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#stevie moss
forensicated · 2 months
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Information about The Bill for use in fan fictions or anything similar. (aka: how I found out there's a character limit on Tumblr) This will be edited, please feel free to comment anything you want adding or editing.
Part 2
Nicknames for the police/officers:
The Old Bill, Bizzies (busybodies or 'too busy to help'), Feds, Bluebottles, Coppers, Bobbies, Rozzers, Peelers, The Filth, The Fuzz, Dibble (Officer Dibble from Top Cat), Pigs, Plod, Plonk (Person Of Limited Or No Knowledge), The Thin Blue Line, Bacon ("Can you smell bacon?") "The Babylon" (Jamican slang), Boys In Blue, Hawaii 5-O, Woody/Woodentops, The Scum, PoPo, The Law, Gammon.
Community Support Officers: CHIMPS (Completely Hopeless In Most Policing Situations), Hobby Bobby, Plastic Policeman,
Police Lingo, acronyms and abbreviations
ABE: Achieving Best Evidence - recording a victim of serious sexual assault on video for their first statement so it can be played in court to show how they were/the state they were in and try and limit the victim having to be there in person/cross examined etc.
ABH: Actual Bodily Harm
AMIP: Area Major Incident Pool (now Specialist Crime And Operations)
ANPR: Automatic Numberplate Recognition
AP: Agrieved Person - Victim
ARV: Armed Response Vehicle
ASBO: Antisocial Behaviour Order.
ASNT: Area Searched No Trace.
ASP: Baton
Big Red Key: The enforcer
BIU: Borough Intelligence Unit - this is where they could check facial recognition, check through CCTV and use the computers to check for suspects and find out peoples backgrounds.
BLO: Borough Liaison Officer
Blues and twos: Lights/Sirens on police cars
CAD: Computer Aided Dispatch
CIB: Complaints Investigation Bureau, later DPS (Directorate Of Professional Standards)
CID: Criminal Investigation Department
CIM: Critical Incident Manager - Inspector usually who oversees all the big jobs and makes decisions to keep things rolling smoothly rather than lots of chiefs making conflicting decisions.
Civvies (normal civilian clothes - ie a PC changing for an obbo)
CO19 (Used to be SO19 - armed officers. Smithy and Max used to be CO19 officers.) Apparently now MO19!
Code 11: Off Duty
CPS: Crown Prosecution Service
CPT: Child Protection Team
Crimint: Criminal Intelligence
CRIS: Crime Report Information System
CS Spray: Sprayed at criminal resisting arrest. Temporarily makes them unable to see properly and irritates their respiratory system. to enable them to be arrested. Sometimes now called PAVA spray.
CSE: Crime Scene Examiner (was SOCO- Scenes Of Crime Officer)
CSU: Community Support/Safety Unit Now joined with DVU and called SODAIT - Sexual Offences And Domestic Abuse Investigation Team
CLO: Community Liaison Officer
D&D: Drunk And Disorderly.
DVU: Domestic Violence unit. See CSU.
ETA: Expected Time Of Arrival "ETA, 5 minutes."
FATAC: Fatal Accident
Fence: Someone who buys and sells stolen goods
FED REP: Federation Representatives. Officers trained to support officers who are accused of crimes or otherwise want to take the service/bosses on.
FIU: Financial Investigation Unit
FLO: Family Liaison Officer (supports the family members/person who is going through a horrendous time. IE: Jim when Eva's daughter when missing and Smithy to Leanne Samuels when her daughter Carly was murdered)
FME: Force/Forensic Medical Examiner (Police doctor who reviews and treats criminals (and occasionally injured staff) who have gotten hurt, have complex medical issues or who need medication)
FPN: Fixed Penalty Notice - an on the spot fine.
GBH: Grievous Bodily Harm
Grass: informing on someone who has done a crime. Handling: someone who has accepted/bought stolen items either knowingly or unknowingly dependant on circumstances.
IBO: Used in later years instead of the CAD room, the Integrated Borough Operations handled non emergency telephone calls, CCTV viewing, contacting officers and similar. The CAD room was not needed as emergency calls were answered at Scotland Yard or Hendon and then sent to the relevant IBO Operator for the borough (which would be at Bow Central Communications Command) who would then send it to Sun Hill's IBO so all information can be relayed to the officers attending. Much like CAD, the IBO has a Sgt and PC's who would monitor the CCTV and IBO computers and assign officers to calls.
IC1-6 This is how the officers described skintones when searching for suspects/victims/witnesses.IC1 is White skinned european. IC2 is Dark Skinned European. IC3 is Afro Caribbean appearance, IC4 is Asian appearance (Indian Pakistani or Bangladeshi), IC5 is Chinese or Japanese appearance and IC6 is Arabian/Egyptian appearance.
Index: Vehicle registration - spelt out phonetically
India 99: Police helicopter.
IRB: Incident Report Book (Notebook) apparently now it's a force/work phone!
IRV: Incident Response Vehicle
LIO: Local Intelligence Officer
LEO: Local Enforcement Officer
LOS: Lost or Stolen
Misper: Missing Person
MIT: Major Incident Team (Used to be Murder Investigation Team)
MP: Met Police Information Room (Scotland Yard)
NCPA: No Cause For Police Action
NCS: National Crime Squad
NFA: No Further Action
NOIP: Notice Of Intended Prosecution. You're not arrested but the police are coming to take you to court soon.
Nonce: Sexual Offender - most used for Paedophiles.
OBBO: Observation - Keeping watch on suspects
OP: Observation Point
PACE: Police And Criminal Evidence Act - The police are bound to act by all rules, objectives and codes of conduct of this act of parliament in every part of their work.
PANDA: Normal police car that's not used for pursuing other cars. That's generally left to the Area Car or an IRV.
Pimp - someone who takes money from a woman on the sex trade. Also known as living off immoral earnings.
PIT: Precision Immobilisation Technique Manoeuvre (usually they try using a stinger to burst the tiers of a car thats speeding away from the police but it's not always possible. Where the road is wide enough and no one will become endangered by it,advanced drivers who are TPAC trained can do a manoeuvre to the car they're chasing and put it into spin to stop it. It CANNOT be done to busses/trucks/motorcycles etc and it's advised to not do it to a car you fear may be carrying armed occupants but to be honest it's not a massively used thing in the UK.)
PNC: Police National Computer = Real time checks on criminal records, outstanding warrants, missing and wanted people, registration checks etc.
