#so I'll make all the characters trans in some way

[feralwetcat]

I haven't been very sappy on main so *throws sad shit at you* (aka me thanking the fable community and cast again, cuz goddammit you guys are so neat and cool)

Fable smp was, and is probably one of my favorite things I've discovered, i clicked on one of heyhays vods one day on a whim and gods im so glad i did, the way Fable has shaped me as a person and helped me improve is honestly crazy, its how i got into doing art, how i improved, how i met most of my friends, its genuinely been an amazing journey.

For me as a person, my home has always been an odd environment, without getting into too much detail my family has lots of trauma circling around, my brother and dad especially, so the way Fable comforted me through bad days, or when my dad would burst out at me or my mum, its genuinely such a crazy thing that these little block guys have helped me through so fucking much, the way they've helped me discover who i am, to feel represented through so many characters, heck even just hyperfixating with others, its amazing

Its helped me become more confident in my own skin, able to accept my body and how fucked up it is, from the rep with disabilities to identities, seeing something like "hey i have that!" Or "i experience that!", even the small pieces, its so fuckin awesome to see such cool people that are honestly like me

To all the cast: thank you, if not for making Fable, but for representing people, for showing us how much of an outlet being creative can be, and everything in between, all of this is so crazy how cool and detailed it is, truly.

To the fandom: you all are so fuckin cool, the way i get so excited when you guys interact with my stuff, art, silly posts, or just jokes, it's just so cool to interact with y'all, I've made so many friends and i know I'll make more, especially with all the smps y'all promote, keep doin that, i love your stuff guys<3

(now for specifics that have made me feel seen ayo)

To Athena: thank you, genuinely, for making a space that i feel seen in, i feel welcome in, the rep with C!Athenas disability and still having a great time, having a fulfilling life, which I've been told so many times I can't have due to my disabilities, its so amazing, even if its sleepy stardew, lore, or anything in-between, your community and self is so inviting and comforting. Your voice has always been so comforting (like a chill pink mixed with a light coffee brown feel:]), and i genuinely can't thank you enough, if not for representing me, but for becoming a comfort streamer for me

To Ghosty: Caspian as a character was so cool to see, his story was like a good book really, one you could pull up and watch with some tea or hot coco and a blanket, one that was so interesting, I've experienced some of the issues he worked through and it felt so amazing to see, especially a trans character whos entire personality wasn't that he was trans, or a character who struggled with grief but was still happy and able to be *alright* sometimes, thank you.

To Sherb: the way you did lore, and continue to do lore, always excited me, got me feeling genuine emotions, which I've always struggled with, it made me get into storytelling, something I've always enjoyed, it made me get into telling my own stories, its been so enjoyable, and will continue to be ! Icarus as a character made me feel seen in the way that you can care for someone, trust them fully, but they can still be a good person, but the way they treat you makes you believe they're a good person, and thats really important to me. Thank you Sherbert

To Connor: gods your writing is so cool, your fics motivated me to start writing again, and Ulysses as a character as well is such an interesting character, his writing is so neat and his story again made me feel so seen in many ways, and your writing is so good

Finally, To Beck: Arisanna was and continues to be a character i resonate with, always working for someone, never for yourself, feeling alone at times even with many people, having to or feeling like you have to provide for your friends and family, i grew up feeling like i had to protect my older brother, make sure he was alright, and Ari made me feel seen in that way, thanks for that, really

Thank you everyone, for supporting me, through my art, pickup lines, or just dumb jokes

Signed, FeralWetCat (Kai)

#im so late into this lol i just wanna do a longer post on this #cuz like fable made me feel so seen:( #fable smp #fablesmp #fablesmpblr #fsmp #fsmpblr #fable smp finale #being sappy on main #<3 #took a lot of courage to post this lmao #been marinatin in my drafts lmao

[autisticrosewilson]

Todd Family Tree pt. 1

I know you guys have been waiting with baited breath for this (Read: no one but me and a handful of select mutuals care), but fret not because it's finally here.

Let's start with the side of Jason's family we know the most about, Willis's. A lot of things I'll have to say about Willis himself will be things I've said before with maybe some new additions, but a lot of the focus will be on his relationships with his family anyway so hopefully it won't get too repetitive.

Someone on my last Todd Family post commented that the Ma Gunn aspect may have been retconned, however I already integrated it into my personal canon so let's just keep going shall we?

Also shout-out to @perseus-jackass who let me ramble to them about all of this and helped me iron out some of the finer details!

The Todd/Gunn Family; Canon:

- Willis reportedly named Jason after his father, Jason Todd Sr.

- Faye Gunn II is the niece of Willis which implies Willis has at least one sibling that is never mentioned, although Faye was either raised by or very close to Ma

- Faye was named after Ma implying that whichever sibling she was raised by was close to Ma

- Assuming Gunn is her maiden name, or perhaps an alias, she didn't keep her husband's last name and Jason Sr. Is never mentioned, which could mean that they split or that he's dead

- Obviously from a meta textual stand point the reason Ma Gunn was never mentioned as Jason's grandmother is because it was a later retcon, but in universe this and Willis's choice to keep his father's last name implies he wasn't fond of his mother/was closer to his father

Sub note: The candidates for Jason's mother included Lady Shiva (I'll get into my thoughts on her in Part 3) and an Israeli woman. Edit: @ammomancer informed me that Jason was Spanish (Basque specifically) in the Bombshells continuity as well!

- Ma was implied to be from Australia, and likely taught there for a time.

- Ma implied that she had sons, and possibly that they're dead. (I have obviously disregarded this, but I'm not against the interpretation that one or both of the girls are trans.)

So my version of Jason is black/Asian/Latino! I think he's Japanese/Indian from his mom and black/Latino from Willis so keep that in mind.

Fleshing Them Out; My Expansion:

I'll start with Ma Gunn, since we see the most of her in the comics and she has the most groundwork laid for her already. Mostly I'd like to make her a little more complex.

She's proven to be a ruthlessly pragmatic character, but I don't see her being someone who does what she does for fun. She's someone who values control, someone who doesn't take perceived slights lightly. I imagine growing up a woman on Gotham's streets with so many relations to organized crime builds grit, spawns bitterness and hate. She seems like the type to value tradition - in the Gotham crime family way- this is how she was raised and the way she raised her own children. There is no changing the world they live in, only surviving it. I think she really wanted to teach her kids, both the ones she birthed and the ones she fosters, how to survive.

That's not to say she really cares though, I don't think she's close enough to anyone to really care, even if maybe in the early days of motherhood she wanted to be. She's a stone cold bitch and she's proud of it, she made her kids strong and look at the reputation it's given her. Ma Gunn's school for wayward boys isn't just for strays anymore, there are some big names dropping their brats off for training these days. Crime lord daycare. Truly, only in Gotham.

Jason Todd Sr. Is a non-character. We know basically nothing but his name and that his marriage failed, and he's probably very dead. Which may or may not be related to said failed marriage.

Do I think Ma hired a hit on her husband? I wouldn't put it past her. I think she'd get rid of anyone if they were dragging her or the family down.

We can assume he was close to Willis, and I like to think that Mr. Todd was the homemaker because I can't really imagine Ma staying home to tend the kids. It's more likely her version of family bonding was a bank heist. Willis may have very well learned to drive from high speed car chases.

I think it would be very funny if Mr. Todd is from some third or fourth rate crime family that's using a mechanic shop as a front but Mr. Todd was actually really interested in it so he got an engineering degree and had little to nothing to do with the actual crime side of things. Maybe his family married him off to make him someone else's problem and while the Gunn's aren't a notable crime family they have a lot of resources and a lot of contacts, not to mention the small army of feral children.

Ma thought she was getting a seasoned criminal to help fund her illicit activities but instead he's a stay at home dad who has turned their home into a board game because he insists on fixing it all himself (if you use the microwave the doorbell might ring and you need a screw driver to use the shower ect.)

A lot of the experiences I associate Jason having with Willis I imagine Willis had with Mr. Todd, doing homework together, working on cars in the garage, Willis definitely learned how to cook from Mr. Todd because I just don't think Ma can do better than hamburger helper and public school lunch.

For the sibling situation, and I have no real evidence canon has completely left the building with this one, but I think he has sisters. Middle child Willis and also boy who grew up with all sisters Willis is real to me for reasons I couldn't say.

