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#plus are naturally antisocial
cryptidcorners · 2 months
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Been a while since I've wrote about Mike. But I saw a post about him being a camp counselor and now I can't stop thinking of him playing the guitar.
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yandere-kokeshi · 3 months
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What about Yandere! Dad Price 🤔
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Warnings: yandere behavior and everything platonic. Nothing romantic.
A/N: ohh boy, you just gave me an ultra writing spree. Enjoy!!
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You have him wrapped around your finger. You could ask anything, and Dad! Price would give it to you within seconds. He values everything about you, including your opinions and support. He wants your input of things, or at least when you can. 
John is a Mufasa type of dad. Incredibly protective, only wants the best for you, and lets you have some type of independence. In honest aspects, he’s considerably chill regarding his dark behavior, or at least appears to be. Yet, the second something seems off, he’s pulling you behind him with his thick words, urging you to get to the truck. 
He has no desire to have another s/o. He’s not risking it with someone else who can easily come into the family and could sabotage the bond between you two. Plus, he prefers raising you on his own. 
Your phone is wired with trackers — a green dot, glowing frantically on John’s phone, easily telling him your location. And by chance when you find out, it’s easy to cover it up, reminding you that his job is dangerous, and all he wants is safety for you. 
Would’ve homeschooled you, but with the large percentage of depression and antisocial risks, he decided against it. And because of it, you have many perks as being the kid of a famous military Captain, which means everyone respects you; including the school district. Despite his rank, he doesn’t use it unless necessary, wanting people to naturally respect you and him. 
With school, Dad! Price participates a lot. He often picks you up from school, taking you out for ice-cream on Friday’s. Makes you delicious home-made lunch when he can (including leaving notes), and does whatever he can to help decrease your worry. Doing homework with him is rather nice, he explains it in multiple ways to ensure you understand it; definitely the type to do flash-cards, and gives you candy if you guess them correctly. 
It comes with no surprise that you have a lot of fun uncles, and two awesome aunts. The team equally place themselves as your extended-family, visiting when they can, and adoring you. Laswell frequently visits, not only to see your father, but also to take you out when you need a break. 
Undoubtedly the type to have a ‘no cussing jar’ in the house. However, the rules mostly apply to you. However, he does cuss — grumbling out when he gets caught before throwing cash into the clear jar. Either way, he uses the cash to spoil you.
Calls you a few cliché nicknames instead of using your name; only using it when you’re in trouble of sorts. He usually rests on calling you little one, kiddo, scout, and bubs. 
Dad! Price never smokes cigars around you, and hides them out of reach. He doesn’t want you to seek them out, because 1) they’re bad for you. And 2) he wants you to be better than he can be. He only smokes out on the porch, and hates when you are present. 
Makes the best barbecue and smoked foods that you could imagine. 
It’s no surprise that Dad! Price teaches you a lot of self-defense and about your surroundings. Reminding you to take a taser, or pepper-spray when you leave the house. He knows that you’re protected, him and the others are highly trained SAS soldiers ready to pounce on any threat. But, having you know things — especially if he’s training you himself — lets his paranoia rest a bit. 
Despite his large leeway with you, he’s pretty strict about school. John wants you to be good, and expects you to follow the rules. If he notices your grades dropping, he asks what’s up and how he can help; giving you the ‘dad-look’ when you don’t do assignments. 
However, it’s easily noticed that he hates homework — you’re working at school for 8+ hours, pretty much exhausted when you get home, and they expect you to finish these long pages at your comfort zone? Not on his watch. 
Rarely brings you to the base, but when he’s missing his kiddo, he’s fetching you from home and brings you to foot. His office is large, enough space to place a pull-out couch, which is made for you. He lets you sleep whilst he works, having calls with many, and carries you back to the truck when he’s done. 
John is strict about rules in the house, and doesn’t listen to any excuses or give you leeway when you break them; it’s easy to follow, and you know the consequences. 
One of the rare things he actively allows is potential partners. He rarely threatens them — and he doesn’t need to. He’s a Captain, a man who is unafraid to show his strength. So, in a quick sense, nobody would be stupid enough to try to hurt you, right? 
And if they do, we all know what will happen. And it’s certainly not a pretty sight. 
Masterlist || Please consider reblogging and commenting instead of liking. It helps me as a creator!! Stay well!!
© yandere-kokeshi 2023 — Do not copy, modify, edit, repost, or use my works for ASMR readings, tiktoks, or other content.
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skelliefranky · 8 months
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Was in America for a year for school stuff. It was so odd not to see that many people outside, not just during the say but also at night. Even on the weekends cause people were usually in cars, at home or in nightsclubs, all closed spaces as opposed to sitting outside or just walking around from place to place. Idk, maybe Europe is just safer?
It's actually because of car and oil lobbies. America was pushed into prioritizing cars in the 50s which has led to the most absolutely antisocial and psychotic city planning design in all of human history.
People are never outside because there's nowhere for pedestrians to be, most roads have zero infrastructure for sidewalks and bikes. You can't really hang out anywhere without paying for it. The only way to see nature is drive out of your way to see it in your own free time and most Americans have to be at work for 9 hours a day plus an average extra hour of driving.
The country has turned every aspect of life into a way to profit and as such has sucked the joy out of every aspect of living, leaving everyone alone, broke and fearful of each other.
Like if Americans seem awful it's because they're literally a country full of abuse victims acting out who don't understand just how bad their lives are because propaganda hides it.
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What is your ranking on having a date with the dorm leaders and rate them from your best to worse
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Vil Schoenheit:7
Azul Ashengrotto :6
his fans would constantly swarm around him plus he probably would only get food from fancy restaurants or vegan restaurants not that I hate that but it's not my vibe plus you have to dress extremely fancy everything has to be picture perfect .
Riddle Rosehearts :5
I feel he is the opposite of Vil he is the insecure one with food but he will bring me to those extremely fancy restaurants that serve food I'm uncomfortable eating plus the tweels whoud probably tie up our waiter and act like the butler.
For riddle he would plan the whole date like we are going to Disney land and read a lot of books and follow them to the tea and whoud yell at the server if they being the wrong food on accident otherwise it would be holesome bringing him to a small animal cafe and eating cakes and drinking coffee or tea.
Kalim Al-Asim :4
As a person who grew up Muslim he just brings me happiness and I would enjoy the food the most a beautiful sight eating and the flying on the flying carpet it's absolutely beautiful and perfect but he is to energetic for me othwise he is perfect.
Malleus Draconia :3
He whoud take you on a picnic under the moonlight and talk about life gargoyles and how much he loves you he whoud be a sweetheart and study human date food and also bring dragon date food but the rest of the dorm whoud be watching other wise I love it.
Liona Kingscholar :2
He would just have a simple calm date talking about home and how he is enjoying the peace and quiet nature eating outside the food ruggie made and fall asleep on your lap will the sun is setting but he won't do a lot but it's beautiful.
Idia Shroud :1
He whoud just be in his room watching anime in comfortable clothes and or I'm reading manga while he is playing games and both enjoying fast-food and just not talk alot but for me who is antisocial it's perfect he whoud be my favourite dorm leader to go on a date with.
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@blues824 @blues824reblogs @roxanaagriche111 @twistedroseytoesy @twistedw0nd3rland
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morphodae · 2 days
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Gregory Violet |Headcanons
Including general, relationship (x reader), and some modern au as a bonus!
These headcanons kind of trickle down into a story/narrative so please bear with it lol (plus: these are to warm up! I have ideas for future oneshots)
CW: none!
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General:
I see Gregory coming from a well-off family. They might not have the highest rank out there (they’re probably a viscount or baron nobility rank), but they have enough to send Gregory to Weston.
Either Gregory is an only child, eldest, or youngest. I have a feeling that he may not be super close with his family; perhaps he comes from a blended family or doesn’t have many siblings.
Naturally, his talents sent him to Weston College— which is unnatural for a lot of noble, rich London boys. Most get in for status and money, Gregory got sent there for his talents. Gregory was born with talents and had great expectations placed on him while he was content to create art and do things on his own.
When he was younger, he was obviously different compared to noble boys and girls around him— or general kids of the era. Being so “different, odd, and weird” was something that bothered him in his younger years, but once he turned 18 he stopped caring about others’ opinions. He’s his own person and he couldn’t care less what others have to say about it.
As such, he’s very obviously not thrilled to go to a crowded, renown, high-end school, but thankfully he was sorted into a House that accentuates his eccentricities with others like him. Still, he tends to keep to himself (as most introverts) save for a few close friends— Redmond, Greenhill, and Bluewer.
He’s “eccentric” by many peers but if he were in modern times, he’s definitely neurodivergent at the least. Definitely not me projecting my own autism /s lol.
