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#the actual reason behind its existence is why the fuck not
aquilaaktuk · 2 years
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I made monster GLaDOS thing a fat while ago and neglected to post it to the one page where I actually interact with the people of Portal.
The thought process behind this is both a keyboard smash and a very strange series of prophetic dreams. I will not be elaborating.
This is my first experience with the mech-kind so I'll apologize in advance to those more familiar with machiney bits who might be reeling at what horrifically amateurish terrors their eyes are currently experiencing. I realise I talk too much when I post art, but it's oh so fun...
Monster Machine GLaDOS!
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malkaviian · 1 year
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im home earlier than i thought
#i can actually work on things yay. at least one of them#for the mav and samael story i will rewrite the first chapter#bc i think starting with mav having One of Those breakdowns bc of what happened with zachary its not the best way#i think its better to start the story showing his Unconventional Desires and Fantasies about being murdered as violently as possible#and then explain whats the reason behind them later; when the readers have an idea of who he is. and maybe wonder why hes like that#or if hes weird just because something is wrong with his brain (i mean something is def wrong with him either way.#but did something happened for him to end this way or it just happened without something being a direct cause?)#at least i didnt even got to the midpoint; i only had ~800 words. which is kind of a win for me tbh i havent write shit in months#let alone this thing is out of my comfort zone for a lot of reasons; starting with the fact its not a fanfic and everything belongs to me#and i havent touched a subject this sensitive like a p4r4philia before. of course i did my research but tbf there isnt a lot on this one#so im trying not to sound completely uninformed; just that i couldnt really find a whole lot of research on this#bc it doesnt exist on the first place. the closest is lopatka's clase; which i've read what i could find about already; its not a whole lot#anyway i am afraid of getting hate comments. something something i am romanticizing a serious subject#something something i am portraying this as a love story (im not; if the characters think so its another thing) so i must be fucked up irl#something something 'this is fucked up and doesnt cater to my direct tastes; therefore is bad and you are bad too'#of course i will put warnings but you know how people are. and if they report the story wattpad could actually take it down#a bummer but. whatever. i always have ao3 but i will have to do an extra step and translate it to english#alongside having 0 audience there. well shit just happens ig lol#this turned into a rant sorry#lilith whispers
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valleydoli · 2 months
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𐙚 Ao3 Fics I’ve read and love 𐙚
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𐙚 infidelity by @tawus (completed)
gojo x fem reader
Your marriage to Gojo Satoru lost its initial excitement, since your husband spent all his time either at Jujutsu Tech or on exorcism missions across the world. To ease your loneliness, you picked up your favorite pastime from your student years — clubbing — behind his back. Too bad that on Satoru’s most recent mission he spots his wife dancing in a nightclub with a bunch of guys in the skimpiest dress he has ever seen on her…
𐙚 desert rose by @sadistic-kiss (on going)
all jjk men x fem reader 😭
Toji Fushiguro finds you during one of his hitman jobs. With no idea what to do with you he decides to bring you home to his house of misfits. They weren’t picture perfect but neither were you.
𐙚 mascara by @/softstellars (on going)
geto x fem reader
You've never been a particularly good person, you're self-aware enough to know it. It's your only flaw, and recently you've actually been working to better yourself. For example: paying for a 30-dollar Uber so you can take your friend home only for her to ditch you for some guy when it comes down to it. Although you’re pissed, you decide to try and make the best of it instead of get into a screaming match with her. It's an easy thing to do when Getou Suguru is offering you everything to do just that. Everything a party entails: liquor, weed, and sex with a perfect stranger. And Getou knows perfectly well you have a boyfriend, so it's not like he'll want anything serious.
𐙚 a pearl by @lemonlover1110 (completed and posted on tumblr!)
toji x fem reader
The Fushiguros needed a nanny, and the pay was too good to not apply, especially since your family needed financial help. You were the perfect nanny for the kids, they loved you as if you were their own mother. Slowly, you built up the perfect relationship with the family. Especially with Mr. Fushiguro. A man who would constantly visit you after dark. A man who you thought had sincere intentions but at the end of the day didn't care about you. A selfish man who just saw you as a tool to make his wife mad. A man who didn't care about you but didn't want you with anyone else. A man that took away your ability to know what a healthy relationship was. You couldn't speak up about it since all the fault would fall at your feet and would be deemed as the "homewrecker".
𐙚 you, my angel and my saint by @lemonlover1110 (completed and posted on tumblr!)
toji x fem reader
sequel to a pearl!
After having an affair with your boss, you're left to deal with the consequences, those being: two exhausting new jobs and a child. A child that he never got to know the existence of. Now all you had to do was keep her hidden, which should be an easy task, right?
𐙚 rings by @/bungeemum (on going)
toji x fem reader
you divorced the man in front of you for a reason. so why was he standing on your doorstep, guilt plastered on his face, and eyes glinting with hope?
𐙚 a dangerous game by @/anaoyuo (completed)
gojo x fem reader
geto x fem reader
Both men agreed to a game about who fucks you first, but they didn't play their cards right. Gojo and Geto changed the course of the game when they decided to keep you around for way longer than intended, making you fall for their sweet way to deprave you, and now you have to face the consequences in a gamble that they call their life.
𐙚 fate’s gamble by @/anaoyuo (on going)
gojo x fem reader
geto x fem reader
sequel to a dangerous game
缘分— a story about predestined affinity, set in a world where the intoxicating thrills of wealth intertwine with amorality.
𐙚 him & i by @pharixden (on going)
gojo x fem reader
toji x fem reader
sukuna x fem reader
A cheating husband, a widowed bodyguard and a malevolent fling of the past who owes a favour isn’t a combination for the faint of heart, but not every girl is a damsel in distress.
𐙚 changes by @lemonlover1110 (on going also on tumblr!)
gojo x fem reader
From childhood friends to lovers to mere strangers. Your love story with Satoru Gojo was one from a fairy tail, until it wasn't. When you were twenty-one, Satoru left you without an explanation. Five years later, you meet again but nothing is quite the same. Too many things need to be explained, especially the fact that there's another Gojo that Satoru has yet to meet.
𐙚 the man in apartment 381 by @lemonlover1110 (completed also on tumblr!)
toji x fem reader
Looking for a new beginning after the death of your husband, you move away from town. That's when you meet him, Toji Fushiguro, a widower with a three-year-old son. You two understand each other, which draws you close. Except you two don't realize that feelings would eventually develop, and neither of you want that. Feelings are the last thing you two want after finding out the great damage that they can cause. When you two discover this, it's too late.
𐙚 4th avenue viewing by @/softstellars (completed)
nanami x fem reader
Nanami Kento is intelligent, serious, reserved and can easily catch someone in a lie. It's his job to do just that, he's renowned for it. So when he comes to your university to offer up an internship, it's quite the opportunity. Anyone would jump at the chance, except for you. But no, you just had to be the one caught in a lie.
𐙚 forgotten souls by @/killerpoultry & @/bebobopobo (completed)
sukuna x fem reader
You and Sukuna have been married for years. Even though he is brash, mean, and sadistic, you love him more than anything. While he may not show it much, he truly loves you too. One day you get into a terrible car accident and lose all your memories. You learn to live once more while Sukuna must now get you to fall in love with him all over again.
𐙚 love kills by @/sourome (on going)
i actually don’t know 😭 i think toji x fem reader
The wealthy and successful Zenin family, well respected and seemingly perfect. But all that glitters is not gold. Toji Zenin, CEO and face of the Zenin Group acts like a gentleman but is a vile creature that has ruined many lives, such as yours. That married man dared to play with your mother’s heart many years ago, destroying her sanity and her life and ultimately killing her. Now years later and being all grown up you decide to seek revenge, he deserves to suffer that same destiny and die of love. With the help of a few friends you plan to become a part of his life and his every thought but you didn't take into account his son, that man had the potential to turn your plans upside down.
𐙚 the black swan by @uselesslydamaged (completed)
sukuna x fem reader
Loving someone is easy, but experiencing it is harder.
𐙚 bodyguard by @/succybuss (on going)
toji x fem reader
Your Grandfather, a man involved in unsavory businesses that has taken you under his wing, has informed you that you will be under the care of a full-time Bodyguard. Unhappy with your grandfather's decision, you decide to go out for a night of drinking for your last night of freedom. There, you encounter a man you planned on taking home, but life had other plans in store for you...
𐙚 violet lights by @septembersummer (completed)
gojo x fem reader
In which you're at a party that you should've skipped when you capture the attention of a boy who looks like an angel and grins like the devil. He looks beautiful in the neon lights, and maybe you just want to make your ex-boyfriend jealous, but trouble with a tongue ring does sound like fun, just for tonight. What's the worst that could happen, you know?
𐙚 starboy by @septembersummer (completed)
gojo x fem reader
sequel to violet lights
After your ex-boyfriend gets arrested on national television, you find yourself realizing that you really didn’t know much at all about Gojo Satoru. Well, he’s better known in the Yakuza as The Six Eyes, not that he ever told you that.
𐙚 sweet little lies by @/mooglepaws (on going)
toji x fem reader
Megumi Fushiguro is the perfect Fiancé. Caring, loyal, successful, devastatingly handsome and crazy in love with you. So how and why do you end up fucking his Dad? As your wedding looms and the consequences of your affair unfold, you have to make a choice between the Fushiguro men.
This is a Toji x Reader x Megumi but the smut is almost exclusively Toji x Reader focusing on their affair.
𐙚 the twist of a knife by @darkcat23 (on going)
gojo x fem reader
This world is dull, colourless in your eyes. You are just trying to keep going with your life, not bothering anyone, trying to support your mother and yourself. So what happens when you agree to help your ex one night? And what if you catch the attention of a certain white haired assassin? And he shows you just how colourful this world truly is. or, a story of a girl with a violent mind and a boy with violent tendencies, finding each other, intertwining, and feeding off one another. perhaps it is fate that has brought them together. or perhaps it's something more sinister, something more cold.
𐙚 untameable waves by @/circedemedici
(unknown i guess hopefully i can let you know)
has been taken down i dont know if it’ll come back but if it does i’ll link it! but i’m leaving it here because it was most definitely my favourite :(
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please let me know any other fics you’ve read because i love reading fics with a LOT of plot and also let me know if you end up reading any and you enjoy them as much as i did! :3
i think i used every tag known to man LOL 𐙚
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arolesbianism · 11 months
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It's day 7 of pride month and like every tag has already become 5 times more unbearable to me. Like idk if ur only aro hc is the robot or the autistic coded character or the villain or god forbid all 3 maybe just stop making aro hcs for a second and talk to a real life aro person
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kinopio-writes · 2 months
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Hello dearie!!