Completely made both of them up, but this is my house I can do what I want.

I'll start with the oldest sister, who I've decided to call Celia. I think she's the closest to her mother, the one who took over after her. Probably a serious, studious kind of person, she grew up with more opportunities than Ma did so she probably had more schooling. I can definitely see Celia as someone who worked her ass off to bring home good grades to make her mom proud and always falling short because Ma didn't really value traditional education.

Her and Willis definitely clashed growing up, Willis never liked Ma but Celia idolized her. Where Ma's crude demeanor and distance drove Willis to acts of rebellion it made Celia even more desperate to please.

Although I'm sure Willis would deny it, I think it's still a sore spot to him that Celia's way kind of worked. Once she got old enough to really learn about the business Celia was great at it, Ma started coming around to the benefits of having someone better with the numbers and paperwork.

I think that even after Willis leaves he genuinely tries to keep in touch with everyone, I don't think he ever stops trying to reach out to Celia. I don't think he agrees with who she became even if he saw it coming, regardless of how much he doesn't like their mother (he'd never say he hates her) Celia is still the girl who put bandaids on his scraped knees and let him crawl into her bed when he had nightmares and he can't bring himself to cut contact with her.

Celia is nicer than Ma, more adept at caring for the kids and because of this she earns their trust more which ultimately makes them more loyal to the Gunn's. This is a purposeful tactic because although she does see the kids as her own she doesn't see anything wrong with manipulating them for her gain. They're family, and family always want to help each other.

Jason was not allowed to visit his auntie, and didn't even know his grandmother was still alive.

I don't think she'd have a husband or boyfriend, a romantic relationship would take too much attention away from her business and if there's one thing she learned from her mother it's that a man would only drag her down or try to control her.

Willis is, to the surprise of no one, is who I have the most to say about but I'll try to keep it brief. For all he gets a bad rep I think he's a family man at heart, I'm positive he always planned on kids even if he wasn't sure about settling down with anyone at first.

Mostly because his mom kept trying to arrange marriages which is how he ended up dating Sheila for a time...which obviously didn't work out. One could say he wasn't keen on a repeat performance after that fell apart.

Man whore I fear, Gotham's fourth most bisexual man. Where's that one post about the goon who causes a distraction for his boss by making out with the bank teller and his wife. That's literally him Willis Todd ghost wrote that post. I'll get more into his various relationships in Part 3.

This man was born to tell dad jokes and wear funky ties but he's forced to live a life of violence and crime. Because of poverty and generational trauma.

I think the most tragic part of Willis Todd is that he tried. He loved his wife and he loved Jason and he gave everything he had to providing for them so Jason wouldn't have to grow up like he did but it ended the same anyway. And he'd never be disappointed in Jason, although Jason thinks he would, because home knows his son and he knows Jason wouldn't do it unless he really thought he was helping people.

I know everyone holds the opinion that Catherine was the most serious about Jason's school but I argue it's Willis, Cathy taught Jason to love learning but Willis taught him the importance of it. I think Willis always got good grades but he never went to college because part of ditching his family was ditching their money and most of what he made went towards supporting himself.

I've named the youngest sister Joan, and I think it's important to define her relationships more than her personality for reasons I'll get into in a bit.

For continuity's and sake I'll say she was a pre-teen when Willis moved out at 18-19, which would give her a large gap between both Willis and Celia - who I imagine are maybe two or three years apart - age wise. So while Willis likely tried to take care of her, to influence her away from their mom and sister, I don't think he was super fond of being at home to begin with so I don't think he was around much and I think Mr. Todd died not long after she was born so she didn't really have the gentle hand that Wills did growing up.

This left her with little to rely on but Ma and Celia, it was a real rock and hard place. Ma is honest in her ruthlessness at least, but Celia uses her love as a tool for manipulation. I'm sure she grew up right beside the other kids at Ma's school.

So I think it's no wonder that when she found herself with a baby she had no clue how to take care of, it was very easy for her mom and sister to convince her to give the baby over. Easy for Joan to decide that her daughter was in better hands with Celia as her mother.

And then Joan...vanished. No note, no phone call, no body. Most suspect it was Ma who did it, even though the woman had her kids - former and present - rip the city apart looking for her. No one knows the full story, and no one knows Joan Gunn's whereabouts.

Well, no one except Willis Todd, not that anyone else knows that.

Faye Gunn II has a lot of potential. I think there's a chance for her to parallel Jason. They both grew up on the streets and both have affiliations with organized crime, but where Faye is comfortable perpetuating the cycle of violence expected of the Gunn women Jason spends every night busting his ass to make sure another kid never has to go through what he did.

I also think it would be fun if maybe Faye wasn't entirely human, y'know give her a little bit of meta gene as a treat. Beast Boy isn't using the name Changeling anymore and I've long subscribed to Gotham operating by faerie rules so maybe she can borrow it for a few issues.

I don't have many thoughts on her as is but I'd like to do more with her in the future!

This got really long and I'm certain it will only get longer with the next additions. The next part will focus on the Clemens/Johnson family! Catherine Todd lovers stay tuned for part 2. Remember that all of this is just how I view them based on the cookie crumbs we get about them in canon.

#dc #ma gunn #Jason Todd Sr. #Celia Gunn #Willis Todd #Joan Gunn #Faye Gunn II #Jason Todd #Todd Family Lore #oc posting #be warned because we know basically nothing about Cathy's family her part is going to be. mostly OC's

[omgthatdress]

The Importance of Studying Queerness in Context.

When studying queer history, one always has to keep in mind two seemingly contradictory things: firstly, that queerness and queer people have always existed, but at the same time, that queerness and queer identities have not always existed the way they exist today.

Modern queer terms and identities did not exist to queer people in the past. They would not have thought of themselves as "gay" or "trans" or even "queer." While these modern terms may seem to fit certain historic individuals, these individuals would not have thought of themselves as such, and it would not be a part of their lived experience. To apply the modern identities of queerness to history is to erase the lives and experiences of queer people in history, and care must always be taken to understand queer history within the context of its time.

When looking at queer history online, there is a *lot* of misinformation and misidentification out there simply because people are eager to apply modern queerness to history, often in places where it doesn't belong.

A lot of old photos get misidentified as gay because they show two people of the same sex showing some level of physical affection towards each other. Okay, I'll admit that the open-mouth kissing photobooth pictures are probably actually gay, but an old picture of two men or two women holding hands or with their arms around each other, or even kissing on the cheek, were common shows of platonic affection.

I hate to break everyone's gay little hearts, but without explicit documentation saying so, assuming that these couples are all gay is putting modern queer identity in places where it simply didn't exist. The women in the final picture are sisters. The "not married" boys are bachelors interested in marrying women.

In the silent film Wings, the emotional climax of the film comes in the form of a kiss exchanged between the characters played by Jack Powell and David Armstrong. It often gets attributed as the first gay kiss in cinema history, even on the fucking YouTube clip I found:

Except it isn't gay. The two men spend the whole film fighting over who gets to be Clara Bow's boyfriend. When Richard Arlen's character is fatally wounded, his dear friend rushes to his side and kisses him goodbye, because in the 1920s, that was considered the ultimate show of friendship. The movie ends with Jack Powell falling in love with Clara Bow.

Similarly, a kiss shared between Lillian and Dorothy Gish in the 1921 movie Orphans of the Storm often gets attributed as being queer, but it wasn't.

They were sisters playing sisters. None of this was considered unusual.

Pooh-poohing on all of these images that so many people on the internet breathlessly and joyously laud as proud gay history isn't fun. It makes me feel like I'm fucking Ben Shapiro. But if misinformation is allowed to flourish, it allows people like Ben Shapiro to come in and make the argument that queerness is a modern invention and queer people didn't exist in the past.

Everyone loves to see queerness represented in history, but the fact is that none of the stuff in this post would have been seen as explicitly gay and thus shouldn't be called gay today. If we are to understand queer history in its fullness and richness, it is absolutely crucial that we get it right. We owe it to our queer ancestors to recognize, honor, and not embellish the actual lives they lived.

#queer history #gay history #lgbt history #queer #gay #lgbt #Youtube

[rheakira]

I've come to temporarily break my hiatus to bring up something deeply important. Because after a recent event, if I have to go another day without talking about it, I don't know what I'll do.

