Time & Again (Blades)
A gift for @saibug1022 from @oh-so-youre-a-nerd (art exchange) featuring Salem’s MC, Asterin. Implied or referenced relationships: Asterin x Tyril; Asterin x Mal; Asterin x Aerin; Tyril x Mal. (So yes, that ask was from Thia but on my behalf hehe).
Warnings & A/N: This fic deals with canon compliant kindnapping, torture, and trauma. It also features medical torture and experimentation, compliant with this fic by Salem. ~3200 words
[Huge thanks to my proof-readers. Any mistakes are mine not their’s. There is only so much you can get me to edit haha.]
A bright, unnatural light overhead.
Thick, suffocating shadows blotting out the room.
Gleaming scalpels and saws reflecting that light into the shadows where it is consumed. Along with what little hope he may have clung to.
There is only that familiar all-consuming dread.
They are only snatches of memories, glimpses really, he can’t call them anything else. Nightmares maybe? For those bits of memory, visions, reality - he doesn’t know - what he does know is they are the only things to fill his waking dreams and haunt his sleepless nights.
He wants to close his eyes to escape but she waits for him on the other side. There is no escape and yet he succumbs to sleep where he is met with exactly what he feared he would find. What he always finds.
He’s not sure what is real and what blanks his mind is simply filling in to try and cope with the trauma. But he knows one thing-
She stands over him.
That’s how it always starts. Her over his prone, scared and beaten body.
At first she simply looks him over, taking notes here and there in the eerie quiet of the laboratory. Weeks, days, hours later - he doesn’t know - her examinations turn to poking and prodding. Measurements taken and written down in the margins of a parchment she keeps referring back to.
The feeling of emptiness is all that fills him.
He is alone.
So very alone.
The feeling that comes next - weeks, days, hours later - drowns out that emptiness. That dread is replaced by a deeper, more excruciating one.
The pain is all that fills him.
He is reminded he is not alone.
So very much not alone.
He jerks awake in the warm night of the Deadwood. It’s as dark as his memories. He watches Mal stoke the fire before Tyril throws another branch on.
“Do you think he remembers more than he’s telling us?” Mal whispers as Tyril takes a seat beside him on the cooling ground and wraps his arms around the rogue.
Asterin closes his eyes again and listens.
“You believe he would keep vital information from us?”
“No. No. Not like that sort. He said he was experimented on but doesn’t remember much,” Mal trails off as Tyril nods his head in understanding.
“It is possible.”
“Why won’t he talk to us about it?”
“He will when he is ready. Until then, we wait and offer what support we can.”
“Maybe I should go talk to him?”
She stands over him.
He’s back on that cold, metal table. He watches as she picks up a blunt ended scissors. He feels the cold metal on his skin as she slips it around the hem of his shirt and works her way up.
It is an out of place sound in so quiet a room. The tear of threads and the rhythmic click of the blades meeting as they get closer and closer to his neck.
He holds desperately still, not a single breath taken until she slips his tunic open and sets the scissors aside.
Weeks, days, hours later, who can say, his eyes fall closed and he reminds himself to breathe.
Breathe.
And he does, until that very breath is stolen from his lungs as he opens his eyes and finds her watching him. Her gaze is steady, cold, empty. Her face is the same mask until the smallest of grins tugs at her lips and her gaze turns bright and a unearthly fire lights her eyes in wicked mockery of his fear.
He jolts to the surface and sucks in a deep, cleansing breath of air as he swims through the murky water to the shoreline, crowded thick with all manner of lush, verdant life.
“Asterin!”
The cry greets him before he sees two sets of boots wade into the water to help pull him to shore. He waits, bent over, for his heart to calm down as Imtura stands beside him, on guard and at the ready. Tyril kneels down beside him in the mud and tilts his face up.
“Are you okay, Asterin?”
It’s a soft question.
He shakes his head, and the bad memories from him, and stands up as Mal calls out.
“Where’s Nia?”
She stands over him.
She picks up a needle and plunges it unceremoniously into his arm. He grits his teeth as she digs around until she finds a vein. She works methodically to attach a tube to it and he can only watch in horror as his blood drains from his body.
“It will help,” she says cooly.
“With what? Dying?” he quips.
“With what is to come next for you Realm-Walker.”
Her all-too-pleased grin is the last thing he sees before his body protects him and he passes out.