How are you? I hope you're doing well!
I saw that your asks were open,and your content is really cool and silly,So I decided to leave you a nice ask to enjoy!
Could I have a headcanon platonic! Alastor,Vox and Husk finding a random child next to their dead mother, except that they don't really understand that she's dead and think she's sleeping,so they pity the child and take them in?
The child is really polite and nice,pretty calm,too. Sure,they do child stuff,like running around,being excited,etc,but they still are more calm than others.
They always talk about their mother,how she's the only one left,and how they love her.
Would the characters say the truth? Would they lie?
I just love hurt/comfort and platonic relationships so :3
Anyways,I hope that's not too much,and that you enjoy writing this!
Have a really nice day,don't forget to drink and take breaks!
Stay proud!
-Nina <33
A/N: Thank you for the reminders, heh. Btw, I’m going to have to change the reasons as to why they took you in because I just don’t see characters like Alastor and Vox taking you in because of pity. Sorry about that. The rest is untouched. You’ll still get a bit of that hurt/comfort (mostly from Husk, lol. Both Alastor and Vox are non-existent, but Alastor is somehow better than Vox).
Warnings: Mentions of death
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Alastor, Husk, and Vox adopting a deceased mom’s child
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Alastor
• Alastor paid no mind to the dead corpse
• it didn’t really look that appetizing anyway
• “How unfortunate.” You heard a weird voice from behind you as a hand was placed on your shoulder. “A child mourning in the demise of its mother. Tragic, really. You have my condolences.”
• “What are you talking about, mister?” You stared up at the mysterious man, watching his eyes flick from your left to right eye while his grin only grew as the seconds went by
• “I think you’ve just found yourself the perfect dwelling,” he abruptly said, letting go of your shoulder to fix his bowtie as he sprung back to life. “Why don’t you come with me?”
• “But what about my mother?”
• “She is in good hands, I can assure you.” He offered his hand to you. “Come along, now. Children shouldn’t dwell long in places like these.”
• and so he took you in to be a patron at his hotel
• I mean, what’s more easier to redeem than a child? (assuming you’re a sinner. I don’t know if it’s canon anymore that only hellborns can reproduce. Look at Cannibal Town’s people)
• he intended to leave you in the rest of the residents’ care while they could only guess what his actual motivation was for taking you in
• but it seemed you ended up favoring him more than the rest
• you’d follow him around like a duckling—a lost puppy—you’re attached to him like a leech
• and you’re so well-behaved, too
• up until he leaves your sight
• he actually leaves the hotel a lot more often now because of that
• he finds you wrecking chaos in the hotel entertaining as hell
• and the fact that the others beg him to come back to calm you down
• I don’t think you would ever know what happened to your mother
• even when you talk about her a lot
• those rambles never really prompt him to say anything
• well, it’s not as if he knew what happened to her
• but, hey, at least he listens!
• maybe it’s because he feels a little nostalgic hearing the way you talk about her…
———
Husk
• Husk was fucking spooked when he found you lying beside your dead mother
• not because of the corpse, but because of the way you were staring at him
• with eyes dull and wide open, just like your mother
• while Husk wouldn’t have given two shits if it was a grown-ass adult, you were a child
• so he took you in
• “But what about my mother?”
• “Shi—I, uh—your momma will tag along soon. Now c’mon. She wouldn’t want you out here alone.”
• since Husk is constantly around the hotel, there were never really instances where you wreaked havoc
• you just silently watch him tend the bar and sometimes talk about your mother
• your talks about how much you love her make him feel pretty guilty for some reason
• but he’d probably tell you when you’re older enough
• only if you were asking him about her though
• he wouldn’t want to have to sit you down and tell you something that sensitive of a topic when you didn’t even ask
• “Why don’t I have a mother?” you would suddenly ask when you turned 18
• today was your birthday. Charlie insisted on having a little party for you just like every year. But you didn’t want one; you wanted to be with Husk for the day
• the man in question sighed
• he knew you were building up the courage to ask all day
• “I’m gonna give it to you straight, kid, I don’t know what exactly happened to her. All I know is that she’s in a better place.”
• “Oh…”
• “Do you…wanna talk about it?” He continued, voice a little unsure, “Not as a bartender…but as a dad.”
• you smiled, grateful. “I think I’ve already said plenty when I was younger. But thanks, Dad.”
• he smiled back
• you two would then sit in silence together, basking in each other’s presence
———
Vox
• so, uh, I’m going to have to completely skip the taking you in part with Vox because I genuinely cannot see him adopting a random child (unless he could gain something, but, like, you’re just a kid)
• so you’ll just get the aftermath of it (hope that’s okay)
• based on the way he handled Val’s tantrum, I think it’s safe to assume that he’s somewhat good with children
• but he’s a pretty busy guy
• he doesn’t have the time to take care of a random child, so he’d make sure to keep an eye on you on his cameras
• but despite that, your existence in the tower warrants his
• as you’re too chaotic whenever he isn’t around
• but only around the other expendable employees
• you’re relatively well-behaved when Velvette and Valentino are with you
• but he doesn’t exactly trust them to take care of you
• they aren’t exactly good with children
• so he tried doing video calls
• you will definitely grow up as an iPad kid
• he’d hear you talk about your mom during those calls
• he’d let you go on and on, but it’s not guaranteed that he’ll listen
• I don’t think he would ever tell you what happened to her (he doesn’t know, anyway)
• he won’t lie, he’d just work around your question
• skillfully
• like, extremely so
• even if you ask him directly, he still manages to dodge the question somehow
• I don’t know what else to say, he’s gonna be a pretty distant father—
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headspace-hotel · 1 year
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It's easy to see how chemophobia became so widespread to the point that companies advertise their products as containing "only ingredients you can pronounce." It's wretched that this spawned the antivax movement and other similar movements, but there are incredibly good historical reasons behind WHY people are terrified of "chemicals."
Reasons like: Agent Orange, DDT, Superfund sites, any of a wide range of incidents where chemical companies—in many cases, knowingly—poisoned people and communities because Number Go Up. History has shown again and again that companies do not give a fuck about ruining people's lives exposing them to toxic substances.
Unfortunately these people live in a world where EVERYTHING around them contains ingredients they can't pronounce and there is very little knowledge of basic chemistry, and a person has no choice but to either develop life-altering paranoia about contamination, or just settle into a sense of (naive?) security about the Chemicals in the world around them.
So these powerful cultural memories (and totally rational distrust of Bayer, DuPont, and Monsanto) have been hijacked to Sell Product (No chemicals! Ingredients you can pronounce! All Natural! Organic!) and/or been channeled into some horrible and ultimately baseless movements that, these days, form a pipeline straight into fascism.
Alex Jones' anxiety about chemicals "turning the freakin' frogs gay" is part of The Anxiety about a world that is now made of ingredients we can't pronounce. Our world is now made of very different physical stuff than the world of our ancestors, and it makes total sense for panicky reactionaries to blame sexualities, genders, religions, and ways of existence they don't understand on the strange, unprecedented "chemicals" that have intruded into the material components of the world around them.
The material changes to our lives mesh quite nicely with the paranoia of fascism. People, without any scientific expertise that would inform them, decide that "natural" things are good and "artificial" things are bad, and this leads people to reject very simple, comprehensible, and well-understood processes like "heating something up, but not quite to boiling, and letting it cool down" (pasteurization) in favor of "contracting bovine tuberculosis."
But it's not that natural is good and artificial is bad, it's that natural is, at least in theory, understandable, and artificial is bound only to the laws that tell DuPont it must disclose what is in a product being sold and test the product for harms to human and animal life—and the power of those laws to actually control DuPont. Hemlock and nightshade can be recognized and avoided, but a Product emerges from an Amazon Prime box in a curiously sterile afterbirth of plastic and foam, stinking of acrid VOC's that some people enjoy in the form of the "new car smell."
And we know that nature has no shortage of things that kill us that we CAN'T readily detect with our senses, like lead and uranium, but before mining for coal and metals ripped open our Earth and pumped thousands upon thousands of tons of toxic waste up from its depths, any given creek or patch of dirt in Eastern Kentucky was at least less likely to be dangerously toxic and radioactive.
This definitely fuels the blind and often dangerous urge to go back to a time when things were "simpler." It lubricates the slide down into reactionary bigotry a little bit, this abundance of ways the world has gone Wrong and has been irreparably changed.
It gets harder and harder to say "No, natural is not always good/bad, no, unnatural is not always good/bad" and be listened to. Our world is far, far harder to understand now in some ways, but we have to try, and that's a hard sell.