One misconception is that people believe him to be antisocial or too “moody” when this is not the case. Gregory has a vibrant inner world and is an excellent observer; which allows me to transition into how a relationship with him might be.
Relationship:
Gregory isn’t one to actively seek anyone out, let alone a significant other. For any sort of relationship to have with this artsy fellow, you’d have to either 1) be someone who stands out with the time period’s standards (like him) or 2) have to be brought into his life suddenly and stay for a while before anything remotely romantic happens.
It’s fun to see him with someone who is either a lot like him or someone who is a bit of an opposite— although mostly in external appearance and I’ll explain why.
I don’t think someone who is a polar opposite to be someone who suits Gregory.
If say, someone preferred cutesy girly things or pastel colors and sunlight, that’d be fine. However, I see a calmer personality with a lot of empathy and respect being something he’d need. Otherwise I don’t think a boisterous loud person to be someone that he’d see himself with romantically.
With that said, courting you is… a feat lol. It takes Cheslock (poor Gregory), and the rest of the P4 to really push him in the direction of you.
When it finally happens and Gregory and you are able to formally meet and court, all five of them practically cheer lol. No one thought he’d be the type to find a s/o and Gregory’s parents were concerned he’d die alone :(
Because of expectations of his nobility, I do expect he’d marry you in some way irregardless of gender. But with you, someone he’s not arranged to and someone he truly loves, he tends to view it as a romantic and passionate expression of his commitment towards you.
A relationship with Gregory is majorly spent in comfortable silence. I’d say quality time is a major thing with him. However, he, like a lot of introverts, still needs ample time to himself— so don’t expect him to be glued at your hip. Plus, for that time period, PDA and general overt displays of affection whether in public or private was generally seen as odd. Gregory, for one, doesn’t care too much for the status quo but he is still figuring out his first relationship with you and how to navigate it while respecting you.
In a modern au, he’d be a bit more clingy in private. I see him as the type to play with your hair, study its shape and color for his sketches but mostly because it feels nice to him. If you are reading or gaming then I see him the type to sit behind you with his chin on your shoulder just enjoying quiet contact. It’s very wholesome. Alternatively, whether you lay with him on his chest or he on yours, he just enjoys quiet moments where he can be close to you.
He’s very reciprocal. By this I mean; you respect him and his hobbies, he respects yours. You show him kindness and care, so does he. He’s actually quite a classically romantic guy and is one to surprise you with flowers, food, and of course, sketches and art! He definitely cares and worries about your well-being and happiness (as seen in manga with his friends too!), so he will have his moments where it seems like he’s mother-henning you if he feels that you aren’t taking care of yourself.
Don’t be surprised that one of his first drawings of you was during his pining phase before the two of you formally spoke or courted lol.
Overall a relationship with Gregory is mostly spent in quiet understanding in silence with a partner who is able to empathically express and respect him mutually. Despite being a bit of an oddball for the time period he lives in, he still is a traditional romantic who loves to look after your well-being and give you gifts 💜
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idkaguyorsomething · 5 months
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Is it weird that I am perfectly fine with Araki giving Jodio a severe mental illness but still wish he had given Jodio a different one?
sorry it took so long to answer this one, i was trying to figure out how exactly to answer it, and it turns out there's a lot of different ways:
from a perspective of representation: mental illness is an incredibly stigmatized subject, and in mediums like manga and comic books even more so, as it is incredibly common for a lot of popular plots in those mediums to go "well, x character went crazy, that's why they're evil", as well as stories in general to associate a lack of empathy with a lack of ability to act in traditionally heroic ways. jjba itself has shown that, as part of dio's initial villainous characterization involves him showing a lack of empathy towards various figures such as dario or george (although this isn't the only way his villainy is characterized, as we're also shown right off the bat that he's very deliberately cruel). with jodio being set up as more of an anti-hero, giving him more traits that could be considered unheroic as well as a commonly stigmatized mental disorder, it makes sense to not have that sit quite right. but taking the history of the series into mind, jojo's is no stranger to exploring more shades of gray in its protagonists in its past. johnny and gappy have certainly committed far greater acts of brutality in their parts, while giorno, who jodio is set up as a parallel to, outright aspires to be a head of organized crime. even josuke, who is portrayed as one of the kindest and most pure-of-heart jojos, basically condemns a guy to a fate worse than death in his first arc. this isn't necessarily anything new the series is giving us, and the fact that the jojolands is largely portrayed from the perspective of jodio himself is a massive plus, as it gives us insight into his thought processes and helps us sympathize with a character we might not have done so otherwise (telling a story from the perspective of someone doesn't necessarily ask us to sympathize with them, but things like the goofy jokes he makes with dragona, his own insight on his diagnosis, and his clear love for his family go a long way towards making jodio likeable). one could view this as the natural progression of jojos tending towards the anti-heroic while araki explores more marginalized communities he's interested in portraying, or a poorly thought out decision that furthers stigma towards said marginalized communities. personally, i think it's still too early in the story to make any real judgements, but the way i see it it's kind of similar to the situation with jolyne. she's the only female jojo, and the only one besides jonathan who ultimately fails in her quest at the end of her part. there are narrative and thematic reasons for doing so, but it doesn't sit right with a lot of people, and that's perfectly fine.
from a medical perspective: according to the dsm 5, a person must fit at least three of the criteria for antisocial personality disorder in order to be diagnosed as having it, most of which jodio does fit. failure to conform to social laws and norms (he's a teenage drug dealer), deceitfulness (when barbara ann asks him where he is and if he's hanging out with paco, he lies), impulsivity (he destroys one of the lava rocks to try and get rohan to cooperate), aggressiveness (he kicks that one fucking cop until he's a stain on the ground, twice, although he is justified in his actions and this kind of willingness to fight people is essentially a requirement to be a jojo), reckless disregard of safety (again, practically a requirement for most main characters), consistent irresponsibility (assuming what we've been shown of him is how he acts all the time, yes, although the story so far takes place over too small of a timeframe to determine that), and lack of remorse (dragona has to remind him not to get too violent in the opening chapter with the cop). so he does fit most of the criteria, but it is also a requirement that, to receive a diagnosis, a person must be eighteen or older, with evidence of having fit some of the criteria before the age of fifteen. so by real world standards, jodio would be on track to being diagnosed with antisocial personality disorder, but actually receiving it from a high school psychologist is bullshit. then again, this is the universe where the president made a cowboy race battle royale where the contestants had to collect magic body parts, so it's entirely possible that psychiatric standards in that world are just different. but you would be entirely justified in not liking his diagnosis, and there are several other disorders that fit the behavior that jodio shows. there's adhd (the impulsivity and tendency to get lost in daydreams and beating the shit out of cops), depression (the sense of emptiness he describes upon being given his diagnosis), anxiety (irritability and angry outbursts), and that's just some of the more common disorders. we haven't even gotten into some other full-on personality disorders or common comorbidities with antisocial personality disorder! from this perspective, your assessment is totally fair.
from a thematic perspective: as mentioned earlier, jojo's is no stranger to making its heroes increasingly reflected in shades of gray, and parts seven and eight especially make a point of contrasting their protagonists with their respective foils from parts one and four. johnny is a paraplegic gringo jockey twink that murders people so hard his friend the executioner had to tell him to slow down, in contrast with the jacked and kindly gentleman jonathan who impressed a stranger so much with his dignity that he immediately joined him in his quest. gappy is a quirky lil amnesiac who beats people to death with shovels while josuke has one of the more normal personalities of all the jojos and possibly the lowest kill count. at first it might seem like giorno and jodio are the most similar duo, since they're both criminals that act a-okay with murder, but while giorno's goals and reasoning for joining the criminal underground are motivated by a sense of empathy towards the people of italy and a belief in a higher ideology that passione can aspire to, jodio is a very self-centered kid. he has a very inflated idea of his own reputation, can't spot obvious traps, and the very first thing we're told about him is that he wants to be stinking rich. he also believes in the ideology of mechanisms, but it's an ideology that is explicitly centered around gain and his own material wealth, in contrast to giorno's philosophy, which involves ideals of self-improvement and certain boundaries that should not be crossed in the pursuit of power. giorno's ruthlessness stems from a place of compassion, so having his counterpart being someone who lacks the ability to feel empathy is a really interesting choice that gives the story a lot of places to go. the fact that the other criteria he fills, like impulsiveness and irresponsibility, stand in direct contrast to giorno's ambition and planning ahead, also adds further potential for the jojolands to explore a completely different sort of crime story than golden wind. so from this perspective, i'd say that your assessment is rather harsh.
tl;dr there's a lot of different angles to approach this question from. it's 90% probably that i completely misunderstood what you were trying to ask, though, so please tell me what i got wrong :P
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What was your inspirations for the quotes of the tags you have for the characters?
