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#purest form of art truly
hua-liansimp · 2 months
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Petition for more default dragonborn durge x gortash fanfiction.
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Isn't he a cutie? Just a sweet, big white lizard who deserves to bask in the sun (and partake in carnage). Also to kiss the Chosen of his Father's sworn foe (forgive him for that Bhaal).
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drdemonprince · 6 months
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This is an incredible read. It's like Ozy took every annoyed rant I and numerous detractors of Conflict is Not Abuse have made while gathered around our kitchen tables with friends and actually formed it into a coherent take-down. I've been waiting for someone to write this for years and I'm so grateful I didn't have to do it, that someone else did it far better.
Ultimately, Conflict Is Not Abuse is the among the purest works of victim mindset I have ever read. It just has different ideas than normal people about what makes you a victim. Someone physically attacking you and breaking your bones, for example, doesn’t make you a victim. Schulman wants to reserve that status for people who have truly suffered, such as: People whose phone calls were not returned. People who got in Twitter discourse, but whose interlocutor didn’t want to meet up in person to talk about it. People who were broken up with even though they didn’t consent to being broken up with. People who have provided an extremely convincing argument about why they deserve to be friends with someone, and yet that person still doesn’t want to be friends with them. People who hit on someone who claims not to be attracted to them, even though they totally were, bro. People who were rejected romantically without even the opportunity to stand outside a window holding a boom box that’s playing In Your Eyes. People who have been cruelly iced out just because they broke someone’s bone which is, clearly, not that bad in the grand scheme of things. Ironically, this entire line of argumentation is a great example of how thinking of yourself as a victim causes you to harm or abuse others. Maybe it’s performance art.
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ghostytoad · 6 months
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* Fun n' Games *
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ROTTMNT Boys x GN! Leo-esque reader who enjoys drama, making jokes, and being overall awesome
Summary: The Hamato brothers unexpectedly fall for the smug, but genuine, fun-loving reader despite their egocentric habits
Headcanons for: Mikey
GN! Reader; Romantic; Fluff || Words: 1.8k
Raph | Donnie | Leo | Bonus!!
Mikey:
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this boy will not hesitate to call dibs on being y/n's best friend the moment they meet; not only are they super cool and confident, they're pretty funny too!
he genuinely admires everything about y/n, from their charismatic and funny nature to the way they seem to keep their cool under pressure
mikey likes to refer to them as the "color bomb of our family portrait" (whatever that means) and will insist they are the splash of color the group's been missing this whole time
nicknames!! he will literally call y/n everything under the sun as a show of affection; some of his favorites include "leo 2.0" and "rainbow"
mikey will take every chance he gets to cling onto y/n like a koala bear or use them as his personal lap pillow; he is the most physically affectionate of the brothers, so expect lots of tackle hugs and cuddles too
insists that it's completely platonic though! cuddling doesn't always have to be romantic or just for couples or anything! if he's not holding onto y/n's hand, he's at the very least hovering in their space at all times
he just happens to enjoy how warm y/n is and they don't seem too bothered by the touching so it just makes sense that y/n is the first one mikey calls when he's in major need of hugs
y/n has a big ego, but mikey doesn't exactly help that fact with his endless praise and compliments; it's like he has stars in his eyes every time he sees them do anything mildly exciting. if anything, y/n is TOO HUMBLE in his eyes
he constantly brags to his brothers about how great y/n is (and how lame the boys are compared to them) to the point where it's painfully obvious to evevryone how lovestruck he is; every conversation somehow loops back to y/n and if no one's around for him to gush about them to? he'll just channel that affection into his art!
every time he invents a new dish, y/n is the first person to taste test his new creation. and if they say they like it? he will make it his new specialty dish for the next few weeks. y/n gets to name it too! a special privilege for only the greatest of greats in his eyes
every time y/n comes over to the lair, he immediately stops whatever he's doing to greet them and show them around like it's their first time ever being in the lair. it's basically a tradition at this point.
no joke, he will literally take them on a tour of the place like it's a new bachelor pad or something
"welcome to our humble little abode~ please feel free to relax on any of our luxury beanbags or "sacco" as the italians call it! to our left, we have the most advanced in genius technology, created by our very own donatello hamato!" "mikey, this is the third time this week they've been here. please for the love of plato, get out of my lab and let me work."
it's also just a fun little way for him to show off his new art without looking too braggy and he can't pass up a chance to pester his brothers; truly a silly little menace
if he's drawing, he usually has y/n pose for his practice sketches; they're just so photogenic and fun to draw, the perfect muse! and they don't complain as much as leo does when he has to model for mikey
he also keeps a special sketchbook meant just for y/n and him; they hand off the sketchbook back and forth every other week to fill with sketches and doodles of anything and everything. mikey thinks it's the purest form of bonding and gives every one of his doodles some meaning that ties back to y/n
the one-liners aren't exactly his style, but he still finds y/n to be incredibly funny, especially when it comes to their pranks. he will not hesitate to join in on their latest scheme (he's terrible at keeping secrets tho so they don't always work out)
is genuinely considering starting an improv troupe or a comedy duo with y/n; he thinks they could make it big if they just had the right venue! or maybe they could start their own cooking vlog together?
"c'mon, just one open mic nite! i promise it'll be fun and you're gonna kill it on stage! and i'll be front row cheering you on!"
y/n has their own little spot in the projector room right by mikey for movie nights; complete with a secret snack stash he's hidden in their beanbag for the two of them to share (he will eat most of it tho if y/n doesn't stop him)
he's not too keen on the idea of dragging them along on dangerous missions, but he will not hesitate to take them for a trip to the hidden city. after all, what better way to introduce y/n to yokai/mutant culture and the untamed world of mysticism than by exploring the mystic metropolis itself?
takes y/n to all of his favorite restaurants and parks when they're out, he enjoys being able to share his safe space(s) with someone special to him! and of course, he wants y/n to have fun too so he won't say no to visiting some of their favorite places!
unlike donnie and leo, mikey's pretty good at keeping y/n's more impulsive nature in check; he might be the wild card, but he's also very aware of the fact that Y/N is a human and as such, should be handled with care! (ironically, he gets upset when raph does the same to him)
don't get him wrong, he doesn't baby y/n, no no. he is simply trying to be a caring, considerate, and responsible friend. he's sure y/n can handle themselves, but the yokai world is new to them! mikey just wants to take it slow is all!
it's not until papa splinter decides to bring up the dreaded topic of grandchildren that mikey is confronted with his own feelings
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"All I know is that you boys are only getting older and with each passing day, my hope for grandchildren is getting smaller and smaller."
"DAD, WE AREN'T EVEN ADULTS YET! At least give us a chance to vote for the first time before you start yapping on about kids!"
"It is not the timing I am worried about. It is the sheer lack of game you three seem to have with the ladies. You have to BE a player to start the game." Splinter muttered the last part as if he were talking to himself. A bewildered trio of turtles sat before him in their usual "begging circle" before his favorite chair, unsure of how this conversation went so wrong. All they wanted to do was borrow their dad's iconic Lou Jitsu suit. And he was lecturing them about romance and grandchildren?!
Y/N and Mikey had no idea just what they were walking into when they sauntered into the projector room together, bags of snacks in hand for another movie marathon. Splinter let out a fond chuckle as Y/N greeted the rat with a bright smile and a wave.
"You see, I do not worry about Orange. Clearly he is the only one to receive my dashing looks and irresistable charm! How else would he have caught Y/N's sleek eye?" The old man threw a wink Mikey's way as the turtle stopped in his tracks to glance back and forth between his brothers and father.