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actualhumantrashcan · 7 months
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I can understand a silly workplace comedy about pirates not being everyone’s jam but I really can’t understand the amount of queer people I see hating on ofmd.
like for one thing most of the debates turn into gatekeeping queerness (which I think has a lot more to do with the ages of the main couples than actual concerns about authentic representation but that’s another post) and the rest are just hateful because it doesn’t directly name or label it’s queer characters but like why do we need that at this point?? listen I love heartstopper with all my heart but it is exhausting to watch them explain queer identities sometimes (even though I do think it’s super useful for younger audiences I’m just not the target demographic!) and ofmd is an explicit, violent, adult show that doesn’t NEED to explain it’s character’s identities.
queer people past their 30’s are usually very well aware of their queerness and have had (hopefully) plenty of time to go through the arc of discovering that. so why would we need to see Stede or Lucius or Ed going through turmoil because they’re attracted to men when they have already come to terms with that at this point in their lives?? i for one find it so fucking refreshing to watch a show where the characters being queer is not their main arc, they just ARE queer and life is still happening to and around them. maybe that’s just the millennial gay in me talking, but it gets emotionally exhaustive to watch show after show where the queer character’s arc is overcoming homophobia. yes obviously homophobia still exists and yes obviously if ofmd was trying to be historically accurate these characters would be living in a very dangerous time to be queer but it isn’t trying to be accurate!! it’s trying to be fun and diverse and kind!!
and also, they aren’t pretending homophobia doesn’t exist!! it’s just addressed in a different way. Stede was emotionally abused by his father for his entire life for being “soft” and then was chased down by his homophobic childhood bullies, one of which explicitly told him that he “defiled” the great pirate Blackbeard by simply falling in love with the man behind that name. Meanwhile Ed was forced into the world of piracy at a young age and developed the entire persona of Blackbeard (who fits the toxic, violent masculine stereotype of the time) to hide the fact that he’s actually an incredibly sensitive and deeply queer man! and is told multiple times by male figures in his life that sex with other men is fine but it is absolutely unacceptable to be in love with a man. both of their arcs contain homophobic rhetoric that is still present in society today, but its never presented as a problem that they have to wrestle with. they don’t have to come to terms with what it means to love each other, they just have to overcome some trials that go along with the complicated lives they both lead as a pirate and former aristocrat. the homophobia in ofmd is woven into the backstory of each and every character, it shapes them into the people they are at the beginning of the show when all of their walls are up and they are performing the “pirate” roles they are supposed to play. and then we get to see them grow and realize that they are in a safe space, part of a community not just on the ship itself but in the life of piracy (which in the show is pretty much explicitly an allegory for queer lifestyles.)
anyway, I could rant about this all day but just truly why do we have to tear people down for enjoying something? why do we have to find reasons to hate something so obviously created with sensitivity to it’s queer audience and with so much queer joy? if historically inaccurate gay pirates going on silly adventures and falling in love are not your thing, fine! but perhaps just let people enjoy things and find your own things to enjoy.
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absolutebl · 5 months
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Pit Babe - it's time for a Trash Watch!
I had to. Well, no I didn't, but COME ON. It's like Thailand is negging me. Let's burn rubber, shall we? Burn rubbers...?
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The things I had been told going in about this show:
it's about car racing (this bores me)
it stars Pavel (my BL ult bias, he is my icon for a reason)
it started as an omegaverse y-novel but the A/B/O aspects would be stripped from the BL series
it's high heat
(There some chatter about whether point 3 was a mistranslation of something the author said, but don't bother me with trifles.)
Here's a definition of omegaverse:
Omegaverse, also known as A/B/O (alpha/beta/omega), is a subgenre of speculative erotic fiction, and originally a subgenre of erotic slash fan fiction. Its premise is that a dominance hierarchy exists in humans, which are divided into dominant "alphas", neutral "betas", and submissive "omegas".[1] This hierarchy determines how people interact with one another in romantic, erotic and sexual contexts.[2] (Wikipedia)
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In my experience and opinion, omegaverse archetypes and tropes are often used to strip out female characters (and The Feminine) and as a tool to excuse extreme hyper-masculine behaviors without a critical feminist lens (leading to lazy characterization). Just as heat is an excuse to get nkd quickly, A/O/B is often an excuse for taboo and dubious consent actions and behaviors. Do I get why writers/readers enjoy it? Yes I do. Do I personally like it? Not particularly. (Although there are always exceptions.)
Putting all that aside, the above represents my foundational knowledge before Pit Babe started.
Oh and that the familiar BL faces appearing in this show were follows:
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Pavel Naret (aka Pavel Phoom) from 2 Moons 2 & Coffee Melody - Pavel is a fluent English speaker, a bit of a drama monger, and a motorcycle rider/car-dude, this role suits him
Nut Supanut from Oxygen & Something in My Room - has an amazing voice, his somewhat wooden acting has improved steadily since Oxygen
Pon Thanapon - one of Star Hunter's stable first seen in the Gen Y series (where he stole the appeal of an intended pair), also v good in Make a Wish, I wish he'd get a lead role as he has a likable screen presence
Pop Pataraphol from La Cuisine - he's playing the Alpha rival and I'm not convinced he's suited to this role
Michael Kiettisak from Love Sick, Oxygen, Call it What You Want, Till the World Ends - playing the comic relief this time rather than his usual tortured stoic... huh
All the rest are either fresh faces or older experienced actors. Interesting mix. They must have some money behind this.
And now, get out your marshmallows! The dumpster is on fire! Let's start the roast.
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Episode 1 - Platypus, Pickles, Pavel, & other Smoking Hot Problems
This first segment told with a 4 day retrospect, because I decided to do a trash watch only after @aliceisathome said I should.
My initial reaction:
the sheer audacity of Thailand being like "PitBabe is not omegaverse" and then serving "Alpha" to us on a platter in the first sex scene is
how dare
but also
what the actual fuck is going on? what world are we living in where a/b/o is LIVE ACTION ON OUR SCREENS?
we getting heat, knotting & mpreg next?
apparently this is my reality now
I'm not sure what weird quantum time stream I've jumped into but someone was all,
yes the whole world is hella screwed, but also...
Thailand has decided live action mm fanfic is gonna win it the culture wars
and I'm beginning to think they may be right
BL is now the platypus of the film industry
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4 days later:
Considering how much chatter this caused there's a part of me that wondered if it was all intentional and a marketing ploy (to say it wasn't omegaverse when obviously it is). In which case... brilliant Machiavellian tactics, production.
But Thai studios are rarely this calculated in their promo. So I think it's all accidental. But it certainly caused a raucous few days on Tumblr.
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On a completely different note, Babe's house looks like it started life as a particularly inventive Olive Garden. Or is that just me?
More random thoughts:
Pavel has had work done, why honey? You were the definition of perfect.
The smell thing is great, I love stuff to do with scent and necks. If omegaverse brings this to the table, fine. But...
Being all Alpha perfect butch manly man = I do not like Babe at all, I kinda want him to be brought down a peg. (Woo... pegging!) I never like narratives that glorify the captain of the football team (side eyes Cdrama CEO romances and Love O2O), Babe better have depth and damage (forget the pegging) of some kind or his behavior will get old FAST, faster than he drives (also, forget the pegging idea)
Nut is ideal in the Beta role. I mean, that's Way's character right? We all can see that. If it's not intentional, it's a miscast. I love how soft he is as as screen presence. He's great in this part.
None of the other characters are sticking out to me yet, but I'm prepared to love the side dishes in this, please make them swoon worthy!
I'm glad they didn't hold the Charlie = trickster reveal off, I like knowing he is a double agent up front.
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Finally, with respect to an adequate trash watch, I'm in a pickle.
How am I going to drink for this show when there is so much else airing on Frigay? I can't keep track, if I'm drunk.
I need a strategy for this trash fire if the puns and snark are to spout forth! (HA Fourth!)
Controlled burn?
Anygay, see you all next week.
Episode 2 - Side Dish Addiction + Second Lead Syndrome are both infecting me at once
[FYI I gotta have my backup computer to watch this so that's why Imma sometimes be delayed getting the trash out to the curb.]
3 minutes! 3 minutes in and I needed to pause and wax snarkful. (Ouch, bet that hurts. Is waxing snark similar to a Brazilian but for BL? Is that why they all so hairless in The Sign?... I digress, where was I?)
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Okay so the subber said Daddy but I don't think that word means what they think it means. Because Way said simply nong paa.
Usually they'll use the English word Daddy (pronounced Dah-deee) for, ya know, Actual Daddies (tm).
Wait wait:
Calling Daddy Actual
(My dumb sci-fi loving arse will see myself out the back before I start drawing Battlestar Galactica = Pit Babe connections. TOO FAR ABL. Too far.)
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Look, I like the tension in this show. It's good to set up an unlikeable Alpha dog and then immediately turn him into an underdog, makes him a bit more likable. I still don't like Babe, but now at least I'm on his side.
Charlie = cute but v sus. Fortunately for him, Babe = cute but v thick.
Everyone calls Charlie Babe's dek. Yes sounds a bit like what you think but also means kid/child and SHOULD be translated as boy in this show. Why doesn't the subber get that? They a sub...ber after all. (I'll see myself out.)
Honestly, the script writers might know what they are doing with abo but our eng sub translator sadly does NOT. I'm so glad this is coming now in my BL watching life. When my ear and knowledge of Thai is so much better than it once was. Others much be SO CONFUSED.
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Snicker. They just fucking with us, but it's fun to watch the mpeg speculation abound.
File this one under: Thailand's trouble with ESL plurals and also "you should have Pavel helping with these subs" sweethearts.
Production knows entirely what it's doing with this show and its omegaverse shizz (even if the subber doesn't) and I am very much enjoying the online carnage that results.
This dumpster fire continues off screen into the blogosphere and I continue to roast things over it.
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Meanwhile, hi Pon! You so adorable! When you gonna lead out a BL for us?
Is Idol Factory stealing all of Star Hunter's talent? Are they the Red Racers of the BL world? These are the questions I ask myself as I watch this.
Is that AGE GAP I smell before me?
Is the 20 yr old college kid meant for the pit boss? Cause you all know I am a slut for age gaps.
Moment of a/b/o: Jeff's fear of touch/heightened personal space would be a plot marker for "baby doesn't want Alphas close cause he smells like an omega" but of course this show it not omegaverse. Not omegaverse at all.
nuh-uh
Linguistic corner!
Lung (sounds a bit like loo) is uncle(ish) it means basically a male relation older than phi. So Alan is the oldest in the crew.
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Alan calls Jeff nu (which the subber translated as boy I would have gone with cutie or little one). Nu is a diminutive affectionate term that's technically gender neutral but is most often used by/on cute girls/women. Jeff did NOT like it. Then Alan sort of dodges through pronouns/particles settling on phi for I, ger for you, and ja for a particle. This is interesting because ger & ja kinda lower his age and status into a casual sphere. Not more intimate more equal to jeff... fascinating.
I love the new "Korean" red racer, he drinks my brand of soy milk. He is now my baby snake in the grass.
Get it? Snake.
He and Babe should end up together.
The fight wasn't bad, do both actors have kickbox training in their backgrounds?
Who am I kidding, I care only about Uncle Alan and Nu Jeff now. All others are irrelevant to me.
Also...
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WHERE IS A BOY FOR WAY?!!! Or a Daddy. I do not care. (Methinks nether does he.)
I am now captain of the Way Appreciation Society. Let's all find a way... to get him some dick.
Also the BTS stingers are tons of fun. Looks like the set was a blast.
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Finally, and I mean this kindly. Why isn't Noh Phouluang in this? He should have been cast as Winner. Bah. I'm biased.
But one should be with Noh.
Episode 3 - Side Dishes Delux
Gayest bridge n Thailand has made its obligatory appearance.
