#last thing: The Summoned on part i is actually a remix of Fight On! so i guess it was so good i put it in twice | Explore Tumblr Posts and Blogs

real-jaune-isms · 3 years

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RWBY Volume 8 Finale Review/Remix: The Final Word

The finale is here, and oh sweet fucking hell we were not ready for all that it brought us. These are the notes the series is leaving us on for the next 6 months, and the majority of them are not good feelings to dwell on for half a year. Let’s try and dissect them a little bit and hope the pain is a little less painful, okay?

Before even addressing the episode content I want to talk about the disclaimer and the episode description. Mental health is incredibly important, and if you are having issues or highly stressful or dangerous thoughts, there is no shame in seeking professional help or confiding in your loved ones so they know what you’re dealing with. The content presented within this chapter can be highly upsetting to some people, and it addresses themes of suicide and death worse than we have seen thus far. If you or a loved one are having suicidal thoughts, Rooster Teeth provides a number you can call for helpful resources and people. The episode description also features a line lifted straight from this Volume’s intro song “sometimes it’s worth it all to risk the fall”. Wouldn’t you know it, that’s the part of the theme that plays when Team RWBY falls through the ice and into the ominous underwater clutches of Grimm arms. With Yang being the one who falls first and farthest. How symbolic.

We start off strong and stressful, fading in on the still dissolving Monstra to see Salem is still reforming herself. She’s not done yet, but it looks like it’s getting close... Going to a different powerhouse with white hair, Winter is fighting hard against Ironwood but not really gaining any ground. He keeps blocking her attacks with his cannon, and worse still he keeps trying to explain why he’s right. He shouldn’t be blamed for any of this because he’s been sacrificing so much for the mission. Except, as she points out, he hasn’t. He’s sacrificed a lot of other people or made them sacrifice everything for him and on his orders. He hasn’t actually sacrificed anything himself, because his ego won’t allow it. He thinks he’s too important to actually give up his own life even if it means saving anyone else. Cuz that’s not what this is about. He says he’s doing what’s best for Remnant but it’s really what’s best for him and his image and his confidence, such as shutting down major commerce routes and destroying half of the Kingdom just because it was lower income neighborhoods full of commoners. But might makes right in this fight, and Ironwood is currently smacking Winter around with his might so it’s an uphill battle for justice.

Speaking of uphill battles, we go back through the portals to see the continuation of Maiden Bowl 2021 as Cinder keeps blasting Penny around before Weiss comes in on a Lancer summon to save her friend and fellow Atlesian. In a very brief shift from the action Jaune reminds Nora their top priority is evacuating the civilians, so that’s our clue that they probably won’t be jumping into the fight any time soon. Back on the Lancer, Penny tells Weiss that since Cinder wants the Maiden power she can act as bait and lure the Fall Maiden away so the others can safely get away. Weiss doesn’t like that idea, but before they can think of an alternative the summon is shot down and they land hard on the main crossroads of the paths before the gate into Vacuo. Neither of their Aura’s are broken, but they do need a moment to get back on their feet as Cinder lands between them and their escape. Penny is the first back up, and stands between her foe and her friend pleading for the madwoman’s undivided attention so the Staff doesn’t get snatched and Weiss isn’t killed in this moment of recovery. But Cinder’s eyes are bigger than her stomach and she wants every bit of power and importance before her. Before she can swoop in to destroy all she sees and claim all she wants... Cinder gets double boot kicked in the face by Blake. The interruption gives Cinder momentary pause and in that time the Faunus pleadingly kicks her silver haired teammate back into high gear. That’s a whole lot of flowery language when I could just say “After she swoops in and kicks Cinder in the face, Blake tells Weiss to get up”, but this is my last review for months and I wanna give you your money’s worth. Weiss runs off to go help elsewhere, while Blake and Penny engage with Cinder.

But we don’t have time to see how that fight goes right now, because we have to turn our attention to the sky. Even though he was the one to crash through the windshield and attack her, Qrow wants to talk Harriet down and not fight. He tries to explain and apologize for his culpability in Clover’s death, but she really doesn’t want to hear that name right now. She actually gets so mad that he’s trying to talk her down that she cuts the ropes holding down the bomb and slams her fists on the floor of the ship so it’ll tilt back and the bomb will fall out onto the city below. Qrow leaps into the path of the sliding bomb and tries to stop it, which just infuriates Harriet more cuz he just keeps interfering. But the interference doesn’t stop there, because Vine grabs the back of the airship and we see he’s being held sturdily to the roof of Robyn’s airship by Elm. We can assume Marrow is inside recovering from tanking an explosion, but Hare’s fellow Ace Ops have fully changed their tune and don’t want her to finish this mission. She screams at them for making this all the more difficult for her, but they’re doing this out of kindness. As possibly the smartest yet most obvious thing she’s said all Volume, Elm admits that YES, the Ace Ops are friends and care about each other outside of the professional sense. And as a friend, Elm doesn’t want her to risk her life for a dumb act of cruelty from a bitter man. Before Hare can fully process this news and express her regrets, the bomb slips further towards the open door and Qrow gets pushed aside with a dismayed cry. In a last act of desperation that I had a hard time understanding at first, he pulls out Clover’s lucky pin and seems to pray to it. I thought he was about to throw it in the path of the bomb so it would get wedged and damage the pin beyond repair for the sake of stopping its momentum. But no, he was just hoping for a little of Clover’s good luck to have rubbed off on the pin. And as if from beyond the grave, some luck does come to them. The bomb stops moving just as it’s teetering towards the edge, and they all breath a sigh of relief... before Watts remotely activates the countdown anyway because he’s a bastard.

Back in the in-between dimension, Ruby is still trying to subdue Neo and is being flawlessly countered at every turn. Neo practically looks bored by all this, just waiting for Ruby to get tired out so she can kill her. Ruby gets knocked down but before Neo can cut through the last of her Aura for the kill Weiss skates in on her glyphs and delivers a proverbial one-two punch of attacking with Myrtenaster and the Staff of Creation. Neo blocks the first but the second knocks her backwards into a portal. Seeing this from a distance frustrates Cinder as she continues to rather easily hold off Penny and Blake, so easily in fact that she knocks Blake off the ledge with a single blast and Penny has to fly off and save her. Weiss helps Ruby back to her feet and encourages her to keep fighting for the sake of avenging Yang/ surviving so her loss wasn’t in vain. The two of them being in close proximity is just what Cinder was hoping for though, and she creates a hot spot beneath them set to explode and send them flying. I’m really not sure what else to call it, but she does it fairly frequently so you know what I’m referring to. Looks like a glyph but it’s just fire. Weiss notices the danger first, and shoves Ruby out of the way while handing her the Staff in the same motion. By the time Ruby realizes she’s being saved, Weiss has already been knocked into the air... and falls back down on the same platform. Thank goodness for small miracles, though it does take out all of Weiss’ Aura so she won’t be able to save herself with glyphs if anything else happens. Ruby doesn’t have time to help her partner because Neo comes charging back in and reengages her attack, and now it’s harder to defend because she can only handle Crescent Rose with one hand now that she’s carrying the Staff with the other. Ruby is sent flying onto a pathway while losing the Staff to Neo, and Crescent Rose fully falls over the edge and leaves her disarmed.

From one speedster panicking in the face of danger to another, we go back to the airships and you better get a tissue ready. Qrow has discovered the autopilot is forcibly engaged and they can’t undo that, so he says their safest bet is abandoning ship and trying to get out of the blast radius. Harriet has gone full depressive breakdown and says the countdown is too far along for them to flee in time, so they’re all doomed and it’s her own damn fault. I would certainly agree, but it’s hard to try and hold that against her right now. Elm and Vine share a look before Vine leaps aboard and carefully lifts Harriet off the ship and into Elm’s arms. He looks at the bomb, then he looks at his own hands, and we realizes what he’s planning at the same time Elm does. Well, maybe she realized it when they shared that look, but it certainly sinks in now. He insists that he can and will because it’ll mean his dear friends will be safe. Harriet breaks down in tearful screams and has to be dragged inside, while Qrow shares a look with Vine and jumps out to fly away. Maybe he was trying to say “We appreciate this sacrifice, thank you for choosing the right side, Clover would be proud of you for looking out for the team like this”, who’s to say? I’d certainly like to think so because that would be a very meaningful goodbye. Vine spreads his arms and brings his palms back together in front of him in a very zen pose, presumably as he gathers and focuses his Aura. Then he sends out eight energy tendrils that spread out and become an Aura bubble around the airship, and we see it keep flying for a few more seconds while we pan back to get the view from the rest of the Ace Ops and the birds. BOOM, the bubble is stretched in several places by the force of the explosion, then it dissolves and releases heavy smoke. The bomb has gone off, the ship is gone, and Vine has died. But no one down in Mantle was affected, and the other 3 Ace Ops are okay if not heavily depressed by this new loss. He was a hero.

Speaking of heroes doing bold things, Neo came down onto the path Ruby is on and the young huntresses has been pushed back to the edge trying to get some distance from her. She tells the little psycho “I hope it was worth it”, and raises her arms as if surrendering to her fate. When Neo takes the bait and lunges at her, Ruby falls backwards over the edge and swoops back around with her semblance to shove her foe over the edge, though Neo does manage to hold onto the edge and avoid plummeting to her presumed death. Before Ruby can catch the Staff Neo threw in the air, Cinder blasts her in the back with fire and wipes out her Aura. The force of the attack also knocks her over the edge as well, where she is able to grab onto Neo’s legs. Cinder kicks the Staff into the air and catches it, then looks over the edge at the two hanging on for dear life. You’d be forgiven for assuming she’ll reach down and save Neo since she just apologized to her last episode, but instead she stretches her arm further down and takes the Lamp from her. Cinder is unmatched in her ability to hold a grudge, and Neo threatened to leave her to face Salem’s wrath over the loss of the Lamp over text two episodes back. She makes the backstabbing official by kicking Hush (Neo’s parasol in case you forgot the name they’ve never actually said in canon) over the edge and telling her now ex-partner “You never should have threatened me”. Ruby seems to be charging her silver eyes, but before she can do anything Cinder tells her she should have never been born and bashes Neo’s gripping fingers with the blunt end of the Staff. Both young women fall helplessly, but Cinder’s attention is drawn by Penny flying in carrying Blake since the two of them yell their friend’s name in dismay. Cinder sends a fireball at them but Blake gets thrown ahead while Penny takes the hit. Blake grabs Ruby out of the air and throws Gambol Shroud up to anchor into a path and let them swing to safety, but Neo is not saved and disappears into the void offscreen. The save works and it seems like they’ll be safe... but Cinder shoots a fireball that cuts the ribbon. Both Blake and Ruby fall into the the void and disappear, leaving a very upset Penny. If anyone is more anguished than her it’s Weiss, who grabs Gambol Shroud and shoots Cinder, her hands trembling and eyes welling with tears. The bullets do very little damage but it gets Cinder’s attention.

Jaune and Nora meet up in front of the gate into Vacuo, and he instructs her to go through and get them backup for this fight. They part with determined smiles, but our hearts sink with the knowledge that the Vacuo portal is one way so Nora won’t be able to accomplish this last mission for him. Her self doubts are gonna take a real serious plummet from this. Stupid well played dramatic irony... Cinder is knocking Weiss around and mocks her for being the last one standing by implying she let the others die to save herself because she’s a selfish Schnee only looking out for herself. We know damn well that’s the farthest thing from the truth and Cinder has never cared enough to understand the bonds of Weiss’ friendships. As many have pointed out, this is a tragic departure from the promise Ruby made at the start of Volume 6 that Team RWBY wouldn’t leave Weiss side for even a second while they were in Atlas. But she’s still not alone because Penny blocks a beam of fire heading for Weiss and Jaune glides in to slam Cinder with his shield and use the gravity Dust to knock her back even more. As Penny points out, Cinder knows nothing of friends and we can clearly see Weiss still has some to stand with her. And stand they do, Weiss now dual wielding her own sword as well as Blake’s. Before Cinder can try to triumph in the face of these seemingly stacked odds, her Grimm arm starts convulsing and she screams with pain. The heroes share a confused look, but Cinder soon settles down and smirks with the realization of what this means. Salem has fully reformed, which gives Cinder new confidence that she puts to good use with a shockwave of fire to knock the good guys back a few paces. She tosses fiery glass swords at Jaune and Wiess but Penny deflects both of them and flies right at Cinder, who counters with a fiery kick to the ground. Whether Penny diverts the row of fire in front of her to spread to her sides instead or Cinder intentionally made the V shape to make dividers between the three heroes is unknown, but before anyone can react to this new obstacle Penny is stabbed in the chest by Cinder’s Grimm claws. The poor girl really has been made flesh and blood, because her wounds are bleeding while Cinder starts draining the Maiden power from her. Between the Amity fight and this encounter, I have to wonder what percentage of the powers have gone to Cinder by this point vs how much Penny still has... As her vision starts to blur and she falls onto her back, Penny sees Weiss charge in to attack Cinder and stop her from continuing to absorb Penny’s power and then Jaune come kneel over her and start healing her. He saved Weiss from a similar wound and this time he’s starting the process far more promptly, there are very good odds he could save Penny. But the problem here is time, Cinder isn’t going to let him complete the job and Weiss is sorely outmatched. She does see an alternative, but it’s heart shattering to hear from her. Jaune can kill her here and now and let her decide who will be in her final thoughts. They can’t risk Cinder stealing the Winter Maiden powers as well as having both relics, so ending Penny’s life quickly is unfortunately necessary. Penny begs him to trust her on this and let her choose how she dies since she didn’t get the opportunity to choose many things about how she lived. She obeyed her father’s wishes, followed Ironwood’s orders, went along with her friends’ plans, etc. Some of those times were good and she was glad she did what she did. But choice is the attribute of one of the relics for a reason, it’s a key part of humanity, and with her last moments she wants to express hers.

We cut back for brief moments a couple times during this very tense moment to see Winter’s fight with Ironwood juxtaposed with her sister’s losing struggle with Cinder, and the audience is meant to wonder which of the Schnee sisters Penny might be about to bestow the upper hand to in the form of Maiden power. Or she could think of Ruby and the power would go to her as proof she and the others didn’t die, or it could go to Nora because of the moments they shared discussing finding your whole self? We literally won’t know until she’s dead, and I’m not rushing to get to that point. Jaune looks at his own hesitant reflection in his sword, and for the first time it really seems to sink in that this is a sharpened steel weapon with lethal capabilities. It always seemed like the least impressive weapon in a world of giant scythes and wrist mounted shotguns, but we fear its blade more than anything in this moment. Weiss seems about to be killed, having had Gambol Shroud knocked from her hand into the abyss, when Cinder is distracted by Jaune screaming and weeping as we see both tear drops and blood drops fall to the floor by Penny’s lifeless body. The argument has been made that this was a bad move from a narrative standpoint, that he was only the one to get the kill or Penny only died so Jaune could get more angst and importance in the story, and various other points that add up to a lot of dislike for the character. I can’t even accurately articulate the argument because I give so little credit to its accuracy or plausibility. I even want to say, though there’s no way to back it up and its just me giving a little benefit of the doubt to theatrics, that he only made such a ruckus after the kill because he knew it would spare Weiss for a few moments longer. Cinder is going to see Penny dead and know the powers are not hers so she’ll go ballistic on Jaune for taking that away from her, and the heat will be off Weiss. Speaking of bad beatings, Winter gets pistol whipped and is about to lose too. But with the dripping of the blood soaked sword, the screen goes white and we see Penny hopping on the balls on her feet waiting for someone to arrive in this empty white void. They do, and she greets them with one last “SALUTATIONS!~” that made me cry even remembering. The one she has chosen to inherit her power is Winter, and when she finds out she’s here because she was the one in Penny’s last thoughts it seems to break her heart. But Penny would have it no other way, it was supposed to go to Winter anyway, she was the one who intervened and made things complicated. Winter disagrees with that though, Penny has proven far more worthy of these powers than an blindly obedient soldier like her. Penny was always more human where it counted and Winter was the machine, but Penny takes her hands and assures her she was plenty human enough by being a good friend. The powers start to go from one woman to the other and Winter tries to say that she’ll always remember Penny after she’s gone, or at least I assume that’s the heartfelt sentiment she’s going for, but our sweet redhead reminds her of her own words when Fria died. She won’t be gone, she’ll be a part of Winter now. That makes Winter feel a little better, and Penny gives her a smile as she fades away. Penny Polendina was a very cheerful girl, and she died happy in the knowledge she helped so many who will call her friend.

Winter reawakens on the floor of the Vault with Ironwood saying she’s finally reached the destiny he chose for her, as if this will suddenly make him a good person or convince her to change her allegiances back to him. She staggers to her feet and rises in a whirlwind of blue snow, Jimmy realizing all too late he might actually have miscalculated and be in danger now. I really love her defiant response to him, but I feel like it could have been a little more powerful with a small addition. Observe. “You chose nothing. This was a gift... from my best friend.” Either way, he realizes he now has an even stronger Winter Maiden as his enemy and tries to take her down with his greek fire cannon, but she creates a shield of ice that reflects the blast back at him. From the horrified expression he makes and the power we saw this weapon have against mortal man, I fully expected this to be Ironwood’s death. Hoisted by his own petard, no one to blame but himself for this fate. He could have not attacked her and he’d be fine, he could have decided to stop anywhere along this path and been spared. Defeated by someone literally made stronger with the power of friendship and trust, while he has been paranoid and severing bonds all this time. But no... he lives cuz it was a weakened blast after the redirect, or he still had his Aura to protect him, or whatever logic you want to use. Regardless, he’s down for the count right now and Winter flies away to deal with more important problems. He’s been removed from power and is only a major threat in his own mind, she doesn’t care anymore. As could have been expected, Cinder is outraged over what Jaune has done and attacks him rather than finishing off Weiss. He knocks her flying tackle back with his shield but she rebounds with a sword swipe he meets in kind. Blood stained steel meets tempered glass, and the steel loses. Jaune’s sword, a family heirloom from the Great War that he reforged after losing Pyrrha, is broken in half by Cinder’s attack and he is left at her mercy. The mad Fall Maiden demands to know who and where the power of Winter has gone to, and receives her answer in the worst way she could have hoped for: an icy blue blast to the head. Whether that was ice or specially colored fire or lightning is unknown, but it gets Cinder’s anger and attention. She was probably really hoping the strongest and smartest of Ironwood’s elite wouldn’t get the power to match her on a magical level, but she’s too determined and cocksure to stop her assault now and the two do battle in the air. Winter uses both magic and summons to deal with Cinder, but while the latter ends up dropping the Staff in the scuffle it still seems like an even match for the moment. Cinder sees Weiss and Jaune staggering towards the exit and decides to choose some easier targets for extra emotional damage. By the time Winter can realize the danger her sister is in, it’s too late and the two sword wielders are blasted by another of Cinder’s eruption blasts. Jaune skids across the path and loses his Aura, but Weiss is tossed over the side entirely and Winter isn’t fast enough. Weiss falls into the void, the last of Team RWBY dead and gone for all we know.

I want to deeply praise Elizabeth Maxwell for her performance as Winter, both in the series as a whole and for this episode especially. She shows so many emotions so strongly and believably, and you can tell she’s putting heart and soul into it. Nowhere do I feel that more clearly than in this moment where Winter cries out for Weiss with so much despair and regret. She flies back up and collapses onto the path in tears, her reaction speaking volumes to Jaune. Cinder retrieves the Staff and Winter is ready to raise hell in revenge, but before anyone can attack Salem’s scream can be heard echoing through every portal in the place. Cinder realizes she needs to return to her mistress’s side so she can’t try and finish the job, while Jaune has to tell Winter repeatedly that they need to get to safety now so she just swears recompense later down the line. Winter flies to Vacuo while Fall goes back into the falling Atlas, and once she’s through all the portals and pathways start disappearing. Jaune tries his best to make it to the Vacuo gate in time, but he’s been cursed by the animators with a slow run cycle. Or he’s just really exhausted and weighed down by armor and weapons, who’s to say? Winter realizes she’s taken the lead too late and disappears into Vacuo just as she tries to turn around and reach out for Jaune. He dives the last couple feet to get through as the ground dissolves below his feet, but the last way out evaporates between his fingertips. Jaune Arc is the last one in the central location, and the last to fall into the void. On the other side Nora is futilely pounding on the portal trying to go back through and save her leader, while Em Ren and Oscar are putting up a valiant but outclassed fight against the Ravagers (the bat Grimm) and the small scorpion-like Sulfur Fish. Fun fact, those ones were the winning design submission from a contest last year. Before the teens and the crowd they’re protecting can get overwhelmed, a gale force wind blows the Grimm back. All eyes turn to see Winter float above the crowd as the magic door disappears behind her, including the eyes of her surviving family members. Thank goodness there was a portal available for Willow Whitley and Klein, though the look they all share makes it clear they realize Weiss did not make it. Rather than break down, Winter turns her sadness to rage and charges at the returning Grimm swarm.

We cut back to Atlas where much to my annoyance Ironwood has regained consciousness to see Cinder descending the Vault stairs with the relics in tow. But she won’t be winning the award for dramatic entrances, because Salem flies down the elevator shaft as a cloud of black smoke like a scene out of Harry Potter. She swirls around Cinder once or twice before reforming before her. And Cinder starts doing what she does best, lies out her ass to save her own skin. She claims Team RWBY used the last question for Jinn and then Neo killed Ruby while thousands were able to survive the fall of Atlas and make it to Vacuo, and that she had to make the conscious choice to let the Winter Maiden escape at the cost of all their allies so she could secure the relics for her mistress. Let me remind you what really happened. CINDER used the last question, CINDER killed Ruby and Neo out of petty revenge, CINDER killed the last Winter Maiden but couldn’t get the powers out of her or stop the stronger new one, and CINDER let thousands escape into Vacuo because she was too busy going for Penny and the relics. Oh, and Team RWBY and Neo aren’t actually dead, spoilers. So if any of those lies are revealed CINDER is going to pay a hefty price for her selfish deception. But for the moment Salem seems to believe her or at least lets it slide because she does have two relics now, and Cinder had the humility to say she was sorry. I like that Ironwood also hears the tale of Team RWBY heroically sacrificing themselves to stop the villains and actually having the nerve to give their own lives rather than the lives of others, unlike him. And, they saved so so so many more people than he did, and he was trying to arrest and foil them all this time. Perhaps now he’s a little humbled and realizes he’s not the hero of Atlas anymore. There will be no more Atlas and RWBY are the saviors of its survivors. As the two wicked women depart the Vault, Salem asks her acolyte what she made to replace what Team RWBY had created. Through another half truth Cinder reveals to us she locked Watts in the Atlas central command room and created a large fire. He roasted her savagely on an emotional level, so she literally roasted him alive with the biggest flames magic could afford. Cinder, Tyrian, and Mercury are now the only members of Salem’s inner circle. Wonder if she’ll recruit more in Vacuo to compensate? Ironwood grabs his pistol and is about to shoot at Cinder, but she turns and tells him this is checkmate and he’s too scared to pull the trigger. He knows he’d lose and even now he doesn’t want that disgrace. So instead he’ll lie here as Atlas crashes into Mantle and becomes flooded by a sudden influx of sea water. Cinder and Salem observe from the air as Atlas becomes Atlantis, while Qrow tries to get in contact with either of his nieces over comms aboard the ship with Robyn and the surviving Ace Ops... and comes up empty. Cinder’s declaration that this is Checkmate for the villains is actually the last audible dialogue, anything Qrow tried to say being silent with only music playing. It’s a depressing and somber note, and that’s where our Volume ends.