Weeks, days, hours later, he is awake and wishes he was not. The light is far too bright for his eyes and his mind swims as he struggles to move his head and regain his bearings.
Everything hurts and he is alone.
So very alone.
And yet he knows she’s there.
Not so very alone.
He can hear the quill scrap across the parchment, her gentle breathing, the lower murmur of many voices somewhere in the distance. Even the obsessive silence is loud.
She looks up as he groans at the pain his movements cost him and scowls at him before turning her attention back to her notes.
He starts as his hand falls on his shoulder.
“It’s okay, Asterin. Breathe.“
He turns slowly to face the person speaking to him, a part of him fearing the face won’t match the voice. But he finds he can breathe when that unsure smirk greets him.
“Aerin?”
“I’m right here.”
He shakes the already fleeting feelings of dread that cling to him but he can’t shake that all-consuming, bone-numbing fear he seems to carry with him now wherever he goes. He can’t shake the memory of her cold, calculating eyes, or the chill that runs down his spine upon remembering her smile.
mmm
The people of Riverbend draw his attention back and he smiles the same smile he has practiced since returning to this realm. What was it? Weeks, days, hours ago?
He doesn’t remember that much, only happiness. Bliss found them tucked between sheets as smooth, unscathed hands ran up his back. Stars, relief, sanctuary until it was torn from him in a few words, hastily scrawled on a piece of paper abandoned. Like him.
She stands over him.
It was as if he was no longer in his body but floating above it as he watches her hesitate but a moment before making the first incision starting near the left shoulder and working down to the end of the breastbone. He watches as she methodically repeats that same incision from his right shoulder before continuing down from the sternum, around his navel, until she pulls the scalpel from him and sets it aside.
He watches in horrified fascination as she moves aside tubes and casts another spell over him lulling him deeper into the strange inbetween world he’s found himself in.
The inbetween?
No, that can’t be right. The Watcher would be here then. No, this is some other-worldly space that is meant just for him. A trap just for his mind. Another trick she has played on him to confuse his already rapidly fraying sense of reality.
He turns back to the scene before him. It is a deeper cut than it feels, he thinks to himself.
She peels his skin back, as nonchalantly as if she were peeling an orange, and takes notes before reaching for a bone saw.
He reaches for her, desperate to stop what he knows will happen, but his hands reach blindly and fall through her as if she were not there.
She smiles knowingly and looks up to meet his eyes, seemingly knowing his consciousness is still there even as his body lays trapped, asleep.
Asleep. I’m only asleep, he reasons. But he knows that’s not true. That was a conversation from another time. Not now.
“It won’t hurt,” she says, bringing him back to the now, or then, or will be. Hells, he’s not even sure anymore.
He looks at her through tear-stained eyes.
“Why?” she asks as if reading his mind. “Because I’m curious.”
The widening grin is maddening and chills him to his core as he closes his eyes and listens to the sound of metal sawing through bone in the vast emptiness of the Shadow realm.
He is thrust back into another world as a dull humming sounds from copper pipes above them.
“We need to find a way out of here.”
He looks around wildly. Desperately trying to gain a hint as to where they are. He feels like he’s reeling, falling into some endless abyss until warm brown eyes meet his.
“Asterin?” Mal asks.
The dwarvish dungeons well beneath the subterranean city of Zaradun. He breathes. He’s here, not there. That is something at least.
“I got an idea. You with me, kit?”
He doesn’t remember that much, a tight swallow and a slight nod is all he is capable of until chapped lips meet his and he melts into the kiss. Bliss found them wrapped in each others arms. Nimble fingers teasing the fabric of his shirt. Warmth, relief, sanctuary until it was torn from him.
She stands over him.
Beating heart cupped in one hand as she moves the left lobe of his lung further to the side with the heart, to look deeper into the gapping cavity that is - was - his chest.
Huh, there is not as much blood as he would have expected.
“I stemmed the flow,” she says not looking up from her examination and probing deeper.
“What?”
“There is not much blood because I stemmed the flow. Makes it easier for me.”
He looks at her, she is almost giddy with excitement. It’s such a stark contrast to his own emotion. He looks back to his prone body, strapped to the table. Deathly still.
This isn’t real.
“If you say so,” she chuckles and tucks his heart back in place before turning to a scribe sitting in the corner.
“Chest contains the usual. The heart is within normal size for his species and in typical condition for an elf of his age. Lungs are supple and a healthy pink. Nothing of note in the upper cavity.”
