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#please please let this be the case
meiieiri · 7 months
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Something about JJK 236 is bothering me
That fight...was awesome, but it could have gone better.
Other than the fact that I'm currently in mourning over our king's garish demise (don't get me wrong, I do want him to be happy in the afterlife and I'm slowly coming to terms with his death, it's just I can't really process all this yet), I'm still a bit confused how we got here so quickly.
I have countless questions and I know Gege will probably brush this off in the coming chapters and pull yet another meeska-mooska-Mickey Mouse Clubhouse move.
But there is one that lingers in my mind up to this day:
Remember during the Fearsome Womb Arc when Yuji and Sukuna deliberated with each other on the possible resurrection or re-animation of Itadori's body via a deathmatch?
Yeah. We all know Sukuna, the king of all curses, is a master at one-shotting his opponent. Just take a look at what he did to our best rose-colored boy who went from this:
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To this, in a split second (lmao):
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Yeah, yeah, I've read all the “copium” theories from other Gojo fans such as myself who are kinda on the fence when it comes to accepting Gojo's death as being final or not, but, let me bring this back real quick to the matter at hand.
Sukuna went for the head with Itadori. Of course, maybe he did that to shut him up sure, but what I'm getting at is, the head is the singlemost critical point to hit when it comes to sorcery dogfights.
He knows this.
And he probably knows that Gojo Satoru, the darling of the heavens, the uncontested gem of Jujutsu Society, is a reverse cursed technique user. Pretty obvious thing to catch since Satoru had been using RCT the entire showdown to heal his countless critical wounds.
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So, Sukuna, in all his centuries of wreaking havoc on the world, should know that the only way to permanently kill a sorcerer who uses RCT is by targeting the head. There were so many instances in this entire deathmatch that we are completely blown away by Sukuna's prowess and overall mastery of Jujutsu.
Can you imagine the amount of practice he's had over the years with other "greatest sorcerer of their generation"s? He knows the ins and outs of Jujutsu like scripture, which is exactly what kept Gojo Satoru on his backfoot for some parts of their skirmish.
Now, here's the thing that's bothering me:
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I liken Sukuna as something like a super computer. All that battle experience is readily available to him like some Jujutsu techniques data bank, not to mention, Mahoraga's adaptation clearly gave him yet another advantage in this fight for the title of the strongest.
He knows Satoru Gojo has been frying his brain using Reverse Cursed Technique this entire time, and he's probably seen his former opponents do the same as well. He knows that the only way to kill them is by dealing a devastating blow to the head via decapitation or complete obliteration of the body.
So, my question now is:
Why did he bother cutting Gojo in this particular manner? Why didn't he go straight for the head, since Mahoraga's adaptation blueprint can now allow Sukuna to cut through reality/space itself and therefore bypass Gojo’s infinity non-selectively?
Arrogance now that he's secured his definitive victory? Or the so-called warrior's high? Why leave room for obvious speculation when it could so easily be crushed into smithereens if he just went for the kill?
It's all very confusing. I'll point back to the time when Sukuna swiftly decapitated Itadori.
And I'm willing to bet that that move was deliberate since at the time, Itadori had already been in Jujutsu High for quite some time and Sukuna must have realized that under the tutelage of Gojo and other sorcerers, he must be learning a thing or two about RCT here and there which may have led him to end the fight quickly hence, the resurrection of Yuji Itadori.
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Now before, ya'll attack me, I know what manga panel you're gonna throw at me to deconstruct this entire analysis and dismiss it as "copium". So, I'll put this here:
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I know it may look like Gojo's entire head has been blown off at this point seeing the pool of blood he's currently lying on. But why is Gege or the editor making the effort to cover Gojo’s head with the text bubble when, logically speaking (and coldly at that), Gojo should be deader than dead? Which he…in theory based on the afterlife sequence, SHOULD be.
And with that whole North/South thing to cap it all off? Though, I wouldn't dwell on that. The wording in that bit was very vague and I’m not really into the habit of over-reading so hehe~
Anyway.