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How much do I love uncle & nu? They are SO damn cute. Also nu flustered is the best kind of nu.
I could not care less about Babe and Charlie. Except I do love the smell thing.
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Way will break my heart by getting his broken. He is right tho.
Tra la la. I feel like this is a bit like KP 2.0.
Charlie is a such a princess (and ace manipulator). Good thing Babe clearly likes being buttered up.
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Babe's backstory was more interesting than I expected, I didn't think we would go so far into the paranormal side of a/b/o. I like it and I hope they lean into it quite a bit more. Make it part of the plot.
Unlike the kissing thing which seems to have been gotten over rather quickly.
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I gotta say I'm enjoying the corporate sponsorship jockeying and tension more than I thought I would. I'm curious as to who Jef and Charlie are working for and what their motivation is. The plot itself is keeping me intrigued and that is rare for me with BL.
So no trash talk this ep, I was largely absorbed and entertained. I didn't event need booze. Shocking behavior on my part.
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#giveWayaboy2023
Episode 4 - I (who never ship) am shipping the impossible
Here’s the thing. I just want this to be a better story than it is. Right now it’s kind of like a soap opera. I don’t hate lakorn, I really don't. To Sir With Love is a glorious chewing of the diamanté scenery (completed with death glitter). But...
If this is gonna be a soap opera it needs to lean into the messy side more than the tailored high concept side. Support characters and evil needs more screen time.
Instead, right now, I don’t know where I am with this show because it doesn't know where it wants to be. I’m kind of dangling in the middle of a dirty situation. It’s uncomfortable for me, and the show feels uncomfortable for the performers. 
Also... I have questions.
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Yes, of course I want to know what Charlie & Jeff are up to. Why can Jeff see the future?
But more importantly I NEED to know why Babe has a flying saucer bed?
That kind of lighting makes nobody look good, especially not at that angle. It’s very traumatic and I’m not wild about the shag rug either. I have concerns about Babe's taste. I guess is what I am saying. 
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On a COMPLETELY DIFFERENT note:
There’s absolutely no chemistry to justify this, but I have decided that I am going to personally advocate for, and ship, Way and the interloping not-really-Korean. They are both sort of own-moral-code types. I have tiny crush on Kim, and Nut is the prettiest, and Way is Best Boy so there it is, I would like them to hook up, please & thank you.
#giveWay2Kim2023
Arrow guy is cute, too. Will we get to see him bone?
Is he going to be another one of the adopted alpha super-kid pets?
What the hell, throw Arrow Boy a bone! All hot boys in BLs deserve bones.
Plot thickens.
Hah.
Thickens.
(I am an immature idiot.)
Episode 5 - wait wait way-t, can arrow boy have Way?
Look, BLabies, I didn’t get any screen caps this episode because frankly there wasn’t anything worth capturing.
I guess Charlie really does love Babe? Very dramatic if idiotic saving from the burning car. But Babe has gone to the broken Alpha place of extremely unlikeablability (frankly he was almost there at the start). If I were Charles B Spectacled I would be OUT by now. 
Is that?
NO.
Don't get the plastic bowl.
No white towel sponge bath. Please kill this trope.  
I mean, it's not as bad as singing, but that's because NOTHING is as bad as singing in a Thai BL.
AND the main boys are back together.
I don’t find their relationship or Babe’s lack of senses a particularly interesting aspect of the plot.
Unless, of course, Babe is pregnant and that's why he lost his Alpha sniffer.
BUT I do love the sides.
Jeff = the introvert precog who can’t/wont do people and Alan = the extrovert people person who WANTS but doesn’t understand him. 
Were Jeff and Charlie ALSO raised by Evil Daddy MacEvilPants? 
I liked the way Arrow CEO & Way looked at each other. Way, hon, give up on Babe (he sucks) and get thyself a billionaire bf with great aim and BDE.
On a completely different note, the best thing about this show is the blooper reel. That thing with the green smoothie going down his pants was hilarious!
In conclusion, this was a green smoothie down the pants episode. I was entertained, and it’s probably gonna be good for the plot in retrospect, but it was kind of squishy and unpleasant at the time.
Episode 6 - Are they actually listening to us now? Is Tumblr bugged?
This was a fun ep full of like actual racing and shizz.
Whatever.
Charlie is on the team now. All the teams, apparently.
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Can we talk about Jeff and Alan?
The apology scene! Did you hear that Alan dropped to chan/ger? Eeeee!!! So cute. (He equalized their relationship in a soft way.)
Get it with that language play hottie. Next up: lengua play.
Please & thank you. 
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Meanwhile, as all of the Internet knows, they went fully in for omegaverse - no bars.
I have to say, one of the greatest typos (or whatever) in existence is enigma instead of omega.
That's where I personally would rank in the omegaverse.
Hello, my gender is... enigma.
 Apparently it's a/b/o and sometimes e!  Also sometimes switch-ee 
Oh I'm very proud of myself with that one.
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Funfunfun
Charlie. Babes. When a man asks to be thrown up against the wall. You throw him against that wall.
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OMG is that arrow boy looking at Way in the bar?
3 seconds later.
Noooo.
Wait come back.
Noooooo.
That’s what I actually want to watch! 
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OMG. Who said nu was the first step to teelak?
I flipping love Alan. 
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Ah the boyfriend ep. Thank you, but I still don't trust Charlie.
Poor Way.
But nice crying jag, and I don’t say that often in Thai BL.
Now let him go, Way.
A boy with his arrows is waiting. 
(source)
Note for the future: tumblr has a bug that stops allowing edits after a certain time/number, thus my full trash often occur in 2 segments as a result. Click on the "abl trash watches bl" tag for the full thing if you're reading this and later episodes are missing.
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ellieluvr420 · 3 months
Text
Friends? Never. Pt.4 (Ellie Williams x reader)
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SYNOPSIS: You and Ellie had been bitter enemies for years now but before that you were best friends. You had always planned to be roommates one day but when that becomes a reality the situation isn't exactly how you both imagined it.
"I don't know. They both look nice."
"You are so useless you know that? I have shown you five outfit choices and you have said the same about every single one. I need help." You whine.
"I don't know what to tell you they all look nice on you. You look good in all of them so just pick your favourite."
"Was that actually a compliment Williams?"
"No fuck off." Ellie stands from her slouched position on the sofa subtly looking you up and down but not subtly enough you don't see it, you feel hot under her gaze, even her stony glare caused butterflies to erupt in your stomach, the feeling sickened you. You had 5 hours until you were due at your parents but the anxiety had already taken over your body. You had been wiping your palms on your pyjama shorts periodically since you woke up, your body had a constant tremble and the colour in your face had drained. Ellie had walked into you having breakfast in the kitchen and questioned if you were ill because of your appearance. You didn't understand why now? Why after two years of pretending you didn't exist did your parents want to talk to you? You just felt sick and Ellie's nonchalance over your outfit options were not helping.
"Ellie please just help me pick an outfit. I already feel like I'm going to throw up."
"Why does it fucking matter what you wear? Who are you trying to impress? Your parents? The ones that kicked you out? Are you not embarrassed by yourself?" She spat the words out without even making eye contact before strolling out of the living room up to her room. You stand frozen contemplating her words as a single tear escapes its prison fleeing down your cheek, she was right really, it's pathetic but they're your parents.
This is a normal reaction, right?
Ellie threw herself down on the bed running her hands over her face. She knew she shouldn't have said that, it was mean and cruel and you looked the most beautiful in the third outfit choice that you had picked because your smile was beaming and you were giving playful twirls to show all angles of your favourite outfit. She should've just told you how beautiful you looked and told you to wear that one but she couldn't because she felt like she was supporting you going to your parents house and she just couldn't do that to you. Granted she never saw how them kicking you out went but she was told and when she saw you going back to that house, in her mind all she could picture was you being thrown out of there by your hair and left to cry on the ground. She'd rather leave Jackson than see you forgive them for that. Ellie told herself that was the only reason she didn't want you to go, but she was lying to herself and she knew that because the thought of you moving out to move back in with them sent her into a spiral so deep she felt like she'd never recover from the dizziness. She had just got you back and not only was she blowing it because she can't get out of her own way but she might actually lose you to them a second time. She felt a familiar sting behind her eyes that she refused to let escalate so she practically ran to the bathroom for a cold shower. She had been having cold showers a lot recently, it never got easier but maybe that was why she needed it.
You hadn't spoken to Ellie again that day until just before you were leaving for your parents. You had decided to wear the third outfit you had shown Ellie as you felt the most confident in it and as you walked past her sitting on the sofa she called your name.
"What Ellie?"
"You look really nice."
"Thanks."
She went to speak again, to say she was sorry and she didn't mean anything she said, to tell you she hopes it goes well, but you were out the door before she got the chance. She sighed and tried to focus on her film once again but all she could think about was what your parents were going to say to you.
"Thanks for coming baby." Your mum smiles softly at you from her place across the table as you avoid eye contact as you had since you walked into your old home. The dinner so far had been quiet, it was obvious they had something to say but they were both holding back, it angered you more by the second until you slammed your fork down onto the table and finally made eye contact with your mother and then your father for the first time all evening.
"Why have you asked me here? You've had no issue pretending I don't exist for two years so what do you want now?" You look at them hopefully, all you were wishing for was them to say that they were sorry and they were wrong, that they accept and love you no matter what. Over the course of the day you had actually managed to convince yourself that is what they would say, so much so that you had considered what you would do if that was the case, you had already decided you would continue living with Ellie but start trying to see them regularly and build your relationship back up gradually but the hopefulness and the illusion you had created for yourself immediately shattered as your dad uttered his next words.
"We thought if we cut you off you would eventually come to your senses and end this silly little phase of yours but its become clear that we were wrong to take that approach. Your mother and I think it would be best if you move away from that girl and come live with us. We can help you darling, make you right again." As he says his last sentence he places his hand over yours and squeezes.
Your heart broke. Shattered into tiny pieces that you feared would never find their way back to each other.
You felt every nerve in your body pulsing, you could barely choke out a breath, the family home you had always loved and cherished was no longer a safe haven filled with joy and love it was the darkest place you feel you could ever find yourself in. You don't even realise you've began to cry until a droplet lands on your arm, you look down to see your dads hand still firmly planted on yours and all of a sudden it felt like the whole arm was burning. As you slap his hand away and kick your chair back so hard it topples over your parents both rise with equally dissatisfied looks on their faces, they were looking at you like you were a child throwing a temper tantrum.