PolAc: Police Accident (Ie car crash or hitting a pedestrian etc when it's a police officer involved)
PR: Officers police radio.
Refs: Refreshments/break time
Ringer - A vehicle that has been made up of parts of other cars or identity changed. Sometimes called a Cut n Shut.
RJ: Restorative Justice - a criminal doing something instead of being cautioned/imprisoned - like painting over their graffiti with a new coat of paint.
RTA/C: Road Traffic Accident/Collision
Rule 43 (Now 45): Vulnerable Prisoners in a prison. Smithy endured bullying to avoid being put in this as it means segregation and would bring him more attention and also a lot of isolation. This is for prisoners who are sex offenders, mentally ill, have a target on their back for grassing or being a convicted police/prison officer etc.
RUI: Released Under Investigation - bailed but the case is still being investigated and can be rearrested at any moment. The police hate this but the government have got touchy over bailing people.
Section 59 - Anti Social Behaviour Vehicle Seizure - you've kept driving like a prat so they're taking your car.
Section 165 - Seizing a car for no insurance. Most likely to be crushed.
Shout: A call out/incident communicated over the radio.
Sierra Oscar: Sun Hill Station Call Sign
Snout: Registered informant who gets paid for giving info. NNo sometimes CHIS - Covert Human Intelligence Source or Informant.
SO10: Now Covert Operations - Undercover Policing - can be long term and go really deep undercover. Stevie used to be in this dept. Now includes Counter Terrorism.
SOCA: Serious And Organised Crime Agency
SOPO: Sex Offenders Prevention Order (useless essentially!)
SOR - Sex Offenders Register
Stretch: Prison sentence.
TIU: Telecoms Investigation/Intelligence Unit
TOA: Time Of Arrival "Show me TOA 13.23"
Tom: Prostitute
TPAC Tactical Pursuit And Containment - trained officers who bring vehicles to a stop - like boxing cars in etc.
Trojan Unit: Armed Police
TSG: Territorial Support Group
TWOC: Taking a car without owners consent
VIN: Vehicle Identification Number
VRN: Vehicle Registration Number
Phonetic Alphabet Alpha, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliet, Kilo, Lima, Mike, November, Oscar, Papa, Quebeck, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, Xray, Yankee, Zulu.
Areas Of Sun Hill/Canley Wharfs/Docks Jubilee Wharf, India Wharf, Limeharbour Dock, Sussex Wharf, Limeharbour Dock, Sussex Wharf, Old Jubilee Dock & Boatyard, Masters Wharf, Dockland Pier, Skippers Wharf
Council Estates Aldbourne,Bronte, Abelarde, Antrim Green, Canley, Farley, Parkmead, Jasmine Allen, Coal Lane, Cockcroft, Whitegate, Hardie, Larkmead, Tankeray, Copthorne, Netherlake,
Other Stations Barton Street (Sierra Bravo) , Spicer Street, Putney Green, Stafford Row (Sierra Charlie),
Industrial Estates
Cheetham Road Industrial Estate
Streets Trafford Way, Loftus Road, Leermont Road, Gatley Street, Purchase Road (Red light district), Brands Square, Jamaica Lane, Larkway Street, Godwick Street, Sun Hill Road, Shadwell Street, Harlow Street, Dunsford Street, Brown Square, Victoria Road, Dorral Road, Alforn Street, Mallan Street, Ashon Street, Brim Road, Rudcus Street, Cheetam Road, Cheetham Side, Jessop Street, Halpern Street, Tallow Street, Hoxton Road, Backhouse Street/Lane, Mournemouth Street/Avenue, Rudkin Road, Bagford Street, Brunell Avenue, Askill Road, Limefield Walk, Railton Street, Canley High Street, Ida Lane, Tubbs Lane, Claydon Street, Woodley Heath Road, Ballina Road, Starkwater Road, Calico Street, Tedder Street, Greenroad Way, Greaton Road, Mooreland Road, Ibbot Street, Rudleigh Road, Westway, Abbey Road, Broom Lane, Foundry Way, Humber Street, Muston Street, Valance Street
Prisons Longmarsh
Hospitals St Hughs
Schools
Cheetam Primary/Junior School, Shad Thames Infants School, Elcott Primary,
Canley Comprehensive, Harvey Wallace Comp, Deansgate Comprehensive, Cheetam Bank,
Pubs
Canley Arms, Askill Arms, Rose And Crown, The Green Archer, The Bears Head, The Elcott Arms, The Seven Bells, The White Swan, The Scales, The Grape And Bottle, The Dog And Gun, The Pikes Head, The Thames Tavern, The Pikes Head, The Tully Arms, The Boat Inn, The Tug, The Emma Hamilton, The Cock And Crown, The Sultan. Lord Banbury
Misc
North Canley Sports Center, Canley Fields, City Farm, St Ann's Church, Cheetham Community Support Center,
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m4ndysk4nkovich · 4 months
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if i show up to christmas and jeremy allen white, abby elliott, jon bernthal, ebon moss-bachrach, gillian jacobs, sarah paulson, oliver platt, chris witaske, matty matheson, bob odenkirk, john mulaney, and of course, jamie lee curtis aren’t there, i’m leaving.
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divinecouture · 1 year
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hawkeyes-world · 1 year
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maya in paris is giving stevie nicks vibes
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doctorstethoscope · 2 years
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doctorstethoscope's 2k celebration 💞
hiiii besties, thank you all again for 2k! It means so much to have y'all here with me. This is just a little something fun for me to say thanks to all of you and for you to hopefully get to know me better <3
This celebration will be open from 8/16-8/20, but you can start sending in asks any time! It will help me to queue content so I can hopefully get to all of these before the celebration is over.
for anyone:
🌈: send me a prompt from this or this or this list and I will write a drabble!
🖋: send me an ask from this or this list!
🎧: send me a song and I will listen and tell you what character it reminds me of!
for mutuals:
💛: cast your mutuals as...
🌝: send me a fic and I'll review it! (less than 3k words pls)
💝: send me any of the prompts from the above lists and I will write a one-shot!
some notes: I will be writing these for whichever characters I am most inspired for when I read the prompt--- plenty will be Hotch-related, I'm sure, but there will be some others in the mix too! (and I'll tag appropriately here). Also, I reserve the right to cut off one shot requests if it gets to be too much (I know my lovely moots will understand but wanted to make it clear for full disclosure)
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kurts-world-101 · 2 years
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The list of people that think like this, is longer then my wang.
