Mew uses Boston against himself, wielding Boston’s sexual prowess, his willingness to fuck, his Hunter charm to get himself in to Gap’s apartment. He uses Nick’s methodology to steal the video of Boston and lords the knowledge over Boston’s head (like Nick did to Top), and again, he is wearing Ray’s clothing. But while Mew is trying to be a chameleon in his behavior, his appearance, his strategy to get back at Top, Mew’s own flavor of flaw starts becoming ever more clear. 
Mew has a superiority complex.
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It is absolutely, unbelievable shitty and vile to threaten to out Boston to his father. To treat Boston’s privacy and safety with such disdain. Boston records others and he keeps those images as evidence, so Mew steals Boston’s MO. Mew takes the recording of Boston, looks Boston in the eye, and makes Boston think that he is going to hold on to that for evidence.
Now, right before this, Mew does actually draw a comparison point between himself and Boston. 
“You and I have something in common.” he says
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“We’re both gullible” 
Mew makes Boston beg. And after he has made Boston sweat sufficiently, he throws the flashdrive on the ground. He says: “I’m kidding. No matter how much I hate you, I won’t do it. Because I don’t betray my friend like you did. 
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“Then I’d be just as filthy as you are.”
While Mew is able to identify a potential flaw of his own, being gullible isn’t a fundamental aspect of Mew’s personality or character, being gullible isn’t who Mew is. It’s a flaw that he is pointing out only because he is still reeling from allowing himself to be fooled by Top and Boston. It’s a flaw that he is point out so that he can weaponize his superiority complex. 
In other words: “You and I have something in common, but I am better than you because I don’t betray my friends”  As if he didn’t just threaten to publicize Boston’s sex life to his father, the implications of which could have a national impact.
And while it is ultimately unsurprising that Mew channels Ray in doing all of this, it is interesting. Interesting because Mew is using Ray. Mew not only knows that Ray is capable of fucking up his own life, and the lives of the people around him, he also knows that Ray is the least liked by both Boston and Top. Boston’s distaste for Ray is subtle, as his obsession with Top and Mew has been more at the forefront of his interactions with his friends. But we have seen from the very beginning of this show that Boston does nothing to care for Ray. Boston is assigned to take care of Ray and make sure he is safe when he’s been drinking too much. Boston literally never once helps Ray when he’s drunk. Boston sees Ray and Sand crossed, cuddling, and generally having a good time, and Boston goes and airs Ray’s dirty laundry. Ray is the first person to confront Boston about cuckolding Mew. 
So wearing clothing that is reminiscent of Ray when Mew goes to Boston’s house to threaten him is a flavorful undertone for how Mew is hoping Boston will see him. 
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At the points in which Top and Mew interact during the episode, Mew is not dressed like Ray, but he sure as shit does lord Ray over Top just to fuck with him. When Top comes to apologize to Mew, Mew asks Ray to find a new designer, literally asking Ray to replace Top. When Ray helps treat Mew’s injury after the group fight, Mew decides to use Ray as a rebound. To use Ray’s feelings for him as a way to experiment, once again, with the type of person he wants to be and the type of person he wants to be with. We end the episode with Ray and Mew dancing together at the bar, Mew dressed in a very Ray style
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Because Mew is trying Ray on for size, trying his fashion, his company, his lifestyle (as we see from the promo for next week) and that is prone to make RayMew crash and burn, because Ray is self-destructive enough as is, and I don’t think Mew is going to do well with treating himself with Ray’s level of self-care.
Mew doesn’t know who he is, Mew doesn’t know what he wants, the only thing Mew knows is that he’s better than everyone around him, and he can only stoop as low as them is by pretending he is them, rather than facing the fact that he's just as terribly human as the rest of the group.
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Elemental Work Crash Course
Hello friends! As a west witch I find myself in a lot of elemental spaces, but as an elemental pagan I feel like we get little to no representation without wicca being present so this post is for all my friends who may be looking into elemental work and want to know what to expect! This is an introductory post so if anyone is interested in further information let me know in the comments!
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Earth
Common Lessons tend to include grounding, understanding your place within it all like your social circles, life itself, or even the ecosystem. People also tend to find out how to see beauty even when they feel there is none, home and hearth magic, generational magic, and harnessing your own power. Its important to recognize earth is extremely giving, often giving things without expecting anything in return. Remember to give back to the earth when you can in your practice, it isn't fair to take things without giving back. Eventually earth takes all things back from the living, so remember that earth is as powerful as she is kind Darker Aspect/Element: Rot How to honor and find these teachings:
Going out in nature
Taking care of plants
Herbal work
Community service
Exploring
Grounding and meditation outdoors
Connecting to earth itself
Evaluating what it means to be human
Common forms of divination
Osteomancy (Burning Bones)
Abacomancy (Dirt)
Dendromancy (Tree reading)
Falling petals or leaves
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Air
Common lessons from air tend to be quick and ever present, air speaks rather quickly to people and messages change! Its best to keep a log of signs and messages you receive because it tends to be a pebble trail on your journey. Air teaches how to keep calm in tense situations, creating your own path on the journey of life, going with the wind and learning to not value materialistic lifestyles, plus learning how to be more gentle with yourself and others!
Darker Aspect: Tempest How to honor and find these teachings:
Breath work
Spontaneity and leaving your comfort zone
Living to the fullest (however that might look for you!)
Dance or Hand motions
Meditations
Keeping sword or athame imagery as a talisman
Storm tracking
Common forms of divination:
Smoke Scrying
Wind Watching
Electromancy (By Lightning)
Austromancy (By Clouds)
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Fire
Common lessons in fire encourage you to listen closely and not rely so much on searching for messages. In most mythos fire speaks once per session, when its burnt out usually the message is over. Fire teaches us how to be confident in our work, ambition, and performance. Fire likes to throw a lot at you and teach you adaptability, and most importantly how to be the best you can be. You can learn a lot from just a little flame.
Darker Aspect: Magma
How to Honor these teachings:
Practicing Confidence
Glamour Magic
Using your backbone/saying no more
Making friends in odd places
Hosting bonfires/tending to a hearth fire
Using candle magic
Common forms of divination:
Fire Scrying
Candle/Wax reading
Flame Shape reading
Casting knives
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Water
Common lessons range depending on what you are looking for! Water can teach you how to be calm and collected, but also encourages you to be fluid! so if you need to unleash the flood you know when its appropriate to do so. You also learn how to go with the flow, how to be persistent, and how to be a fierce enigma. Water is also very humbling at times, so you will learn a lot about yourself.
Darker Aspect: Abyss
How to honor these teachings:
Emotion based meditations
Shadow work
Being in tune with yourself
Swimming
Boating
Fishing
Beach cleanups
Exploring your waterways
Common types of divination:
Water scrying
Waves
Rainfall
Storm tracking
Mist/Dew
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tenkasato · 6 months
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Choose Me Again
Hello! Here's the Akashi-centric oneshot I promised for the longest time. It's been sitting in my drafts folder for more than 3 years. So I decided to just upload it, for what it's worth. It's quite long, but I thought it'd be better to post it in one post rather than per chapter. Warning: IT'S A MAMMOTH, but I hope you guys would hold on til the end of it. Without further ado, here it goes...
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The first time he met you was when he went over to his favorite tea shop in the suburbs. It was a small place situated at the corner of the street.
The interior was designed with newspaper clips of its successful endeavours. The photos of famous celebrities in black and white pinned onto cork boards were memoirs of the once high-end tea house. The sole source of light was the dimming bulb by the corner, and the rest was shed by the afternoon sun.
You, like he, were a rare sight.
You wore a wrinkled and faded high school uniform. Your tie was a little crooked. Your long tresses were tousled and gathered into a messy bun. Your lips were pursed, eyebrows knitted in concentration. A lotus crest was embroidered on your blazer, one that he couldn't recognize.
Before he could saunter over to his usual seat, he found himself walking towards you. You looked up the moment he came to view, demeanour cautious and intrigued.
"Hi."
"Hello."
Polite smiles were exchanged.
"I haven't seen you around here.”
He lowered his eyes to the vacant seat in front of you with a silent question.
"Can't say the same to you," you replied with a grin as you gestured for him to sit. "I work back there with the dishes so I don't go out and meet the customers."
He raised his eyebrows and nodded with a low hum. That explained why your sleeves were pushed up to the level of your elbows. You shrugged, unbothered, and returned back to what you were busy with before he interrupted. Sketches of faceless women clad in formal dresses were scattered around the round table. Eraser dusts were everywhere.
“Why do you always come to this place? It’s full of old people and it smells like incense.”
While most of his peers went to KTVs, arcades and malls, he preferred quiet places like these. It was no wonder he caught your eyes. A young man fresh from school in his white blazers looked odd and out of place.
“You’ve been watching?”
You shook your head with a chuckle, the motion letting loose some strands from her bun.
“I like observing people.”
The second time you met, he finally asked your name. And he told you his.
“Akashi Seijuro, hmmm.”
His name rolled on your tongue like candy. Not the excessively sweet one, but the type that leaves a gentle aftertaste in the mouth. He liked hearing his name with your voice.
He waited for your eyes to widen, to pause, to shrink back under his stare. A renowned surname like his seemed to have that kind of effect on others. His family was influential in terms of politics and business. It was a double-edged sword. One that struck fear and respect from his classmates.
But you simply nodded. Perhaps you weren't aware.
That was his notion until you spoke again.
"Must be tough to be under pressure all the time." You spun your pencil with your fingers, the twirls and tumbles mesmerizing him for a bit. "No wonder you frequent this shabby stall for some breathers."
"You've come to quite an interesting conclusion.”
"I'm not wrong, am I?"
He wondered if you were good at reading people because you drew expressions well. Melancholy in a smile so wide. Apprehension hidden behind closed eyes. Ranges of emotion in supposedly expressionless animals. Your hands worked craftily with just a pencil.
How would you draw him?
Curious, he asked you.
“I don't know.”
And he left it at that, despite wanting to ask why. It was hard to understand someone like him that even he couldn't fully comprehend what he truly was. He looked at himself in the mirror everyday. He still had the same face, the same lips and cheeks. But with a look closer, his image would rattle, shift and shatter. It made his left eye throb.
“Do you want to go outside? You don't look so good.”
He peeked across the window to where his car was parked. With a little contemplation, he nodded and texted his chauffeur that he was going to walk home.
~ O ~
When he met you one afternoon in front of the tea shop, you were clutching a ball between you arm and hip looking peeved and embarrassed.
“Do you know how to play?”
A shrug. “Just a little.”
You smiled bashfully.
“Teach me.”
You found an outdoor court beside a nearby middle school. He started by instructing how to dribble and what stance to take. He demonstrated how to shoot, before pointing at the three point line and telling you what it was for. When you understood the basics, he told you to get past him and shoot.
“I’d appreciate it if you told me beforehand that we were playing. I should have brought clothes."
“I don't exactly have your number, Akashi-kun.”
You finally called quits when the sky began to tint orange. Panting, you accused him of lying about being an amateur in basketball. He chuckled, removing his sweaty blazer as he watched you fan at your flushed face. Walking back to the benches to retrieve his phone, he told you to give him your number. You complied albeit excitedly.
It was only after two weeks of practicing that he texted you that he was a basketball team captain.
~ O ~
Akashi Seijuro had never had a crush on anyone.
It wasn't that he didn't want to. He had a fair share of admirers from the student body with his inherent good looks, academic standing, school positions held and family background. He met a few who showed outright interest in him, but what he expected to feel, he didn't.