"Why can't you just accept me as I am? I'm nineteen and you're still treating me like a child that doesn't know my left and rights. Why can't you just love me? Why is your love conditional?" You're screaming but the noise barely reaches your ears, your parents rebuttals are blurred by the heavy humming in your ears. Their lips were moving but no sound was coming out, you were deaf to their pleads, their reasoning, you were deaf to it all, all you could focus on was leaving and going back home to Ellie. You know you're moving because you're no longer in the dining room, you're yanking the front door open and storming out but you can't feel anything, you feel numb, there's nothing inside of you anymore, the only thing that had kept you going was the hope that one day your parents would love you again but that hope had been ripped away in a heartbeat and now all you feel is empty.
You can hear yelling, and the ground beneath you is hard but you don't remember falling to the floor, your vision is blurry, hazy from the floods of tears that still haven't slowed their plight down your cheeks, you try and focus on the sound of the yelling until it becomes coherent words.
"Ellie! Ellie! Ellie!" It's you, you're screaming, the only word your brain seems to know at the moment is Ellie so you just repeat it over and over until you see the blur of a figure running towards you.
"Hey, oh my god, what happened?" She bends down on the floor and scoops you into her arms, reflexively checking for cuts or bruises or something to signal that you're hurt, but there's nothing, nothing except for the look of despair that painted your face. "Come on talk to me, what happened?"
You couldn't find the words, there were none, your body trembled and shook with broken sobs until your throat was sore and there were no tears left to shed, Ellie's hand never stopping the gentle circles it was soothing on your back.
"My parents, they- they hate me." Your voice is quiet and broken as is Ellie's heart seeing you in this state.
"They don't hate you. They're stubborn and backwards and awful parents but they don't hate you." You chuckle dryly at her words but she remains soft-spoken and gentle with you like you're made of glass. It felt foreign, no one had ever been this way with you, you had never wanted or needed anyone to be this way with you but in this moment you could feel your heart picking up the shattered pieces trying to mend itself as she holds you. She wipes the stray few tears still dampening your cheeks before beginning to pull you up from the ground with her. "Come on, let's go sit on the couch and you can tell me what happened." She doesn't wait for your response simply starts walking with you until she plops you down on the sofa seating herself right next to you and looking defeatedly at the broken look on your face.
"I thought they wanted to make things better, try and rebuild our relationship but they just wanted me to move back in with them and away from you so they could- I don't know- convince me this is all just a phase and I'm not actually a lesbian. You should've seen it Ellie, they looked at me like I was a toddler screaming because I dropped my ice cream when I fought back, why can't they understand?"
"I don't know, Joel always said there were places around the country that were really against anyone being different, those mindsets never left people I guess. It's not your fault though and you shouldn't beg for them to be in your life when they've proved they don't deserve it."
"I just feel like such an idiot, I honestly thought they might want to try and fix our relationship and somehow this hurts more than when they kicked me out."
"You're not an idiot for hoping your parents would get over themselves and be good parents for once in their lives." She spits the words with a venom as she imagines your parents shaming you over and over again and making you feel like you were born wrong. "This isn't your fault." She places a hand on your thigh and squeezes to emphasise her words before you gently place your hand over hers and squeeze back with a small smile.
"Thank you Ellie, really, and sorry for screaming the house down."
"Don't even worry about it. You scared the shit out of me but I'll let you off this time."
"Oh how kind of you." You snarked back.
"Andddd she's back. Missed you." She smirks and winks before laughing as you roll your eyes and rise from the sofa, before she can question you, you tell her you need to have a shower and wash the day off you and she simply smiles and nods before you walk to the bathroom leaving her alone with her thoughts.
She wasn't relieved, she couldn't be because your heart had been broken again by your parents but as much as she tried to push the feeling down it kept coming back stronger, you're not moving out, she's not losing you to them again, she shouldn't be happy but she is and that only makes her feel worse so instead she tries to focus on something different, anything to take her mind off of the storm raging around her head.
"Come down here I have a surprise!" Ellie calls upstairs to you with a giddy look on her face.
You walk downstairs cautiously, half-expecting the surprise to be Ellie jumping out at you and scaring you, something she used to do a lot when you were younger but when you come face to face with her at the bottom of the stairs you know that's not it.
"Close your eyes and hold my hands."
"Errrr-"
"Just do it. Please." She pleads with you and you defiantly shut your eyes and grab onto her hands as she starts leading you to the unknown.
"Ta-daaa!" She says it monotonously which causes you to giggle until you open your eyes, your breath hitches and you freeze.
"Oh my god. Ellie, are you serious?" Your face was like that of a child in a sweet shop as you take in the campfire set up in the woods that back onto your cabin complete with a blanket on the floor in front of it, Ellie's little metal tin that you recognise from the other night and a bottle of what you hope is very strong alcohol.
"Thought it would be like old times but better now because we can drink... and smoke." She mutters sheepishly as she fidgets with her fingers while looking at the ground where her foot shuffles the dirt underneath it. Under the light of the moon you can make out the rosy hue adorning her cheeks and the sight has you smiling the giddiest, toothiest grin you had done since as long as you can remember.
"Ellie... I don't know what to say."
"Oh don't go all soft on me now. Come on sit down I'll start the fire." She led you to the blanket and pushed you down before you could protest and then begins lighting the fire like she had always done when you were younger. Before long the fire is raging and you've drank enough that you know longer feel the chill of the cool night air.
You and Ellie both don't say much throughout the night, but the silence is comforting for once, it lets you breathe and process everything that had happened as well as you could when your mind was so hazy from the joint that you had shared and the bottle that was almost empty. You're swaying to music that no one else can hear before you pause feeling Ellie's eyes on you.
As you turn to face her, she doesn't look away, holding your gaze, you could've sworn she had leant in a little but you also could've sworn the world was spinning at this point in time so you're quick to dismiss the thought. She opens her mouth as if to speak but no words come out, only a small sigh and a shake of her head as if she was trying to shake away a thought buzzing around her like a fly.
"It's getting late and you've had a long day, you ready for bed?" You look at the dying fire and back at the girl before nodding and clumsily standing and holding a hand out to her. You only realise you overestimated your ability to balance right now as you're tumbling down to the ground on top of her as you failed to actually help her up. As the shock of the sudden movement subsides you both make eye contact as your noses practically touch from the proximity of your bodies, you expect her to push you off or at least laugh but she doesn't, she just returns your gaze like if you both look away from each other the world would end. Your knuckles brush against her soft, freckled cheek almost instinctively and she nestles into your touch until you both pause, your predicament finally dawning on you. You jump back as she clears her throat and sits up. "How about I help you up this time?" She chuckles.
"Yeah I think that might be for the best." You both walk inside, Ellie walking behind you up the stairs in case you stumble again until you reach your room where you turn around to meet her pink, tired eyes.
"Thank you for everything today, I really needed that. You're a good friend." You don't think about the words you use until you see a small pang of sadness that is gone as quick as it showed on Ellie's face being replaced by a quick smile.
"You're welcome, but seriously go to bed you look like you're gonna pass out any time now."
You blow a kiss as she rolls her eyes before stepping into your room and gently closing the door behind you. Ellie makes no move to retreat to her room at first, just standing staring at the wood of your closed door, she doesn't want this feeling to end and she's terrified that if she goes to sleep it will be ripped away from her never to be seen again, it had already happened once before when your parents had forced you both apart and she never recovered so she just stood staring at your door until she could pry herself away.
Ellie hadn't fallen asleep, she had tried to but there was too much going through her head, images of you being kicked out, you at dinner tonight, the dejected look on your face this morning when she snapped at you, the first time she saw you when you were spying on her as she arrived, the dinner where you bonded over music, the campfires you had made, when you laughed so hard at one of the worst jokes she had ever told you gave yourself a nose bleed. You were an infestation in her mind and all she could do was play the memories on a loop.
"Ellie are you awake?" Her head snaps up at the sound of your slurred voice coming from the other side of her door.
"Yeah, come in."
"Hey."
"You okay?"
"Errrr... yeah- yeah I'm fine. I just, I can't sleep and the other night when you stayed with me..." You trail off too embarrassed to finish your sentence as your eyes remain planted on the savage starlight poster above her bed, you had always loved listening to her rave about the comics, but she understands what you're saying and is kind enough to throw her sheet back and tap the space next to her in her bed.
You mutter a small thanks before climbing in and laying on your back until she whispers your name prompting you to turn and face her.
"I'm sorry about what I said earlier-"
"It's okay-"
"Wait, I'm sorry about earlier, I didn't mean anything I said, you weren't stupid for trying to see the best in your parents and I have no idea how it feels to be in your position because Joel has never given a fuck, so I'm really sorry."
"It's okay Ellie, really, I forgive you."
"Thank you." Before long you're dozing off as Ellie follows quickly also as you're both spent from the day.
You wake as the golden sun pours through the window with a small groan until you pause noticing you aren't in your room, although you had never seen it before you knew it was Ellie's from the savage starlight posters and book case full of them as well as joke books and records, even the balled up clothing on the floor told you the room was Ellie's and as you turn to your side to see her auburn hair flowing freely over her pillows your stomach drops, the last thing you remember is being around the fire and now you're waking up in Ellie's bed. You quickly check and breathe a sigh of relief that your pyjama shorts and top are on your body and not part of the multiple piles of clothes on the floor. You attempt to crawl out of bed without waking Ellie to sneak out as you fear if you face the girl now you might just combust but as your hear your name being called meekly from the bed you grimace and turn to face the now sat up Ellie that was scratching at the back of her neck.
"Heyyyy."
"Didn't think you'd be the type to sneak off without saying goodbye." She smirks as she speaks and your face drops. "I'm kidding jesus. You came and got in bed with me last night because you said you couldn't sleep, we just went to bed that's all."
"Oh... Okay, well uhhhh thanks again for last night." You fumble for the door handle and yank the door open the second you find it. "I'm gonna go to errr... my room now sooooo, bye!" You step back walking straight into the doorframe and wincing unsubtly as she fails to stifle a laugh before you practically sprint away from her eyeline.