"What… did I just walk in on?" his confusion translated into a sharp grimace, the corner of his frown quivering.
"Dad here's bugging us about dating." Leo couldn't help but roll his eyes.
"Wha- I thought he was gettin' on our case about grandkids or somethin'?"
"No, no. He was clearly implying that we have no social, relationship, or emotional skills to speak of and therefore have no chance at prospective mates with which we might eventually settle down with and have offspring of our own." Donnie's pout was apparent as he recapped the conversation, unsure if what his father said was a positive or negative sentiment.
Mikey and Y/N exchanged equally horrified glances, dropping the bags of goodies.
"WH-WHAT?!" they cried out in unison.
Y/N could barely get a breath in between their screeching tirade of 'NO NO NO' and Michelangelo's "STOP STOP STOP", both of them making a show of flailing about in humiliation and shaking their heads. Y/N and Mikey? Settling down?! KIDS??!!
"I feel as though I may have missed something…" Splinter watched the spectacle of shame with a quirked brow, stroking his greying beard and shrugging to himself.
The young mutant stopped his panic long enough grab Y/N by the shoulders and sharply turn them to face Splinter, pointing his finger into their cheek as if he were presenting them.
"DAD, WE are FRIENDS. FRIENDS! FFFRIEEEENDSS!" he hissed between clenched teeth, motioning between himself and the human that stood beside him. Behind him, his brothers quietly chuckled and snorted amongst themselves, but he chose to ignore them as he continued.
"WE are NOT getting married any time soon!" he gave Y/N a gentle pat on the shoulder and shot them a soft smile, "No offense."
"N-No, none taken!" Y/N nodded, eyes still wide with shock.
"WE are NOT having kids ANYTIME SOON!" With each word, Mikey's face loomed closer to his father, the man's amused grin unwavering.
"And if anything, I sincerely doubt someone as amazing, sweet, and funny as Y/N would ever wanna have kids with someone like me considering THIS whole situation!"
His hands waved over his body frantically to refer to his mutant form, oblivious to the now-offended scoff Y/N gave.
"Y/N and I were just here to-"
"You don't think I'd be with someone like you just because you're a mutant?" Y/N couldn't keep their irritation from seething off of them as their arms crossed tightly on their chest and their foot tapped impatiently against the cold floor. They were not happy. Mikey shrunk in on himself at the display and waited for them to continue, the entire room now listening intently.
"I'm sorry, is it just me or did you drink a big ol' mug of DENSE juice?" Their finger aggressively poked against the young turtle's plastron, "I happen to LIKE everything about your 'whole situation' and I happen to think YOU are just as amazing and funny, Michelangelo Hamato!" Despite the sincerity of their words, each syllable was spat from their downturned lips as their glare became fatal with angst. Neither of them paid any mind to the others, mouths gaping and eyes rounded with surprise. The box turtle's green cheeks burned a dark red at their words, his heart pounding wildly against his chest and his muscles tense with excitement.
"Does… does this mean I can hold your hand now? Like romantically...?" he squeaked, barely able to contain his glee. Y/N sheepishly nodded as they took his hand in theirs and pulled him into a gentle embrace. From behind him, a chorus of groans and sighs sounded from his brothers. All he could think of now was that Y/N liked him back. Maybe even loved him. Not even his brothers could ruin a perfect moment like this.
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minzis · 5 months
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Because It Was You
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Art Credits: Victoria by Fritz Schaper
•┈୨A Simon Riley One-Shot୧┈•
✦❘༻Summary: Stuck in a sense of saudade Simon finds himself unable to come to terms with the reality of you slowly falling out of love with him.
✦❘༻Tags: Pure angst <3 2.3k words.
✦❘༻Author’s Note: I listened to “Waiting Room” by Phoebe Bridgers while writing if you’d like to listen as well! I just aim to hurt people as much as possible because what is life without deliciously hurtful angst :3
•┈୨♡୧┈•
Ghost knew he wasn’t that good of a man, he always felt like you were just to good for him. A pretty face and a pretty voice, everything about you was beauty in its purest form for him. How he managed to have you in the first place alone was astounding, a miracle in his eyes. You were everything he was not, a sweetness so sweet it was like a daily sugar rush. Him not deserving you was the only thing that ever plagued his mind. How could a woman like you love a man like him?
The type of woman they put on the cover of vogue, the type to have poems written about and for them. So for a beauty to haven falling for the beast he did everything he could to make you happy. No matter what you asked he’d have it done because if it made you happy then it made him happy.
You called him having a bad day at work? That’s okay he’ll just bring you a handwritten card and the food you talked about craving last week! Your sick he’ll bring every medicine there possibly is excluding the one you said you didn’t like cause it made your head hurt. Even if it was late at night he’d make the drive because it was you.
You felt lonely while he was away, that’s fine he got you two little puppies. You named one Grim after the first time you met joking he looked like a Grim Reaper. He laughed over the phone when you rambled about names he said he didn’t like it but truly he liked whatever you did. If you liked blue he loved blue and if you hated red then he despised red. His world moved just to circle around you every day and night felt like it was for you.
He never bought you flowers he always got you plants because you said they lasted a lifetime like the one you planned to spend with him. Apartment cluttered to the point you might as well call it a Garden House. His shelf littered with little things you had given him. “It reminded me of you,” you’d say with the cutest smile he’d swear he had ever seen, it was humbling.
Picking you up from work in the rain or snow since the day you said you were often scared to drive in it yourself, if he couldn’t pick you up himself he’d send a driver. There were many times where he couldn’t always be there so he tried what he could do to make it feel less empty. Outings with friends using his card insisting it was nothing compared to the millions of things he’d do for you. Gentle messages awkwardly formed but enough to show he still cared despite being thousands of miles away.
He liked to think he noticed fairly early at least subconsciously but maybe he ignored it cause it might hurt less then. The look in your eyes faltering ever so slightly as you looked at him. Maybe he knew before you did in many ways more then one. What could he do? What had he done that was so wrong? Should he have looked at you more? Hadn’t he loved you enough?
If you still came home every night to him it was enough, it should’ve been enough but he couldn’t help but want more, crave more. He knew how selfish it was but he didn’t care because it was you. It always was you and always would be you. It killed him, truly killed him in ways he didn’t even realize. How could he ever love if it wasn’t you? He didn’t know how, you taught him how beautiful love could be and how destroying it could be.
You’d come home with a bright smile hug at him the same as you always did but it never felt the same. Not once he knew but maybe it was some childish fairy-tail his love was enough for both of you. They always warn you not to trust strangers or watch for cars before crossing the road. But they don’t teach you about the pretty girls with soft voices from the heavens as if to answer the prayers he made. They don’t teach you how to let them go and to stop loving.
He felt stupid for beating at what would be considered a dead horse, he couldn’t help but try though couldn’t he? He knew you’d never cheat that just not who you are. But he also knew you cared too much for him even if it meant sticking around when you didn’t want too. He knew you were just too good of a person to break his heart like that and he took advantage of it even though it felt horrible it didn’t feel as horrible as losing you.
But seeing the sullen look on you face everyday pained him more then he thought it would. He felt foolish and stupid like the times Johnny would rant about love and how he knew Simon would eventually find someone. He told him he never would, because who could ever love someone like him? He didn’t tell him the other half though seemed deeper then he wanted to go with him.
He tried to do more no matter what it costed him, if he could give you everything he would’ve without hesitation or a single doubt. More calls, more gifts, more affection words he had to choke up because he knew it was only to tape up his tattered heart. He knew every stitch in the book but how was he supposed to stitch up a breaking heart?