But there is more to say, of course. First of all, let me wipe away these tears and try to articulate how good the song for the end credits is.... It’s called Friend, and for the first time it is a song sung from Penny’s perspective. It sounds absolutely sweet and magical, like you’re peacefully flying through a cloudless starry sky, and she sings about how glad she was to have true friends like Team RWBY, especially one like Ruby. Even if her life was difficult sometimes, she’s very happy because it was as wonderful as a wish upon a star come true. I cannot lie, I start crying every five seconds as I try to write this. It’s probably going to be my favorite track on the soundtrack this summer. With the conclusion of the Volume I want to say how much I appreciate every bit of work every member of the RWBY cast and crew put into this season and this show. I cannot wait to see what wonderful things they do next.

Hark! There is one final scene! A mysterious tropical island with a massive tree in the center and strange hexagonal shapes in the sand, and just beyond the reach of the tide lies wedged in that sand... Crescent Rose. Team RWBY and the others are alive, but we’ll have to wait 5 months to find out where they have found themselves. My money is on a magical godly realm where we might learn more about the creation of Remnant. Until then, enjoy the last of my memes and any other shitposts!

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killscreencinema · 4 years

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Final Fantasy VII Remake (PS4)

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We all have a precious work of art in our lives that made a profound impact on who we eventually grew up to be, whether it be an album, a painting, a movie, or especially nowadays, a video game. Final Fantasy VII was that for me, and when it came out in 1997, it would go on to define my high school years.

Which would go a long way towards explaining why I never got laid during those said years. Le sigh....

All kidding aside, I never got laid in high school mostly because I was a mess when it came to the social scene. I had trouble connecting with others and taking what I perceived to be “big risks” like going to parties, joining after school clubs, or -GULP- asking out a girl I liked! I was very withdrawn socially, but I did have friends, and one of them, whom I’d consider my best friend, managed to get his hands on the original Final Fantasy VII before I even owned a PlayStation (I had foolishly bought a Nintendo 64, believing the next Final Fantasy was going to be released on that).

My friend and I were already very close, but we bonded even more as we experienced this new adventure together. He had his own save file that he was pecking away at, but he created a new one for us both to play whenever I’d spend the night or vice versa. The both of us were completely immersed in this world and these characters. It was one of a few positive experiences I can remember from my high school years.

The reason for this preamble is to make you understand how much this game means to me on an emotional level. So when the remake was announced years ago, I was extremely apprehensive. First of all, Square Enix is a pale shadow of its former glory as Squaresoft. Final Fantasy XIII was a goddamn mess and Final Fantasy XV was a step in the right direction, but hardly the stuff of legends like its PSone and SNES predecessors. The Kingdom Hearts games... well, I’ll eventually talk about the rest of those in my blog. Suffice it to say, I had completely lost faith in Square Enix as a company, whereas there was a day I’d play ANYTHING they released because I knew it would be quality.

So lets get to point - did they fuck up Final Fantasy VII Remake as well or is it an absolute masterpiece?

Well... that’s kind of a hard question to answer right now as this is only “Part 1″ of what I assume will be a trilogy of releases that comprise the actual FULL game. However, judging this game alone, I’m going to lean towards masterpiece... with huge “but”. I’ll talk more about that below and warn of spoilers before I get to it.

Make no mistake about it, though, Final Fantasy VII Remake (part 1) is a goddamn masterpiece. The care put into the game by the development team is evident from top-to-bottom, with even the most minute details from the original faithfully adapted. However, this isn’t a strict beat-for-beat retread of FFVII, nor did I expect it to be. While the game follows the basic story almost exactly, some tweaks have been made here or there to better pad out both the gameplay and the story as a whole. I had no issue with any of these changes, until the final chapter revealed the implications of them, which I guess I’ll discuss next to get it off my chest...

SPOILERS

During the last chapter, your party is confronted by Sephiroth outside of Midgar, who then goads you into entering the “Singularity”, where you finally fight the ghostly “Whispers” who have been stalking you throughout the whole game. These Whispers are a significant part of the new story “tweaks” that have been added, which I found annoying at first, but didn’t really mind so much as the story went on until now, because it is revealed that they are “arbiters of destiny”, whose jobs are to ensure fate plays out like its supposed to. During your fight with them at the end of the game, after defeating each Whisper boss, the characters experience “flash forwards” to important story points in the future, such as Aerith’s death and the summoning of meteor, implying that they have more or less nullified these events now as a result of defeating “destiny”... I think. Part of my problem with this portion of the game is Square Enix’s current “naval gazey, head-up-their-asses” story telling style is in full effect here, and I began to get Vietnam flashbacks to the completely incoherent plot of Final Fantasy XIII.

Square Enix, it’s so simple - part of why Final Fantasy VII endures is because it’s a great story ALREADY. By all means, give it a tweak here and there to give the characters more depth or make the story more dramatically impactful, but for the love of Jenova, please don’t tell me it’s going to turn into a philosophical shit show about the nature of destiny and fighting fate. More importantly, Square Enix, please don’t tell me you are going to change CRITICAL plot points for shits n’ giggles or to “swerve” the audience.

For one, Aerith has to die. I love Aerith, especially his incarnation of Aerith in the Remake. She’s so sweet and yet has a delightfully mischievous personality. She’s absolutely perfect. But the reason why her death still haunts fans of the game to this day is because THAT was the point in the story when shit got REAL. The stakes were raised and Sephiroth cements himself as an evil son-of-a-bitch that must be stopped. He doesn’t kill her just to be evil either - he kills her because she’s actively trying to foil his plans by using her white materia. However, unbeknownst to Sephiroth, her death is what ultimately triggers the white materia to work when it needs to most. It’s kind of like how Obi-Wan Kenobit warns Darth Vader “If you strike me down, I’ll become more powerful than you an imagine”, but in this instance it actually makes sense.

So that has to happen. It can’t be Tifa, or Yuffie, or Cid, or Marlene, or some other swervy “gotcha” bullshit - it has to be Aerith.

Secondly, Sephiroth must successfully summon the meteor - it’s in the fucking logo for crying out loud! I can’t imagine what “imminent threat” for the whole world they could do instead. Fat Chocobo gains a massive amount of weight and jumps on Midgar? It’s baffling to imagine the developers would even *flirt* with the idea of changing these important story elements of the game, so hopefully we’ve all just hysterically misinterpreted the meaning of the last chapter.

Oh, one more thing - the final boss fight with Sephiroth was dumb too, if only because it cheapens the eventual actual final boss fight with him at the end of the game. I liked how in the original he was basically a phantom that kept evading your party, leaving behind Jenova pieces for you to fight instead. It’s like how in wrestling, a heel character talks tough, but then runs away when the “baby face” comes out to confront him. Fighting Sephiroth now, not to mention beating him, kind of makes him look weak sauce. Ohh legendary SOLDIER, my ass - I beat him at the beginning of the whole story. To borrow from Star Wars again, it would be like Luke fighting Darth Vader in A New Hope and kicking his ass immediately. Vader sure wouldn’t seem like much of a threat after that.

Anyway..

SPOILERS OVER

God, sorry, this review is out of control and much too long, but I have a lot to say!

Okay, so my worries above aside, the game itself is very well done. The graphics are beautiful, despite the environment being a constant barrage of grey, industrial imagery (hey, that’s Midgar for ya). They find ways to change things up visually, depending on what part of Midgar you’re in, such as Sector 5 having more greenery than usual (cause, you know, it’s Aerith’s home, so that makes sense!). Wall Market, the “red light district” of Midgar, is a treat for the senses, especially at night, what with all the lights and the music playing everywhere. It really feels like a lively, party town.

One major change that had me, and probably a lot of FFVII purists, concerned is the combat system. Gone is the turn based combat of old, replaced now with a more fast paced hack-n-slash style reminiscent of a From Software game than Final Fantasy (though not even as remotely as sophisticated). However, I enjoyed the change, as this makes the battles much more engaging and fun, as opposed to the tedium that can come with turn-based combat, not to mention random encounters. You can still use magic, items, and Limit Breaks like in the old days, so it still feels like the original, but with tweaks that make it better.

And you know, that pretty much sums up my super long review nicely - the game feels like the original but with tweaks that make it better. Even the soundtrack is improved, which is a feat I didn’t think possible considering the original FFVII’s soundtrack is some of the best video game movie ever composed. The Remake does a superb job of weaving in certain themes and remixing themes at appropriate points in the story. “Aerith’s Theme” is more tear jerking than ever, while “One Chosen by the Planet” (otherwise known as Sephiroth’s theme) is even more chilling and fearsome than ever before.

So overall, I fucking loved this game. I rarely get emotional while playing video games, unless you consider cursing and screaming “emotional”, but damned if this one didn’t constantly give me warm and fuzzy feelings (especially whenever Tifa was onscreen - *growl*). I’m eager to play the next part and explore more of this “new” world, despite my concern it might be “too new” in the worst ways.

#final fantasy vii #final fantasy 7 #final fantasy vii remake #square enix #ps4 #playstation 4 #sony #rpg #action #cloud strife #Sephiroth #aerith #ffvii

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cyberramblings · 4 years

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Sonic & Tails: Ideas for a new Sonic Plot and Partner System

So, first off, there is a game called Sonic & Knuckles. It is basically just the second half of the overly ambitious Sonic 3. It is not Sonic 4, but it is a standalone game. Anyways, there isn’t a game called Sonic & Tails yet, so let’s make that happen.

Regardless of that, I wanted to talk about my vague conceptualizations of a Sonic game plot. I WANTED to continue my thoughts on other Sonic characters, but my stupid brain can’t stop thinking about “what if Sonic and Tails fought?” Again, this is getting into some borderline fanfiction territory, but I write the blog AND the rules.

Piggybacking off my previous post detailing my thoughts on Tails, I had said that I liked the idea of Tails taking over Robotnik’s lab after he is defeated once and for all (or temporarily, I don’t expect Sonic Team to kill off the main villain, as much as I’d pseudo-ironically love Sonic Adventure 3 to open with Eggman’s funeral while Sound of Silence plays like the overly edgy funeral scene from Watchmen 2009).

Now, this is also getting into some serious Marvel Civil War or Batman v. Superman territory, but stick with me. I feel like one of the most underutilized aspects of Sonic as a series is the cast of characters. Maybe it is just me, but I feel like Sonic fans want to see their favorite obscure character return or see as many characters as possible. Even the most trivial characters have a cult following in the weird Sonic fandom. It was really cool to see the obscure Sonic the Fighters characters return for a boss fight in Sonic Mania, even if they were just an illusion. I am proposing a Sonic game where nearly every characters returns to make up the boss fights.

Now, the first issue with this idea is that typically the “rival” battles in Sonic are a bit hit or miss. Fights against playable characters in the Adventure IMO felt pretty flat and uninteresting. Now, 2D Sonic has some better boss battles against the likes of Metal Sonic and Knuckles and the same goes for Generations, so maybe those could be emulated. Regardless of gameplay, I’d like to see all the weirdies like the playable cast of Sonic Heroes, The Fighters, Emerl, Blaze, Gamma E-102, etc. return at least as boss fights, if not as playable characters, even if they are just piloting the mechs that would typically be piloted by Eggman. I get zero excitement from fighting Eggman anymore, but just put Rouge’s model in the cockpit and suddenly its way cooler with more potential for unique boss dialogue.

So far I have proposed a Civil War-style plot where Tails goes a little bit off the deep end and a Sonic game where the boss fights are all the beloved recurring characters. It should be obvious how these two parts fit together. Perhaps the dual story structure of Adventure 2 is overplayed by this point, but obviously it would fit in with these ideas.

To get into the nitty gritty and provide an example of what I am imagining, consider Metal Sonic. I can easily see a plot that starts with Tails reconfiguring Metal Sonic to be “good”. This bring back a classic character in a new way and allows for a lot of angles for the plot to go, of course borrowing from various Iron Man plots and the Buffy-bot from Buffy the Vampire Slayer.

One idea from Sonic Adventure that I would really like to see return is the ever-evolving nemesis concept. Even if Sega never really brings back Chaos, I’d love to see a rival that increases in power as the game goes along. This could totally tie in with my previous idea, with Metal Sonic becoming more powerful over the course of the game, possibly with the acquisition of the Chaos Emeralds like Chaos does. Metal Sonic already has been shown to take on a few different forms, such as at the end of Sonic Heroes.

Another story beat that I’d like to see replicated is the end of Adventure 2 where Sonic and Shadow have to team up. Now, in this hypothetical Sonic & Tails game, that would obviously be Sonic and Tails teaming up, but I’d also love to see them bust out Mecha Sonic as a kind of retconned prototype of Metal Sonic from Sonic 2/3 as a last resort too.

I also love the story beat of all the playable characters at the end of Sonic Adventure bringing the depleted Chaos Emeralds to Sonic for the final fight. I would love to see something like this but a little more weighty. I have a clear mental image of something like the Breath of the Wild loading screen that shows your level of progress though the game, but instead with Sonic endlessly walking towards the camera as the game loads, surrounded by more and more characters walking towards the screen as you rescue/recruit them.

Personally, it seems like Sonic games struggle to balance multiple playable characters, so I’d settle for something like Advance 3 where you pick a partner that enables new moves. I would prefer to find a way to include every possible character as playable, but I would settle for a 3D Sonic game where Sonic (and maybe characters that control near identically like Metal Sonic, Shadow, Silver, Blaze, etc.) is the only playable character, with characters like Tails, Knuckle, Amy, Big, etc. are relegated to the partner role, but swappable.

Playable Characters:

Sonic: Everything normal

Metal Sonic: Just make him control like he does in Adventure 2: Battle, so faster than Sonic but with less moves. I don’t think Metal Sonic has ever been canonically playabe, only appearing as a boss fight or playable in racing games or bonus modes, so that would be my biggest request.

Shadow: Just Sonic but slipperier and please give him a teleport instead of a homing attack

Silver: Again, just Sonic but make his double jump more offensive to represent his telekinetic abilities

Blaze: Her name is BLAZE and she has FIRE POWERS in Rush and Rush Adventure, so please just make her control like Sonic but with a fiery homing attack or her fire hover from Rush

Espio: Just give him some kind of limited invisibility or maybe the tornado attack as a reference to Heroes

Mighty: He could probably be thrown in with his moves from Mania, but this is reaching

Jet: Probably asking too much, but he’s never been playable in non-racing game, so even seeing him with his board in a main game as a kind of joke would be cool

Assist Characters:

Tails, Cream, Charmy: Obviously, limited flight with slightly different characteristics. Cream could alternatively have the Chao attack from Advance

Knuckles, Rouge, Tikal: Either a limited glide or the digging

Amy: Piko Piko Hammer as an attack or as a big jump. She could also maybe be a Sonic-like characters, but I feel like she was shoehorned into the speed role in Heroes

Big: I just like seeing this dumb idiot return. It seems like asking a lot for the fishing rod to be used as a grappling hook, so maybe he could just have a big area attack

Fang/Knack, Bark, Bean: I mean, maybe just show up and fistfight some enemies?

Vector: Something music based, realistically

Chaos: Again, this is reaching, but maybe this ties into Tails taking over Eggman’s research

E-1XX Alpha, Gamma, Omega, etc: It is asking a lot to have all the robots return, but I’d love to see them all as slight variants of “shoot a bunch of missiles” or limited hovering

Omochao: Personally I’d love to see this little guy as an assist who just never shuts up, maybe with some hidden secret-unlocking potential

Vanilla: She doesn’t have a lot of game appearances, I’d take anything

G.U.N. Commander: Again, I just think this would be kinda funny. He could summon robots or just fire missiles

Eggman Nega: Not sure why he would help the main characters, but I’m always rooting for weird stuff like this

Wave, Storm: They could function like Tails/Knuckles or grant a temporary board for tricks or whatnot, maybe like the skateboard powerup from Sonic Generations

Tails Doll: This is dumb, but it would be fun to see as a little throwaway easter egg

So, that was a bunch of random nonsense directly from my brain, but you probably get the idea: find a way to include a lot of characters in the plot and the gameplay. Do I expect any of this to ever happen? No. And honestly, I’d prefer to see another game where I can actually play as characters like Rouge, the robots, Amy, and Cream.

ONE LAST THING: There should really be a Sonic rhythm game. They have so much music, both the classic songs as well as the Crush 40 songs, with tons of remixes of both already existing and even more possible. It would fit perfectly with the gameplay of Sonic, you could just have the notes appear as obstacles or powerup boxes. There are a million different ways to slice it, but it just makes too much sense to ignore. I don’t have enough ideas to make a separate post, though. Maybe I’ll make a playlist sometimes of songs I’d like to see included, but the issue is that it would be way too many songs. As with the main point of this post, I would love to see many different playable characters with very slight changes to their properties.

ONE LAST LAST THING: Since Sega hates localizing Puyo Puyo games, they should just make a new Mean Bean Machine with HD graphics and all the various Sonic characters represented somehow and then release it internationally either as Mean Bean Machine or just Sonic Puyo Puyo. Again, I didn’t have enough ideas for a whole post.

FINAL FINAL FINAL RAMBLES: I kinda wanna play Sonic 06 since I actually just recently found out that Rouge, Omega, and Blaze are playable, but the disc is 20 bucks at gamestop for 360. I also kinda wanna play Unleashed, but not enough to buy it. I really get more excited when more characters are playable, which makes me wish I enjoyed playing Sonic Battle more. I also have my eye on Chronicles if I can ever get the patience to actually sit down and play it. At this point, I should just make my own dang original game or story inspired by the things I like about Sonic.

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murasaki-murasame · 4 years

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On the one hand, we’re getting Ilia in the next banner as part of a prize showcase that’d be worth summoning on just for the extra rewards alone, but on the OTHER hand, I didn’t manage to get Gala Zena from any of the free summons, and then the worms in my brain went brrr and I think we all know what happened next :)

Also now that I’ve had time to experience the 2.0 update for a week or so, I’ve got a lot of thoughts on that to talk about too

First of all, I got absolutely no 5-stars of any kind from my free summons on the gala banner we got before the Zena banner, so that sucked, lol. I was genuinely tempted to at least go for a pity-break, but I decided against it, since that banner in general was so unappealing to me.

Then for the Zena banner I at least managed to sit back and see how the free summons went, and I got Meene and Midgard Zero off of them, which was nice. But of course that meant that I didn’t get Gala Zena, and I just couldn’t hold myself back from chasing her, lol.

Thankfully I managed to get her after an extra 70-ish summons, so I didn’t have to spend THAT much to get her, but I almost immediately got a dupe Meene from my ticket summons so that kinda hurt, lmao. I also got a dupe Andromeda [who’s now at 3UB], and I think those are the only 5-stars that I’ve gotten from these last two banners. The 5-star dragon ticket from the log-in bonus gave me a dupe Gilgamesh [who’s at 1UB now], though.

In general my summons were a bit more barren than I’d like, but I can’t really complain since most of them were free summons, and I managed to clear out the whole Zena banner, lol.

If I remember right, I had about 270 summons before this, and now I’m at around 200. We’ve still got some anniversary related wyrmite coming in the near future, though, on top of the free summons, so I might still be able to spark on the mid-month gala remix banner if I want to. But I’d probably only do that if Gala Alex is featured and I don’t get her from my free summons. She’s now the only gala unit I’m missing, so she’s a pretty high-priority spark target.

Which is also a big part of why I’m not really that interested in summoning on the Ilia banner, and by extension why I decided to go ahead and chase Zena now. I mean, that was still a dumb decision since if I ended up needing to spark her, that would have drained my entire stash, but still, lol. Ilia’s non-limited, and she seems to be the only new unit on the next banner, so if anything I’d mainly just be summoning for the extra rewards. Also I don’t really have any high-priority dream summon candidates anymore, since I got I-Nefaria and S-Mikoto a little while ago, and I got Meene from this banner, so I could just dream summon Ilia later on anyway.

But mainly I’m just kinda salty about how she’s basically a direct improvement over the new Joe alt, lol. I was hoping she’d at least be flame or wind or something, or even have a different mode type, but she’s literally just Joe but better, which is lame, since I really like Joe, and even if I got Ilia I dunno if I’d want to replace him on my light team. So that on it’s own kinda deflated a lot of the hype I had about Ilia.

Anyway, at this point my main priorities are to be able to get Gala Alex whenever she’s available again, and to hopefully get any new gala dragons when they come out. I’d also really like to go into the New Years banner with a spark saved up, just in case. Even though that’d probably require skipping Christmas. So we’ll just see how that pans out, lol.

All that aside, the 2.0 update has been out for a while now, and boy has that sure changed how the game feels, lmao. I think it’s an almost entirely good update, but there’s a lot of awkward growing pains going on as we have to adjust to all these new and changed systems.

I know that the new wyrmprint system gives us more flexbility than the old one, and that it at least gives a reason to want to use a lot of the 4-star prints, but I really hope they implement some sort of preset option soon, because having to keep setting up 4-5 wyrmprints on every single character is really awful. I’m also not a huge fan of how expensive it is to get extra copies of prints, but I get the logic behind it, and thankfully event prints are extremely cheap to get extra copies of. Which at least means that new players can pretty easily get four copies of Plunder Pals before eventually getting specialized skill damage prints, but I feel kinda bad for anyone who didn’t get all the Megaman event prints, since they cover basically every single important wyrmprint ability, lol.

Also it’s kinda awkward how the change to having every print just give one ability means that a lot of prints got indirectly nerfed, like Fires of Hate and Resounding Rendition, or Chocolatiers now just being 50% skill prep. Not to mention how so many prints are almost identical, down to the fact that even the affinity bonuses for a lot of similar prints aren’t even different either. So that’s kinda weird. But ultimately I do think this was a good change for the game. I’m also thinking now that one type of new endgame progression they might add eventually is 6-star wyrmprints, since it seems really noteworthy to me that the new wyrmprint UI is a 2x3 grid with only five slots taken up, and the other just being empty space. So they might introduce 6-star wyrmprints to fill in that extra slot later to add even more flexibility to the system.