Could it be there's something else in store for Gojo Satoru? Is something else at play here?
Or is this simply a writer's failsafe, just in case Gege wishes to bring back Gojo Satoru so that he'll have a rational explanation as to how that came to be? No one knows. But I think this wasn't some on-the-fly decision by Gege or the editors.
Gege Akutami - though as a writer myself, I find his current choices for the story to be a little questionable with the many gray areas where plotholes could eventually arise - has been deliberate about this story since the beginning, having already mapped out the fate of Fushiguro Megumi.
This panel, the entire chapter, the circumstances we're now currently witnessing is deliberate. And maybe...we haven't seen the last of Satoru yet.
I'll leave this here for everyone to think about. This is all speculation, after all, so don't be mean about it, Jesus. In the meantime, I'll just admire my husband, Suguru, for now and will probably go back to writing my fics~ 💕
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firelise · 9 days
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is he going to study abroad in the US when his brother finds out? Is that why theres all this american swag as his room decor?
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99thpercentile · 2 months
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places where the audio distorts
image ids under the cut
tmagp 4:
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tmagp 5:
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tmagp 7:
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tmagp 8:
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the audio distorts when people lie.
I imagine this knowledge will come in handy later.
[id: ALICE: This is not something you go poking around in. Not if you want to keep your job… or your neck. SAM: (a little amused) Okay, okay! I get it. Consider me scared straight. "Consider me scared straight" is highlighted. end id]
[id: LENA: Now, while I understand your concerns, you need to understand that Colin has held the IT Manager position for some time without incident, and although he is somewhat… frustrated with his current assignment, he can request help from the central IT team at any time. I am certain that should he find his responsibilities unmanageable, he will request assistance. Or resign, of course. Either way, the problem will resolve itself. "Or resign, of course" is highlighted. end id]
[id: CELIA: Is there any way to look up specific files? ALICE: Like what? CELIA: Oh, I don’t know. Every case about… being buried alive, or meat, or… whatever. ALICE: Well, there’s a search bar, but it doesn’t actually do anything. You’d have to dig through them all manually. (suspicious) – Why do you ask? CELIA: Just figuring it all out. Ah well, I guess I’ll need to find Bigfoot on my own time. "Just figuring it all out" is highlighted. end id]
[id: GERTRUDE: I see. Well, I’m sorry, but I don’t think Gerry can help you – GERRY: (casually) Yeah, I barely remember any of it. "I don’t think Gerry can help you" is highlighted. end id]
[id: GERRY: Oh yeah, but I was pretty young. I remember filling in a bunch of forms and questionnaires, then some old men asking me questions about what books I liked to read, who did I look up to, that kind of thing. And then I left. SAM: (disappointed) That’s all? GERRY: Yeah, afraid so. Other than just sitting around with a bunch of other kids in a room that smelled like old books. "Yeah, afraid so" is highlighted. end id]
[id: CELIA: I’m trying to look into… Weird physics stuff: time travel, other dimensions, teleportation, all that good stuff. Freddy doesn’t really do searches, so you could keep an eye out and let me know if any come up in your cases? SAM: Uh, sounds a bit sci-fi compared to our usuals. What’s this for? (amused breath) You’re not doing research for that podcast you were on, are you? CELIA: (surprised) You know about that? SAM: I might have given you a quick Google. CELIA: Then… yeah. I’m doing a favor for Georgie. "yeah. I’m doing a favor for Georgie" is highlighted. end id]
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hedgehog-moss · 2 months
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Help me settle a debate with my friends! If it seems difficult to choose that's normal, we've already dealt with the animals that are easy to sort (e.g. goats and mice are the two extremes on the spectrum of animal civility) and these are the more dicey choices that are on a similar level of perceived politeness.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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cupcakeslushie · 1 year
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Thirds
pt 1 || pt 2
Donnie thinks he knows what he has to do reconcile Three with Donatello. To leave everything from that time behind and move on, but…maybe there’s a simpler solution?