He’d take you on dates the day after he’d return from deployment almost like insurance it’d make you stay longer, love him longer. But it never seemed to do what it did before, yeah you laughed and smiled but did you mean it? Did you mean it when you said you loved him? He wasn’t sure anymore, he had always been good at reading people from a glance but he lost that power at times when he had to look at you. Then again he probably chose to unsee what he seen every time he dared to stare long enough in your eyes to realize he was losing you.
It wasn’t a future he had foreseen coming one, one he hadn’t planned an outcome for. He never wanted kids before but with you he felt like he could try, it felt like a life he could have. A version of life in where he was happy with what he had. He never truly had a plan for the chance you would leave him one day, under the belief his love could be enough. You had been together for over a year or two now so he let his guard down, he let himself be vulnerable for the first time in a very long time. It was very apparent the life he planned with you wasn’t going to happen since the first day you leaned back from his kiss.
Restless nights he spent out on deployment in fear when he came home you weren’t going to be there. A feeling that resonated deep in his bones that you were going to up and leave. He hated it all every second he felt helpless like the same child who was still scared of ghosts. It all caught up fairly quickly with his work, he was either ferociously vicious or barely stumbling through the day. It almost got him killed on more then one occasion.
He couldn’t ever bring himself to tell you whenever he got injured cause deep down he knew you’d just feel even more guilty then you already did. Sure you hadn’t done anything but you had done more by doing nothing. He was either getting more injuries or racking up an inhumane amount of kills. Kills that were unnecessary and downright cruel but he hadn’t cared when it was the only outlet he could find. He felt sick with himself spending hours at the sink scrubbing his hands before he dared to ever touch you with hands like his. The blood never came off though.
He sighed shaky hands wrapped around the edges of some shitty sink in another safe house he couldn’t remember the name of. Fingers clung at the edges of his mask tugging it off. He stared in the mirror for what felt like hours at a face he couldn’t recognize anymore. He was almost glad you fell for this face and not the horrid mask. The thin layer between who Simon and Ghost was, he already knew Ghost was unlovable but he had hopes for Simon.
He tried to be a better man with substance one deserving of your time and love. But you didn’t do that, you had loved both parts of him he tried so hard to separate. He began to hold the belief that every part of him he wrote off could possible be loved. Parts of him you called imperfectly beautiful because even if he had come home deeply stained in blood he was still good. And you made him feel that way for a longtime so the thoughts of losing that were never going to go over well.
Reckless and dangerous was what he had become while away. It scared the team the little regard he had show on multiple occasions after endangering his life like it meant nothing. Simon had always been careful purposely with each step he took so for him to make a mistake at all seemed alien almost. Despite his protest Price decided to dismiss him for a few months in hopes it would clear whatever he had going on.
He started at the door what felt like hours but before he could open the door himself the door swung open. “You’re home early,” your tone was angry causing him to stiffen under your sharpened gaze. He expected more but you just turned back further into the house leaving the door open for him. “Price called,” you stated eyeing him as he inched his way into the kitchen. His eyes softened seeing you turning back to the stove stirring the pan, his favorite meal. Despite your anger you still made him his favorite damn meal.
He really wanted you to stay.
“He said you almost died Simon,” you spoke softly and he hated how disappointed you sounded. He couldn’t bring himself to speak unable to find the words that would carry enough apologies. A loud silence filled the room as he remained still staring at your back. This was fine it was going to be fine.
“Simon baby I can’t keep doing this,” you spoke breaking the silence.
“I know love, I’m sorry,” his breathing hitched in between his words.
“You can’t keep saying sorry and still going out there recklessly,” you rebutted curtly. “I don’t know what I was thinking, hell I don’t even know if I was,” he answered with a softness.
“I love you I really do but I can’t keep living out of fear everyday because of your stupid decisions,” he nodded his head understandably but for some reason it only seemed to upset you more. “I know-” you cut him off angrily. “No you don’t know cause if you did you wouldn’t keep doing this,” you motioned with your hands.
“For fuck sakes Simon how am I supposed to live worried everyday cause you run out there like you’re invincible, how am I supposed to live knowing that?” you called out desperately to him for some explanation in words but all you were met with was silence.
“Forget it let’s just eat,” you grabbed at the two plates placing them on the dinner table one in-front of the other before half-hazardously sitting down. His eyes followed your movements silently coming to terms. He wasn’t sure what to say or do when nothing was going to fix what was only going to further worsen things.
He didn’t know what to do when everything he knew about love was from what you taught him. You hadn’t taught him how to stop loving you though. He wondered if he could love anyone else like he did with you. Didn’t know if he had it in him to love that strongly again. He was grieving a loss that had long been coming. From the look on your face, fork dancing around the food, he could tell you no longer wanted to be here.
He prayed every night with tears in his eyes that this day wouldn’t come. He asked the gods for forgiveness in all the things he had done wrong. For them to just let him have you and he’d never ask for anything again. He’d live in a hellish purgatory for an eternity if he just got to be happy in this lifetime it would have been worth it.
Maybe in the next lifetime you’d choose to love him again.
He knew it was for the better, he couldn’t keep you chained like this when you can’t help your heart, just like how he couldn’t help his. It’s funny how cold the air had felt before but it managed to be so warm around you. His shaken hand gripped at the ring box in his pocket he long should’ve returned and like the calm before the storm he finally spoke,
“I want to break up.”
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not-terezi-pyrope · 4 months
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I forget sometimes because I have my own friends and tumblr bubble where people are more reasonable, but yesterday I made the mistake of going on twitter and its algorithm noticed I had an interest in AI, and, man it's bleak out there.
I'm actually fairly despondent about the way that AI has firmly and probably irreversibly been cast as an ontological evil being inflicted on society. I hate that the industry I've studied to enter, that I truly believe can do a lot of good, is going to get me socially blacklisted in a lot of contexts.
I have got into fights with my own family over this. The other night I was out at an LGBT social meet and a couple of people there were illustrators or in media and the whole time I was like, "please don't ask me what I studied".
It's so grim. I could never have predicted this in 2018. I just want to build useful intelligent systems, reduce human labour burden, and explore the potential of cognitive computing for creative expression (no, not "AI art", at the end of the day I don't really give too much of a shit about that as a specific application. But building an agent that can express itself is the purest form of artistic creation there is).
Fuck society for not even giving us a chance to get this right before starting in on shutting it all down. Most people didn't even try to engage with deploying AI systems and cognitive automation maximally ethical ways, weren't even paying attention while those discussions were first happening, and now the people researching core capabilities the bad guys while y'all happily work to keep the rat race running in place where it was circa 1999.
(Fucking grey as hell future people online seem to want. Nothing revolutionary about doing nothing for decades and saying "wouldn't it be nice if things were different, but of course we can't actually risk trying to change them". Capitalist realism is a black hole for hope tbh.)
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brujahinaskirt · 2 years
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Okay! I fully admit the Charles Châtenay missions are on the overbaked side, and "French libertine" is an exhausted trope, but there is something I do, unironically, love about them...
[The Artist's Way spoilers & another rambling essay under the cut!]
... and that's how Arthur reacts.
Never with machismo, never with hostile masculine heterosexuality, never with dismissiveness, never with the casual testosterone-driven swagger (i.e., the mean-hearted, bigotry-driven humor) that is so common to gaming and indeed so common of how cismen often respond to the perceived feminine. Truly, the ways Arthur does NOT react to Charles say so much about who Arthur is and how he sees the world.