Like he was trained to, he set his eyes on the sole goal of the family. To excel in all fields. Unfortunately, socializing for the sake of romantic escapades was not covered by his lessons at home.
So when you innocently reached out for his hand that one night, pulling him towards the river bank to show him a stone trick, he felt a zap. It pierced through his chest before expanding into flutters breaking out of his skin. He felt nauseous but it left a pleasant sensation in his gut. Addicting and quite unbecoming.
You kept on talking, bragging about your skill, unknowingly gripping his hand tighter. Mind going blank, he felt across the creases on your palm, the callousness of your fingers. Your hand was cold from the chill of the night. It made him want to bring it inside his hoodie pocket to provide some semblance of warmth.
This was another thing he was never trained for by his father. Confessing to a girl he recently found he liked.
He thought, perhaps it isn't the right time to confess.
~ O ~
Akashi Seijuro never had a diary.
His mom had one. It was pink and adorned with handmade flower crafts and ribbons. It was kept inside her closet where his father would never look. She showed it to him one time, saying that a diary was meant to keep all his deepest secrets and even his flitting daydreams. Her smile was wide, eyes with a twinkle of mischief like she and he were sharing a secret no one was meant to get a whiff of. She said she’d help him choose a notebook when he was old enough.
When he had touched her diary for the first time, it felt heavy. Like his heart that had probably been coated with lead that time.
His mom along with her memories had been buried under white roses, but her secrets, dreams, thoughts—it was kept immortalized in her diary. Why had his father chosen white flowers? His mom loved pink. Why couldn't they let her choose something for herself at least for the last time?
That had been the last time he cried.
He never bought himself a diary even as he grew older. But he now understood the glee of being able to share the things he buried under piles and piles of pretence and grandiosity. To be able to say how much he hated mathematics despite being exceptional in it. To be able to eat three cup noodles in one night. To be able to laugh loudly without worrying about etiquette.
If his mom had been alive, he would be able to tell her that he already had a diary in the form of a you.
“The only reason I was allowed to play basketball was because I could learn to lead people better. Basketball is a strategic sport, after all.”
“But do you like playing?”
“Yes. It was my mom who first taught me.”
“Then you should play for the sake of enjoying yourself. Winning is just secondary to it.”
How simple you made it sound. Yet, it was something he's been yearning to hear from anyone.
“Date me.”
You choked on your cola, unfortunately dirtying the sketch you were working on. He had said it on the whim. Impulsive, and certainly an act that starkly contrasted how he was raised to be. However, it felt right that time. With your hand casually brushing with his, your head leaning against his shoulder, it felt extremely right.
When you're sixteen, you're obliged to think that you can take risks and your actions wouldn't garner grave consequences. At least, that was how most teenagers had it. He didn't think he was to be categorized under 'most teenagers', but as the wind blew past you and went on with its never ending journey, he thought I could be a normal kid once in a while.
Your hand closed around his fingers until they whitened on pressure. He flickered his eyes to you, and with a breathless chuckle, you finally answered.
“Sure.”
~ O ~
“Sei-kun, I’m sorry. I’m leaving.”
And that was the first time he allowed himself to cry again.
~ O ~
He convinced himself that it was out of his or your control. It was like one of those famous, overused lines in the movies where the love was perfect, but the timing just wasn't.
And maybe, that was the case for you and for him.
Was he mad?
No.
Did it hurt?
Akashi Seijuro didn't think he needed to answer that.
But what could a 16-year-old do when his first love leaves because of unavoidable circumstances? His family was powerful. He had money. He had intelligence. However that wasn't nearly enough to magically change your family's mind of moving.
What you had was beautiful. A blissful time of trying things out for the first time with someone who could have potentially been his partner for life. It was like a favorite chapter in a book. Once a page was flipped over, a scene came to a conclusion. You could only now turn one page back to recall the memories and relive them.
27-year-old Akashi Seijuro understood this now. Or rather, he accepted it.
His father was close to retiring, and naturally, the one next in line was him. He was more than ready to bear the responsibility as the new CEO of Akashi Enterprises next year. All that was left was papers and formalities.
He had changed a lot since the day you left. Friendships broken to rubble and restored to full. Priorities set straight. Perceptions changed. The pain in his left eye had subsided close to none. He felt whole again, like a wholer version of himself before he started dissociating in front of his mother’s tombstone.
Maybe you leaving was a good thing, because if you had been there when he had broken down, you would've been caught in a maelstrom. You would've gotten hurt. The him now wouldn't have forgiven the versions of him then.
He fixed it. Not without help of course, but he did.
Hence, when he stepped into the tea shop—not the old, rickety one back home, he was stunned. Maybe it was his reward for holding out.
Or maybe, it was true. What they said in the movies.
There you were, a pencil in your hand and your hair in a bun.
Looking as alluring and enigmatic as ever.
Perhaps, this time, the timing was perfect.
~ O ~
Akashi Seijuro thought that he should feel the tug of hesitation, keeping him from eagerly approaching your hunched form. It was inherent in human nature to avoid pain at all costs. But like he so emphasized from the very beginning, he was not like most people.
With a grace befitting of an heir, he walked towards your table.
It took you a few seconds before noticing the figure in front of you. When you looked up, your eyes widened. When he quirked up his lips, you visibly relaxed.
"Hey, you."
"You look different."
And indeed you did. The baby fat around your face was gone. Your lips were painted deep red, eyes framed by light beige. You sported a long dress that hugged your figure.
You were his first love, and yet you were not.
"I can say the same about you, Akashi-san."
He pretended that the way he was addressed did not sting him, but even so, he raised his brows before taking a seat.
"How have you been?"
He didn't think that between the millions of interweaving lines of time and space, his hand would be able to touch this particular one and meet with you again. For a long time, you had only existed in his memories and dreams. Right now, you breathed the same air as he did, listened to his words as he tried to piece the lost moments together with yours.
You told him your story.
And then, it his turn to tell his story.
He told you of the downward spiral he fell into after you left, not missing how you flinched in your seat. Victory became his primal objective. Acting like he was bred to, he crushed all his rivals and even went as far as discarding camaraderie in the basketball team and demolishing their opponents’ morales. In a bystander’s view, he was most peerless and unreachable during these times. But to the few people who really cared about him, he had been on his way to self-destruct.
“Someone slapped some senses into you, I’m guessing.”
“If you want a summarized version, then yes. Kuroko and the others. You’ve met them a few times before.”
“I remember. Go on. I want the uncut version of the story.”
The smile that graced his lips was foreign—young, boyish and carefree. One that you recognized and reciprocated with your own, familiar one.
~ O ~
Two people who had once been naive and innocent 16-year-olds, spending long afternoons in a traditional tea house downtown.
The same two people who were now jaded and mature 27-year-olds, spending mellow evenings in a sophisticated tea shop in the city.
Soon, the little tea shop had turned into your tiny bubble where you could be themselves again.
It was a haven. It was a home. It was rest.
“How did you know this place?”
Because you could've met in a different place amongst all others, but you chanced upon each other here. In this fated sanctuary.
You dropped two sugar cubes and stirred at your americano before continuing.
“It's barely in the maps, and as far as I’m aware, they aren't fans of advertisements.”
Your nails were cut short like usual. Unmanicured.
“This place is owned by a relative."
“What? Are you telling me your family owns everything in this city?”
Chuckle.
“I don't recall saying that.”
“Not kidding?”
“He’s a cousin, abandoned by my uncle because he was born out of wedlock. When my uncle died, my father looked for him and sent him to school.”
“Then he opened a tea shop?”
“Basically, yes. You’ve never seen him around?”
You hummed contemplatively.
“Does he look like you?”
“Not even a bit.”
You stopped stirring and gently placed the spoon on the napkin. When you raised your gaze, a teasing and enticing smile on your lips, he swore he saw something flash across them. It could've been a trick of light, because after he blinked, it was gone. His heart bursted.
“Then, I haven't noticed him I guess.”
~ O ~
When did it happen?
He looked into the colors of your eyes.
Akashi Seijuro had always been in awe of how your eyes changed as light struck them in different angles and intensities. Wavelengths shifted out and across, dancing like a kaleidoscope enigmatically.
Tonight, you rested contently at the passenger’s seat, idly watching the streetlights that zoomed past them.
When he stopped the car in front of your place, you tilted youra head to bid him a good night.
It gave him a chance to look closely, to pick apart the poems, riddles and odes written in those eyes. There, he saw the same longing, a glimmer of nostalgia and pain that spoke of the same things his did. You thought about him, too—everyday since the day you said farewells under the Sakura tree.
You have never really moved on from him. What elation it gave him to know that he wasn't the only one left hanging in limbo.
He gave in, bared his heart again for the second time and asked for you to be his.
They say miracles happened all the time. You only had to look carefully. He could attest to that, because as he lost sight of you eyes, lips touching in the most revered and gentlest of ways, hearts reuniting, he could say this was his miracle.
~ O ~
When did it happen?
Time blurred by and swept with it the days of each year. Akashi-kun turned into Seijuro-kun which turned into Sei—just as how seasons shifted to take their turns inevitably.
And for a long time, he had forgotten how it felt to have you by his side.
To have you wait for him to send a message of good morning. To know you were worrying about him when the drizzle turned into a downpour. To know you would love every inch of him, the dips, the rough patches, the jagged edges as if every part of him were perfect.
With his hand secured behind your knees, he walked on the path crusted with dried leaves autumn left in its wake. You had an arm wrapped around his shoulders with your face nuzzled in the crook of his neck.
The afternoon sun casted a magenta glow on your light strands of hair. It made the grin on your lips much softer than it looked.
"I better be rewarded for granting your wish, princess."
"Hush, you. You promised to carry me on a piggyback ride when we were younger."
There had been moments like these. Imageries of him and you that he'd frame and keep eternally etched in his heart if he could. Cheeks swelling with magnanimous smiles. Breaths ragged with laughter.
"Sei."
"Hmm?"
"What did you think of me the first time we met?"
A low hum and the lone tea shop downtown came to mind.
"I thought, 'This is the girl I'm going to love for the rest of my life.'"
"Cheesy. Want to know what I thought?"
"What?"
"'This is the man I'm going to marry someday.'"
The reward kiss you gave him after that left the sweetest aftertaste in his lips.
~ O ~
When did it happen?
There had been moments like these, too.
"You're too perfect, Sei.”
“I’m not. Calm down, love. I understand—”
“You do? Look at me and tell me that you really do, Mr. High and Perfect and ‘I-own-everything-even-the-air-you-breathe.’”
Imageries of him and you that he'd rather burn into the cold embers with the ashes to be blown by the gale. He hated to see you hurt, whether it was because of him or not.
"I'm sorry. I didn't mean to."
Then you’d make up. Nothing dramatic like begging for forgiveness or giving long winded explanations. You knew one of you were at fault, so you accepted it, took each other's hands and nursed your wounds, promising to do better the next time.
At the end of the day it was never for naught, and the kisses you shared in the aftermath were the most affectionate and most desperate of their kind.
~ O ~
When did it happen?
“Sei, take a look at this sketch. Do you think it looks good?”
A wedding gown. It was easily the most gorgeous one he’s ever seen.
“Do you?”
“I think… Yes. I think I like my design.”
“Then it is. There isn't any standard for what is beautiful and what is not. If you ask me, I’d be willing to put it on on our wedding day. Given that you'll have to wear the tuxedo in my stead.”
“My fiancé is one cheeky man, isn't he.”