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bruciemilf · 1 year
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Comic book writers who still make Bruce hit his kids even after years of mass criticism from fans who TELL you it's a bad creative choice that pushes them away from the fan base and comics in general,,, you did this for what?
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melverie · 5 months
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Wait did Satan turn all of his brothers into cats? Is that what happened here? Because
Nov 27th
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Nov 24th
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Nov 25th
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Nov 28th
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Nov 23rd
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And now Nov 29th
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Like those are definitely supposed to be the brothers, right? And then he threw in Black and White Cat Appreciation Day to distract a little from it all
The struggle Satan must have gone through with Observe a Blue Cat From a Distance Day because on one hand it's Lucifer, but on the other--cat
Also do you guys think cat Luci wanted to get pet by Satan since Lucifer knows how much he loves cats and this would have been the opportunity to bond a little, or do you think he kept running away because being treated like a cat is beneath him?
Edit: November 30th
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jacobglaser · 1 month
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→ Every Aziraphale & Crowley touch (part two of two)
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syncope-syndrome · 8 months
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Prompts For When You Need A Whumpee To Fall Like A Sack Of Bricks
For when a slow and steady loss of consciousness doesn't quite cut it (but that's still good, don't get me wrong).
whumpee's still running on adrenaline when they bump into caretaker, nothing but smiles until they catch onto caretaker's horrified expression. they follow their gaze until they see the familiar stain of blood against their shirt. their shock drains the adrenaline from them, and before caretaker's even able to take a step forward their knees have buckled.
a sudden wound — a gunshot, a stabbing — and the pain lancing through them white-hot and agonizing. they're still processing what's happened to them, gaping like a fish out of water when they feel the ground slam into the side of their head. they're not sure when they fell, but every pulse pours out more red and reminds them over and over of why.
a caretaker running themselves ragged with just how many people are hurt or in need of them, unable to take a moment's rest for themselves. their vision starts to swim when they stand up but they ignore it, because it's not that bad yet and others have it worse. they're doing an excellent job pushing through, until they're suddenly not. their vision wavers a little stronger this time, and then into black, barely able to get out a surprised "oh" before they're on the ground.
bending down to grab something and not hearing the approach of someone from behind them. one moment, they're sifting through papers, a drawer, a cabinet — the next, there's a burst of horrible pain at the back of their skull and a deep, sudden darkness.
trying to climb out of bed after a broken fever — common sense tells them to stay in bed but they want a bath so badly. their body trembles the moment they move to stand, and they're barely upright for more than a few seconds before their weakened legs fold and they collapse in a pile of exhausted, aching limbs.
doing nothing, thinking of nothing until there's a bright surge of light and heat, white bleeding into black, so abrupt that it's not until they wake again that they even comprehend that anything happened to them.
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savesavva · 2 months
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I love hanahaki aus but somehow if i draw characters like that its always yellow/blue forget-me-nots/daffodils parallels
just wanted a nice picture of them with a bit of angst, as usual?
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tio-trile · 8 months
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If I had a nickel for every time there's a book co-authored by two authors about two rival agents working for opposing forces which are starting a war when they come to the realization that the organizations they belong to aren't worth fighting for by talking with each other and also finding out that they're in love I'd have two nickels. Which isn't a lot but it's weird that it happened twice
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copperbadge · 11 months
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I think there are some court cases or situations in which the jury should be allowed to heckle the attorneys. If not verbally, we should at least be provided with popcorn and allowed to throw it.