Then there’s all the changes they made to the weapon system, which I think are gonna take a fair while for me to feel truly familiar with. There’s a whole lot to take in, and even though I think it’s more streamlined and easy to understand at the end of the day, it’s such a huge change from what i was used to that it just feels kinda overwhelming and strange. But I think the only part of it that genuinely feels bad is how it’s now WAY more expensive to fully unbind Agito weapons than it was before, since you have to now buy all of the last four unbind levels, like with HDT weapons, instead of it just being a one-time upgrade cost that gives you an automatically MUB tier 2 weapon if you had a MUB tier 1 weapon. So that really sucks, and I think it really screws over anyone who was holding off on upgrading their flame and shadow Agito weapons until this update hit, since now it’s extremely expensive compared to before. But apparently it’s an intentional design choice and not just an oversight, so I guess we’ll just have to deal with it. I'm also kinda annoyed at myself for dismantling all my 5t3s before this update hit, since now they’re actually worth getting for the weapon bonus system, but that’s not as big of a deal.

And on that note, I know lots of people don’t like how expensive the weapon bonus system is, but I’m just viewing it as a super long-term, end-game grind that intentionally gives relatively minor stat upgrades that nothing in the game is actually balanced around. It’s basically just an extension of the weapon dojo system for people who want to have something to keep grinding for once they hit the end-game.

I do really like how they condensed all the niche void weapons into just one weapon per element/type combo, though, and how their unique weapon abilities are now passively applied to all similar weapons once you unlock them. It gives you a reason to care about getting them, and grinding void battles in general, without forcing you to use super weak weapons if you need their unique ability. I dunno how much I’ll actually grind Void Agni after this, but it feels really nice to just have the scorching air res ability on my Agito/HDT weapons, lol. It’s also really nice that they let you do the same thing with the HDT Bane abilities, since that makes it way easier to grind them, and this update gives us a whole lot of reasons to want to get back into grinding HDTs again.

HDTs are just way easier now than they used to be, which is great. I think Cygames has accepted that they just weren’t very fun or well-designed as endgame co-op raid type content, and that people just want to be able to farm them solo for their drops. And this whole update makes it way easier to do that. On top of the earlier change to nerfing their opening blasts and reducing the damage that AI characters take, it feels like they only slightly raised their stats to compensate for the huge balance patch update, which makes them feel way easier to beat than they used to be. And they also reworked the fights a bit so that they actually have purple indicators for [most] of their attacks, and some mechanics like HBH’s volcanoes now actually work properly in solo, so that’s neat.

The introduction of solo versions of endgame fights is really nice. I think at this point it means that you can go through the entire game’s progression system without touching co-op [outside of events, I guess], which is nice, since I know it’s always been off-putting to a lot of people that co-op is basically mandatory for endgame content.

We also now have PVP [kind of], which is something I never expected, and I ALSO never expected that it’d actually be . . . really fun and well-balanced? It’s genuinely shocking to me that they actually managed to pull off PVP properly in this type of game, lol. This has always felt like the most anti-PVP gacha game out there, if that makes sense, so I never thought PVP would work, but the whole battle royale set-up actually works really well. Mainly because everyone works off of the same blank slate, and your account progress outside of the battle royale mode has absolutely no impact on how strong you are in PVP. It’s more of a skill-based thing, where you’d have an edge over newer players just because you’re more familiar with how to move around in the game and do stuff. There’s also the fact that there’s barely any difference in the points you get between first and last place, so you don’t feel like you’re missing out on much if you keep losing. And most of the stuff you spend points on are just cosmetic skins for the character you play as, but there’s also some genuinely good rewards like sunstones and testaments that you can fairly easily get even if you just grind for it by dying as fast as possible every round. I really hope they keep the rewards the same for each season, since having a fairly consistent supply of 2 sunstones and 4 of each testament every five weeks or so would be really good.

The whole balance patch also happened, and that ended up being a lot more of a big deal than I thought it might be. Even though they only tweaked everyone’s damage mods and not any of their abilities or anything, basically all of the buffs feel like what you’d expect from a mana spiral. A pretty huge amount of characters got their damage mods doubled or even tripled, and then there’s cases like Gala Euden who effectively had both of his skill’s damage mods quadrupled, lol. I was wondering if they might use this as a chance to effectively give mana spirals to old gala units without actually giving them mana spirals, and that’s basically how this went. On top of Gala Euden now being even stronger than before, Gala Mym got basically all of her damage mods doubled, along with a new strength buff on her S1. Gala Sarisse also got her S2 improved so that it always gives a team strength buff instead of alternating effects. And Gala Ranzal got what seems to be a really big improvement to his damage in general, along with his gauges now being easier to fill, so now I think he might at least be on the same level as Leif, if not stronger, which he really deserved.

They even buffed a lot of the weaker shadow units, which I wasn’t expecting, but I’m glad about it. Obviously Norwin was one of the first units whose changes I looked into, and I’m glad that he’s better than he used to be, but it’s kinda awkward to me that he has poison punisher effects on his skills now, when they didn’t change the fact that he has a blind punisher ability, and another ability based around inflicting blind. I think he still needs a proper spiral to fully morph him into actually being about poison, but he’s a lot better than he was before. They also buffed S-Norwin’s S2 for some reason, even though he was really good before this update, lol.

Vice also now has the honor of being the first unit to get straight up nerfed in the game’s history, but even with the nerf, I think he’s still one of the strongest 3-stars in the whole game, and he’s still worth investing in as a low-budget DPS option. I also actually like the fact that he inflicts poison on his S1 now, since it makes him a more consistent source of poison, but it also means he’ll be constantly afflicting poison, which might not always be good. I think it’s a good balance change, though. At the very least I’m able to easily solo eHJP in like one and a half minutes while still using him as my main DPS unit, while also having everyone equipped with gold fafnirs. So he definitely still does his job just fine.

Anyway, we’ve also got the whole second anniversary event going on, and it sure is a doozy. I think I liked Fractured Futures more, but this is still a good event in it’s own way. It’s not as intense or depressing, but I like the focus on lore and world-building, and it’s also just really refreshing to get an entire event where Zethia’s the protagonist for once.

A lot of what the event’s gone over has felt sort of predictable, but it’s still nice to get all this stuff explicitly spelled out, and it also means we get to see Ilia as a socially inept punk biker with a giant rifle, so that alone makes the entire event worth it, lmao. I figured we were gonna get something like this from all the increasing glimpses at how ancient civilization used to be technologically advanced, but seeing it play out like this is still really fun.

It’s also interesting to get the origin story for Morsayati. It’s not quite as interesting as I would have hoped, since it turns out that the Other is just Mordecai’s disembodied hatred, but still. Mordecai’s a surprisingly adorable character, and for a free unit he also feels surprisingly strong, which is nice. Although it does suck that he just straight up outclasses Hanabusa, lol.

One of the more surprising things about this event is that we’re also getting new world-building about the fairy kingdom, which seems to be setting up for how they teased at the main story moving over there soon. It’s pretty clear that sometime after chapter 18 they’re going to release Notte as a playable character [either as a welfare unit or as a gala unit], and I think Meene is kinda like the template for how they’ll handle Notte as a playable character.

We also now know that we’re getting a free character from chapter 16, and like most people I think it’s probably going to be Leonidas as a flame gun unit going by the preview from the digest, but it’s possible that he’ll be the next gala adventurer instead. I also think they might do something with Chelle soon, since I think they teased her showing up in chapter 17, and we also know that she’s apparently the one who introduced manacasters to the world.

The latest This Month post also talked about how we’re getting a new Halloween event for the middle of the month, which is kinda surprising. I think we’re still getting a Halloween event at the end of the month, so I wonder how this upcoming one will go. My current guess is that, since they didn’t say anything about the banner that’ll be run along with it, they’ll just be rerunning the old Halloween banner for it, and the event itself will just be based around the second year Halloween units, since they didn’t get their own event last year. At least that way we’d get two new Halloween events without having to deal with the stress of getting two differently entirely new Halloween banners in one month. I’m also hoping that they make the old Halloween units non-limited like they did with the Valentines ones.

They’re also apparently going another rerun of Accursed Archives [plus the Akasha event], which is kinda surprising, since I thought they’d just add it to the compendium. But at least this means we’ll get an extra set of rewards once they add it to the compendium later, lol.

We didn’t hear anything about a new Halloween event/banner at the end of the month, but we’re probably getting one, and unless Gala Alex gets featured before it, that’ll probably be what I save my next spark for. I’m not sure exactly how they’ll work it now, but I’m hoping that they’ll bundle the new Halloween units into a gala banner that also introduces a new gala dragon, since that’s also something I want to get, so it’d be nice to knock out two birds with one stone.

#murasaki rambles #dragalia lost #at least we're getting like seven free tenfolds on the Ilia banner lol

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marshmallowgoop · 4 years

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Doing yearly writing reviews isn’t really a thing. But once you start doing ‘em, it doesn’t feel right to stop, you know?

Seeing progress in other arts is of course a lot easier than seeing progress in writing, but I think there is some forward movement for me, especially when I also consider my compilations from 2017 and 2018.

In regards to 2019, I’ve selected various kinds of writing for this post: analytical essays, opinion pieces, news articles, creative fiction, and maybe some works that can’t be categorized so easily, too. It was a very difficult year on many fronts; I dealt with job struggles, financial insecurity, destroyed relationships, medical hardships, seemingly endless cyberstalking and online harassment.

But there were good things, too. New friendships. New passions. New outlooks. I feel like I’ve learned and grown a lot more in these past couple of months than I have in a long, long time.

The end of 2019 is more than just the end of one year. It’s also the end of a decade. But I think the best advice I’ve received all decade comes from this year:

✄ Sometimes, you have to say yes to saying no.

✄ If you can’t do something well, do something poorly!

✄ The best option may be to simply not engage.

✄ You don’t have to apologize for disappointing others.

✄ Your worth isn’t measured by how much you “accomplish.”

✄ You have rights: the right to have your needs and wants respected, the right to make mistakes, the right to determine your own priorities, the right to not be responsible for the actions or problems of others, the right to express yourself, the right to be human. It’s not selfish or narcissistic to stand up for your rights.

And, since it is the end of the decade and all, here’s also a comparison between one nerdy fandom essay from August 2010 and another from August 2019:

2010 (with added spaces because yes, this really was just a huge block of text originally):

Also, in my own opinion, nobody really gave a damn for Xion all that much save for Roxas. I mean, yeah, Axel cared a little, but in the end, he got totally mad at her, got mad any time she was mentioned, got mad whenever Roxas worried about her, got mad when she showed up at the clock tower. She was his friend, yeah, and he didn’t want her to go, but in the end, he would have chosen Roxas above her anytime.

The other “mean villains” didn’t really care. Luxord didn’t care, Demyx didn’t care, Xaldin got exasperated once at her, but overall didn’t care, Xigbar didn’t care, Xemnas outright said he didn’t care, Saix was rather cruel to her, but really, in the end, he didn’t give a damn for her. The others weren’t around long enough to have an impression on her. I think even Riku didn’t really care all that much for her, in all honesty. He just wanted his best friend back.

Also, you have to keep in mind that we played the game through Roxas’ perspective, and it’s in my personal belief that he fell in love with Xion. And if you’re in love with someone, when she gets into a coma, or goes missing, or ignores you, you’re gonna be upset, and talk about it. So Roxas did.

But you know, he doesn’t actually do a lot of it until the end of the game. Before that, it’s all about the THREE of them. He loves his friends (even if he doesn’t know it), and he wants them to be together forever, but when Xion goes missing or whatnot and they can’t ALL have ice cream together, he gets upset.

2019:

I’ve written more on the subject here, but to keep it short, Ryuko only tries to take Nui’s life when she’s convinced herself that she’s a monster, and her development is less about her becoming less okay with killing people and more about how she won’t let her anger and rage control her. What makes Ryuko’s attitude so different in the end isn’t that she’s reconsidered her thoughts on murder but that she’s composed. Come episode 22, Ryuko ain’t saying that she’s gonna kill anyone to sound tough or to intimidate. She keeps her cool even against her worst enemies.

But that’s just what I think! Maybe I’ve interpreted the character all wrong. But Ryuko’s freak-out after she goes berserk and hurts others in episode 12, her devotion to defending even people she’s just met… I just struggle to see her as someone who’s actually a-okay with killing. The fact that Ryuko’s perfect fantasy in episode 20 depicts her as a sweet girl without any of the violent tendencies that she has in reality also points this way; not to mention, Ryuko outright admits that her picking fights and causing trouble are bad things when remarking on her childhood in episode 8.

And Ryuko? She doesn’t want to be bad. All the poor girl’s ever wanted is love, and I can’t imagine she’d ever think that getting angry and killing people would get her a lot of that.

Progress may be slow, but it does happen.

At least, I think so.

Image Texts

January 2019

And personally? I find that sweetness just absolutely, utterly charming. When I understood what the rap was trying to communicate, I couldn’t imagine listening to the song without it. Heck, even before I understood, I found the “without rap” edits empty and barren. No matter how “silly” the lyrics might come off, the unabashed cheese is fantastic. The rap section that I was once “meh” about legitimately became my favorite part of the song.

Plus, I really can’t stress enough how sad the song is when it’s purely Ryuko. The official [nZk] remix replaces Senketsu’s rap with a reprise of Ryuko’s first verse, which recounts how she and Senketsu met. And it’s tragic! She says, “But I’m all alone,” and she is. Senketsu isn’t singing with her, no matter her claim that she can hear his voice. Considering what happens to Senketsu in the end, his absence in the song hits even harder.

Full post: https://marshmallowgoop.tumblr.com/post/182361051017/oomoj-marshmallowgoop-the-rap-is-good

February 2019

The focus then shifts away from Ragyo, but Kill la Kill ain’t at all done with building the audience up yet. As the scene moves to the following day, viewers are met with quick, close-up shots of Uzu’s note to Ryuko, timed right to the beat of “Blumenkranz.” Uzu wants to duel, and we soon get to see his full request in an engaging low-angle shot where Ryuko looks up to this sign looming over her. The weight and gravity of the situation is effectively conveyed: the smooth transition from Ragyo to here, as well as the music and shot composition, let us know in no indirect terms that this fight isn’t something to be brushed off. Uzu’s duel is a big deal, and it’s very much connected to Ragyo’s expansive empire.

And the tension just keeps growing. Ryuko’s reaction to Uzu’s note is presented with a dramatic canted, high-angle shot. The camera—which is just slightly tilted—peers down at both Ryuko and the sign, communicating a sense of danger and unease. Viewers already know that the upcoming battle is important, but here, we also understand that it’s not going to be easy.

Full post: https://marshmallowgoop.tumblr.com/post/182841724817/all-the-discussion-around-episode-6-of-kill-la

March 2019

Kill la Kill the Game: IF is currently being featured at the 2019 Game Developers Conference that runs until March 22nd in San Francisco, and a flurry of new gameplay videos are now available for viewing. Notably, these videos feature full English subtitles for the character dialogue for the first time since EVO 2018 last year and never-before-seen stages, such as what seems to be the Fiber Castle in the Kiryuin Manor.

Full post: https://marshmallowgoop.tumblr.com/post/183766224117/kill-la-kill-the-game-if-gameplay-footage-from

April 2019

I mean, Kill la Kill ended over five years ago now. There’s been fairly minimal new content ever since—an OVA in September of 2014, a few pieces of merchandise here and there, a small crossover with Grand Summoners last year. And then, not even 11 months ago, out of seemingly nowhere, there was confirmation for a full-blown Kill la Kill video game. That we now know will be released in just 14 weeks!

Lots of jokes were made about the announcement for a game so many years after the series finale, but, like, seriously, as a longtime Kill la Kill fan, it’s hard to wrap my head around. Ever since the show ended, I’ve dedicated over half a million words to writing about it, spent tens of thousands of yen on books and Blu-rays and CDs, devoted nearly 60 GB to my own GIFs and edits. I’ve loved this thing to death. I’ve always found more and more that I want to write and create from this series, but I never really imagined nor expected that we’d ever get much more official content from the original creators themselves. And now we are getting so much more, and???

Full post: https://marshmallowgoop.tumblr.com/post/184228103137/kill-la-kill-the-game-if-releases-on-july-25th-in

May 2019

Kiznaiver: Oh, I was so excited to love this show! I was lucky enough to see an advanced screening of the first two episodes, and I was totally hooked. It was drop-dead gorgeous—and probably the prettiest series Trigger has ever put out—and I was very intrigued by the plot and characters. I remember just coming back to my hotel room at like 3:00 am after the premiere, utterly filled with excitement. I mean, Kiznaiver was directed by Hiroshi Kobayashi, the episode director behind the two episodes that got me hooked on Kill la Kill (episodes 5 and 18)!

But… my excitement quickly died. The story tried to develop way too many characters in way too little time, and I never enjoyed the romantic pairing of Katsuhira and Noriko, finding it shallow, undeveloped, and nonsensical (in a bad way), which… kind of ruins a lot of the series when that’s arguably the heart of the whole thing.

Kiznaiver is still super, super pretty, though. That last episode’s animation got me shook.

Full post: https://marshmallowgoop.tumblr.com/post/184700944732/so-have-you-watched-the-other-stuff-studio-trigger

June 2019

I do recognize that many, many matters do not warrant conversation. I do recognize that the phrase “I’m just trying to have a conversation” can be—and has been—utilized as a means of directing criticism away from inflammatory, unacceptable, inhumane remarks. I in no way feel that hateful, discriminatory comments should be promoted.

Simultaneously, however, “conversation” should not automatically be a dirty word in the field of analyzing and seriously engaging with fiction, and thoughtful reactions should be supported and striven for. Nothing in fiction is ever black and white. There are so many nuances and complexities to the storybook realities of our media. I want commentators and critics of fiction to be passionate about listening, considering, and rethinking those nuances and complexities. Isn’t that why we do this work at all? To share our own point of view and open ourselves up to others?

Full post: https://marshmallowgoop.tumblr.com/post/185289615202/we-need-to-change-the-way-we-seriously-discuss

July 2019

Initially, I was really bummed by this lack of development. But as I thought about things more, I… didn’t mind so much. If this dream or universe or whatever is something that Satsuki “experiences” before the events of the anime, of course she won’t grow as a character here. Maybe this game is kind of the Kill la Kill prequel I’ve been begging for for over half a decade.

And as much as I didn’t get anything, I thought the ending bits between Ryuko and Satsuki were so good.

Like, I suppose Ryuko’s absorbing the Life Fibers or something?? But wow, pretty.

And the part where they talk before Satsuki disappears? That’s my kinda anime bullshit. It’s the kinda anime bullshit I wanted from the OVA between Ryuko and Senketsu.

Full post: https://marshmallowgoop.tumblr.com/post/186648065467/goop-plays-kill-la-kill-the-game-if-satsuki

August 2019

That book, Log. 2, is a fan doujin from Kotaro Nakamori, who worked as an animator and animation director in Kill la Kill. There’s a bunch of assorted fanart in there, and I wouldn’t be at all surprised if Nakamori is a fan of Urusei Yatsura and wanted to make a little crossover between that series and Kill la Kill.

Personally, though, as someone not too familiar with Urusei Yatsura, I kinda just saw the image as oni-Satsuki (with oni being demon/ogre-like creatures in Japanese folklore). Oni are traditionally depicted wearing tiger skin loincloths, and Lum herself is definitely basically a space oni. So, I saw the cover and got super excited about oni-Satsuki because I love oni a lot, haha.

Fun fact: character designer Sushio has also drawn Kill la Kill characters as oni for setsubun, a celebration that’s held on the last day of winter (February 3rd). During setsubun, you might see folks dressed up like oni—who get beans thrown at them in an effort to bring in good luck and chase naughty demons away.

Full post: https://marshmallowgoop.tumblr.com/post/187228888187/do-i-see-satsuki-wearing-lums-outfit-in-your-last

September 2019

Though I don’t see it much anymore, I remember lots of comparisons between Ragyo and the villains of Saturday morning cartoons back in the day. She was described as a generic, two-dimensional “evilz for the sake of evilz” baddie and criticized for her simplicity.

And though I did admittedly agree to an extent—I craved a lot more depth and insight, particularly in regards to her haunting line about “still having something of a human heart” whilst brutally attacking her own daughter in the final episode—I also found Ragyo to be a remarkably compelling, powerful, and horrifying villain even without tons of backstory and explanation. Perhaps my write-up on her first scene in episode 6 best details why; this woman has such a presence, and the visual language of the series amplifies that presence spectacularly. Ragyo’s intimidating and scary without the audience even needing to know anything about her.

And… I’d say that’s a good villain. That’s exactly what a villain should do.

Full post: https://marshmallowgoop.tumblr.com/post/187987858537/on-ragyo-kiryuin

October 2019

And, though there are no visuals, so I can’t be sure if it’s an “Ocean of Light” or not, the fourth Drama CD also has the same kinda deal happening. In the CD—which takes place immediately after Ryuko learns the truth of her origins—Ryuko’s pain manifests as an explosion of light that knocks both her and Senketsu unconscious and pushes Senketsu away from her. The sound effect here is familiar, and I’m personally convinced that this is another “Ocean of Light” moment.

Which brings me to the “light” part of the terminology. Light is often associated with good, yes, but light is also associated with heat, and heat is associated with pain. In the Drama CD, Ryuko’s light is so hot that Nui even remarks that Senketsu “almost burned” from it, and when Mako embraces Ryuko after swimming through her “Ocean of Light” in episode 12, Ryuko’s touch scorches Mako’s skin.

I’ve already written an essay on the symbolic and narrative use of fire, warmth, and heat in Kill la Kill (that you should totally read because it’s actually maybe Kinda Good, Maybe), and relating to that, I see the “Ocean of Light” as a physical representation of Ryuko’s fiery spirit. That fire can be used for good, and that fire can also be painful, but no matter what, that fire is a part of Ryuko.

Full post: https://marshmallowgoop.tumblr.com/post/188247077227/i-always-wanted-some-explanation-you-are-smart

November 2019

She looks around her cottage. Her eyes find the walls and the furnishings. Her eyes find the scratched floors and stained wood. She does not voice it to the once-emperor, but she had never been able to remove the stains from the attack. Her son's blood has painted the brown wood red. It is a reminder of what she cannot remember. It is a reminder of the past she has forgotten.

“This home feels so desperately lonely,” she admits. “I do not know who is missing. But it is not complete.”

The man is quiet. He did not expect to find himself feeling sympathy for the woman's plight. Perhaps she is a fool, to have given her heart to a demon. But kindness ought not be punished, he thinks. Or has he grown so cold that he believes it should be?

December 2019

🏀 Michiru and Shirou’s relationship may be the focus, but Nakashima emphasizes that Michiru’s relationship with Nazuna is also involved in the story in a big way.