Just know saying you are thinking about me makes my dick hard
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rocky17 · 1 year
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Dreaming of becoming a rockstar.
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ghostmistdraws · 8 months
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This is chaos
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reversecreek · 2 years
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“Uh-huh, that’s it, baby. Lil’ more on the left. Just a sprinklin’.” Smoke coiling off the bonfire like it was imitating Stevie’s hips, her parent’s backyard party was in full, roaring swing -- she’d taken to dancing in the light of the flickering flames, furling her hands left and right mid air in a slow, sensuously unique take on hula dancing. She’d once done the same in the sanitary products aisle of a supermarket and been asked to leave, but it totally wasn’t her fault that she was vibing to the aura of a nearby bald man, something erotically depressing about his wrinkled tortoise eyes. One of her foster brother’s kids -- who, frankly, shouldn’t have been attending an event where a few tents down one had been designated for hotboxing potent skunk -- was diligently pressing clumps of torn grass to Moss’ upper lip, slathered with eyelash glue, where he’d drifted off against a log, dared into devouring the entirety of an unfathomably strong edible by her father and inevitably paying the price. “Oh, he’s really comin’ together.” A little spin, braids spraying out in the firelight as she continued her dancing -- she’d spent some time playing with Moss’ hair as she smoked, earlier, kissed the pad of his thumb before losing herself to the shimmy of a tambourine, unable to remain in one spot for too long even if there was something charming about watching him snooze. “We’ll make a man outta him yet. I can see the vision.” A sneeze saw the young boy’s grass collection go flying, a dandelion landing in Moss’ shaggy mane, and finally he stirred at the commotion, prompting a lazy smile to unfurl on Stevie’s lips like a flower budding open. Swaying along barefoot, she cupped at her nephew’s chin, thumbed the dimple on it gently, then nodded that he could go. “Oh, wow.” Attention on Moss, then. “Enchante, good sir. It’s a pleasure,” came with her hand limply extended, wrist slack, waiting for him to fetch it up and press her knuckles a kiss. “You look like someone I had in my ass once, but... yum, hairier.” A perk of her eyebrows, clearly indicating the grass her nephew had been gluing to his face in place of a moustache. Feel like pure shit, just want her back. She’d sent the image to Moss without elaboration, once, assuming he’d read her brainwaves. “Anyone ever told you that, before? I bet you get it all the time.” @petalites​
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To the victor the spoils
Written for the @steddieholidaydrabbles, day 19
Prompt: Enemies to lovers
Rated: T
CW: light blood and violence; steamy kissing; very light dubcon if you squint (they're actually both super into it, I promise)
Tags: Fantasy AU; Magic AU; Guard!Steve; Thief!Eddie; Sexual tension; Flirting; Fighting; First kiss
Notes: Thought that kiss was hot in writing? Wait until you see it! @house-of-the-moving-image did an entire mini comic!
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In the end, it’s just the two of them again. 
Steve jumps over another groaning pile of half-conscious guards and bursts out onto the roof, cold night air slapping him in the face and making the cape of his uniform whip. 
“Munson!” he barks. 
He is standing by the edge of the roof, a black cut-out against the starlit sky. As Steve stalks closer, he can see the smile curling at his lips, the amusement glinting in those dark eyes. 
“Stevie,” he greets, like they’re two acquaintances who’ve just met on the market square - not the new Captain of the Guard and the city’s most wanted criminal. “My, don’cha look strapping in the new get-up. Congrats, I bet daddy’s mighty proud.” 
“Shut it,” Steve growls, ignoring the way Eddie’s eyes linger on his golden breastplate, the way it makes a treacherous heat prickle at his neck. “Flattery will get you nowhere. Now give it back!” 
He jerks his head at the necklace clutched in one black-gloved hand. Eddie pouts. 
“Don’t wanna. It’s shiny.” 
Steve groans. It’s like talking to a five-year-old. A five-year old clad in black armor who’s versed in combat magic. 
“It is a priceless magic artifact that’s been in Lord Carver's family for generations-” 
“Yeah, and what a load of good they’ve done with it,” Eddie sneers. “High time it got into the hands of someone who actually knows what they’re doing.” 
“Oh, and that someone would be you?” 
“Look at you,” Eddie winks. “Pretty and clever. Now if you’ll excuse me, I gotta-” 
“You’re not going anywhere!” Steve snaps. His sword slides out with a high, metallic sound. 
Eddie raises his hands. “Woah, big boy. Careful now, you don’t wanna-” 
Steve roars and lunges. 
Eddie skips out of reach, but not quite fast enough. A lock of curly hair floats to the ground. 
“Oh sweetheart, you're gonna regret this,” Eddie purrs. 
And all hell breaks loose. 
The air crackles with the taste of ozone, a blinding light erupts from the artifact, and Steve just barely manages to parry. Something whirrs through the air, glides off his blade and a sharp, hot pain explodes all over the side of his face. Something warm trickles down his cheek. 
“Hell yeah,” Eddie whoops and comes flying at him, giant shards of solid magic whirling around him, eyes eerily alight with their glow. “That's what I'm talking about!” 
The world blurs into a frenzy of movement and adrenaline. Attack and parry, dive for cover behind the towers and turrets and battlements of the roof, attack again. It’s almost comforting in its familiarity, this dance of theirs. Steve knows all of Eddie’s little quirks, the subtle twitches of his face that indicate his attacks before they actually come. They’ve done this so often, he can read him like an open book. 
The problem is, Eddie knows him just as intimately. Steve screams with rage, forces his aching limbs to go faster, harder, but it’s no use. Every blow that he tries to land, Eddie blocks, every twist and turn he makes, Eddie’s already there, always with that infuriating, dimpled grin, that amused little quirk of his brow. 
Until Steve’s foot lands on a wet patch of moss and he slips. 
It all goes so fast he has no time to be terrified - just feels the horrible sense of vertigo as the world tilts and the cobbled street jumps at him. Then, before he can so much as scream, there's arms wrapping around him and he's being hauled backwards, back pressed flush against another body. His blade goes clattering into the shadows.
“Whoops,” Eddie chuckles into his ear. Steve can feel his chest rising and falling with exertion, can feel his hot breath clouding against the shell of his ear. “Thought I told you not to fall for me.”
