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#oh to love Jessica Jones
imreallyloveleee · 1 year
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“Jughead?”
At the sound of his name, Jughead shoves his phone into his back pocket, looks up, and freezes. 
The woman standing in the doorway — with a bouncy blonde ponytail, collared sweater, and the greenest eyes he’s ever seen — is not what he’d envisioned when he scheduled a consultation with a tattoo cover-up specialist. 
“Jughead Jones?” she repeats, sounding slightly unsure this time. 
“Yeah, no, that’s me.” He clears his throat as he rises to his feet, and she smiles.
“Nice to meet you. I’m Betty.” With a wave of her hand, she leads him into a small room at the back of the shop, gesturing towards the black tattoo chair in the corner for him to take a seat. “And you’re looking to cover up a back tattoo, is that right?”
“That’s right.”
“Great.” Betty blinks at him for a moment, then asks, “So can I see it?”
“Right. Yeah, of course.” With a slight shake of his head, Jughead pulls his t-shirt over his head, taking care to ensure his gray beanie doesn’t come off with it. 
He twists around so she can see the tattoo in question, a name spelled out in black script across his left shoulder: Jessica.
“Okay,” Betty says after a brief pause. “So this is either going to be fairly easy or really hard, depending on what you want.”
Jughead cranes his head over his shoulder to see her, and immediately regrets it. From a distance, she was distractingly pretty; up close, she’s dazzling. 
Turning back towards the wall, he says, “Easy, please.”
“Oh — so you don’t have a design in mind?”
He glances at her again. “Not really. Was I supposed to?” 
“Well, usually, but — we can work together on something. That actually might make it easier. Some people come in with, like, a big black Celtic knot on their chest and think I can magically turn it into a field of yellow daisies.” 
Betty smiles again, and Jughead feels his insides turn to goo. 
Goddammit.
He’s here to erase the final vestiges of his latest romantic entanglement — not knot himself up in a new one. Especially not with the woman doing the erasing, for that matter. 
“Of course, you could also go the laser removal route, if there’s nothing you’re excited to replace it with,” she continues, oblivious to the fact that she’s utterly charming him with nothing more than what is probably her standard spiel for new clients. “But since it’s black, you’re probably looking at at least ten to twelve sessions, and there still might be kind of a smudge left there at the end.”
Jughead had in fact looked into laser removal, and come to the similar conclusion that driving over an hour back and forth to the dermatology clinic in Greendale a dozen times was an exorbitantly long amount of time to spend undoing a decision that he’d made in roughly ten seconds. Besides, spending more time around Betty hardly seems like a chore.
“I’m sure we’ll come up with something I’m excited about.” 
Betty leaves the room, returning with an armful of books and binders filled with design ideas. “See if anything in these inspires you, and I’ll tell you if it’s doable,” she explains.
To his surprise, rather than leaving Jughead alone to peruse the artwork, she settles back into the chair opposite him and begins to flip idly through one of the books herself. “Feel free to tell me if I’m being too nosy,” she says lightly, “but sometimes it’s helpful with creating a new design if I know the story behind the old one.” 
Jughead cringes — he’d figured this was coming. “There’s not much of a story,” he admits. “My now-ex-girlfriend and I did shrooms on a weekend trip to the city and she somehow convinced me to get her name tattooed across my back while I was tripping balls.”
Betty clucks her tongue in disapproval. “A decent artist wouldn’t tattoo a guy who shows up tripping balls.”
“A decent artist wouldn’t get the phone number of the girlfriend whose name a guy was getting tattooed across his back,” he replies. “And a decent girlfriend wouldn’t text him for a booty call literally the next day. But that’s why she’s an ex-girlfriend, not a decent girlfriend.”
Betty snorts, immediately followed by a soft gasp as she claps her hand across her mouth. “I’m sorry. That’s not funny.”
Jughead grins as he flips to the next page in his book. “No, it is. And it was months ago, I’m over it. You’re welcome to viciously mock me for my poor decision-making skills. Everyone else in my life already has.” Chief among them being his sister, JB, but even his best friend Archie — who himself harbored a laundry list of embarrassing romantic mishaps — had got in a few good digs. 
“I have one rule: I don’t make fun of my clients,” Betty insists, though the slant of her mouth suggests otherwise. “But maybe it’ll make you feel better to know that you’re not alone.” 
“Honestly, it makes me feel like a cliche.” 
“Well, everyone deserves a second chance.” 
Something about the way she says it draws his gaze back to her face, but her own eyes are trained down on the pages in her lap. Jughead feels a sudden, desperate urge to know more about her. 
“Feel free to tell me if I’m being too nosy,” he begins slowly. “But most tattoo artists I’ve met are pretty much covered in tattoos themselves.” 
A faint pink flush rises on Betty’s cheeks as she meets his questioning gaze. “How do you know I’m not?”
It’s a fair point. The only bare skin she has on display is that of her hands, her neck, and her face. 
But the mere suggestion of more — the thought of peeling away her clothes to find the warm, smooth, inked up skin beneath — is too much for him to handle right now.
With a sly twist to her lips, Betty holds one arm out towards him, pushing back the sleeve of her sweater to reveal the underside of her wrist. What looks like the curled end of a dragon’s tail peeks out from the edge. 
“My parents strongly disapprove, so I don’t get inked anywhere that I can’t cover up with my clothes. It’s silly, but makes visits home a lot easier to bear.” She shrugs. “And it’s cold out today.” 
Jughead swallows. “That’s a shame. Just that little bit of it looks pretty cool.”
“Maybe I’ll let you see the whole thing when you come back for your next appointment.” 
Betty holds his gaze for a beat. Then — to his horror — she bursts into laughter.
She presses her palms to her cheeks, which have grown bright red. “I’m so sorry. I’m not normally this…I didn’t mean for that to sound like…god, you must think I’m so unprofessional.”
“No, no. It’s okay.” Jughead laughs, too, certain his own red-hot face matches hers. “I — well, I’d like that.” He closes the book in his lap, leaning slightly forward. “Maybe we could keep working on a design over drinks tonight?”
Betty presses her lips together, her nose scrunching up adorably. “I actually have two rules. I also don’t date my clients.” 
Jughead shoots her a crooked smile. “Then I guess I’ll have to go with the laser removal, after all.” 
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andthebeanstalk · 9 months
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What up I'm married to a tall person who is basically Milo Thatch but agender, and uhhh, basically, yeah, everyone should be jealous and I LOVE MY CUTE TWINK NERD WIFE!!!!! 😤😤🥰🥰🥰❤❤❤👌👌
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#original#i love my wife#had a big crush on that character growing up#you know who else is really into her? EVERY OTHER CHUBBY TRANS GUY IN CHICAGO apparently we just see her and are like OH HELL YEAH#do you know why this is? it is because we have excellent taste that is why.#and also we want non threatening masc people to be into us and respect our gender! that's me anyway#and this is excellent news for her anyway bc we're in an open relationship & she thinks guys like me (her HUSBAND 🥰😁) are incredibly hot#this is also bc she has excellent taste.#but it is a running joke that she keeps getting nice OKC matches that look a lot like me 😂#anyway this post is a thing that would have made young me BOIL with envy if someone else said it but in fact it is ME#and young me grew into me and is in here like AAWWWWWWW YYYEEEEEEEEAAAHHHHH 🤘🤘🤘🤘🚀🚀🚀#she doesn't just look like Milo she also moves and emotes and talks like him. and until recently her glasses would not stay on her face!#she got new ones. nerd. i adore her.#she is so kind to Jack (me) and to my giant anxious pitbull child#she puts his blankie on him as he rests on her toes to make sure she doesn't go anywhere 😭😭❤#she is my best friend and she never makes me feel stupid or fake or undeserving. she just likes me so much and she fkn acts like it!#and we have good boundaries and communication in a very autistic way [positive] and she is so smart and funnyyy#oh i am falling asleep now#probably has something to do with how thinking about my wife makes me feel safe and warm or some gay shit like that �� ;)#edit: omg it just occurred to me that she is like 80% Mill and 20% Jessica Jones. just in terms of like. vibes. XD#she cares a lot about Jessica Jones. I will tell her my findings in the morrow#*80% Milo
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watching jessica jones first and foremost kristen ritter is HOT secondly david tennant isn't an actor he's a fucking shapeshifter
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decaying-vampire · 9 months
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fuck holy shit women stop being perfectly imperfect for one second challenge. Like oh my god what is UP. Oh my god like fuck I love women. shit shit shit. it's so gay at this point it's so gay.
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lemonybecca · 1 year
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I am grateful though to Andy Pearson and Jessica Thompson. Her brother likely killed men like my father.
A good man. Wealth. Everything Jessica and Andy will never be.
Class. Gravity. Beauty. Brains.
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Trust me, none of us give a shit. You’re done hun
Oh I’m very serious. And you’re done.
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roxannarichie · 11 months
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THE ANOMALY | Miguel O’Hara
Chapter One: Willow-Dean
“It…she… isn’t… hasn’t even been bitten… by anything!” Lyla yelled confused, her knowledge about this anomaly was extensive. She had detected her weeks ago but quickly realized the difference from past anomalies. Absolutely zero attachment to any kind of supernatural activity or phenomena. Nothing. Then why did the system detect her as an anomaly?
“What?” Miguel questioned, also confused, he walks toward his computer screen while putting on his Spider-suit. There was no way— there has to be something wrong with her— something that have away that she didn’t belong in that universe. His fingers tapped quickly and softly his watch– he pulls up a holographic screen of information about the woman. As he read the information, he gave intense look.
Looking at his from his peripheral vision, “Lyla, how long have you known about this anomaly?” His voice was calm with a hint of knowing and depth. The pixels assistant chuckled, her guilt was evident.
“Well you see– Miguel, it’s” she stammered.
“Lyla…” Miguel said sternly.
“Three to Four weeks”
“Three to Fo– How does that make any sense! A month? You know the damages this anomaly could have caused to that multiverse!” He lectured. Everyone knew the damage but how could an innocent woman who was blissfully unaware of how out of place she was cause so much harm and how!?