🏀 Nakashima stresses the importance of depicting teen girls realistically. Two women screenwriters are on board: Kimiko Ueno and Nanami Higuchi. Both wrote for Little Witch Academia. Ueno also wrote for Space Patrol Luluco, and Higuchi was behind the production reports in Trigger Magazine (and, interestingly, wrote the script for the anime adaptation of BEASTARS).

🏀In regards to Michiru and Nazuna’s relationship, producer Naoko Tsutsumi (also an animation producer for Kiznaiver and Little Witch Academia) provides input as well. Nakashima says that they greatly value and take to heart the opinions of the women creators.

Full post: https://marshmallowgoop.tumblr.com/post/189928986922/otomedia-winter-2020-bna-brand-new-animal

#shut up goop #goop makes a (kinda) personal post #ramblings #writing #on to 2020!#right before the new year in my time zone as per usual lol #image texts under the cut #kill la kill #kingdom hearts #brand new animal #kiznaiver

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littlemisssquiggles · 5 years

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RWBY Musings #64: A Squiggles Meister’s Views on the potential parallels between the RWBY V3 and V6 finales.

I’ve been saying this for a while now but I believe the CRWBY Writers might be gearing us fans up to have the V6 finale pay homage to the epic V3 finale or at least that’s my theory. So if I had to guess the parallels to V3 that might pop up during the V6 finale, here’s what I think they’ll be:

Grimm Rampage through Vale ------ Grimm Rampage through Argus

During V3, the City of Vale got rampaged by hordes of Grimm including one colossal Grimm Dragon. I have been wondering what the point of the Wall of Argus was alluding to. I still stand by my previous hunch that something is going to come from beyond the wall to rampage the city. Either that’s the case or the one in my next parallel.

Grimm Dragon from Mountain Glenn ----- Grimm Hecatonchire from the Wall of Argus

A bit of a stretch but what if… there’s secretly a Grimm Titan like a Hecatonchire Grimm that’s secretly hidden inside the Wall of Argus. Since Cordo preached about her Atlesian ancestors helping to form Argus, imagine if those same ancestors put Grimm inside the Wall of Argus or built the city around one that’s been dormant for centuries just like the Grimm Dragon.

In the series, Attack on Titan, it was revealed in a later season that there were Titans in the actual walls that were supposed to keep humanity safe from the Titans. Imagine how cool it would be if a Grimm Hecatonchire suddenly immerged from the Wall of Argus in the same fashion as the Grimm Dragon in V3 and similar to its Dragon counterpart, it also brings forth legions of Grimm to prey on the innocent civilians of Argus, forcing the Argus Military to cease their pursuit of our heroes and take immediate charge to protect the citizens of Argus.

Huntsman vs Atlesian Paladins-----Huntsmen vs Atlesian Megazord

In V3, we got all the main huntsmen from different academies working together to defend Beacon against the swarm of corrupted Atlesian Paladins. Now in V6, it seems C10 set up out heroes who, may not be from different academies but represent the diversity of the kingdoms in a sense (minus Vacuo) going toe to toe against Cordo and her Atlesian Megazord.

Weiss Summons Armor Gigas against the Paladins---Weiss summon Armor Gigas against Cordo

In V3, we got Weiss summoning part of her Armour Gigas for the first time. Right now, Weiss’s trademark summon is the only thing that can grow to a size big enough to give Cordo’s giant megazord a run for its money provided she has the aura levels to do so. I’m sure if Jaune were to amplify Weiss’ aura, the same way he did with her last season and at the start of V6 with Ren, we could get our first ever giant robot vs giant armoured summon fight in the history of RWBY.

Velvet Weapon Reveal ----- Oscar Weapon Reveal

Need I say more? V3 was the first time we saw Velvet’s weapon and her semblance I think too in action. Who knows? If we play our cards right we might finally see what the Oz-cane can do at its true power because as a Pinehead, I have definitely been wondering what tricks to the Oz-cane Oz was talking about back in V5.

Cinder killed Ozpin ---- Neo kills Oscar

Now before my fellow Pineheads come at me with them pitchforks for daring to even theorize this, let me explain my hunch. What if…on the same level as Adam’s reappearance, Cinder Fall also shows her face in Argus and she targets Ruby as expected. So Cinder overpowers Ruby with Neo’s help and just as Neo is about the deal the final blow to Ruby, Oscar jumps in and takes it for her, right through the heart.

I have been hearing this whole thing about Neo doing something to make the fandom hate her going around for a while and I’ve even had one or two fellow FNDM come to me with the theory of Neo harming Oscar. Well here’s my rendition of that theory. What if…Neo goes in for the kill on Ruby but Oscar daringly jumps infront of Ruby to shield her and takes it. So Oscar is there on the ground on the cusp of death. Maybe to make the situation even more dramatic, he straight up does die in Ruby’s arms, shocking her and the fandom.

Then after Oscar technically dies, instead of going to the afterlife as one would expect or reincarnating, Oscar shockingly winds up in the Realm between Realms where he meets the God of Darkness, similar to how God of Light met with Ozma. To Oscar’s surprise, a reluctant Ozpin is also present. The God of Darkness then offers the two souls something neither could refuse. He offers them the chance to undo what his brother did centuries ago. As it turns out, the whole reincarnation thing was all Light’s idea because he still believed in humanity and that they could change.

His brother felt the opposite but he did want to entertain himself a bit with his brother’s immortal pet. So he offers both Ozpin and Oscar the chance to undo his brother’s curse so that they may return to their normal lives free of having to be revived to continue his brother’s dirty work.

But he only offers the deed to one. In order to decide who gets to return to the land of the living, God of Darkness forces Oscar and Ozpin to fight each other one and one to see which soul gets revived only. And to Oscar’s surprise, Ozpin actually wants to fight him so that he can finally be free. So the two souls fight. Of course, Oscar wins and gets to go back but this time he’ll be revived by himself as himself. No longer will he have Ozpin’s voice inside of his head. He’ll be his own person again. He’ll be…alone; a comment made by a grief stricken Ozpin.

It’d be interesting if we could get an equivalent of Oscar calling out Ozpin in the same manner Ruby did to Qrow in V6 C10. Oscar scolds Ozpin for his words implying that he’s never been alone. He’s always had his people. His friends and so does Oscar and so long as they accept him and wish to keep fighting, so will he until his dying breath. His last dying breath in his now only life.

The God of Light’s curse was bestowed so that Ozma was never alone during his cycle but Oscar would be revived as himself without Ozpin. He will be the last incarnate. The last life. The last Wizard of Light. So as Ozpin goes to the afterlife, Oscar returns to the real world where he returns as himself to continue the good fight.

This parallel will probably not happen at all. Definitely not. But as always, I wanted to toss it out there just to entertain myself at the possibility, y’know what I mean?

Team JNPR dies with Pyrhha ---- Team JNPR is reborn with Oscar

Ya’ll know I’ve been saying this since the beginning, right? Ya’ll know how much I want that Team JNPR Revival with Oscar replacing Pyrhha right? I feel like these past two episodes are slowly gearing up to have this happen. Though I didn’t particularly enjoy C9, it did give me my biggest indicators of Jaune asking Oscar to join JNR.

That Pyrhha closure for JNR. Jaune mentioning in his own words how valuable Oscar is to the team. Bruh, at this point, I’m just waiting for this to come. I’m waiting on this conversation.

Cinder killed Pyrhha----Jaune kills Cinder

This one I’m a little iffy about. I know I’ve been waiting for Jaune to have Justice for Pyrhha moment with Cinder but after C9 I don’t think Jaune will be as angry to kill Cinder anymore. I mean, if Cinder turns into a Grimm monster or gets eaten by a Grimm only to fuse with said Grimm making her less human. Then I can see Jaune being the one to deal the final blow on Grimm Cinder. I’ve said this before too. If anyone deserves to kill Cinder, it’s Jaune.

I doubt the Writers will make him kill her as human but…if she turns into a Grimm then it’s a bigger possibility but that’s just me.

Adam vs Blake and Yang ----- Adam vs Blake and Yang The Remix

Duh. Just duh. This doesn’t even need to be on the list because it’s something the season has been alluding to all volume. Plus C10 already showed it happening. The only twist I can think of from this fight is if Adam dying at the end. I know some people like Adam as a character (like EruptionFang) but I really feel the Writers might be setting up for V6 to be Adam’s curtain call.

I can’t see Adam moving forward, not after the focus he’s been given this season. It’ll be interesting if Adam ends up dying in a similar fashion to Gaston from the Beauty and the Beast. Like he tries to stab Blake but ends up missing and falling to his death. Or maybe he ends up caught on the ledge and Blake tries to help him. Like I’m picturing Adam on the ledge with Blake offering him her hand only for Adam to refuse and fall to his death or something. That’s my hunch.

Then after the Adam fight is one and he’s no longer a thorn in their lives, the Bumblebee could finally have their closure with that. Who knows? Maybe they might make Bumblebee have a moment in the V6 finale. Instead of Blake crying over Yang getting hurt, it’s the two smiling at each other after being found safe together. Maybe they might even kiss, who knows? I’m not a Bumblebee shipper but if a kiss somehow happens between these two gals, I won’t be shocked. I can expect Yang to kiss Blake revealing she’s in love with her.

Again, I ship BlackSun but Bumblebee peaks my curiosity particularly with how Yang sees Blake. I’ve always viewed the Bees as being a ship driven by Yang mostly. Ironic since Yang’s motorcycle is also named Bumblebee. Any Bumblebee hints or vibes I’ve gotten throughout the seasons came mostly from Yang. I think Yang might care for Blake in the romantic sense. Blake I’m not sure about.

I don’t know if Bumblebee is in the cards. All I know is that I think the series has kind of dropped one or two hints about Yang’s true feelings that I’m waiting to see addressed in some shape or form in this remix rematch battle. If all the Bees do is hug then cool. But if they kiss, I’m just saying I won’t be shocked. But that’s just me.

Arkos First Kiss ---- Renora First Kiss

Nothing serious, I just want to see these two kids kiss finally. And what would be great is if Nora and Ren kiss after the group save Argus. The Arkos first kiss was bittersweet because it was Pyrhha’s last chance to let the boy she loves know how she felt about him before she sacrificed herself. A Renora after battle kiss would mean hope and happiness. For Pete’s sake, it’s been six seasons, let these two kiss already you cowards!

Alrighty then, I think that’s all the parallels I have in mind. If I think of anymore I’ll add them to the list later. For now, enjoy guys!

More Squiggles’ RWBY Content

~LittleMissSquiggles (2018)

#rwby #oscar pine #ruby rose #jaune arc #yang xiao long #blake beladonna #rwby theories #rwby volume 6 spoilers #rwby volume 6 theories #rwby musings

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yo-namine · 5 years

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Last KH3 playthrough post! Endgame spoilers are below the cut.

Just a warning: This post is REALLY long and contains, um… opinions.

I’m glad the final battle trailer scenes happen right off the bat. I had no idea what would come next, and it made the experience that much more interesting.

Why do none of these keyslingers know how to block? First Aqua tries to shield Ven with her own body, then Sora does the same for Kairi. Just hit square, guys.

ZETTAFLARE DONALD ILU SO MUCH

The way Riku and Aqua stepped up to Sora’s side made me think they were going to be party members in another demon tide battle, but nope. Boo.

I’m surprised that Aqua just… let the demon tide take her? What the hell?

Sora loses Kairi, Donald, and Goofy and just… crumbles. He completely gives up and says it’s all over. Riku almost starts to try to soothe him, but instead, he gets up, tells Sora that he knows that’s bullshit, and then faces off against the demon tide (which was polite enough to wait for Sora and Riku to finish their conversation before attacking, by the way). It’s like a moment of tough love, and it’s actually what I was expecting Roxas to do back when I assumed he would be the one to show up in the Graveyard and pull Sora back on his feet. I wasn’t expecting a bunch of reassurances like “no, you’re not worthless, we can still do this, everything will be okay” but rather, “Get up, we’re not finished here.”

So Riku confronts the heartless and Sora just… watches in horror as they take him, too. And he doesn’t even fight back when they turn and come for him. And then the screen cuts to black and shows the final line of the prophecy, and… That was a really effective way to end that scene. Damn.

Yeah, I don’t know how to play chess, but I’m pretty sure you’re not allowed to just conjure extra pieces from thin air, Eraqus. That was a nice line from him, though, about light from the past. Like, “The light doesn’t need time travel bullshit to kick your ass because HEARTS.”

Sora fucking died. Sora actually, literally fucking died. He goes to the Final World because he died. Holy shit.

The Final World is beautiful, and the music is lovely, too. The first thing I did after getting control again was take some selfies of dead Sora, ngl.

Sora’s been to the Final World before in his sleep, and Chirithy just let him pass through lmao.

Who is the first star that Sora talks to here? At first I thought it was Xion, but she says a “somebody” sent her to the Final World, so… Strelitzia? Ava? Skuld? lol I like that Sora just sits down next to her like this conversation’s the most normal thing ever. He’s dead and talking to another dead person, and he just rolls with it. I love this kid.

Some of the optional star conversations really got to me. One of them says that their friends replaced them after they died (“That was my seat. That was my place at the table.”). There’s also one that was apparently a child looking for their father, and that one actually made me tear up.

I’m not sure who the one who talked about being “identical” was. I think a third talks about their mentor, and perhaps that was a past keyblade apprentice? Another says that people teased them and a friend about being an item, and they pulled away from the relationship, and the other person never closed the distance. All of their little stories are just… sad. Jesus.

Naminé has a star! I missed her star on my first playthrough, but I replayed this part just for her scene. I wish I’d gotten it the first time, though. She clarifies that Kairi’s the one keeping Sora tethered to the world of the living. And god, Naminé’s words are so sad. She truly doesn’t think anyone really misses her or that she matters at all. But Sora says that he and the others (including “someone else special,” who I think may’ve been Xion?) miss her and want her back. AND she mentions her conversation with Terra from the orchestra! Holy shit, WHY was this conversation optional? That was important story stuff that explained why Lingering Will shows up when we rehash the fight in the Graveyard. Naminé came through for everyone in a pretty major way, and if you don’t talk to her star (which is VERY easy to miss), you’d never know it. Though… I guess that’s kind of fitting in a meta way. Naminé helping people from behind the scenes and not expecting any credit, I mean. Still, I wish I hadn’t missed this on my first playthrough. Anyway, Naminé’s “Let’s just say I’ve got your back?” was really cute. And then Sora thanks her and gets all flustered. “That’s not the official thank-you!”

I’m… still not clear on what exactly the power of waking is or how it differs from restoring someone’s heart the old-fashioned way (i.e. taking a Keblade of Heart to the chest), but okay.

JIMINY SURVIVED ALL OF THAT JFSKLFFJL

I liked going through the different worlds to save all of Sora’s friends. It was a nice callback to KH1, when you visit different worlds in End of the World, and when you get to Realm of Chaos and have to rescue Donald and Goofy from Ansem SoD’s heartless… ship… thing. It was really annoying fighting the same boss over and over again, though. It wasn’t difficult (save for one instance where the lich spammed aeroga and pinned me against the ceiling. I only survived because it triggered rage form.), and I get that it was just a series of symbolic battles, but I dunno, maybe just giving him less HP for me to have to mow down would’ve made it less tedious.

So the power of waking is “traversing hearts to reach worlds.” So I guess that’s what Sora was doing while falling through the different Stations of Awakening and then arriving in different worlds.

“There’s no saving you.” Fuck, okay, after finishing the game, this line in the sleeping San Fransokyo hits a lot harder. You think Kid Xehanort knows that Team Nort is planning to snatch Kairi and use Sora’s desire to save her to ultimately destroy him? Because if so… ugh.

Sora and Kairi’s little spin when they reunite is so cute.

“I feel strong with you, Kairi.” Awww but also UGHHHHHHHH because I know what’s coming. And then Sora has flashbacks to Eugene and Anna sacrificing themselves for someone they love, and I’m not 100% sure why. Is it just foreshadowing his sacrifice for Kairi? Is he afraid that her rescuing him will cost her her own life? Whatever it is, Kairi seems to read Sora’s mind and says that he’s safe with her. And again, that’s really sweet, and I like that her PoH powers are FINALLY being explored in some way, but fuck, knowing how this all ends makes watching this scene so painful the second time around.

I was so confused when Sora was revived and we started replaying that confrontation scene in the Graveyard. The first time I played it, I was very seriously considering skipping the cutscene and reloading my save because I thought I’d gone the wrong way or something, but then Lingering Will showed up and the scene changed. Phew. I guess we went in a little time loop there. But wait, if everyone’s aware that Sora revived them, then they must remember how they were taken in the first place, right? If that’s the case, why the hell did Ven run up to Terra a second time? Why didn’t anyone stop him? Why did Aqua have to look “Terra” in the eye a second time to know it wasn’t him? Am I to assume that if Naminé hadn’t summoned Lingering Will, these dingdongs would’ve all lost their hearts AGAIN?

I’m so over demon tide boss fights, but damn if that battle theme doesn’t kick ass.

EPHEMERA!!!!!!!!!!!!!!!! HOLY SHIT, OF ALL THE THINGS I NEVER SAW COMING. He helps Sora use the keyblades of all the fallen wielders from the first war to fight off the heartless, and you use the names of all those KHUX users who won that KH3 contest as attacks. Oh my gosh, what a sweet tribute. I like thinking that Larkey’s keyblade helped, too. <3

Oh god, when KH1 Riku showed up and Forze Del Male started playing, my entire life flashed before my eyes. I DID NOT want a rehash of that fight. I was relieved that I didn’t have to, but I was also just a little disappointed because that Xehanort shadow that emerges from him looked like a cool potential boss. I feel like there are actually a lot of scenes that happened in the Graveyard that would’ve worked better as actual battles or gameplay, tbh.

Also, that Forze De Male remix was hot as hell.

R.I.P. to all of fandom’s “Yen Sid is useless” jokes. What a way to go.

“You’re a whole pint by yourself, Sora.” I LOVE THIS DUCK SO MUCH.

I like that the maze tries to force you to choose between helping Riku or Mickey first like it’s some tragic moral dilemma. Like oh gee, let me think: Best written character in the series, or corporate icon Ricky Rat? That said, I actually did go to Mickey first just because I couldn’t get past the moving wall puzzle lmao. I wish this area had had a few more puzzles, though. I felt like I breezed through it way too fast.

Riku is really nerfed as a party member. He was CONSTANTLY KO’d in my fight against the Norts. Like damn dude, even Kairi stayed conscious through her battle (all 5 seconds of it, but still).

Repliku tears himself away from his own vessel and leaves it. For Naminé. Fuck, I didn’t expect that at all. What a great scene, and what a better ending for a character whose story I thought ended in CoM. I loved that.

Didn’t love that Riku and Sora just left Naminé’s vessel facedown in the dirt, though. Like… at least prop it against the wall or something guys, geez.

I like that you get a sort of farewell scene between the heroes and all the main villains of the series. It may’ve been a little fanservicey, but oh well. I’m not so hot on it from a story standpoint. Like I know we’re doing the anime thing where “I defeated you in battle, now we’re cool” but it still felt… odd. But at least it’s not as obnoxious as what comes up later with Master Xehanort.

I liked Larxene’s take on this especially, how she’d rather be destroyed than be a Nort. Why she joined up in the first place is still a mystery… And her answering Sora the way she did implies that the Norts aren’t just possessed mind slaves. They do have agency, though I guess that was clear from Even and Demyx turning against them, now that I remember it.

Building on the agency thing, I liked Vanitas’s scene with Ven. Ven wanted so badly for Vanitas to come to the light, but… It really wasn’t what Vanitas wanted for himself. “We decide who we are.” “I did decide who I am.” It’s tragic, but I like that it showed that not everyone was getting a happy ending from this game, and that there are some people you just can’t save.

COME GUARDIAN WAS TERRA’S HEARTLESS AFTER ALL. FUCK YES. I love that theory and I’m so happy it turned out to be correct!!!!!

And then we finally get a Wayfinder reunion!!!!!!

“What final words do you have for your superior?” Okay, I know this game is rated E10, but I half expected Axel to just look up and say “Fuck you.”

Xemnas and Axel’s conversation was so meta. Axel bragging about how popular he was, Xemnas calling Axel’s keyblade a joke. Like… Damn, they really paid attention to fandom over the years, didn’t they? I just wish they’d paid this much attention to all the fans who wanted a good storyline for Kairi. Anywho, Xemnas destroys Axel’s keyblade, so we lose two Lights from this scene. I’m kind of grateful that happened, actually. Having Axel lose his spot made it a little easier to accept Kairi losing hers. But only a little. Kairi getting kidnapped AGAIN was still stupid and contrived.

Unlike the other Norts, Xion’s apparently not acting on her own free will when the fight starts. Sora telling her “You can stop now” seemed to break something within her. And then Xemnas turns to attack her, and Sora’s heart reaches out to someone, and then BOOM. Roxas shows up to sass Xemnas and save the day!!!

I barely did anything in that Isa fight, lmao. I tried to land a few hits on him, but then I realized Roxas could handle him just fine alone, so I just hung back with Xion and cast cure here and there.

I’m disappointed that there’s almost no interaction between Roxas and Sora beyond a couple of nods, tbh. It’s kind of a weak payoff after all the fuss Sora made about wanting to save Roxas at the start of the game. That was what Sora decided to fight for “with all his heart,” and then once Roxas is back, we just keep blazing ahead with the story without a moment to appreciate the fact that he accomplished his goal (or rather, someone else accomplished it for him).

Aww, Xion looked so left out when she stood of to the side and started crying. It was almost like she was hesitant to join Axel and Roxas after she came so close to almost killing both of them. She didn’t even reach for the other two when Axel pulled them into a group hug, she just kept her hands clasped tight together and sort of curled in on herself. Aw, honey. Anyway, I’m glad these three will get to be together again.

I half expected Riku to snap “ARE YOU FUCKING SERIOUS?” when Sora tells him that Kairi’s been kidnapped.

I liked both Xemnas and Ansem SoD’s sendoffs. Kid Xehanort doesn’t give a shit that he lost, though, he just fucks off back to the past knowing damn well what’s about to happen. And to that, I again say ugh.