She pauses and glances back at him.
“Moving on to the lower abdominal cavity.”
His wide eyes watch her every move.
“What are you looking f-“
“Whatever I please,” she says and looks down on his body as she brushes a stray hair back from his face with a bloody hand. He feels his blood on his scars as she traces one and then another near his eye. It’s warm still, slick. He can smell iron in the air.
He shouldn’t feel it but he does. He knows it’s real and he flinches as she caresses his cheek.
“No!”
His scream draws all their attention to him as they sit at a tiny, scared table. They all look up from their meager dinner plates to him.
“Asterin?”
He’s pale and shaking. He can feel it.
“I’m fine. There is nothing wrong with me,” he mumbles as he brushes Tyril’s hand from his arm and stares daggers into the violet eyes across the table from him.
“Dinvalir,” Tyril leans in and whispers, “that is not true.”
The creature of his nightmares stares back at him with a playful smile on her face.
“I can assure you there is nothing wrong with him. I checked. Thoroughly,,” she says in Tyril’s direction but her gaze remains fixed on Asterin.
“And just what does that mean?” Mal’s hard voice asks.
He narrows his eyes at Valax as he jumps up. Chair legs scrapping harshly against the floor and making Asterin flinch.
“Let’s just eat,” Asterin cuts off any further conversation.
He doesn’t remember that much, only Tyril’s firm, yet gentle, voice in his ear. Bliss found them in their own world of whispered comforts for a moment. Calmness, relief, sanctuary until it was torn from him.
She stands over him.
He’s sputtering on the bank of a river, coughing up water. The rain a deluge around them, watering long dead trees and parched ground. The sky, darker than is natural, adds to the oppressive nature of the realm.
“You saved me?”
It’s half statement, half question, and he is utterly and entirely confused.
“Your light-realm witch made sure I could do no other,” Valax crosses her arms.
“Of course.”
He would thank her but the pain that radiates from his chest stops him from such foolish behavior. After all, the water he is coughing up is from lungs she held, while the bones she cut from his body shield the heart she could have crushed in her hands.
She deserves no such kindness from him for she has shown him none.
“If you are quite through, we should find shelter,” she states and is walking away from him before he can respond.
He stands reluctantly and thinks over his nonexistent options. He does not want to follow her but neither of them have a choice right now. His body screams at him to run but she will find him. She is bound to him.
His worst nightmare, ever present, made hauntingly real. If he thought he could escape it - escape her - before, well he sure as hells can’t escape it now. Nia saw to that.
Does Nia even realize what she has done? Does she understand the re-lived pain she is inflicting on him by binding him to his kidnapper, his torturer. Logically he knows Nia was only trying to protect him, protect them all, but he can barely breathe with the thought of Valax, much less the reality of what he is subjected to now.
The cave is cold but dry and higher than any flash flooding could reach. He follows her in and stands warily off to the side, near enough the entrance to escape if she should turn on him.
“We should build a fire.”
“I suppose you should,” he states, aiming for her nonchalant coolness.
She glares at him and time stretches into eternity. He won’t give her the pleasure of looking away from her no matter what nightmares he sees fresh in the depths of her dangerous eyes. She relents before his resolve crumples and soon enough a fire is lit before them. Small but enough to keep them warm.
She sits down beside it and watches him over the flames.
“You should rest. I’ll keep first watch.”
His laugh is a bitter thing echoing off the high walls.
“I don’t think so.”
“Don’t be a fool. I require little sleep. You do.”
“Did my vivisection tell you that?”
He could almost fool himself into believing there is a flash of regret in her eyes but then again, fire plays dangerous tricks with those that believe it’s warmth will not burn.
“Your mortality does,” she murmurs into the flames.
He watches her a moment longer before settling down on the opposite side of the fire. Leary but exhausted enough to not care.
They watch each other for weeks, days, hours, he’s not sure. But they simply sit there for what could be eternity or mere seconds.
“Don’t look at me like that!” he finally snaps.
He doesn’t like what he sees with her eyes lit by and within from fire. There is something primordial, predatory, primal in the dark emptiness there.
“Like what?” she demands in turn.
“Like there is more you haven’t cut from me, more you haven’t discovered.”
“You think I’ve not exhausted all my options with you, day-walker?” she spits.