Fandoms have an enormous issue when it comes to bigotry and people feeling comfortable enough to be openly bigoted.

And I want to make it clear: everyone is capable of it. In fact, most people do it more often than they don't. But because this strange myth has been built up that if you aren't "blatantly saying slurs" or "killing others" it can't possibly be bigotry, we have done nothing but become dangerous behind closed doors.

If your friend has odd beef with a person of color in the fandom and holds them to standards they don't hold their white friends to, that is bigotry. If your friend feels some sort of way about the trans person in your friend group and tries to come up with reasons for why they specifically can't stay, that is also bigotry. If your group insists that a person with a personality disorder is making it up just for attention and uses that as a reason for why they can't be around them, that is bigotry as well.

I've never been upfront about it because... why do I, as a human being, need to be upfront about my identity when people randomly decide what I am? But I am in fact a person of color who is queer and disabled. Whenever I join a fandom group that is mostly white people, I am liked until this is discovered. And then I watch as people get brutal about things I do or say. Things that they don't do to other people in the group, and I also watch as they take my words and either twist them for convenience or ruin my reputation for it.

As a marginalized person, both in fandom and out, you are held to a unique standard that does not apply to other human beings around you. It makes doing what you love very difficult, because unfortunately as a marginalized person, people will always subconsciously side with the person trying to oppress or attack you. This has happened to me my entire life, from school to work spaces to even internet spaces claiming to be safe places.

People will say that they care about you and like you and even form a friendly bond with you, but the moment a person of privilege decides they do not like you very much, they can and will side with the other person even without proof of their issues with you. It's exhausting and ruins lives in places that should be fun and safe.

I am on my umpteenth experience with this exact cycle and I would be lying if I said it didn't make me feel like I couldn't live or breath in places I should be allowed to be involved in. It's a very real problem that refuses to end because no one has the courage to challenge it. I am speaking not only on my own experiences, but for the many other people of color or queers or disabled people who simply cannot join these so called "safe spaces" because of our identities conflicting with people who have been taught that we are lesser and not worth love or care.

If this is a problem you face, please know that I see you and I love you. It's hard to keep surviving in a world that wants to hurt you and leaves you abandoned and alone. I want you to know that the world is scary, but we all exist. You should be allowed to experience joy and fun without feeling like you're being suffocated and wanting to die.

You matter. The people around you that make you feel like you don't are nothing by comparison. You matter and I truly hope that we'll one day find each other and become the safe space that we deserve.

The marginalized people in your fandom are more important than your fictional characters and plotlines that you put above us. We're here and we're not leaving. Learn to live with us and protect us.

If we're truly your friends, you would care when your privileged "friends" want to remove us.

Additionally, please do not take this rant and make it only about white people who are part of these marginalized categories. This is a post about EVERYONE. Including the people of color around you. Do not remove us from this conversation. Care about ALL OF US if you support this at all. Thank you.

#RK Chat #I wrote this with my hands shaking knowing that a lot of people will want me dead for this #I wrote this knowing that people will stop supporting me or my art of they knew I was POC #I can't keep pretending this is okay #As a person whos at the end of my rope both in my real life and my life online I cannot be silent anymore #But I refuse for this to possibly be my last year and not speak my mind on a situation that has been killing me for years #Care about the people outside of people like you. I'm BEGGING you.

[theabigailthorn]

Have you considered moving to america? you know there are a lot of blond americans in america, and most of them would be absolutely enchanted by a tall lady with a fancy-pants british accent

I've thought about it, for career reasons rather than romance!

It's a difficult question. If I were to move to the US, right now L.A. would be the place to go: I have contacts there and I'm developing projects there. It's likely I'd be able to have a better standard of living out there too. There's also the political angle: if the Conservatives win the next British election there's a nonzero chance I'll have to leave the country because if they pass a national bathroom law and I can't use a women's toilet, I can't go to work on a set or in a theatre! I know the US is worse in a lot of places, but at least over there some politicians are standing up for trans people, some politicians are trans, some cities are refusing to comply with discriminatory laws... There seems to be a better line of defence over there, in some places? The sorts of places I would be going to live anyway. It feels like in the US the extremes are more extreme: some states are worse than Britain, but some are actually better. I think the US entertainment industry is in some ways ahead of the UK on trans issues - I've had British people straight up refuse to work with me cause I'm trans even though that's illegal, and string me along for ages cause they think I'll be a diversity checkbox for them. Whereas in my (admittedly limited) experience American producers are more willing to give me a shot and don't see my transness as an obstacle. The producers of [SUPER REDACTED] are American and they gave me that role even though the character is written as cis and cis women auditioned alongside me! I thanked one of them like, "Hey, this sort of thing has never been done and it's not the sort of thing trans people are usually allowed anywhere near!" and she was like, "Bwuh? You nailed the audition, why wouldn't we give it to you?" I said to her at the wrap party, "The idea that a trans woman could be a [PERFORMER OF THIS TYPE] has not yet entered the minds of anyone outside this room, and when it does it's going to be a gamechanger for all of us." See also Nebula! I pitched Dracula's Ex-Girlfriend to them and they greenlit it 15 days later. Contrastingly, I emailed a pitch deck and pilot episode for a trans-led TV series to a bunch of British production companies back in August and a lot of them haven't even read it yet. I like working for Americans because they just seem to get it on a level that a lot of Brits don't, yet.

On the other hand!

The entire US entertainment industry is about to move to Britain! So, maybe the smart career move is to stay. My family are here, my home is here, and despite everything I do love this country. I would be sad to leave. But we'll see. The next few years are likely to be a little... unusual. My plan right now is to have one foot in both countries, and then perhaps at some point the acting industry will make the decision for me.

[veren-cos]

Bachelors (sdv) x reader on their period

Gender neutral, but purely because of the prompt, afab reader. I'd say everything I write is gender neutral besides the very rare Trans masc reader ☆

Not proofread and I wrote this in like 25 min- I'll update this when I'm less tired.

Harvey

• A literal doctor.

• Is not weirded out like at all. He is all like, "Oh okay! Do you need anything at all?" And moved on with life

• Maybe has a little blush when you first talk about it? It's a completely normal thing at work (and in life), but it's just because it's you that he wants to make sure he handles it well.

• Would probably get you chocolate. And a heating pad. And blankets. And all the things.

• Aka would just spoil you a bit more than normal, periods suck and he knows-

• If you had any like disorder involving you Period he would be extra on top of stuff.

• Will make sure you are well stocked on and properly take pain meds!

Elliott

• Would just absolutely spoil you!

• Runs a bath, gets chocolate, threw your pajamas in the dryer to get them extra warm, heating pad.

• Might give you a massage if they are super painful? Probably would do it regardless but he would definitely offer if he knew that got bad.

• Idk why he knows so much, maybe it's because of Leah? I don't really write about the bachelotettes, but I feel like she would be super open about it so that's why Elliott knows a lot.

• But yeah he'd be super good to you! Would make you food just because. He is great at spoiling people, but not actually great at knowing what to do physically haha. (I think I mentioned in a previous fic where he just makes you soup if your in pain, he would do that here too)

Shane

• So if I just take Shane as a standalone character I don't think he'd know a lot / want to know/ care.

• But!

• Jas. I'm not sure what age she is supposed to be (literally anywhere from 7-12 imo) but I feel like Shane would have read up on Period stuff in preparation.

• So he would actually be more informed than Elliott!

• Now onto the actual stuff lol-

• He wouldn't be super pamper-y like Elliott and Harvey, but he would definitely help around the house more.

• Animals are all taken care of, crops are all watered, took care of some weeds, etc.

• He would also probably be a bit more physically affectionate purely because he knows you like it.

• Might be a bit embarrassed about it at first but after the first one he gets the gist of what to do.

Alex

• Would be relatively informed just because he is a health nut, but also doesn't know what to do because the most important woman in his life is postmenopausal-

• Probably would just give you chocolate and hugs because he knows like. Emotional and cravings.

• If they were super bad he would ask his grandma for help!

• Wouldn't be embarrassed about it! Once again. Health nut. Gets you pain meds!

Sebastian

• Okay. So. Sebastian.