Ellie giggles at your open display of awkwardness that you had always been so good at hiding before falling back down to try and sleep off the throbbing headache she knew you would be suffering with ten times more.
tags: @radioheadfan699 @readbydayana @emiliabby
psa: i never really include descriptions of things to do with the reader like the outfit so that everyone can imagine whatever they want the reader to be wearing but if you’d prefer I add more detail in that respect please do let me know because I’m happy to either way <3
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shrimz08 · 2 months
Text
AANG & OZAI PARALLELS: DEBUNKED
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Because apparently the true villain is the sole survivor of a genocide of his entire nation, and not the imperialist colonizer.
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Where do I even begin?? Because I’m genuinely holding in laughter writing this, it’s absolutely insane how certain people can make such egregious parallels that aren’t even found in the first place. 
AH, so a little backstory on how this fucking shit stained idea even came to existence, well our dear z^tara fans pissed their pants over Zuko and Katara not tying the knot, so, as a way of retribution for their supposed “honour” They take any chance to jump on the Aang hate train and make him into some irredeemable abusive demon, aaand they got that perfect opportunity because the LoK decided to take a lick out of the great “Main Characters Must Be Bad Parents In The Sequels” Trope. Which personally, does absolutely nothing to the protagonists resolution aside from cheap family drama but I digress. 
Now, I’m not behind the idea of the writers trying to make Aang a “flawed” Parent, I think it really makes no sense by how they went about it, (I might touch on this in another post) 
((And it’s so very clear that they’re trying to give it a soft “retcon” And even taking extra steps saying that Kya and Bumi just “remember wrong” Which I’ll actually take, because season two of LOK was hell on earth anyway so you might as well give it some saving grace.)) 
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There’s three main parallels that they got from Ozai and Aang: (god help me)
Favouring a child
isolating the rest
leaving pressure On the golden child
I’m going to debunk all three of them while trying not to fall into complete lunacy over how ridiculous they are. 
Favouring a child + Leaving pressure: 
OK, so people are clearly blind with context clues and media comprehension, got it. No surprise whatsoever. I can’t be disappointed if I didn’t even have any expectations to begin with. 
Let’s compare the treatment on how Ozai treats Azula, and how Aang treats Tenzin. (Holy Shit)
Beginning with Ozai, well.. It doesn’t take much of a rocket scientist to understand that Ozai essentially could not give two fucks about Azula, as she in essence, serves the role of an attack dog, as long as it does its job, it’s worthy. 
Ozai favoured Azula because she was molded to match his ferocity and hunger for power, she was a prodigy bender, and was cunning and calculated, all traits that Ozai found endearing and someone worthy to be crowned the next “fire lord.” His “favouring” Of her didn’t come out of genuine love or care, she is his tool who serves a purpose. In short, she showed more competency and more ruthlessness and callousness in comparison to Zuko. Which earned her, her place as the “Golden Child.”  
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None of this is even remotely similar to how Aang treated Tenzin and his kids, aside from the fact he supposedly “favoured” Tenzin more, but that is such a baseline statement and has absolutely no relation with Ozai's reasons.
You have to understand that an entire FUCKING NATION IS DEAD. History, Culture, Tradition, is at the BRINK of being wiped out, Tenzin is quite literally the only Airbender that will be left after Aangs passing. Why do people devalue this concept so much? 
“B-BUT THE AIR ACOLYTES1!!” Still have limited knowledge, airbending is so heavily tied to its spiritual roots, you LOSE your ability to AIRBEND, if you aren't inclined to your spiritual side. Which is a core part of the air nomad culture. Tenzin is... Literally the only god forsaken part left of that, so yeah. It’s a pretty big fucking deal. Aang values his culture and teachings to such a high degree, he is literally the survivor of a genocide. His favouring of Tenzin was done out of necessity and love, not out of a need for power and a new attack dog to send orders around. 
Tenzin will literally be the future “Director” Or guide for the next avatar to learn airbending, people still forget this, and it’s hilarious. He needs to know all the moves, all the teachings because he will be the next avatar's personal guide. 
Aang constantly reassures him, and apologizes for the pressure that may be put upon him but he always reaffirms that he’ll be there to guide him and they’ll “learn together”
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So yeah not the same thing at all. Fuck you for being so inept at understanding the different reasons and perspectives of those situations, just for some petty ship discourse, genuinely disgusting.
Isolating the children:
OK this part, I have to say that the writers definitely messed up with aangs characterization, but I think the execution came out way differently than the intention, so I will try to look more into the intention of each decision.
Ozai isolated Zuko, mistreated him, belittled him, PHYSICALLY ABUSED HIM, but yeah totally on par with Aang actually. 
I don’t wanna touch on this part much mainly because his treatment was literally explained all throughout the show, and granted, while I understand most of these people haven’t touched the show aside from reading fanfic 300000 Where Aang is revealed to us as satan himself, but perhaps, even a small peak at Ozai's parenting would reveal the laughable contrast between the two.
Zuko was a slow learner, and much more of a softie, and a “mama's boy” To Ozai’s heavy dislike, he was thus treated as such, he was belittled, turned down, and literally burnt alive for showing “weakness” He is meant to serve as a direct contrast to Azula, ”The everything he isn't.” 
Kya and Bumi on the other hand, don’t show any actual signs of trauma aside from some petty jabs they threw at Tenzin, 
Bumis talk with Aang at the statue was *very very* Clearly, meant to highlight his own inferiority complex that he internalized growing up. His need for proving himself to be capable of doing just as much if not more than a “bender” Probably happened because his two parents were both prodigy benders and him being a first born son who was a non-bender must’ve hit pretty hard for him, and I’m so sure that katara and Aang reassured how special he is but that kind of thing doesn’t really go away.
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Kya: [while healing Bumi] I told you those rocks were slippery. You're lucky you didn't kill yourself.
Bumi: You done with the lecture, mom?
Kya: Oh, grow up. You haven't changed one bit since we were kids. You're still trying to prove you can do everything a bender can. Well, you can't. Deal with it.
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 That talk with Aangs statue was very much meant to unveil an internal struggle rather than a conflict he had with his father. Kya even doubles down on this, telling him “of course he’d be proud of you” Basically spoon feeding to us, the viewers, that this is much more of internal than an external conflict that he has to overcome along the show. 
“Why Didn’t he share his culture with them 1!!1!” 
He most definitely did, or tried to, but it’s clear they didn’t show much interest so he didn’t pester, this is shown many times throughout the show. 
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“You know I could never keep all those gurus straight… There were like a million of them!
remember that long boring story about the guy who never ate?”
This is literally Kya’s remark to Tenzin just after he tried teaching the airbender students this story, basically telling us that Aang DID try to tell them about his stories and culture, but much to their disinterest, didn’t try any further. 
And Bumi, literally could not pay attention to the story to save his life, and instead decided to fool around in his literal 60’s!! I mean Imagine what he was like when he was a kid!! 
I could imagine their dynamic was very similar to Jinora with Meelo and Ikki, Tenzin being the only one with actual interest and care, whilst Bumi and Kya goofing off and not putting much focus onto it. WHICH IS FINE BTW!! 
It only goes to reiterate that Tenzin was the only one who was actually giving interest and attention to the air nomad culture, and it was of Kya and Bumi’s own personal choice to not partake in it. To each their own I see. 
“BUT WHAT ABOUT THE VACATIONS” 
This.. I agree, weird for the writers to decide this, but given how they low-key are retconning it in interviews, my best guess is that each of those trips were side-quests during their journey to teach an important lesson that might’ve just drowned out because Tenzin may not have remembered it as well. 
Also keep in mind that Tenzin was put into a lot of pressure, Aang probably saw this, and as a way to still keep it enjoyable, he took him to trips that would help ease the mind for a little kid whilst also learning something valuable. That seems pretty on brand for Aang actually
And given that Kya and Bumi are literally in their fucking 60’s it wouldn’t surprised me if they didn’t have the greatest memory. Hell, they didn’t even fault Aang as a parent until Tenzin started boasting about “trips” That Kya and Bumi gave petty jabs but weren’t actually showing genuine hurt, just annoyance.
Kya even comments how Aang was too busy “Trying to save the world, and doing his duty that he didn't have much time for them” 
Phrasing as if it wasn't anything "important" But it's clear that this was Kya's own personal irritation towards Tenzin rather than an actual evaluation on Aang's duties.
A continuation comic best explains it in a deeper way:
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Literally showing that “neglecting” His kids wasn't up to him, and was out of a sense of necessity, trying to cram as much knowledge onto Tenzin, the only one who was basically putting his lessons into practices. Kya and Bumi were left feeling neglected. But that wasn’t out of his decision; he still loved them dearly.
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This. Literally highlighting how much pressure was forced upon Aang, so yes, as any person would, he struggled with making time for everybody. Holy shit who knew?? 
GASP!! IS THAT… A REALISTIC BUT UNDERSTANDABLE FLAW!!?? HOW DARE YOU! ITS OZAI #2 
The fact that the smiley energetic person forgets to SMILE, is a big deal, man was put through hells amount of stress but he never cracked.
So tell me, how is a genocidal freak, who treats his golden child like a tool and abuses the other both physically and emotionally for showing “weakness’ 
Even remotely comparable to
 the sole survivor of a genocide, trying to withhold his teachings and culture onto literally his only child that showed actual effort in doing so, while also maintaining the balance of an entire fucking world and being literally the biggest “advisor” And “Mentor” For society, OH! And also building and managing a literal city, but along the way struggling to make time for his children. 
Guess what, they’re not. And if you think they are. You are an idiot, with bias and headcanons.
So the conclusion is, Aang is a flawed parent, but he isn't a "bad" Parent - confirmed by the literal writers.
Comparing him to Ozai a literal dictator, is absolutely sickening, just for your petty shipping discourse when this show's been over for a decade is insane. Indulge in what you enjoy, but stop projecting delusions like they're canon.
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:D
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utilitycaster · 6 months
Note
Unpopular opinion: parts of the cr fandom are really dismissive/ reductive of Travis’s characters. It feels like it’s due to Travis being seen as THE cis het man of the group, and by extension his characters must be heteronormative and bad, despite the fact that you could have queer interpretations of his characters. At the very least, Travis’s characters explore masculinity and the different ways it might look. It’s like the people who are all “ew men are gross and shitty” and act like that’s an absolutely normal reaction to a man just existing.