He feeezes a moment at her words, her tone, the shifting of her shoulders as if she is only barely holding herself back from ripping into him anew.
“I don’t care. Just don’t look at me like that.”
“What would you have me look at? There is not much here beside you and me.”
“Look at the fire then.”
“Fine,” she says and does as she was told.
Weeks, days, hours later he finds his eyes drooping with the weight of too many sleepless nights. Running from a demon that he can’t fight. A demon that now lies in wait, biding its precious time, before him.
“Talk to me,” he says.
“What.”
“You heard me.”
“What would you have me talk about?”
“I don’t care.”
He listens to her voice, asking occasional questions to keep her talking. She asks questions of her own which he answers cautiously.
He just needs to stay awake or at the very least know where she is by the sound of her voice. He cannot risk sleep with her here.
Keep her talking but don’t give anything away. Keep her talking but don’t give anything away. Keep her talking but don’t….
She stands over him.
“Seems there was more to discover about you after all,” she smirks.
He’s on his feet before she can move and he’s backed away from her, realizing too late that he is trapped between her standing in the mouth of the cave and the wall behind his back.
She watches him look around wildly for a moment before he has his sword in hand. She rolls her eyes at him and turns away.
“I hear your friends.”
“You do?”
The tip of his sword drops slightly until she takes a step towards him and he levels it at her in warning as he strains to listen.
Sure enough, he hears the telltale sounds of Mal and Tyril bickering and Imtura egging them on while Nia yells at them to shut up.
He smiles and gestures for Valax to continue on out of their shelter.
The earth is just as parched as it was the day before. Smooth dried mud cakes the ground and is already splitting, cracking, peeling away from the ground. There is no smell of fresh rain, only decay. It is nearly enough to break him until hope springs in his heart at the sight of them.
Soon he is wrapped in Mal and Tyril’s arms and he can’t help the choked sob that escapes him as he sinks into their embrace. He takes a deep breath. He is warm and safe.
“You came,” he whispers.
Joy leaps in his heart as they cling to him tighter in answer.
“You came for me.”
She stands over him.
“There is nothing here!” she fumes.
It’s a shout of disappointment. Anger. Frustration.
“Princess?” the scribe asks.
“Lower cavity shows nothing unusual. All organs are accounted for, healthy and normal. Nothing to explain,” she glances down, “him.”
He blinks a few times until she is in focus. He’s on his back on the same hard metal table. A bright, unnatural light hangs overhead.
The same thick, suffocating shadows blotting out the surrounding room.
She continues to look down at him, into his glazed over eyes, as she closes him back up.
The needle she uses to sew him up reflects the light into the shadows where it is consumed. Along with what little hope he may have been clinging to.
There is only that familiar all-consuming dread.
“I will learn your secrets. You will beg to tell me them before the end.”
How long has it been? Weeks, days, hours - he doesn’t know any more. Doesn’t know if he ever did.
But he’s alone.
So very alone.
And no one came for him.
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Poison Ivy #19-21
Checking in with the Poison Ivy comic series again, we’ve reached a set of trio issues #19-21 forming “Origin of Species”. This writer G. Willow Wilson’s efforts in marrying together the contributions by many creatives over decades who have taken on the matter of Poison Ivy’s origins. Which if that sounds ambitious, you’d be right.
In media Ivy’s origins have often been recounted either by others or herself. However, because of the developments that led here in previous issues, this secret origin is too for all ones knows a last testament. With that frame dare readers hope for a more sapient, innermost version?
To begin issue #19 sees Pamela Isley off to a Seattle university as an undergraduate in a plant biochemistry program fatefully headed by Dr. Jason Woodrue. Wanting to best her peers (leading botanists Alec and Linda Holland plus Philip Sylvain), entranced both by the work and Woodrue, falling for a sexual relationship with him among other manipulations. When the next round of funding for the experiments runs out, Pam makes her first foray into crime.
Next for issue #20, as things with Pam and Woodrue continue to escalate, Wilson once more does not forget a relatively recent character in the schemes of things… Bella Garten.
Her last appearance to this in a flashback in #2, it’s been several issues. So, let’s take a minute to discuss Bella.