• Literally lives with 2 ladies. Both very strong confident women. He wouldn't be uninformed by any means, but he probably is still awkward around the topic lmao

• Like if you were complaining he would be like "...." "am I supposed to do something about that?"

• AND HE DIDNT MEAN IT IN A RUDE WAY he was genuinely asking. But he just doesn't know and also is an awkward guy?

• Would do the least out of all the Bachelor's. Maybe just be more emotionally available because Period mood swings be rough. Makes more time to talk about things with you.

• Grabs you ibuprofen or Tylenol, whatever you have in the house.

Sam

• So Sam lives with a kind of coddling mom, does not have sisters, so like. His mom wouldn't talk to him about it. He has no 'personal' experience with it.

• Would be the most clueless-

• But he would definitely be like, "oh babe that sucks let me know what I can do"

• Gives you more cuddles, helps on the farm.

• Super enthusiastic about making you comfortable! He makes it into a way bigger deal than it is but he is genuinely curious about stuff so you think it's cute.

• After your first one when your together he is much better prepared / informed so he isn't all over the place.

• Just very cute and well meaning.

An* I hope this was at least a little cute / silly / comforting / whateveryouwantedoutofthis! I base everything off of personal experience because, like, it's all I got- but more people should be comfortable talking about this! It's completely normal and just a basic human function. So if yours is different than what others describe, that's okay! If yours is exactly the same, also okay! Idk where I'm going with this, but there is no shame in having a period, and that's on that!

This also came off way more dramatic than I meant it to be, but I live for the drama so it's okay (this applies to both the fic and the author's note-)

Masterlist

#sdv #sdv elliott #sdv sebastian #sdv shane #sdv x reader #sdv harvey #sdv sam #sdv alex #x reader #stardew sam #stardew alex #stardew shane #stardew valley x reader #stardew valley #stardew harvey #stardew sebastian #stardew elliott #reader on period #period fic #fanfiction

[kookygobbledygook]

Some people have been saying this, but I don't think it's been said enough and I'm just going to add my voice to the mix.

Nimona's nomination is being framed as an example of "Look at what Disney missed out on!" and I get it. It's a nice, tasty schadenfreude situation and we all like to see The Mouse get taken down a peg.

But I think we need to be very clear; Disney did not miss out on anything because they were never going to take that sort of risk.

Disney was never going to release anything close to the Nimona we got. It would have been sanded down until anything obviously queer or controversial was as faint and unnoticeable as possible by the casual viewer. And then they would still be too scared of any potential backlash. So they would have given the film a limited release at theatres, with no advertising, or social media or support.

Like what happened with Strange World.

You remember Strange World, right?

No?

That's because no one does.

And I believe that was deliberate, because that way Disney can go "Weeellll... obviously we would LOVEto take more risks and have more inclusive stories but that's clearly not what the public wants!"

Look at the original concepts for Wish. The evil royal couple? The peter-panesque star boy that would have made the gen zers go feral the same way millenials went feral for Jack Frost? These could have been the best things about the movie, and even they were scrapped, and replaced with something more homogenised. And those ideas are nowhere near the level of the concepts and discussions Nimona brought to the table.

Disney can barely have explicit gay people. Nimona has a gay south Asian man in a relationship with an east Asian man. As a protagonist! But more than that, you think Disney could ever come up with a relationship as complicated and difficult as Boldheart and Goldenloin's? They would never have the guts to show one love interest cutting off the other's arm in a straight relationship. Let alone a gay one! And then for them to be on opposite sides of the conflict, shifting between feelings of betrayal, and questioning each other motives? That's some adult dark shit for a kids film.

Asha as a character was forced into the quirky girl role that Disney has already flogged to death with Anna and Rapunzel. You ever think they would allow a Disney princess to be as dark and violent and nuanced as Nimona? You ever picture the titial character of a Disney film AS the third act conflict, rampaging through a city in a self destructive rage? Nimona is anti authoritarian, vengeful, bloodthirsty, a pretty explicit trans allegory, and even, by the climax, openly suicidal. You KNOW that terrified Disney.

I had a thing about the Director here too but I was shocked by how long that got so I'll have to save her for a different post.

My point is the things that make Nimona art, that make Nimona a great story, that make the film important and Oscar worthy, are all things that Disney has become too chicken shit to produce. If Disney had released a film called Nimona it wouldn't have been Nimona. I fully believe that if the film hadn't had been 90% finished it wouldn't have been shelved. It would have been lobotomised and vivisected. Everything special and vital about the movie and its message would have been removed, and no one would have known what could have been. Once again we would have gotten scraps and been thankful for them.

It makes me think about films like Wish (and others we don't know the name of, and never will) and think of what they could have been if studio's like Disney were braver and let their artists make art, instead of content.

tl;dr Disney didn't miss out on Nimona because they are incapable of making Nimona. If they had produced it the real Nimona wouldn't exist. We didn't miss out on Nimona. And that's purely by luck.

#nimona #disney critical #wish critical

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

[thesiltverses]

Hello! I found the silt verses about three weeks ago and have listened to it several times since. I have a few things to say.

I absolutely adore that episode about the national grid workers. I think it’s my favorite episode of any podcast I’ve ever listened to. My favorite part of that first episode Paige is in is how she justifies not standing up for Vaughn, that cognitive dissonance that you wrote so well. This episode gives me what I wanted from that episode, the workers all banding together to stop the wasteful sacrifice of one of them. The actor who played the foreman did an incredible job as well. I think that having him discuss which of his workers he would sacrifice was such a significant moment, despite how brief it is. It cuts right to the big question that I took away from the podcast which is, “How much is someone willing to sacrifice in order to maintain their comfort?” And the utter disrespect of Glodditch (apologies for the spelling) refusing to cancel even the radio but asking grid workers to kill themselves for 200kw/h! Top tier episode.

I grew up in the south and went to college in Appalachia. I saw the disparity in technology and “advancement” if that makes sense that poverty brings, and the way you set up the world invokes that feeling in me again. You are an amazing world builder and storyteller.

I really enjoyed the cameos - I’m a big fan of malevolent/devisor, Old gods of Appalachia, and all of Jonny sims work, so hearing familiar voices was an absolute delight. Harlan Guthrie as an acolyte of the snuff gods might have been a bit too on the nose with some of the things that man writes, though… /pos

I’m transmasculine, and something that I really appreciate is how you manage to make a trans man do some objectively awful things, but still manage to make him a complex, full character that I was rooting for very frequently. Brother Faulkner is so, so important to me as a character. Paula Vogel has a play called “Indecent,” which is about the true story of a troupe of I believe German Jewish actors between the years of 1910ish and 1940s putting on a show called “God of Vengeance” by Sholem Asch, also a Jewish man. “God of Vengeance” has queer themes and received a lot of criticism from the Jewish community for showing Jewish folks in a “bad” light at a time when there was already so much hatred for Jewish people. Brother Faulkner being as complex and, in my opinion, malicious and cutthroat as he is at a time when trans people face so much bigotry, especially legislatively in the United States, brings this conversation about “God of Vengeance” up again for me. I also love how normalized non-binary people are in this world, without question. “Sibling this or that,” the hunter, adjudicator Shrew - big thanks from me for all of this.

All of this to say, I love this podcast. Can you talk more about the rhetorical gods? Is Babble one? What makes them one if they are, or why aren’t they? I’m fascinated by them. Can you talk more about the propaganda gods too?

Thank you so much for the thoughtful and kind words!

I'll check out Indecent, it sounds really interesting and I'm very glad to hear Faulkner works for you as a character. I think the topic of how to include and write queer characters who are capable of terrible things and thoughts (because, after all, these characters are human beings and not tutelary exemplars), within the context of both a rising movement of transphobia right now and centuries-old scapegoating / pathologising portrayals more generally, is a really knotty but a really important one, and I always want to make sure I'm approaching it with care and due responsibility as well as a sense of humility around the limitations of what, as a cis writer, I can actually achieve.

To that end, I don't want to ever take the audience response for granted, but I'm always really grateful to hear that the portrayal is working for a listener!

Propaganda gods: gods whose prayer-marks or ritual verses are fed directly to the enemy, enforcing destructive or sabotaging changes to reality (so rather than sending a destructive saint or angel to rampage over the foe, you might drop pamphlets or send radio messages to the enemy to 'convert' them).