Mostly I wanted to keep my stuff out of the tags. It's pretty much solved my harassment problems. But as for what I actually chose, all kinds of things. Old music is a big one. Others come from literature or poetry. A small sampling I had on hand.
America the beautiful for Alfred
Pretty classic American song. I had to memorize for an event so it popped into my head. Plus I like those quaker vibes. All about sharing and shit. 10/10 vibes for an American socialist because this land is your land is still kinda under copyright.
Mon Pays for Matt.
My country is not a country it is winter. This godforsaken country gave me trench foot as a child and I still can't feel my toes plus y'know gotta rub it into the anglos and the nationalist québécois while they're here. It's that slightly sad slightly defiant kind of vibe I love for Matt.
Song of Australia for Jack.
I just come across references to this one all the time in Commonwealth archives and I've just been exposed to it so much I couldn't even think of a better one. It just slaps on all the nature references. Very sunny and optimistic. It's just very Jack.
A Shakespeare monologue for Arthur.
Another unfortunate side effect of my old school education was all the fucken Shakespeare I had to read. I like this one because it kind of hits some points about English reluctance to be a part of Europe and Arthur's somewhat antisocial nature.
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brickbozo · 3 months
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One thing I realised is that where 2D is the looks, Murdoc the brains and Russel the spine, Noodle represents the soul or the creative side of Gorillaz. She's always giving artistic depth to the music mainly via the MVs and interviews (ROTO is the biggest contender of this). She's also seemingly the most isolated of the 4, and probably perceived as a little 'eccentric' considering her antisocial background and the fact she's based on Björk.
There's also the whole thing with how Jamie draws her with contrasting expressions in his art which leads me to believe she personifies the hot and cold trope as well, and ik people like to associate Murdoc with that, but she's the only one who's confirmed to put up a cheerful persona in public as opposed to the mental turmoil she ensured in phases 1 & 2 (if we refer to ROTO)
"-the adolescent icon handled the pressure of the spotlight with considerable strength and maturity. Or, at least, that was the façade she projected. Inside, Noodle felt a growing isolation..."
And
"...Noodle’s feelings of loneliness have always been apparent in her music." -Interview:  Noodle  of  Gorillaz ​Verbicide,  June  2007
Plus considering her feelings regarding Murdoc-
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It's a fact Noodle's mysterious nature has not gone unnoticed by her bandmates:
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Russel speaks from the heart, 2D's too stupid to put up appearances and Murdoc is canonically too egotistical to be anyone but himself.
Makes sense!
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artzychic27 · 1 year
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Morning! And I love Mom!Bustier. But consider this; Caline is Nathanial’s mom, but in the SB&IB AU.
Got any ideas or scenarios for that?
Let's see...
We're not killing off the lesbian and pansexual, because there have been enough queer deaths in this lifetime.
Let's make Nathaniel a bullying target at school
Here, Caline Kurtzberg-Bustier is trying her hardest to help her son, but with that asshole in office threatening to get her fired and blacklisted through Damocles, she can't do much because she loves teaching
And it's her only job experience
Nathaniel's been Chloé's bullying target since they were three because she saw him as easier to mess with than Marinette
And because of his antisocial nature, this makes him bait for other bullies, mainly the kids with influential parents who threaten his mother's job by complaining to Damocles about her physically abusing them in class
To them, it's easy to pick on someone who won't/can't do or say anything... Bastard cowards.
His classmates don't do anything because they don't feel like fighting with those students and he assures them that it's okay, and they believe him.
They don't feel like terrible, horrible people every time he comes in looking like hell because he didn't get enough sleep because some asshole jock forced him to do his math homework
And Alix and Marinette aren't there to help out because Chloé pulled some strings to get them sent to a dormitory school for troubled teenagers after they assaulted her for pouring juice on Nathaniel when they were ten
Now no one has the courage to stand up for Nathaniel, not even going so far as to talk to him. He just blends into the back drawing, and when he gets home, he cries into his pillow
Then one weekend, he's out shopping for art supplies when he spies two things in the display window of a thrift store. They are simple brooches. Still, he buys them
He puts them on, Nooroo and Duusu appear and gives the run-down once Nathaniel has stopped panicking
Nathaniel is thrilled because finally, something good in his life has happened, now he has friends to talk to, and he has powers... However, good things don't last
On Monday, Mme. Bustier, sleep deprived and stressed admonishes Chloé in front of the entire school for having Sabrina do her homework, and in turn, Chloé has Damocles fire her. However, many of the teachers threaten to quit, so Damocles suspends her for a month without pay
And to make matters worse, some assholes post bad reviews about Aya's diner and it causes a health inspector to come. It's going to take a while before people can trust the food again
Finally having enough, Nathaniel snaps and disregards the Kwamis words about how the Miraculous is not to be used for evil. Nathaniel, still angry, forces them to stay silent as he transforms into Blue Emperor
Nathaniel is quick to create a senticreature to destroy the home of one of his tormentors, and when the deed is done, he can't bare the thought of destroying his creation, so he stores it in his fan
The sentimonster catches the attention of one Wang Fu, so he passes the Ladybug and Black Cat Miraculous along to... Let's say... Reshma and Ismael, cuz why not? Plus, no love square.
Blue Emperor only becomes more brutal with his attacks when Spotted Threat and Catra make their appearance. Also, he needs to take his anger from school out on something
Keep in mind, Blue Emperor doesn't hurt anyone younger than him (15)
And while his mothers are still temporarily out of work, Nathaniel decides to be of some assistance and has his senticreatures rob Chloé. He tells his moms the money came from art commissions, and he just loves how that put smiles on their faces. But he's only just getting started
He sends his previous senticreatures and an Akuma to storm city hall (I know, poor choice of words) and gives the mayor an ultimatum. Resign, or he will burn the building to the ground
Spotted Threat and Catra arrive on the scene and purify his Akuma, but in the process of Blue Emperor getting his senticreaures to safety, they purify one in the process, basically killing it in his eyes
So, now it's personal
Ever since the death of his senticreature, Nathaniel's been more withdrawn than usual, worrying his mothers. At school, his mood becomes worse when one of his bullies decides to take his anger out on him after he was targeted by a senticreature
And once again, Nathaniel snapped, gave the guy a verbal lashing that was like a psychological attack, and got detention. Little did he know, this got the attention of one impressed writer
So, after serving out his detention, Blue Emperor decides to have a sentimonster pay Damocles a visit. And if people are suspicious, he'll just put on a meek demeanor like, "But how could I have done that? I don't have powers or the money to pay anyone."
One day, when he hears Nathaniel didn't come to school today, Marc offers to drop off his homework. It'll give them a chance to talk, and maybe he can apologize for being a bystander for so many years
But when he walks into Nathaniel's room, he doesn't expect to find him talking to two colorful sprites about him being Blue Emperor!
Marc panics and is about to run and tell someone, but,
Nathaniel: Marc... I am nothing but a loving son trying to help his mothers while also teaching certain people a lesson or two. Besides, you know they deserve what I've done- The Mayor, Damocles, Chloé, all of them.
Marc: ... You're hurting people.
Nathaniel: It's best not to think of them as people. Besides, I make sure my Akumas and senticreatures don't hurt any civilians. They've done nothing to wrong me, so I have no reason to harm them. So... You can run out that door, tell people what I'm doing, and leave my mothers sobbing and wondering where they went wrong as the city treats them as pariahs. Or, we can make this our little secret. Besides, I could use some help taking care of my senticreatures... So?
Marc: ... Nobody needs to know.
It was close to the middle of the school year when Marc, Nooroo, and Duusu start to become more concerned about Nathaniel. The Kwamis explain that overuse of the Miraculous combined with Nathaniel's mental state has corrupted him
He becomes braver, fights back more, physically stronger, and even his appearance as Blue Emperor changes a bit. He uses his abilities to read people's emotions to his advantage and tortures his bullies so they're too scared to report him
Having seen enough, Marc resorts to taking the Kwamis and running but only manages to get Duusu before Nathaniel transforms, this time into his fully corrupted form and he proceeds to make an army of Akumas to ravage Paris
... Did I just make a whole-ass au?... I did.
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mothman-clarice · 1 year
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Ok so I watched american psycho for the first time last night and I got a great idea for a cool crossover/thought experiment.
What if Patrick Bateman met Hannibal Lecter?
Quick note: I haven't read the book american psycho but I have done a little research about it. Also I'm aware that theres a lot of debate on whether or not patrick actually kills anybody since he is a very unreliable narrator. For the sake of this analysis we will assume all of his murders are real since I dont feel like opening up that complicated can of worms lol.
So first I'd like to do a little character analysis/compare and contrast with both of them cus I think these characters are very interesting to compare.