And then we get… that scene. What the fuck did Xehanort mean by “You need motivation.”? Motherfucker, we are already out here in the Keyblade Graveyard having this showdown. Kingdom Hearts is looming above us. Sora just got done killing all ninety-seven billion Xehanorts. This fight is happening no matter what you do. This doesn’t make any fucking sense. Having Xehanort kill off Kairi was stupid and unnecessary and pointless and lazy and truly horrible, horrible writing. And see, I can’t even give Nomura the benefit of the doubt here because he actually had Xehanort call Kairi Sora’s “motivation.” That was it. That was the only reason Xehanort killed her. Not because she was a keyblade wielder who was in the way of his goal, not because she was a Princess of Heart whose power could pose a threat. Not because of anything Kairi did or who she was as a person, but because she was a THING that was important to Sora. Fuck that. Fuck that entire scene, fuck everything about it, fuck everyone who gave that writing decision the green light. Fuck it. And knowing how this game ends (with Sora apparently sacrificing himself to save Kairi), Kairi now has more motivation than EVER to fight to get him back, but you know Nomura won’t give a shit when it comes time to write scenarios for KH4. He’s just gonna throw Kairi back on the islands and have Riku be the hero. Riku will find Sora, they’ll have adventures together and apart, they’ll continue to grow as characters, and then they’ll go home to where Kairi’s just sitting pretty, waiting to be the perfect reward for everything Sora’s accomplished. So there you go, that’s Kingdom Hearts IV. I just saved you $50 in the future (not adjusted for inflation).

Just. Jesus Christ, of all the idiotic tone-deaf bullshit… To have so much self-awareness while writing Naminé’s dialogue in the Final World and Axel’s scene with Xemnas in the Graveyard and then NONE OF THAT WHATSOEVER when it came to writing Kairi’s final scenes… That’s unreal. It’s almost unbelievable, but I really shouldn’t be surprised. Nomura’s pulled this shit before, so oop @ me for actually expecting better from him. Lesson fucking learned.

Anyway, after we get past all that stupid sexist bullshit that I actively hated, Sora gets ready to leave for the next area. I like that Donald and Goofy literally pick him up off the ground and help him stand, and that they go with him afterward. I just love the Trinity Trio in this game so much. They feel so much like a family now, and since I’m clearly never ever ever ever getting any decent Destiny Trio development, that’s a nice comfort. The other keyslingers stay behind to keep Kingdom Hearts shut, and Xion tells Sora that she can sense that Kairi will be okay, which… Yeah, alright. I just saw Xehanort slash into her back and shatter her into thousands of pieces, but no, I’m sure she’s fine. flskjdf Okay, sorry, I get what that scene with Xion was trying to do, but it just doesn’t make any sense? Xion is Sora’s replica, not Kairi’s. I could buy that she can sense Sora’s heart, but she has no real connection to Kairi’s at all, so how would she know that Kairi’s okay? Maybe she was just saying that as a way to comfort Sora, like a “she’ll always be in your heart” kind of thing, but even that feels off. Like that’s the kind of thing you say to someone a couple weeks after the funeral, not right there at the crime scene. Oh well. I guess it was sweet that she at least wanted him to hear that.

Then we get to Scala ad Caelum, which was kind of a letdown, really. I was hoping to get to explore the city, but you really just have one large area that’s ultimately just a battlefield. The boss battles weren’t much of a challenge at all, and you don’t even have to defeat them all, which was disappointing, but eh. The only tense moment was when Xehanort triggered Sora’s rage form in the final battle, but Donald and Goofy kept me healed up enough that it wasn’t much of a problem.

Xehanort uses the “one sky, one destiny” line from Kairi’s letter. Like it’s not enough that he killed her, he’s gotta plagiarize her, too. Dick.

Donald and Goofy help Sora ward off Xehanort’s final attack! Like they literally, physically help him push back against it! I love these half-pints. <3

Eraqus! He asks Terra to look after his other apprentices for him, aw.

Xehanort gives Sora the X-blade, and there’s no “sorry I killed your friend” or anything. He just goes on to be at peace with Eraqus. Seriously? This dude abuses Ven, hijacks Terra’s body, throws Aqua into the Realm of Darkness, murders Kairi, and he still gets to pass on peacefully into the next life with his bff? Come the fuck on.

Hearing “Always On My Mind” again was nice. That was always one of my favorite tracks from KH1.

Okay, after rewatching the ending cinematic, it makes a lot more sense to me. Riku suggests that they all go back to Yen Sid’s place to figure out how to save Kairi (which… why are we all acting like this is something that can just be undone? She wasn’t taken into darkness by the heartless like before; Xehanort struck her down. We didn’t see her heart leave her body or anything, she just shattered. To me, that looks like an E10-rated game’s version of death.), but Sora knows what he has to do. It wasn’t until the second time through this ending that I realized he was already planning on waking her heart at the expense of his own life. Knowing that, it’s a little odd that Riku just lets him go with a roundabout way of saying “I believe in you.” Kairi’s supposedly Riku’s friend, too, isn’t she? And he knows how to wake sleeping hearts, too, so why couldn’t he go with Sora to find her?

I loved seeing the Wayfinder Trio laying flowers at Eraqus’s memorial. I also like that keyblades are apparently used specifically for this when the wielder has passed on. That’s a nice bit of world building. And Chirithy is reunited with Ven after all (who apparently remembers them)! Aww. I still don’t know how the hell Ven exists in this timeline, but still. Aw.

I love Xion’s new outfit, and that she and her boys got to go back to Twilight Town together. I’m not so hot on Isa being there, though, and I’m really put off by how chummy he and Roxas seem. I know these scenes are taking place after a little time has passed, so maybe there was some tension between them at first that we just don’t see because it’s not particularly relevant, but still… Anyway, a shadow passes over them for a moment, and I think it must’ve been the gummi ship arriving to pick them up and take them to a party on Destiny Islands. Nice.

When I got to the scene of Naminé waking up in Radiant Garden… I actually started sobbing. Like that’s embarrassing to admit, but that scene hit me so hard. Just watching her open her eyes, and then seeing Dilan and Aeleus lead her out to the courtyard where the ship lands. Seeing her smile when Riku holds out his hand to her… I started crying while typing this up just remembering it, haha. I loved that moment so, so much. I’m so happy she gets to be her own person, that Ansem helped restore her to finally give her a life of her own after everything he put her through. I love that Riku’s the person to welcome her onto the ship, that he’s doing this for the Replica who gave up the vessel for her, but also because she’s been his friend, too (albeit largely off-screen). And the final shot of her laying her hand so gently in his... Holy god, what a finale shot. That scene ALONE was worth the thirteen year wait for me. I am truly stunned that that was part of the ending, that Naminé—of all characters—was the final person they built up to. That was just so much more than I had ever hoped for for her.

And then the actual final scene. You have all the main characters playing on the beach. Xion and Naminé are finding seashells; Riku, Roxas, and Terra are running around doing… something; the Twilight Town kids and Goofy and Donald are making sand castles; Lea, Ven, and Isa are playing frisbee. And then everyone stops to look at Sora and Kairi on the paopu tree. Sora vanishes, and you see Kairi start to slowly curl in on herself as the scene fades to black. And… upon rewatch, I actually like this ending? I was confused the first time I watched it because I didn’t have Kid Xehanort’s words in San Fransokyo fresh on my mind at the time, but when I went back and watched all the scenes together, I understood that Sora woke up her heart, and him “abusing” that power took its toll. I’m alright with us actually not seeing him do this (or at least, I’m not bothered by that by itself. I’m really bothered that it happened like that after Kairi got fridged the way she did, but on its own, it’s fine.). I’m upset that Sora’s gone, but truthfully, I was sort of expecting it. And like I said in my tirade about Kairi’s writing a few bullet points up, you know he’ll be back. It’s just really upsetting to know that Kairi now has to live with the guilt over the fact that he gave up his life for her, and that—as far as she knows—she’ll never see him again. And you just know that Nomura will absolutely, positively not let her do anything about it come KH4, to which I can only say, again: UGH.

I don’t care about Braig being Luxu, bye.

I think I’m still too raw from the emotional highs (and lows) of this game to really analyze everything as clearly as I’d like. There’s still stuff I want to talk about, but I’ll save that for another time. I can’t deny how much I enjoyed everything that happened before Kairi got fridged, but man, that one point really sours a lot of this game for me.

But yeah, that’s all for now.

#kh spoilers #kh3 spoilers #my posts #kh3 #kh3 bloggin

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bluerosesburnblue · 5 years

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Liz Liveblogs Bravely Second: Chapter 6, Part 2/2 *FINALE*

Well, nothing left for me to do now. I guess it’s time we finally hunker down and beat this game. I started this liveblog series on January 14, 2017 (July 23, 2016 if we include the Demo) and now, almost two years later, we finally see the end (layer) of Bravely Second

Before we get to the actual story I’d just like to say that I currently have five level 99 Apparati hanging out at Fort-Lune. FIVE. Jeez, somebody share something else for a change! This is why I share any Redshirts, Urchins, Goldies, or Turtle Doves I see! It’s also why I hate it when games make you rely on communication features for 100% completion. Stop that. It always goes poorly

Well, regardless. There’s a certain fairy waiting for... well, not us, but someone down at Norende Chasm and I intend to finish what I started. You got me into this series, Anne! You did this to yourself!

Feels weird to be back at the first ever dungeon in the series. I don’t know if it’s new for this game or if it’s always been there, but if you look off the edge of Norende Ravine you can see a river flowing at the bottom, beneath the fog. And “Dungeon of the Nature” is a great scene-setter, as always

This Party Chat is certainly something. Tiz is just reminiscing about being back and how as kids they were told to stay away due to monsters, but of course everyone played there anyway. And then when Norende was swallowed by the Chasm, he raced through here to see it with his own eyes, and there met Agnès, who would change his whole world. And they came back, again and again in each world. Finally, this was the path they took to the end last time. The place they went to reach the Dark Aurora to chase down Ouroboros. Norende Ravine is the most visited spot in the game in terms of plot, and you’d think it would get old but it doesn’t. “How many more times... will we walk down this road?” And Edea replies “As many times as we have to! Until we’ve wiped away those terrible memories once and for all! [...] The next time we walk down this road, it’ll be to visit the new Norende Village - the one you helped rebuild!” I never expected the game to bring up the Norende Village... minigame, I guess you could call it? I’m so glad they did, and I’m so glad that Magnolia and Yew declaring that all four of them would visit it together is what cheered Tiz up

...I didn’t realize I had 99 X-Potions? I guess my healers have just been really good so far

Oh Aaaaaaaaanneeeeeeee~ Guess who’s heeeeeeeere~ I’m gonna straight up kick your ass for what you did last timeline! And, presumably, whatever you were up to last game!

How predictable that we’ve come to stop you? Do you know what we’ve done since I found out you were here? You had every opportunity to disappear and didn’t! What, have you just been sitting here for a week? I think you’re the predictable one

Also, nice demonic cloud cover. I’m really feeling the glowing red mass underneath these near-black stormclouds

“Your master? But the kaiser is... Denys is gone...!” Bold of you to assume Denys was actually in charge of anything. I thought it was pretty obvious he was out of his depth when Anne mentioned her master and even Denys was confused by it

Hm. “Lord Providence, ruler of the Celestial Realm!” I’d heard that name thrown around before I even started playing the game, but “ruler of the Celestial Realm” is new. Given that his name means “God’s protection,” I guess you mean ruler as in “a deity” and not “a high ranking political figure”

Man, at the angle her head’s at, Anne’s hair protrusions really do look like antennae. It just hasn’t been obvious before I got this angle on her

How the hell is Providence supposed to enlighten anyone if they’re dead, Anne? That’s dumb. Your master’s dumb. Death isn’t enlightenment, it’s just death.

And Providence got all upset that the Moon people were killing his Ba’als, so he sent Anne to deal with it by destroying the moon. But screw that plan! There’s a Celestial shortcut right here! But you know, if something can get from the Celestial Realm to Luxendarc, then I don’t see why the opposite can’t be true, too

And, well, shoot. If Providence is the “ruler of the Celestial Realm” then we couldn’t have Ouroboros getting in! So Anne had to deal with Airy. Or rather, have us deal with Airy. And then she had to get someone to summon the Holy Pillar to take out the moon, and found Denys. Both games have all been thanks to her manipulations. Man, fuck Cryst-Fairies

“Hold it right there! That’s my brother you’re talking about!” You tell her, Yew! Rip her a new one! I’ve got your back!

Fuck, she did the same thing to Denys that she did to the player at the start of Bravely Default. Read us like a book and played to the key aspects of our personalities. Denys’s sense of duty and idealism, the player’s sense of duty and determination to see things through... hell, it’s almost like she read into my completionist tendencies and knew I’d do dumb shit like grinding to max level and job levels and getting the best equipment. Ouroboros didn’t stand a chance once that was thrown into the mix

“Why, he was even ready to kill his own precious little brother for his ‘duty.’” Can I take the use of “precious” as confirmation that it was actually a hard choice for him? Because Denys isn’t here to defend himself and never did get around to talking about it when he was here

I don’t think I’ve ever heard the word “dupe” used as an adjective. Most people go with “dope.” You’re weird, Anne! You’re weird and also a huge bitch!

“Denys died to save this world...” Is he actually dead though!? Like, no seriously, is he? Or is he just stuck in a situation that he will probably die in? Because one of those is potentially fixable in a sequel. ...actually, maybe both of them are fixable in a sequel. Situation’s unclear at the moment

“When Lord Providence descends, Luxendarc as you know it will be completely and utterly destroyed.” If he descends. If.

Yeesh, Anne, cool it with the shade! I know Denys’s kind of an idiot, but you don’t need to say it every other line!

Oh wow. Whoah. This... everything on screen is gorgeous right now? The glowing blue and gold bits on Anne’s final form, the translucent pink butterflies in the background against a starry night sky... yooooooooo. And I thought Airy’s final form was pretty

“Wicked Flight” is still a better boss song, though. Heck, the music right now isn’t even as good as Anne’s last battle theme, and it’s just a remix. I think removing the Spanish guitars and replacing them with a wailing rock guitar really does the song a disservice

That T-pose looks real dumb, Anne. Knock it off

It’s really fascinating what she says here. Humans are born without purpose, so they spend their lives lost and weak, constantly searching for something to live for. She, however, was made with a specific goal in mind, and always feels fulfilled because of it. And I don’t think she’s entirely wrong to observe that human beings spend so long looking for acceptance and purpose, and that the struggle to find some is central to most people’s lives. Heck, I don’t feel like I have a purpose most of the time. But I think, until I find one, if I just keep trying to do good then it’ll be enough. And the good thing about being born without a purpose? You get to find one you like, eventually

Cryst-Fairies are created by the gods to serve them. Anne is the older sister, but never really cared much for Airy, since Airy served someone who would destroy the Celestial Realm, where Anne’s master resided and controlled. Which... I suppose leads me to believe that they were created by different entities, and yet all Cryst-Fairies see themselves as siblings, regardless. Maybe it’s because they’re made of the same stuff? Like a half-sibling thing? Where one “parent” is the magical essence that they’re made of, and the other is the god that used it to create them?

Did Airy even know she had a sister? Like, was she even aware Anne existed? I don’t think she ever, once, mentioned her

Man, this game has a weird theme of “older siblings attempting to murder their younger siblings for a cause”

Oh, good. She can set someone’s max HP to 1. And she used it on Edea. Because even at level 99, Edea has to die at least three times per fight

I don’t think she expected Quadruple Meteor Rain Yew, though. That’s what you get for shit-talking a Geneolgia’s family

Oh. She didn’t even revive. Nice

Funny enough, Anne, Yew learned that secret technique after I knew you were here. So, you know, you had plenty of time to avoid that

If Lord Providence is gonna be here any moment now, then he is really taking his time meandering down the Celestial shortcut

Oh, geez! Altair, don’t sneak up on me like that! Holy shit, the sound of his voice startled me

There’s no need to apologize for Providence using Vega to create the Ba’als. You’re both just victims of an uppity god. Though, as a Celestial, I don’t suppose you have any info on your supposed “god,” Providence?

I love how on the same page Yew and I always are. Altair is family now, of course we’re gonna save Vega. Even if none of us know her, she’s special to Altair. And family of our family... is as good as family, too

Ahahahahah! “Yeah! We’re going to crush a god!” Never change, Edea. We’re upgrading from Ba’al Busters to God Crushers!

Altair just called them “my children”! Team Dad! Team Dad! Team Dad!

“Come, Yew! Let us deliver our pièce de radicchio!” ...let us deliver our piece of leaf chicory? Excuse me? Is that supposed to be like “Let’s serve Providence a bitter meal he’ll regret eating?”

Altair, normally I can at least follow your vegetable proverbs, even if they fall flat, but that one was really... uhhhhh?

So the evil fog in the Chasm is a sign that the Dimensions are in flux. “A holy battleground and an angel’s descent. A chasm of darkness and a glimmering ship.” Would that be the Ouroboros fight, or whatever Sylvie was prophesying about?

Clear the mists and reveal the path to the Celestial Realm. Hey, can’t all of us summon Hresvelgr right now? Can we get him to blow it away?

Ah, we’re using Agnès’s pendant, which can connect people between various worlds. It’s already a spacetime anomaly. Neat! I love it when they use lore, especially something like this, which has been established since the start of Default!

And now they pray, with the help of the pendant, to lift the fog. It’s not enough, so they call Agnès to pray, too! It’s still not enough. Yew cries out for help, for anyone to give them strength. In other games, I could see this leading to a pan-out where everyone in the world prays with them...

But here, they just need me. Time to mash “X” like the good old days and clear the clouds away for my favorite team

Aaaaahahahahahahahah. Ahahahaha! Oh. Oh god. So they use the 3DS camera to put your face in the Chasm once the clouds are cleared but oh man. Oh nooooo, that angle. That was not a good look. At all. I started laughing so hard I had to put my 3DS down. Ohhhhhh. Oh man, that’s a heck of a look for the first time the party gets to see my face. Imagine the first time you get to see your spirit guide and it starts cackling and the connection dies for a few minutes. I’m sorry, guys! I’m really - ahahahaha - really sorry!

I do adore how the Bravely series utilizes the fourth wall. The Celestial Realm is (or is at least based on) our world, and every time they depict it (so, this scene and the Ouroboros fight in Default), they use the 3DS camera. The player is every bit a real character in this game’s universe, and they do a hell of a job merging the two using existing elements of the 3DS hardware

God, nope. Still can’t look at it. It’s like a fun house mirror in there! I get that it’s supposed to be at the bottom of the Chasm, so that’s the angle it’s at, but it looks freaking funny!

I’m glad you’re all so focused on Vega and none of you are reacting to my mug plastered at the bottom of the Chasm. It’s still there, even after the cutscene

Oh. I know that place. That’s the background of the Snowcap Ba’al fights. Welcome to the Via Celestio, path to the Celestial Realm, altered based on Vega’s memories

And I guess Altair is going to explain what each Ba’al represents as we go though, which he’s only willing to tell us because we’re all pals now

Ba’al vi: Snowcap - Represents the day that Altair and Vega met, with ski lifts as its background. Altair was vacationing at a ski resort, and sat next to a young woman on the chair lift. They got stuck up there when the weather got particularly bad, and Altair noticed how scared she was, so he picked a flower from one of the trees their lift stopped near (good reach, buddy) to cheer her up. Despite that moment, though, Altair never got her name, and never saw her again before his vacation was over

Oh, don’t be so cheeky, Magnolia. “Though some might say giving a flower to a girl you just met might be a bit forward.” It worked on you, didn’t it?

So, I guess Altair and Tiz are going to be switching back and forth for this dungeon. And Tiz is conscious when Altair’s in control, since he heard that? That’s existentially terrifying

The glowing gold platforms, surrounded by the already very pretty Ba’al fight backgrounds makes for a gorgeous area... but I’m not feeling the music at all. It’s way too dramatic, with blaring sounds, militaristic drums, and weird wind ambience. I get what it’s going for, since this is the final dungeon and should be suitably intense, but it’s really incongruous with the location’s aesthetic, and also doesn’t fit the emotional tone of Altair nostalgically recounting his life together with Vega as we go to free her spirit. Something like this would fit better in a final dungeon like the Dark Aurora, where we were in an unearthly void on our way to the Infernal Realm. I know I mention “Dungeon of the Nature” a lot, but I really wish the Via Celestio music was more similar to that than, say, “Tower,” which is the music they used for locations like Eternian Central Command, like what we got. I’d actually have really loved if the music here was just Altair’s theme, but with the larger, orchestral sounds of “Dungeon of the Nature.” Something melancholy and soft, but no less grand. Altair’s theme played on piano, but with chimes and a string backing track

I actually don’t like “Tower.” At all. I think it’s probably the worst track in the game. It’s just so dissonant, and I turn my sound off every time I go into a dungeon where it’s playing

Alright, kids, it’s been fun, but you’re gonna have to turn off Obliterate for a sec so we can get those last three Catmancy skills

Okay, I don’t get Luxendarc sometimes. You kids have ketchup and baseball, but Altair had to explain what skiing was? You mean to tell me someone figured out how to make a specific type of tomato-based sauce and independently came up with the rules for baseball, but no one thought to tie planks to their feet and slide down a snowy hill with them on? Seriously, guys

Yew asks everyone what their plans for the future are. Edea says she’s gonna help with the Eternia-Orthodoxy peace talks, so she and Yew will probably still be working together. Tiz just wants to retire to Norende at age... 19? I mean, I don’t really blame him. He did die several times and kill multiple gods. I’d want a break, too. And Magnolia feels she has to return to the Moon and finish helping everyone there recover. Yew is disappointed. It’s a hard position to be in, you know? He loves Magnolia and will miss her dearly, but he also knows how much the people of her home mean to her and he would never come between her and them

Ba’al v: Urchin - Represents the day Altair and Vega met again in the spring, when Altair was transferred to work at the place Vega did, with its background being the rainy exterior of an urban office building with a couple that occasionally passes by, sharing an umbrella. There are little flower gardens, and a city skyline can be seen in the distance. As Altair tells the story, we see silhouettes of himself and Vega acting it out. Or at least, I assume it’s them, since “Altair” looks a lot like Yew in an ankle-length trench coat and “Vega” is just Magnolia’s researcher costume. Altair was an extremely successful scientist, but his superiors grew jealous of his skills and transferred him to a remote, less prestigious location. Altair was so distraught to be there that he ran right out into the storm. Right into acid rain, due to severe pollution in his homeland. Unbeknownst to him, however, he had been transferred to the very place Vega worked, and when she saw him run out, she followed him and offered to share her umbrella. Altair muses how this means that at the time, Vega must have remembered their first meeting on that ski lift, since it became a Ba’al, and he chuckles quietly to himself. Fate, indeed

So the last room had little snowy trees peppering the walkways, and here it’s rainy streetlamps and road signs. God, I love the visual design here. And now that I’m not fighting the Ba’al, I can get a better look at the gorgeous backgrounds

Ba’al iv: Goldie - Represents Altair’s first date with Vega that summer, where he confessed his growing love to her, with an absolutely gorgeous background of a Japanese festival. Lanterns and trees surround a single torii as fireworks go off in the sky above. The appearance of Goldie comes from their attempts to play the goldfish-scooping game they have at Japanese festivals

This is all coming across as so incredibly sad. Altair loved Vega with all his heart, but it sounds like he didn’t even really realize how much she cared for him until right now, where he’s seeing exactly what memories she treasured. And is seeing them twisted and used against the both of them

And Edea’s noticed something else. Meeting in the snow, sharing an umbrella, goldfish scooping... Yew and Magnolia have been unintentionally reliving Altair and Vega’s romance. No wonder he’s so adamant that Yew confesses sooner, rather than later. Altair knows how this story ends

Our little set dressings this time around are floating lanterns. I’m actually surprised there aren’t mini fireworks bursting around them

Most of the enemies in the Via Celestio don’t add a heck of a lot to the lore, but one does: the Spartan. It’s the final variation of a specific type of automaton we’ve been seeing throughout the game, that Altair comments on every time they show up. Turns out, Altair invented them to be caretakers for the Celestial Realm! They uh... I don’t think they did that great a job, but it’s the thought that counts!