“Miguel, I only did it to watch her and study her. She lives an normal life, she not even a superhero of ANY kind.” Lyla argued. In her defense, the system glitched when it detected this woman which cause Lyla to doubt if she should warn Miguel immediately. Instead she did her own research. He glared at her still not seeming to loosen up.
“She was born September 16, 1998, she was raised by her mother and grandmother. Her father died while serving in the military months before she was even born.” A pixelated sweat droplet rolled down her forehead. She didn’t not want Miguel to put her on “do not disturb” like he did last time. It was absolutely torture.
Miguel sighed in defeat, placing his thump and pointer finger on the bridge of his nose, “Dios, dame fuerza, okay, what is her name?” He scrolls through the anomalies file, not seeing a name.
“Willow-Dean Jones” She said proudly.
“…..Willow what?” Miguel twisted his face, it was an odd name, and not unique odd though it was unique, more like weirdly odd.
“Willow-Dean Jones”
“So Dean is her middle name—“
“No, it’s her first name–“
“I’m not understanding.”
“It’s a double— a double name have you not heard of double names?”
“Yes but her name is already odd—I don’t understand the point of a double— WHATEVER!” His frustration and annoyance was obviously, he typed her name into the file.
Lyla was excited, “Yay, are you bringing her here?”
“Where else would I bring her?”
“Yes! Finally, some female company, though Jessica is lovely, she is pregnant and sleep most of the time, and—“ She looked at Miguel with a smirk, “Possible a new lady friend for—“
“No” He replied quickly
“—you and it gonna be so much fun, we can talk about girl stuff and then We talk about—“ Lyla chattered ignoring the brooding spider.
“Lyla. No–“
“–how mean you are and– oh, maybe you two can get married!”
“Lyla– for heaven sake, I’m 32!”
“That is only a seven year differe—“
Miguel had reluctantly put her on “do not disturb” which he knew she despised but anything to get her to stop specking about the anomaly with the weird name.
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unholyhelbig · 2 months
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oversight request if ur down! what if nat’s enemies captured ronnie? how would nat get her back? (i love seeing this darker side of nat… she’s hot asf when she’s mad 🥵) thx !!
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Title: We Have Your Daughter [An Oversight Oneshot]
Ship: Female!Reader x Natasha Romanoff
Summary: When Veronica is taken from a friends house in the middle of the night, it's clear that reader and Natasha will stop at nothing to get her back and get revenge.
Warnings(PLEASE READ): Gun use, kidnapping, use of gags & zipties, broken glass, threating statements, knife use, strangling, and horrible grammar.
[a/n: This one wasn't my favorite thing I've ever done, but I was way too far to scrap it. I might take a small break from Oversight oneshots so I can clense my pallet a bit!]
Check out the full Oversight universe
Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven
The phone buzzed against the mahogany table on Natasha’s side of the bed. You were in a haze of sleep, something so cloying that it was hard to distinguish what the noise was. There were four monotone vibrations and then a silence so thick that you nearly drifted back into unconsciousness. But then, it started again, louder this time, it seemed, as the phone fell from the nightstand and to the carpeted floor.
An alien blue light filled the room and you groaned softly against the side of Natasha’s neck. You’d ended up laying fully on top of her; legs tangled. Your hands were under her, holding her as close as possible. The rhythm of her heart picked up when she stirred from her own sleep.
She blinked a few times before reaching blindly to the carpeted floor and retrieving the phone. It had stopped ringing again, but soon amped back up. The number was unknown, which formed a small marble of dread in the pit of your stomach.
Natasha sat up carefully and you shifted to the side to give her more mobility. Both of you shared a frowned look of confusion. It was three in the morning, and a stranger was calling. That was enough to arise panic in anyone, but with your profession, it seemed to echo further than most.
“Romanoff,” Her frown deepened, then. You couldn’t hear much, just the warbled and panicked voice of another. “Wait, slow down.”
She flipped back the duvet and stood up, flicking on the bedside lamp. You winced at the sudden brightness but tracked her frantic movements all the same. She was pacing. It often helped Natasha think. All trace of sleep had left you both.
“No, no. We’ll be right there. Thank you.”
When Natasha hung up and her eyes met yours, any hope of a peaceful existence had been sucked from the room. The words ‘I’m sorry’ seemed to be on the tip of her tongue. But she didn’t’ say it. Instead, she threw the cell phone on the end of the bed and moved her hands through her messy russet locks.
“Natasha,” you said, almost viciously. “What happened?”
“That was Luke. Someone broke into the house. We should… get dressed. We need to get dressed and get over there.”
Her words were broken, causing you to rise despite the wave of nausea that overtook you. Unsteady on your feet, you closed the distance between and grasped onto her shoulders as if to stabilize you both. Natasha’s eyes threatened to boil over with tears, they were red-rimmed and oh, so broken.
At thirteen years old, you both had deemed Ronnie mature enough to start having sleepovers with the other kids in her class. Of course, you’d meet with the parents first, and give them all the emergency contact information. Never tightening the reigns there.
But the Jones family were trusted more than most. Ronnie and their daughter Dani had been close since diapers. You’d spent days by the pool together and even took a family vacation with them to Niagara Falls this past summer, despite how ‘lame’ Jessica’s son deemed it when they dawned the yellow plastic ponchos.
“Is she hurt? I know we told Luke and Jess to call us first if something like this happens but if she’s hurt we really should get over there right away and get to the hospital. Call an ambulance maybe? God, please tell me she’s not hurt.”
Natasha’s hand cupped your cheek, and she peered into your eyes. There was sadness behind her stare that was incomprehensible. You couldn’t stop your thoughts from rushing at you in all different directions. Her touch quieted the noise, if not for a moment.
“She’s not hurt,” Natasha frowned, backtracked. “I don’t know if she’s hurt. She’s just… gone.”
The man said his name was Grant. He didn’t give a last name, and Veronica did not ask for one. Grant would do just fine. He looked like a Grant; his eyes were beady and black, his hair combed in various directions with a generous amount of gel. He was trying to look effortless and cool.
Veronica thought he looked like he was trying too hard. Of course, she didn’t say that, but the fact remained the same. The gag that had been nestled tightly against her mouth tasted stale, like the way a thrift store smelled. Maybe it was the carpet in the trunk of the car that lodged itself into her lungs.
She was calm and collected; prepared for something like this. As much as her mothers had poked and prodded and huffed and puffed when she suggested she start to learn basic things (like how to get out of zipties, or what to do if you were trapped in the trunk of a car), they had yielded.
Really, her aunt Lena had Yielded. While she still was discouraged from the heavy-hitting stuff, she did know how to break free of most contained spaces. She could also throw a mean punch if she put her entire body weight into it. But she had been sleeping when Grant shattered the window, and groggy when he hit her temple with the blunt end of his pistol.
The selfish part of Veronica knew that her mothers were scared right now, and reveled in it, for only a brief moment. She’d let out a grunt from being jostled when the car hit a particularly bad speedbump. Her teeth bite down harder on the gag, releasing a sordid taste that did not settle her stomach.
Even at the age of six, which Veronica remembers in bits and pieces, she knew that something wasn’t right with her mother. It wasn’t wrong, either, but it put her on edge and kept her voice trapped in her chest like a music box without a key.
You’d come home smelling metallic, sometimes like the salt of the earth itself. It was much less palatable than the sweet coffee that often graced your collar. She used to inhale the familiarity of it, but had stopped when you’d begin to get bruises and deep red gashes against your skin.
It was something that you’d try to hide from her, from Aunt Darcy, but in the deepest moments of your sleep, the fabric of your shirt would lift and expose the camouflage markings on your ribs or the crack of flesh on your back that Veronica was certain hadn’t been there before.
Then there was Mama.
Natasha. Natalia. Romanoff.
She’d heard every variation of the title. The name was spoken with a certain type of urgency in some, fondness from you, and fear from most. It wasn’t until Veronica was eight and paid more attention to those around her that she realized Natasha was the source of the un-well scent on you.
“Your moms whack people,” Dani had told her one day as they played up in her room. Veronica was meant to stay the night but there had been a heated and insignificant argument about who got to marry Malibu Barbie.
She’d whined back, “They do not,”
“They do too! I heard the other mommies at the playground talking about it. They whack people and it makes everyone else afraid of them and you.”
“You’re lying!”
Veronica had felt the tears prickling at her eyes. Not because Dani’s words were too much, they were just the right amount of hurt. Deep down, Veronica knew that something was fucked up about her family. And while they tried to shield her, it never stopped people from talking.
She would get looks from the parents of her schoolmates. Once that reeked of worry, and sometimes pity. It fed her anger, stoked the coal fire that burned within her. She shouldn’t be angry at her moms, she knew it was unfair. But as she clenched the barbie in her little fist, anger was the only thing she could truly feel.
“They don’t hit people!”
“That’s not what whacked means, dummy.” Dani seemed to catch her bearings, lower her voice to keep her own mother from hearing the accusations. “People that are near your family are never seen again. That’s what Cassie’s mom said. People that are near your family die.”
How could that be true? Things were so different here. There were different smells and Dani’s family didn’t eat around the table like hers did. The house was smaller and cozier. There were pictures on the wall that were black and white and worn with age. But there was love here, just like there was love in Veronica’s house.
A house with love couldn’t be a house where her mothers… whacked people.
Natasha held her with so much warmth at night. She read her two stories if Veronica asked and would get her a glass of water in the middle of the night. Sometimes, on the way home from school, they’d stop for ice cream even though you had cautioned against it.
Someone who let her get extra chocolate sprinkles was not a killer.
But the thought lodged itself in Veronica’s head and refused to leave. She was unnaturally quiet on the ride home, having called you to pick her up early from the wall phone. She held back tears and pressed the plastic close to her face until it was numb.
Natasha had cooked steak and mashed potatoes. Usually, it was Veronica’s favorite, but she watched as the pink runoff seeped into the white mush and quelled the nausea in her stomach by taking little sips of water.