“Shut up,” he snaps, tries to struggle free, but Eddie has one arm around his chest, the other flush against the hollow of his throat, and he can't go anywhere. “Don’t give yourself too much credit.” 
“Oh, do I?" Eddie’s lips twitch into a smirk against the nape of his neck. “Then why were you holding back?” 
“Fuck you!” he grits out, but all it earns him is a low tut. “Now release me.”
“What, without a reward?” Eddie’s voice tingles down his spine, sweet and potent like poisoned mead. “You know how I am about pretty things. And you wouldn't wanna deny the victor his spoils, would you?” 
“Asshole!” Humiliation coils hot and heavy in Steve’s abdomen. “Stop joking and-” 
Eddie snarls against his ear. “I've told you a million times, honey. I'm not joking.” 
Steve’s world spins again, breath punched clean from his lungs as he is flipped around and slammed against the nearest wall. Eddie doesn’t leave him any time to recover, just surges in with a hungry growl and crashes their lips together. When Steve tries to struggle, he bites down on his bottom lip, uses the pained gasp it earns him to lick into his mouth. 
Someone moans, but it takes Eddie running his tongue over the roof of his mouth and pushing a leg between his thighs before the sound tumbles out again and Steve recognizes his own voice. They only break apart when they run out of air, both flushed and struggling for breath. 
And that is when the door to the roof slams open and Lord Carver and his men push through. 
“He went this way! Seize him!”
Eddie lets out an annoyed huff and leans in for one last peck against Steve’s lips. 
“Sorry, darling. Gotta go, y'know how it is. See you next time.” 
He steps out of his space and the night air hits Steve like a bucket of ice water. Eddie winks at him and steps over the edge of the roof. 
By the time Carver and his guards arrive, the night has long swallowed him.
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Part 2
All my holiday drabbles
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forensicated · 1 month
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Conviction - Part 6 - Judgement Day (6/6)
Leon and Millie arrive at a disturbance at a playground on the West Gate Estate to find Ara Byatt desperately searching for her niece Jala. Jala had to watch her father die when they were being trafficked by the Devlin's and he and another man were crushed by the poorly loaded contents falling on them. Today is the first day in court.
Callum finds Smithy sat in the darkness of the locker room. Smithy's staring at his warrant card, enduring flashbacks of assaulting Jason Devlin. Callum reassures him not to worry about the witness, everyone knows he's been bought. He's interrupted by Leon reporting over the radio that Jala has gone missing. Smithy and Callum rush to the estate. Leon reports the only other person he saw after their arrival was a road sweeper. Callum tells him to find him and if he can't to get in touch with his boss and track him down that way.
At the court, Neil and Jack learn that Devlin's barrister is very expensive - Daddy must be worried! Smithy has not been called by the prosecution but the barrister wants him on standby just in case he's needed to give evidence. He's going to focus on Hassiq informing about the people trafficking as he classes the assault to be a distraction. Hassiq insists he wants Devlin to look him in the eyes and see that he's not scared of them. He finally feels like a man who is worthy of Ara - if she wants him - now he's speaking out.
Smithy stays with Ara and tries to calm her down and get her to talk through what has happened. Tony and Callum start going door to door. She asks Smithy to speak to his superiors and get them to tell Hassiq that Jala has been taken as she thinks it's either the Devlin's or the community that have taken her to stop him giving evidence - the Devlin's to collapse the trial or the community to stop daylight being shone on so many illegal immigrants living on the estate.
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The prosecution barrister opens his case explaining that Devlin is the head of an organised crime group who are involved in human trafficking and the evidence was kept by his bookkeeper who is one of the people he trafficked into the country. The evidence will be deciphered in detail by said bookkeeper - Hassiq. Jack refuses to let Hassiq know about Jala, calling it management not manipulation. Instead he sends every available officer to track her down.
Millie gives evidence and explains Smithy rescued Jala and then returned for her father when she told them he was there. Smithy did his best to save him but it was too late. Jala had to witness the entire thing. The prosecution barrister asks Millie if Smithy was very upset by finding the two men trapped. Millie explains that he was doing his job and the barrister asks again, pointing out that it's distressing to hear Millie was distressed at the time and then asks again if Smithy was. Nah love, he was tap dancing. Bit of a generous bit emotional manipulation to make out Smithy was the most distressed out of all of them and that's why he attacked Devlin. Even the judge fails to see the relevance but the barrister claims Smithy's emotional response is at the heart of their defence and as the prosecution haven't called Smithy she can't ask him herself. When it's allowed, Millie says Smithy was concerned.
Hassiq is delivered to court by Kezia and Will but before they can stop it, Ara runs towards him and tells him about Jala. Neil tells him they don't know what has happened and everyone is out looking for her. He tells him he can go later in the running order but not to give up entirely and let the Devlin's go free. After all, Jala's fathers death would be for nothing. He refuses to give evidence until Jala is found.
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Jack is now fuming that Hassiq knows about Jala. Smithy insists it wasn't their secret to keep and that they only get to keep their trust by playing it straight and he's sick of all the lies. Callum tells him he didn't have to be the taxi driver (he drove Ara to court) and that without Hassiq's evidence Smithy is 'the main event'.
Jala has been spotted on the route to her school walking behind three girls. She never made it into school so Rachel wants the girls identified and questioned. It could be witness intimidation so they need to find her quickly to ensure her safety and that the Devlin's don't walk out of court scot free.
Smithy insists to Callum he's going to make it up the right way by finding Jala. Callum says he'll tell him what the school say. In passing Stuart mocks Smithy and says CID 'love him up there'. Stevie tells him to ignore him. Ara doesn't recognise and of the girls Jala was following. Stevie asks if Jala could have gone off for time to think and Ara shakes her head and explains Jala is scared to be alone and that she thinks it's to stop Hassiq giving evidence. Stevie asks if anyone could have cottoned on to their relationship and Ara explains they never went to each others flat and always met away from where people who know them would be. If they met at the community center they would simply say hello and that they're not like Westerners with it on show, they treat love as being private. Stevie explains that Smithy was suggesting that however successfully she thinks they've hidden it, feelings always have a way of showing. "Sometimes you can't help it." She says, looking at Smithy. (this is weird... They're trying to imply something happened and continued after Gun Runner a year ago when it didn't, they agreed to continue just being friends and didn't even have *moments*. And after this it's all forgotten again. It's very confusing and only there for the storyline!)