We see this same lack of hypermasculine hostility/mockery with a few other masculinity-eschewing characters too (the eccentric Algernon Wasp and damselish Albert Mason come to mind, the former Arthur is courteous to if curious about and the latter Arthur clearly identifies with and is downright affectionate to). But something about the Charles quests hit different... Frankly, I fully expected Arthur's snarky sarcasm to devolve into actively cruel, openly anti-gay jeering when I saw Charles come out in that dress, and I remember the way my stomach sank. But it didn't! In fact, I argue that in many respects, Arthur's writers went in the exact opposite direction... that is, the opposite direction of the cheap bigoted potshots some folks at Rockstar clearly misunderstood these stranger missions to be.
Give me a few bullet points to break it down and explain what I mean...
Arthur doesn't "get" Charles's artistic style at first, sure. But it isn't because he disapproves of the content or because he dislikes it; it's because his own style and subjects are so different. Arthur, like Albert, deals in the wildlife and environmental aspects of natural beauty. Charles? He deals in another form of natural beauty: human bodies in their purest and most "uncivilized" state. This is a critical distinction, and by approaching the topic through art, we also learn something else about Arthur, a character who engages in no canon sexual acts throughout the course of the game, on- or off-screen.
And that is this key element of Arthur's characterization: Though he is decidedly nonsexual, Arthur isn't repulsed by Charles's sexualness or the sexual nature of his art. On the contrary, Arthur reminds us that being a nonsexual person does not have to mean being prudish, theocratic, or anti-sexuality.
In fact, the only time Arthur scolds Charles is when he sternly reminds him of his responsibility to his women lovers. Given the historical period (and that several of said women lovers were married during their affair), this strikes me as less about chivalry and Christian family values and much more about basic kindness to women, who are at far greater risk of social & financial ruin due to extramarital affairs than men were. (At least when it comes to heterosexual affairs.) Arthur knows this quite well, given his own adoption of familial duties for Abigail when John abandoned her.
Arthur doesn't just blandly "accept" Charles, oh no. He is actively, unignorably delighted by Charles's sexual expression and the way it undermines the prudishness and aggressive sanitation that is the Christofascist American society law and order has long enshrined. When Arthur realizes the scandal Charles has caused and why, he quickly erupts into bemused, open, genuine laughter for one of the precious few times in the entire game. He's not laughing at Charles; he's laughing at the chaos around him, at how easily Charles used his art to crumble the veneer of respectability (shocking wives with more than a few saucy nudes of their husbands in the process). As he laughs in glee, he immediately jumps to Charles's defense to protect him from the backlash of his rebellion against social mores.
And when Arthur encounters Charles while he's disguised in the infamous dress? Not a second of condemnation or disgust, not one. Just innocent, earnest confusion -- "why are you dressed like that?" -- and once he understands what's going on, Arthur never mentions it again. He rushes Charles a little when Charles stops to flirt with some sailors, but he doesn't do so because he's scandalized; he wants to get Charles to safety and would rather avoid a fight. When Charles cheekily seduces a disrespectful man who attempts to solicit him for sex, sending the guy stumbling away in surprise, Arthur laughs again. And again: not at Charles, no, but at how easily Charles scandalizes and shocks and undermines just by being his outrageous self. He has fun with Charles, not at Charles's expense; they laugh together at how easy it is to crack the oppressively straitlaced "civilized" world that cannot face its own debauchery, deviance, and desire, and how that world flounders instantly without its security blanket of sameness.
Arthur depicts Charles relatively favorably in his journal. Charles gets multiple sketches and I think the one of his dress is quite flattering in pose and effort. Arthur also muses hopefully that maybe he'll run into him again in the South Pacific.
And personally? I think Arthur is an incredibly good sport about being the recipient of an extremely dramatic and extremely public gay kiss. He's flustered, sure, but it's clear from his quick recovery it's not because he's been emasculated or because he's repulsed; it's because Charles crossed a personal line. Perhaps a line that has something to do with the fact Arthur literally doesn't kiss anybody else in the entire fucking 200-hour game (!) and quite probably for many years before it, too.
I wish r* had done a better job of framing these quests so that we too were asked to laugh with Charles and Arthur and not at Charles. As it is, I feel as if I'm watching these two characters share a moment of impish and warmhearted joy, a celebration of hell-raising and sexual freedom antics at the expense of puritans... and meanwhile, the cutscene staging is asking me to laugh at a bad makeup job and hairy French man boobs. Alas, the cinematic team was just not in on the real joke.
But Arthur was. And for a character whose physical design is in many ways rugged masculinity on horse steroids & cocaine, I think that's pretty damn grand.
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fairestar · 7 months
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hello 👼🏻🤍
i want to use void state to manifest my dream life. when i try, i feel the floating, but i can’t concentrate bcs i hear the sounds ( i think i’m focused on this symptom ) and i postpone it with sayings like “i am very close, i’ll go ahead without forcing myself and try it later”
what can you suggest me to do? my process is going well and i know i’ll be successful, but i need a advice
thank u 🎀
hi! first of all, let me congratulate you, you're doing really good!
if you've ever done edward art's “the creator” meditation, you've heard him say “you don't need your body for this”. and you truly don't. don't think of your symptoms when trying for the void because your body has nothing to do with it and will just confuse and distract you. let it go. you are trying to experience your purest form and that doesn't include having a body, just your consciousness.
also, it's good that you're being gentle to yourself, but don't procrastinate! you are so close, why would you postpone and wait for your dream life? go ahead and get it!!!!
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thelastinkdroplets · 4 months
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THE LAST INK DROPLETS
TLID as an AU starts during the BATDR ending. The Ink Demon takes control of the Beast form mid-way, and crushes The End Reel; stopping the cycle from being a cycle completely. This action created chaos, sending the cycle into mayhem. Areas were completely switched around, evolved forms of entities were propelled back in time; including The Last Ink Demon himself. Audrey was de-fused, and grouped together with Henry and Buddy Boris. Their goal now is to kill the Ink Demon once and for all, ending the cycle world completely and setting everyone within free.
However, with all this switching around, some cycle inhabitants gained abilities they did not before. Wilson for example, now holds the same technology he and his keepers used against The Ink Demon on himself to be able to switch in and out of Shipahoy. Cyclebreakers were broken free from their prison and roam freely once again; including Susie Campbell and Sammy Lawrence. This chaos inducing blow caused by the reel also started creating clones of not just Boris, but everybody. Even some perfect toons were starting to come out of the Machine thanks to this. There are even clones of the Ink Demon, except of weaker and way smaller forms. But as time went by, the Ink Machine started to fault, starting to create things like mixtures of characters and imperfect clones. Its very easy to distinguish clones from the real deal.
The key to ending the cycle once and for all is the real Bendy. The Ink Demon and he are separate, and the only way to truly kill the Ink Demon is to make sure there is no more ink for him to regenerate from. Bendy is the key as since he is the purest form, he can soak up all the ink around the studio and help destroy the machine with the Ink Demon inside. -------------------------------------------------------------------------------------------- This AU will be a fanfic on Wattpad! This blog will contain promo art and the like for this AU. We also have a Roblox game that is loosely based off of this AU and it's lore. Play it here: https://www.roblox.com/games/11586241424/TECH-DEMO-The-Last-Ink-Droplets-BENDY-RP Stay tuned, toons! Character Index: https://www.tumblr.com/thelastinkdroplets/742756622803320832/tlid-character-index-updated?source=share
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spock-smokes-weed · 1 year
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LOTR books: a slow melancholy tale that takes you through the lives of these people step by step. You feel their love, their pain, all of it conveyed through these pages. It’s a long journey, but it’s a transformative one. 