Let's see what they have in common first. They both are serial killers and cannibals who are lethally efficient and prolific. They are both very successful with Bateman being a millionaire wall street investor and hannibal being Lithuanian royalty and a successful psychiatrist. They are characterized as having some sort of mental illness/disorder, bateman obviously being a stereotypical psychopath plus possibly antisocial personality disorder and hannibal having several which I cant name off the top of my head. They are both known for having "high class" taste and deeply emerse themselves in fine culture.
Now let's talk about their differences...
While yes they both share one key character trait (being murderers) they are still vastly different in terms of personality and behavior. Let's start with their attitude/tendencies towards murder.
Hannibal may be a prolific vicious murderer but if you look closely enough you will see he actually has some form of moral compass. He never hurts children, only adults over the age of 20. He rarely if ever kills women (at least to my knowledge, I haven't read all the books or seen all the movies) which is very likely rooted in his chivalrous nature. He never kills out of the blue, he always has some reason for it, be it his victim making a rude remark or doing something hannibal finds reprehensible. No matter what, he always has some reasoning behind his killings. So while yes he is a vicious murderer, he does actually have a moral compass if you look hard enough.
And then there's Patrick Bateman.
Patrick's murderous behavior is completely different from hannibal. He is erratic and random, killing whoever just so happens to be closest whenever he gets the urge. He has compulsions to kill whereas hannibal pretty much has full self control and only kills of his own free will. Patrick never has any clear reasoning for his murders beyond very vague rationalizations which mostly boil down to "they are different from me" or they said something he perceived as a personal insult. Unlike hannibal, bateman has absolutely no moral compass since he completely lacks empathy. He despises anyone who is higher or lower class than him (especially the lower class), he despises women and views them as objects made for his sexual pleasure and nothing else. Women, especially sex workers, are actually his primary targets since he already views them as subhuman and knows he has great power over them physically and often financially. To him humans are tools he uses to achieve his desires. He completely lacks any emotion, even saying his only emotions are greed and disgust.
He is the purest example of the Id you could possibly think of. His brain is controlled by the most base primal instincts: hoard resources to preserve your own survival, fight and kill anyone you see as a threat or as different from you, and have sex as much as possible. His ultimate goal in life is to fit in with the rest of the white cishet male wall street yuppies, his "tribe" if you want to continue with the primitive themes.
In regards to emotion hannibal does very much feel. Yes his perception of emotion may be different from most people but he still absolutely has the capacity to feel sadness, love, joy, and more alongside anger and disgust. He may be violent but he is not devoid of empathy. We all know he falls deeply in love with clarice because he empathizes with her trauma and struggle. He recognizes her frustration with trying to get the male dominated world to notice her capability and strength. He marvels at her brilliance and adores her independence, he loves her, so so much.
What does bateman love? Well he certainly loves money and power. But does he feel that way about anything else? No. The closest thing he feels to love is lust, primal carnal desire. He hates women, he only values them for sex and nothing else. (Sorry to break the essay emerson but I just need to say this. Why didnt this guy just get a fleshlight? A sex doll? Like if you hate women so much but wanna fuck just get a fuckin toy dude, I'm sure they existed in the 1980s 🙄)
Another thing I noticed they differed with is their attitude towards wealth and media. Patrick is obviously obsessed with both. Media permeates every moment of his existence, constantly listening to music every chance he gets, "watching" movies (mostly just playing them as background noise), obsessing over p0rnography, and so much more. His attitude towards porn is especially interesting to me as he doesnt seem to consume it in the way people normally do. The first scene that comes to mind is the one where hes on a phone call with Evelyn while a porn video plays on his tv. He doesnt even look at the screen, he seemingly shows zero interest. Theres nothing near him in the scene that would suggest he was "enjoying" it (tissues, lotion, y'know..). Its like he just put it on as background noise just like he does with movies. He has similar behavior when he brings in the escorts and rambles about music while instructing them to perform for him, despite the fact he spends most of the beginning walking around his apartment not even looking at the women. It's like he has no idea how human sexuality works, he obviously doesnt feel horny given those two examples, it's like he just has sex and looks at porn because it gives him some kind of status or maybe it just gives him something to do. Maybe he does it purely because it seems like something a "normal human" would do.
As for his obsession with wealth, bateman seems to have a similar attitude. He hates going out with people to diners since we know he hates people in general. He seems to only go out with his fellow yuppies to feel like hes part of something. He pretends to get along with them and says anything they like to hear, putting on a character as if he was playing out a fantasy in his head. He expects people to be impressed with his wealth and feels deeply insulted when they're not. He sees wealth as a necessity, he constantly needs to be richer and more extravagant than everyone else. He is the ultimate personification of greed, a gluttonous, jealous dragon whose hoard is never big enough.
As for hannibal? Having been raised in royalty he naturally grew accustomed to lavish living and views it as his normal. He feels most comfortable having gourmet meals regularly, his day clearly planned out with plenty of activities to do, and generally a life full of savoring the finer things and enjoying many of the pleasures of noble life. Unlike patrick who's idea of lavish is hoarding expensive things he doesn't need and parading them around to inflate his ego, hannibal's idea of lavish living is playing piano, watching Shakespeare plays, reading classical literature, admiring fine art both old and new. He has no need for parading around his wealth because it doesnt matter to him.
You see what I mean? Bateman views wealth as a tool to gain status and be part of a community. Hannibal does not really perceive wealth since it has always been a part of his life, he doesnt want more wealth since riches alone dont give him pleasure. To hannibal wealth is simply the norm and something he pays no mind to, whereas patrick is utterly and completely addicted to it.
I feel like I've rambled long enough and pinned down their primary differences. I honestly had a lot of fun writing this! I find both characters incredibly fascinating and I thoroughly enjoyed dissecting them both side by side. I hope you all liked it too of course.
Also, good news! I'm finally starting my week long vacation from work so I'll have a lot more free time to post. So look forward to more activity from me in the future :)
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chroniclesmacaque · 2 years
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A look into the kaleioscope: Aoi in the Wrathful route.
In which I set out to talk about the wrathful route but ended up talking about everything I have seen of the game with a focus on Aoi.
Word count: 5417
(Spoilers for the events pre-timeline branch, the Wrathful Route and part of the Moral one, plus mild allusions to Truthful and Harmony.)
Being a big fan of Girls with Problems and Issues™ (see: Rue from Princess Tutu, Any Girl from Revolutionary Girl Utena) and having gotten word about the focus of the Wrathful Route, I was naturally very curious and hyped for it.
There’s appeal in watching a girl go apeshit: showcasing their flaws in ugly and unpleasant ways not only makes for good drama, but is also refreshing in a (mainstream) media landscape that more often than not smooths out any hint of a rough edge. It’s humanizing. It’s a powerful and cathartic acknowledgement of how destructive Problems and Issues™ can be through showcasing inherently immeasurable internal issues in extreme portrayals that symbolically illustrate the Lengths of the Struggle. 
Does the Wrathful Route live up to this?
TL;DR: Yes, and in a thematically rich way.
The Heart of Digimon Survive.
Whatever your opinion on Takuma, he is the lense through which the conflicts of Survive are colored. His narration and internal monologue betray a deep concern about navigating appropriate social distance and boundaries while still being able to effectively check on and care for all his friends. This is at the heart of Survive’s thematic: the clash between social propriety, duty and cooperation versus the personal wants, needs and struggles inherent to individual identity. 
The need for balance and the dangers of the extremes on either side of the dichotomy show repeatedly through the events of the game. An artificial and stagnant harmony for the sake of the rule of majority often ends in the needs of the kids being neglected to tragic results, which itself diminishes the longevity of the group and polarizes the dynamics within it. The opposite is also true: not only overtly self-centered, confrontational and stubborn individualistic approaches divide and fracture the group, they also prove detrimental for the long-term chances of success for personal goals and survival. Ryo and Shuuji are early-game poster children to these conundrums. 
The beginning of the spiral. 
Ryo’s introduction leaves clear he’s hard to get along with: he’s often irritable, uncooperative and antisocial. When it comes to doing his part within the group, Ryo often fails— he refuses to step up to his responsibility as senpai to Takuma and Minoru, he doesn’t help in group discussions and is frequently contrarian and combative to any course of action as well to being told what to do. He’s disruptive to the group’s goals of rescuing Aoi in part 1 and looking for the Professor, Saki and Shuuji in part 2, which is met with Minoru’s taunts and mockery and, potentially, Takuma’s clueless disregard (RIP to those who did try to comfort him on their first play through LOL But I still understand where Ryo is coming from).
This furthers Ryo’s alienation from the group and forms part of the vicious cycle Ryo has found himself in even before attending camp: the intense grief and loneliness stemming from his mother’s death express themselves through high irritability and anxiousness that difficult coping with daily-life activities and socializing. He’s aware his attitude drives him away from others but retiring from public life is simply not an option— even when his mother was still battling her illness, he got pushed to keep up with his responsibilities, as evidenced when he laments right before dying about being encouraged to be strong no matter what (giving thoughtless encouragement to people who are struggling is so prevalent even Japan’s Ministry of Health, Labor and Welfare has issued a guide advising healthcare professionals not to push phrases like 頑張れ/頑張って onto patients. Incidentally, another Digimon installment that deals with the struggle to open up in the face of thoughtless encouragement and positivity is ReArise’s season two! Worth checking out!).