Callum locates the girls who were walking with Jala. One, Vicky Bell, was assigned to be her 'buddy' so that she could find her way around school but it's clear they're not 'friends'. Vicky says she was with them but went back because she forgot her PE kit. In a search Millie finds Jala's bag at the side of the canal. One strap has been broken but there's no sign of blood or violence other than the strap. Callum and Tony spot Vicky again a little later. She says she's going home because school is over despite it being not even 12. Callum suggests she's looking for Jala's bag to see if they'd found it. He asks what happened. She tells him that they tried to make her come to school but she wouldn't because one of the other girls was bullying her about her father and rubbing it in that they all still had theirs. Smithy updates Ara and asks where she'd go if she was thinking about her dad. Ara doesn't know because she's quiet, but she suggests the cemetery or the river where they threw flowers in for him.
The prosecution call one of the victims of trafficking, Zemar, and ask him to identify his stolen property. He tells them that it - a ring - was removed from him in Holland by Babur the driver. It was found in the boot of Jason Devlin's car. He would get his ring back by working but he claims he doesn't know for who - despite what he said in his statement. Neil and Jack look worried. The defence pulls out a rng from her pocket and hands it to an usher, asking if it's Zemar's ring. He says yes. She does the same with another ring that is the same and he says yes. She says they're 10 a penny in the markets of Kabul and it's not rare. She suggests that the ring found in Devlin's boot could also not be the same ring. Zemar admits it could be any of them or perhaps none of them, He's been gotten to by the Devlin's.
CCTV shows Jala willingly getting into a car that has been spotted on the Longbridge Estate by ANPR. Rachel authorises Smithy to take as many people as he can down there to find her. "No pressure!" Stuart The Dick shouts after him. They force entry into the home it is outside. The mother panics and grabs her children, whimpering in a foreign tongue. Smithy tries to explain it's alright and shows them a picture of Jala. Before he can say anything the little girl cries out Jala's name happily. Tony finds her coat in the front room.
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Jack has to tell the judge about Jala's disappearance and that they think it's a message to Hassiq to keep him quiet. The judge asks why and the defence barrister has to admit there's a problem with disclosure and he can't tell him. The judge tells him to get over the disclosure problem or there'll be no extra time. He hopes the child is found for her sake but claims it has no bearing on proceedings as things stand. If Hassiq still refuses to give evidence then the judge shall withdraw the trafficking charge. Jack tells Neil there'll be no delay if Hassiq refuses and the charge will be removed. He insists they've likely got the girl, they've got to Zemar and he wouldn't be surprised if they had the judge in their pocket too.
Smithy explains to Rachel that the woman they've brought in was granted leave to remain a few years previous but the children's father was killed for deserting Afghanistan's army. In interview the woman claims via Sammy the interpreter that it was her daughter who brought the coat home. Smithy gets Sammy to explain that Jala is in danger. She won't be drawn further. Smithy asks Ara to speak to her and explain that the only way to get through it is to stick together and she won't have to be so scared. He says if it happens to Ara it could happen to the women's children and that Hassiq is trying to stand up for their community and release the stranglehold the Devlin's have.
Stevie gives her evidence, explaining that she was escorting Devlin for his own safety after he'd enforced surprise evictions on an angry estate. They found two teenagers attacking his car and he chased the teenagers away before checking his boot. She spotted a holdall in the boot that matched the description that Babur, the driver of the lorry had run away with. Devlin assaulted her to stop her looking in it to see if it was the same one and kicked her unconscious on the ground. He asks why it was so important for her to look int he bag and she explains that if the jewellery was inside it would imply a chain of command - for example Babur removed it and then would pass it to the boss - Jason Devlin. The defence protests it's conjecture and he's advised to stick to fact so he does:
Did Devlin let her look at the bag? No.
Did Devlin kick her unconcious? Yes.
Was the jewellery taken forcibly from people illegally trafficked into the UK found in the bag? Yes.
No further questions.
Ara speaks to the woman 'alone' with Callum and Smithy in the viewing area alongside Sammy. Sammy explains that the woman is saying she doesn't understand any of it and doesn't know where Jala is. Ara accuses her of protecting the kidnapper and thrusts her against the door. Smithy and Callum force the door open and manage to get in, separating them. Ara tells Smithy that the woman said nothing because she's scared for herself.
The defence barrister insists that Stevie is remembering wrong, Devlin acted in self defence only and that there was no holdall in his boot. She claims it was a rollercoaster of an emotional day. She had to look after Jala who had seen her father die, she had to support the mans greiving sister as she identified the body. It would have been very emotional. She suggests she blamed Devlin when it all got too much, despite there being no evidence to support her claim. She says Smithy said 'it was your fault!' to him and Stevie explains that Smithy was meaning the riot was his fault in reaction to his evictions. The barrister goes on to tell the jury that Smithy and Stevie are close and the case had become personal for them. She claims the evidence was dreamt up and was embellished by them together - the judge tells her off for attacking the character of the witness. She's asked if she and Smithy are having a relationship and then if they have feelings for each other. She says no to each. The barrister asks if he has feelings for her and Stevie suggests she'd have to ask Smithy.
"Isn't it true that Sgt Smith shot someone to protect you?" The prosecution barrister leaps to his feet to call an objection. The judge allows it and says it's relevant so Stevie has to explain that there were 14 other people also in danger. "Answer the question, did Sgt Smith shoot someone?" "Yes, in the line of duty" (he was also in CO19 fgs!) and admits that the man did die - but for some stupid reason does not quickly add 'he was holding a machine gun he was about to discharge into a pub full of innocent people'. Even if the jury would be told to dismiss it. The defence asks again if Sgt Smith shot someone to save her. Stevie repeats that she was one of a number of people and adds this time that Smithy didn't even know she was there. "But you were there, you were one of the people he acted to protect." and then speaks to the jury like it's all because he's in love with Stevie and that he then attacked Jason Devlin because Stevie was hurt. I mean, the man also protected Cutler and Gatting's lives - both men who had held guns pointed at him with a legitimate threat to kill him at least three times off the top of my head! She says that her witness will tell them how Smithy reacted in response to seeing Stevie hurt when they give their evidence. Stevie says she knows Smithy did not assault Devlin or plant the evidence. The barrister asks how given she was assaulted. "Because I know the man." she says firmly. "Exactly." The barrister smiles, going on to claim that the case is nothing more than a vendetta dreamed up by two police officers with an intimate and personal knowledge of each other. Devlin Senior smirks across at Neil and Jack.