Rhetorical gods: gods whose followers possess reality-warping powers of language itself (which is why 'rhetorical god' is a polite way of saying 'liar's god'). In other words, the paranoia around them comes partly down to the fact that a disciple like Val may appear to be a limitless shaper of new forms, rather than shaped into a limited form of their own, as a result of their worship.

#carmen maria machado has a fun mini-essay about queer villainous portrayals which I do recommend

[bowtiepastabitch]

Deeply Transgender and Vividly Pornographic: a deep dive into what makes a fic queer

This is a response to the wonderful @ineffabildaddy making this post, which it was originally going to just be a reblog to but once I started approaching a thousand words it was a bit unwieldy so we're just going all the way. If second base is reading their fics and third base is actually talking to your mutuals, I have no clue what this is.

Here's the prompt text that started it all:

Alright, well I am nothing if not a scientist (narrator voice: they were, in fact, a humanities major), so I spent several hours of my weekend putting this together because I'm a burnt out academic and this is the enrichment in my enclosure. Readers, this is going to contain experpts of some very spicy stuff, so stop here if you're not interested. Me bringing porn? To your tumblr dash? It's more likely than you think.

All fics and such referenced will be linked at the bottom of the page.

~~~

Heteronormativity and cisnormativity, while unfortunately the dominant norm for mainstream pornography, make little appearance within the fandom writing spaces I myself spend time in. That's not to say I haven't read my fair shair of painfully straight smut in my lifetime, but simply that I have taste and am lucky to be neck deep in a fandom with very little of it. Nonetheless, as a card-carrying queer and writer myself, I consider myself quite familiar with the distinctive traits and patterns of queer and cishet pornographic writing. Beyond merely a focus on non-male pleasure or the subtle presence of queer or trans characters, the characterization of queer fanfiction is distinct and has entirely different mannerisms in dealing with conceptions of the body and pleasure. I'll primarily be citing Ineffabildaddy's work, for the sake of a focused analysis, who I will henceforth be referring to as Sam for the sake of pseudo-academic flow.

There are certain linguistic patterns that tend to distinguish heterosexual and heteronormative depictions of sex from queer ones. For instance, "cunt" is utilized sparingly within heteronormative contexts for its vulgarity and added obscenity, whilst queer writers use it pretty universally and without the same subtext. Throughout his writing, Sam works with this queer-coded vocabulary pretty consistently. In "Strawberry Scripture" (F/M), he describes how "Crowley's cunt... was damn-near swollen" and how Aziraphale has to resist "Bury[ing] his face in it immediately." No cis-het man has ever thought about eating pussy that way, and if you find one I'll eat my fucking hat. Likewise, vocabulary for the phallic tends to veer in the direction of "cock" over anything else. Interestingly, this creates a set of contrasting pairings. Heteronormative slang, from my obvervation, is more likely to use 'dick' and 'pussy', and, especially in conjunction, it creates a very distinctive mouthfeel that separates the two and poses them as opposites. 'Pussy', in particular, has a much more feminized feel when juxtaposed against 'dick', favoring much softer consonants and the english diminutive 'y' ending. 'Cock' and 'cunt', in comparison, have a very similar sound and feeling to them, distancing itself from hetero-cis-normative gender dualism of the language. There is, of course, plenty of nuance to this and the use of a variety of language in subverting cisnormative ideas about the sexed body as well, with phrases like 'boypussy' and 'girldick' being rather essential to the way many trans people describe their own bodies. "Fandom's Pornagraphic Subset," (yes I'm stealing sources from my research paper on monsterfucking, suck my dick) an article published in 2021 by Silja Kukka, describes how the "fleshy, hyperbolic descriptions of sex" that characterize this kind of writing are essential to what she dubs the "[creation of] a new genderqueer place outside of the gender dichotomy"(57). If you read enough smut, you know exactly what this is talking about. For example, in "Despite Knowing Better,"(F/M) we get vivid imagery to describe the way "streaks of her spit oozed from her mouth even as Aziraphale fucked it"(Ch5) and of "her walls quivering and clenching around him."(Ch3) This level of graphic sexual depiction goes beyond what would be considered 'tasteful' or 'sexy' in a heteronormative concept of pornography.

In terms of tropes, let's do a deep dive into "Strawberry Scripture"(F/M) to find what makes it queer beyond it's apparently straight pairing. To preface, this fic involves both foodplay and monsterfucking, but we're only gonna analyze one. The inherent queerness of monsterfucking is actually something I've written an entire academic paper on, so I suppose I'll start there. There's something very queer and often very trans about subverting the standard playbook of sexual acts, and while kink itself can easily be heterosexual, most monsterfucking falls far outside that category no matter what genital configuration those involved have. Monsterfucking tends to reject the phallocentrism of heteronormativity and mainstream kink by subverting the concept of the human body itself, giving inhuman and monstrous qualities to characters usually for sex appeal or general kinky shenanigans. While there's an argument to be made for heteronormativity still being able to creep into certain spaces, that certainly isn't true for this fic. There's something intrinsically transgressive about creating an erogenous zone out of a feature that would largely be considered horror or 'gross' in any other form of media, which is exactly what Sam does here as he describes the "cool, satiny sensation that the plates of her scales against his tip engendered." The scales are not merely called apon for their invocation of the unusual but to give them an eroticism in and of themselves, with Crowley reaching orgasm through their stimulation. We also slide gently into Monsterfucker territory in "Close (well you couldn't get much closer)" (M/M), where an argument could be made that the most trans-coded element isn't even Crowley's T-dick but instead the presence of a magic angel dildo. (sentences I never thought I'd fucking say but here we are.) There's something deeply transgender about the deconstruction of genital purpose in sex that recontextualizes the gendered body's role in pleasure. It falls into the same semiotic revolution and reclaiming of the body as the changes in language used by trans folks to rename and reidentify the literal physicality of the body by ones own standards (ie T-dick).

Another major trademark in departing from heteronormatized porn is the shift in narrative focus away from penetrative sex. That is, even in paragraphs where the main sex event is penetration, it rarely takes up even half the prose. The majority of narration is focused on surrounding or tangential actions: "the flowing movement of ... hips was sedate and wanton and lusciously provocative,"(1) "watching the muscles which resided there tense and relax alternately with pleasure,"(2) "his tongue stole past his teeth and slid over them,"(3) and "he whispered, his voice aching and curling and stretching for her"(4); all excerpts pulled from moments in which penetration is taking place, yet the concentration is anywhere but. Likewise, the act of penetration itself only takes up a small portion of physical sex acts in the grander scheme of Sam's writing. Instead, we as readers are presented with a vast spread of cock-sucking, pussy-eating, fingering, teasing, frottage, kissing, and more. Contrast this with the cis-hetero norm, where penetrative sex is the endgoal, and any other action is shucked aside to play second fiddle as mere foreplay. It's the reason virginity as a concept is directly tied to the mystical hymen and one's experience with penetration; a straight girl can suck dick a thousand times and still consider herself a virgin. As such, in a piece of pornographic writing where I have significant trouble finding lines to pull specifically and exclusively describing penetration (seriously, try it out yourself), the heterosexual influence is negligible. And yes, I'm talking about all of them. I had to restructure an entire argument that focused on comparing lines from different works because it was so difficult to find them.

So, in conclusion, Sam, love, there is not an ounce of heteronormativity in even the "straightest" of your writing. Congratulations.

Links, in order of reference:

Strawberry Scripture (3)

Fandom's Pornographic Subset, article by Silja Kukka and a great read

Despite Knowing Better... (4)

Close (you couldn't be much closer)

Many Different Ways to Eat an Oyster (1)

I'm Beginning to See the Light (2)

Author's notes, and then I promise I'll leave y'all alone: Hi! This started as a short analysis but quickly became a three(?)(maybe more?) hour labor of love analyzing the things I love most about both Sam's writing and the writing in this community as a whole. Please please please ask me questions, I'm an autistic little bitch and I like knowing things. My ask box? Open. Comments? Open. Reblogs? Open. If you've read this far, I fucking love you and I am kissing you on the mouth right now. Don't worry, my gender is just queer so it's gay no matter what. <3<3<3

#good omens #good omens fanfiction #ineffable husbands #good omens fandom #nerd shit #why do any of you follow me #gomens

[brother-emperors]

ANTONY: if Caesar doesn't set Sextius Baculus up in a house worthy of Lucullus for all that he did, I'll kill him myself.