She pretended not to notice the wary look her mothers gave each other, but it was impossible to ignore the way you cleared your throat, palming the wine glass to give your hands something to do. “Baby, is something bothering you?”
The dam broke. Veronica hated when you took that tone with her because it made her cry each time, made all of the hidden emotions bubble up until her cheeks were red and she was a sniveling mess.
This time, she blinked them back and looked between both you and Natasha. She clenched her fork in her little hand and drew in a breath. These were big emotions for such a small girl and she didn’t quite know how to swallow them.
“Why is everyone afraid of you?”
Your hand tightened on the glass you were holding, just loose enough to save it from shattering. Natasha had been mid-chew, her stare moving frantically to you before she swallowed and used her napkin to wipe the edge of her mouth.
“Sweetheart, did someone tell you that?”
Veronica seemed to tremble, shrinking into herself. She had gotten so verbal over these last few years, and this was a side that you refused to let her fall back into. You set the glass down and reached across the table. You covered her hand with yours, despite her refusal to unfurl it. It helped to ground her, had since she was little.
“Dani said that people are scared of you, and that they die around you. I called her a liar, a dirty liar, but she kept telling me it was true.” She looked up with tears in her eyes. “That’s not true, right?”
The silence seemed to answer her question, but she stared at both of you. She wanted to hear it. She wanted you to look under the bed and slay all of the monsters that were intent on grabbing her ankles and pulling her down. Natasha looked down at her plate, almost shy. You gave her hand a squeeze.
“Baby, it’s complicated.” You started, her wild eyes moving to yours. You felt her grow tense. “Your Mama and I, we want to be honest with you no matter what. This family is complicated, but that will never change how much we love you.”
They’d abandoned the food and spent most of the night explaining what they could. She was still only eight years old, and they held back from her. Each year of her life, they revealed more, eased her into it. And if she asked a question, they never, ever, lied. They answered truthfully- even if it wasn’t an answer she didn’t’ want to hear.
Veronica’s muscles had become stiff. She wasn’t sure how long she’d been shoved inside of the trunk, but light was leaking through the edges. She’d drifted in and out of sleep, her legs burning. She wanted to break free of her binds and stretch them out. Grant tied a good knot.
It was no matter, she thought, because her mothers wouldn’t let her linger for long.
Glass and blood sprayed across the back patio. Someone had clearly wrapped their hand and shattered it with sheer force. They’d cut themselves at one point or another, but it didn’t’ seem to stop them from muscling their way into the Jones’s home.
Luke, in his hulking nature, reached into the highest cabinet and got his daughter a glass of water. She hadn’t touched the muffin that was set in front of her. Luke was nesting, trying to ply her with gifts to ease the horror of what had just happened.
You felt bad, having to dredge it up when the memory was still so fresh. She had the deer-in-headlights stare. Wide eyes flicked to you and Natasha. She opened her mouth and closed it in succession twice. She looked like a fish.
It wasn’t that you hated Dani, you didn’t. She was thirteen-year-old child, after all. But, you were admittedly wary about her after she had brought Veronica’s walls down when they were younger. Kids, you reminded yourself. They were innocent, but they were also mean when they wanted to be.
“I already told you, “She said, frowning down at her untouched muffin. “We were both asleep when we heard a loud crash. It didn’t wake up mom and dad. I wanted to call the cops, but Ronnie was against it. Why haven’t we called the cops?”
The silence in the room was palpable. You were studying the edges of the glass, the dried dark blood against the edges. It was better for you to focus on that, than the fact that Veronica wasn’t here. You would spiral, then. You’d think about all the places she could be, and none of them were particularly good.
“Fine. There was a man with a gun in the kitchen and he… aimed it at us. Ronnie wasn’t scared. I don’t know how, the look in his eye was determined. Horrifying. He said that he wasn’t going to hurt us, he just needed her and then he would leave.”
“And she just went?” Natasha urged; her voice strained with exhaustion.
“Yeah, yes. I didn’t try hard to stop her, he had a gun. A gun!”
“Okay, alright. Thank you, Dani.” Luke placed his hand on the small of her back. She crumbled into him, dwarfed by his sheer size. Jessica glared at her own reflection in the mirror above the sink. She had been deathly quiet.
Suddenly, Dani looked so tiny in his arms, hugging her close. Your heart seized and you frowned at the broken glass at your feet. Natasha willed herself to continue. “Dani, I’m incredibly sorry about this. About all of this; but we need to know what he looked like.”
“I don’t know, he was tall and had these blue eyes that were just unsettling. He was sort-of good looking.”
Jessica seemed to find herself at that moment, working her hand through her hair. It was damp and unkempt with sweat. “You both need to leave.”
“Jess,” Luke interjected.
“You need to leave!” She raised her voice, turning to face the group. She kept her palms on the counter to steady herself, refusing to look at Natasha, but clocking you with a deathly stare. “We’ve ignored so much. We’ve watched Veronica when the two of you leave on your business trips, and come back looking like you’ve been raised from the dead. We pretend not to notice the guns you carry even at the fucking beach! But this is not something we can ignore. Y/n, this is my home.”
Her chest was heaving with rage but there was immense sadness in her eyes. Dani’s fingers clenched at the fabric of her father’s shirt. Natasha’s hands were in her back pockets, her red-rimmed stare trained on the ground.
“I understand. Thank you for everything. We’ll uh, get someone to come by and fix the patio door. I apologize for all of the trouble.”
Natasha moved to follow you, her hand on your shoulder. You hadn’t realized you were trembling until her firm touch was there to quell it. Her words were said with a gentle authority. “I made a few calls. A patrol call will be positioned across the street for the next week. Longer, if you’d like. I’m sorry.”
“Wait,” Dani stood from the barstool. “There’s one more thing. The man, he had on this gaudy jacket and there was a patch on the pocket. It was red and there was a skull with these tentacles coming out of it. Totally villain coded.”
You frowned, diverting your stare to the small bug light at the corner of the door. It emitted a small buzzing sound that was barely noticeable. If you stared at it long enough, the tears that threatened to spill over would eventually go away.
“I hope you find her.”
Dani had said in a quiet voice. And you hoped beyond hope that you did too.
There was ugly green tile in the bathroom. Veronica had counted them twice over, and then to check her blurry math, she multiplied the length and the height until the numbers matched. She was bored and cramped in the off-white bathtub of a shitty motel.
For the first half-hour, she had her eyes on the water-stained ceiling. There was an abnormally large roach that crawled in circles. It had the whole ceiling, why did it confine itself to one spot? She’d made up a story; the brown little bug was training for a race. He was following the imaginary track.
He’d win, she decided, tugging softly on her binds. Even if though the horsefly can move up to 90 miles per hour. They’d learned that in class and it was one of those facts that she just couldn’t seem to forget.
Veronica could hear Grant on the other side of the wall. He had made an exasperated phone call and threw it down on the bed. He’d been oddly gentle and patient with her when he removed her from the trunk and subsequently locked her in the bathroom.
After living with a family of deadly criminals for the better part of her life, Veronica toyed with the idea that she was being held for ransom. Her mama, she didn’t hesitate when it came to stuff like this. Veronica had asked her once if that was easier.
They’d been jogging along a small path that cut through the woods around the property. Natasha was used to doing stuff like that alone, pacing herself and breathing in the crisp scents that nature had to offer.
It had shocked her when Ronnie asked to join, but she was quick to agree. She’d slowed to a brisk walk when the girl started to fight for air. Natasha may have pushed a little hard, but she was content to walk with her daughter, all the same.
The question had caught her off guard. “Ronnie, I don’t think your mother would appreciate me answering this.”
“You’re my mom too.” She stopped by a particularly large rock, placing both hands behind her head to stretch her chest out enough to ease her breathing. “Unless you’re afraid of her.”
“You’re baiting me.”
Veronica gave her a wolfish smile. Of course, Natasha wasn’t afraid of you. She wasn’t. You would sometimes get a deep look in your eyes that made her squirm in her seat. It was the mom look- the type of look that you seemed to inherit from the moment you first hold a baby against your chest. The need to protect was deep seeded.
Natasha felt it too, especially with the girl that goaded her right now. But she knew when not to push, and when to gently suggest something to you. Right now was a terse moment that blurred the line between something you’d be okay with, and something you’d initiate the silent treatment for. She sighed.
“Sometimes, there is more to suffering than the pain that’s inflicted. Does that make sense?”
“No, it doesn’t.”
“Waiting for the end is more tortuous than the act of ending itself. What I mean is, putting someone out of their misery is not only a mercy in some situations, but a necessary evil. I’m not a monster, Ronnie.”
She believed her in that moment. Natasha wasn’t a monster. Not to her. She could see how some of her charges would think differently, but this was the woman who would curl up in fuzzy pajamas and watch shitty romantic comedies with her, even shedding a few tears when the lead got the girl.
Veronica let out a long sigh and slumped further down into the bathtub. An uncomfortable and sluggish hit of pain moved through her legs and to the base of her back. First the trunk, and now this.
Her body stiffened when she heard the giggle of the door handle. Heels dug into old porcelain as she pushed herself up. Parts of Veronica’s stance was numbed entirely. Her shoulders were tight with tension, and a fine layer of dust was kicked up.
Grant clenched his jaw and unclenched it at the sight of her. He’d left her to her own devices for far too long. She watched carefully as he unscrewed the cap of a water bottle. The seal cracked and she relished in the sound, praying that it hadn’t been tampered with.
He knelt down against the side of the tub, pulling her gag from her mouth. She drew in a desperate and clear breath, clocking him with a glare. Sickeningly, he smiled at that. “You must be thirsty.”
She didn’t’ dignify him with an answer but allowed him to guide the water bottle to her lips. She gulped down more than half in a hungry fashion. Spare drops soaked into her collar and drip against her jaw. He pulled away and recapped it.
“I want you to know this isn’t personal. I’m not big on the whole ‘kidnap kids’ thing. I have a son of my own, and I wouldn’t ever want something to happen to him.” He paused and resituated himself into a more comfortable position. “This is business. I do what I’m told.”