LOTR movies: speed running the story, but in the most epic way possible. Captures the deep love of the books, but also cool fights and that dude from spy kids. Truly stunning pieces of art work.
LOTR musical: every emotion you’ve ever felt about LOTR, condensed into its purest form and shot directly into your veins 
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laninasinamor · 1 year
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NASHURI TWINS PT. 2
The Girl
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(original 🎨 by my friend @commanderbunny, specifically made for me on my bday 💕 love you boo) (YOU CAN SHARE BUT DO NOT REPOST WITHOUT CREDIT!)
Born on the fifteenth day, otherwise known as the day of the Eagle (Men)…
Birth Name(s):
🌎 Men Iik (meaning “spirit of the wind”, her true name)
🌍Princess Nyanga, Daughter of Shuri (given name by the Golden tribe of the sovereign nation of Wakanda)
🌙 Ix Ahuil (“Moon Goddess”), Daughter of K’uk’ulkan (royal name as addressed by the Kingdom of Talokan)
Aliases/Nicknames :
“Daughter of land and sea”
usisi (“sister” in Xhosa)
Íits'in (“little sister” in Yucatec Maya)
In lool (“my flower” in Yucatec Maya)
In ujo' (“my moon” in Yucatec Maya)
intombazana yakho (“my daughter” in Xhosa)
“Warrior princess”
“Bringer of Death”
“Youngest Black Panther”
Ek b’alam also known as “The Black Jaguar” - It comes to no surprise the princess goes against her father’s wishes, especially when it comes to Wakanda. With her twin brother and cousin Toussaint as her accomplices, they would travel to and from Wakanda, where they learned so much about the other half of themselves, of who their mother truly was. This meant everything to the princess whose anger and stubbornness rose each day in her mother’s absence. She was the youngest to receive the title of Black Panther at 15. Although it was not for purest of intentions, rather a way of getting Shuri to come back… and stay. Her mother’s grief and anger robbed them of time. In the future to come, the princess would renounce the title of Black Panther only to take on a new mantle, The Black Jaguar — protector of Talokan & Wakanda respectively.
Chac Chel (“Red Rainbow” or “Great Rainbow”) - Attuma gave the princess this title when he saw her merciless nature on the training fields as a young girl. Born a non-mutant, she had an affinity for proving people wrong and showing her natural abilities in the art of war and strategy. She showed strength, courage and honor. Others thought her dangerous for her constant disregard for the rules, not to mention she had trouble thinking things through. The princess drew arms with Namora and Attuma by the time she was 13.
Abilities:
Weapons master
Gifted martial artist
Expert hand-to-hand combatant
Genius-Level Intellect (i.e. made improvements on water suits for non-mutants, masks on Talokanil, etc.)
after consuming Heart-shaped herb…
Gained ability to breathe underwater
Superhuman strength, speed, durability, healing
Shape shifting - Much like Steven Grant as Moon Knight, the princess formed a special connection with an Ennead (most thought it limited to only the 9 Egyptian gods). Ixchel takes possession of her body when in absolute catastrophic circumstances. It maximizes all her jaguar powers. She does not know if it can be controlled and does not remember when she wakes.
Description:
Born under the moon near the Golden City
Non-mutant, but carries physical features resembling that of her father
She loves and fights fiercely
Known for her recklessness
For the Talokanil, the jaguar was representative of power, ferocity, and valor; it was the embodiment of aggressiveness. It represented the power to face one’s fears, to confront one’s enemies.  They are also associated with vision, the ability to see during the night and to look into the dark parts of the human heart. 
The princess remains very hurt by her mother’s comings and goings. Their father K’uk’ulkan promised Shuri he would do everything possible to take care of their children as best he could before she left the first time. This only meant raising them where he knew he could keep them safest, Talokan.
But the girl grew restless, she could not breathe in water like the modern Talokanil. She would sneak away to where she felt most at home, Wakanda. However their father did not frequent nor visited much after Shuri left so he forbade them of going without him. But it never stopped the princess. Sneaking out with Toussaint and taking her twin brother along, formed an unshakable bond between them all.
Her updated Black Jaguar suit does share similarities to Black Panther. However her helmet outlines, details, claws and teeth are embedded with jade, giving the suit a green glow instead of purple.
She loves her brother deeply. The twin heroes they’d call themselves after the Mayan myth. He is her confidant. She couldn’t live with herself if anything happened to him.
Traits:
Strong, confrontational, assertive, independent, protective, stubborn, loyal, passionate, charismatic, practical, sometimes pushed people too far
(Thanks to my Nashuri fam! Love you guys <3 feel free to tell me what yall think 💭)
Click here to read the short story on ao3
Part 1
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Worst Video Game Song Tournament - Round 2 Match 5
Know What I Mean? - Mario Party 2
youtube
VERSUS
The Yoshi Clan - Yoshi's New Island
youtube
FIGHT!
I would recommend listening to as much as you can of each song before voting, but how you choose is up to you! Remember to be civil in the tags and replies!
Propaganda under cut:
Know What I Mean?:
"#i'm going with the mario party #it's SO off-tune and off-beat constantly #which i think is intentional but #i hate it"
(in reference to its previous match) "#this literally isn't even a fight. coughing baby vs nuclear bomb level matchup. what the fuck was that mario song. who thought that was a #good idea. i want to have words with them."
"#kwim is overstimulation in its purest form #it's the musical equivalent of getting nonstop discord notifications while looking for something i dropped while someone is talking to me"
"#know what i mean absolutely ROCKS. horrible. rocks so hard. they did the same thing that yoshi clan did. im guffawing"
The Yoshi Clan:
"the ass band will play a song of farts to celebrate your failure"
"#FUCK YOU YOSHI"
"#yoshi sounds like suck"
"#YOOOOOOOOSHI CLAAAAN!!!!!!!! #ok im gonna complete my santa review before getting to my ten page essay on why i love yoshi clan. yea that shit bad #i accidentally started it playing in two tabs at different points of the video which was honestly really fun. i recommend tryin that esp wi #bad songs really adds smthn to the exprience. it was awesoeme #it also just sounds the exact type of awful that that video image implies which is cool. its so perfect. it sounds ass #but. what it can not beat. is my favorite of all time. my darling love. it is time to begin my sermon #ok so yoshi clan is just so beautifully terrible. and truly the whole soundtrack is an orchestra of bad design. and its so fun to look at #that really nice professional looking art for the game and get BLASTED with kazoo #and like. i understand the thought process. kazoo does seem silly goofy yoshi. and it also sounds like a chorus of pain #now this song specifically has some really great awkward pauses. at 0:16 theres like a full 3 seconds of silence. which is SO cool #then the hot cross bun bit that ends at 0:27 gets so sad and deflated at the end of it. like it starts off in time but then clearly the #soloist got kinda embarrassed alone and so rushed and got really quiet. and its just so sad and lonely. its so cool #also some of these pauses have a couple lone far away kazoo squeaks for no reason before the 'melody' comes back in? awesome #but what i really really love about this. what really draws my eye. is the ending. because we go through this entire rigamarole with the #worst secondhand embarrassment of my life. then. 0:43. the kazoos move out. and in. the most genuinely awesome groovy drum beat in the worl #like its SO good. and those last few seconds are like you're in a different world. like you just survived horrors and you are brought to an #angelic chorus. and it lasts what 5 seconds? 5 seconds of beauty after a full 40 seconds of purgatory. in what world do horrors live foreve #while an angel can last for only a flash #its cruelty. its injustice. its completely ingenious. incredible music making. i am in such awe. #anyways thats my manifesto. please feel free to put any of this in the propaganda section op. im passioante"
Feel free to add more propaganda in the tags and replies, or send it to me in the ask box and I'll try to share it as soon as I can!