Smithy is called to attend court by the prosecution so Callum takes over with Ara. Ara says she doesn't recognise the car Jala gets into and she doesn't know how as she's with her auntie if she's not at school. She avoids talking about real emotional things as she's not ready to deal with the pain that brings. She's a very quiet girl. She sings a rude folk song that she learnt in the lorry that was taught to her by one of the other men in the lorry. He promised he'd take her to meet the queen and that there were trains that ran underground and shops as big as palaces. She doesn't know his name however... but it could be him that Jala got into the car to see. Callum wonders if it's Zemar - or linked to him - and he asks Leon to check to see how he arrived to court It's the same car! He asks Ben to go to his flat.
Rachel tells Smithy he has to deny he's in a relationship with Stevie. "... I'm what?" he blinks, his face a picture. Jack advises him to strip the emotion away from the case, keep measured, keep to the facts and nail the case. The prosecution opens by asking Smithy if he is in a relationship with Stevie, if he ever has been and if he has any special feelings towards her. He answers no to all. "No further questions, your honour."
Callum asks the woman where Zemar took the girl - he tells her they know he came to her house with her and then returned for her later so where has he taken her? She tells him that he is a good man who has a daughter the same age. He took Jala there to meet the children and then went to do an errand (or really appear in court.) Then he took her somewhere secret 'where time begins and ends'. Tony suggests the Royal Observatory in Greenwich.
The defense barrister claims Smithy and Stevie cooked up the entire thing against Devlin themselves after they took Ara to identify her brothers body. Smithy explains his training, experience and professionalism meant he wasn't emotionally involved like she has been making out. She claims Smithy doesn't like Jason Devlin and he says he neither likes nor dislikes him. She claims he assaulted him when releasing him from the station. He explains he held his arm whilst escorting him out. She classes that as assault and Smithy points out that he made no complaint. She smiles and says he has now and that there is a witness, Mr Eshan who will explain how Smithy "punched and kick-" she starts to say before she's told off again and told Mr Eshan can give his own account of what he witnessed. For an expensive barrister she's not much good! It's like she got her training in the playground. Her entire case is Groundhog Day. "You love your friend!." "No I don't!" "Yes you do!"
She claims Stevie was lying about spotting the bag in the car boot because Smithy hadn't yet put it there. Smithy says that's not true. She asks if they had any evidence prior to this and he admits they didn't and they were working to find it. She suggests his very limited line was that they needed evidence so he made sure they found it. Smithy explains that - like in every police case - they have a suspect and then search for the evidence to prove or disprove that. She suggests that they find the suspect they want and then fit the evidence to frame that person. Smithy says that's not what he said or what happened. She says he held him responsible for the trafficking, the assault on 'his lady friend' and handling the stolen property. Smithy says yes and that was because of the evidence. She tells Smithy he has form of becoming too emotionally involved and brings up Kieran Wallace.
Callum spots Zemar's car in the carpark of the observatory and gets Tony to stop. Within seconds they spot Jala with Zemar. He sees the officers and grips her arm, trying to make a run for it.
The prosecution barrister explains that the constant bringing up of Kieran Wallace and his death is irrelevant as it's a different case and different circumstances. The defence barrister insists that the common denominator in both is Smithy using deadly force. Smithy speaks directly to the judge and says he'd like to properly explain what happened with Kieran Wallace. He pointed out that Kieran was a known criminal armed with a machine gun that he was about to use in a public place. The defence try to cut in and say that they're talking about his motivation and Smithy cuts over her. "My motivation was to protect the public using my training as a firearms officer." he goes on to explain that he identified himself as a police officer to Kieran and ordered him to lay down his weapon. Kieran refused and aimed to fire at him. Smithy only shot when he had to with the knowledge that the people behind him were not in danger. "You're insinuating that my professionalism was in doubt. Read the report. It's not."
Tony approaches Jala and Zemar to talk and manages to get Zemar to hand Jala over. Callum asks Tony what happened whilst Mel takes Jala and Leon and Ben arrest Zemar. Tony tells Callum that the Devlin's offered a whole years wages to do one day of work for them and that he was desperate as he's about to be deported so agreed.
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The defence barrister claims there's a parallel - Smithy decided people were in danger so he acted. He decided Stevie was in danger so he acted (It's almost as though - shock horror - he's a policeman!🙄) Smithy points out he wasn't there when Stevie was attacked "But you were there to give first aid to Jason Devlin, to get his blood on your clothes and your DNA on him." Smithy calmly says he arrived moments later. "Milliseconds." the barrister drawls before asking if he was that quick, how did he not see the attack on Stevie. She insists he did and that his 'relationship' with Stevie meant that he lashed out and attacked Devlin. "We're trained to do this, day in day out. I'm not saying we don't feel anything, what i'm saying is that training is the difference between what we feel and what we do." Smithy insists he didn't attack him and he didn't put anything in his vehicle. "YOU'RE A LIAR!" Devlin shouts from the dock. He's told to stay quiet or he'll be removed. The defence brief continues, saying it beggars belief that he could blame Devlin for the 2 bodies and then see his friend attacked and not react in a violent way. She finds that unimaginable "That's why I'm a police officer and you're not." Smithy says calmly - to murmurs of amusement and agreement from the gallery and jury. Neither the defence or prosecution have any further questions so Smithy steps down. Jason hisses at Smithy that he's a liar. Smithy just looks flatly at him before leaving.
Matthew Devlin leaves the room for a breath of fresh air but is stopped in the waiting area and arrested by Callum for conspiracy to kidnap and witness intimidation. He smirks and insist that he knows nothing about what he's talking about but the mask slips when Khaleed Hassiq is called and he stands up, coldly eyeing Devlin Senior as he passes him on his way into the courtroom. Jason looks unnerved as Hassiq enters the room and swears on the bible. He stands up and meekly says 'I'd like to change my plea."
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The prosecution brief claims there must be something in Hassiq's evidence that they don't want made public or put on record. Perhaps people they've cheated/bought or someone they're protecting. Either way - they've got the result they wanted. Stevie tells Smithy to cheer up because they've got the result they wanted. "You did it." "Did I?" "Yes, you did!" she smiles.