Grant was trying to relate to her, make her feel some sort of sympathy for him. She wasn’t going to fall into his tactics. Instead, she glowered at him. “I hope he has a good mom. Because when mine find you, he’s going to need one.”
“Yeah, sweetheart. I’m counting on it.”
This time, you had made sure that the gun was fully loaded. You were all for showmanship, leaning into the nickname that those who roamed the streets had given you. Even those who didn’t, a woman at the laundromat or the waitress that had replaced you at the diner all knew you as Roulette.
Once upon a time, you couldn’t push past the shadow that Bucky Barnes had created. He was the Winter Soldier, Natasha’s immoveable force of nature. She’d command him with a solid hand and anyone on the other side of that wrath was doomed.
It was a reputation that was impossible to live up to, yet somehow, you had done it. Not only could you kill with such ruthless abandon, but you had found a family along the way. Bucky would never question Natasha’s orders. But the two of you made them together, and that brought a new type of fear.
When Leo Fitz had moved for the weapon tucked into the back of his neatly pressed pants, you made sure to move with a quickness that rivaled anyone else in the room. The tip of your revolver was pressed to his temple, his gloved hands raising in surrender.
Ophelia Sarkissian smiled. Blood dripped across her teeth from where Natasha had connected her fist with bone. She was slammed up against the back wall of her office now. Her mantle shook with the force of the hit, and dust rained down from the ceiling.
“That’s the problem with old buildings,” she said, a mix of sticky saliva and russet discharge. “The aesthetics are there, but you sacrifice the integrity of the room. Don’t you agree, Nat?”
“I’m not here to discuss architecture.”
Natasha reached into her own pocket, not releasing her hold on the leader of Hydra. The little organization of evil had gotten admittedly bigger than either of you thought was possible. They’d gotten more men, more property. But they were resigned to Hells Kitchen and that was simply not under Natasha’s jurisdiction. She never found it in herself to care, not until now.
Knives were Yelena’s weapon of choice, but Natasha still found joy in the subtle bout of fear that flashed momentarily across Ophelia’s serpent stare. Leo attempted to move, but stilled when you pulled the metal hammer back on the revolver. All you had to do was pull the trigger and there’d be a new mural in Ophelia’s office.
“Natasha, would you mind calling your dog off? Doctor Fitz is a brilliant scientist. It’s not any old brain she’s fixing to blow out.”
The side of the silver blade had found its way to the edge of Ophelia’s eye, not quite touching it, but she knew that the slightest movement would spear her iris. She stopped squirming under Natasha’s threats.
“Okay, okay! What is it that I can do for you lovely ladies?”
“What is it you can do for us?” Natasha’s voice was a thick and hollow growl. Any sign of mercy had escaped her, one hand clenching the woman’s throat, the other pressing the tip of the knife hard enough to break porcelain skin. “Sweetness, I think you know exactly what we want.”
“You’ll have to be more specific, Natty. I have my fingers in a lot of cookie jars.”
“If you’re inclined to keep your right eye intact, I suggest that you lead us to our daughter. I have no trouble taking a woman’s sight.”
Ophelia laughed and it infuriated you. Rage and impatience made a dangerous cocktail. You had tolerated the woman and her lackies through dinner parties and the occasional get together. But that was the extent of your relationship.
Seven full years and she still viewed you as nothing more than Natasha’s pet waiting to be house trained. You’d long since left your probationary period. You’d married the woman who had an iron grip on the city and in turn, raised a competent daughter in your stead.
“I have no godly idea what you’re talking about. You think I’m stupid enough to steal from you? I wouldn’t take a wine glass, much less your daughter. I have some common sense. What led you to believe that I would?”
You hated to admit that you believed her, but you still refused to remove the gun from Fitz’s temple. “The symbol on the jacket of the man who took her. It was your insipid mass of tentacles.”
Fitz cleared his throat “Ma’am, it could be Ward.”
“Ward?” Natasha asked.
“I fired him months ago. He’s mostly harmless but would do anything to get into my good graces. I suppose it would be possible for him to pull a stunt like this. Last I heard, he was living at the Motel six off county.” Ophelia gritted her teeth “It’d be greatly appreciated if you both left before you do something you regret.”
Natasha mocked a pout, dragging the tip of the blade against the side of Ophelia’s face. A trail of pin-prink spots of blood rushed to the surface of her skin. “But you’d look so good with an eyepatch.”
Veronica had drifted into an incredibly fitful sleep. She could hear the world around her; the skittering legs of the bug that ran laps on the ceiling, the slow and steady drip of the sinks faucet, the football game that Grant had turned on to drown out her movements.
It was the unmistakable sound of woods splintering that had caught her attention. Ronnie forced herself to control her breathing, just like you had taught her. She clenched down on the sour tasting gag in her mouth, heart pounding violently in her chest.
The television had been turned off and Grant’s muffled voice seeped through the crack in the door. She knew that her mother’s preferred to work silently. They tried to shield her from everything and everyone that held a potential threat. But there were some things that Veronica wanted to see. Including the downfall of her captor.
She made a small noise against the back of her gag and slammed her heel on the puke-colored tub. The dull thumb was enough to halt the movement in the room. There was shattered glass, and an exclamation that could have only been from Natasha.
Grant had locked the bathroom door from the inside and closed it. There was a strong hit that rattled the weak wood. Her breathing picked up as another hit caused the door to bend like it wasn’t a solid force at all, but entirely breakable.
Finally, it gave way and you stumbled into the bathroom in a cloud of slivers and dust. None of that seemed to bother you, eyes darting directly to the tub that your daughter had been housed in for the last six hours.
Veronica was reduced to a bubbling mess of tears. She hadn’t realized how much she wanted to see you, needed to see you. There was something so warm and safe about your touch and it cut through the cold bathroom air like nothing she had ever felt before.
“Oh baby,”
Your voice cracked as you dropped to your knees, making quick work of the gag. Veronica’s jaw ached when you removed it, tossing the cloth aside. You used the very knife that Natasha had used to threaten Ophelia with to cut the zip ties that had cut dark purple bruises into her wrists.
“Oh, my baby, I’m so sorry.”
She gripped you with a strength that reminded you of the first day you’d dropped her off at kindergarten. She’d cried then too, wetting the collar of your shirt with nervous tears. Veronica had clung to you and wicked her fingers into its fabric. It broke your heart to let her go then.
You’d had a meltdown in the driver’s seat of your car with all the other parents that had emotional attachment issues. It was where you met Jessica for the first time. She’d dropped Dani off. Her second child so it was easier this time. She brought you a beer and told you that everything would be okay.
“Mom,” she whispered, over and over again, gripping you to make sure you were real. She was much too old to carry, but you didn’t give a damn in this moment. You scooped her up like she was six years old again and she wrapped her legs around your waist without any protest.
You tucked her head into the small of your neck. “Keep your eyes closed, baby girl. You’re safe now.”
Veronica clenched her eyes shut and dug further into you. She tried to ignore the noises she heard in the single-bed motel room. The choking sounds that Grant let out as Natasha did what she did best with the electrical cord of a lamp.
She kept her eyes shut in the freezing stairwell, and even when the warm mist of an early-morning dew coated his skin. She waited until she could smell the familiar leather of her mother’s car, and even then, she held you in a vice grip that you weren’t willing to let go of anytime soon.
You’d taken your jacket off and draped it over her shoulders. She curled into herself in the backseat of the car. It only took a few more minutes for Natasha to exit through the same service door that you did. Her hair was disheveled, a long gash against the side of her arm that you were certain would need stitches later.
Black blood dripped from the wound and pooled from her fingertips in small splashes against the pavement. She didn’t’ seem to notice, her adrenaline screaming loud enough to quell any pain she would have felt.
Natasha gently urged you to the side before she climbed into the backseat wordlessly. Ronnie seemed to let out a long breath of relief. She launched herself into the woman’s arms. Natasha grunted at the force but squeezed her as tightly as she could, letting her cry.
“Mama, I’m so sorry.” Veronica sniffed “I shouldn’t have gone with him, but he was going to hurt Dani.”
“Do not apologize moy malen'kiy strelok.” She pressed a kiss to Veronica’s temple, fighting back tears. “Never apologize.”
[Taglist🕷♡: @dumbasslesbi, @lostremind, @toouncreativeforausername @autorasexy @eringranola @mikookaaaaaao @marvelwoman-simp @pacmanmiles @mostlymarvelsstuff, @mrsrushman, @milfsandtittyenthusiast, @random-raccoon4, @ravenromanova, @mysticalmoonlight7, @ahintofchaos@cowboyboots236 @lissaaaa145, @natsxwife@a-spes, @kyleeservopoulos]
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whatwouldsylwrite · 1 year
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At least I got you in my head (prologue)
Summary: Abby is straight. And then you move in with her.
Tags: modern au, fem!reader, straight!abby (she is doing some comphet bullshit), pining, idiot in love and it's abby, reader is gay and tired.
A/N: The title is from Sleepover by Hayley Kiyoko, because my motto is if I had to suffer Abby has to suffer too. I also have literally no idea where this is going, but the idea got stuck and I needed to write something. 🙃
Jessica here is Jessica from Jessica Jones. (actually all characters here are fictional women I have a crush on, no name is random)
"Listen, I have a friend, she is looking for a roommate right now." Nora said as she drank her sweet coffee you really wanted to steal after she listened to your complaining. "It's super close to the campus."
"I've seen a porn starting exactly like this."
"I wouldn't call Sherlock Holmes porn." Nora shot back and you rolled your eyes. "Do you want her number or not?"
"Is she, you know?.."
"Painfully straight. Don't worry, you won't end up looking for a place because you decided to date your roommate."
"Okay, yeah, give me her number." 