~ O ~
When did it happen?
He twirled your hand as you spun around on your feet. Your sense of balance slipped away and you fell, figuratively and literally, towards his welcoming arms. There was no music to match the succeeding taps of your feet in the ground, but he preferred it that way. Your voice was enough music to sway him to submission, his head swimming in ecstasy.
“I shouldn't be allowed to be this happy, Sei.”
“Neither should I, love, but here you are.”
~ O ~
Not everyone was fortunate enough to be given a second chance to redo things like they did, and it felt like things had fallen to fit into that perfect puzzle his mind had conjured up in the past, and everything was perfect. At least, that was how he tried convincing himself with. It was perfect. It was supposed to.
But why wasn't it?
Akashi Seijuro didn't know what was missing, what was amiss, what was slowly devouring the special thing they shared. He ignored it, brushed it off as normal for any relationship. Everyone goes through stagnancy like this, right?
Your hands were cold.
He supposed his was, too.
That night when you had promised to meet him by the park so you could stargaze, he started to feel a gaping hole in his chest. When you still hadn't shown up and chauffeur started to send him messages offering to take him home, he knew that hole was rapidly consuming him.
It was raining, the tiny droplets pelting at his skin and soaking him to the bones. He hadn't bothered to open his umbrella and chose to stay on the soil despite the stains marking his pants. Something white moved in his peripheral vision, and the hole grew wider and deeper.
He thought that maybe he should feel something stab through his heart by the way you hesitated to approach him. But the numbness of being battered under the rain for he didn't know how long (—had it been hours? Weeks? Months? Years?), it had overtaken his emotions, caged them, made him feel nothing even though he was likely snapping.
When did it happen?
When he thought you were about to cry, you smiled instead. It was only then when he noticed that the lingering smile he fell in love, over and over and over again, fell colorless, flat, routine.
And it broke his heart even more because it was a smile that said, "I loved you."
~ O ~
If only he knew.
But what could he have done?
~ O ~
And just like that, things started to change drastically. The previously fragile yet somehow stable hands that kept the house of cards from toppling over gone. The dam broke. The balance was thrown off.
Soon, Akashi Seijuro was no longer left to a standstill but was watching everything fall apart with hands tied behind his back. He had never felt so helpless. Not when his pride and name was being smeared over. Not even when he was losing all his friends. The last time he was gobbled up by incapacitating doubt and crippling fear was when his dying mother had cradled his face in her emancipated hands.
Suddenly, he was a young boy again.
But why? he wanted to cry out.
Did he do something wrong? Said something? Wasn't he enough anymore?
If there had been a reason, even the pettiest and most childish reason, he'd be more accepting. Anything. Anything. Really. Anything.
But there wasn't and there was none and when did it happen, no—HOW did it come to this?
He realized that he could no longer muster up the silly thoughts and excuses of ‘maybe the love was right but the timing wasn't’ anymore.
~ O ~
You were changing, distorting, fading. This vessel of you no longer held the soul that once promised him forever.
If he let this go on, he might lose you.
~ O ~
You didn't know what to expect when he called you during work and asked you to meet him at the tea shop. Not the sophisticated one at the heart of the city. But the old one downtown where it all started.
Hands folded. Eyes downcast. Breathing shallow and little at the edge of erratic.
The place had not changed even a bit since the last time you went here as naive teenagers. Except, now there were different sets of customers and you were two different versions of the past. And maybe, if you had the energy and time to look at the far right corner of the establishment, you'd see the new old-fashioned vase sitting on a miniature table.
There were a million things running in his mind—questions he wanted to throw out like why did you waver, why did you give up on us, why can't you fight for us anymore, why aren't you happy anymore, why, why, why. Instead, he settled for:
“Why didn't you tell me?”
Akashi Seijuro had never been one to sugarcoat things. He got straight to the point. Each and every time. You knew that yet you couldn't help the surprise that permeated your gasp.
“You could've said something.”
He pleaded.
"I didn't want to lose you, Sei."
And you did, too.
It was incredibly selfish. So selfish he felt both euphoria and agony squeeze his head to the point of wanting to throw up. His blood screamed at him to keep on holding on for you, for himself. He was trained to be victorious in every single thing, wasn't he? This shouldn't be any different.
But you weren't a game. You weren't his diary. And you weren't his springtime.
You were someone he loved endlessly and mercilessly.
“This isn't going to work anymore.”
“No, no, no, no—wait, let me try again. I can do it! I can try again for—”
“Do you love me?”
“Yes! Sei, I could never not love you!”
“Tell me, princess.”
“Sei—”
“Are you still in love with me?”
You froze, and his heart broke. He knew you wanted to say yes. He could tell by the way your hands stiffened in his. But you hesitated, looked at him imploringly and begged him not to make you say it out loud.
“I thought so.”
“Please don't let me go. I can’t be without you.”
You eyes, coated with a sheen of desperation and despair, spoke in volumes that threatened to deafen him. Let you go. Let you stay. Let you live. Smother you. His heart was a battlefield—a clash between his feelings and his desires.
If he could, he’d cry, too. Instead, he opened his mouth. “I want you to be happy…”
Gently, he released your hands before gingerly, tenderly wiping away the tears on your face.
“...even if it means I’ll no longer be in the picture. You have to grow without me, and I without you.”
He pressed his forehead against yours as he listened to the muffled cries and empty heaves.
He wished that time could be kinder to him to slow down. To hear his pleas to pause in this moment where you were still his, because once you walked out that door, you would no longer be his while he was still yours.
“Promise me, that if after years your heart still calls for me… promise me you'll be the one to come and look for me. Choose me again.”
~ O ~
What was it that they said about in the movies? No matter how tasteless some of them were, he couldn't deny the realistic accuracy they spun around in their tales with only slight exaggerations.
They said third time's a charm.
And surely it was.
For the sake of being poetic, he had wanted to say the place where it all began was also where it was going to end. In that cheap vintage teashop downtown where they had lived in their own little bubble.
He was glad that wasn't the case.
As you walked with a grace that made his legs grow weak and his heart to quicken, he couldn't think of when you had been this painfully, breathtakingly beautiful.
In a sea of black, your long white dress stood out like the moon in the blanket of black skies.
You spotted him instantly, eye glazed with indecipherable emotion as you flashed him the most surreal smile he’d seen.
Back then when he broke it up with you, he hadn't known if he did the right thing. One made choices to move forward, but the consequences could only be reviewed in retrospect. Regrets and remorse were common, but just as satisfaction and rejoicing were.
You came closer, glanced softly at him, and he swore that both of them heard the words you had told him once upon a time.
"I shouldn't be allowed to be this happy, Sei."
He looked at you longingly during that small slice of time, and all the memories came rushing back to him. He remembered the smile you would give him. You always had such a beautiful smile. He wished he could've seen more of it.
He regarded you fondly, told you he loved you without any spoken words and shook his head before stepping aside.
“No, you deserve this.”
Your groom's hand grasped yours. Smiles were exchanged. Intimate gaze returned. Vows already said even before you reached the altar.
Amidst all the heart-wrenching, searing loss and pain, you found solace. You found forgiveness, and through it, healing. And now that you belonged to someone else, but he wouldn't count this as a loss.
After all, he was able to preserve that smile. He finally learned to let go albeit willingly and happily, and entrusted you to his cousin whom he knew would love you more than he ever did.
And while Akashi Seijuro wasn't a religious man, he sent a silent prayer to the One who made you.
Take care of her for me.
And that's a wrap, everyone! If you made it this far, MUCH THANKS. I remember writing this piece in my room at midnight 3 years ago. This fic is actually inspired by this Filipino song, "Paubaya". It's quite a lovely song sang by a very talented singer and songwriter.
As you've all noticed, this is heavily Akashi-centric. It was written all in his POV, and I made sure to insert some aspects and key memories of his life into it.
To be clear, reader did not cheat on Akashi with his cousin. Reader-chan fell out of love, and to some extent, Akashi did too. It happens. It's a sad reality.
Lastly, can anyone guess who Akashi's cousin is? *wink wink*
Anyhow, thank you once again everyone. I'm elated to have been able to post something again after years. Thank you! ^^
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horrorvisuals · 8 months
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Obscure (2004)
Obscure is a survival horror game emphasizing co-op gameplay with its wide range of characters. Taking place inside a massive school building, it lets you control five main characters and is still playable on modern PCs!
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Obscure gives you the ability to control any of these five characters and what's better is, that they all have different features, personalities, and abilities.
There is technically a 6th playable character but I won't say more on that to not spoil things.
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As I was saying, abilities. They are pretty interesting. For example, Josh lets you know if there is anything left to do in an area. Items to pick up or things to interact with, that kind of stuff. Pretty crucial for thorough exploration. It's important in a survival horror game.
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Stan cracks locks easier due to his background, Kenny runs fast and packs a strong punch, Shannon gives tips when you're stuck on puzzles and heals other characters, and Ashley is better at using weapons.
They all have their own benefits!
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Obscure plays pretty much like any other survival horror game from back in the day. It features semi-dynamic camera angles, with semi-tank controls. Exploration, item management, combat, navigation, everything is here.
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As a somewhat unique feature though, Obscure also lets you combine some items with others and actively use them. For example, you can tape a flashlight to any firearm in the game if you can find adhesive tape.
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Aside from firearms, the game also features melee weapons and they're pretty simple to use. There is a good "feeling" to them. They pack quite the punch.
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In Obscure, darkness is your enemy. If you played Alan Wake, then you might recognize its flashlight mechanic. When focus your flashlight on dark areas, you banish the darkness around those areas. You also use it in the same way to weaken the monsters before attacking them.
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The character change mechanic is pretty slick too. You just press a single button and change the characters. Obviously, you don't just run around with a party of 5 people all the time. You always play in pairs.
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There are, however, meeting spots in the game and you are able to change to other characters in these spots. These also act as fast-travel points and help you navigate the environment more efficiently.
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Story-wise, Obscure has some intriguing moments and an overall compelling narrative. The game starts with Kenny playing basketball by himself after school. His stuff gets stolen and he follows the thief to a suspicious-looking cellar inside the school grounds.
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Later on, things happen, people disappear and you find yourself in a (mostly) abandoned school. It consists of massive corridors, classrooms, underground sections, and yards, it's a survival horror fanatic's dream.
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Obscure has a perma-death mechanic. If any of the characters die at any point in the game, they are out for good. Obviously, you can go back to a previous save and get them back but if you are looking for a more hardcore challenge, it's there.
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I keep emphasizing its co-op play feature but while Obscure is definitely more entertaining with a friend, it's completely playable solo as well. Whichever pair you choose, the other student is always controlled by AI and they're usually pretty decent.
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The best thing about all this is that Obscure is still playable on Steam. It plays well, it's compatible with higher resolutions and you can actually play co-op using Steam's Remote Play feature. It's just like couch co-op.
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Its sequel, Obscure 2 is also on Steam and it's also perfectly playable. I'll make another thread for it if you enjoy reading this one.
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Seriously, if you haven't played these games before, I can't recommend them enough. They are great games AND they're playable in co-op. How many classic co-op survival horror games do we have these days? Not many, let me tell you that.
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Let me know if you give it a shot. I'm curious if you're gonna like it. And if you have already played it, then tell other people why they shouldn't skip this one. Here is the Steam link for the game.
It's actually on sale right now along with its sequel.
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I suppose we should start with why this strike is happening in the first place.
Here's a rundown of the historical background behind the Global Strike for Palestine.