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Photo
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A photograph fulfils my deep need to stop things disappearing. In photography I have tried to create order out of chaos, to find stability in flux and beauty in the most unlikely places.
- Dorothy Bohm
Dorothy Bohm was one of the last doyennes of post-war British photography; in a career spanning eight decades, she befriended photographers from Bill Brandt to Martin Parr, helped to develop the Photographers’ Gallery in London and created a large body of humanistic work characterised by a peripatetic lifestyle and an empathetic eye for women and children at work and play.
Her photographs - often full of joy and serenity - belied a life scarred by tragedy. As a Jewish teenager, born in Königsberg, in East Prussia, during the 1930s, she had grown up in the shadow of the Nazi threat. Eventually, for safety, she was sent to join her brother in Britain. However her family were separated by the war. She did not see her parents or younger sister again for two decades: they were taken by the Soviets and her father incarcerated in a harsh labour camp in Siberia.
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At the end of the war, Dorothy opened a portrait studio in Manchester. But she soon outgrew the sterility of such photographs. By the late 1950s she rejected studio portraiture for so-called ‘street photography.’ With her husband Louis Bohm (a fellow émigré from Nazi Europe, whom she met when they were both students in Manchester) she travelled widely, and her work of this period provides fascinating insights into the changing face of post-war Europe, as well as the USA, the USSR and Israel.
It was here she found her true place in the art of photography. Her photographs captured everyday interludes often of the working classes: women at fruit and flower stalls in Switzerland and Belgium, resting shoppers in Cordoba, street market browsers on Petticoat Lane Market in London and concierges on a break in the Marais. The men in her pictures were largely benign figures: racing punters at Goodwood, poor struggling painters in Montmartre in the 1950s.
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She is known for her black and white photography but she only truly turned to colour polaroid photos in the 1980s. But what remained central was the human figure in its natural setting is still the primary focus of her work and she continues to use photography in its purest, un-manipulated form, her approach had become more painterly and allusive, with an ever greater interest in spatial and other forms of ambiguity.
She had her first solo show in 1969 at the ICA, where her exhibition, “People at Peace”, was juxtaposed with “The Destruction Business”, a selection of Don McCullin’s war photography. Her first photobook, A World Observed, was published the following year.
Her photographic output decreased during the 1970s as she helped to build the reputation of the Photographers’ Gallery, which opened in 1971 in a former Lyons Tea Room in Covent Garden. As an associate director for 15 years, she worked on exhibitions of veteran snappers and emerging talents such as Sarah Moon and Colin Jones. She photographed well into her 90s, often around her neighbourhood in Hampstead, continuing to capture quiet, dignified moments. A photograph, she said, “makes transience less painful”.
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In her later years, Dorothy Bohm reflected that England had been her salvation. “It’s the best country, I can tell you that, and I’ve lived in a number of them,” she noted, “Why? Because of the people.” Photography for her, as she would confess in countless interviews, was essentially a coping mechanism for loss, “I am temperamentally suited to being a photographer. You can only make a picture of something that exists, right? And for me that was quite important. I wanted to capture time. My background completely disappeared.”
RIP Dorothy Bohm (1924-2023)
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ragingdumpsterfire · 1 year
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Deidara NSFW Alphabet
Deidara x fem!reader || minors dni || 18+ ⚠️
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This is my first time doing one of these alphabets, and lemme tell you, I struggled with it! Anyway, I fell in love with this adorable bastard, and couldn’t resist writing one for him.
A = Aftercare (what they’re like after sex)
Post-orgasm Deidara is extremely relaxed, drowsily murmuring about art ideas, and ends up falling asleep curled up with his head nuzzling the crook of your neck, or against your breasts. He always drapes an arm around your waist, and tangles his foot in your legs, as if he’s afraid to lose you in his sleep. He always sleeps deeply afterwards, a slight snore coming from him as his toned chest rises and falls rhythmically, and you enjoy the blissful, quiet moment taking in his soft features beneath his long hair as you drift into your own deep sleep.
B = Body part (their favorite body part of theirs and also their partner’s)
Deidara is particularly fond of his long, blonde hair. He loves the way you absentmindedly play with it when the two of you spend time together, and the way you pull on it as he’s going down on you.
As far as your body, he goes crazy for the small of your back and your hipbones, the spaces on your skin that peek out over the top of your pants. He loves when you lay on your stomach and lean on your elbows while studying a book, because it gives him the chance to lean over you, his long hair cascading over your curves, as his fingers gently grip your waist and his lips plant soft, tempestuous kisses along your back. Nothing gets him more excited than when you finally give in to your instincts and curve your back against him. He knows he’s got you riled up, and you laugh quietly as you feel his lips grin against your back.
C = Cum (anything to do with cum, basically)
There’s nothing Deidara loves more than to pull out of you at the last second and finish on your back, stomach, face, pretty much anywhere as long as it’s on you. He says it’s the purest form of art, the expression of the passion ignited between the two of you, his artistic expression of devotion to you. Additionally, Deidara loves making you come on his fingers and tongue. He loves gazing up at you as he plunges his tongue deep within you, fingers expertly stroking your needy clit, feeling your tight walls clench around him, your sweet release flowing and flooding his senses.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Deidara really, really loves showing you off. He thought you were the finest form of art, and he took more than a little satisfaction showing you off. He wanted the jealous stares of both men and woman as they can’t keep their eyes off of you. He’d never tell you this, because he didn’t want you to think he viewed you as an object, but he really enjoyed the stroke to his ego knowing he had someone as beautiful as you at his side.
E = Experience (how experienced are they? do they know what they’re doing?)
What Deidara lacked in experience when you two first met, he more than made up for in confidence and natural charisma. Due to his artistic eye, he focuses on what makes drives you wild, and with the finesse of his skilled fingers (and much to your particular delight, the mouths in his hands), he soon had you coming undone time and time again.
F = Favorite position (this goes without saying) Deidara loves any pose that lets him have control, whether it’s doggy style with his fingers wrapped in your hair or around your neck, or with you riding him as he grips your hips and controls your pace, watching your expressions as he pounds into you. He loves the feeling from being the dominant one in the relationship.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Aside from a few poorly timed comments about explosions, Deidara mostly takes his experiences with you seriously. He truly admires you and thinks of you as a true artist, and takes pride knowing you chose him as a partner.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
The rest of Deidara’s body is a stark contrast to his long, gorgeous blonde hair. He keeps his body smooth.
I = Intimacy (how are they during the moment? the romantic aspect)
As with his art, Deidara is completely consumed with the moments he spends with you. The two of you speak a similar language, and to him, experiencing you is akin to a religious experience. With that being said, he doesn’t hesitate to play rough.
J = Jack off (masturbation headcanon)
When the two of you are separated, Deidara pulls out the letters you wrote him detailing all the ways you touch yourself while he’s not with you. You went into flourished detail, and it read like poetry. It was one of the reasons why he respected you, and originally fell for you. You were a true artist, and the way you formed your words caught his eye. And now, as his hand slicks rapidly over his throbbing member, he thinks of the scenario you painted so painfully clearly, of you with your slender fingers on your body, your eyebrows knit as you focus, the beautiful face you make as you feel waves of pure ecstasy, the way you cry out for him even in his absence, and moans your name as he spills over his hand.