And the Bestiary entry is basically “Okay but how do rocket punches and optical camouflage... help? With caretaking?” “I dunno! But isn’t the technology awesome?” Altaiiiiiiiiir

Ba’al iii: Apparati - Represents the struggle Altair and Vega faced together as they tried to continue their research despite the improper equipment and poor funds afforded to them, enhanced by the depiction of the interior of a laboratory with static-y, crackling monitors all over in the background. If we’re following the pattern, then the falling leaves and bare trees outside the window indicate autumn. Vega really kept Altair’s project going, by sneaking restricted data out of the archives for him and coming up with creative solutions whenever he hit a mental block. And when their hard work paid off and Altair’s hypothesis was accepted as scientific fact, then he knew he was absolutely in love with Vega, the woman who supported and aided him and who constantly encouraged him to be his best self. He was a different, better person around her, and he knew it

“If attraction is gazing into one another’s eyes, then true love is setting those eyes on the same shared goal... or so my theory goes.” I can’t say I have a lot, or really any, romantic experience, but this is something I believe strongly. A romantic partner is someone whose skills and personality differ from yours, but also complement yours, and yet who strongly value the same things you do. If you can’t agree on what’s most important to you, then you can’t connect on a deeper level. And I’m not saying, like, find someone who thinks exactly as you do! Because that’s not healthy. But find someone who you can agree on the important things with

Also, love that Altair distinguishes between “attraction” and “love” because they’re very different things, and I so often see people conflate the two

Seriously, guys, leave Yew alone! He’s 16 and this is his first foray into romance. That’s scary and overwhelming!

And there’s bookshelves and stacks of books with desk lamps on top littering the pathways

Ba’al ii: Redcoat - Represents the night that Altair proposed to Vega over dinner. Honestly, this is my favorite Ba’al fight background. It’s just a very pretty, snowy, city skyline with a tall tower and a suspension bridge in the center, but there’s something so beautiful about how simple it is and the shade of light blue they used for it. Altair describes it as a holy night, and since Redcap is a demonic Santa hat tangled in lights, I can only assume he means Christmas. Poor Altair, however, couldn’t afford a wedding ring. Their program funding was awful, after all, and what they gave him for personal pay, he spent on more research to make up for what they didn’t give him. Vega told him she didn’t mind, but he still felt incredibly guilty about it. They married with a small ceremony, and Altair eventually bought her that ring... right before the trip to Luxendarc that tore them apart forever

Altair tells everyone not to despair, since he lived a good life and had goals that he truly believed in that he knows he gave his all working towards, and I can’t help but think back to Anne’s speech about purpose. Altair isn’t technically human in the Luxendarc sense, he’s a Celestial, but he managed to find his own greater purpose and it made him stronger

“You must all live your own lives as well. Have courage! Be brave enough to default on the expectations of others!” WE DID IT BOYS, PACK IT UP, WE GOT A TITLE DROP. In all honesty, though, I love what the games say the symbolism of each title is. To “Bravely Default” is “to have the courage to go against the expectations of others” and to “Bravely Second” is “to have the courage to try again,” and by doing each of those can you get the best ending in each game, further enforcing their message (even if I thought it was a little botched in Default. You're supposed to be going against what Sage Yulyana says... by following Airy, who you were going along with from the start, so there’s really no “courage” involved. Gameplay-wise you never actually disobey anyone, because you completely obey Airy, though I suppose you still have to disobey Sage to an extent, who you trust more at that point)

Tiz has a point, too. Maybe Altair is content with the life he had, but it’s still not fair for all of his efforts to be rewarded with his and Vega’s suffering

Our road-markers in this room are banquet tables with a nice Christmas dinner on them. I was hoping for Christmas trees, but that’ll work, too

Seems like this is our final Tent Event. Magnolia’s cooking is fantastic as always, but the stress is getting to Edea. She’s so worried she can barely even eat, and Altair’s story has really shaken her. Of course it would effect her the most. She knows better than anyone what it feels like to be separated from someone you love across time and space. They’ve packed the leftover food for sandwiches. They’ll eat when they’re ready. One more megalixir, as a gift from our fox friend who I notice found his way into a dimensional rift, and we’re on our way

The final room is a straight bridge, adorned with roses, candles, and floral archways. The background is a church on a hill, blossoming trees on either side and doves soaring across the sky in the background. Ba’al i: Turtle Dove. Altair and Vega’s wedding. This one doesn’t need an explanation from Altair. Just one last save point between us and the end. Don’t think I haven’t noticed you’ve somehow gotten in here, too, Adventurer.

“This is it... our final battle!”

“Let’s do it!”

We’re in a chapel, with nothing but soft wind. Unlike the silhouettes of the Ba’al backgrounds, this is undeniably physical. And gorgeous. Very Baroque in its architecture

Vega’s voice is so much softer than I imagined it would be

I thought she sounded familiar. It’s Eden Riegel, who also voices Anne, so her range is commendable. For those curious, she also voices Iris in Final Fantasy XV, Devola and Popola in NieR and NieR Automata (I think what tipped me off was how similar her Vega and Popola voices are), Marie in Persona 4: Golden and its spinoffs, and Estelle in Tales of Vesperia. And those are just the ones I recognize! Her older brother is Sam Riegel, also a voice actor of renown and player on the D&D show Critical Role, which exclusively stars voice actors. Sam’s great, and probably one of the funniest people on that show. Good to see Eden’s doing great work, too

I guess the thing of note, though, is that she is NOT the voice who narrated the ends of Chapters 1-4 as I had suspected. Her voice is decidedly softer and not British. But if that wasn’t Vega, then who?

She’s so lost in her despair. She’s begging Altair to explain why he left, and why he didn’t come back. She won’t even listen to him explain that he tried, that he died and just couldn’t make it back

Someone told her the wrong meeting place to meet Altair that day. The reason she wasn’t on the ship was because someone didn’t want her on the ship

Ohhhhhh I did not like the voice distortion on “Why didn’t you protect me? Why didn’t you keep me safe!?”

Fuck, Altair? Altair! He just collapsed screaming with black and purple mist coming off of him. Black and purple mist that just formed a robed raven-faced humanoid with the worst voice distortion I’ve ever heard

Hey, are you Providence!? Get off of my weird vegetable-proverb spouting friend, jackass!

I can’t tell if that’s Vega’s voice layered under Providence’s or just another feminine voice. Could be Anne’s, too, since they’re both Eden Riegel

Also, Providence’s theme is pretty great? It’s got hints of the Ba’al music boxes, with a one woman wail in the background

“I’ve never tasted anything so exquisite!” Were you eating her despair? Of course that’s all she was to you. A food factory. And the sadder and more hopeless she got, the better for you, right? God, you’re like depression made physical. I’ve always wanted to punch the concept of depression

She’s held on for so long because she desperately hoped to see Altair one more time. And you used it against her!

And you saw Luxendarc, the world that was intended to be her safe haven and the place Altair was, and decided you were going to use her to power its destruction to break her further by making her feel guilty. What did she ever do to you!?

Okay, two things. One, you’re a fucking dick and I’m gonna strangle you with your own ribbons. Two, the T-pose doesn’t look any better on you than it did on Anne

That’s my boy! “We deny you because we are mortal! [...] our emotions, the memories we create with others - good or bad, this is all we have! I deny your right to claim them for your own!”

“I’m done letting you use the hearts of our friends as your personal plaything! We’re gonna send you flying to the edge of time and space!” Crush a god, Edea! This jackass has no place ruling anyone

Oh, Tiz. “He might be goofy on the surface... uh, like a cantaloupe? But inside is a sweet and sensitive soul! He’s suffered long enough, Providence! It ends today!” This is as much for Altair and Vega as it is the safety of Luxendarc. But, like, I am especially going to kill you for what you did to Vega. No one deserves God Depression

“Nothing is ever hopeless! It’s never too late, you’re never too weak to fight for what you truly believe in! I believe in a world ruled by hope, not despair. And thanks to my friends, I have the courage to fight for it!” Bravely Second, Magnolia. Bravely Second

Oh, poor baby. The light hurts your eyes? Shut them and make it easier for me to end you

That fight background is awesome! We stand in a grassy field, surrounded by telephone lines. A city skyline in the distance. A freaking GALAXY in the sky, with red-violet clouds. And this music is perfect. So perfect! Grand orchestral scores, with sections of electric guitar and lo-fi beats, all held together by sweeping chants. Holy shit, Providence may look pretty dumb, but this fight’s oozing style

What... so Providence can force a party member to do do his bidding? Like having Magnolia try to strike Yew down. That’s not great, but your first instance of doing so is using my healer to attack. And I’m supposed to be scared of you!?

Get him down enough and he starts consuming Vega’s energy to heal up 10,000 HP every few seconds. Fucking rude. Altair’s so upset he took over Tiz and is screaming for Vega... who can hear him. And she’s fighting back! All Altair had to do was tell her the compass was completed and their dreams could come true and her hope reignited!

This ass can still cast Doom, though

OR HE CAN JUST SAY “YOUR LIFE ENDS HERE” AND WIPE THE PARTY. God... dammit. Like, actually damn this god. What a dick. This is what I get for trying to have Yew conserve his MP. Chainspell Meteor Rain is prepped for next round, bitch

I could easily skip replaying this scene, but I wanted to watch my kids trash-talk Providence’s ideals again

God, I forgot to take Obliterate off of Tiz AGAIN. I know it won’t ever work and it’s just wasting a slot right now. I’d still die laughing if it worked, though

That can’t be the end. This is a JRPG, there’s at least one, probably two more forms coming. And come on, you only drop 980pg? What, are you a broke god? What an ass

Vega’s pink soul seems to be freed, though. And Altair’s spirit finally leaves Tiz, his color being blue. They’re really cute together, even if they are just floating, colored orbs

Is... is Tiz gonna be okay, though? Altair’s soul was kinda fueling his... everything

We shouldn’t keep them, though. I think it’s time for both of them to move on. Gonna miss ya, Altair. I know I’ve made fun of you in the past, but I’m glad you were part of this journey

“Keep your hearts like chamomile!” Just had to get one more in there, huh?

I’m so glad Vega’s here to make sense of this. “Chamomile is said to grow best and strongest when trodden on, you see.” So learn from our hardships, and continue to grow ever stronger. Stay stalwart in the face of adversity. Can do, you crazy, crazy Celestial man. Can do

Oh, so I have Vega to thank for your absurd produce tirades? She started the proverbs to get him to eat vegetables. Jeez, Altair, you sound like my dad. The man’s in his mid-50s and still refuses to eat any vegetables but corn and peas. Which SUCKS because I LOVE vegetables, and we only get to eat a bunch of ‘em at family dinners if he’s not around. I had a vegetable burger last night and it was GREAT

“And eat your vegetables.” YEAH, THANKS. I will! Somebody get me a carrot right now! (I’d get one but I don’t feel like peeling one at 9:30 at night, which is when I’m typing this)

Awwww. Altair finally ate vegetables once he got to Luxendarc because they reminded him of Vega

Yew should confess to Magnolia, WE GET IT. Let him figure out his own emotions! Stop pressuring my boy!

Bye, you two! May your afterlife together hold only the best!

Ohhhhh that’s what happened. Okay. So when Providence used Mandate of Heaven to have Magnolia attack Yew, she wouldn’t actually do that on her own. I had to make her do it, and because I didn’t in the set timeframe he used Divine Punishment to wipe the party. I totally misunderstood what was happening there, since Magnolia had negative BP and couldn’t move, and the very next turn was when I triggered the mid-boss cutscene with Altair. The second time I simply killed him on the turn after he cast it on Tiz, so it didn’t matter. That’s a very bullshit tactic and I am eternally grateful to Meteor Rain Geneolgia over there for ending the fight in a timely fashion

WAIT. Remove Obliterate from Tiz, genius. And heal. Trust no one

Hahahahaha okay, yeah. Yeah. I was expecting a cutscene before round two, and I’ll admit the harsh cut to the screen-shattering battle intro when I tried to leave the room made me jump a bit

This is what I saw a screenshot of before I played the game. Before the game even came out in English, even. I was looking up Airy’s sister after beating Default, because I saw the art of the Kaiser and Anne, assumed she was Airy’s sister, and wanted to know if she had a name. Saw the line “Anne works for Providence” and a low-res picture of Providence and clicked out immediately, but was left with the knowledge that the final boss was a purple pyramid named Providence. Seeing it now, there’s so much more to it than I remembered

We cut to the sky, a brilliant blue galaxy that the party is floating in. Magenta clouds adorn the top and bottom of the screen, and from them semi-mechanical, semi-organic looking hands of magenta and black descend, fingers wiggling. An inverse pyramid comes out of the cloud, and the gigantic eye in the center opens and glances around manically. An inverse Eye of Providence, that grants only poor fortune

Tiz, you should know better than to think this was the end. Ouroboros had, like, two forms and five phases

Providence’s voice is distinctly feminine now. And now that he’s unchained from Vega... there’s no internal fight to hold him back

“Who is it that controls you?” *Providence’s eye looks directly at the camera* What? What? I’m his aunt/mother figure/big sis/etc.! And I’ve done a hell of a job keeping him alive, thanks. I don’t see you standing against that Meteor Rain for long!

Man, what is up with this naming scheme? The hands are labeled Providence B and Ab, and the pyramid is labeled Providence Aa

O-oh? Providence can use its own Bravely Second while I’m in the menu? It... did barely any damage, but that’s startling

He’s pulling a *redacted character* Undertale and I will not stand for this! (I actually super love Undertale and I’m excited that Bravely’s pulling the same meta nonsense in battles that the final Genocide run fight of Undertale did)

I... You’re talking to me? Me, Liz, the person sitting here. I... look, I know these kids don’t actually know who I am, that all of the affection I have for them is one-sided. I know my poor decisions have gotten them hurt on occasion. Would you rather I have never played the game? What would that have gotten them? Sometimes you have to struggle for a resolution that benefits everyone, for a good resolution. I will never regret getting Tiz out of that Chasm. Or saving Yew from Denys. Because all of those kids standing there deserve a happy ending and I want to see them get it!

“Persist in this battle, and Yew and his friends will only feel more pain.” Said in a tutorial description box. Look, I want Yew Geneolgia to be happy, okay!? I’m gonna get him a good end! If I stop he ends up stuck in the Via Celestio for eternity! I’m getting him and Tiz and Edea and Magnolia home and you. Can’t. Stop me.

“Isn’t it enough? How much more must they suffer to satisfy you?” Ideally, none! I don’t want to see them hurt, but I want to see them fail to save their world and lose everyone they love even less. Tiz is gonna retire, Edea’s gonna be Grand Marshal, Magnolia’s home is gonna be safe, and Yew is gonna make a new family legacy that he can be proud of! That’s all I want out of this!

You think you can make me feel bad by treating me like I’m just here for the gameplay? Because battles are fun? Joke’s on you, I don’t really care about gameplay! I’m here because I love these kids and I want to spend more time with them! I want to see them grow and find their happy endings, and they give me hope that someday I can find one of my own. SO FUCK OFF

You aren’t my god, bitch

It... means you can cause screen and audio static? Hey, idiot, I do that to myself, accidentally

You don’t control me! You control my input device at best!

Stop that. Stop making my kids hurt each other. I’m not the one who wants them to suffer, that’s clearly you. I would never have the game play at normal speed. 4x or bust

Despair? Oh, this isn’t despair. I’m just fucking pissed. Sorry. I don’t really get sad when there’s a target to take my anger out on actively taunting me

Yeah, fine, just boot me to the start screeeeee-NO. Hey. NO. Take that cursor off of delete. I’ve accidentally deleted save files before don’t do that! Mmmmmm every button just makes it go closer to “Delete All” come onnnnnnn. I will replay this game over if I have to, Providence! I’ll be back in another two years you can’t stop me

I don’t want to press the button. I know I have to. I know the game devs couldn’t possibly be so cruel as to actually erase the files. Not to constantly bring this fight back to Undertale, but it didn’t get me when your save file got “deleted” at the end of a neutral run. It’s so much worse in this game when you have to press the button multiple times and inch it ever closer to delete, knowing full well that the only way to avoid it is to give up and turn the game off

...I hope the game, like, records how long it takes me to finally press that button. I’m just making entries here to stall at this point

Changed into pajamas, went to the bathroom, and messed around with the current timed quest in Hogwarts Mystery for a bit and they still want me to press the button, huh?

...fine. Supposedly there’s a shield that you can only get if you play through the whole game on Hard (EDIT: Nope! The wiki was wrong again) so I’d have to go another round, anyway. Do it, Providence. I dare you

JUST LET ME PRESS “NO” YOU WIGGLY FINGERED BITCH

Yew! Yew, buddy, I’m trying!

THANK YOU MY PRECIOUS BOY. I DID NOT EQUIP YOU WITH A SWORD BUT THAT WAS STILL BADASS AND I’M SO PROUD OF YOU

Ahhhhh! Orchestral version of his theme! I’m actually crying I love this boy

“There’s someone who’s been here, supporting me, all this time.” Yes, hi! Hi, kiddo. You’re great! You’re so wonderful. You probably didn’t see me wave at you when my face appeared in the Norende Ravine, but you’re awesome and I’ve never been prouder of someone

“I’m fighting for you, too!” And I want you to be happy! (I’ll be honest, having Yew talk directly to me is really powerful. I just wanna, like, poke the screen where his hand is and high-five him. Best boy)

YEW GENEOLGIA LOVES ME MORE THAN ANYONE ELSE IN THE WORLD DOES

Nope, I’m actually crying. Hahah. My favorite character thinks I’m cool. That’s a hell of a self-esteem boost

“It’s your will, and mine! We’re in this fight together!” Always, buddy. Whenever you need me

He used the letters SP from the title screen to activate the hourglass. That’s so smart I love the nerd kid

Yeah, Agnès, I love you guys! I’ll always come back to defend your world, even if just to see you again!

Janne. Janne, I really do not like you. Please shut up. Your encouragement is just making fun of me for helping Yew? Wow. Okay. I see you’ve learned nothing

At least Nikolai is grateful for me giving even the empire’s people a second chance

You know what, Minette? I’m glad you’re happy. I hope you get therapy! But a new dad is okay for now

Bella is... smiling? AND HELL YEAH, MAN. I’ll keep fighting for you, Cú! Some conceited eyeball ain’t gonna stop me!

Norzen you-you had glasses this whole time? Wow, I could not tell from a distance! Sure, cloud grandpa. Stars. Yes

Aimee did you and Angelo... really do anything? A’ight, sure, I’ll save your romantic future

Yeah, I can make it as if Providence never existed, Geist. “‘Cause this is our world, right? And you were a part of it, too!” Yeah, I was, Rev. Thanks, kid

So the screen shattered and... DENYS! Hey! Hey someone grab his ass right now! Someone save Denys please he’s right THERE!

“Promise me... that you will watch over my brother. Farewell, my friend... and thank you!” You deserved so much better, Denys. Sorry it doesn’t seem like saving you is in the cards right now. The second I can, I will. Then we can look after Yew together!

My emotions hold power... OH I’M PRETTY SURE BOTH MY RIGHTEOUS ANGER AND LOVE OF YEW TRANSCEND TIME AND SPACE. That’s MY BOY!!!

...oh shit he’s out of MP uhhhhhhhhhhhh

Thank god I never use items and had Elixirs

Get. WRECKED. Singlehandedly. By Yew Geneolgia triple-casting Meteor Rain after Tiz and Edea took out the hands

Also, I didn’t mention, but the music for this fight does exactly what I adored in “Serpent Eating the Ground” last game: most of it is clearly the boss’s dramatic song (already really great, as mentioned in Providence Round 1), but then partway through it cuts to remixes of each party member’s Special Attack song, melded together into one flowing number that completely overrides the Boss’s sound, in a musical indicator of our triumph. There’s some of the main theme of the game, in a sense, I guess you could say representing the player. And I think I heard a bit of Denys’s boss theme in that section. Fitting. He did send me back to the party, after all. And this section only starts up once Yew cuts through Providence’s manipulation, furthering the sense of triumph as the party actively overrides Providence

Well, that’s that, huh? Everyone’s back on Luxendarc, the path to the Celestial Realm is closed, and Altair and Vega have finally moved on together. Seems... there’s not much more I can do for you guys, huh?

...where’s Tiz?

Nonononononnooooo I knew he wasn’t gonna be okay without Altair. No, come on. Tiz, you can’t do this to me again! He just wants to retire

I... should we hang up on Agnès? I don’t know if I want her to watch this. Can’t we just shove me into Tiz again? I can keep the game running until my 3DS’s inevitable complete destruction

Y-y- ...I see. Vaguely British female voice? It was you all along, my Adventurer friend. Or should I say, miss Narrator? By what strange trick of fate do our paths cross anew?

No, Magnolia! She clearly knows... something. And I can tell she’s more than what she seems. How else... could she have made it into the Via Celestio on her own?

I can’t watch Tiz go comatose again. If you’ve got a way to save him, do it already

“But what is a soul? But the embodiment of our wishes, dreams, and desires.” Ummm... the metaphysical culmination of a person’s being? I’ve never quantified a soul before

Fill Tiz’s body... with the dreams needed to bind his soul. And uh, Yew? Yew. Is dumping the hourglass sand on him the best idea?

Oh. That’s how you ended up in those dungeons. You can just open warp gates. I see.

And she handed the hourglass to Tiz in the past... on his way to the Norende Chasm, where we first got the ability to use it in Default. And she was wearing green. I can’t for the life of me remember if she ever wore green in Default, but it wouldn’t surprise me given the amount of sequel nods there were in the international release. What, do you just change into green when you go to the past so your past self knows what’s up?

So ideally, we now have an hourglass with two games, or two and a half years’ worth of dreams in it

Did you create a time loop where the hourglass didn’t exist until Tiz had it and won’t exist after, or did we have two hourglasses and never notice?

Where would that even be hidden on Tiz’s body!? He was in a medical jumpsuit! ...oh, ew. I really hope it was in his pants legs and not... elsewhere

Oh, good, Agnès has it. Whew. Crisis averted

And the Adventurer finally introduces herself. A long, silver-haired woman named Deneb. One of Altair and Vega’s old friends. And, most importantly, probably another Celestial. Possibly the last one alive on Luxendarc

*Great Distance starts up for one last go* Run Agnès! Run with all you’ve got!