Okay, Jessica wasn't.. that bad. It was cute in the beginning, you two hit it off immediately, her sarcasm bounced off your wittiness perfectly. You liked how cool and un-fucking-bothered she was, she liked you because you were a little shit. You two had so much tension it was bound to explode one day, and it did: you got drunk at home, played some have i never and then fucked for two days straight. Jess was cool, and Jess really didn't like to give any kind of clarity on where you stood even when you asked her to her face. She'd just say she liked you and that was it, and even though it really pissed you off, you didn't press further - Jess was cool, but she wasn't sweet enough to fall in love with. It was getting annoying as she grew more territorial about you, always putting her arms around you in public, which was cute until she started asking about Nora and getting angry when you were with her. 
That was when you decided to tap out and move out - the red flag was fucking screaming in your face. You quickly informed Jessica about it, to which she just flipped you, and you left, not dealing with her shit. And now you were homeless, and the term was starting and you really didn't want any drama. 
So a painfully straight girl would be fucking perfect for a roommate.
to: potential roommate
Hi! I'm (y/n), Nora gave me your number
She said you're looking for a roommate?
from: potential roommate
Hi! I am
Do you smoke?
to: potential roommate
No
from: potential roommate
That's the address
If you can, come tomorrow after six
to: potential roommate
Ok
The place was actually close to the campus and not "beautiful place to have peaceful study sessions. 20 minutes by public transport". You weren't sure if you'd be able to afford it, but it was worth a try anyway, you were tired of sleeping on your friends' couches. The apartment building was on a quiet street, but you knew that this street had a bunch of bars where students spent their time.
It was another win, and it made you want to afford this place even more. You reread the message and got up to apartment 42. 
You rang the bell and waited for the girl to open the door. 
And then she did.
And then you died. 
Tall, muscular, shoulders and arms so defined you felt your mouth going slack. She had freckles on her face, pretty blue eyes with long lashes, stubborn mouth and a long braid. 
Oh no fucking way this absolute lesbian wet dream was straight. Nora set you the fuck up here, you were sure of it. 
"Hi, I'm Abby. You're (y/n)?" She said in a nice melodic voice that had just an edge of something dark and warm, and you woke up.
"Yeah." You squealed, still so shocked and so attracted to her it was getting painful. 
She was painfully straight? Well, you were painfully gay for her right now. 
"Cool, come in."
Oh god. 
Oh god.
She had the ass. Oh what a good day to be a lesbian, you thought, but you politely looked away, feeling like a creep for staring at her. 
It gave you time to look around: the place wasn't too big, but it was cosy and clean, clearly looked after. That was a good sign - Jess was tidy, but she smoked and the whole place just stank of it, her cigarette buds were everywhere. Abby seemed sporty, probably obsessed with her food, but you didn't mind. 
"Do you play sports?"
"MMA." 
Oh for fuck's sake, you groaned inside. How could she be so stereotypically gay and be straight? Well, of course she could, looks and hobbies weren't indicators of someone's sexuality, but it was pretty fucking ironic to you. 
The kitchen was small and tidy, everything in its place and a cute towel hanging from the oven handle. It gave you a 1950s housewife vibe, but it was cute. The living room was more chaotic, pillows and blankets everywhere: on the couch, on the floor, behind the couch (???), big tv and playstation next to the wall with a bunch of games next to them. Likes games, you noted, really feeling like a Sherlock Holmes and laughing at yourself for comparing your basic observation to the fictional genius. 
"Sorry, I didn't have time to figure out this mess." Abby said and rubbed her neck and you had to clench your fists to stop feeling so attracted to her. 
"It's cosy, not a mess." You chuckled. "My previous roommate left bottles instead of pillows."
"God." Abby scrunched her nose in disgust. "Okay, so there's two bedrooms, one is mine and the other one can be yours and if you promise to pay rent on time and not leave your laundry in the washing machine."
"Yeah, that won't be a problem.” You hesitated before speaking up, but you needed her to know you weren’t straight. “I'm a lesbian, by the way. Just in case you have a problem with it."  
"Oh, I don't, it's totally cool." Abby smiled and you smiled back, relieved. Sometimes straight girls got wrong ideas and you wanted to get it out of the way now. You could deal with how attractive Abby was, but could she deal with you finding her attractive - that was a different question. 
You talked about the price for the place, which wasn't too high, but you might want to find more students to tutor if you wanted to not worry about splitting your budget too much. 
You left Abby’s place feeling relieved - you got a place to live in a good location and a roommate who, yeah, was super attractive, but she was straight, and that meant no relationship drama. 
Fuck you, Jess - you thought as you made your way to Cait’s place - I won’t fall for the girl this time.
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fellthemarvelous · 4 months
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The Giggle is a true work of art
It's a love letter to humanity, but everyone has to be willing to listen for it to work.
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I love this gif. Think about it. The MCU has a LARGE audience base and Tony Stark is the face of the MCU and is one of the richest men alive. It is no accident that UNIT looks like a tower that was erected by a a white male American narcissist who sacrificed his life to save the entire universe. Love him or hate him, Tony Stark gets your attention. And so does Iron Man. And so do the other Avengers. You know who else has a tower? Batman. (Right?). He's DC. Some people like both. I don't know enough about the DC characters.
And think about RDJ who is trying to step away from the Tony Stark image. It's a character he loved, a character that changed his life after he got out of prison, and he will always love Tony Stark, but he and Tony Stark are not the same person.
https://www.thestreet.com/media/vintage-video-of-robert-downey-jr-visiting-wall-street-resurfaces-goes-viral
Robert Downey Jr told us what was up in the 1990s.
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This is meant to connect to the people who love superheroes and superhero movies. To see that Robert Downey Jr is the way he is because he's seen the ugly side of humanity and he has always told us what he really thinks. People look up to him.
This is meant to catch their eye, to say THIS IS WHAT WE ARE DOING. Please listen to our message.
Nerd culture is beautiful art.
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And if you don't spend your time asking yourself how often Neil Patrick Harris is bullshitting us because I refuse to believe that he had never heard of Doctor Who before joining the cast. I think he just threw 100% of his "please" attitude into Barney Stinson.
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Remember when Neil Patrick Harris played Doogie Howser, MD? The 14 year old Doctor?
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Oh, he was a Doctor too! So let's not forget this other cult classic Doctor character he played. If you haven't seen Doctor Horrible and His Sing-along Blog you are missing out.
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He was once listed as one of Times' 100 Most Influential People in 2010.
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He's charismatic and is openly affectionate with his husband and their children.
Love him or hate him, he has a large fanbase. And he is an AMAZING actor. And a really good magician too.
And they used his skills as a magician on Doctor Who, took us to Soho in 1925, and the Good Omens fandom arose from our slumber severe hyperfixation and meticulous meta analysis to dig into a fandom where David Tennant is the most popular incarnation of a particular character, so we are already doing nonstop detective work.
The Good Omens fandom LOVES David Tennant. He is our favorite rebellious demon.
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He played the MCU's most terrifying villain (there is not one single MCU villain that has ever terrified me as much as Kilgrave because that fucker uses his powers of mind control to force Jessica Jones into being in a relationship with him...among other things). As a character though, he was fucking fascinating despite the fact we have met so many men who act just like him, and we hate all of them.
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Side note: When I typed "Doogie Howzer" into the gif search, this is the most popular image that came up. I consistently get Howser and Howzer confused.
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Now I've got the attention of the Star Wars fandom! Howzer rocks.
You know who else appeared on a Star Wars show (again) this year?
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This entire episode was crafted in a way that it formed as many connections as it could with other fandoms.
And not just that. It made sure to include as much representation as possible. Was it perfect? No, but the point is that Doctor Who is telling the world that it is moving on. It is ready to grow and it is ready to be a mainstream voice for everyone whose existence is being threatened by unjust laws.
The new Doctor defied expectations. This Doctor is a breath of fresh air, and a reminder that we will all be okay, but change is inevitable and this sci-fi show about an alien who is either 2,000 or 4,000,000,005 years old. I can't keep up anymore. It doesn't matter because he's a Doctor free from the confines of societal expectations.
Nerd culture is vast, and I know I've left out fandoms because I don't really have all day nor do I know all the fandoms, so I'm just giving you a taste of what I do love.
This episode is meant to be for everyone who needs a place to call home.
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And the old Doctor finally gets to retire to make way for the new Doctor.
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And as a reward for longtime fans, the retired Doctor has found a place to call home on Earth with his best friend. David Tennant will always be Doctor Who because the old Doctor was allowed to live.
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And for the Staged fandom, you know what that means, Michael?
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chxrlie-cox · 10 months
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20Q: Charlie Cox
The man behind the Marvel superhero talks faith, fans and falling in love with co-stars
Playboy, December 2018
Q1 Do you find it’s a struggle to be on a popular Marvel show and at the same time try to maintain your private life?
I think I’ve managed to keep my private life very private. That wasn’t born out of any intense feelings toward privacy, though I think it’s quite normal and natural to want to be able to have a private life. I think it’s partly due to the fact that I don’t engage in social media. I also don’t think I entirely trust myself with social media. I wouldn’t want to have a bad day and end up tweeting something without having really thought it through. You can’t take that back.
Q2 What else don’t you like about social media?
It’s just not in my DNA. Occasionally someone will show me Ryan Reynolds’ handle. He maintains his privacy, but he’s very funny, and he says some interesting stuff. I guess he kind of gets it right; he knows exactly how to manage it. I read an interview years ago—I think it was with Matt Damon, who said that he doesn’t like doing interviews. He tries to do as few interviews as possible, because he doesn’t really want people to get to know who he is as a person; it might make it harder for them to believe him as his character. I remember thinking, That’s a really good point.
Q3 You’ve worked with some superb actors over the years—women in particular, including Claire Danes, Kate Mara and Krysten Ritter. Have you ever fallen in love with a co-star?
Yeah, many times.
Q4 Can you tell us about that?
No! [laughs] Look, that was probably one of the humbling experiences of my 20s—beautiful actresses I’d fallen in love with. Spend enough time googling me and you’ll probably find a list of a few of them.
Q5 Is it complicated to be involved with someone who is also an actor on-set with you?