Ryo’s is a case where personal struggles disrupt the harmony of the group, but also where not respecting social propriety (Minoru treating him badly, doubly glaring due their age difference) and the failure of the group to look after one of their most vulnerable members creates a spiraling effect that locks the player into the three vanilla routes, two of which end up quite tragically. His death serves as a powerful statement of a very important thesis of Survive’s: that even when the kids act out in unpleasant and disruptive ways, they still deserve to be taken care of, and failure to do so heavily limits what the group can accomplish. The contrary also proves true: looking after all the members of the group strengthens the dynamics within it and brings out everyone’s best (Hey! Who would’ve thought? Ryo is actually a pretty great and supportive guy! Really looking forward to Truthful).
The side from which Aoi pulls.
Where does Aoi fall in this tug-of-war? 
She is, simply put, the mom friend of the group: she cooks for them, her partner is the only one that naturally has healing ability in child stage—not to mention she herself will patch others up with her own hands— and she will often keep in mind the needs of the group and what course of action will be most beneficial for all. She’s gentle, values cooperation and has a strong sense of responsibility that will lead her to pick up the slack from those around her. 
She prioritizes harmony so much she loses herself to it: she laments her personal identity revolves around being an honor student and a class president always forced to go several extra miles for the sake of the class with no expression of individuality or personal warmth. Her struggle to maintain her personal identity extends to being unable to express or assert herself: she gets self-conscious of her interests, she can’t stand up for herself and refuse extra work load, she won’t share her misgivings out of fear of being a burden and she has great difficulty sharing her input and defending it during group discussions. 
These struggles will haunt her through the events of the game: her eroded self-esteem and her self-image as a supporting side character causes her to shrink out of the responsibility of leading the group in part 2 and to be unable to speak up when the group is openly antagonizing Shuuji in part 5. This exacerbates her sense of inadequacy upon both boys’ deaths, where she will continually beat herself up for failing to respond to the situation optimally and will always minimize her contributions to the group. The extent of these regrets can be fully appreciated through her Wrathful event-horizon realizations: she should've been more assertive from the start in order to prevent others from being wrong. 
It becomes apparent Aoi's character revolves around duty and responsibility (which is heavily reflected in her partner's evolutions), something she shares in common with Shuuji. 
Overachiever syndrome.
Shuuji’s first appearance firmly places him as someone who’s responsible for the rest of the cast: he’s older and their chaperone—as such he needs to make sure no one wanders off, everyone stays on schedule and generally out of trouble. The way he goes about leading them is strict and even nagging. Similarly to Aoi, Shuuji places the well-being of the group and its harmony over himself and others’ individual drives. This is evidenced through his argument with Kaito in part 4: concerned for the safety of the other kids, he opposes venturing outside to search for Miu, which can come off as cowardly at best and callous risk-calculating at worst. However, neither view describes his character accurately: while he's risk-averse, it's an attitude coming from watching two people die before him. He's acutely aware of the dangers that loom over the group but, nonetheless, remains committed and dedicated to look after them. It's thanks to his scrupulous nature that he pushes himself to the extreme: even though he's suffering from nightmares from the intense pressure he's under, disagrees with the course of action the group has decided by majority and is struggling to cope so badly he can't keep his emotions in check, he won't ask for a break or any sort of help that'd alleviate his burden. Ironically, the way he disregards all his individual needs for the sake of his duties backfires and turns his behavior into something that upsets the group greatly. 
Shuuji’s intransigent morality is a source of constant friction with Kaito all the way to his death in chapter 5— a clear example of how an imposed and forced unity on the group causes division within it and hurts its specific individuals: with Kaito’s already fraught trust in the group failing to cement and Shuuji ending up openly antagonized by the rest. This extreme view on duty and authority is something that we’ll see further elaboration on through Plutomon’s extremist morality and pathos.
Shuuji’s conflation of leadership with authorianism speaks volumes of his own upbringing—as do his harsh and relentless criticism towards lopmon and his constant nagging to the group to steer them to act responsibly. He mirrors the way his own father treated him growing up, and, as such, his problematic behavior is once again a symptom of deep hurt and unmet needs, a wrong that needs to be communally righted before the group can live up to their best potential. 
His leadership serves as a point of contrast to Aoi’s own approach to it: unable to put up with Kaito and Shuuji’s arguing any longer, Aoi uncharacteristically explodes and puts an end to their discussion. The way she engages them, however, isn’t through anger, belittling or mockery— she reminds each of their goals and invites them to question whether their actions are conducive to their success. She’s able to guide them to better behavior instead of upsetting them any further. This is again observed when she’s able to get through the child digimon trio pestering them at the park, and is generally an approach that is highly conductive to harmony for a group that’s highly emotional and under a huge amount of stress, evidenced through Takuma using a similar leading style. 
Aoi’s full potential won’t be realized until near end-game stretches, for good reason: her debilitating self-doubt hampers any ability to assert herself, another trait she and Shuuji have in common. While Aoi clams up and fails to respond to the challenges before her, Shuuji tries to force his way through them. Similarly—the way Aoi’s identity revolves around fulfilling the high demands and expectations others have of her mirrors Shuuji’s sense of worth being rooted on meeting his father’s unreasonable standards for him. This leads both to second-guess their decisions, but also to foster a bubbling and potentially monstrous anger within them out of resentment of their grueling workloads, others’ selfish behavior and the unfair treatments they endure. 
Both their responses to the stress and the nature of the external expectations over them are indicative of a gendered pattern of socialization that actively stunt their development (think of the lenient, devoted and quiet mother versus the bold and imposing leader). Shuuji’s survival hinges on him being able to embrace the “softer” sensitive and nurturing side of himself embodied by Lopmon as much as Aoi’s healthy development necessitates her to allow herself to assert herself and lean on the honesty encapsulated in Labramon.
Their refusal to burden the group with their personal struggles plays a key factor in both of their downfalls. Their better end-games have them relying on other characters such as Ryo, Takuma, Kaito and Saki to cross the bridge they didn't know they needed to cross to begin with. 
Oil and warm water.
If Aoi is someone who will prioritize harmony above all else, then Kaito is someone who often has trouble adhering to it. His irascible, aggressively independent and headstrong personality often puts him at odds with the group, specially during times when they're scared and indecisive (which is often). However, this doesn't mean Kaito is such a selfish guy that he won't care about imposing on the group or about their well-being. Quite the contrary, if left to his own devices, he'll try to handle his problems alone so as to not to disturb the others— after all, Takuma did have to talk him out of leaving alone to look for Miu twice in chapter 5. His affinity dialogue shows time and time again that he will fight tirelessly to defend his sister even if that isolates him from the rest of the world. The lack of external support for both Shinonome siblings to deal with their traumatic past informs Kaito’s difficulties with respecting authority— especially if it doesn't align with his goals— and with fully integrating and leaning on the group. 
While seemingly irreconcilable opposites, Aoi and Kaito, at their core, are all about a strong drive to look after other people. Their different approaches can paint them either as tragic foils or a complementary leading duo.
Kaito’s steely resolution to fight doesn’t always have to be a divisive force in the group, as illustrated in the Moral Route: when they’re cornered at the throne room, he has the head not to run off and influences the group to snap out of their fear-induced paralysis to protect themselves against the kenzoku. Aoi benefits from his snappy decisions— where she’d usually have difficulty making up her mind under intense pressure, she can ride his confidence and rouse the rest of the group behind this directive. Similarly, when they’re back at the school, Kaito can take cues out of Aoi’s tirelessly behind-the-scenes managerial work and listen to her concerns about their food supply and provide much needed help to cover the group’s needs. The way they share the burden of leading and caring for the group illustrates Survive’s ideal of a balance that allows both the harmony of the group and individuals to thrive— the burden of looking after a group shouldn’t fall on a single person. This stands in contrast to Aoi deciding to take it all on herself in Wrathful: being able to trust others with her burdens and worries and delegate work is essential for her healthier development in Moral.
Their differing stances also help illustrate the extremes in Survive’s dichotomy in the Wrathful and Harmony routes. Wrathful illustrates a kind of extreme, imposed Harmony that oppresses any dissent and threatens to erase any and all individuality. 
The free-spirited optimist and the older serious-minded girl.