(note: this is long but very oversimplified, please research the details for yourself! feel free to correct me)
By the way, the details before 1947 aren't relevant to this thread, please read the writeup by Decolonize Palestine about it!
In 1947, the UN split "Mandatory" Palestine into two states along ethnic lines - one controlled by Arab people and one controlled by Jewish people. The choice was controversial, since the border was forced upon Arabs in Palestine.
It brought in a political idea called Zionism. It's the belief that the home of Jewish people is Palestine - not IN Palestine, it IS Palestine. Problem is that Jews and Arabs were already living there together. Zionists believed that they were entitled to it, and so kicked Arab people out. In 1948, Zionists kicked 750k people out of their homes and killed thousands in an event called the "Nakba". They weren't allowed to come back to Palestine.
This process created "Israel", which slowly controlled more of Palestine over several decades, with no plans of stopping. They controlled Palestinian people's food and water, information, travel, job opportunities, etc.
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This ideology of Zionism was fed into the US too. Every President since the 40s has recognized Israel, and because of geopolitical interest, has supported it as a key player in the Middle East and North Africa (MENA). The US gave it weapons and money, and they became besties.
Palestinians tried to resist their homes being stolen again multiple times, with protests ranging from diplomatic to very violent. They tried it all. Military and political organizations (like Hamas) formed to govern Palestine and fight (or make peace, if possible) with Israel. They failed every time, due to the weapons and intel Israel gets from the US, and the trust that it bargained from the rest of the world. All while Palestine had to make do living in an "open-air prison" inside their own country, invaded by Israel.
A lot of unhappiness with Israel and ineffective attacks culminated on October 7, 2023, when Hamas attacked a temporarily defenseless border and killed 1139 Israelis and keeping over 200 Israelis and foreigners hostage. Israel was VERY quick to respond.
Two disclaimers:
Israel already knew about the attack months ahead and let it happen.
What follows is far worse.
Starting October 7, Israel launched a full invasion of Gaza (which Hamas governs) as "revenge" for the hostages and deaths. But in reality, this was just their excuse to invade what they left over of Palestine to build more colonies and finish what they started. In the following 3 months, Israel would bomb Gaza relentlessly. It would cut off power, fire at phone towers, turn off the Internet, prevent anyone from making or bringing in food, wound or kill innocent people, bomb schools and hospitals, and far far more.
Israel also pretended to care about the Israeli hostages - however, when asked at the UN if they'll stop bombing Gaza in exchange for the hostages, Israel and the US said no. (Yes, the US said that. The US is also funding this, with YOUR taxpayer money)
The Israeli Defense Forces (pejoratively "Israeli Offense Forces") originally raised a campaign to convince the world what it was doing was fair and just, in the name of revenge. Countless protests across the world have shown them that most of civilization doesn't buy it. They HAVE, however, realized that those in power don't really give a shit and will be happy to cover them in any way, and thus have been bragging about their attacks in very sick and twisted ways through viral videos and propaganda. The United States is mostly the one taking the blame, since it's Israel's bestie and biggest donor. Its biggest businesses are also Israel's biggest profits (I will talk about this another day). Meanwhile Palestinians have had to prove to the world through tragic footage and live accounts of the genocide, that doesn't get mainstream media coverage. Most of the accurate coverage is from Al Jazeera, whose reporters and their families are getting killed in action.
As I'm writing this, 25,000+ people have been killed by Israeli strikes. 64,000+ are wounded. Most of them children.
Most of the population has gotten sick from unhealthy conditions and white phosphorus gas (illegal, no one is supposed to own that).
There are no hospitals left in Gaza because Israel bombed all of them one-by-one, to ensure Palestinians in Gaza can't get medical help and die as soon as possible. All schools and universities were bombed to dust.
Israel has also expanded their war on Gaza to other places, like the other part of Palestine (West Bank), as well as Yemen, Lebanon and Egypt who had nothing to do with it aside from opposing Israel's attacks. They started fighting them too.
And that brings us to today, January 21st, 2024.
One of the most prominent figures in this tragedy, a filmmaker from Palestine named Bisan Owda, who has led us through her reporting of the genocide, called upon the world to strike. Not just for one day, but an entire week. The intent is to halt businesses from funding Israel, divert the conversation to Palestine, and grab the attention of those with the power to stop this; instill fear in them so that they see the negative consequences of funding a war.
That's why this strike matters. That is why it is happening, and why I changed the entire gimmick for it. Because while all of this is due to some geopolitical and racist bullshit, to care for Palestine here is to care for humans. So many humans who are suffering for no reason.
Now that you are armed with this knowledge (hopefully you read this far), I hope you do your best with it and understand the power. I will provide you with more resources and information in the coming days.
Thank you for your understanding.
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theswordwizard · 2 months
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screenshotting for use instead of forcing them to see hella tags but as someone who has a constant background of narration around special interests going on in their head which eventually will start to run out of "canon compliant" possibilities and start experimenting with crossovers: this is why I struggled for a bit to do a coherent plotty crossover between daredevil and nbc's hannibal. this is another rambling "for me and literally two other people with my interests and way too interested in meta-compliancy" post:
basically: daredevil and nbc's hannibal have conflicting main themes in ways where they don't as easily synthesize into a new coherent theme. nbc hannibal basically amounts to: what does it take for a person to become a 'monster,' or otherwise transform into a version of themselves that would be a terrifying stranger to them previously. and it sort of frames it as... not necessarily a power fantasy, but it frames trauma as something powerfully transformative. you become a version of yourself that can survive/thrive/take control in the hell you've ended up in. you will surprise yourself what you are capable of doing when it's your only option. but at the same time, its a sort of "succumbing" to your situation.
daredevil is almost antithetical to this. matt's whole thing can kinda be summed up as "even after everything, it's still you." you can go through any amount of trauma and still be able to recognize yourself after. you can stick to your principles even when pushed to the limit and come out alive, and being able to do so is important. he IS his principles, and even though he constantly falls short of himself, his struggle is a definitive trait of his. whenever he starts to abandon his principles is always tied to him losing his sense of self.
he cannot win (in the long run) if he abandons who he is, even if it's only an internal struggle. it's especially prevalent in the comics where basically whenever he abandons his principles he has a bit of a flip-out and tries to abandon "matt murdock" entirely, and then struggles to maintain whatever new identity he takes and has a whole identity crisis/mental breakdown. his strength is his stubbornness and refusal to remain fallen from his standard of self.
so obviously, one of these themes need to bend so far it breaks when put together. put matt in range of the BAU/Hannibal's house and its the big book vs thin book meme. in part because matt's biggest struggles in his narratives are against structural violence and systems (not to mention... the smells...). "there's this one evil guy causing 90% of the problems" is again basically antithetical to matt's narratives, or are at the most just his weakest plots.
ALSO, a lot of the murders in hannibal get treated as combinations of three categories (by Hannibal, who I would say has the most Thematic Influence over the show): 1) they basically deserved it and they were better off being dead in whatever form than alive (mason, mischa's killer), 2) what the killer gained from their death was more important than their life (sorta the case of melissa, her death being the photo negative so will could understand the ripper), 3) their death was important to the killed person, they were only able to ascend or transcend something in their death (many of the ripper victims and general murder victims.)
Basically "agreeing" with Hannibal, or adopting his viewpoint, (or basically being 'seduced' by the story) requires viewing deaths in those three ways. It requires a sort of dissociation with the reality of a person dying in any practical matter. any death becomes metaphor and symbolic, and the symbol is more important than the ending of life, it transcends it. this also doesn't rock with matt's themes.
even if you go serial killer AU matt's relationship with violence, and the temptation of committing murder, is based around practicality. it's that killing would technically be the most efficient way of stopping someone from hurting other people ever again. it's how he could cut through the red tape and financial security that protects fisk or fisk's stand-in, the way they've manipulated systems of supposed justice to hurt people (and specifically innocents), and just end it for good. obv in cases where that does happen (by his hand or others) it again leans into the fact that there is no single bogeyman that can be killed to stop evil or whatever. if fisk dies, there is a replacement to that power vacuum, if matt steps into that role to try and control it, he fails miserably.
hannibal approaches the seduction of murder with: and it's actually awesome? while daredevil approaches it with: it won't actually help you, and it won't fix anything. you will only destroy yourself. both of the (shows at least) fixations on catholicism also have parallel approaches with hannibal encouraging you to become your own god and daredevil reminding you that you aren't. will is basically betrayed by his friends and community while matt is consistently supported by his.
ultimately, nbc hannibal is very metaphorical and artsy and pretentious (i say lovingly) while daredevil is like. How Would Superpowers Effect The Local Law Economy.
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spectrum-core · 2 months
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hi if you don’t mind me asking I’d love to hear more about serrated duo parallels?
Alright, just to make sure we are on the same page because I'm not sure if many people know who am I even talking about when I say serrated duo, I mean this pair of goofballs who I love very much.
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Fuckass essay about them and how this thing even came to be (which is not what you asked for but it's still important I think) under the cut, as a warning though this is EXTREMELY long, i'm also writing it assuming the readers have played ruina to completion, have at least glanced at the ruina artbook once and are decently familiarized with the pjm universe and its terminology.
"But Spec", you may (and reasonably so) say, "these guys show up in different story tiers, one is a glorified ranged attack tutorial with a minor lore exposition attached to him and the other doesn't even have anything going on due to being a general reception, what the hell".
So let's get into this, more meticulously organized than some essays I've submitted for my uni classes because I care that much about these guys (don't be like me and do your uni projects, please).
Table of contents:
How the fuck did this even come to be 1.1. Me yapping about character dessign
Liwei as a character 2.1. The surface 2.2. Emotional internal nature 2.3. Resentment
Dong Hwan as a character (sorry can't separate him into many categories bc there's NOTHING THERE man i'm absolutely grasping for straws here i KNOW it, but please bear with me)
Summarizing parallels
If you don't feel like sitting through my attempts to contextualize how this ship came to be and me desperately grasping for straws, feel free to skip all the way down to part 4
1.- How the fuck did this even come to be
Honestly the whole thing started as a sleep deprivation shitpost I rolled with because yeah i like these two guys a lot (if you read that one post talking among other things about why I like liwei so much in the first place, the short reply also applies to dong hwan and... Yeag, the only thing that's better than one hot guy is two hot guys and so on).
There was also an interesting aspect about this because maybe it's just me but based of liwei's dialogue lines and keypage text he suggests not trusting, or even liking/admiring/looking up to, high graded fixers (despite feeling that he's supposed to). With an emphasis put into colors because, I mean, he fucking died because he met one at the wrong moment, but I feel it's a general thing he feels for grade 2s and above.
With this in mind, putting him to interact with a grade 1 is... at the very least it has the potential to put them into a funny mutual vitriol kind of dynamic with lw constantly thinking "what's the deal with this guy? does he expect me to praise him just for having a high grade? well, tough luck, i'm no bootlicker" and dh constantly thinking "what's wrong with this man? is he unable to recognize greatness even if it punched him in the face...? should i punch him in the face?", but it becomes far more interesting when you try to imagine (and, with dong hwan being an absolute background character we can only assume things of from extremely vague hints, pretty much all we can do about him is imagining) what made them both special enough for each of them to think "wait, hold on, i actually like this guy" of the other.
After the initial shitpost stage was over, we (the guy who came up with serrated duo while sleep deprived and me) started talking about why we liked both characters and we essentially concluded that, at least dessign wise, they are the same type of guy (ofc I also added a couple of characters I like and who fit the criteria to my post but this post isn't about them).