so the fun thing about the Caesarians is that there is. weird stuff happening in there. a lot of focus seems to go towards non Caesarian dissent, specifically with the conspiracy of Cassius and Brutus, but there's like. stuff going on in Caesar's own camp that's very Intriguing.

There's a couple places where you can see some clear points that would be grounds for a conspiratorial falling out between Caesar and Trebonius, but from the way that Trebonius tries to seduce Antony over to conspiracy, I wonder if there was a secret third thing that was going on since Antony turned him down but. didn't snitch intriguing!

anyway, all of this is to say that this means I get to invent some shit. like, I'm drawing comics which is already invention, but this is one where I get to really start throwing stuff into the narrative soup because it has to set up three different character arcs (Trebonius, and then Antony twice)

(in theory, this would be explained in the story itself if I did the entirety of the Gallic Wars out as a comic. which I have not done because I do not want to draw horses. I wanted to fuck around with some panel layouts and not draw a single horse, so now I will provide the context and revisit this in the future)

Antony's comment about Trebonius running himself into a grave has to do with the Caesar's Gallic Wars have a lot of men doing a whole lot for Caesar that has me going. hey. hey guys. uh.

specifically, Sextius Baculus:

The War for Gaul, Julius Caesar (trans James J. O'Donnell)

and the closing comment from Antony is playing on several things: romans claiming gods on their family tree (see: Legendary Genealogies in Late-Republican Rome, T.P. Wiseman for more on this) and then divinization arc of Caesar and Octavian. Antony himself will later be taking part the same kind of god-association that has prompted his disdain in this scene

At any rate, when Antony made his entry into Ephesus, women arrayed like Bacchanals, and men and boys like Satyrs and Pans, led the way before him, and the city was full of ivy and thyrsus-wands and harps and pipes and flutes, the people hailing him as Dionysus Giver of Joy and Beneficent. For he was such, undoubtedly, to some; but to the greater part he was Dionysus Carnivorous and Savage.

Plutarch, Antony 24

and the second layer of thematic fun: Antony's later relationship with his soldiers is something similar to what Caesar had with his here, but ultimately: decayed. Antony's love affair with his military makes his failure to lead well at the end a worse betrayal. at some point I'll talk about Antony's Tormentous Military Nightmare and cite some academic sources, but Linda Bamber's description of the final tragedy of Antony and his men lives in my head rent free

Cleopatra and Antony, Linda Bamber

where's the fun in doing identity focused tragedy if you don't become unrecognizable to yourself later on! isn't that right mark antony

ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app

#gaius trebonius #mark antony #man. this explanation for the scene. is longer than the three panels. #anyway i changed my mind about how trebonius gets his eyebrow scar. he gets it during his Fight with caelius #oh! the crassus mentioned here is the eldest son! sure hope something bad doesn't happen like his father and brother dying haha ha h-- #(head in hands) #long post #komiks tag #drawing tag #roman republic tag #anyway. i need to. i need to get my sketch book. this book i was reading called trebonius a pro cassian commander #and im fucking. losing my mind about that. oh my god.

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

#writeblr #writers on tumblr #writing community #asexual #aromantic #aspec #asexuality #aroace #asexual representation #authors of tumblr #hot takes i guess

[bell4lan]

Reward

Genre: Very smutty

DNI: NON-MLM/NBLM, fujoshis, mlm/nblm fetishizers, trans fetishizers

CW: Some feminine words used for privates (pussy, cunt), dick is also used to describe privates, scissoring (?), semi-public sex, oral (reader receiving), reader is taller than Baizhu, sex is descriptive cuz it's more fun that way, squirting, they get very wet lol, they're married :)

Character(s)/reader: Top Trans Baizhu x Bottom Trans Male Reader

"Ah (Name), what a pleasant surprise!" Baizhu said with a smile as you entered Bubu Pharmacy. He walked over and gave you a quick peck on the cheek before grabbing your hands and looking up into your eyes.

"What brings you here darling?" He asked, his smile growing when he saw the slightly flustered look on your face.

"Um, I wanted to see if you could have lunch with me today." You replied softly, giving his hands a gentle squeeze after you spoke.

Baizhu had been very busy lately ever since a fever spread around Liyue harbor, meaning you guys had very little time to spend together. Whenever Baizhu came home he was too exhausted to do anything besides eat, shower, and sleep. You of course understood, but that didn't stop you from worrying about him and missing the time you spent with each other. Yesterday Baizhu had told you that this week had been less busy, so you decided to take it as an opportunity to spend some time with your husband.

"Hmm, you've come a bit early." He mumbled as he glanced at his watch. "Can you wait until I finish preparing a room for my next patient?" He asked, looking back up at you. You nodded and kissed his cheek before letting him go back to his work.

You had made conversation with Changsheng as you waited for Baizhu to finish, but his prep work was taking a lot longer than you had expected, making your thoughts drift away from the topic.

After glancing up at the clock, you excused yourself from Changsheng and made your way to the room Baizhu was in to check on him. As you peeked in, you saw what seemed to be herb all over the floor. Baizhu must've heard your footsteps, because he glanced up with a very unhappy look on his face.

"(Name)? I'm so sorry to keep you waiting for so long. I'll clean this up and then we can go eat." He said with a frown, slightly frustrated with himself. He was so excited to go to lunch with you that he wasn't paying attention to what he was doing and ended up knocking over a bag of herbs.

"It's okay Baizhu, here let me help you." You went to grab some supplies and started sweeping up the herb with him.

Once you were finished, you dumped what was left of the contaminated herb into the garbage and helped Baizhu put away the supplies. Once they were put back, he grabbed your hand and pulled you toward him.

"Thank you so much for helping dear. Someone so kind deserves a reward, right?" He said suggestively, brows raised in a seductive manner. You swallowed hard, feeling yourself get hot from the perverse thoughts that entered your mind.

"A-A reward?" Your voice broke, making Baizhu chuckle and nod in response. You paused for a bit to stabilize your voice before continuing. "I don't think that's necessary. I was just doing what any good husband would do." You explained. It's not that you don't want to do such intimate things with Baizhu, you'd just prefer not to do them in such a public setting.

"Oh come on (Name), you deserve a reward. You've been so patient waiting for me at home while I work. Even being so kind as to cook me meals and prepare my pajamas for me. And now you've helped me clean up, I think that calls for a big reward." He purred, placing his hands on your hips as he spoke, slowly walking you to the medical bed until you're pushed up against it.

You stumbled slightly when your back hit the table, eyes wide at your husband's boldness. You stared at him in shock as you processed the situation. You couldn't believe he was so eager to be unprofessional at work.

"Honey, what if someone catches us?" You whispered, glancing at the door that's just slightly open. If anyone were to even slightly nudge the wood, you and Baizhu would be in some serious trouble.

Your husband looked back at the door and went over to shut it gently so it wouldn't bring attention to the room.

"Better?" He asked with a smirk before making his way back to you, capturing you in a passionate kiss as he pressed his body against yours. It wasn't long before you said fuck it and pushed your nervous thoughts to the side, deciding to give in to his seduction. It had been too long since you'd been with him like this and he was just offering himself to you. Saying no would be a stupid thing to do.

He pulled away to let you breathe and swiped his thumb across your chin to get rid of the drool. He moved his lips down to your neck, kissing and sucking at all areas of exposed skin. Your breath quickened and your body twitched as you got turned on. "How cute~. Lay on the bed." Baizhu said.

You followed his instructions and felt his hands as they undid your bottoms and pulled them down, your briefs coming down with them. He grabbed your thighs and lifted them so your legs were bent, moving them apart to expose your pussy. He hummed in delight before lowering his head and giving you a lick.

Oh how he missed this, your taste. His favorite thing to do was suck you off. He believed that you were the best thing he's ever tasted. When he told you that you laughed and called him dramatic, but he was being dead serious. Nothing could beat the sweet taste of your cunt.

It wasn't long before he got completely lost between your thighs, licking and sucking at your pussy as if his life depended on it. Your moans were like music to his ears, a reward for his hard work. He glanced up at you and saw your incredibly handsome, blissed out face as he licked you up.

"Mmm- B-Baizhu." You whimpered as he sucked at your dick, trying to get his attention without alerting someone outside. He just hummed in response to show he was listening. He didn't want to move his mouth away from the delicious meal he was having.