K = Kink (one or more of their kinks)
Deidara has a bit of an exhibitionist side to him, as everything he does is a form of art, and therefore must be acknowledged by an audience. Deidara will happily take you aside for a quick fuck in any public place, and the louder you are, the harder and rougher he gets. More than once, various members of the Akatsuki had the unfortunate honor of walking in on you and Deidara, and now they were painfully familiar with the sounds you make when Deidara finishes in you.
You’ve also found out by accident that Deidara goes completely feral when you bite and kiss him hard enough to leave marks on his skin. He loves showing the marks off, considering himself your masterpiece.
L = Location (favorite places to do the do)
One of the best spots, according to Deidara, is sex on the back of his large clay bird, underneath the stars and the moon as the nighttime air glides over the two of you. You had to admit that it was on the more romantic side for him, and it was quite an exhilarating experience.
M = Motivation (what turns them on, gets them going)
Honestly just seeing you gets Deidara’s blood flowing south. You are his muse, his passion, his reason for breathing. Everything you do turns him on.
N = No (something they wouldn’t do, turn offs)
You’d never seen Deidara so pissed as when you teased him with the idea of shit play. Not that you had been serious, you had no interest in it either, but Deidara was fuming. No, he had shouted, not at you, but more at the idea. “It’s, it’s—uncouth! It’s unrefined!! IT. IS NOT. ART!!
O = Oral (preference in giving or receiving, skill, etc.)
Deidara is particularly turned on by recovering oral, especially when he wraps his fingers in your hair, hand firmly on the back of your head, and thrusts roughly into your throat. He loves the way you take him so well, tears welling in your eyes, and his fingers resting on your throat so he can feel how deep you can take him. It drives him wild when you gag on his cock, and he doesn’t last long with his frantic thrusting before he spills his hot seed down your throat.
P = Pace (are they fast and rough? slow and sensual? etc.)
You and Deidara were prone to explosive, rough sessions of loud hard fucking, but you two were also known to have deep, passionate nights of lovemaking in which the two of you moved with intention in every motion. Every breath that pooled over the other’s skin, every brush of lips against panting breasts, every sigh and cry of ecstasy, it was all a deep, emotional experience. Deidara compared it to seeing a life changing piece of art.
Q = Quickie (their opinions on quickies, how often, etc.)
Nothing Deidara does is half hearted, and fucking you is no exception. He likes to take his time with you, make sure he has you unraveled and trembling by the time he’s done with you. With that being said, Deidara won’t hesitate to spontaneously take you while out, because it comes with the added thrill of risking getting caught.
R = Risk (are they game to experiment? do they take risks? etc.)
Deidara is more than willing to experiment. Location, positions, you name it. If it’ll get the both of you off, he’s up for trying anything new.
S = Stamina (how many rounds can they go for? how long do they last?)
Deidara’s style is to focus on the quality vs quantity, and really take his time with you. By the time you’re both exhausted and drained, he’s had you come undone multiple times, and he finishes with, you called it, a big explosion.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
The two of you came to the conclusion that toys were unnecessary in this relationship, unless you count Deidara’s detonating clay, at very, very small amounts?
U = Unfair (how much they like to tease)
Deidara has a slightly sadistic side to him, and sometimes he applies that to the bedroom. The two of you have played with edging, and he does it so well with that taunting, sexy voice of his.
V = Volume (how loud they are, what sounds they make, etc.)
True to his form in battle, Deidara is very vocal during sex. He expresses himself well, moaning your name, and the way he groans when you first start to tease him is truly heavenly.
W = Wild card (a random headcanon for the character)
Deidara’s always been interested in a threesome with you and another man. He wants to see you come undone with someone else, wants to take you from behind as the other man shoves his cock down your needy mouth.
X = X-ray (let’s see what’s going on under those clothes)
Underneath Deidara’s Akatsuki robes is a strong and lithe body, flawless from scars due to his tactics as a long range ninja and prowess with explosives. He cares for his body as a temple, as he appreciates the more refined aspects of life. You’ve never been able to pry your eyes away from him form any time he removes articles of clothing, drinking him in as you gaze over his body, the teasing way the v shape on his abdomen leads your eye lower, the way his cock hangs as he doesn’t notice the way the lust shines in your eyes. He’s not large, pretty average as far as you knew, but he knows how to damn well use it to make you come undone over and over.
Y = Yearning (how high is their sex drive?)
To your delight, and sometimes irritation, Deidara has a very high sex drive. He finds not only your body addictive, but your intellect a turn on too. Anytime you two are in the same room, his hands will be all over you, his lips brushing over the sensitive spots on your neck as he tells you all the things he wants to do to you.
Z = Zzz (how quickly they fall asleep afterwards)
Deidara is always falling asleep on you after sex, but it’s really quite adorable. The way the seriousness fades away, and he’s so completely happy that he drifts off while nuzzling you.
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sebbyisland · 1 year
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not to sound insane but I think Mizi will switch roles of their "lowest" point with Ivan in the semifinals in that she can find the fuel to keep going/rebel against the system through her love, but her love will never join her, while Ivan will be forced to watch Till die despite neither trying to win or lose.
Till dying "in front of" Ivan rather than "because of" Ivan, similar to Round 1, would be an interesting arc for both of the characters. 1)It would parallel the moment where Till runs back to life in Anakt Garden when Ivan offered him a chance at freedom. Once again, Ivan would be unable to save him. Once again, Till would suffer despite only having the purest intentions. 2) From what we've seen, Ivan is neither the vengeful nor sacrificial type, so trying to beat Till or lose on purpose seems unlikely. Ivan clings very tightly to self-control, which is why Till is so appealing to him and also could be read as a coping mechanism following his childhood trauma, in which he had no control of his fate. Many people are interpreting Ivan’s cold stare at the end of ep3 and ep2 as a form of resentment, but I think it’s more like a bitter surrender to his reality. Ivan does not care to escape Alien Stage without Till. At the same time, he values putting up a bravado of control and elegance even while fighting to survive. Trying to harmonize with Till allows him to neither appear submissive nor disregard his own feelings during the semi-final round. By singing WITH Till, not against or over Till, he can feel the most alive. Furthermore, wouldn't his love be that much more profound if he spent his last moments with Till during the one time he can monopolize all of his attention on him, instead of Mizi? Till is not in LOVE with Ivan but he does still care about him more than Background Character from Round 2, and at the very least knows that Ivan is a capable singer. They acknowledge each other in their own way, which was further teased by this promo art by Vivinos. It's not that far off to think they might have a genuine rivalry or friendship going on that might play into how their round goes.
My final thoughts on why I think Till will Lose and Ivan will go against Mizi in the FINAL round is thematic reasons. If we assume Mizi will last until the final round since she's kinda the "main" character, then we need to think about what would be the most intense and meaningful matchup for her at that point in the story. Unless something happens that totally messes up the competition, Luka and Hyuna can only show up within the same bracket as Mizi. THis means Mizi will have to face off either Till or Ivan in the final round.
Mizi vs Till: While Alien Stage focuses more on drama than the competition itself (right now), it's very likely that by the time the story is in it's final stages, the scope of the competition will be beyond just Alien Stage but more about the ongoing Alien-Human hierarchy. A Mizi vs Till fight would just be about the their love triangle drama, and there wouldn't be enough room for an overarching plot. Also, while Till would be devastated if Mizi died, the stakes would be much lower for Mizi. It wouldn't truly be a finale for their character arcs.
Mizi vs Ivan: This. THIS. Is the drama I'm looking for. Mizi and Ivan have their own philosophy on navigating a world where their love, their universe, is gone, and this battle would be their confrontation. Mizi speaks from the heart, Ivan hides his emotions and relies on self control. However, they are also both deeply hurt by Alien Stage, so I can see them potentially working together to destroy it. Ivan would want to do so in honor of Till's death. Mizi would want to do so in honor of Sua's death, but only after interactions with Luka and/or Hyuna help her break out of her shock to find a purpose for herself.