1.1.- Me yapping about character dessign
On top of that, if you pay attention specifically to liwei and dong hwan in there, you can notice that there's a pretty neat balance of common and contrasting themes in their dessigns, almost in a two sides of the same coin way, so here's a non exhaustive list:
both characters have a primarily monochrome/dark aesthetic going on, with their eyes being the primary colored element that stands out in their dessigns (yeah, you could say that dh has brown hair too but it's a dark shade of brown that doesn't catch the eye nearly as much as the bright-yet-deep shade of red of his eyes)
on top of that, liwei's eyes are blue while dong hwan's are red (i thought they were reddish brown at first but that's just an effect of the transparency, if you separate the sprite in it's different parts, you'll notice his eyes are actually red), which happens to link with a certain trope about two-sides-of-the-same-coin pairs... (will elaborate on this later trust me).
despite the previously mentioned similar monochrome aesthetic, there's a clear contrast between their styles and how they wear their clothes, with liwei having a much more "only informal if it's more practical that way" type of look, with a focus on practicality over trying to stand out too much (for the most part at least, he was dessigned with the idea of a cool guy in mind after all), while dong hwan is essentially wearing a business suit in the most fucked up way possible (really, what the fuck dong hwan), which of course makes his dessign incredibly memorable. To further elaborate on this (and to add details that don't really follow this formal until unpractical/informal AND unpractical pattern): -Liwei's clothes stay in similar shades of grey and black giving him a more uniform look, while dong hwan uses more contrasting shades in his clothing (despite wearing primarily black clothes, that light grey shirt absolutely stands out, and by extension he does) -Liwei wears long boots, while dong hwan wears regular shoes -Liwei wears a long coat, while dong hwan wears a short jacket -Liwei has a fully buttoned dress shirt with a tie, dong hwan wears his shirt unbuttoned, in an universe where clothes are basically like armor this is essentially him saying that he's confident that his opponents won't be able to hit him in the chest, or that even if they did he wouldn't get too hurt from it, and it's a dessign detail that absolutely stands out in an universe where most characters only show skin in their head, neck and hands at most, as we know since its stated in multiple keypages and cutscenes, if a character shows more skin than the absolutely bare minimum, then that means that A. they are inmensely strong, and B. they are even more confident in their capacities, with this being a tactic to intimidate potential enemies for many factions -Liwei wears fingerless gloves while dong hwan wears regular gloves, while at first glance this detail seems to subvert the pattern, let's be real here... have you tried to hold any object and using it properly with gloves? unless you're wearing latex gloves or something made of very thin fabric that shit's absurdly hard, of course i assume there's weird city tech involved in dh's gloves but at least that's my own personal impression of that particular contrast)
and going back to common but not really details: both characters have something noteworthy in their ears (this is most likely just a result of the characters being visible as chibis in game so the best way to give them memorable dessigns is by slapping somewhat unique stuff in their faces and heads BUT IM GRASPING FOR STRAWS HERE OK) with liwei's earpiece (which serves a practical function) and dong hwan's earrings (which look cool as hell, going in line with both characters' general priorities)
similarly, both have something in their opposite eyes, with liwei partially covering his right eye with his hair and dong hwan having the scar going through his left eye.
the right-left motif is actually very relevant in their dessigns. You see, most character sprites in ruina switch the hand in which they're holding their weapons for certain frames (or at least, this is not uncommon to see), either for rule of cool, clearer silhouettes or whatever reasons. However, in every frame in which liwei is visibly holding his knife, he holds it with his left hand (and when he uses his pistol he holds it with both hands), suggesting that he may be left handed. On the other hand (see what I did there?), dong hwan consistently holds his knife with his right hand, in every. single. frame. of his sprite, suggesting that he's right handed instead.
And of course, both of them have elements in their opposite legs too, with liwei having these two stupid fucking belts (affectionate) in his right leg while dong hwan has... whatever the fuck that thing is, in his left leg.
Of course I'm not here saying that they were given contrasting dessigns on purpose, but all these details end up making both of them looking really cool when put together, specially with how their dessigns emphatize their personal preferences and priorities, something I will elaborate upon in each character's section later.
2.- Liwei as a character
Liwei is one of my favorite pjm characters as a whole, yes i like him more than ayin, yes i like him more than angela, yes i like him more than carmen, yes i like him more than dante, yes i like him more than your favorite sephirah/patron librarian/sinner, no im not saying i think any of these characters is bad or poorly written and in fact i think pjm has made an amazing job with protagonists so far catching my interest even with characters i thought i wouldn't vibe with at all, but i have a thing for unremarkable background guys.
As you may have guessed, this means that i have a lot, and i mean A LOT to say about him.
This also means that I have a very specific interpretation of him, this interpretation, while clearly taking bases from what we can see of him in game, is entirely fanmade and i'm not trying to claim this is what anyone intended to convey with him, but it's what makes sense for me.
This interpretation also strays away from some other fan characterizations I've seen of him. So if you think he's actually, at his core, a serious, formal, emotionally detached and unbearably professional, even outside work hours, guy who's deeply dedicated to the honorable task of murder and who is in good terms with the shi association or holds them in high regard? sorry, but for me he's nothing like that.
2.1- The surface
"But Spec", you may say again, "he does act emotionally detached during his cutscene, he even says that people die all the time! are you sure you are actually reading this character right?"
Of course I'm not, I'm just saying that I'm reading him in a way that makes enough sense to me, but I do have reasons to believe that the serious and emotionally detached attitude is an akward mixture of a facade he puts up to be taken seriously by others and an incredibly unhealthy coping mechanism, so let's start by analyzing his artbook profile...
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Wait a minute, is that..?
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Ok, I'll see myself out and continue writing the actual character analysis this is what people are here for.
Anyway, going back to the character profile, you may be inclined to see it and assume "well, that actually just proves that he's a serious and formal dude" at first, until you realize that artbook profiles, due to their in-universe explaination being that they were compilled by roland and angela from the information they could take out of the guests' books, are most likely to be about what the guests perceive themselves as/would say to describe themselves rather than what they actually are when looked at from an outsider's perspective. Further proof of the artbook profiles being subjective comes from how the profiles change almost erratically for distortions and ego users, with people in the middle of both states simply not knowing how to describe themselves, the fact that we lack any information about the agents of the head as they were never booked, or how characters such as tomerry have...
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This, which I mean, it's very clear that's just tomerry talking about themselves.
Now, liwei's personality traits, or at least what he'd use to describe himself, are "Meticulous, Efficient, and Sharp". We know that he has to be efficient at the very least, considering the nature of his job and guns in universe, the same thing goes for meticulous, we can assume he wants to do things the right away so that he gets paid, sharp as a personality descriptor can take multiple meanings and frankly i don't know which was the original korean word used to describe him so i can't tell which is the right one but most of them seem pretty accurate, at least when looking at him from a surface perspective.
To be honest, I don't think any of the traits mentioned there is precisely wrong, I simply don't think that they are the main or core ones, but they are the traits liwei tries to show, at least.
Another interesting detail is that all full stop fixer artbook profiles have food related items for the likes and and dislikes sections, except for stephan disliking dangerous jobs.
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Not particularly noteworthy for this category in particular but still tangentially linked to a point that I believe is also a core characteristic of all three full stop fixers and that is key to understand all three of them, their dynamics and the choices they make during their reception: they are Poor As Shit, because guns and bullets are expensive of course, we also get to see this in stephan's obssesive fixation in money (come on nobody actually checks their bank account as a hobby... right, guys?), and of course this ties in with wanting to be seen as someone serious and professional people will trust with their money AND with the idea of them having the need to maximize efficiency to... well... you... you know... not end up even worse than they actually are.
2.2- Emotional internal nature
Alright, and here we dwell into the actually spicy part of the essay, at least for liwei's character: the moments in which the mask of a professional and emotionally detached guy cracks and he shows his more emotional, and mostly caring, side. This is focused in the way in which he treats stephan and tamaki (compared with how several other faction leaders treat their underlings).
While I should probably need to read all the dialogue in the game to make sure this is a particularly notorious detail, something that inmediately caught my attention is... the fact that liwei never uses a single honorific when refering to other people, neither he's bothered by stephan's more informal speech and the fact that he doesn't refer to him by any honorific or title either (sure, you could say this is because they were in a life or death situation but also y'know, it says something about you that the people below you don't feel the need to use formalities when talking to you), the only person he calls by title instead of first name is... well, the blue reverb, whose real name we can assume he didn't know, with also him being someone perfectly capable of killing not only him but the guys standing beside him as well, you'd want to be as respectful as possible when talking to a guy like that and trying to negotiate.
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(even then he doesnt use any sort of honorific towards him, at least in the english translation of the text, he simply refers to him by title)
He neither uses any title or honorific when talking to angela, despite keeping a formal/respectful attitude, i honestly believe that he is genuinely formal and respectful but... you know, that's not the beginning and end of who he is.
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Of course, this isn't a major point, but I think it's worth mentioning considering how important honorifics can be to establish the speaker's relationship with the people a message is directed to, they can be used to distance oneself from others. So in a way it could be seen as him putting himself at an "equal" position relative to stephan and tamaki, as opposed to trying to assert that he's their superior (at least in the context of the mission they were working in, since his title is merely fixer, not operator, president, director or anything implying some form of leadership on his end).
Another extremely important detail is his inmediate first reaction once argalia shows up and ruins their plan is... not coming up with a plan b, not trying to fight him in any way, not doing anything about trying to save what little money they can, he quite literally tells stephan "forget about money, we need to survive now".
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His initial reaction is directly just yelling at his team to run away, and this stays consistent once he:
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Notices that stephan and tamaki are beginning to argue over the future of their mission and how much money they lost.
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Realizes that they can't outrun argalia as long as they're wielding their heavy (and again, extremely expensive) equipment. This says a lot as it shows that he cares enough for the people under his care to let the office go bankrupt if it means they can live.
Needless to say, stephan and tamaki refuse to do so and while he clearly isn't precisely happy about the inevitable confrontation with argalia, he doesn't argue about this, he does understand their concern about money, he's not like the other authority figures who will ignore their underlings' concerns at best and ditch them once they outlive their usefulness at worst (at least, that's what i imagine he thinks as he makes these choices).
Not to mention, once they are in a, if only slightly, safer situation in the library, his inmediate response is trying to comfort stephan and tamaki, things dont look good but theyre at least alive, for now.
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And there's this line which... doesn't seem to fit at first glance with the idea of him wanting his office to survive at all costs... right?
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That is until you realize that he says that line during yet another argument between stephan and tamaki, as an attempt to get them both to calm down, this could also fit in with him trying to keep or restore the cynical, stoic and serious act, but then again we get to see his more emotional and sincere side once he:
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Gets killed, quite literally saying that he didn't want to die yet, at least to me this line alone is enough to pretty much confirm that he didn't really mean it when saying that trying to delay their deaths was pointless, but if you need more, he also acts against that same line when he...
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Sees his allies die, and inmediately starts freaking out.
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Wins the reception, in which case his inmediate first concern is, again, not money, lost ammunition or anything, but rather if stephan and tamaki are okay and if they will be safe once they return.
I don't think that line was him fully lying though, it does say something about him that makes enough sense to me and fits with the rest of the characterization: that his cynism runs much, much deeper than stephan's.
Tl;dr he is extremely caring and emotional deep inside, and even though he tries to suppress that side of himself it always finds a way to show itself, I feel like in other contexts this makes him prone to emotional outbursts and generally make him an unpleasant person to be around... save for people who are already familiar with his personality quirks and the fact that he is Like That.