So this is another one in that I agree with the initial statement, but I'm actually not sure re: the reasoning why. I think it's possible but I could not tell you for sure.
I used to, again, think this was people carrying through Campaign 1 elements well beyond the point where C1 had ended, and so Grog having an intelligence of 6 was being applied to Travis; and this definitely does come through to an extent when people treat Fjord (objectively as smart as Beau without her circlet) as stupid or act shocked that Chetney is the brains of Bells Hells or that he can play a Cerrit, Fjord, or Nathaniel. However, again, I think this is one of those opinions that pops up among people who weren't around for Campaign 1 (or early enough in C2 to be exposed to it regularly) so I don't know if that's the case anymore. It could still be - it could be that Approved Fandom Opinions get passed down even when the logic behind them has long since been lost; that's a really common thing in institutional memory. But I can't say for sure.
I also have in the past credited it to, as you said, people assuming his characters are the cishet guys and then writing them off. That's still possible - I've seen both Fjord and Chetney called "token straight" despite considerable evidence of bisexuality, and they also paradoxically are both commonly headcanoned as trans while still getting called "token straight," which sort of ties into a post I would need to find from someone else from quite some time ago about which cast members are granted agency by the fandom in their choices vs. which are assumed to be the victims of circumstance. And I do think that there are people in fandom who have decided men are icky or whatever, and I used to think this came from a place of bigotry and a slide towards t*rf ideology but I now do genuinely think it's just idiots who don't grant interiority to characters outside their own limited understanding.
But I think it's also useful to consider a few things, most of which I've brought up before:
Travis is extremely offline. He is not here to entertain your headcanons; he has been politely but openly dismissive of some (imo, really fucking dumb) fanon/fan theories. I think the cast frequently talks about how it's their table, and I think that's valid and correct, but Travis is one of the players who lives it the most. He is playing this game with his friends, and he'd like it to be a good story, but if you don't like it, he is not here to make you like it. I think that really fucks with the parasocial connections some people desire with the cast.
Travis's characters tend to examine masculinity as a performance but also the general performance of the self, and the fact that you cannot in the end control how you are perceived entirely, and I think that really unsettles people who have equated presentation with reality and are again, looking for external validation of the self.
Travis can play it big but he's often extremely subtle, especially with his more serious characters, and he's not as easily quotable out of context as some others at the table. I think because he is a lot more naturalistic than dramatic at times (Chetney notwithstanding) and isn't as pithy and quotable in his characters as many of Taliesin's PCs are, and a lot of the strength is in the delivery, he gets overlooked despite being very good with words on the fly.
And finally: this would be a whole post on its own but people are still very foolishly wed to this idea that pressing the big red button in D&D is Wild and Chaotic and haha Big ADHD Man when it's actually how you play D&D if you're not a coward; the button is where the story is stored, and a lot of Travis's strength is that he is extremely good at understanding what the GM wants and supporting it with sufficient grace that it's only visible if you know what you're fucking doing.
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drarrily-we-row-along · 7 months
Text
It had been literal years since Harry had seen him, it shouldn’t still feel like this.
Looking at Draco Malfoy while he swanned around the gala, not even noticing Harry’s existence, felt like he’d been hit with a bombarda to the chest. The grief, the rage, the fear, the brokenness, everything came back like it was yesterday. Like he was twenty one and desperately in love, like his entire life was oriented around another person. And the devastation of being left without a word; the empty, expansive void that filled his entire body.
He couldn’t stop watching him. Couldn’t take his eyes off his lithe form, so similar and yet different. He walked taller now, he was self assured in a way he hadn’t been. Open, smiling, like he actually knew he was worthy and it changed how he viewed other people. But he was still himself; clever and funny, still a little bashful when someone praised him.
Harry wondered what else was the same. Wondered if his mouth still tasted the same, if his hands could still make Harry’s body go pliant and his mind go blank. He wondered if he still got giggly after sex. Wondered if earl grey was still his favorite type of tea. If he still hated tequila. Wondered what Harry’d done wrong and how he could have messed up badly enough that Draco left after three years together without a word.
It was inevitable that he found himself following Draco when he went to the men's room, a moth to a flame that would incinerate it and leave its charred smoking remains in a pile of ash. Locking the door behind him, he waited, leaning against the row of sinks until Draco emerged from the stall. There was barely a hitch in his step, barely a flash of recognition in those silver eyes when he looked at Harry.
"Not even a hello?" he asked, suddenly incensed at Draco for ignoring him, at himself for setting himself up for this.
"Hello, Potter," he said evenly. "Enjoying yourself at this fine Ministry Gala?"
"Fuck you," he hissed.
Draco turned and raised an irritatingly perfect eyebrow at him, "Was a hello not what you wanted?"
And Harry saw it, the flicker in his eyes that meant he knew he'd asked the wrong question. "Not what I wanted," he repeated, throat tight and eyes stinging. "Not what I wanted?" He shook his head, "when have you ever cared about what I wanted?"
"Right," Draco said. "Terribly sorry that this Gala helps to fund my research and I had to be here tonight for my job." He said it calmly, devoid of any of the emotions that were racing under Harry's skin. "If you'll excuse me," he said, starting past Harry and moving toward the door, "I'll just get out of your way."
Harry's hands were on him before he even knew what he was doing, shoving him back against the door and pinning him there. "Seven years, Draco. Seven years and not a single word."
"Let me go," he said, voice still unerringly calm.
He shook his head, "No. Not until you-" he broke of, chest heaving as he fought for control, as he fought to get a breath.
"Until I what?" he asked.
"Not until you tell me why," Harry said, voice shaking. "Not until you give me the reason that you threw away three years together without a single. fucking. word."
He just stared at him, still not giving him a word.
"Tell me," he said, begged really, "just. Give me something. Give me some closure. Let me move on."
"Nothing is stopping you from moving on," he replied steadily.
He growled, "Fucking hell, Draco. Just tell me-"
"You're hurting me," the other man said, pressing a palm against Harry's chest.
Harry loosened his grip, "You hurt me," he whispered. "You tore out my entire heart when you fucked off and left. You left this giant, gaping sink hole of a wound in my chest that has never closed, never healed right. It always fucking hurts."
He shook his head, eyes suspiciously bright.
"Tell me," Harry demanded. "Tell me what I did. Tell me how you stopped loving me. Tell me why you left. I would have given you anything, I would have done anything, would hav-"
"I know!" Draco exploded, his voice sharp and furious, and Harry reveled in it, in his loss of composure. "I know that you would have and I didn't want you to."
"What?" he asked.
Draco shoved him off, "Let go of me." He tried to turn and get the door open but Harry grabbed him and spun him around again.
"What do you mean?"
"Let go!" he demanded, pushing roughly at him.
"No," he replied stubbornly. "You owe me this much, at least."
"I owe you nothing," Draco hissed, voice low.
Harry released his grip on the other man, body involuntarily taking a step back as he shrunk in on himself, curling away from him. "Fine," he whispered, wishing he could sink into the floor, wishing he could just disappear, wishing for anything that would take the pain away.
The other man sighed and Harry could hear him straightening his robes before he pulled open the door. "I owe you nothing because the cost of leaving was too high in the first place," he said.
And Harry's head filled with a thousand questions, he looked up but Draco had already left. Rushing out after him, Harry caught him just at the end of the hall. They were in plain sight of everyone at the Gala, if they cared to look their way, but Harry couldn't have cared less. "What?" he asked, maneuvering so that he was in front of the other man. "What is that supposed to mean?"
"Everyone can see you," Draco said, voice low so no one would hear, his face impassively blank in a way that Harry detested; it made something go funny in his chest, the desire to break him from that shell, to muss him up, to kiss him until he was breathless and smiling, color high on his cheeks.
"I don't care." He shook his head, "For fuck's sake Draco. I don't care what any of them think. Please," he whispered. "Please just," he let out a rush of air that he'd been holding too tight in his lungs. "Please."
"Not here," he said, glancing around the room very clearly trying to clock who'd noticed them talking.
He nodded eagerly, "tell me where and when."
Draco looked at him, actually looked at him, his eyes moving over Harry's face like a caress. "Mac's, 9:00 pm."
He spun off and left Harry standing there, staring at the wall. He hadn't been to Mac's in seven years, not since Draco'd left.
The rest of the Gala couldn't go quickly enough and Harry found himself leaving before he really needed to but he couldn't help it; he couldn't stand and talk to one more person that he had no interest in talking to. Not to mention the torment of watching Draco swan about, wooing donors; Harry's heart couldn't take it.
Flooing home to change into a green jumper and a pair of jeans before heading to the diner seemed like the only reasonable course of action.
The neon clock behind the counter revealed he was only ten minutes early and he mentally congratulated himself on taking up as much time as he had.
"Well bless my soul," the waitress, Barb if Harry remembered right, said. "I haven't seen you in ages. Look how you've grown."
"And you look just the same, lovely as ever," Harry replied, smiling at her. It was true, she wore the same blue dress and apron, hair pulled back in a bun, still had the same blue eye shadow.
"Flatterer," she accused, but she looked pleased. "Where's your young man?" she asked, leading him back to the corner booth that they'd always preferred and for a moment Harry's heart twisted painfully in his chest.
"Coming, I hope," he said.
She nodded, eyes full of understanding, "Now, don't tell me," she said. "You're a strawberry shake and he's-" she broke off, brow furrowing in concentration.
"A chocolate malt," he said at the same time as another voice behind her.
Both he and Barb looked up to find Draco standing behind her, hands shoved into the pockets of his impeccably tailored trousers, top button on his black dress shirt unbuttoned. He looked like he'd stepped straight out of a muggle magazine, hair just a little disheveled but devastatingly handsome. Harry could barely breathe around how fucking gorgeous he was, how badly he wanted him.
"But if I'm being honest," he said, "I haven't had that much sugar in ages. I should probably-"
"Nonsense," she said, shooing him into the booth across from Harry. "Reunions always require something of the old to mix with the new."
Before either of them could respond to that, she bustled off to the kitchen, leaving the two of them staring awkwardly at one another.
"Draco-" he started just as the other man began with "Look-"
Harry shook his head and gave a little chuckle, running his fingers through his curls and tucking them behind his ear, "Go ahead," he offered.
Squaring his shoulders, Draco began again, "Agreeing to come here with you was a moment of weakness."
"A moment of weakness?" Harry interrupted.