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kayleerowena · 11 months
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🏚️ haunted house commissions are back! 🏚️
is your house (or apartment, or rv, or a house you really like from down the street, or a house from a story) haunted? do you wish it was? for a small fee, i'll put ghosts in it for you!
i'm trying out a google form for commissions this time around rather than a first-come-first-serve model. this form will be open for a limited time. probably till around the end of may. i'll have a handful of commission slots to begin with, and i'll pull from the form response pool once more slots start opening up.
want a haunted house? fill out the form here! (reblogs are super appreciated to spread the word! 🫀)
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cilil · 2 months
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Alright hear me out for a second -
"It's ok to enjoy and find meaning in flawed media because art is subjective and human creation is never perfect" and "We need to arm ourselves with media literacy, criticize media and not fall prey to blind consumerism that big companies want to lure us into" are statements that can and should co-exist.
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chronosdawn · 3 months
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Zhongli x GN!Reader, Soulmate AU Part 2
Link to Part 1
Word count: ~2.5k
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He was waiting for you at the Stone Gate.
You hadn't known it was him at first, having taken to pointedly ignoring the sensations crawling up your arm from your soulmate mark once the phantom hand tugging you back to the harbor had turned clawed when you refused to listen to it. 
Of course you could hardly be blamed for overlooking a lone tall man standing just at the edge of the border, his back to you as he looked out over Mondstadt's grassy plains. There was nothing particularly remarkable about him at first glance, save perhaps for his height and fine clothes. The way he stood—perfectly still with his hands clasped behind his back—made him seem more like part of the landscape than a living thing. It was only when you got close to him, just barely out of arm's reach as you made to walk past and he turned to face you, amber eyes meeting yours, that you realized who he was.
Your legs refused to move as though they'd been turned to stone, torn between hurtling back the way you'd come—as though attempting to run from a god a second time might somehow prove more successful—and throwing yourself the last precious distance between you and the border, like the invisible line of it would somehow protect you from whatever was to come. 
Before you could commit to either however, your soulmate spoke.
"I apologize if the suddenness of our connection startled you, but it is very good to meet you at last." His voice was rich and smoother somehow than it had been during the rite, his expression one you could only describe as soft as he looked at you.
You'd thought gazing into the face of the dragon-qilin version of Rex Lapis was bad—somehow this was worse.
Words failed you as you stared at him. What were you even supposed to say? Your head felt like a hornets nest, thoughts flicking from excuses to questions to apologies until it turned into a garbled mess that made your temples throb. 
"I don't…" you stammered out before petering off. Your chest felt funny, like it was trying to cave in on itself.
Rex Lapis looked you over from head to toe and whatever he saw caused his lips to press together slightly. 
"You must be tired after the long journey here from the harbor. Come, you should rest for a moment." He moved to your side, a hand resting gently against the small of your back as he steered you away from the boundary of the nation of freedom and towards what appeared to be a modest tea stand nestled against the stone of one of the large cliffs making up the gate. You tried to protest, you really did, but your tongue felt like lead in your mouth, your skin prickling from how close you were to a literal god. Before you knew where you were, you'd been ushered to a table in the cornerーthe Archon only leaving your side to pull your chair out for you and then take the seat opposite. 
The elderly man running the stand came over and Rex Lapis ordered for the pair of you while you watched mutely, noting that he’d seated you in a corner, placing himself between you and any route of escape. Your hands shook faintly where they rested against the chipped wood of the table.
Silence descended as the old man left to brew your tea, interrupted only by the faint howl of the wind against the cliffs. You fought not to fidget in the face of such blatant awkwardness, turning your attention instead to the other patrons scattered nearby. The young woman closest to you was dressed in a signature Adventurer’s Guild uniform, likely on her way to a commission judging by the heavy backpack rammed with supplies at her feet. Sitting a little further away were a couple with obviously graying hair, twin soulmate marks visible on their joined hands as they quietly enjoyed the view. A lump formed in your throat at the sight.
“You hail from Snezhnaya.” Your gaze snapped back at the sound of Rex Lapis’s voice. It wasn’t a question, but the tone left the statement open-ended, an offering of idle conversation in place of the one you should be having but obviously weren’t ready for.
Nodding, you mustered your courage and said quietly, “I came to Liyue three months ago.”