2.3- Resentment
Of course, this dissonance between the person he tries to pretend to be to fit in/keep his job and the person he actually is made him grow a pretty strong disliking of... well, everything he considers related to the fact that he has to act like that to get enough money to feed the people in his office.
I also feel like he feels genuine guilt over the fact that his job is essentially just glorified murder, I have no base for this other than the more detached way in which he refers to the church of gears, it almost feels like hes forcing himself to not care because its them or him and his office, and that he has genuine self-hating tendencies because of it (which he also uses his stoic act to hide, he doesn't want to worry his office and become a burden to them, after all), in a way he may be trying to overcompensate by being nice to his office to feel like there's people he can help/protect.
But this hatred towards himself also manifests in the form of hatred towards anything he can blame over him being the way he is and working the job he has.
As I said before, I don't think liwei likes colors, or most high grade fixers for that matter, you may also extend this to figures of authority, influential organizations or even the city's society as a whole (and honestly? i do personally, i don't think he's actually capable of forming any particularly healthy bond with people outside his office because of this, and even then saying that the relationships he has with his office are healthy is... generous to put it softly, this is not to say that he secretly hates the other people in the office, but rather that he fears that they may secretly hate him, because he's the highest graded member of the office, he hates people sitting above him so it only makes sense that people below him hate him for being above them, right?), and of course I'm not saying this because I'm projecting or because I think it's cool and edgy and sad but I actually have bases for this from what I can see in the game.
The first example of him not trusting high grade fixers AND influential organizations being one of the very first things he says when being introduced: that having an important person, from an important organization, belonging to an important section of said organization, approach him and give him a request was shady as fuck.
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And he turned out to be right, as Yujin was planning for him and his office to get sent to the library and die there so she could read their books and find some passage saying shit like "well we were found by the blue fucking reverb and our only choice was to come here and die even though we were royally fucked either way life sucks see you all in hell my final message 🖕🖕🖕🖕🖕" so she could use that on her favor.
In this topic too, I'm personally firmly opposed to the idea of full-stop office being affiliated to the shi association and this is the hill i'm willing to die on, but I digress.
We see this same resentment on an even deeper level in his keypage where he talks about colors (and we can assume this view extends to other high graded fixers, and to a lesser extent to the hana association), he doesn't sound like he wants to become a color, he doesn't sound like he even likes the concept of colors being a thing that exists in the first place.
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The most important lines from these fragments to me being the following:
"A color is the dream [...] of all fixers who wish for freedom.", freedom is a VERY relevant concept in project moon and ruina makes a very clear point about how nobody is free in the city, roland says it, most plot relevant guests say it, some patron librarians say it too... a huge part of the story is how angela comes to terms to the fact that turning human wont grant her freedom and how she ultimately becomes free by embracing her nature as a machine (so free indeed that the head decides to kick her and the entire library out of the city, not only shes a machine that acts like a human, which is already a major city wide taboo, she made a choice that no human in the city should ever make). Essentially, liwei seems to see colors (and im assuming that by extension high graded fixers) as the ultimate example of an impossible aspirational class (think of these "self made" enterpreurs who received extremely generous financial support from their rich parents to start massive companies as the closest irl equivalent, except that obviously not the same, i will elaborate more on this later).
"They put forward the colors as great and successful people that other fixers will look up to. They dream of earning wealth and fame, and to be free like them one day." Why would he be talking in third person here if he too admired colors, or wanted to be like them, or thought that were free in any way? Also that separation between money and fame (something that colors objectively do have since they can afford exclusive high tech weapons and armor) with freedom (something that is debatable, but liwei seems to assume colors don't have) feels too much like a deliberate choice to further push towards that point of him seeing colors as not only an impossible goal to achieve for the average fixer but also that the ideal of a color as someone who is free is something impossible to achieve even if one were to become a color.
"Colors are assigned by the 'Hana Association'. [...] The title of a color is forcibly given to fixers who qualify essentially. Can a fixer be truly happy with freedom that was forcefully handed to them?" This particular fragment, specially the last sentence, is absolutely key for Liwei's characterization, and the final and most important part of him saying "wait, no, colors aren't free, because nobody is" to me. It is also worth noting that this fragment can be read in multiple ways, all of them are important and accurate for his characterization.
He thinks that the responsability and risks that come with being handed the title of a color are far greater than the prestige that comes with the title, can you really say that someone who cant afford to decline requests due to being contacted by the most important organizations in the city, whose closest friends or family WILL be regularly targetted by rivals either to extort them for money or just try to attack them to the point in which most high graded fixers abandon any personal attachment to others, who will have to see the horrible things that happen in the city in an almost day-to-day basis and will likely have to do even worse things in the name of corporate interests is free? Can you really call it freedom if you can't refuse it? Essentially he is saying "actually every single aspect of being a color is terrible and to make matters worse that life is forced on them after they go through extreme miseries in the hopes for a better life but all they get is more of the same if not even worse, they aren't free and shouldn't be refered to as such."
He thinks that in order to become a color (or any highly graded fixer, really), you must essentially lose yourself, which is to say abandoning all friendships or familiar bonds, only keeping shallow interactions with people, desensitizing themselves to whatever horrifying shit they may have to see, abandon all sense of morality as they never know what their next request will be and "im sorry but i dont do xyz, it does against my personal morals" isnt an argument that will work in a place like the city, this also fits into the whole "actually having a much more chaotic emotional side he's trying his absolute hardest to supress but failing" theme mentioned in point 2.2., someone who is so deeply emotional and whose actions are ultimately defined by what is the most likely to keep the people around him alive is obviously not going to like the idea of keeping his distance to them, or to dispose of people with lower grades than him because they were supposed to be expendables anyway.
I don't remember the exact quote and i dont feel like looking for it but in one of gebura's cutscene she claims that all power in the city only serves to strike those below but never up. You have to climb to get stronger and then you'll only be able to assert dominance (through violence) over people weaker than you are, and she grew to dislike this, as she wanted to protect others but was never able to do so because of how the city was dessigned.
Of course, liwei reached the same conclusion but he took the much simpler but much more unhealthy approach of assuming "well, if things are like that, then that must mean that everyone in a position of power (over me) must be responsible for this".
Of course this also comes with the side effect of him being as caring for the rest of the office as he can because he doesn't want to be like other figures of authority as i mentioned in point 2.2, but thats not to mean that things are all fine in the office, i feel like there are several moments in which he internally curses his position of authority but not quite (bc i don't think he's actually The Big Guy In Charge of the office, really), most obviously the aforementioned moment in which he yells at tamaki and stephan to drop their guns so they can run away and live when they clearly dont want to, i feel like at moments like that he feels like they only do things because he tells them to and they "can't argue" (except that they do, fortunately for him the enviroment in the office is healthy enough for the rest of full stops to not abuse this fact, but the "what if"s are absolutely eating him from the inside). As ironic as it sounds his earnest desire to not be Like The Others is the same thing stopping him from being the perfect and efficient leader he wishes to be, and he probably isn't sure of which thing he values more than the other (it's staying true to his own morals and keeping the people under him safe).
However, there's a key detail here that's worth noting: liwei has a tendency to treat everyone else as equals, sure he is formal and respectful when doing so (pressumably even when talking to people he'd rather never interact with if we assume his conversation with argalia was actually how he is and not him just walking on eggshells to not get killed) but he doesn't bother trying to make a clear distinction of who is above and below him, no matter what their title and rank may be, and for people who are used to being looked up to by everyone else this will be seen this as him insulting them in some way, it may come from a sincere desire of him to come off as insulting while not breaking any (major) social convention in an act of malicious compliance or just the type of person he is, that's up to you to determine.
"But how the hell does any of this relate to dong hwan?" we'll get there right now.
3.- Dong Hwan as a character
This is kinda... the hardest point to talk about, because sure I can yap all I want about him but... it's hard to without going "Source: I made it up" too much.
So, looking at his combat sprites you may notice one thing: he is unbelievably hot for real what the hell he has an incredibly smug aura, most people who care about him to some extent i've seen tend to depict him as a very prideful person, and honestly i dont think differently either.
HOWEVER, i feel like despite this he's still a levelheaded guy who can aknowledge his own flaws. On top of that, i think he's a pretty charismatic guy and he's capable of noticing other people's strenghts, and he'll let people know about their own strenghts too.
Also, to contrast with his smug and cheerful exterior, his combat lines depict him as someone very serious when at work, he doesn't even react emotionally to getting killed.
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His first "on kill" line is also particularly interesting, as it shows that he prefers to work on his own (unlike everyone's favorite monochrome moody boy), which makes sense considering that he comes alone to the library when you fight him, he may belong to a one-man office (which is the closest a fixer can do to be fully independent, as far as we are aware).
His keypage story also fits this more serious and analytical personality but not much of it is particularly noteworthy from a character analysis perspective, it doesn't say much that you couldn't notice from his combat lines anyway.
Another important factor to me and to contrast him to liwei is... okay, this may be the fact that he's a solo fight and he is, pressumably, an independent fixer, so he's not titled as a member of a particular organization, instead his title (for him, his reception, his keypage and his book) is "dong hwan, the grade 1 fixer", which i mean, again, is most likely just so we dont fight this guy with zero context on who he is and what hes even doing in the library in his own is he stupid? but i like to imagine that the in universe explaination is that he has tied his perception of himself and his own self worth to his grade, to the point in which using both his name and grade is what comes naturally to him when introducing himself, since books are essentially physical manifestations of the soul, then it just makes sense then that his book will give both his name and grade the same importance. This may come from a need to compensate for something else and i actually like to imagine that's the case because it adds yet another layer of parallels with liwei (source: trust me).
Another point is... remember that I mentioned how food was a very consistent thing in the full stops' likes and dislikes sections in the artbook? this point is also not relevant but dong hwan is frequently assumed to be the owner of that pub that shows up at that short side story about roland and angelica which i never watched because i Literally Can Not Care about angelica sorry, but, hey, it's a cute detail, i think he should cook for the full stops.
I feel like there's something to be said about dh's red eyes because in pjm when a character has red eyes you know that means one thing: they will be a big deal, but dong hwan, other than looking incredibly fucking cool and carrying me through the snow queen suppression (FUCK THE SNOW QUEEN ALL MY HOMIES HATE SNOW QUEEN) and star of the city tier 1 (thank you dong hwan i love you dong hwan)… he is rather unremarkable on the grand scheme of things, he's a general reception so you don't even need to defeat him to beat the game, and he only serves to give us some insight on who the fuck was the vermillion cross, and even then he does a terrible job at explaining who he was other than "well, he was a guy i guess" and honestly, the relevance of both liwei and dong hwan is ALSO an important factor in these parallels, as with one being the guy who introduces the concept of colors and the other being the guy who introduces one particular color fixer by casually mentioning being friends with him, both feel like characters who would be much more narratively important in any other story, but here they... aren't.
4.- Summarizing Parallels
Aka the part you may want to skip to if you don't care about me analyzing characters with little background info about them.