Alternatively, after Till's death Ivan could be resentful/hateful of Mizi, and this would prevent them from working together. However, their fight would still be full of so much passion and I would to see maybe Mizi and Ivan show a bit of their true feelings to each other in such a high-stakes situation. It just feels like there’s more potential for a Mizi vs Ivan scenario than Mizi vs Till.
Now, I could be proven so totally wrong by next episode but like. i feel very strongly about this. #wlw/mlm solidarity for the win LOL
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lovelacefc7723 · 2 years
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She doesn't know that she was the anchor in the storm.
Her impact knows no boundaries, her example is fundamental, her leadership is silent but unforgettable. Tobin Heath is pure passion, she believes deeply in everything she does and in this way she makes you believe too, her spirit becomes contagious and it's overwhelming.
The way Tobin Heath sees and plays football is absolute art in its purest form and that art becomes a safe place.
Happy Birthday, Tobin, you'll never truly see the magnitude of your legacy.
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auranova26 · 4 months
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Fundamentals of Magi Artes and Magic
In Cryas Chronicles (and to an extent Cryas Darkstalkers), magic has been a phenomenon that has prevailed for many eons in countless civilizations across the realms of the universe. Many cultures have described, observed, documented, and spread their own understanding of this peculiar ability that many lifeforms have been able to perform. In the purest understanding, magic is the ability for one to manipulate many forms of energy and the forces in the universe to heed their commands. Some cultures saw this as this work of supernatural forces beyond their understanding while others came to see these abilities with a rational, open mind worth time to study and truly understand. As the eons marched on and people discovered different forms of magic, 'disciplines' or 'elementals' of these artes were understood. While they go by different names, for the sake of you dear reader, here they are in a way you can understand: Fire, Ice, Water, Terra, Lightning, Wind, Dark, Light, Ethereal, Aura, and Astral.
One might be curious as to what these disciplines are. Fortunately, what they are and how they work will be presented
Fire and Ice share the same form of energy that is used to cast these artes: Heat energy. Where the difference lies is how the heat is manipulated. Performing fire artes has the user concentrate heat in whatever manner is desired. Ice meanwhile has the caster move heat away rapidly from an area at a need volume for the desired effect. Many forms of fire artes do take on the look of flames in various shapes and size, but the key feature is being able to concentrate that heat properly. Commonly, ice artes involve freezing particles of vapor and air to create ice crystal of various shapes and size for the need effect, though sometimes just the lack of heat to a certain degree can be more than enough. To a degree, both disciplines are intertwined enough to where some manipulators of heat will learn artes from both elementals.
Water and Terra both use the force of gravity in order for the needed artes to be performed. At its basics, these artes require the user to both understand how to manipulate gravity and then the property of the desired substance to then move for the wanted effect. The better their understanding of gravity manipulation, the larger quantity and speed at which the substance can be moved. Due to water and the land being the most common around for users to use, that is how these elementals got their names despite using the same force. However, there is a big difference between moving liquid particles and solids around. Practicing this is key to use either water or terra elemental.
Lightning is an elemental that involves the manipulation of electrical energy. Via this discipline, casters can either cause bolts of the largest and fiercest lightning to the smallest sparks of electricity, or even manipulate magnetic fields for whatever use is wanted.
Wind elemental is the ability for one to manipulate the force of the surrounding air to create various forms of wind-based phenomenon. Varying the manipulation of air pressure can lead to gentle gusts to even violent twisters under the casters control.
Dark elemental is a peculiar form of magic that involves the manipulation of energy to vibrate. In essence, the creation of sound waves. While sounds are a constant in the lives of those in the universe, the particular soundwaves crafted by dark magi artes tend to involve inducing emotional response from the victim. Sometimes it can be pleasant or sometimes it can instill dread. It is up to the caster to manipulate sound for what they want.
Light magic is the manipulation of electromagnetic radiation in order cast various artes. While light is something we all see and can perceive, manipulators of light can command the various wavelengths of this energy for many applications. From clusters to concentrated rays of energy, the possibilities are endless.
Ethereal and Aura are an interesting pair of elementals as they use exactly the same energy, and both involve using that energy in the same potential ways. However, where the difference lies is how both source their energy, of which is known as spiritual energy. Spiritual energy exists primarily in a 'soul'. A soul is an extremely condensed cluster of energy that has tightly bonded in a bizarre fashion. Due to this occurrence, the energy that combines into these clusters take on special properties. These properties can potentially allow for the phenomenon intelligent life has come to interpret as a 'conscious'. While this energy is forged in by this occurrence, it doesn't have to just exist in a soul. Should something force the bonds that hold a soul together to break, the spiritual energy can scatter. No longer in its cluster, in time the spiritual energy will eventually convert into other forms of energy. It can last longer if it can inhabit other lifeforms, but in time it will lose its properties and breakdown into other forms of energy. While both elementals are capable of making use of this scattered spiritual energy, the primary draw of their abilities is the ability to maneuver through the bonds of a soul and siphon fractions of the immense well of spiritual energy. The key difference is the soul used: Ethereal draws on using the soul's of others while aura draws from the user's own soul for power. The ethereal elemental can use as many souls as needed, but due to each soul bonding in different ways, their wells to draw from need to be understood before they can cast any ethereal artes. Because an aura caster's soul is innately familiar to them, it is significantly easier to draw from this well. However, improper handling of this flow of spiritual energy can potentially be fatal. Either elemental is capable of numerous feats due to the immense amount of energy but can be dangerous is not properly learned.
Astral elemental is regarded as the oldest discipline of magic. The name of the elemental draws inspiration from the thought that all energy from the dawn of time came into existence due to the birth of stars and the cosmos as a whole. Primordial, raw energy that flows everywhere. In time, this energy and the forces of the universe allowed for the realms that would come to be. When astral artes were figured out and understood better, this allowed others to find their way to other forms of manipulating the forces and energies that exist.
Making use of Magi Artes requires one to train themselves to understand the fundamentals of the chosen elemental's discipline of manipulation. Some are only capable of one elemental; others are capable of many forms. Some individuals are natural gifted to use magic, while others require hours upon hours of training to even begin at a basic level, if they are even capable of doing so. As time marched on, people found a desire to regard certain magi artes into what are known as 'tiers'. The idea is to give people a benchmark idea that artes of a higher tier have much better effects or power, but also require better stamina and skill to even use these magi artes. The tiers of Magi Artes as follow:
Tier 1 = Neophyte
Tier 2 = Intermediate
Tier 3 = Master
Tier 4 = Arcane
Tier 5 = Mystic
Tier 6 = Ultima
Magic Artes require knowledge of the arte, stamina, and the knowledge of the needed amount of energy or force required to manipulate. With practice and experience, casters can use artes of any tier more efficiently so long as they understand their limits and the risks with each elemental. Many magi artes do require the user to be still and focus in order to properly manipulate their elemental of choice, which can be risky depending on the urgency of the situation. With that in mind, some casters found a way around this with the use of Arte Reserves. Inducing a Magi Arte into an object, casters can instantly make use of Magi Artes in situations with practically no time wasted on incantations. However, Arte Reserves are limited and thus users must keep in mind how many are still in stock lest they find themselves in a dangerous situation.
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Consider this a revision of this lore blog here:
I'd rather not completely delete this blog for the purpose of looking back on things and... well cause I don't feel like it. 😅
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