“May I ask what brought you here? It’s rather a long way to travel.”
“My grandmother. She… She was from Liyue, she used to tell me stories about the harbor and the er— the Adepti growing up. After she passed, I decided I wanted to see it for myself.” You stammerred your way through your explanation, all too aware that it was only a half truth—the rest being the obviously Liyuean symbols swirled into the soulmate mark inked starkly upon your skin. 
“I am very sorry to hear of your loss," he said with a sincerity that put all the others you'd had this particular line of conversation with to shame. "Has it been all you expected, your time in Liyue?” 
"That's…" You trailed off, dropping your gaze to the table. How were you supposed to comment on a nation when the god who'd presided over it for thousands of years was sitting right across from you?
Obviously picking up on your inner turmoil, Rex Lapis spoke again, "There's no need to be anxious, I would not ask if I did not want to hear an honest answer. Though I have played a part in shaping Liyue into what it is today, it is but one of the seven nations and I would not expect it to appeal to all." 
Your drinks appeared just after he finished, providing a short but welcome reprieve as a warm cup was pressed into your hands. You inhaled deeply, the rich scent of expertly brewed green tea filling your nose as you did so. It was not until the old man had left that you gave your answer.
“It’s… prettier than I’d thought it would be. My grandmother always said the harbor was beautiful but it’s been another thing to see it in person.”
You glanced up quickly, meeting amber eyes through the faint trickle of steam rising from the cup in his hands. The Archon poised to take a sip, waiting for you to continue.
“Fitting in has been harder than I’d thought it would be. I knew it wouldn’t be easy, moving so far away from home, but I thought I’d done enough research that I’d be ready for it. I guess there’s nothing you can do to really prepare yourself for living somewhere completely new though.”
“Indeed, it’s true such adjustments can take time. Has it grown easier over the months you’ve been here at least?” 
Not really, you thought. You’d been hoping that something would click upon meeting your soulmate, that you’d feel like you’d finally found your place in the world. Instead you now felt like you wanted to be anywhere but the land of contracts and stone. 
It was that thought and the warmth seeping into your fingers that finally gave you the courage to stop dancing around the issue at hand. You shifted in your seat, straightening your back and lowering your shoulders so you looked at least a little more sure of yourself than you felt.
“Look, I think… I think there must have been some sort of mistake.”
Rex Lapis returned his cup to the table, the cor lapis gem on the back of his glove gleaming in the evening light.
“Mistake?”
“Yes, this—” you gestured between the two of you “—this can’t be right. I mean you’re a god and I’m just some human from a small village in Scheznaya—I don’t even have a vision. I don’t know that much about soulmate marks honestly,” you instinctively placed your hand over your left forearm, missing the way your conversation partner’s eyes zeroed in on the gesture, “but this has to be a false alarm or something.”
Rex Lapis’s expression remained neutral as he let out a deep exhale—it wasn’t quite a sigh but reminded you of the controlled breath someone might take before they had to explain something to a child. 
“Over the many years I have watched over Liyue, I have been witness to numerous soulmate connections. While the reason behind a pairing is not always immediately obvious, not once have I observed a soulmark responding to anyone but the person’s intended. It’s true that differences in personal status between soulmates can act as a source of friction, though that is usually between families rather than the individuals themselves, something that will not prove to be an issue in our case.” He paused to take a sip of his tea, his movements measured and steady, a stark contrast to your white-knuckled grip on your own cup.
You were painfully aware of the sun slipping lower in the sky, the cliffs slowly being stained amber in the fading late. You’d hoped to be safely in Mondstadt before nightfall.
“And though it is not common knowledge,” Rex Lapis continued, returning his cup to the table, “ours is not the first case of an archon having a human for a soulmate.” Though the words were perhaps meant to serve as some sort of reassurance, his voice held a somewhat wistful tone, as though lost in a memory from long ago..