So, basically a list of personality (and background, i guess) traits they have in common and how they're different:
Both characters are putting some sort of facade, with liwei trying to act serious and stoic so he's taken seriously while dong hwan... i dont think he even knows what the facade he's putting even is, he's been putting an act for so long that his mask became his true self
In both characters' cases, the first impression they give isn't really the kind of person they truly are (in lw's case this is a deliberate choice and in dh's case i assume that's just the type of person he is), HOWEVER, while liwei acts serious and analytical (and to some extent he is), his true self is far more emotional and prone to form deep bonds with people, while dong hwan has a more passionate, smug and cheerful external attitude but he's much more serious and levelheaded deep down
Both characters have different, conflicting views about their grades, however these differences ultimately lead to both of them being able to treat each other as equals, or as close to that as possible in the city, i feel like liwei can see dong hwan as someone of worth so to speak for reasons unrelated to his grade, while dong hwan does see liwei as a good person (well, good is a subjective term specially in a place like the city) and far better at teamwork than most people in the city, in a way both value something in the other that the other never stopped to consider "hey this is actually a good thing i have"
Both characters are (pressumably?) trying to compensate over something, with liwei putting his professional and formal act to compensate for his sentimental self while dong hwan puts a strong emphasis on his high grade for... who knows, really, i just like this parallel being there because i think it adds a lot
Both have problems forming relationships, with liwei being a generally unpleasant person but being capable of forming deep, meaningful relationships with the people capable of seeing through it, while dong hwan is a charismatic guy liked by almost everyone he's met, but whose relationships tend to be shallow
Not really a personality thing but both characters have a thing for being remarkably unremarkable guys, dong hwan is obviously forgotten by most ruina playes because he's a general reception and the biggest impression liwei leaves in most players is "OH SHIT HE HAS A GUN", even though both are pretty intentionally dessigned with the intention of making them look cool however ive very rarely come across full stop or liwei fans (by which i mean people who like them particularly instead of "actually the entire pjm cast is cool and that includes them) and dong hwan fans are.... yeah, i think ive met like, 4 of them at most (thanks guys i owe you my life)
Something about their combat styles including their passives, liwei's only visible passive is called Concentration and gives him extra strenght for the first turn of a fight, after which he relies in the fact that his attacks weaken the enemy, so he comes off as the sort of guy who prefers to keep his distance and figure out the opponent's weak spot(s) (something he canonically is good at doing) to keep an upper hand at combat, however despite this he's still lacking in both strenght and technique, being only a grade 4 (which i mean let's be real the grades go from 9 to 1 and i feel like a majority of fixers are in the lower grades so he's still pretty much above average but he isnt doing all the cool shit you see the stronger characters do, because that's not the kind of character he is). On the other hand dong hwan's passives have much more cooler sounding names (Fervor, Carver of Scars, Toughness...), all of them focused on either inflicting bleed (status ailment that gradually makes the opponent lose hp)/buffing him against enemies with bleed or buffing him as he gains emotion levels, and his focus is just inflicting bleed like crazy, as well as delivering harder blows against people with bleed, prioritizing raw damage over strategy (but likely being able to figure out an opponent's weaknesses as well, brute strenght alone are most likely not enough to get you far in a world where the powerful people are INSANELY strong bc physical enhancements are commonplace)
I feel like in a way both admire each other, liwei admires dong hwan's capacity to keep a cool head at all times when at work and not letting his feelings have too much weight over his desicions, but dong hwan admires how honest liwei is about himself as well as his capacity to work in a team taking in consideration what will be best for the team as a whole even if it's perjudicial for him in particular.
In Conclusion
Your honor, two of them
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My theory is that Mimzy was once Alastor’s best friend, he maybe even thought he might have been in love with her at one point, in that manner aroace people who don’t know they’re aroace often do, that she was then sacrificed by this cult, and that Alastor had them infiltrated and taken down every member of that cult over decades, losing more and more of himself each time as those he killed grew less and less directly connected to the crime, “sorry you just got in my way, maybe I enjoy it just a little bit does that make me insane”, but that in the act of doing so, that contradiction of righteous intent and pure depravity, along with whatever ritual for power the cult had initially started upon, let’s say in honour of Roo (the root of all evil in the Hellaverse, a character yet to be introduced), and that on Alastor’s eventual death, he then found himself in Hell all-powerful, and set about bringing down those Overlords beneath his power continuing this moral code, until he hit a wall, finding himself having ended all Overlords less powerful than him / otherwise came to his senses on meeting Mimzy again and finding her to have gone to hell, recognising that “weren’t you an old pal of mine” and really nothing more and deciding mere power, entertainment is all he now desires. But that still, out of obligation, that he must kill Lucifer, the Devil, for a sense of completion, while still being allowed to exist himself afterward. Which leads to whatever deal he ended up trapped in seven years before the events of the series, and him getting Charlie to make a deal with him to “harm no one” at a certain point in the future: to ensure that when the time comes that he will be able to kill Lucifer, and the one person able to stop him won’t be able to. To really make Alastor a true Exterminator, more measured, the embodiment of how the road to Hell is paved with good intentions.
My first message on this blog! Everyone feel free to do so. I be happy to heart thoughts or possibly give opinions or disscussion.
That's interesting. It keep overlooking the concept of cults when I theorize. I just slips my mind its a thing. I wrote something about Vox and someone mention him being a cult leader, and I have to admit....it makes sense. He fits cult leader material perfectly. The charisma, the hypnotism. "Trust us..." Which, would an added layer to their rivalry of Vox recognized Alastor as the 'notorious cult member killer' from decades before his time to fit your theory.
I personally headcanon the reason he was so powerful when he fell was voodoo. I haven't done a 30 minute research for me to flush it out tho. But based off my very poor memory of Disney the princess and the frog...Alastor was into Voodoo while alive.
Been mention through the show, "His voodoo magic." And maybe, his voodoo aided him to be a successful serial killer. Basing Dr. Facilier to Alastor, (remember my memories are sketchy) and my non existent knowledge of voodoo,he sold his soul already to someone in Hell while he was alive to perform voodoo, and his body count counted to the demon he sold his soul to power. Aware but not fully digested the weight of that action and what it truly entailed to sell his soul. That Hell is forever. So when he died, his master pretty much granted him immense power for a job well done as well treat him like a lieutenant type of underling. Every time Alastor increase his power, it increase his master. He nearly has free range do whatever he wants but he still has commands to follow.
I think that's why Charlies dream seem so laughable to him.When Charlie asked Alastor if he thought it was possible for the souls can be redeemed. He said (paraphrase) "There's no undoing what is done while they were alive, and now they pay the price in their after life." Which tbh, Alastor right...that's what Hell is about. But I think it may have a stronger meaning to Alastor. His deal he made while alive.
I agree with the Lilith and Eve theories for as his master, which does check out. But I'm not throwing Zestial out the window. I find it odd that Alastor nearly wiped out all the older generation overlords but he remained. Also, how everyone overly fears him when the show introduced him and literally did nothing with him. (I have a feeling he minimal use is keeping him on low profile until he becomes a big player later.) Alastor did seem a tad apprehensive when Zestial appeared calm enough knowing harm not coming his way. The only reason I haven't made a post of it because Zestial question the 7 year absence/-which I can't explain. I think he would know what his powerful underling been up too.
The reason he got into killing I assume is his father. Alastor is a momma boy and I can see him taking out his father trying to defend his mother. Then it just kept morphing into a defender of woman and selecting men who rape woman and children or he see a very abusive man to his wife and it just keep recalling the memories of his own parents. His soul already damn, might as well put it to use, can't damn it more! He found himself good at cold murder, enjoying it. Or rather...entertained. The stalking, planning out every detail, the chase. He gives me slow death vibes, relishing their 'song and dance' as they scream and writhe in pain. It gave him a high,holding that much power over someone, the power of their life in his hands (god complex we get to witness) Then the satisfaction of getting away with it. It becoming more of a game then a (in his mind) service of justice.
Maybe he got into cannibalism when he fed come gaters to rid of the evidence and was like 'hmmm, maybe them gators have something there..." and kept a calf to try and was hooked since then. Then the killing became more of feed an appetite and boredom, that he had to seek a suitable victim to fulfill his needs. When it use to be, he witness/has knowledge of a deplorable act, he killed to end it from continuing. His 'kind' service became a greedy hunger of flesh, power, and entertainment.
But the last part of you message was extremely interesting. I never consider Alastor deal with Charlie is to use his favor to have her not get involved and stop him from fulfilling a task he needed/wanted. It really clever and keeps the harm no one part.
Love the part that Hell was paved with good intentions, because of the apple of knowledge/free will what created Hell. Such a lovely and fun way to put it. Then applied it to Alastor with what started as good intention murders.
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suniverseastro · 2 years
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ASTROLOGY OBSERVATION #3
-🤩😘 🎥Libra Placement ( esc Jupiter position) is very interested in art forms: cinema, singing, poetry,...
- 💋👣👁Venus- Pluto corner of Trine will have at least one person who really cares and loves them. They also attract loyal relationships because they themselves don't like being betrayed
- 👩‍✈️🤤🌞The Plutos are very understanding and easily recognize envy, the dark spot of life, so they can sometimes look a bit alone in the world but are very cool. Pluto's communication style tends to be "jumpy" and profound, so it can be a bit confusing for some people.
-🙁 People who have Neptune Scorpio don't feel scared by the gore scene in the movie
- 👍Gemini is very good at avoiding things that annoy them both, making them both feel awkward in social situations.
- 🥹 Women with prominent Lilith are often hated by men when they try to give opinions or actions to protect women's rights, of course Lilith also has its negative points but really for me when I read about Lilith's legend about why she left Adam, really sympathize with that and also feel that women have the strength to protect other women is amazing 🫶
-😈 Man Sun Scorpio/Cancer just need to add 1 Virgo position in Moon/Mars/Venus can have nasty thoughts with the person they secretly like a lot and continuously. even others can feel @@
- 🥰😊With Chiron 5th, you may have encountered situations in your childhood that prevented your creativity, self-expression,... making you feel unbelievably confident in yourself, afraid to express your great creativity. her own when she grows up, but trust me, that child will still be there, still wanting to see the energy bursting, being comfortable, and confident in being who she is and expressing herself. Let's connect with that baby👼
- 🤣 Leo/5th and Scorpio/8th energies in Sun/Moon/Mecury/Venus/Mars/MC/Node can range from writing children's stories to horror genres
- 🍀🐚🌻🪺The 8th Moon can cause them to encounter and experience toxic feminine energy from others as children
And that can be a very painful memory. The 8th House Moon tends to keep their emotions secret, sometimes causing blockages, fear, and defenses when they don't share those feelings. Advice: write down all your feelings and meet with psychologists, mental heath groups for help, don't be afraid to share and people from other countries will be very suitable to understand and empathize with you if you have this position
-😔🤱👱‍♀️👩👧 Moon Conjunct NNode really makes them affected and receive negative reactions such as: anger, little attention and care, feminine energy and way of life from their mother into their liv, btw both still love each other. What they need to do is to examine their mother's actions with an open mind and find a way to separate the feelings between them and their mother. When they have children, they may inadvertently apply that to their children (sometimes).
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Some tips for people wanting to recognize the letter in the binary monster's name
(Leer esto en español aquí)
As you may know, the last few times the binary monster attacked the eggs, its name changed depending on the specific egg it was targeting:
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[Image description: Two screenshots of "player bleeding" messages in chat. The first one reads "Tallulah is bleeding. Tallulah was slain by 01010100." This binary number translates to a capital T.
The second screenshot reads "Dapper is bleeding. Dapper was slain by 01000100." This binary number translates to a capital D. End ID.]
This is a relatively recent development; when the monster attacked Bobby, its name translated to "A I." The first time the CCs started to think about the monster targeting specific eggs was when it typed "r" in the chat before targeting Ramón; however, its name at the time was a nine-digit number which didn't translate to any letter. (Specifically, it was 100101001, the number 297.)