As a fellow student and love interest, specializing in botany and genetics going on to earn a doctorate, Bella Garten or the The Gardener as she would become first appeared in Batman #107 in 2021 creation of writer James Tynion IV. Plus, part of the thread of story involving Poison Ivy during the Fear State event and into the past. The one-shot Batman Secret Files: The Gardener (written by Tynion and art by Christian Ward) was also included in the first collected edition of Poison Ivy. However, the file, another secret origin comic is less about Bella Garten and more an attempt to appeal to Batman to help Ivy (around the Tom King Everyone Loves Ivy period) running through decades of Ivy’s character (with adjustments). Part of the history there exposed, particularly certain actions of Gardener, is uncomfortably weird.
Yet again an example of major violation done to Ivy by someone she trusted. The revelation resulting in a short confrontation between the two in Fear State Omega. (The issue also marking the end of Tynion’s Batman run with Art: Riccardo Federici, Christian Duce, Ryan Benjamin, Guillem March & Trevor Hairsine, Colorist: Chris Sotomayor and Letterer: Clayton Cowles). Where Ivy is having none of the presented defense.
In sum a character that functions more as a plot point, another retcon while trying to put it all (back) together. Yet, coherency that has been needed. Despite the American superhero genre (in)famously being one where seemingly everything and nothing is canon, something still important. So too, the first ongoing series for Poison Ivy not just ought to but, does endeavor to plumb over 50 years of a character’s existence. While bringing what each creative uniquely can. It’s worth asking then if Bella is made more too under Willow’s writing.
Wrapping up casting Ivy’s mind back, issue #21 arrives at the full Poison Ivy. Once again, becoming a human experiment (volunteering!) and transformation. An old life lost, the new leading to Gotham— yet for a unique green reason.
As a woman with growing abilities, confidence in using them, the law is just an obstacle to justice. But of course, conflict and differences plus mistrust with Batman result with Ivy in and out of the terrible Arkham Asylum. This would be the early pre-Harley days too, even though the Ivy costume calls back to the influential BTAS.
Then what can I say about the art I’ve haven’t already in other reviews. Jessica Fong continues to deliver pretty and pretty gross (body) horror main covers. (On the latter it took a while to prepare myself to read the previous issue #18. Though it’s not shocking that bodily autonomy, something Ivy’s origins raise too, makes the list of also current matters the series depicts.)
Marcio Takara definitely has set a bar as the main artist for the series. I wish he was drawing every issue. Though nothing against the other artists who have so far done so. It’s just that I generally wish for a creative team to be able to remain consistent through a run. I’ve praised colorist Arif Prianto consistently too. On the other hand, since these installments are Ivy believing she’s dying and mired in her distant past, I’m surprised there isn’t more of a difference exhibited of that. Why not really experiment with the paneling, designs, and color palette. Just as key the letterer Hassan Otsmane-Elhaou can switch things up to good effect. Actually, if part of the team working on Poison Ivy had to change briefly maybe here was where to do that instead.
In the end these issues of the comic series offer an origin stressing the choices and chances. A Poison Ivy that refutes being pathologized, focuses less on victimization, and more of her own creation and missteps along the way. It’s interesting too, if not still poignant, to look back to the first few issues of Poison Ivy. In soon coming up on two years, the series has issue by issue after issue grown and been recognized as an Outstanding Comic Book by GLAAD. After reflecting on a new(ish) past it continues forward.
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In reference to this post I made about a couple of weeks ago, I'd like to go further into depth of how Hikaru's Crux was studied. In this headcanon, please be mindful of the following content warnings: child abuse, torture in a medical setting, and the ethics surrounding human experimentation in the name of "science."
When Hikaru was born and her Crux was discovered, scientists were intrigued on how this particular human could have developed another organ in the womb when her own mother, Katsumi, didn't have one. During Katsumi's entire pregnancy, the additional organ was discovered during routine ultrasounds, but there were discussions into the ethics of testing on an unborn fetus that could lead to Katsumi possibly miscarrying. Not just that, but Tamotsu, Hikaru's father, objected to the point of practically almost getting arrested for threatening to hurt the scientists that wanted to experiment on his wife and unborn daughter.
So, they held off until Hikaru was born so as to carry out their experiments when the Crux was fully developed.
This wasn't met without a great deal of resistance from not just Katsumi, but Hikaru's father, Tamotsu. The both of them vehemently argued to not test their daughter at all, thinking that she deserved so much more than being nothing more than something to gawk at because of being born with something else that no one else, at the time, possessed. For at least five years, Hikaru was able to grow up in a happy family until she was voluntarily given up to participate in the PIPE's training program in an attempt to turn the tides of war. They only gave her up on the promise that no experiments would be carried out on her because of her Crux.