Credits are rolling. Let’s see those happy endings we all worked so hard to get

Nikolai is back in the priesthood, preaching to the New Crystalguard, of which Janne seems to be a member. I’m happy for Nikolai, still mad Janne never got over himself, but we can’t win ‘em all. Best of luck, gents! Call me in a few years when Janne has finally grown up

Bella and Cú are just walking around in... Eisen? Ah, well. They’ve got each other. Hope they find a home that accepts horsemen. And I owe you a two a special thanks! The Spellcraft and Triple Wield abilities carried this team, and the Yew Meteor Rain strategy couldn’t have happened without it!

Norzen is back to teaching, and Rifa and Pudgius are glad to have him there

Minette’s happily sailing with her new dad and his cat in his little rowboat. Remember what I said! Therapy!

Aimee and Angelo... did not set up shop in Gathelatio. Or they just haven’t moved locations yet. Pancake business is booming either way (You guys should seriously move, though. If more adventurers find out that Obliterating Chompettes is some of the best experience in the game, they’ll just loiter outside your shop all day and scare away customers! Customers that I’m surprised you even have at the deepest spot in a high level dungeon. ...maybe that’s the actual problem with your current location)

Geist and Rev are... standing around posing in the old seaside shack that was sold to Profiteur? He’d better not have gone back on his deal after I defended him like that!

Aw, Lotus is teaching Sakura to fly the Rubadub. I’m glad those two were with us through this journey

And Great Distance fades out as Agnès arrives, no more distance between her and Tiz any longer

“Good morning... Agnès.” Don’t ever scare us like that again, buddy. Happy retirement

*Great Distance back for Round 2* And now we’ve got the party epilogues!

The new Grand Marshal of Eternia contemplates what to do next, her second-in-command Alternis at her side. When faced with a conflict between two factions, Edea decides she has to go herself, because if anyone can make them see eye-to-eye, it would be her. And I believe her. Alternis declares that he would go to the ends of the world for her, in a way that makes you question whether it was Ringabel or not. Given the way Edea looked forlornly down at her feet, I’ll say “not,” making this a bittersweet end for her

With the peace talks over, Agnès has resigned as Pope, leaving everything to the Matriarch and new Vestal, Sylvie. No longer a Vestal, she has no reason to cling to the surname of those wed to the Crystals, Oblige. No, she’d rather be Agnès Arrior. And now she and Tiz are engaged and planning to move to Norende as farmers. I’m happy for you kids! Enjoy retirement with your sheep. You’ve both earned it

Music fades out again as we cut to Magnolia in the Buster Ship, musing about how wonderful Luxendarc was. Yew races to where he first met her... but her ship is already blasting off back to the Moon. And a ballad starts up as Magnolia walks up to him after he laments that he never confessed. That confession is as awkward as I hoped it would be. And then Magnolia winks at the camera (hi!) and muses about how love really can transcend time and space. Turns out, people on the Moon only tell their true names to the person they wish to marry... and she just whispered something into a very red-faced Yew’s ear. Cute! Just remember he’s 16. Give him a few years to get his bearings, Magnolia. I have no idea how old you are, but maybe take it a little slower. Best of luck, you dorks

One final shot. The Geneolgia mansion foyer, but this time Foundar’s portrait is gone. Now it’s a portrait of Yew, Tiz, Edea, Magnolia, and Agnès eating dinner together... with Denys standing behind them. This is the real Geneolgia family. The one that deserves to be celebrated.

And there goes my name in the credits. Thank you, Bravely Second team. It was a hell of a time and a hell of an undertaking. Almost two years since I started this liveblog, and it evolved rapidly from just a few reactionary bullet points to a full on analysis/reaction. And I’m really glad I did it. I’ve gotten to talk to some cool people thanks to this, and I hope they enjoyed the ride as much as I did!

I really wish I could stick around, kids, but I guess that’s just not how games work. Just let me know if you ever need me again, and I’ll be there. And this time maybe it won’t take me two and a half years to get to it. I’ll do my best!

One final scene, post-credits. Ringabel narrates that they found “the third key,” The Sword of the Brave, to a Vice President over a hyperrealistic shot of the moon

And now we have the final, true New Game+. I love the sparkly little border on the cleared file. But, hey, this isn’t the end yet! The Bestiary isn’t complete! We’re still missing items! And it’s all thanks to the three postgame dungeons! ...but I won’t bore you with that unless there’s demand for it

That being said, there’s still going to be one more update! I plan to do one final retrospective on this game as a whole. What it did wrong, what it did right, and my overall thoughts on the experience. I understand if that’s not everyone’s cup of tea, though, so for those who won’t be joining me, I hope you had a good time reading and thank you for spending the time to look at my ramblings on games I like. For those joining me for the retrospective, thanks for reading! Until next time!

#bravely default #bravely second #liz liveblogs bravely second

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televinita · 7 years

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Zoo 3x08

♫ If you’re looking for truth, don’t come looking for me ♫

-- Echosmith, “Safest Place”

And if you are looking for me, I will be over here playing Mitch's new theme song on repeat while you read.

But first:

WELL ALL RIGHT THEN. Abigail found the secret passcode to earning my wrath, and it's called "emotionally torturing Jackson about his family and failure to save them and/or being responsible for their deaths" (LISTEN ZOO I know you don't know this but I am still pretty emotionally compromised about The O.C. and Ryan's savior complex and the number it did on his head after a certain fiery car accident of his own, so I don't think now is the best time to prod this wound.)

I'm not saying I can't use this footage of Jackson strung up by his wrists, or that I didn't feast like a tiger upon the spoils of said emotional torture, just that.......actually on second thought I can't remember why I came to this review complaining.

(Also wow I really enjoy the part where Jackson started to snap out of Zen mode when he heard she'd compromised Mitch, and him desperately trying to talk Mitch out of Duncan mode. I still do not know quite how to articulate what it is that delights me about their relationship to each other, but Jackson's side of it was on full display)

Alpha Ship

Keep you far, keep you far from what I know You'll be fine, you'll be fine, just don't look closely now

First of all,

"Aunt Jamie can't really hold her liquor" OMG. I'll take "things that definitely still happen in the AU where Mitch and Jamie had a life together" for $200, Alex. (that quote in some context, at least. maybe not the two-man abduction carry)

Anyway I am just gonna be over here making high pitched squeals about Mitch smoothing her hair out of her face and everything else about these 4 seconds before Max starts talking, because I kinda feel like this is as close to an aftermath-of-rescue with them in these positions as we're going to get this year, and I would like to to wring every drop of visible Caring I can out of it.

"If the team finds out what I've done, I will lose everything. I'll lose Clem -- Jamie -- everything."

Well that hurt me good and deep. Can someone please call all the ambulances? My heart is under attack.

He has a fair point to be worried about: even if they understand, how would they in good conscience be able to keep him around if they don't know what he can do as Mr. Duncan, or how Mr. Duncan takes over? How can they be sure of their own safety alone with him, given how the biodrive might affect things?

On bright side: I forgot I had seen the kiss in this episode early, so that was a bolt out of the blue of PURE UNADULTERATED SHIPPY JOY when my eyeballs encountered it after seeing the context of Mitch being Sketchy As Heck and deserving none of Jamie's wholly sincere reassurance*, but desperate for it anyway. I choose to believe he was on the verge of spilling the beans at that point, but maybe not quite all the way there until the kiss sealed it.

*you are hereby forgiven for the Reiden Tower lies

Morgan & Morgan

I love Squirrelly!Mitch and I loved everything about him and Max working together and accidentally almost having some heart to hearts. Especially Max The Number One Mitch/Jamie Shipper giving him advice that Mitch actually takes about coming clean (or tries to take; thanks for being both the solution to and the cause of all our ship problems today, Max!).

The temporary blindness side effect was my favorite part, especially his insistence on hiding it when Jamie needed an actual airplane-crashing scenario to be distracted enough for only moderate concern at his short-circuiting and Max's oddly eager intervention (honestly, at a certain point he might as well have been hopping along singing "We're off on a secret mission!"). I enjoyed the humorous elements, but would not have opposed a multi-episode arc for the more serious, if this show had made room for it.

Bizarro Alpha Ship

Lies unfolding, cover your eyes

I've remained pretty neutral on the whole Duncan Reveal thing, and I think the reason is: listen, if you want to give me two Billy Burke characters at the same time on one show, then that... well, let's just say this is a fair imitation of the list of Billy Burke characters I have scoured the far corners of the internet, libraries and streaming video sites to enjoy.

But. THE ENDING. 100% agree with empress-of-snark's assessment:

I’ve never really wanted to see one of my otp’s beating each other up, but like…. I get it now. There was something immensely satisfying about seeing Jamie elbowing/kicking Mitch in the face, and I don’t understand but I enjoyed it (probably cause it wasn’t really him technically, but).

I also really enjoy when he first turns around with that eerie, dead-eyed stare (oh hey Gary Matheson redux) and she realizes who he is. This is ONE thing I'll admit sci fi does well -- the mind control / body takeover trope. I delighted in this exact same thing once on Under the Dome’s third season. There is nothing more chilling than seeing a character you would have sworn on your life would never harm their significant other be prepared to do exactly that, with no off switch. It's a much better experience as a viewer to know that it’s beyond their control than to find out they are actually human monsters, though.

And it's an even better experience when Jamie just steamrollers over any unhelpful emotions she's about to have with the steely resolve of Fine, It's A Beautiful Day To Kick Your Ass, and suddenly I'm wondering how low-prole it would be to edit and remix this fight with a subtle backing of "Move, Bitch." (why is the chorus of this song always relevant to my interests)

In other words: all fear and trust and betrayal issues can take a backseat for now because Jamie has one job right now, and I love that she has enough confidence and skill to know she can go through him if she has to.

Odds and Ends

I sat through Logan's entire waste of screen time in order not to lose my understanding-the-plot momentum, and so far I regret that decision.

Okay fine the Kenyatta family spooning was pretty adorbs.

Max trying to use the L word = aces

Out of all of AI Logan's comments, "I have an unfortunate announcement" is my very favorite. I want to use that all the time. Why isn't easy embedding of sound clips a thing.

Jackson attempting to strangle Abigail with his legs? Kinda workin' for me.

I think my favorite thing about Max and the Summoning Rod is that it's very much like the things Mitch ran Jackson through last year. Not so fun to be the guinea pig getting told to buck up, is it?

Should it concern me that I didn't even realize Clem was absent (off in Tankland) until they mentioned her?

Overall: minus Logan's non-AI scenes, WHAT A FUN AND WILD RIDE THIS WAS. By far the highest quality-per-minute density of the season for me. Superb sister episode to Howler Sloth.

I've had so much fun skipping back through it and watching the characters run around*, I keep legit forgetting the plane is going crazy because there is an octopus with snake legs (or something) they had to hack to death. There is so much IN this episode I can't possibly cover it all. It feels like lasted 900 years in a good way.

*or in the Morgans' case, sometimes, remain calm and blissfully unaware while the women nearly die following the Bitches Get Stuff Done model; the juxtaposition between the two drastically different panic levels cracks me up every time.

I have already watched a few minutes into episode 9 because that was a WTF cliffhanger, but I think this is as far as I am gonna get before next new episode.

#cbs zoo comeback project #I kept thinking of more things I was happy about so it got long #honestly I could write more if I had the time and maybe gifsets to split it between

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yournewhappyplace · 7 years

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Full PlayLew: Kingdom Hearts

hey so it’s been a while since i really wrote anything about games but recently i bought the Kingdom Hearts HD 1.5 + 2.5 - ReMix - collection (not to be confused with Kingdom Hearts 2.8 Final Chapter Prologue you silly goose) which is a collection of Kingdom Hearts, Re:Chain of Memories, Kingdom Hearts II, Birth by Sleep and full cinematics for the two early DS games...that’s a lot of Kingdom Hearts...and because i only owned my first PS2 in 2013, i missed out on the whole Kingdom Hearts shabang! so let's document my first playthrough of the game that started it all; Kingdom Hearts! depending, i might write up a post about all the games as i play them and tell you all what a Birth by Sleep is but for now, let’s keep this Simple And Clean and start with the first game

(warning: spoilers for the game and full on rambling)

So there's a reason why I wanted to get into Kingdom Hearts, asides from Millenial Peer Pressure to understand what Simple And Clean means, cus there's one cutscene I saw from the second game where Goofy gets smacked with a rock and Mickey Mouse in a super hot topic zipped jacket gets really upset and the entire scene is both super melodramatic and absurd at the same time and I REALLY liked that. I really liked the idea of this crossover series from the two biggest giants of it's day, just going 100% extra and hopefully taking its premise to the next level...and it does.

Like, one of the first things you do in this game is meet Wakka from FFX and smack him with a wooden sword and there's a cutscene not further on where Aerith is having a serious discussion with Goofy and Donald Duck about a metaphorical darkness and...it's great. i'm going on about this aspect so much immediately because it's my favourite part of the game. the charm and the balance of touching tribute and ridiculous revelations that Kingdom Hearts achieves with merging its properties.

The actual game itself isn't the showstopper here but it's still worth talking about. It plays like a third person action game where you have all the bearings of it's Final Fantasy brethren with random encounters, leveling up, a party system and summons but the game doesn't load in and out of battles, you just get straight into a brawl on the map and there's no turn based battle system. I gotta give the team credit for wanting to make a different combat system than a lot of similar JRPGs at the time because it really helps give the series its own identity from minute one, with both the system and the keyblade weapon that you use to melee and cast spells with. At first it can be a bit jarring and hard to play. Sometimes the camera feels too tight behind Sora (the dude you play as) and processing the 3D space between you and the enemy can be a bit difficult to judge. Also the tightness means you'll get hit by off-screen attacks quite a bit more than you'd feel fair but once you start to get the hang of fighting through tough battles and slowly gain new spells, like a self heal, and a fuckin roll (!), it starts to click and becomes an enjoyable fighting system. The enemy variety in the game could've been upped to keep it more interesting in the later stages but it feels satisying to blow enemies UP with your keyblade (god I love the keyblade's design so much)...and it's hard not to admit the satisfaction of the one-on-one rival battles. When you're up against a dude the same size as you and he's got a melee weapon as well...it is Fire 100 Turn Up The BBQ.

It's a shame that those type of boss fights only really appear near the end because, for the first half at least, the boss fights aren't too great. The worst boss fights that show up in this game are the ones where the hurtbox of the enemy is on a head or a high part of their body, so as Sora you have to jump up and do an air combo at their hurtbox, hoping the hits connect or that you get your full combo out or the enemy doesn't move as you're jumping or the enemy just doesn't knock you out of it...but most of the time that stuff happens and it makes those boss fights some of the most annoying and unsatisfying. There's one boss fight in perticular, at the end of the Wonderland level, which is pretty much the first proper level of the game, that is really tall and his hurtbox is his main body which is propped up on two huge legs and trying to HIT IT is so tough. If you're on the ground, you have to make sure to jump and start attacking at the height of your combo otherwise you'll hit his legs which means that your attacks will literally bounce off him and you'll be flung to the ground. Even when I did get hits in on his body from jumping off the ground, i'd usually only get one or two hits in before I just hit the ground again and...that's not fun! There's a table in the middle of the arena you can climb onto that gives you a platform to jump off and smack him with but ONE that's just as annoying. having to keep climbing up this table to get three or four hits in, fall to the ground and repeat is bad and TWO the table is destructible by the boss! So he can just destroy it and make it even more annoying! Also he takes reduced damage from the 1 out of 2 spells you have at that time. Ahhhhh!!! And whilst no other boss comes close to being as annoying as that, there's still other bosses that use some of it's Anti-Fun Kata Techniques and they can be pretty unsatisfying.

Also some of the worlds in this game can be hit or miss. In Kingdom Hearts you travel between levels that, at most times, are Disney themed worlds like Neverland, Pumpkin Town and Olympus Collesium. Some of them are literally just 3 or 4 rooms, some are bland and some are downright barbaric like the Tarzan level that makes you travel up and down the level several times to trigger new cutscenes or events to progress the story and it can get really frustrating ESPECIALLY when the game doesn't make it all that clear where you need to go or what you have to do, so you're just hopelessly running around, entering in and out of buildings hoping something changes!

So okay, i've talked about what didn't work in this game BUT worry not, positive vibes are coming in the form of my early point; presentation! The game is a Disney and Final Fantasy crossover and the game's use of those licenses helps prop the game up massively. The Wonderland level, whilst not the most interesting level design wise, is propped up massively by just the very idea of it being Wonderland and everything that comes with it. Fun, colourful imagery! Gimmicks involving being huge and small! Twisted geometry spaces! A purple talking cat! Like the way they use their licenses to create these distinct, colourful, imaginative worlds with a diverse set of characters feels like cheating since they're using already existing brands but it's no lie that this all helps create a game that really feels like you're playing on this large Disneyland rollercoaster that shows you the world! And you're not just going by saying “I recognise the thing! I clapped!”, you're fuckinnnng in the thing! You're interacting with all the things! Sometimes you even kill the things and just twisting the properties onto their heads! Remember that time Clayton from Tarzan got fucking killed by a chameleon crushing him?? Yeah! Me too! It's rad!! Remember that time Hades from Hercules hired Cloud to kill you?? Yeah!! That's what makes this whole thing feel fun and worthwhile and not a simple nostalgia grab or whatever. Cus Disney gave them full license to do whatever they wanted and guess what W E D O I T said Nomura.

I also love how in certain worlds, aesthetics or even entire systems will change to match it. Like how in Little Mermaid level, you play it completely underwater. They could have made you stick to the bottom of the seabed and play it like a normal level or put you in a sub or whatever but they didn't, instead they change Sora and your parties models so you're a mermaid and you have to instead move using square and circle to go up and down through the water. That's cool! In the Neverland level, you get to fly like Peter Pan through the level and fighting flying pirate ships in the sky as you float is wonderful! And the part at the end where you go to a city level and you fly around the equivalent of Big Ben as the music swells up is one of my highlights from the game...cus it just FELT good in my hands. Even the smaller changes like Sora getting a new, gothed up, halloween costume for the Nightmare Before Christmas level is a cute touch! In a perfect world all of these changes would have happened for the majority of levels but alas.

There's also this Winnie the Pooh world that's probably my favourite. At a part of the game, you get a book that you can access and as you open the book, you find yourself walking around 100 Acre Woods and meeting Winnie the Pooh but the rest of the pages are missing. So as you go through levels, you find these pages for the book and for each page you get a new level of 100 Acre Woods that feels like a light, adventure where you're hanging around with Winnie the Pooh and friends. There's no combat in the levels, it's all just mini-games and talking with Pooh and the cast...and it's wonderful. Not only does it fit the tone of the license, cheerful fun, but the feel of the level from the writing and the adventures just feels...Pooh-like. And then when you get that last page and you get Pooh and all his friends together and they bid you farewell and the book closes to show a picture of Sora holding hands with Pooh...i got emotional man...i really did.

And then there's the other side of the spectrum, from fighting off tears over a really well done, careful use of it's properties to grinning like mad with tears of laughter at the ridiculous use of its property. Okay so like the end of the game is, the greatest. After you defeat the main bad guy (he was a scientist trying to use darkness for power blah blah), you get this scene where Sora and friends find the door to the Kingdom Hearts! The source of all hearts! And in it there are Heartless (the enemies) coming out of it so you have to go and close the door BUT doing it on your own isn't enough so you have to use the help of your friend Riku (he was a friend-turned-rival-turned-back to friend by the end)to shut it BUT! He has to shut it from the other side of the door which means locking himself in with the Heartless and the darkness within it. So he's basically gonna get fucked. And Sora realises this and after refusing to shut the door at Riku's request, he obliges and in an emotional moment goes to push it shut….BUT SHUT THE FUCK UP, DONALD DUCK PEEKS IN THE DOOR AND GOES “WUHHHHH” AND YOU NOTICE MICKEY MOUSE'S ICONIC EARS AND HEAD CAST A SHADOW AND IN AN EXTREMELY MICKEY MOUSE VOICE GOES “HEY SORA!” AND IT'S LIKE FUCKING AWESOME. FUCKING GREAT. EMOTIONAL MOMENT -DEFUSED-, PREY SLAUGHTERED CUS MICKEY MOUSE TALKED. I couldn't stop laughing the whole time and then mickey mouse shuts the door and all is saved. BUT THEN because of complications, Sora has to leave behind his childhood sweeheart Kairi that he saved to go back to her world whilst Sora gets left behind in wherever he is and then Simple And Clean, the main theme, just blast with its cheesy super early 2000's musical sheen as a closing FMV plays where Kairi is crying about missing Sora and everyone is all happy cus they get to see their friends again and it's so...innocent and perhaps naive at what it's doing but it fills me life man. I was singing the lyrics to this RnB track as I thought about the events that just occurred and seeing Pinnochio turn into a real boy and Cloud meet back up with Aerith and maaaaaaaan

That's why I really like Kingdom Hearts. The gameplay is generally fun despite some dips, there's some rewarding treasure hunts despite the level design being bland….on a purely Game perspective, it isn't that special and is probably worse than other 3D platformers of it's time BUT where it really shines and where the charm gets to me in this game is just how much it celebrates and lets you engage with it's crossover. Whether it's trying to evoke a feeling of sadness at a childhood gone by or drama through laughable scenarios involving Disney and Square Enix characters...it's just got real charm and i'm so happy this game exists. I'm even happier that it was successful enough to spawn an entire franchise that still has young kids and grown adults getting hyped for it's next installment. It's a weird kinda magic that I don't think any other game or series has fully replicated. Will the charm wear off I play through more and more of these games? I dunno, we'll see...but for now, Kingdom Hearts, thank you for being really Goofy.

P.S: Simple And Clean is so good

#long post

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real-jaune-isms · 3 years

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RWBY Volume 8 Chapter 8 Review/Remix

RWBY finally comes back from a 2 month break, and what does it do? It scares us all half to death and then obliterates the other half with insane new story concepts and body horror imagery. Gods I missed this show~...

We return to this chaotic mess with the scene you might be expecting the least, Qrow and Robyn in their prison cells. Qrow is awoken by the sound of ships and explosions outside, and find that his three block mates are similarly left sleepless. Jacques is particularly nervous, probably because he assumed Whitley would be here to bail him out by now. Qrow picks up on an incoming sound that sounds... different, and indeed a wall is blown down in a fiery explosions that starts sending down rubble. One section of the Hard Light cell walls have been taken down, but before anyone has time to act Robyn notices a crow vehemently cawing at her before some rubble comes down above her. And... that’s the last we see of Robyn or Qrow this episode. He transformed to be a smaller target for debris and she might not have made it out quickly enough even with his disguised possible warnings.