Regardless, the CCs have taken notice of this new pattern and are hoping to use this information to better protect the eggs. So for anyone who's thinking of memorizing binary letters for this purpose, I thought I'd offer a couple of shortcuts to help in learning.
The basics
In binary, all capital letters are eight-digit numbers that start with 010. If you know you're looking at a capital letter, you only need to pay attention to the last 5 numbers.
These range from 1010 0001 (A, or binary number 65) to 0101 1010 (Z, or binary number 90). If you know basic A1Z26 cipher, this is basically just that, except you count it in binary!
I'm not interested in your nerd shit, just tell me what number corresponds to what (possibly) alive egg
0100 0010 - B (Bobby) 0100 0011 - C (Chayanne) 0100 0100 - D (Dapper) 0100 0111 - G (Gegg - I will lose my shit if we ever actually see this one) 0100 1100 - L (Leonarda) 0101 0000 - P (Pomme) 0101 0010 - R (Ramón, Richarlyson) 0101 0100 - T (Tallulah)
So far, we haven't seen the binary monster name itself a lowercase letter. However, if it did, the last five numbers would be exactly the same, but it would start with 011.
I AM interested in your nerd shit. Please tell me how to count in binary
In our normal number system, every digit is ten times the digit to its right - so we have a ones place, then a tens place, then a hundreds place, etc. (E.g. 347 = 300 + 40 + 7)
In binary, every digit is twice the digit to its right. A five-digit binary number has a ones place, a twos place, a fours place, an eights place, and a sixteens place.
To add in binary, you just always carry the one. 1 - 0001 2 - 0010 3 - 0011 4 - 0100 5 - 0101 6 - 0110 7 - 0111 8 - 1000
See the pattern?
So if you wanted to figure out T for Tallulah on your own:
- T is the 20th letter of the alphabet - We know it will start with 010
- For the last five digits:
1 in the sixteens place (we have 4 left over)
0 in the eights place (we have 4 left over)
1 in the fours place (we're all done!)
(010)1 0100
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itstokkii · 3 months
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hi! could you talk more about gerkor? it's a ship i hadnt thought a lot about before but your drawings of them are making me interested!! what do like about them and/or what headcanons do you have?
first off thank you for sending this ask!!! i'd love to talk more about gerkor!!
both germany and south korea share a lot of similarities, the main one being that they're the youngest out of their sibling pair, with the older one being separated from them due to the imperialist forces of the us and ussr.
i like to imagine they'd both find comfort in each other that they can't find in their neighbors due to WW2 and before then. both are resentful towards the allies for their respective partitions. they'd both plan to leave the nations' meeting afterparties/galas early and just go home to cuddle. sure korea pulled up to the party bc america dragged her over but she's leaving with germany because they're playing board games at his place.
i've also heard of people calling gerkor the "river pair" because they both experienced a boom in economics and development, with korea's being called the "miracle on the han river" and germany's being called the "miracle on the rhine."
in the modern day, they'd both be workaholics(more like they have to, esp korea with our record of a 60hr workweek lol) but with different ways to relax and unwind after work.
korea will drag germany along to the best korean grilling restaurants, sometimes she'll take him to karaoke(where germany slowly loses his mind as korea slowly loses her voice), and sometimes they'll order delivery food and drink flavored soju(germany's the first to tap out) as they binge watch netflix.
though germany would initially be surprised that korea would have to go to work dinners(회식) after work in the evenings. He insists on coming around the end of it and being her ride home. it's weird to him because shouldn't work stay in the office?
germany leaves work about 1 or 2 hours earlier than korea(4~6PM), and sometimes even earlier on fridays. he cooks dinner until she arrives home, to which they both eat. Then they spend time together(playing video games, baking, watching a movie, what are other things couples do at home,)
its interesting because both germany and south korea are associated with the work culture, and yet they're both on two different areas of the spectrum. if korea comes home tired from work, they both take a nap(or just sleep, given that it's maybe about 8 or 9 as she comes home due to traffic).
germany sometimes gets irked with the way korea randomly drags him along somewhere when she's feeling bored("im bored lets go shopping") tell him at least a day in advance im soojin!!!!!!!!!!!!!!
he's still completely floored every time her age comes up. she's just a 2000 year old nation cosplaying as a 20 year old. hes only just about 150....
as per the small doodle i did, i do think south korea is maybe that big push to finally convince germany to have a skincare routine. all of a sudden his skin glows brighter than usual, and others are able to recognize the difference the moment he steps into the meeting room.
she loves gift giving and will regularly have at least a few gifts ready for him when he visits, ranging from luxury goods to giftcards to plushies. he does this as well, but mostly likes to gift her things that are practical and personal. if she really liked that german snack he gave her last time, he's sure to give her more as a gift.
they both love hiking and absolutely will go on hiking dates. korea is generally a very mountainous region, so there's plenty of mountains and hills to check off the list!
she likes hugging and holding hands in public. when they're waiting in line for whatever reason, she'll wrap her arms around his waist and wait that way. i can see germany not necessarily being a fan of that, aso she's had to limit her pda sometimes.
has joined germany for oktoberfest before and despite 1000 years experience of drinking, become absolutely wasted. neither of them were able to drive that night.
sometimes she sees the way he dresses and almost dies inside. sandals with socks are for when you take out the trash or a trip to the convenience store, not for...shopping? save the cargo shorts and windbreaker for hiking, not for a picnic!!!!! with the way he shows up to world meetings("it's like you shoved a giant stick up his-" she usually says before she's cut off by germany) she'd expect him to dress in a similar ilk in everyday life, but she has no choice but to accept it...
though sometimes she cheats the system by texting him "we're going somewhere fancy, make sure to dress up semi-formal" and he's sure to show up in an outfit put together with thought.
there's been times where she feels jealousy and anger for how she's been separated from her brother and how that split is regarded as "positive," whereas the partitioning of germany was seen as "negative" and its reunification "positive." she holds no ill will towards germany as most of it was beyond his control, and germany has also expressed support towards a reunified korea in the past(at least, merkel has). but sometimes she sees prussia and germany and can't help but wish that was her and north.
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thecrimsoncrow · 5 months
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About zabrak
Okay, so I'm primarily a lurker on here. But I found out something interesting and I thought it'd be neat to share it with y'all.
So, I was doing some research for my final project about nightsisters for my Star Wars class (Yes, that is a real 3 credit course at my college) when I came across this channel. I know, it has 4k subs, and a lot of its videos range around the hundred. I didn't think this channel would be a good source. That was til I looked their archived interviews and recognized a few names of big Star Wars creators.
There's Dave Wolverton (The author of The Courtship of Princess Leia, the book which Dathomir and its witches debuted in. I actually used/referenced this in my essay), Daniel Wallace (Another big Star Wars author who wrote some essential guides), three separate interviews of John Jackson Miller (Author of the legends Kenobi book), they even got interviews with Sam Witwer and James Arnold Taylor. Forgive me for not recognizing the rest of the names, but there's just so many.
But what really got my attention was the interview with Ryder Windham, the author of The Wrath of Darth Maul, a book we Maul fans absolutely love. While I was listening, Windham said something interesting around the 23 minute mark:
" . . . someone decided that Darth Maul was a zabrak, and it was a word I made up. It has nothing - there's no history behind it beyond that . . "
This got me, honestly. The guy who wrote Maul's origin story also came up with the name of his near-human species?? Of course, because I was still iffy if this podcast was legit or not, I had to look for myself. There's not a whole lot, but I did find this article interview of Windham back 2012 about The Wrath of Darth Maul, and him coming up with zabrak was further explained:
"However, I did have an indirect impact on Maul's background. In 1998, Running Press hired me to write Star Wars: Episode I Who's Who, and for that book, Lucasfilm encouraged me to create names of species and homeworlds as well as brief biographies for various members of the Jedi Council and also the Podracers. I came up with the word Zabrak to describe Eeth Koth's species, and then another writer decided that the similarly horned-headed Darth Maul should also be a Zabrak. When I first heard a character say 'Zabrak' on The Clone Wars, I had to grin at that."
Again, this source is also weird because it's on a .net Star Wars fan site, and a lot of the punctuation is filled with questions marks rather than, you know, proper punctuation, but it's still interesting that two separate sources confirmed the same thing.
Y'all can ignore if you can't believe it; I don't blame you. Everything's linked if you wanna check them out yourself. But I thought I would share these findings because I don't think I've seen people talk about this in posts about The Wrath of Darth Maul.
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northwestofinsanity · 11 months
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Classic Rock Sleepover Asks 2.0
The classic rock fandom twist on the “sleepover ask” concept -revamped over a year later with an extended question list for all to enjoy spending the night getting deep and specific about our beloved old musicians and their timeless songs
1) Name an album you can listen to all the way through without skipping a song
2) What is an interesting fact about one of your favorite bands that not a lot of people might know?
3) What’s one of the funniest band stories you’ve ever heard?  What happened?
4) Name two songs by two different bands that sound similar or have the same sort of theme/vibe (but aren’t often recognized for this)
5) Do you have a “comfort album”? (an album you like to play in the background when you’re sick, going through a hard time, etc.) If so, what is it?  Is there a particular reason it’s your comfort album?
6) Do you have any head canons about a band or any of its members? (Specify a band when asking!)
7) Is there a band you love that has done something that really disappointed you?  What was it?
8) What member of your favorite band must be protected at all costs, and why?
9) Tell me a funny, random quote from a rock star.
10) Name 2 to 5 random rock stars from different bands in your ask, and I’ll try to come up with a scenario of what would happen if they were in the same room together!
11) What’s a song you have a memory strongly associated with?
12) What’s a band you really love but haven’t posted as much for/haven’t posted at all on Tumblr?  Any reason why?
13) Do you have a band that you were once ashamed for liking?  If so, are you still ashamed, or did you get past that -and what makes you proud of liking them now?
14) Is there a band you like that you used to hate?  Why did you not like them at first, and what changed that for you?
15) What’s a song or band you got into by chance of just happening to be in the right place while it was playing, and may have never known without that one experience?
16) Name an artist you grew up listening to who you can always go back to and enjoy.
17) Do you have any bands or band members that you have a love/hate relationship with?  Who and why?
18) Name a song that you love, but have to be in a very specific mood to listen to
19) Have you had any dreams involving rock stars?  Pick one dream, and tell who showed up in it.  If you feel comfortable, share what happened.
20) Name some bands/artists in your music library that you feel are most different from each other, or represent the far range of styles you like
21) Is there a band you like the music of, but dislike some or all of the members, to the point where you simply cannot get into them beyond the songs?
22) Is there a band/artist you feel gets misrepresented, and might have had more fans otherwise?
23) Tell me a band member or solo artist who you feel you can relate to in some specific way.
24) What’s a deep cut that you feel deserves more love (specify a band/artist when asking!)
25) Name a song that you love by an artist you otherwise don’t usually like.
26) Go on a rant about one of your favorites and why you love them so much!
27) Show me one of your favorite pictures of one of your favorites. Ramble about why it’s your favorite picture if you like!
28) Share a video and a time stamp of one of your favorite moments involving one of your favorite bands/artists
29) If you could choose one song by a band that doesn’t currently get played on classic rock stations, or greatest hits stations featuring a lot of older songs to be added to their regular playlists, what would you choose? (Specify a band/artist when asking!)
30) What’s the longest you’ve kept a song on repeat for, and what song was it? Did it get old by the time you turned it off, or did you still want to hear it more later?
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