The PIPE, desperate to continue living instead of losing the war against the Gnocem, promised they did. However, promises can be broken and it's one of the PIPE's horrible secrets that they've kept under lock and key this entire time.
See, after Hikaru had been given up by her parents, things were okay for a time. She was properly cared for, treated with respect, and told that things were going to be okay. That was, until, the same scientists who were intrigued when she was still in her mother's womb arrived and brokered a deal with the PIPE: they can test on her all they wanted if it'd produced the results they were looking for and that was to be humanity's weapon in the fight against the Gnocem. The deal was agreed upon and this is where things had taken a turn for the worst for Hikaru, who still was a child at this point.
At first, the experimentation wasn't that bad. Just a few shots and blood tests, really. But when that didn't reveal anything regarding the capabilities of Hikaru's Crux, they had to get "creative" with their testing and by being "creative", they resorted to procedures where sights like these [CW: needles in image] were unfortunately common practice with Hikaru strapped to a cold, metal surgical table and pleading for them to stop hurting her and that she was sorry for whatever she did to deserve this punishment.
Sadly, her pleas fell on deaf ears because it went so much further than just injecting her with multiple drugs. They wanted to see how she'd be able to heal and how much pain she could withstand. So, they went through with not just stabbing and lacerating her, but full on maiming by shooting her through her hands and feet. Again, her cries for mercy went ignored. However, these extreme methods of testing her endurance and pain tolerance finally paid off during her training regimen that she was still expected to go through. They ultimately made her stronger, and in their eyes fortunately able to withstand much more in terms of increased training.
Yet, no one thought about how she was still just a child. During these experiments and training, they slowly whittled away the bright and happy girl that started on this because she was promised that she was gonna be a hero and save the day! How could a child resist that? The PIPE and the scientists kept on saying that this was all in the name of making her a hero, like they promised she'd be.
Was being a hero worth all this pain and misery, though? That was one of Hikaru's many thoughts while she was in her room, quietly sobbing into her pillow at night until she finally was able to sleep, having passed out from the pain and discomfort she was in. Hikaru also learned that no matter how many times she cried or apologized, they'd still carry out the experiments on her, so eventually she'd just lie there and take it, trying to not make a single noise for fear that it'd only ramp up the experiments' intensity on her.
And the way that she was rewarded for this? They simply gave her treats, which were one of her only comforts. She couldn't contact her parents to tell them what was going on and the reports that they received told them that Hikaru was being well taken care of and was happy. Nothing was wrong in their eyes, even as they kept on forgetting the most important aspect of this whole matter: Hikaru was still a child. Yet, if it produced results such as giving them little victories here and there on the war, so be it — they would continue this extreme training regimen and keep on lying to her parents that she was being treated the way that they had promised. To this day, they still don't know what sort of hell their own daughter has been through and Hikaru doesn't want to upset them by telling them the truth, either, because of how these experiments gave them the stability that they have today.
As Hikaru grew up and became more powerful (along with being broken down and molded back into what the PIPE wanted of her), the experiments eventually ceased altogether, but this gave her a lasting fear of anything medical because of the hell she was put through. As previously mentioned, Hikaru is very critical of others tending to her injuries that she sustains in fights since she'd rather be the one to patch herself up because she doesn't trust anyone else to do it. Those in the medbay only admonish her for getting hurt for the umpteenth time and don't have any sympathy for her, no matter how grievous the injury really is. So, she'll often be by herself, dressing her own wounds while trying to stifle her sounds of discomfort however possible. This behavior of hers is still prevalent to this day because of how deep seated her own fear of anything medical is concerned — all because the PIPE saw her as nothing more than a weapon instead of a human being.
As far as anyone's concerned, the PIPE is heralded as this pillar of strength and hope, but no one publicly knows just what it took to get there. It's still classified information that only those who are higher up the food chain are privy to and have sworn to never reveal to the public the atrocities they committed to attain the semblance of peace that they have today. Anyone who tries to speak up about the human rights abuses they committed is silenced, never to be seen nor heard from again.
To Watanabe and others, the PIPE is nothing more than a shining beacon of peace and prosperity in the world and nothing shall ever taint that pristine image that they've cultivated for themselves all these years.
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