"I-I want to f-feel you on me~." You told him, trying to keep your voice as quiet and steady as possible. Baizhu raised his brows and pulled away from your pussy, making sure to clean up the mess on his face.

"Do you now?" He teased with a smirk. All you could do was nod, feeling far too flustered to speak. He moved you further onto the bed before taking off his pants and briefs, chuckling as you stared once he was naked.

"Like what you see?" He asked as he got on the bed. You sat up and wrapped your arms around his waist before pulling him onto your lap. You felt up his sides as your eyes scanned his body, admiring everything you could see. His smooth and beautiful skin, his plump ass, his pretty dick that you've missed so much.

"You're so sexy Baizhu." You whispered before capturing him in a passionate kiss. You could feel how wet he was against you which turned you on even more. His hands went to your chest and pushed you so you laid down. He hovered over you, staring into your eyes before pressing another kiss to your lips. You whined softly and bucked your hips, desperately wanting to feel him against you.

He laughed into the kiss at your eagerness and pulled away. "You'll have to be quiet, can you do that for me prince? I know how loud you can get." He whispered, lips right next to your ear. The stickiness between your thighs got even worse from his words. You bit back a whine and nodded quickly, making your husband smile.

Sitting up, he positioned himself on you and started moving his hips. Breathy moans left his lips as he moved against you, loving how he could feel just how wet you were for him.

You were trying your hardest to hold back your moans, but the pleasure was starting to become too much for you. Feeling your husbands folds slide so easily against your own and his dick rubbing against yours...you had to let some noises slip!

You were convinced you guys were made for each other, both physically and mentally, and Baizhu would agree. The way you both felt grinding against each other was too good for that not to be the case.

Baizhu grinded a little harder, making you whine louder than you expected. Your hand flew to cover your mouth as you silently hoped that no one heard. You couldn't get caught now, not when Baizhu was making you feel so so good.

Your whine made him eager to make you cum, so he slightly changed positions so that your dick could get more attention. As he was looking down to make sure, he couldn't help but blush. It was the hottest thing he had ever seen. Both your pussies shining with slick, pretty folds moving against each other...fuck he was so horny. He closed his eyes and tilted his head back, moaning quietly as he felt himself get closer and closer.

Seeing Baizhu completely absorbed in the pleasure you were providing was so sexy. You started moving your hips without realizing it, blushing as Baizhu bit his lip to refrain from making any loud noises.

"(N-Name) i'm- ngh~ gonna c-cum." He stuttered, sounding so cute and desperate.

"M-Me too Baizhu." He nodded and kept going until he moaned your name and squirted. You came hard from watching him and squirted too, though it wasn't nearly as much as Baizhu.

The green haired male collapsed beside you and panted heavily from the amazing orgasm he just experienced. You turned onto your side and brushed some hair out of his face, caressing his cheek as he kept his eyes closed to focus on his breathing.

After a few minutes, he opened his eyes and looked at you. He pulled you in for another passionate kiss, intertwining his legs with yours as he did.

You pulled away soon after and looked at him for a second before whispering. "Come home for the day?"

Baizhu smiled and cupped your cheek. "There's no way i'm staying here when there's so much more we can do~."

---------------------------------------------------

You're probably wondering how big the medical bed is.

It's big.

Anyway I hope you enjoyed! I tried to put as many warnings as I could think of just in case some wording I used could cause dysphoria. I personally love being descriptive with my smut especially with trans characters, so that's why I use a lot of words that may seem like too much to some ^^. I also don't have much bottom dysphoria which is why I often use words such as "pussy" and "cunt" in my writing. I won't lie my writing caters to mostly me...^^; But I hope you enjoy regardless!

I might also post this on my AO3 cuz it's so smutty :]

#genshin x male reader #genshin impact x male reader #baizhu x male reader #ftm reader #trans baizhu #genshin smut #baizhu smut

[bulbagarden]

Opinion: Scarlet and Violet are Pokémon's Queerest Games Yet (Bulbanews)

Hi it's Lisia here!! The following is an opinion piece from one of our staff members, Torchic W. Pip!! Blanc and I both loved this and like... we had to share it here LOL.

Pokémon was my queer awakening. I had silly little crushes on male and female characters alike, and I resonated with many of the designs of the series’s more gender nonconforming designs. Pokémon has always had a wink and a nod to queerness: Jessie and James’s genderbending antics, Beauty Nova in X and Y, Blanche from Pokémon GO… the list goes on. But with Scarlet and Violet, queerness shines bright as celestial stars.

“But wait!” you might say. “Scarlet and Violet has no canonical gay or trans characters! How can this thesis make sense?” Well, queer representation need not be explicit to be impactful. Sometimes, the stories queer people resonate with most are told through metaphor, from the misfits in Rudolph the Red Nosed Reindeer to X-Men to Luca and Gwen Stacy. The roots of this trace back to a history of censorship. LGBTQ+ stories have been historically censored, such as with the Hays Code. Queer people have long been unable to see stories with explicitly queer characters, so they instead turned to metaphors and symbolism. Gender nonconformity is also nothing new to the scene of video games. Metroid, Legend of Zelda, Final Fantasy, and Guilty Gear are just some of the games that play with our expectations of gender. It’s also nothing new to Pokémon. East Asian media tends to depict transness and gender nonconformity differently from the West, but for more on that, I'll direct you to this video.

Even before the release of Scarlet and Violet, gender nonconformity shined through. Take a character like Grusha, for example, who many mistook for a girl when he was first introduced. It goes a little deeper than that, though. “Grusha” is Russian for “pear”, but it’s also a diminutive for the name “Agrafena”... a female Russian name. Whether or not it was intentional, it does add an extra layer of nonconformity to Grusha. Another character with some queercoded elements is Iono: Her color palette evokes the colours of the trans flag, and her Magnemite headpieces evoke an explicitly genderless Pokémon. Baggy clothes are common among many transgender people. Her friend Bellibolt is a frog, and many frogs in real life can change their sex. In Japanese, she speaks with a Bokukko speech pattern (a girl using the masculine “boku”), which is often used for plucky characters, but also nonconforming characters. All of Iono’s names across translations evoke themes of questions. On top of all that… well, the Vtubing scene is, from personal experience, very queer. All of my friends who watch VTubers are queer in some way. More seriously, creating a persona where you can let your true self shine in a way that regular society won't allow you to... that's pretty queer.

With the release of the games, we’ve seen a wide array of characters—Rika, Saguaro, Penny, and all of the leaders of Team Star, among others—showcase a wide range of gender expressions, either in their appearances, their personalities, or their hobbies. And all of these characters are seen as heroes, as role models.

As with games before, there are two characters with queer subtext in their relationship. Hassel and Brassius have been seen by many as being in a gay relationship, bonding over a love of art, supporting each other in dark times, and giving each other pet names. Even if it's not outright stated that they're in a romantic relationship, their care for each other is a beautiful thing. Many gay coded relationships are often of younger men or women, and while these relationships are important, it's also important for older gay couples to receive some of the spotlight. After all, queer people have always existed, and it's important to remember our past and honor those who came before us, who helped paved the path to acceptance.

For the first time in a mainline game, the player character can choose any clothes, hair style, and so on regardless of gender. While the player can still only choose between being referred to by masculine or feminine terms, this is a step in the right direction, and it opens the door for many opportunities never seen before. Boys can be feminine, girls can be masculine, and both can be anywhere in between. The world of gender expression is as big as the open world of Paldea.

But back to Team Star. The whole Team Star path is one big, queer metaphor. Think about it: kids are bullied for how they dress or act, these misfits band together and retaliate against their bullies, finding a sort of family in each other, villains who turn out to be just the opposite… It’s a story that, in some way or form, can resonate with many kids who have, sadly, dealt with homophobia or transphobia in school. The path is a story about righting what’s wrong, about making the world a more accepting place.

Scarlet and Violet is a game about shining bright in the sky with other stars, about being your true self. Its themes are deeply resonant with the queer experience. At the end of the Team Star path, you battle Penny, whose ace Pokémon is trans flag-coloured Sylveon, and as she Terastilizes her partner, she says, “Shine bright like the starry sky and become who you really want to be!” So shine bright, trainers, and be your true self.

Oh, and of course, Quaquaval is the queer icon of all time.