Yes. You’re in some weird location where you don’t know anyone else. You’re all there, you’re making this movie, and if you’re co-stars, you’re pretending to be in love during the day. It’s not surprising that people confuse reality. Often, I think, when you do have these on-set romances and then you get back to the real world, suddenly you begin to see it wasn’t quite what you thought it was. I think that’s why you get so many actors dating one another: It’s nice to be with somebody who understands what the job is like.
Q6 Your fiancée, Samantha Thomas, is a producer on Iron Fist and Jessica Jones but not Daredevil. How did you guys meet?
Yeah, so she’s a producer. I’m not going to talk about her at all, because one thing I’m very careful about is keeping my family out of it. That’s one of the reasons I’m not on social media. I really don’t think people need to know about my family.
Q7 We’re not going to ask about your sex life, because you’re not going to tell us. So what’s something no one has ever asked you that you wish people would?
I don’t know if I’ve ever heard that question before. The truth is, for someone like me, I don’t feel comfortable talking about myself in any way that’s going to then be put on camera or in print or something. But I recognize that part of my job is to publicize the stuff that I do. I also know that no one is going to read an interview where all I talk about is what it was like to play the character. It’s a balance, and you have to try to figure out what is appropriate and what isn’t.
Q8 Do you imagine sacrificing your career for your family?
Oh, 100 percent. My career is not more important than my family. No, there’s nothing more important than family. Go to any hospital or old people’s home and find me someone who will answer the question “What would you do differently?” with “I wish I’d worked harder.” No. Everyone would say, “I wish I’d made more time for my family.”
Q9 What were you like as a kid?
I’m the youngest of five by 10 years; the closest sibling to me is 10 years older. So I’m a total mistake, effectively. I was an only child and I wasn’t, if that makes sense. My dad was a publisher and my mom worked for him, in London. I was obsessed with sport—football.
Q10 Which team do you root for?
I’m an Arsenal fan. There’s a great line in one of my favorite films, an Argentinean film called The Secret in Their Eyes. They’re looking for a criminal and they say something like “When you’re on the run, you can change everything about you. You can change your look, you can change the way you live, you can change the people you hang out with, you can change anything you need to. The one thing you can never change is your passions.” And they end up finding this guy because they look for him at his football team’s stadium. You can’t choose what you’re passionate about. Sometimes I think, How am I wasting this time and energy and suffering these devastating losses that ruin days—over a game? But you just can’t help it. For my bachelor party, my best friend was like, “What do you want to do?” And I said, “I just want to go to the park with my best mates, put sweaters down and play.”
Q11 If you were obsessed with sports when you were growing up, when did your artistic side come out?
If I think about it, it was always there. I always enjoyed engaging in the theater. We did a play at one of my schools when I was seven or eight years old. It was Charlie and the Chocolate Factory, and I played Charlie. I don’t know if we’ve lost the tape, but if you watch it, as well as knowing my own lines, I’m mouthing everyone else’s lines.
Q12 Many people say your breakout role was in Stardust, but we remember you in Casanova with Heath Ledger, which came before Stardust, right?
Yeah, but I don’t think anyone would refer to that as a breakout role. [laughs] What you don’t even remember is that I did a Shakespeare movie, The Merchant of Venice, with Al Pacino and Jeremy Irons before that. I’ll tell you something: In the first part of the movie, we were all in Luxembourg, and Pacino—I can’t remember how he phrased it, but he said to me, “Do you have a leather jacket?” And I was like, “No.” He was like, “If you’re an actor, you have to have a leather jacket.” Later, my mom and dad asked me, “What do you want for Christmas?” And I said, “A leather jacket.” I still have it. A bunch of my friends are still really jealous of it.
Q13 And who are your friends? Who do you hang out with?
My dear, dear, dear friends aren’t actors. My dear friends are my friends from school. The guy who is going to be my best man, my best friend—our parents were friends before we were born. I’ve become friends with people like Eddie Redmayne, but you know, I don’t see them regularly at all. They’re out doing something, or I’m doing something. Ben Barnes is in Stardust, so we met on that. He’s one of the loveliest humans I’ve ever met—and he’s also been in my life a huge amount because he’s now on one of the Netflix shows that shoot in New York. I found him an apartment in my building, because he lives in Los Angeles. So for two years, he’s been living underneath us.
Q14 What was it like working with Krysten Ritter on The Defenders?
I love Krysten. I can’t say enough good things about her. And she and I, in particular, got along really well. She’s unapologetically who she is, and I learned a lot from that. Not in any way does she apologize for being successful and talented.
Q15 Do you apologize for those things?
I think I do. Maybe it’s being English, but I become horrified by a compliment. You know that feeling when someone says something wonderful to you—“Oh my God, you’re great,” or something like that? My instinct is to say, “No, I’m not.” It’s very difficult for me. I think I was brought up to not be boastful or a show-off, and what I’m learning from people like Krysten is that being authentic and being proud of who you are and what you do is not the same thing as being boastful. So one of my practices as a human is to try and be right-sized, if that makes sense.
Q16 Is it difficult dealing with fans at conventions like Comic-Con, knowing that compliments make you uncomfortable?
I have to say, one of the great things about playing this character is that I’ve had the opportunity to go to loads of conventions and meet loads of fans, and I love that. The fans are so respectful. I haven’t had a bad experience to date. You get to hear what people have to say about the show—people who have no agenda in telling you that they like something. And again, I still manage to lead a very private life. In my day-to-day life I seem to be anonymous.
Q17 The new season of Daredevil keeps getting darker and darker. There are a lot of rumors about the Born Again Daredevil story arcs for the coming seasons. How do you feel about playing Daredevil in an arc that compares him to Jesus?
I guess what your question makes me think of is that this character has his faith: He has a very strong attachment to his God, to his Catholicism. And yet what he engages in as a superhero runs in direct conflict with those ideas. One of the great gifts of playing this character is to enjoy that feeling of being torn in different directions. We play on the idea that the character gives up the Matt Murdock element of his life and starts to engage with the idea that it’s make-believe—that Matt Murdock is the character he’s invented, and the true him, his true authentic self, is Daredevil, which is a dangerous path to tread.
Q18 Do you ever feel as though you’re losing yourself in the role?
No. I know that Sam jokes about when she has to live with Matt Murdock for six months. I know that it can affect your moods, but some of that is because of fatigue and your body aching 24/7. I’ve played this character for so many hours now—it’s not like a movie.
Q19 Daredevil seems to be a very vulnerable character. Do you consider yourself to be a vulnerable person?
The short answer is yes. The truth is in real life, in my heart—and this may sound naive—but I don’t believe violence is the answer to anything. I don’t think there needs to be, or should be in an ideal world, any level of violence to try to solve any problems. One of the things you commented on, which we try to do with the show and I try to do with Matt, is really highlight the moments when the answer is not violence but vulnerability, forgiveness and kindness—characteristics that really, ultimately, hopefully should be what make a superhero a superhero. What makes a superhero is the ability to make the right judgment call in the right moment, the ability to not engage in violence when it’s not absolutely necessary.
Q20 In what ways do you think playing Daredevil has changed you?
One of the things I like about Matt Murdock is that he doesn’t worry about what other people think. He doesn’t feel people’s feelings for them. He’s very comfortable telling them exactly how it is, and he lets other people have their own feelings around it. And that’s something that, at times, makes him seem quite cold. But actually, a very respectful way to live is to not try to influence how people experience a conversation or a challenging difference you might have. I’m trying to take that onboard a little bit as myself, as Charlie—to speak my truth and let people have their experience around that.
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anonymous-dentist · 1 month
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Do you have more ideas with black cat cellbit and spider roier? I really love that au
Oh wow, let me think
I think Cellbit legit has to use a cane for the rest of his life because he fucked up his bones that badly. But that’s fine, he can adjust
Tbh he just wants a cool cane sword, and I think that’s valid of him
Roier goes back to being Spider-Man if only because he’s realized, yet again, that the Avengers don’t do shit to protect the people of the city
Fuck those guys, for real
Pepito gets immensely attached to Richarlyson and thinks he’s the coolest big brother EVER
Richarlyson is Not Happy about this until he is. And now he takes his Big Brother duties seriously
Bagi gets fired from the police force, because Duh, but she gets a steady gig as a private detective. She becomes kind of a Jessica Jones equivalent, good for her(?)
Cellbit eventually decides that he really likes being a house husband (even if he and Roier aren’t married yet.) It’s a nice change from the life he’s led to this point
Sometimes he’ll team up with Bagi to help her on a case, but only if she asks him
(She only sometimes asks him)
One of Roier’s new favorite activities is taking Pepito out with him on very basic patrols as “Spider-Kid”
And by “patrols”, I mean Roier dresses Pepito up in a little Spider-Man Halloween costume and they go swinging around the city and Pepito thinks they’re stopping crime because “Two spider-people are gonna stop all the criminals from showing up! They’re scared of us, Apa!”
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trainsinanime · 10 months
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The Movie - The Bad Parts
Based on discussions with @emsylcatac earlier today, let's talk about Miraculous Ladybug & Chat Noir - The Movie (also known as Miraculous Awakening), and specifically what sucks about it. I want to clarify that this post is meant to be unfair on purpose. It's all about complaining because complaining is fun! Overall I think the movie was perfectly fine, I had fun and I recommend watching it on a big screen because it is really pretty. This post is full of spoilers, and I'll put it in the queue for the 29th so people who watch on Netflix can see it then.
Let's get to it. There are a number of different directions from which you can criticise the movie. Too many fart jokes. Too many Volkswagen cars. Not enough metro trains. Uninspired songs. I'd like to pull it back a step, though, and ask fundamentally: What was the movie trying to do, you know, as a story? Because I don't think it knows.
About something
The movie has set itself a fairly difficult task, trying to fit a monster-of-the-week show into a single cohesive narrative. This isn't impossible, other superhero movies from Marvel and sometimes Sony and even the odd DC one do that all the time. They do that by finding a core story to tell about the people involved. Tony Stark goes from war profiteer to taking responsibility. Shang-Chi fled his father and must now face him. Jessica Jones faces her trauma. Kamala Khan must figure out who she wants to become and what it means to be a hero. Hawkeye must shoot an arrow out of a bow. Stuff like that.