“I just—” you sucked in a breath, the words ‘never wanted something like this’ caught in the back of your throat. It was true, of course, you didn’t want the pressure of being soulmates with Liyue’s exalted archon; of being the supposed other half of a being you likely would never be able to truly understand, let alone measure up to. It felt unfair, however, to throw that in his face. There were tales up north of various ways the story could play out when one soulmate rejected the other, none of which ended well. 
And it wasn’t as though he’d actually done anything to deserve your rejection either—you wanted to cast your connection aside because of what he was rather than anything he’d actually done. You weren’t sure you were really capable of that kind of cruelty, no matter how badly you might wish to vanish with the setting sun. 
“This wasn’t what I expected,” you said finally, after a long period of uncomfortable quiet.
“And that is not something anyone would fault you for.” If Rex Lapis was upset by your lack of enthusiasm for the bond that existed between you, he made no show of it. “I doubt many who were not intimately familiar with the gods would dare to even dream of the possibility. I hope however,” he continued, his gaze falling to the mark hidden away underneath your sleeve, “that with time it will become easier to accept.”
You swallowed uncomfortably. It wasn’t the words themselves that made something in your guts twist—if anything you should probably be grateful that a deity referred to in some stories as the Warrior God was granting you so much grace—but there was a certainty in his voice as he said them that didn’t sit well with you. 
Rex Lapis lifted his eyes from where your arms rested on the table, looking up at the slowly darkening sky. Taking a final sip of his tea he said, “It’s rather late for the return journey to the harbor, but there is an inn on the way that I believe we should be able to reach before nightfall.”
“I’m sorry, what do you mean we?” you asked in a small voice, casting a furtive glance towards the path to Mondstadt.
“Ah.” For the first time since you’d met the Archon, the slightest crack appeared in his composure, a minute shift in expression that you’d almost call bashful. The look was gone as quickly as it had appeared and you found yourself meeting the deep amber of his eyes.  “Please forgive my forwardness but I’m afraid it would be remiss of me to allow you to be exposed to the dangers that come with traveling alone at night, especially with… so few preparations.” A polite way of remarking on the fact you’d basically legged it with no supplies to your name.
“That’s…” You trail off, no good defense coming to mind as to why you should continue your journey alone with only the clothes on your back and scarcely a pocketful of mora. 
As if sensing your desperate fumble for an excuse to not go with him, he continued, “If your business in Mondstadt is urgent then I will escort you come morning, once you have had adequate rest. Otherwise, perhaps it may be best to return after you’ve had a chance to recover from the shock of recent events. It has been some time since I last had reason to visit but I would be more than happy to share the sights with you after ensuring matters will run smoothly in Liyue for the course of my absence.”
“I—” The sun was only half visible at the horizon now and as it sank further you felt your hopes of slipping away go with it. “I barely have any mora on me, I’m not sure I can afford a night at an inn.”
“That will not be an issue, I am more than willing and able to cover any of your expenses. Speaking of which,” Rex Lapis placed a large pile of mora on the table and you felt your eyes nearly bulge out of your skull at the amount—it had to be many, many times however much your tea had actually cost. You were suddenly struck with the utter stupidity of trying to use a lack of mora as an excuse to the very being who was responsible for creating it. That and the fact you were completely out of ideas on how to get out of this situation short of simply making a run for it—a tactic which had failed to provide much success thus far.
“If you are feeling up to it, we should begin our journey to the inn now before it gets much darker.” He stood and rounded the table, extending a gloved hand out to you. 
You were backed into a corner in every way that mattered, the stone of the cliffs at your back as unyielding as you suspected the god of this land was. With nowhere else left to go, you place your hand in his, the leather of his gloves cool against your skin as his fingers curl around your own. You could only hope you wouldn’t regret not trying to run when you had the chance.
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A/N: I have no excuses for how long this took me but here we finally are OTL. I make no promises as to whether or not there will be a part 3 but I am trying to get into the habit of writing more regularly again so I hope to at least start posting more stuff on this blog.
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