Saving the catalyst for the Wrathful route for last, we have our cheerful and radiant personality, Kimishima Saki. The very prologue of the game makes it clear that Aoi likes Saki quite a bit.There’s a palpable sense of admiration for her junior’s refreshing honesty that’s amicable, keen and direct in a way that still jives with Aoi’s personal values. It’s easy to see why Aoi, who struggles to assert herself, would marvel at those traits in Saki. Aoi’s high regard for her shows up again during her passionate defense of Saki in part 5, much to her junior’s delight and surprise. This admiration is very much mutual: for Saki, who struggles with her sense of belonging and relevance in her interpersonal connections, Aoi’s commitment to caring for the group stands as both an example to follow as someone who can easily adhere to a group’s harmony and nurture it as well as a comforting presence that makes her feel accepted and healed.
It’s no surprise, then, that a close bond blossoms between the two. Their relationship balances each other out on a personal level: Saki will actively seek to alleviate Aoi’s workload even when she doesn’t ask, as well as look after her so she doesn’t run herself ragged. Additionally, Saki is capable of comforting her when Aoi is beating herself down or is generally affected by the grueling situation they’re in, as seen when she patiently comforts her after Ryo’s death. Aoi will reign Saki back in (or try to) when her bluntness is crossing the line and will serve as her confidant and care for her as a whole person. It’s no hyperbole to say Saki is the only camper Aoi manages to open up and bond with on a deep level, and a key figure in her budding support system. It’s only natural, then, that losing her would break Aoi’s fraught mental stability.
 The momentum of the Wrathful Route.
Why do Kaito and Saki run off on their own during the amusement park debacle in the Wrathful route? Why are they able to keep their cool in Moral and not here? To answer this, we need to take a look at the function of the Karma System beyond triggering Agumon’s evolutions and showing the timeline options during the part 8 split, as well as the meaning behind the Wrathful route.
The Karma system allows for a cumulation of momentum, so to speak. Karma shouldn’t be seen only as a straight-forward system of retribution and rewards for one’s actions and decisions, but as the conjunction of all the moving parts in the universe that allow the destiny of a person to be forged, which includes one’s legacy, community and the way one interacts with it. Digimon Survive uses this concept to shape the energy the group will move through each specific route. Simply put, it shapes the mood of the group. If one balances the Karma points for all of three options, then the group’s fate can go either way. If one leans heavily into any of them, then, that heavily restricts the fate the group is able to forge for itself.
What is that fate in the Wrathful route?
Let’s start by remembering the words of the man-behind-the-project himself, Habu Kazumasa, who states in an interview that the staff tried not to think of the different timelines as the bad ones or the correct ones, and rather gave a theme to each of them; the Wrathful route being about “acting on one’s emotions”  (citation pending lol). This is certainly reflected in the original name of the route itself: 激情, a term pertaining to passion: strong and/or violent emotions and convictions. 
What this means for Survive’s narrative is that most of the group is favoring acting based on their individual drives and values, without prioritizing the unity of the group, which places Aoi’s harmony-based approach as the isolated attitude within it. This helps us make sense of Kaito’s hot-headedness getting the best of him, then, being an individual who already prominently acts based on his personal goals even if it puts him at odds with the group. It also informs Saki’s anxious emotions coming to a head with her impulsive urge to help out the vulnerable digimon at the park: while a noble effort, it’s informed by her antsy-ness with regards her sense of belonging, the meaningfulness of her existence and her fear of death. Aoi’s own failure to rouse the group behind a clear order reflects her being lost in her own strong fear as well as Miu’s similar mental block to open up the hidden throne room hidden pathway.
Saki’s tragic end directly parallels the cutscene containing the evolution of her Floramon into Vegiemon (lol). Back then, Saki still hadn’t experienced what it meant to truly belong in a group and to be able to interact beyond what she knows will outwardly, yet superficially, get her to be socially accepted. As a result, she wasn’t sure of the sincerity of her own emotions and actions towards others, doubting her own intentions when following Ryo around. What lies at the core of Saki’s teetering act between refreshing bluntness and faux pas leading to rejection is the isolation, and the social inexperience this brought as a result, her chronic illness has imparted Saki. 
By contrast, when part 9 rolls in, Saki has experienced working together in a team for the sake of the communal good of survival. With stakes so high, she’s bound to feel united to the group. She has also gotten a taste of a deeper self-acceptance through her bond with Floramon, the budding confidence to be herself unabashedly through Takuma’s assurances, the group’s continued acceptance of her role in it and Aoi’s warm, intimate and caring support. She’s becoming someone who has a place in the world and can start acting based on values that go beyond herself, and this is what her self-sacrifice epitomizes: she’s no longer insecure or indecisive about her commitment to the group and the greater good.
Into the mist.
The Wrathful route is characterized by thorough elaboration on Aoi’s interiority and inner monologue. This allows us to see the inner turmoil, conflicting viewpoints and the full extent of her self-depreciation that she usually keeps behind locked doors while she spirals.
Upon Saki’s death, Aoi experiences intense guilt over failing to keep Saki safe, as she was her leader calling the shots and guiding her through the rescue efforts, for mistaking the kenzoku for digimon in need and for losing grasp of her hand during the tug-of-war deciding Saki’s death. She isolates herself from the group due her grief, her continuous ruminations over the mistakes she did consume her thoughts and prevent her from continuing her duties as their leader and her managerial work at their base. 
Now that Aoi it’s out of commission, Kaito belatedly comes into full appreciation of the labored support Aoi has offered the group. Knowing Saki was her moral support, Kaito attempts to reach out to her in order to pay the favor back despite his advice to Takuma to give Aoi some space. Takuma’s timid, soft-spoken approach wouldn’t be befitting to challenge Aoi’s spiraling thoughts, so it’s up to Kaito’s more direct approach and his understanding of what it takes to shoulder such responsabilites to step up to the task.
He bluntly refutes her self-blaming beliefs, pushing her to recontextualize Saki’s death from her personal failure to something Saki had agency in. It’s during these exchanges that it comes to stark light how much of Aoi’s inner world never gets expressed to the others, as her replies to Kaito are merely a small fraction of all the swirling emotions and thoughts festering in her head. 
While Kaito’s efforts aren’t completely fruitless, they run into the Aoi’s emotional wall and don’t manage to address her perfectionist beliefs before Harumode reappears to lure them into the library. The seed towards Plutomon’s black and white thinking is already taking root: Aoi can’t afford to let herself falter or make mistakes anymore in order not to lose anyone else, or it’d keep reflecting badly on her own integrity as a person. So she runs off on her own despite being antithetical to her own values. Kaito’s decision to go back to the group and gather them despite running off on his own being more in line with his usual Modus Operandi shows his commitment to keeping the group together and leading them in Aoi’s place, placing his development as a foil to Aoi’s spiraling.
The illusions Aoi sees within the library reflect that guilt is still ravaging her heart and fuel her self-berating back to full strength. However, Kaito’s words are not lost on Aoi and her thoughts soon start blaming Saki for own death, much to Aoi’s chagrin. Examining the root behind her reasoning reveals that just as much Aoi blames herself, she’s also intensely angry at the others for always taking unnecessary risks without sparing a thought for unity and responsibility. This touches on a sore spot for her, since being taken advantage of or having her authority diminished by others’ selfishness has been an open wound from before she even attended camp. Unable to bear being with other people, Aoi wanders into the misty woods to get lost further into her ruminations.
Each time Aoi replays the events in her head, another edge that hurts her seems to surface. Instead of coming to terms with Saki’s self-sacrifice, Aoi distorts it into a rejection of herself and her feelings. Instead of reaching the conclusion that she should’ve been more assertive out of a genuine growth in her confidence,the conclusion is fueled by her intense disgust over being the same always weak, flawed her of the past. Instead of learning to share the responsibility with her peers, she concludes she should’ve prevented other people from being wrong. Instead of understanding how her intense self-censoring stunts her growth and makes it near-impossible for her friends —specially for Kaito and Labramon at the time, the other key figures in her support system— to reach out to her and help her, she concludes bottling up everything was for the better. If everyone is already this selfish, adding to the pile would simply be unbefitting and irresponsible of her. This makes for a highly striking and effective portrayal of grief, with Aoi being unable to relentlessly revisit the event and find more and more shortcomings in herself and everyone around her. Her trust in others is fundamentally broken at this point.
Yet, despite her increasing mistrust of others, Aoi is finally able to internalize the depth of Labramon’s love and support for her. How could she not? Even though Aoi is at her most closed off and lowest mood, Labramon is still by her side, begging her to let her know the entirety of her heart. While a moving moment, this also symbolically marks the moment where Aoi has decided that the only beings she can trust are herself and her partner. This self-aggrandizing posture fueled by her self-loathing and guilt form the basis of Plutomon’s utter self-righteousness. 