[Torchic W. Pip is a Bulbanews writer with a focus on music, merchandise, and spin-off games. They're also a fanfiction author and moderator of the Writer's Workshop subforum. Outside of writing, Torchic is studying music theory and linguistics, and his favorite games are X/Y and Omega Ruby/Alpha Sapphire.]

#pokemon #bulbagarden #bulbanews #queer #lgbt #pride

[am-i-the-asshole-official]

AITA for headcanoning deadnames for trans characters for symbolism purposes?

im a trans guy (minor if it matters) who's been a fan of this one show for a little over a year. none of the characters are canonically trans, but there's a lot of trans allegories to be drawn from the material if you're me or my mutuals at least. the two main characters are both male and i ended up developing an au where they're both explicitly transmasc as a way for me to just explore trans themes in an alternate narrative. i haven't begun writing it yet but definitely plan to once i feel like it's solidly locked in my brain, and i've been sharing snippets & concepts every so often.

part of this was thinking of how they would've chosen their current names, and name symbolism got me considering what they would've changed them away from as well. one character i thought could've initially been named after his mother so i can draw contrasts between the two, and the name i decided on for her has a meaning that highlights her relationship with her father (and the character's relationship with his father in turn); it's also the name of the character's daughter figure in the show. a lot of the other main character's backstory kind of revolves around his dead sister, so i thought by making his deadname that sister's name then i could turn that into an allegory about transness and childhood and sibling death (and sororicide but we don't have time to unpack all that). i don't plan on ever explicitly referring to the characters by their deadname in the narration, except maybe in an ironic tone, but i think it would be cool to sort of sprinkle in references as subtext to just give the readers something more to chew on.

the thing is i've seen posts around talking about how nice it is to make trans characters/headcanons without once considering their deadnames, or how weird it is for people to consider them, and i definitely agree with the sentiment; one of the biggest goals for many trans people is for their past selves to be completely irrelevant, and i feel a bit guilty for perpetuating something so painful for the general community.

but i still don't think i'm an asshole in any way since these are literally just characters and obviously i'm not going around talking about real people's deadnames or anything. i just don't want to make people uncomfortable/trigger dysphoria if they find someone talking about deadnames for a trans charactsr they're attached to (i've definitely had that happen myself when reading trans fics, enough that i had to stop reading, and i don't know how you'd even tag for something like that). if the general gut reaction to this ask is negative then i'll probably consider just not talking about the deadnames unless someone asks about it, since they're not crucial to the plot at all, just some uhh not so fun tidbits.

anyway sorry this is so long for something i feel like might be a non-issue that i'm overthinking. if you somehow guessed the fandom have a chocolate 🫀 if you're one of my few mutuals who knows who i am from the details of the au then um pretend you didnt see this post.

What are these acronyms?

#aita #am i the asshole

[mirrorcatcreditcard]

Everyone is doing that "things demons find weird about humans" stuff right now and to keep up with trends (lies I'll probably post this weeks after everyone is over it) I'm doing my own.

Enjoy (⁠◕⁠ᴗ⁠◕⁠✿⁠)

Transphobia/homophobia

Starting off strong, but it has been bugging me. Let us start with the trans issues we have in the human world. Demons and angels alike are shapeshifters to my knowledge. The dame event also shows that the boys are completely comfortable with crossdressing. I'm pretty this topic is not even a thing in the Devildom. I will not go into the history of transphobia, but it is completely human in my opinion. Imagine your MC is trans or nonbinary (like mine) and they havs a conversation with one of the demons about the internalized views they have on gender and the boys just going "???? Why would your family/friend(s) say that to you?" I like to imagine they know about transphobia, but do not completely understand why humans made it an issues.

"If you're uncomfortable with your current form, you can just change it..." "I'm not a demon, Asmo."

To add on to this topic in the homophobia department (though I'm talking sexualities that aren't heterosexual), Asmodeus has flirted with Solomon multiple times in-game; and the characters all (except Luke) romance you if you so wish. MC is gender neutral to make the game inclusive. Shoot, Thirteen was added to the game though she is not dateable yet. I feel homophobia/biphobia/etc is another one of those human issues they know about but do not understand. Like kiss who you wanna kiss, and date who you wanna date. Why are the humans making it complicated? I've seen no things in-game/manga/anime that even hint towards toxic mentalities like these. It just does not exist. If anything, they are mad because someone else is getting MC's attention instead of them, not because of gender being the same or different. It is a bit far out there for some, but I stand by this theory.

"And you're telling me that your (relation) thinks that it's a psychological issue that has to do with trauma that makes you attracted to (gender)?" "Yeah it's rough." "The logic just isn't there. I-"

Memory/time

These supernatural beings remember specific details from thousands of years ago like it was yesterday. Their sense of time and memory is so weird. Solomon, a human, has trouble remembering things from the past; yet somehow (and this happens often enough in-game) these non-humans can recall a random torture session or trend that was farther back than when my grandmother's grandmother was a thought. The Great Celestial War happenings can be told in detail from multiple characters. I really do not believe they have memory repression the way humans do to cope with traumatic events. They just kind of live with the knowledge in their brain forever. Now, this is not to say their memory is perfect. But, it is pretty darn good if they are paying attention or it is important to them.

"That hit the spot better than that one specialty hell's meal from a few centuries back." "Imagine remembering centuries ago when I can't even remember my trauma..." "I thought you said your traumas haunted you-" sigh "Nevermind."

Sensory differences

These beings probably have really enhanced five senses, but they also probably lack feelings that wouldn't be necessary in their respective realms. I once saw a headcanon that demons can't smell rain like humans can, and it goes along that line. I imagine the brother's sense of touch changed after taking on demon form as well as other senses. I actually have this theory that empathy is a sense like one of the five senses for angels and they can like train it. How does each species pick up emotions is a really fascinating thing. While sadness and depression seem to have universally the same effects, anger and glee are depicted differently. Also, demons definitely have a better sense of smell, but how much better? And do your senses strength vary according to which sin you are or simply from what your hyperfixation subjects of interest are? Beel has strong senses of taste and smell. Levi has sharp eyes and good reflexes. Asmo has a vivid way of describing the more sensual things. Belphegor's sense of touch seems to be the most sensitive as he is picky with his bedding. (Barbatos is just built different.) Et cetera.

"Your skin feels stressed, MC. Have you been sleeping well?" "Yeah, school's been- MY SKIN FEELS ?!"

Magic sensory is completely different through. Depending on how long and how hard you train in magic, it has different feelings. There were instances in the game where MC would feel something different from the magic than Solomon or the brothers would feel something similar but not quite the same. It depends on the nature of magic, but I feel it's also a species difference. Angelic magic would probably be irritating to a demon where demonic magic would probably be uncomfortable to an angel.

"Bless you." "Thanks, the rage Satan had is really irritating my nose." "I thought strong magic prickled the skin-"

Random quirks

I think humans, demons, and angels all have little habits that they have that doesn't make sense from an outside POV but is normal in their society. Like how humans say "ouch" when they're not hurt or demons are more comfortable in the demon form or how angels will randomly quote rules or bits of text while talking. I can just imagine MC grimacing in the hallway and the closest being trying to figure out why and they continue walking as if they didn't just make a face that resembled sharp pain. Or, MC is having tea with Simeon and he does this habit angels do at groups with friends and leaves MC thinking there is in fact someone invisible on either side of Simeon. MC falls asleep in a cuddle pile and wakes up to everyone in their demon form snoring and has a mini heart attack.

"Why do humans use theatrics so often?" "What do you mean?" "You keep shaking your head every few minutes and motion so much with your hands when talking even thought you're not giving a speech." "Satan and Lucifer are always doing the same hand thingy whenever they talk." "...that's different."

(okay that's all gonna go jump back into my void now)

#obey me #obey me shall we date #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me barbatos #obey me diavolo #obey me solomon #obey me luke #obey me simeon #obey me headcanons #obey me nightbringer #mirr writes