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Rachel tells Heaton she's thought about his offer and she's decided that yes, she will go with him. He also takes Kezia and Stuart. Rachel says they're great officers and he tells her that she's the best person to lead the team. Blah. All four of them will not be missed.*
Stevie goes and finds Smithy after, inviting him for a drink to celebrate the fact they're not an item. "Cor dear, that would have really messed things up if we were wouldn't it!" Stevie laughs. Smithy agrees to go for a pint and says it'll probably end up being several! Jack approaches and tells Smithy he doesn't appreciate him bringing Ara to court. Smithy says she'd have arrived anyway. Jack just nods and says he appreciates a man of principal. "I've heard that Rachel is leaving. Do you want her job?" Smithy does a literal double take. "... Just like that?" "If you want it." "Why me?" "Because I trust you, especially after today." "Ok, yeah..." (I have mixed feelings about this, I'm happy because obv he's been trained and moulded by Gina and he's a good man and it's for the greater good (and it also means Rachel has gone)but also they totally ignore the fact that Smithy still broke the law twice - the assault and perjuring himself in court. It being Smithy, he'd be eaten up by it as he was through the fight with Callum, when he tried to confess and also when they showed him still hearing the screams of the people in the lorry or having flashbacks. He wouldn't immediately feel like he deserved a promotion off the top of it. The only acknowledgement in the entire final episode of Conviction was flashbacks when he was in the locker room. It could have been a more involved and rounded story if it was taken into consideration and if he'd shown further remorse and struggling to align his job and his guilt but I guess they wanted to move on quickly and forget the naughty side ever happened! Especially as the next episode has Callum accused of chasing a suspect into the traffic only for him to be killed by a vehicle so they didn't want both brooding.)
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Callum is waiting outside for Smithy and tells him that Devlin Senior is being processed. "You did it then?" he says to Smithy. "...What do you want, Callum?" "Nothing." "Good." Callum tries to make a joke of it saying that it's his caring sharing moment but he's not very good at it. "We walk a hard line and it hardens your soul... I mean it, it does. I've worked with people so cold they may as well be dead inside. Things are going to be different for you now, yeah, but you're not there... you're not even close." "So why does this feel like a defeat then?" "Because it has to. If there wasn't a price then we wouldn't know we'd learnt something." (in my opinion THIS is where Smithy's offer of promotion should have been - after that chat).
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*On reflection it's a pretty large clearout before the reboot and the change to 1 episode a week when added together with Sam leaving a couple of episodes before the first Conviction episode and Diane returning for one episode to round off Kaye's contract.* Tony, Sally and Millie are due to leave before the series finishes so that's 9 characters in roughly half a series/year.
Other than Kirsty there are no new officers taken on (not counting Lisa Kennedy as she was a guest for 7 eps). Noone new arrived full stop in series 25 but there are a series of shufflings with Smithy becoming Inspector, Jack finally becoming Superintendent, Will becoming a full DC, Stevie becoming a DS and finally Jo transfering from CID to Uniform within a few episodes of the rebooted S26.
If interested, the last new officer before Kirsty (18th February 2010) was Rachel Weston who arrived 6th August 2008) Poor Sarah, her first appearance on screen was literally 5 weeks before it was announced that the show had been cancelled! She'd have only arrived around Nov/Dec 09 - she got all of 6/7 months on the show when filming stopped on the 15th June 10!
*Old Habits was shot as a 2 parter for Diane to return as a Sergeant but ITV's changes for the reboot meant that they needed to reduce the size of the cast and new scenes were shot to explain Diane moving to Barton St and just returning for one night to get her eye back in after her promotion when she had been working a bit more up north. It did seem odd to have her return for a night so does make sense, but poor Kaye! It was announced in the press on the 22nd January 2009 and Old Habits aired 30th April so would have been being filmed around/just before the announcement so at least there shouldn't have been too much filmed of other eps to have to re-do/edit/re-write. What a welcome back from maternity leave though! "You're going to be a sergeant... ah, you've lost your job."
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midheavenastrology · 1 year
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𓆏𓆏𓆏Your outer appearance + astrology ✪︎︎✌︎
****Celebrities examples are all sun sign placements, but description would be more for rising+sun.
👀Sagittarius placements always have cat eyes and really luscious lips 👄 they’re like the siren 🚨 personified xxx I personally think they’re some of the most beautiful people that have graced the earth- so sensual, so sessy. ex: Zoe Kravitz, Scarlett Johansson, Alexa Demie, Lucy Liu, Jane Birkin, Brad Pitt, Gemma Chan,
👀Cancer placements …y’all are SO ethereally beautiful, like what ? You all look like fallen angels: full, round face, soft eyes and perfectly pouty lips. So angelic, so divine 👼not stereotyping but y’all do look a little moony lol 🌝 ex: Margot Robbie, Selena Gomez, Ariana Grande, Kali Uchis, Hoyeon Jung, Lana Del Rey, Hope Sandoval,
👀Taurus placements..your bone structure is insane. This one’s obvious because Taurus is ruled by the planet of beauty, Venus, but there’s this grace and goddess/god like energy of Taurus placements. Earth mama/daddy energy. 🌎🍃Nurturing, grounding peaceful. 🕊ex: Gigi Hadid, Robert Pattinson, George Clooney, Cate Blanchett, Travis Scott, Megan Fox, Machine Gun Kelly, Penelope Cruz
👀Gemini placements: there’s this untouchable kinda beauty to y’all. Almost like you’re not from this planet. Eternal youthfulness (Mercury ruled y’all) feminine yet masculine at the same time or vice versa. 🧔‍♀️Very gender fluid. Mischievous look in ur eyes. Deep set eyes that have perma Smokey eye filter. Smaller frame ex: Angelina Jolie, Natalie Portman, Lily Rose Depp and Johnny Depp, Tom Holland, Princess Nokia, Emma Chamberlain, Emily Ratajkowski, Stevie Nicks, Naomi Campbell