Her conviction that only her harmony-based posture and feelings are right to solve the conflict between humans and kemonogami, prompt her to take the extremely ill-advised decision to try to appeal to Piemon, as well as to cure him in a show of good grace. This, of course, backfires immediately, as Piemon brutally attacks her and her partner. This last ditch-effort for a pacific resolution of the conflict informs Plutomon’s posture that if she can’t talk others into Harmony, then she will just have to force them and it’s the last step into the complete corruption of her values and growth.
Death evolutions.
Who doesn’t love a good symbolic death in their narrative? Survive generously offers two for the price of one. However, Aoi and Labramon’s gruesome agony isn’t the only time death shows in Labramon’s evolution line. It’s finally time to look into the themes woven into Labramon’s evolutions and how they relate to Aoi’s character.
Starting with Labramon herself, what we can learn from her official profile and debut is that she’s a digimon with a duty. Being an artificial digimon means she was specifically created to fulfill a function, which is further cemented by the fact it’s a literal living vaccine program. Her only skill movement in-game is Cure Liqueur, a healing skill that aims to restore and optimize weakened data (put a pin on this). Her fierce loyalty and dutiful origins already fit Aoi to a tee. 
In general, devotion to one’s duty is a key theme to Labramon’s evo line. Dobermon takes this a step further being a digimon whose only purpose is to hunt viruses. Originally consumed by viruses itself, its strong vaccine nature broke through and it learned to harness violence to fulfill its mission. This adult stage marks the start of a consistent theme in the evo line about harnessing monstrous power in order to fulfill one’s duties, much like Aoi needs to embrace assertiveness and authority to be able to properly respond to the situations before her and achieve her goals. This is also the first time the theme of death as transformation will show up in the evo line. Dobermon’s evolution dialogue encourages Aoi to take pride in her efforts and work to push her into this ever on-going journey of embracing her own agency. 
Cerberumon is the guardian of the Dark Area, a duty that goes a degree higher in importance than solely hunting viruses, much like Aoi will eventually have to step up into the heavier responsibility to lead the group. Cerberumon’s ferocious appearance is remarked upon in the evolution dialogue: where Aoi openly admits her desire for power— power as having the agency, authority and self-confidence to assert herself—. Cerberumon’s words encourage her not to be afraid of using this latent power already present in her heart.
Anubimon, the other possible ultimate available to unlock in the vanilla routes, is the judge of the dark area, who weighs over fallen digimon’s data to either banish them forever or grant them the chance of rebirth. Its role as a fair judge relates to Aoi’s role as a leader who listens to everyone’s input so everyone can reach either a unanimous decision or call for a timeout so the group can put their feelings back in line. (ALSO. I couldn’t unlock it in my Moral run, so this as much as I can glean from lore and plot alone.) This position as a fair judge stands in direct opposition to Aoi’s pathos as Plutomon.
Now, onto the dramatic ultimate evolution of the Wrathful route: Plutomon. Plutomon it’s a virus executioner that’s known for attacking with intense terror and violence. It’s a Death God itself that governs tyrannically over the realm of the dead. Unlike Anubimon, who weighs digimons’ worthiness, Plutomon mercilessly slays anything it deems evil and takes pleasure in it. Its cruel nature is reflected in it having become a virus itself. All of this lore is directly reflected in Aoi’s Wrathful ethos: as Plutomon, she has cast off her humanity to transcend her weaknesses, becoming scheming and even taking pleasure in venting her pent up bitterness by playing her friends like a fiddle— both when she intentionally makes them waste time arguing with her while Miyuki is dying on the floor, and when she emotionally manipulates them into avenging her by fighting the Master. Plutomon’s tyrannical rule is reflected in Aoi’s utter self-righteousness, where any dissenting opinions are deemed mistakes she needs to strong-arm others out of. She’s reached the ultimate black and white vision of her ideals, convinced she’s being the best version of herself she could possibly be. Despite Aoi!Plutomon’s goals for perfect harmony and oneness, she has become the embodiment of violent convictions herself. 
Plutomon’s evolution cutscene involves Aoi and Labramon slowly and painfully agonizing after being attacked by Piemon. Since the two are the healers of the group, their friends are unable to help them beyond fighting Piemon for them. This epitomizes the isolation Aoi has felt both in the human world and the kemonogami one: in the human world, she felt alienated because only she would get admonished for undone work as well as if she went the extra mile to get it done herself. In the kemonogami world, after losing Saki and thus having lost her own confidant as well as internalizing a sense of rejection from her self-sacrifice, she laments no one can understand her heart and look after her the same way she does for the group. In a morbid parallel to how she takes on all the group’s burden upon her shoulders, if Aoi wants to live, she alone will have to drag herself through the ground to reach her partner. Driven by her loyalty and duty to Aoi to the very end, Labramon does the ultimate act of self-sacrifice by using her remaining life energy to restore Aoi (very bittersweet use of the function behind Cure Liqueur! Incidentally, Plutomon’s self-healing ability forms part of this theme as well:where Labramon heals the party, Plutomon only heals itself). The evolution that takes place responds to Aoi’s heart passionately clinging to life as well as her inner turmoil. Thus, comes Aoi back to life in a terrifying miracle marked by her deep bond with her partner and all it represents. Plutomon is the most extreme externalization of her hidden unresolved struggles to open up, her perfectionism, her self loathing, repressed emotions and extreme morality.
Acknowledgements.
Shout out to digitalsurvivor for consistently putting out helpful information that gets lost in translation and cultural differences, as well as having long talks with me that help me enrich my perspective on the topics covered.
Special thanks to all my dear friends that allowed me to explain the events of the game in detail and wall-text their inboxes with my interpretations of the narrative. Their kind and patient dialogue helped me greatly to flesh out and complement my analysis.
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everygarm · 3 months
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THIS. THIS HERE.
THIS IS WHAT MADE HIM SO SPECIAL TO ME.
And i could go on and on about what the hell happened during his childhood and who hurt him and whatever philosophical ideologies he may or may not have and the entire concept of genetics but honestly i would probably never shut up if i did💀
…anyway cue me having a long ass rant here hehe
Ok so first off it’s like midnight at the time i’m typing this so what i say might be a little jumbled, i just wanted to let you know in advance
In future chapters it was revealed that he was treated horribly by his village and was practically an outcast because of his psychopathic nature. If you’ve already gotten to that part, you’d know that the flashback Garm had ended after he had killed a group of men. What happened after that? What did the other villagers do to him, if anything? What did he have to do in order to provide for himself? Did he have to travel? And if so, where did he go and what happened along his journey?
(Before we go further i want to clarify that whenever i say “psychopath” i’m referring to him most likely having antisocial personality disorder. Like, the one where he’s born without the part of his brain that lets him feel empathy. He physically does not have it. I see “psychopath” and “sociopath” getting mixed up a lot, so i just wanted to say this to clear things up)
There’s not a lot of concrete lore for him right now so it’s hard, but i do appreciate how he’s kinda, like… a symbol for birth? I can’t think of another way to describe it, but we all know without a doubt that he didn’t pick his genetics. He did not choose to be born as a psychopath. In fact, he didn’t even choose to be born at all. And there’s not much anyone can do about that—he’s not going to suppress(?) his emotions and force himself to feel things he doesn’t feel, and neither are the villagers going to smile and happily accept him biting off a kid’s ear. In a way, he’s a victim.
But i do understand how the villagers feel, especially considering the fact that VS takes place literally 1000 years ago and there was no form of psychiatric research (plus he… yk, bit off a kid’s ear and killed a group of men).
I can’t help but wonder… what would’ve happened if Garm was born normally? What if he was, hypothetically, somehow able to pick his genetics and build himself to become “perfect”… whatever that means to him. What kind of life would he live? How would his struggles then compare to the ones he has currently? But the one question i think of most is whether or not he would prefer a life like that.
From his current perspective, he might brush away his problems and say that’s boring. And maybe he’s right. But from a neutral perspective, i can see how someone would think he’d be happier living normally with a fishing rod instead of a spear in his hands. He would’ve been accepted by society and been able to do regular man things and live a regular man life. One that is, compared to his life of fighting, boring, yeah. But it’s much more consistent and doesn’t involve him having to constantly swing back and forth between living in the thrill of battle and wanting to die.
But he doesn’t.
He likes the rush and the insanity and the chaos, and i do adore him for that. But over long periods of time, isn’t that just so exhausting? Does he ever get a moment of peace? Does he even want that moment? I don’t know, my brain is in many different places right now and it’s hard to think.
If he had that moment, what would he do with it? Would he take the time to just simply enjoy it? Would he reflect on his life? Would he, without realizing it, throw it away and return to the chaos he’s always known just because it gives him an illusion of control?
…sorry, i’ll have to stop it here for now. If i keep going, i’ll just type a bunch of incoherent nonsense. Thank you for reading! And if you have any thoughts, please do share them!! I’d love to hear it!
