I've had a game idea bouncing in my head for a while but i don't have the skills to make it and probably won't for the foreseeable future, so instead I want to make it a collaborative comment-driven roleplaying project.
Content Warnings include, but will not be limited to: fascism, genocide, intense violence, fear-based imagery, (possible?) sexual content, major character death, torture, and strong language.
The story is an adult dark fantasy horror where you play as a mysterious winged rabbit in the nation of Veldant, a country currently in the process of exterminating its rabbit population. Your task will be to survive, take care of your kin, and (by extension, hopefully) stop the genocide against your kind. Along your journey you will encounter horrors and mysteries alike, as well as a bunch of survivors who you can form ties with.
You will run, you will fight, and maybe, just maybe, you will be able to thrive.
So what does everyone think of this? It'll probably still be a little while before I figure out everything, so this may take a short while.
-Stella
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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"What the fuck did you do?"
Eddie wasn't expecting hostility when he answered Jeff's phone call, his best friend's usual calm demeanor replaced with open annoyance. And yeah, okay, the annoyance itself wasn’t new, but Eddie doesn’t think he’s actually done anything recently to earn it.
"Well-"
"Actually, no. I'll tell you what you did. You retweeted photos of Steve Harrington - internationally beloved heartthrob actor Steve Harrington - along with the caption 'not to sound like a subby slut but GOD I would be his puppy baby boy in a heartbeat'. So I guess the better question is, what the fuck were you thinking, Eddie?"
Eddie's jaw clicks shut because- yeah, he had done that. Had seen those photos of Steve smoking circling the internet and spent god knows how long just staring at them, had curbed the desire to shove his hand down his pants by posting a single thirst tweet about it.
“I was thinking, Jeff, that I'm allowed to post whatever I want to my private fucking twitter, man. I mean it's a free country, isn't a guy allowed to make a horny tweet about a sexy man every now and then?”
“You are, when you actually post it to your private account and not our award winning band's main account.”
No. Oh no. There's no way Eddie actually-
He rips his phone away from his face to open twitter, and realizes two things simultaneously. One, Jeff is right, he had posted it to the band's account. Not on his private, locked, personal account, but on the account that's actually open and free for literally anyone on earth to look at.
The second thing he realizes is that their notifications are currently flooded with responses to Eddie's tweet, somehow racking up into the thousands in the few hours it's been since.
Jesus Christ.
“Eddie?”
The metalhead jerks back into the moment and put Jeff on speaker so he can scroll through the horde of replies, says “Fuck, I fucked up. Are we gonna have to do damage control on this?”
In the mess is a reply from Gareth's own personal account: @ corrodededdie stop tweeting from the band account challenge 🙄🙄🙄
”Maybe. There hasn't been any type of response from Harrington or his people, but they might ask us to take it down if it blows up too much.“
Eddie hums, thinking they might be too little, too late about it blowing up too much, and flips over to his main account so he can reply to Gareth's little jab appropriately. He isn't surprised to see that he has a couple of new messages, probably from other people wondering just what the fuck Eddie was thinking, but when he goes to check them-
He's never been happier that he turned on messages from followers only, because then he would have missed this, missed Steve Harrington's little profile picture beaming up at him from the screen of his phone, along with a new message request.
”Jeff, I gotta go,” he says, not even realizing he's cut the other man off.
“Eddie, what-
”Harrington messaged me. I'll call you back.“
Eddie doesn't wait for a response as he hangs up on Jeff, and his hands definitely aren't shaking as he opens the message from Steve. And listen- Eddie is a fan of the guy, that much should be obvious.
Steve had grown in popularity around the same time Corroded Coffin had; he’d gotten some part in a drama film that had skyrocketed him into stardom, and Eddie fell in love the moment he saw that gorgeous face on the silver screen for the first time. He's never had a chance to interact with the guy, has been in the same place a few times but always missed him, like ships passing in the night, but Eddie's been fine with pining from afar, just like every other person on the planet that's even remotely attracted to men.
Besides, even with how popular Corroded Coffin has gotten over the years - a couple of Grammy’s here, a dozen chart topping metal songs there - Eddie doesn’t expect Steve to just. Know who Eddie is.
With all of this in mind, Eddie is expecting some kind of semi-casual request to take the tweet down, that it's not a good look for his image-
Anything other than what Steve actually sent.
'If you're puppy baby boy, does that make me Master? Or Daddy?'
And Eddie-
Eddie slides down, sinks into his couch cushion as all of the blood in his body suddenly shifts, rushing to fill his dick like it's a fucking race. The phone almost slips out of his hand and he fumbles it briefly before taking a deep breath.
Is Steve serious? He wouldn't send that if he wasn't serious, right?
This could be it, could be Eddie's one chance to impress Steve, to get his foot in the door of Steve's interest. He bites his lip and types out a reply, something quick that he sends before he can change his mind.
‘I’m open to either, actually. Do you have a preference, sir?’
He doesn’t expect the typing indicator to come up immediately, and just knowing that Steve is somewhere right now, typing out a response to Eddie, is enough to have him nearly vibrating in his seat.
‘I’m partial to Daddy, myself.’
Fuck fuck fuck.
Eddie takes a breath, tries to think of a response that isn’t just ‘Please, Daddy, can I sit on your massive dick that I haven’t been able to stop thinking about since that one indie film you did that just had all of your junk out in the open?’
Steve saves him by sending another message.
‘But maybe we could start with Steve, and possibly dinner? Though I’d be happy to see where things go after that.’
He- What-
Eddie must have stopped breathing, because the next time he takes a breath his lungs burn, his mid races because there’s no way Eddie’s long term celebrity crush just asked him on a date. He sits there long enough that the screen goes dark and he scrambles to turn it back on, sees the message still there, real and unchanged.
There’s no way he can say no to this, to Steve, and his hands shake as he types out a response.
‘Dinner would be great. Just name the time and place, Daddy.’
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Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.
Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.
So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.
This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".
The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.
Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.
It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒
And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T
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