👀Capricorn placements..this one’s personal because I have many caprisun placements, but everyone always says I have great bone structure. I see that in a lot of Capricorn celebrities. Great smiles (Capricorn rules the teeth), oddly goat 🐐 like but in the best way possible. Beautiful skin and usually blessed with great hair as well. Actually really ageless, no joke, we ages backwards I swear…a little elf like 🪄🧝‍♀️ ex: my boy Timothee Chalamet, Suki Waterhouse, FKA Twigs, Kate Moss, Hunter Schafer, Jared Leto, Francois Hardy, Florence Pugh
👀Scorpio placements: for real, y’all are so frickin sexy. Like damn.. you got those bedroom eyes and killer smile. Even if they’re not traditionally handsome (like Libras lol) there’s always something about Scorpio placements that draws you to them magnetically. Hypnotizing. Also there’s a kinda vampire 🧛‍♀️ vibe to them ngl. ex: Ryan Gosling, Leo DiCaprio, Travis Barker, Adam Driver, Winona Ryder, WILLOW, Joaquin Phoenix, Drake
👀Pisces placements: otherworldly beauty, like so so dreamy. They have that “dream girl” “dream guy” aura to them. Enchanting, intoxicating. 🔮Neptune rules Pisces and there is a undeniable fantastical quality to y’all. The kinda peeps that you can’t really take your eyes off of. Old soul energy with deep kindness in their eyes. Mermaid/merman energy 🧜‍♀️🧜 ex: Rihanna, Bad Bunny, Ansel Elgort, Olivia Wilde, Liz Taylor, Lupita Nyung’O, Drew Barrymore, Erykah Badu, Kurt Russell
👀Libra placements : I always tell people that Libras are gods favorite. They got the charm+ the looks+the artistic talent. 🙏Sheesh 🙄 There’s a kinda sweetness to their looks, yet you know they’re hiding something from you. It’s the same trickster energy as Gemini. If you were to create the perfectly balanced ⚖️human face, it would be on a Libra for sure. ex: Kim K, A$AP Rocky, Doja Cat, Brigitte Bardot, Gwen Stefani, Snoop Dogg, Dakota Johnson
👀Leo placements: there’s def a cat like energy to y’all- cat eyes, cat nose- just the way you carry yourself is regal 👸 you’re royalty and you know it. Big messy beautiful hair and even bigger luminous smiles. Your aura is like a big ball of light. Super star 🌟 quality. ex: Madonna, J Lo, Austin Butler, Jason Momoa, Chris Hemsworth, Mila Kunis, Cara Delevingne, Obama, Charlize Theron
👀Aquarius placements: Def something really striking about y’all, it’s like a beauty you can’t describe in words. 👀Tend to be quite slender in frame. Badass energy. 🏍Intimidating, yet warm. Contradicting to a T and that’s Uranian energy for you. ex: Harry Styles, Emma Roberts, Christian Bale, The Weeknd, Kid Cudi, Alicia Keys, Megan Thee Stallion, Shakira, Paris Hilton
👀Aries placements: there’s a childlike 👶🏻👶🏻innocence to your look, yet because of the Martian influence there is a fiery 🔥quality to ur looks and aura. Super sexy, yet looks like you wouldn’t hurt a fly. Smaller frame usually ex: Emma Watson, Paul Rudd, Kristen Stewart, Saoirse Ronan, Lady Gaga, Kiera Knightly, Pharrell
👀Virgo placements: Virgo is the virgin🧘‍♀️ maiden, and earthy energy of Mercury. There is a youthful quality to Virgo placements, just like Gemini, but it’s more feminine and soft in nature because Virgo is a feminine sign. Y’all have this wisdom in your eyes, like you see all the worlds hurts. Kind, gentle, yet a hidden sexiness to y’all. The kinda peeps who look innocent on the outside but u know there’s something quite tempting about them. 😉Smaller frame usually ex: Keanu Reeves, Salma Hayek, Zendaya, Beyoncé, Blake Lively, Tom Hardy, Idris Elba, Sydney Sweeny
That’s all y’all 💜 thanks for reading 🙏
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cissa-calls · 11 months
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I love you themes of haunting, I love you Stevie nicks, I love you Gothic architecture style windows, I love you hand sewn dresses, I love you eclipses and moon phases, I love you aged metal, I love you cracked ceramic and fine china, I love you vines and moss and fungi reclaiming things, I love you chiffon fabric, I love you pressed flowers, I love you books with yellowed pages that crinkle, I love you ink, I love you deep reds and ghostly blues, I love you whimsigoth, I love you mixed metals layering gold and silver
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nexttopbadbitch · 1 year
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Black women in bathtubs in their music videos:
Ayanis- Ecstasy (2020)
Saweetie- Closer (2022)
Ciara- Sorry (2012)
Ella Mai- Naked (2018)
Kash Doll- Ice Me Out (2018)
DonMonique- Black Kate Moss (2019)
Jessica Jarrell- Lately (Stevie Wonder cover) (2016)
Justine Skye- Build (2018)
K. Michelle- Hard To Do (2015)
Beyoncé- Pray You Can Catch Me (2016)
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thursdaygrl · 5 months
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my drafts aren't at an overwhelmingly big number & i have new muses i'm itching to use so let's do a redo on this starter call. they'll likely be short/one liners. i'm gonna put a list of preferred muses under the cut to select from.
alexandria hernandez, 21, lesbian, she/they, lizeth selene fc
booker ballard, 22, straight, switch, he/him, asa germann fc
dominique ouma, 24, bisexual, she/her, laura kariuki fc
ellis jiang, 26, bisexual, he/they, derek luh fc
jacob welch, 21, straight, he/him, milo manheim fc
joss yao, 24, bisexual, she/her, havana rose liu fc
kyra porter, 19, bisexual, she/her, whitney peak fc
lachlan murphy, 21, straight, he/him, josh macqueen fc
letha barclay, 26, bisexual, she/her, jaz sinclair fc
lucien olivier-moss, 24, bisexual, he/him, mason gooding fc
niamh bradshaw, 23, lesbian, she/her, erin kellyman fc
renata ornellas, 25, lesbian, she/her, alba baptista fc
river im, 24, lesbian, she/they, london thor fc
rory medina, 23, lesbian, she/her, ruby cruz fc
stevie poole, 21, lesbian, she/her, erana james fc
+ literally any canon or fantasy muse if they strike your fancy
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sleaterkinnie · 1 year
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gerard outfit predictions: 
baseball hat and tiny shorts classic
stevie nicks inspired
covered in vomit
lunch lady
regular clothes and a plain superhero mask
carrie brownstein adjacent 
pansy
full on anime girl maid cosplay wig and all 
very elaborate character with a lengthy backstory (normal outfit)
dickies jumpsuit possibly matching with problematic wife
just covered in moss and dirt and leaves and sticks and stuff
t shirt that says lipstick lesbian
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