As a show, Miraculous Ladybug doesn't really have that. Marinette isn't standing on the wrong side of a central dramatic argument and must learn to find and believe the correct answer. Her only real problem is that she isn't kissing Adrien right now. Similar things go for Adrien, who has plot attached to him, but not really any arc beyond going from not kissing Marinette to kissing Marinette. And that's perfectly fine for a show like that, there are plenty of arcs for each individual episode. And sometimes you don't even need that and can just save yourself with twenty minutes of being fun.
The movie is exactly like the show in this regard, and in my opinion, that's a mistake. Marinette is clumsy and afraid of being awesome, but that is just basic hero's journey stuff, that isn't a real character arc. Adrien doesn't have an arc at all. So really, there is nothing here, no theme, no arc. Stuff just happens. The stuff that happens is very adorable in my opinion, but most of it doesn't mean anything.
And really, that seems to be the main point of the movie: Have adorable stuff happen. There are a lot of great trailer moments, but then if you see how they fit together in the movie, well, they mostly don't. There are some cute Adrinette scenes, but they are just here to be cute, they don't actually matter. There's some excellent Ladynoir banter, but it doesn't actually change anything or tell us anything about the characters, it's just here.
The movie certainly pretends that there's an arc here. Marinette gets an "I want" song that tells us she's unhappy about being clumsy, and she'd like to design clothes. We have a bit of a hero's journey. We have a tiny bit of a conflict when Chat Noir is in love with Ladybug, but she can't be in love with him because she's in love with Adrien, and he reacts poorly to that (oh god, are we going to get Adrien discourse again? Please, anything but that!). We defeat the villain, and Marinette learns the "Miraculous Ladybug" healing power. It feels like an arc, but the things don't connect to each other in any thematic way.
And sure, the movie pretends there is a theme here, which is "we're stronger together". Except being together is not really that relevant for the conclusion, and besides, nobody ever said they weren't stronger together.
Weirdly enough, there is one character who gets an arc, which is Gabriel, who realises his mistakes when he sees that Chat Noir is his son. That's nice but comes a bit out of nowhere. And the way Adrien forgives him that easily also feels unearned to me. If you go strictly by which character learned the most and changed the most, you could technically argue that this is Gabriel's story more than anyone, which is just silly.
So it all feels a bit lifeless. Many subplots start and stop at random, and many scenes in between the trailer moments feel too short and lifeless.
The Changes
The other thing that feels weird is all the ways that the lore was changed. I'm totally okay with changing the lore to fit into the movie, but so many of the choices just feel less interesting.
Most crucially, when Marinette falls in love with Adrien in the show, it's the culmination of a mini-arc in which she was wrong about him, and he was bad at social interaction, which they resolve with a ritual umbrella exchange. That is really meaningful. In the movie, Marinette falls in love with Adrien because he's handsome and he asks her if she's alright after she drops some books. That's less interesting.
A smaller detail, but in my opinion even more important, are the Akuma villains. There's no doubt that the gargoyle looks great… but it's a random person who we don't know. We certainly didn't know Ivan that well at the end of season 1 either, but we had at least some connection to him. Most importantly, Marinette had a connection to him, and so her fear for this guy she knows felt real and important. That's gone here. Same for the other villains. They're all just some guys Hawkmoth found somewhere. They don't matter to us or to the heroes, they're just around. In their fight for great visuals, they made the story less interesting.
There are plenty of other examples where the show weirdly forgoes personal moments. The Adrinette montage, for example, is sweet, but it passes by way too quickly. And it's not like the movie didn't have the time, I mean, have you seen these fart jokes?
When it comes to the superhero fights, I am mostly stumped. The movie invented completely new rules, but these rules are for the most part not better or worse, just different. It feels like they feared they'd infringe someone's copyright, but doesn't Zag own the copyright? I think the lack of insane plans prompted by a lucky charm was a bit sad, but I wouldn't call it a dealbreaker.
The Music
I think the songs were alright, I'm just mentioning them here because I know others hated them. My main issue with them is that they felt so unmotivated. It felt like someone had said, "this is where a Disney movie would have a song, so we'll put one here as well".
The Ending
Cutting there? Come on. Not gonna lie, that part got a big groan at my cinema.
The Nachos
Mine didn't taste that great.
In Conclusion
I really should have written this Sunday or Saturday when my memory was still fresh. But I think you get the gist of it. It was a fun experience, but I think it squandered most of its opportunities. There were fun moments, but the connection between them wasn't really there. Most importantly, the movie just didn't really have any story to tell other than "that Ladybug one". But while that is a fine story to have as the premise of a show, it doesn't really work well for a single movie.
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denimbex1986 · 5 months
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'David Tennant had it all. As the tenth Doctor he was a fan-favourite with a run of episodes that reached more than 13 million viewers in the UK – a record for the modern revival of Doctor Who, which almost rivalled its 1970s heyday. He left on his own terms in 2010 rather than being shoved aside for a younger, cooler star (in fact, the BBC wanted him to stay longer). His legacy set him up for lucrative convention appearances and fan worship for life, while his post-Who career is flourishing. So why risk it all by returning?
“I hadn’t thought about it like that,” Tennant laughs. “Thank God I made it to this point! It never really occurred to me to worry about that. Perhaps it should have done…but with Catherine [Tate] being part of it, and with Russell [T Davies] writing the scripts, I never actually worried about anything other than my own ability to run as fast as I used to.”
In fairness, while the return of old favourites to a stage they’ve vacated can sometimes tarnish a legacy, Tennant’s Doctor is a special case. Apart from Tom Baker, it’s hard to think of a Doctor Who star who so captured the public’s imagination. At the height of his career on the show, Tennant was plastered on magazine covers and lunchboxes; he was accosted in the street. In 2009, he was the BBC’s Christmas ident. By the time he left, aged 39, one suspects he could have been reading the phone book to a Dalek and viewers would still have tuned in.
Happily this comeback, announced to great fanfare last year, is a little more involved than that. “The first conversation we had about it was very casual,” Tennant recalls. “Russell and Catherine were talking about the notion of: ‘What if we got the band back together for one last special? But David would never do it.’ And I said, ‘What do you mean I’d never do it? I’d do it in a shot. And then suddenly, we were back for three in a row.
“I mean, why not?” he laughs. “It was such a joyous time, and these are people I love as humans, and certainly love as people to work with. And Doctor Who is something that will always be hugely important to me.”
In fact, there’s a case to be made that the 52-year-old Tennant – who’s speaking to us the day after his birthday, ever committed to the show – never really left Doctor Who behind in the first place. Yes, he’s had many successes since – Broadchurch, Good Omens, Des, Marvel’s Jessica Jones and Staged to name but a few – but he’s always kept a foot in the TARDIS door. After all, it was just three years after his dramatic regeneration that he teamed up with his successor Matt Smith for 2013’s 50th-anniversary special.
“I was sort of a member of the guest cast on that, because it was Matt’s show,” says Tennant now. “It’s different when you’re in charge of the TARDIS again. There’s a lot more work to do. I remember on the 50th, going, ‘Oh, this is easy. I used to have to learn far more lines than this!’”
Two years after that, Tennant was back headlining his own Doctor Who stories for a series of audio dramas co-starring – and this sounds familiar – ex-companion Catherine Tate. He’s kept playing the Doctor that way ever since, lending his voice to audio plays and (more recently) video games starring his character.
The Doctor even looms large in Tennant’s personal life. He married a guest actor on the series – Georgia Moffett, who appeared in a 2008 episode with him – which means his father-in-law is former fifth Doctor Peter Davison. He also has a police box cut-out in his garden. Given all this, it’s hard to imagine why Davies and Tate thought this on-screen return would be a hard sell.
“The truth is, it’s a rather lovely, benevolent, generous thing to be connected with. I love it. I always have, and I’m sure I always will,” says Tennant. “I grew up with posters on my wall signed by Tom Baker. It’s very peculiar that I should end up in the show that was, to a greater or lesser extent, the thing that inspired me to be in the profession I’m in.
“It runs through my life as if through a stick of rock, really. As you say, I met my wife on the set of Doctor Who, and I’m now a father. I’ve given up trying to resist the inevitability that Doctor Who will be following me around for the rest of time.”
Instead, he’s embraced it. So, this week he returns as the Doctor on BBC1 – but not the same one he played before. Originally, Tennant says the plan was for him and Tate to return for the anniversary in a flashback episode, set during their shared 2008 series and with a storyline completely different from the specials as they now exist.
“It would have been an unseen adventure from years before,” he says. “Russell immediately had an idea for a story, which I’m not going to mention because I don’t think it’s yet seen the light of day. It certainly wouldn’t have been part of an ongoing story. But I hope one day he does use it because it sounded great.”
But Davies’s return to the BBC fold as the new Who showrunner changed everything. “Then Russell decided he was coming back full-time and the whole thing blossomed,” says Tennant. Suddenly, the one-off had turned into a trio of specials for Doctor Who’s 60th anniversary.
Davies tells me later: “It was simply as many episodes as David and Catherine could do. If they had said, ‘We’ve got time to make 12,’ we would have made 12. If they had said, ‘We’ve got time to make one,’ then we’d have made one. But I think a one-off would have been a disappointment.”
And it was a flashback no longer. Instead, Tennant plays a new (and official) incarnation of the Doctor that follows on from his younger self and the Doctors that came after – Matt Smith, Peter Capaldi and Jodie Whittaker – in a way that’s woven into the story of the specials (titled The Star Beast, Wild Blue Yonder and The Giggle).
“That’s part of what the Doctor himself is struggling with: why is he here?” says Tennant. “Why has he got this face back, and what might that mean? Though you’re still in a recognisably Doctor Who world, and I think that’s right and proper,” he adds. “It gets you back into those stories that you know and love and recognise, with some elements in there that are unexpected.”
In particular, he says that the second and third specials go in unusual directions. “With two and three, Russell has written Doctor Who like I have never seen it before,” he reveals. “He’s come back to it with a whole new raft of ideas and enthusiasm. I’m just very chuffed to be able to be part of that.”