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graveyard-ghoulish · 2 years
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Hi! Wish you a great day ^^
Can you please write smth about Spetz ops making s/o feel safe and needed? Like nothing is gonna hurt them and they can finally relax and enjoy being loved
Hello, I certainly can :) something abt big men being soft is so 😮‍💨
I read this as being insecure in a relationship so pls correct me if I’m wrong, it’s early 😭
Kapkan;
Usually Maxim is the skittish one in relationships, he’s usually expecting to be hurt or fucked over at any point. But you’ve proven your worth and it’s allowed him to relax greatly, easing his tensions over time.
But when Maxim notices that youre in need of comfort he’s slightly unsure of how to go about it. He’s not one for verbal affection, so he shows his mindfulness of how you’re feeling through actions.
He notices you’re nervous while he’s talking to another person? He’ll pull you into him by your waist during the conversation even if he claims to not be a fan of pda, or he’ll find you after and silently reassure you he’s got eyes for only you. It’s small actions like that that make you realize over time he’s not going anywhere.
Glaz;
It’s hard to feel uncertain when you’re with Timur, he’s the softest one (competing with tachanka for that title imo) in a relationship.
Clingy man. Not suffocating clingy, but clingy when you need him to be or when he notices you’re feeling down. When he loves someone he’s completely dedicated to them and you can easily see it.
Unlike Maxim, he’s not uncomfortable with verbal affirmation, so it’s easy for him to talk you down from feeling insecure or nervous about receiving affection. Plus it’s hard to feel unwanted when he traps you in his arms randomly.
Tachanka;
Just like the above, it’s almost impossible to feel insecure when you’re with Alexsandr. He latches himself onto you like an affectionate leech and has absolute zero difficulty reassuring you at any time.
The most affectionate physically and verbally. Constantly reminds you of his love by damn dear breaking your spine in a hug or shouting it from across the mess hall. All fears are most likely instantly evaporated when he gets his hands on you, bc you’re not getting out of his cuddle-grip for the rest of the day.
You’ve stopped being jealous or feeling a bit down when he’s talking with others for long periods because you noticed he doesn’t shut the fuck up about you. If you walk by and he’s mid-conversation he’ll snatch you and be like “speaking of-“ and ramble a bit more, the other person’s eye twitching because it’s been 20 minutes of this 💀
Fuze;
Fuze is also an insecure mess so like, he gets it in a way. But he’s also terrible at noticing for a bit so cut him some slack, the last time he’s gotten an ounce of affection was the Pre-Cambrian era so he’s a little lost for a bit.
It’s a slow process of easing each other’s fears. Shuhrat worries you’ll get scared away by his quiet and stoic nature, while you’re worried you’re not good enough in general.
He’s not one for words either. He’s an antisocial gremlin so he spends most of his time with you anyways, either holding you in his lap while tinkering with his gadget or locking the both of you away in his dorm and having small conversation while cuddling and watching whatever’s mildly interesting on Netflix. His love language is quality time.
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frankpooleunofficial · 4 months
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If you, Hal, and Dave were Star Trek characters, which ones would you be?
I put a lot of thought into this, okay? Don’t judge…
I think I mostly relate to Bones and Geordi. They’re my favourite characters and they’re super dedicated to their work and their friends and family. Plus I really like that Geordi makes model ships; I just think it’s kind of fun.
Hal would undoubtedly be Data. I also get a bit of a Spock vibe ha-ha.
Don’t tell me I’m generalizing because they’re both computers - I think Chandra may have let Hal watch the first few seasons of TNG when he was younger.
Seriously. I’ve never admitted to it before but sometimes I think he quotes Data just to mess with me.
I think Dave is most like Kirk, although when we first met I would have said Odo. He’s a good person, and he’s a natural leader, just sometimes a little antisocial; I’m glad to be on the Alpha crew with him instead of one of the others, to be honest.
It’d be funny if we had a ‘Trouble With Tribbles’ moment in real life though… Ha!
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yestrday · 1 year
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Here's a question for you,
How well do you think you'd fare in an actual ganshin academy yandere reality?
For me, realistically speaking, not very long. I'm just one antisocial bean who'd rather not talk to anyone I don't know too well T^T
I don't even think anyone would be able to get yandere over me, I'd probably be too busy crying from stress at being behind in a prestigious academy 💀
Maybe I'd be brief acquaintances with Albedo simply because I like to draw and paint as well, but if we're being 100% honest, my social anxiety and my lack of ability to handle stress would cause school to end me rather than some yandere who doesn't know I exist 🥲
Except I'd befriend Bennett, Bennett is always an exception
to be honest... i don't think i'd even get into the academy. i'm completely average at everything.
but say i indeed got into the academy... well, then it's just me desperately trying to make ends meet. i'm pretty unlikeable by nature, and my brash and loud personality tends to turn off most suitors... so...
plus, they'd probably be so disappointed by how much i procrastinate LMAO
the only i think i can manage to befriend is itto. i think i'd be stuck in his gang too. we're both loud like that... but i also tend to not talk to people outside my class. so.
i'll probably be good friends with a nice npc and that's it lol
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hchollym · 1 year
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I feel like Percy and Remus would have bonded pretty well and had a sort of mentor-student relationship. Maybe even a father-son sort of relationship.
They’d both bond over their academics and I feel like Percy would have quite a bit of respect for Remus for being a fair professor.
They’d also bond over their relationship with Peter Pettigrew. Maybe even bond with Sirius as well.
*sigh* I feel like you're the same anon from before, and I keep disappointing you today with my answers! 😭
I don't think Percy and Remus were particularly close. I think they had a mutual respect that could have eventually turned into friendship (if Percy had stayed with his family/the Order), but as it went in canon, I don't think it ever progressed that far.
The two of them certainly have some similarities, and I think Percy would admire Remus as an intelligent man and a talented teacher, while Remus would respect Percy's fairness, intelligence, and determination. However, you have to keep in mind that - especially in Book 3, where the two of them would have interacted the most - Remus stops himself from getting close to anyone. 
He is hurt and broken from the loss/betrayal of his friends, and his struggles as a werewolf make him naturally cautious and antisocial in order to avoid trouble. Werewolves are treated horribly in the Wizarding World, and with Remus’ added trauma, it's completely understandable why he wouldn't want to risk getting close to someone again, least of all a student. Even with Harry, Remus rarely seeks him out (it’s usually the other way around), and he's not overly open with him. 
Remus is highly guarded, and I really don't think anything Percy could have done would have given Remus enough incentive to change that. I doubt Percy would have even been inclined to try - he doesn't know this man well; all he knows is that Remus is a private person, and Percy respects that and leaves well enough alone. 
If Percy had joined the Order instead of disowning his family, I can definitely see them forming a friendship, because they are both adults now, and Remus is in a better place mentally at that point (still not great, but better). Unfortunately, that was not the case, so they never had the chance to really develop that bond. 
However, even if that was the case, I don't think Percy and Sirius would ever be friends. I've seen a lot of people write stories about this (which is all well and good; the great thing about fanfiction is that you can write whatever you want), but I have serious doubts.
Let's ignore the fact that Percy doubted and insulted Harry (because that right there would have been enough for Sirius to write him off forever, since he's a very all-or-none thinker and takes his loyalty to James' son very seriously). Even if Percy never did that (again, in an AU where he sticks around), Sirius is never going to like Percy.
In theory, there's several reasons why they should get along (i.e. they both know what it's like to not belong in their family, they were both betrayed by Peter Pettigrew, etc.), but in reality? No, it's not happening.
Percy is going to remind Sirius way too much of Regulus (Harry even makes a comparison between the two, and he didn't even know Regulus). Sirius may not hate Regulus anymore, but he's certainly not jumping at the chance to be friends with someone that reminds him of his presumed-dead, estranged brother.
Plus, Sirius has no respect for the Ministry, which he makes clear in Book 5. He's going to look down on Percy for working so closely with the Minister of Magic. Even if Percy is a spy, Sirius would likely not respect him much for it, because he sees spying as more cowardice than just charging headfirst into battles.
Percy is also very different from Sirius in personality. Percy likes the rules to be enforced; Sirius likes to break the rules. Sirius likes pranking (i.e. bullying) people; Percy has been bullied enough by his own family for a lifetime. Even though Sirius admits that he used to sometimes be an arrogant little berk (his words, not mine), he would likely still think Fred & George's pranks were funny and that Percy is a stick in that mud that needs to loosen up, whereas Percy would think Sirius is immature and reckless.
Add Sirius' (understandable) mental health issues in, and it's going to be a disaster. They would get along like a house on fire (constantly getting on each other's nerves), and Remus (or Arthur, Molly, etc.) would always be in the middle, trying to keep the peace.
This ended up being much too long, and I focused on Sirius far more than you probably wanted, so sorry about that 🤣
Thank you for the ask though! 😊
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