Back to more pressing matters, we take the perspective of... the Dragonborn in the opening of Skyrim?? Wait, no, it’s just Nora regaining consciousness to see Klein has given her an IV and is saying she’ll be on the mend real quick. So that’s some good news after a few months of worry, and hey! The fan theory was wrong, she didn’t go blind from the lightning! Before we can even dwell on her wellbeing for too long, Blake opens the door for Ruby Weiss and Whitley to carry in Penny’s unconscious body. As Blake points out, Penny is leaking a green fluid most likely comparable to blood. They set her down on a cot near Nora, and Whitley is pissed about getting his clothes stained again in the span of 48 hours. But I think robot fuel/blood is at least easier to wash out than red wine. Ruby of course wants to know if Klein can help Penny as well as he has Nora, but his wheelhouse of expertise does not cover advanced robotics. The saving grace is that Pietro made her so close to human so Klein has some idea what can actually be fixed, starting with sewing up the gash in her abdomen. A thunderous rumble is heard in the distance, and suddenly the lights go out. Whitely complains about this too, but it is rather valid. Nothing quite seems to be going right, even Atlas’ power grid is against them... Ruby gets a call from May, and we learn they parted ways so May could go regroup with the Happy Huntresses and save her city. They compare notes and it’s made clear a bombing run took out part of the city’s power, though less clear is who was doing that bombing, Atlas or the Grimm? Ruby apologizes for their current inaction while they tend to Penny, but May reassures her that this may end up being more productive than trying to find something worth doing outside the city. Great googly moogly, it’s all gone to shit, and there’s very little difference a few more huntresses can make to the Mantle efforts. Ruby is left in overwhelmed despair, there’s so many problems and she doesn’t know how to solve all of them. Klein butts in with a sneeze to say she should take it one problem at a time, focus on the most immediate and possible to achieve and work outwards. For one thing, it’d help a lot of they had lights and power.

Willow surprises everyone by showing up in the doorway to let them know about a backup generator on the edge of the estate property. She’s still the lady of this house, and she has enough self respect to not lie around getting drunk in the dark. Whitley greets her with a mix of disinterest and distain, and she notices Klein has returned to the manor and offers an off guard greeting. Weiss backs up her mom’s info drop with the fact that SDC executive members indeed have access to backup power sources if the city ever suffered a power outage like this. She doesn’t like that they have that kind of privilege while other folks suffer, but it’s for the greater good this time. This gets Whitley thinking, and my boy has a full Jimmy Neutron BRAIN BLAST! Since Jacques made him heir to the company, and the man himself is possibly dead under rubble, Whitely has full access to the Schnee Dust Company and all its resources. Since Ironwood put down the Dust embargo in Volume 4, their fleet of cargo ships are sitting empty and ready for use in a hangar. As we saw earlier this very chapter, there are automated drones that answer to the SDC rather than the Atlas military. They can use those ships and drone soldiers to give all the people stuck in Mantle a way out to fly away safely. Fantastic work, young man! You make your family proud... well, the family members who don’t commit war crimes for profit. But to do that they need the power back on so he can use Jacques’ computer, so that’s what Ruby and Blake set out to do. Getting inside the small building outside of the mansion is easy enough, and its just the flip of a switch to get the generator booting back up. In the meantime, the two share a genuinely sweet conversation. Blake reassures Ruby that the fact she’s trying to make things happen is all the world could ask of her, and an optimistic attitude like that is hard to stick with for long in this harsh world. Life in the White Fang and with Adam robbed Blake of her own similar mindset, but she truly admires and looks up to Ruby for how great a woman she is. Sadly, like most things, this moment is ruined by a Grimm. While all the lights are coming back on and Whitley gets to work, a bolt of lightning reveals that the Hound is just outside the window behind Ruby... Willow and Klein are casually sitting around waiting I guess, when they hear the loud crash of glass breaking and Willow reflexively reaches for her bottle of vodka. Weiss checks in on her teammates over comms and they tell her they need some help so she makes sure Whitley will have the business handled before she rushes out to save her friends. Ruby is getting tossed through a fresh hole in the wall, and Blake’s attempt to attack it while she regains her footing is just batted away. Blake assures Ruby that it’s just a Grimm, they can handle it as long as she can stay focused. Blake goes on the offensive again while Ruby tries to get her Silver Eyes going, but the Hound swats the Faunus girl away and tackles Ruby before sprouting its wings again with her in its clutches Blake uses the ribbon on her weapon to do what Ren had earlier in the Volume, though she anchors the other end in the ground as a tether rather than ride along as it leaves.

Weiss finally arrives at the scene of this chaos and reports the Grimm sighting back to Klein. Hearing the news of this beastly intruder leaves Willow so shaken she drops the bottle and glass she was pouring herself. Klein tries to reassure and calm her, but she’s too overwhelmed and runs out of the room... just as Penny reactivates with red eyes. Full on hacked now, and Klein gets shoved to the floor for all his concerns about her being on her feet again. But she barely takes two steps before the real Penny resurfaces and tries to fight back for control of her own body. The struggle is deep enough to summon a whirling wind around her much like Fria had last Volume, but this one is green because Penny. Back outside, Weiss is about to summon something when a couple Centinels burrow up behind her and tear through it. From the looks of it, I think it was going to be the Nevermore from all the way back in Volume 1, so that’s a pretty cool callback to how important that fight was, and the imagery of glowing wings behind her was beautiful while it lasted. The Hound breaks free of Blake’s tether and is about to soar away, much to her dismay, when it sees a bright green glow coming from in the manor, clearly Penny going through her identity crisis. Ruby puts two and two together and realizes why the Hound has been saying “Take the Girl.” The girl is Penny, whose blood is still on Ruby’s clothes so it got a little confused while tracking. She warns her teammates, but the Hound chooses that time to drop her like a sack of potatoes and there goes the last of her Aura. Blake tells Weiss to go back inside and stop the Hound while she handles the Centinels out here, and they split up, but before Blake can reach her leader a new creature erupts from the ground and it’s bigger and more gross than the last bugs. It spits acid that comes up through a tube along its belly, and I’m confident in calling it an Alpha Centinel. Back in the eye of the storm, Klein tries to reassure Penny that she’s okay, which is phrased a little but I assume he means as “you’re in a safe place and your injuries have been treated, you don’t need to defend yourself like this”. The man is just a butler, he doesn’t know what we do about her internal struggle against antagonistic programming and her wrestling with her sense of self. Whatever new orders Watts has given her, she really doesn’t want to follow them. Luckily, there’s someone at her side to comfort her and hold her hand, and that’s Nora. Passing along the comforting words she got from Blake earlier this Volume, she tells Penny she doesn’t have to just be and do what other people expect of her. She may feel like a part of her is making her do what she doesn’t want to, but don’t forget about the rest. She’s more than just that one part of her mind or persona. It’s nowhere near the same situation as Nora’s own identity crisis earlier, but the words have the same positive effect. Penny gains control again and the wind barrier subsides. Weiss reports in that the Hound is heading inside and she’s on her way to intercept, and gets the bad news that Willow fled the room to go who knows where. Well, we know now cuz we see it, she went to what I assume is her own bedroom (god forbid she and Jacques still share a bed after 8 years of the most sour their marriage has been). On her vanity there’s another bottle or two of booze, and her Scroll. She wants to retreat to what she knows best, but hesitates and then gets spooked by the shattering sound of the Hound breaking in through the window above the front door.

It picks up on Penny’s scent from the blood stained on the floor, but by the time Weiss charges in through the front door it’s gone. The next five minutes of the episode have major horror movie vibes, and I love it. Weiss slowly looks around the foyer for any sign of the beast, when Willow screams over her Scroll to look out above her and indeed the Hound drops down to backhand her into a piano. Instead of staying to attack her, it goes to follow Penny’s scent again and leaves Weiss to check in with her mom after that sudden warning. Biggest triumph thus far, Willow threw her bottle against a wall and instead pulled up the feed from her series of surveillance cameras around the manor on her Scroll to track the Hound. It’s near Winter’s old bedroom, and Willow doesn’t seem to understand that it’s tracking a scent like a bloodhound. Maybe she just doesn’t encounter Grimm a lot or they’re just usually not this competent and singularly focused. She recognizes the direction it’s heading next with great horror, and what we see next gives us that same dread. Whitley still has blood on his clothes, and he dismisses Willow’s warning cuz he probably doesn’t think she has anything to say worth hearing after his years of dealing with her drunken state. He’s almost done setting up the automated orders, when he hears the door starting to open and angrily snaps at what he assumes is Willow coming to check on him since he didn’t answer the call. But he is dead wrong and hides behind the desk immediately, because it is indeed the Hound come to potentially kill him. He’s doing his best to hide, but it expands its vocabulary to tell him it knows he’s here. Just as it’s about to round the corner, an Alpha Boarbatusk charges in and pins it to the wall. Weiss isn’t the only Schnee in the house who can summon, and Willow will not let her son die this day. He’s about to bolt out of the room while it’s preoccupied with the summon, but turns back to hit Yes on the computer and get the evacuation plans started. Good job kid, you did more to save Mantle than your father and Ironwood combined. The two sprint down the hall with the Hound in hot pursuit, but get some respite from an ice wall forming between them and the Grimm thanks to Weiss arriving from the opposite direction. She’s out of breath, but assures them she didn’t forget about either of them, most likely as a callback to the conversation she and Willow had last Volume about Whitley being left behind when Weiss and Winter sought independence. The unarmed Schnees express their gratitude and retreat from that wing of the house, and Weiss prepares her summons for combat with the beast breaking through the ice.

Back outside, Blake is struggling with the Alpha Centinel and complains about how gross it is. She avoids its scythe blade-like arms with some clever use of elementally charged shadow clones and begs for Ruby to wake up and give her some backup. But that can’t last forever and eventually it holds her by the neck ready to slice. Before it can, though, Ruby wakes up and bisects it first. She laughs weakly and tells Blake she heard what she was saying. They hear a scream coming from inside the mansion and head inside to meet up with the others. Weiss and the Hound hear it too, and the Hound stops doing its best “Here’s Johnny” impression through the hole in the ice to go chase down this new sound. We see the source of it, and it is in fact Penny losing control of herself again to the new programming. The red eyes stay this time, and she shoves Klein aside once again to stiffly and mechanically walk out to the foyer. As fate would have it, Willow and Whitely are there too, and they naturally question the fact that she’s emotionlessly walking past them when last they saw she was bleeding and unconscious. She responds that she’s going to open the vault, and then apparently self destruct. Not to state the obvious, but we really can’t let that happen so lets hope the power of love will break through to her. Before Penny can even get down the stairs, the Hound arrives to try and grab her and she catches his hand effortlessly, and then the other, so they’re stuck in a shoving match stalemate. The Hound solves this problem by growing a new arm out of its back and using it to grab Penny by the head. It slams her around like a ragdoll, still repeating “Take the Girl”, and holds a claw up to her throat when RWB arrive at the bottom of the stairs. Blake and Weiss are unsure how to intervene, but Ruby goes stone cold serious telling it that’s enough. In the literal blink of her eye, a Silver Eyed blast blinds it and sends it falling out the window behind it leaving Penny to tumble down the stairs unconscious again. They hope and pray the threat is over as they check her body, but the real horror starts now.

The Hound claws his way back up through the window, and part of his head has been blasted away to reveal a dog faunus with one intact silver eye. In a voice likely not used in a long time, he continues to repeat his orders to “Take the Girl...” Ruby is mortified and shell shocked to see a living person within the frame of this beast unlike any she’s known prior, and I’m sure the wheels in her mind are turning to wonder if Summer Rose suffered a similar undying fate at Salem’s hands... and if that’s what will happen to her if she is captured? He begins shambling towards them and they try to carry Penny away from him but end up cornered. Whitley gets an idea and he and Willow start pushing on the knight statue nearest to them. Just as the Hound, whose human portion I have been inspired by a podcast to call Johnny, is about to grab the girls the statue falls down and crushes him to death. A choir chants in Latin as the Grimm fades away... and for the first time leaves behind a skeleton. Ruby seems shaken to her core as she confirms to the others that that was in fact a person they saw in there.

Ending that side of the story entirely for the week, we go back to the rubble in the jail cell to see Cinder has found Watts and the two make a flying get away. So that’s fun, we’ll have to see if they make it back in time to intercept JRY trying to sneak through Monstra. Until then, I’m gonna sleep like the dead. Ciao!

#rwby reviews #qrow branwen #robyn hill #arthur watts #jacques schnee #nora valkyrie #ruby rose #weiss schnee #blake belladonna #penny polendina #klein sieben #whitley schnee #willow schnee #the hound #tw: body horror #horror elements

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ceescedasticity · 7 years

Text

Troll Hamilton

@dreamwaffles and I have sketched out the basics of Troll Hamilton!

So, the Summoner’s rebellion was pretty big, yes? And he couldn’t possibly have been on every front at once. So on one less-than-central front, the rebels managed to overthrow the regional governor -- a laughably out-of-touch seadweller called George George -- and settled in to try to govern their area non-autocratically. Obviously (almost) all of them got killed when the Condesce arrived to put down the rebellion, but the main character died before that in a duel.

Writing this musical is political suicide (it doesn’t help that it’s all in slam poetry, trespassing in clown specialties). A lot of the original creators were executed. Producing or attending or listening to or acknowledging the existence of this musical would be political suicide. Except.

Her Imperious Condescension loves the music. And what HIC wants, HIC gets, even if it’s the continued existence and popularity of a frankly seditious musical.

In the play, Alxand Hamilt and Aarron Bursur are both olive, to play up the parallels between them, and both had lusii who died when they were young, but Bursur has a famous Ancestor of some description. (In history, Hamilt was mustard.) Bursur and Hamilt flip between ash and pitch a bunch of times, and never really find a good enough middle leaf. At the end they flip dangerously unstable pitch, and then there’s the duel. Hamilt also had a torrid pitch affair with Jefers somewhere in there.

Hamilt’s matesprit Elizah never flipped on his even after his publicized cheating. Elizah’s moirail is Angela. There’s unresolved-quadrant-tension of SOME sort between Hamilt and Angela. Angela is teal; Elizah’s in the high-jade-low-teal ambiguity zone, and doesn’t want to end up stuck in the caverns. At the end of the show, however, she escapes the slaughter of the rebellion by seeking shelter in the caverns, because she’s the only one who can live, and someone has to tell the story.

Discussion giving rise to all this:

dreamwaffles

hi hello I am interested in discussing troll Shakespeare

also I have Thoughts about Troll Hamilton

ceescedasticity

Tell me about Troll Hamilton

dreamwaffles

so Burr and Hamilton flipped between ash and pitch a few times.

their most successful middle leaf was George Washington during the war.

there was a while where they didn't cross orbits so much and Hamilton and Jefferson had a TORRID pitch relationship

flush with Eliza, pale(?) with Angelica

dreamwaffles

anyway Washington stepped in ash a few times for Hamilton and Jefferson but really those two were born to politically brawl all the time

(ash in the Cabinet, pitch in the ....I can't make 'bedroom' rhyme with Cabinet)

but at the end of Hamilton's life he and Burr flip pitch again

and it goes sour

dreamwaffles

Itemized list of disagreements! Duel! Bam.

He and Eliza don't ever really flip black when he cheats flush

(she and Angelica are like the Scourge Sisters but also pale)

this gives Angelica reason to ....???!!! when he hits on her pale

ceescedasticity

Hee

dreamwaffles

probably he and John Laurens were a flush fling in youth

dreamwaffles

I had a six-hour drive, what can I say. :P

I bet you can guess what my soundtrack was!

ceescedasticity

Maybe, maybe!

dreamwaffles

Hamilton's caliginous quadrants are a huge huge mess

really only Washington was able to last as a middle leaf. Everyone else gave up after like. a few days.

ceescedasticity

Do you have any idea of what the framing plot would be - is it actually a revolution, or what?

dreamwaffles

that I didn't devote much time to, though it's definitely fun.

maybe like

a tribute world so that King George can be a SUPER overdramatic violet

I was thinking probably most of the cast would be at most, like, cerulean

dreamwaffles

except George

dreamwaffles

Alexander might be, say, bronze or yellow

ceescedasticity

Hmmm, that sounds right

dreamwaffles

the Schuylers could be jades? I don't know if this is a universe with +1 mother grub, I've read a few aus where some colonies take one along

Or maybe teals.

George Washington and Jefferson are as high blue as Equius

ceescedasticity

yeah

King George is a seadweller who has never been on land and knows about as much about it as the little mermaid

dreamwaffles

Burr should be the same color as Hamilton

TOTES

ceescedasticity

that's a little difficult since Burr did have those antecedents...

same color, but knows about an Ancestor?

dreamwaffles

hmm true

Yeah, famous Ancestor

I just think the whole mirroring one another is important

though maybe step him up to 'famous olive'

ceescedasticity

agreed

dreamwaffles

I guess there's no reason Hamilton couldn't be busted down to rust, but that just gets a little more classist than I was going for

yellow still has the class thing but it's less pronounced

ceescedasticity

I think olive might be best

dreamwaffles

though if he's rust it makes the 'why do you write like you're running out of time' lines of Eliza's rather more heartbreaking

for Burr?

yeah

ceescedasticity

I think Hamilton and Burr both olive, Burr with a famous ancestor, could work

Like with Thresh Prince, olive is low enough to do caste-clashing, but not TOO low

dreamwaffles

You have a point

and he did go into law, so I that does bump him up

class-wise

ceescedasticity

Now, if I were designing a Alternia AU for Hamilton, Hamilton would probably be yellow

dreamwaffles

oh, most definitely

ceescedasticity

Either set it a very, very, very long time ago so it can have an analogous ending - gov they set up lasts a while - or during the Summoner's rebellion and everything goes bad at the end

But Eliza escapes

dreamwaffles

YES

like, among the troops.

ceescedasticity

which troops?

dreamwaffles

oh, the summoners' troops. Not a focus on the main part of the rebellion, but like, what was going on on the ground while the Summoner brought in the dragon?

ceescedasticity

yes, that's a good idea

dreamwaffles

I guess that's still pretty major.

dreamwaffles

But if there were two parts to the rebellion, the one fighting the sea forces and the one fighting the clown forces

then maybe whichever one the dragon wasn't with :P

ceescedasticity

King George would make a terrible subjugglator

dreamwaffles

I was thinking put him with the seadweller troops

that way HIC doesn't have to be involved

also the musical is v subversive because IT'S ALL SLAM POETRY?!?

(iirc that's associated with the clowns?)

(and thus highbloods)

ceescedasticity

Yes, I think so, too

dreamwaffles

but the highest blood in the cast is, like

dreamwaffles

usually honestly a blue who they tape fins on

unless they can find a really chill seadweller

(Fef would probably do it.)

(no, Fef would totally do it. Eridan would NEVER)

ceescedasticity

Snerk

dreamwaffles

(It has to be a blue otherwise people get EVEN More OFFENDED by someone pretending to be a seadweller)

(though there was a very well-rated all-rust production)

dreamwaffles

(probably honestly they were all culled)

ceescedasticity

Really, it's unavoidably subversive enough it would probably be banned -- except HIC took a liking to the music

dreamwaffles

Yeah. Awkward. It's not advisable to perform within 500 miles of subjugglators

ceescedasticity

A lot of seadwellers are also highly offended by it, but pretend not to be in an effort to suck up to HIC

dreamwaffles

Linman Mirnda was posthumously honored (the clowns got him)

dreamwaffles

A very small number of trolls know that HIC likes to enter war briefings to a remixed track of 'Here comes the general'

(fix it for troll standards)

ceescedasticity

And then she does her own version of the "we are out___ed", insulting her audience in some way

dreamwaffles

*SIGH* ".....what."

because it's call and response and she WILL fork you

dreamwaffles

Kurloz is SUPER not pleased about her love for this musical

but

he can't do anything about it

ceescedasticity

Easy way for upper-ranking subjugglator to die is share some slam poetry identifiably inspired by it

dreamwaffles

which is a problem, because Mirnda sampled A LOT of classic slam

so even if the subjugglator isn't *trying* to reference Mirnda....

(how do we trollorize 'Hamilton'

ceescedasticity

Hamilt? Xander Hamilt?

Alxand Hamilt?

dreamwaffles

and Burr is gonna be ridiculous.

Aaronn Burrsr?

ceescedasticity

Aarron Burrrr?

dreamwaffles

Ehehehe

dreamwaffles

Aarron Bursur?

ceescedasticity

Elizah is easy enough... Angela?

dreamwaffles

Close enough.

dreamwaffles

(and Peggie!)

ceescedasticity

lol

dreamwaffles

(you are, btw, welcome to add this to your crossover stuff if you are inclined, just tag me. :P )

(idk if this is the kind of stuff you collect but I'm not gonna do anything with it.)

ceescedasticity

I may post a transcript of the conversation if that's okay?

dreamwaffles

Totally fine!

So if this is Summoner-era, where does Jefferson come in?

dreamwaffles

Also, Lafyet is East Alternian, I guess

because the play's like Act 1: war Act 2: LEGISLACERATORS (kinda)

ceescedasticity

Hmmmm... true

ceescedasticity

Maybe the second act takes place inside the period between when they broke the imperial forces on Alternia and when HIC the Fleet arrived to Ruin Everything -- could be weeks, months, even a sweep or two

HIC AND the Fleet

dreamwaffles

Oooh, I like it

so, like, it ends with a duel and Eliza's final song is a song of escape as everyone else dies

ceescedasticity

"We're all about to die in the imperial counterattack and you two are trying to shoot EACH OTHER?"

Not sure who says that

...Probably Karkat the first time he saw a video of a production

dreamwaffles

He definitely cried though

The background is maybe, like

engines or something? You can see HIC in the distance

or, no, better, there's a projection of ships coming in

as the pitch romance goes sour, their auspistice (the general in the last war) dead

it's a tragedy, naturally

ceescedasticity

some people just watch the first half

(lol that would be me. i would only watch the less tragic half.)

dreamwaffles

one of the ones Karkat recommends for the cultureless aliens

Tavros only watches the first half

Sollux prefers the second half but pretends he has never seen it

ceescedasticity

when Aradia was little she dug up a skull she was SURE was... idk who

dreamwaffles

Nepeta is in it for the Laurens/Hamilton and the Schuyler/Hamilton, which I guess they'd need to devote a song to before they settle

Maybe Lafyte? I can see Aradia liking him. He's swashbuckling.

ceescedasticity

yes, good

sadly I need to attempt to get some sleep

dreamwaffles

the horns were JUST RIGHT

ceescedasticity

blech worknights

dreamwaffles

fun talking to you though!

sleep well

you have full permission etc to transcribe ^_^

and do cosmetic/coherence edits

#troll hamilton #dreamwaffles

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