But of course, he’s not going to be part of it for long. Davies describes Tennant’s new incarnation as a “Magnesium Doctor” – in other words, he burns brightly but not for long – because at the end of the third special, airing on 9 December, he’ll regenerate into new Doctor Ncuti Gatwa. The 31-year-old Sex Education star takes over for the Christmas special, followed by a full series next year (and beyond – he’s already filming episodes that will be shown in 2025).
“I have seen a bit of Ncuti, and he’s magnificent,” Tennant says. “He’s just got such an energy. He’s so creative, and he’s inventive, and he’s funny, and he’s a proper actor. I think he’s going to be great.
“I’ve met Millie Gibson [new companion Ruby], and she seems lovely, too. I haven’t got a chance to see any of her stuff yet, but they seem great together. I’m jealous of the adventure they’ve got in front of them.”
When asked if he has any advice for his successor, Tennant seems vaguely horrified – “What would I say? I mean, literally, what would I say?” I suggest he might prepare Gatwa to return in about 18 years. “Well, he’s young,” Tennant laughs. “He’ll get into the 100th anniversary, probably. I don’t know if I’ll make it that far. Though if I can keep running fast enough –
I don’t know. I never imagined that I would be sitting there for the 60th anniversary, talking about three specials we’d made. This show continues to surprise everyone involved with it.”
Still, it must be hard to hand over the TARDIS so soon after getting hold of it again. Was there a moment, just for a second, where he thought about snatching back the sonic screwdriver, barricading the studio and staying on for a full series?
Even as a lifelong fan, he says not. “It was never on the table,” Tennant says firmly. “The story – well, as soon as I start to talk about this, we get into the area of spoilers, so I’m not going to say any more. All I know is that I’m excited and jealous of everything that Ncuti has in front of him. And I can’t wait to enjoy it as a viewer, because I think he’s magnificent.”
He laughs. “I think they thought, ‘Let the old man run around for a minute – and then we’ll get a nice, young bloke in.’ ”'
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verysaltynik · 3 months
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Me watching Daredevil: oh nice, i love almost everyone here wow, what a complicated and emotional story, i love the storytelling and how lovable and believable everybody is, i wonder what will happen next!
Me watching Jessica Jones: depression
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marvelmaniac715 · 12 days
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It is just past midnight but I would very much like to ramble about David Tennant for a minute:
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Of course he’s good looking, I mean, just look at that bone structure and blinding smile, and that’s not even mentioning his eyes that I’ve often been lost in when watching him on tv. But as a person David Tennant is just so wonderful. He’s intelligent, funny, and is so clearly a man of such warmth and kindness, he even wears pride pins to make it clear that he’s an ally. He just seems like someone you’d want to sit down and watch tv with, someone who wouldn’t judge you, someone you could have a laugh with. Oh yeah, and he’s a phenomenal actor. Just think of his iconic characters; Crowley, the Tenth and Fourteenth Doctor, Scrooge McDuck… all heroic characters, but have you seen him as a villain? Might I direct you to his performance as Kilgrave in Jessica Jones?:
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I (uncomfortably) found myself close to rooting for Kilgrave several times whilst watching the first season of Jessica Jones, based on the sheer power of his performance alone. His performances in Shakespeare plays are also commendable, many people talk about his Hamlet, Macbeth or Richard III, but even as Benedick in Much Ado About Nothing he gave a man from Jacobean/Elizabethan times a soul, beyond the verse in Shakespeare’s text. Many people have made posts talking about how incredible David Tennant is, but did you know that he can actually SING?:
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If there’s one thing that you should take away from this post it’s that David Tennant is multi-talented, and I’d love to meet him but I know that I am not worthy to be in his presence (joking, like I said he seems like a lovely man who wouldn’t judge anyone). I’ve neglected to mention many of his well-known characters because, regrettably, I have not seen all of his performances. I’m yet to watch Broadchurch, for example. I just think David Tennant is one of the greatest actors of our time and I wanted to talk a bit about him.
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elliyoyo · 11 days
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Elliyoyo's Masterlist (04/2024)
This has everything from my entire time on Tumblr (2017 to now). Being updated as I post more, and edited when one of my brain cells kick in. Hope you enjoy, love you guys <3
Baldur's Gate 3:
Adverse Effects (Gale Dekarios) - You give Gale a ring to help his condition, but don't check its magical properties first. He ends up hot and bothered, and that's on you, good leader.
Burn Notice:
I Wanna Get Freaky On Camera (Sam Axe) - You get bored and strike up some spicy chit chat with your boyfriend Michael while on a stake out... Oh shit, is that Michael?
Playing Couple's Therapist (Sam Axe) - You and Fiona grab a couple drinks, and to no surprise, Sam shows up to get drunk beside friends. But friends turns to more when you make a confession he won't let you avoid.
Fallout:
The First High (Hancock) - You have a sesh with everyone's favorite mayor. Shooting the shit and taking some hits... Not the worst way the apocalypse could be going.
Hamilton:
I Make the Reporter Beat Box (Lin Manuel Miranda) - You're interviewing LMM and he decides to make you beatbox for him.
SlytherLin (Lin Manuel Miranda) - For Lin, the boggart turns into a battered and beaten version of you. He realizes some things, and acts on them.
When the Clock Strikes Twelve (Modern!Lafayette) - You get a kiss at midnight from the resident French man.
Saved (Modern!Alexander Hamilton) - You're fed up and decide its time to end it, but a peculiar stranger talks you down.
Home (Modern!George Washington) - Your identifying as trans has taken you down a dark, terrifying road with your family. Luckily, your childhood best friend George gives you the option to leave that behind and live with him.
Horror Films:
Hell Hath No Fury Like Two Mad Scientists Scorned (Herbert West) - Dan and Meg try to care for you after Dr. Hill nearly forces himself on you, but nobody would've thought Herbert would've been the one to actually help you.
Say That One More Time? (Herbert West + Dan Cain) - You make an announcement that blows both boys' minds... once Herbert takes a moment to process it.
Herbert West/Reader/Dan Cain Poly HCs - How the boys would be in a relationship, SFW and NSFW.
Marvel:
Christmas Eve (Bucky Barnes) - Bucky is away on a mission, and you give him one last call before Christmas.
Decorating the Tree (Bucky Barnes) - You and Bucky can't seem to keep your hands to yourself while decorating Tony's humongous XXXL Christmas tree.
Eleven O'Clock (Jessica Jones) - You're desperate to find your cat, so you visit an old friend and rekindle some flames between you two.
The Infamous Pancake Order (Loki Laufeyson) - Loki accidentally orders 37 boxes of pancake mix. That's it. That's the fic.
Kissing Under the Mistletoe (Loki Laufeyson) - Thanks to Mr. Wonderful Tony Stark, you and the newest Avenger friend end up having a small lesson in Midgardian traditions.
Dark Blue Suit (Tom Hiddleston) - You just can't help yourself when Tom dresses himself up all dapper for interviews or red carpets.
Baking Cookies (Natasha Romanoff) - You will simply perish if you stop sneaking cookie dough from the bowl Nat is scooping from... but you might actually die if she keeps catching you.
Cookie Craving (Peter Parker) - Late night munchie shenanigans. You two just want some cookies, but you're not the brightest bulbs.
Nightmare (Peter Parker) - You have a nightmare about Peter dying while you helplessly sit there. Even at 3am, he answers your hurried call and comes over.
Pucker Up, Parker (Peter Parker) - Your boyfriend lets you do his makeup, and you get overwhelmed by how well he pulls it off.
Stealing Sweaters (Peter Parker) - After a long night of fun, you have some breakfast with Peter in his sweater.
Visiting Family (Peter Parker) - You're Tony Stark's daughter, he's Tony Stark's kid genius. All anyone can see when they look at you is your father... until Peter Parker and his Aunt.
Wrapping Presents (Pietro Maximoff) - The speedster helps you get your Christmas wrapping done in the blink of an eye, and he expects a thank you.
Movie Night (Wade Wilson) - You sit down to have a nice movie night with your boyfriend, but he's a dick and decides to pick a horror movie instead of one you can bang to.
Accidental Text (Steve Rogers) - You drunk sext Cap, and when you try to go about your day the next morning, of course he's right there.
Getting Lost in the Mall (Steve Rogers) - You lose your boyfriend in a crowd of fangirls, but you use that time separated to your advantage.
Happy Century, Captain! (Steve Rogers) - Cap is 100! Such a special number calls for a very special gift.
Steve's Jacket (Steve Rogers) - You accidentally throw Cap's signature jacket in the wash while he's away on a mission and it hits you hard.
Cuddling by the Fire (Thor Odinson) - You want to warm up on a cold Winter night, so what better way than to cuddle up to a fire with a book and your godly boyfriend?
Playing in the Snow (Thor Odinson) - You start a snowball fight with a God to show him your planet's culture. Not the best idea.
Holiday Party (Tony Stark) - Tony accidentally spills a drink on you during one of his parties, but don't worry, he makes it up to you.
Ugly Sweaters (Tony Stark) - You and Tony try to one-up each other for ugliest sweater and he plays dirty to see what your contender is.
Mötley Crüe:
Just Another Threesome (Vince Neil) - You and your rockstar boyfriend give a random fan the time of her life to get rid of pre-show jitters.
Walk-Ins Accepted (Tommy Lee) - You get off a shift early and stumble upon your drummer roomie in quite the state.
Queen:
Good Girl (Roger Taylor) - Sequel to Naughty School Girl. More submissive Roger, since he enjoyed the last time so much.
Naughty School Girl (Roger Taylor) - You just can't help yourself when you see Roger dressed up for the I Want to Break Free video.
Supernatural:
Traditions (Castiel) - You and the boys enlighten Cas on human New Years Eve traditions.
Nose Kisses (Dean Winchester) - You and Dean put your toddler to bed with plenty of kisses.
First Date (Sam Winchester) - Sam intervenes when some drunk guy decides to pick on you at the bar and thank god for it because you secured yourself a date with the moose.
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