Draco glared at him, "Yes. I'm really not interested in having this conversation. I'm not interested in rehashing everything that happened."
He took a slow breath, "I deserved a good bye," he said eyes stinging.
"Excuse me?" he asked, sounding a bit taken aback.
Barb came over and deposited their shakes and a platter of nachos between them. "I'll just be tidying up," she said. "Over there," she added pointedly. "Don't be shy if you boys need anything."
Harry waited until she was a reasonable distance away from their table before he said, "Listen, I don't need to know why you left. You're right, you don't owe me that. So even though I'd like to know, even though it kills me not to know what happened, what I did wrong," he broke off, shaking his head. "You can have your own reasons and I don't have to know them. But I deserved a good bye."
Those grey eyes, the ones he'd spent countless hours staring into, the ones he'd dreamt of more times than he could count, stared at him like he couldn't comprehend what he was saying.
"I loved you, Draco," he said softly, the truth splitting the wounds in his heart open wide. "I loved you more than anything, I would have done anything, I would have given you anything. If you'd told me you needed to leave, I would have been heartbroken, but I would have let you." He took a deep shuddering breath, "but I deserved a good bye."
"I couldn't," Draco said simply. He started to slide toward the edge of his bench but Harry reached out.
"Damn it, Draco," he said. "Sit down. Please. If you ever loved me-"
"If I ever loved you?" he asked and finally his exterior cracked. "If I ever loved you?" he repeated incredulously. "What the fuck is wrong with you?"
"What the fuck is wrong with me?" he repeated, blood pressure rising.
"Yes, you fucking idiot! What do you mean 'if I ever loved you'?" He shook his head, "How can you possibly imagine that my leaving wasn't out of love for you?"
"Because it wasn't!" he exclaimed.
"Yes it was."
He shook his head, "There's no way in hell," he said. "It wasn't for me because you leaving completely destroyed me. You leaving left me in a state of depression that made me wish I was dead. For fucking months. I went to therapy; I still go to therapy, you leaving still comes up. Regularly. There was nothing about that choice that was good for me.”
“How do you imagine that relationship would have ended?”
Harry shook his head, “I don’t know. I’ve been too preoccupied with dealing with the fall out of how it actually ended to wonder how it might have ended otherwise.”
He sighed, rubbing his forehead in a gesture that Harry had seen enough to know that he was getting a tension headache. He wondered if scratching his fingers through the hair at the back of his head still helped, wondered if rubbing his neck still eased the pain. "That relationship would have ended with you hating me."
"Right," he said. "So glad we avoided that outcome."
"Do you hate me?" he asked, looking at Harry like the answer mattered to him.
He let out a breath, "I wanted to. It would have been easier if I could have."
Draco nodded, "And I wouldn't blame you if you did, but I didn't want to stick around for that." He sighed, "Look, we couldn't have kept living in the shadows. Coming out to muggle restaurants, sharing a bed, living on the edge of the world and hoping that we didn't get caught."
"Draco, I would have come out with you. If you'd wanted to tell people, I would have. Godric. How little can you possibly think of me that-?"
He shook his head, "That's my point. You would have come out, you would have told the world, and we would have lived under the proverbial shit storm that rained down on us. Constant harassment, we'd be the front page of every newspaper. I had to leave the country to get accepted into a training program that would accept me as it was."
"And?" Harry asked, "I'm not new to the media shit-show."
Draco looked at him, eyes sad like he could see something that Harry couldn't. "You're not, that's the point. Harry," he said, and the way that he said his name felt like Harry's heart was being ripped open, "you deserved time to heal. You deserved a shot at a normal life. You deserved to be happy. You deserved so much-"
"That wasn't your choice to make!" Harry exclaimed. "What I deserved, what would make me happy; it wasn't your decision. Not without me at least. Because it didn't make me happy. You made me happy."
"But I wouldn't have," he said. "It was the only way. For both of us. I needed to get my life together. I'm brilliant," he said, and somehow it didn't sound cocky, it was just a statement of fact. "Harry, I'm so good at my job. I'm so good at developing potions and magic that is helping people in ways we couldn't have imagined even five years ago."
"I know," Harry replied. "I've followed your career. I've read your articles."
The little smile that curved Draco's mouth shouldn't have felt like that still, it shouldn't have made him feel like his heart expanded four sizes. "And you needed to find your life outside of me. It felt like you hated everything, like you wanted to burn the entire world, everything outside of our bed. And I was never going to be enough to fill that need."
"You were," he said, throat burning. "Draco, I would have supported you. I would have given you anything-"
"I know. And I couldn't let you." He shook his head, "Leaving you," Draco looked down at his hands where they were clenched on the table. "Circe, Harry, it nearly killed me. It was the hardest thing I've ever done. I meant what I said about the cost of leaving being too high. I wanted to give you the life you deserved.”
“All I wanted was you,” he replied.
“I know. And don’t you see why that is a problem? Harry, if all you wanted was me, how could I ever be enough? When all of your dreams, or goals, or aspirations revolve around me,” he shook his head. “I wanted more for you.”
“I didn’t mean to put pressure on you-”
He nodded, “I know. But by the end, neither of us even knew how to be a complete person on our own.”
“Three years of shared life will do that to a person,” he replied blandly.
“I’m sorry I hurt you,” he said, and Harry couldn’t count the number of times that he’d wished to hear those words. “I am. But I would do it again.”
The dried, brittle remains of his heart crumbled in his chest. “Right.”
Draco’s hand reached across the table and covered Harry’s, and Harry stopped breathing. “You might be right,” he said. “You probably deserved a good bye. But if I’d given one to you, if I’d even tried, I never would have been able to leave you.”
He opened his mouth to reply but Draco continued.
“I’m not a brave man, I’ve never been well versed in denying myself what I wanted. But I had to give us a chance. I had to give us both the chance to grow into the men we needed to become. I had to give you the chance to be happy.”
“Is that what you think I am?” Harry asked. “Happy?”
Draco blinked, “Well, yes.” His eyebrows furrowed, “you run multiple successful charities that are doing immeasurable good. You’re always in the Prophet with some new witch or wizard gazing adoringly at you-”
“I haven’t slept with anyone since you,” he said bluntly. “Some events require a plus one, so,” he shrugged. “But I still sleep on the left side of the bed. I still unconsciously check to make sure the covers aren’t bunched under me when I roll over because my body got used to not wanting to take them from you.
“Yes, I run my charities,” he continued. “I attend ministry functions. I visit my godchildren and hang out with friends. Yes. I do the duties set before me in my life and I make time for people I love.” He shook his head, “but no one who knows me would say that I am happy.”
Draco stared at him uncertainly.
“It never made sense,” Harry continued. “I couldn’t figure out what I’d done wrong, how I’d fucked up so badly. I loved you so much, I wanted what was good for you, and I came to terms with that not being me. But for you to tell me it was for me,” he blew out a breath and shook his head. “Whatever you may think, that wasn’t what was good for me.”
No words came out of the other man’s mouth, and Harry decided he’d probably tortured him long enough.
He rapped his knuckles on the table and stood, dropping some money for the bill before murmuring, “good bye, Draco. I hope your life is everything that you wanted.”
Then he all but fled the diner, desperate to be anywhere that wasn’t there. His heart couldn’t take it. Maybe Draco has been right and a conversation only made things worse.
Before he could get to the alley down the street, the one he and Draco had stood in more times than Harry could count to snog until one of them got too horny and apparated them back to Harry’s bed, he heard the sound of footsteps chasing him down the sidewalk. And he would have recognized those footsteps anywhere, could have picked out Draco’s gait out of any line up. “What-” he began, turning toward him.
But he was interrupted by Draco cupping his face and kissing him, his body surging against Harry’s.
Harry didn’t waste this moment, he grabbed onto the other man and pulled him in, kissing him back with all of the heart ache, all of the desire and love that he hadn’t been able to give him when he’d left.
Draco pressed him back against the wall, caging Harry in and making him feel kept and held. “I’m sorry,” Draco managed into the kiss. “I’m so sorry.”
He shook his head, trying to just draw him back into the kiss, he didn’t want to think about it, didn’t want anything but this moment; Draco in his arms, bodies pressed together, not a space between them.
But he pulled back and Harry felt bereft. “Forgive me,” he pleaded. “I really believed I was doing the right thing-”
“Draco-”
He shook his head, pressing a trembling finger to Harry’s lips, “there hasn’t been anyone else for me but you either,” he confessed. “Harry,” he broke off, a tear sliding down his cheek, “you are the love of my life. I wanted you to be happy.” He broke, tears spilling down his face. “I’m so sorry. I’m such an idiot.”
“You’re brilliant,” Harry echoed back to him.
“Forgive me,” he whispered. “If you meant it, when you said you weren’t happy here,” he started, “come with me. Salazar, I know it sounds crazy.” He shook his head, “but I’ve hated every single moment of not being with you. I love you.” He pressed his forehead to Harry’s, “I love you so much. Come back to France with me. We can start a new life there. I know it sounds crazy-”
“Yes,” he interrupted him. “Godric, yes. Let me come with you. Let me stay with you.”
“You don’t know anything about me,” Draco cried, tears still pouring down his face. “You don’t know-”
“I know you,” he replied, holding Draco’s face in his hands to kiss him. “Yes, this is fast and sudden, and I’m sure we’ll have more than one fight about it. But I love you too. I have spent the last seven years wishing you’d walk back into my life, I’m not about to waste that opportunity now.”
“Come back to my hotel with me?”
He shook his head, “come back to our flat?” he whispered. “Come sleep in our bed?”
“You stayed?”
He nodded, “it was ours. I didn’t want to leave behind all I had left of you. And if you ever decided to come back,” he broke off. “Well, I wanted to be there.”
Draco wrapped his arms around Harry’s neck, “take me home,” he whispered.
“Home is anywhere, as long as I’m with you.”
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hitlikehammers · 2 months
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Starring Steve Harrington in a Leading Role as 'Mom Husband Disappointed in YOU PERSONALLY'
rating: teen tags: future fic, established relationship, Eddie commits a capital offense, bitchy Steve strikes again, Eddie loves him so much, married steddie, rockstar husbands ✨for @hbyrde36 at my BIRTHDAY MONTH PROMPT FEST for the prompt: “I assume I deserve this, but can you tell me why you want to kill me this time?”
One look is all it really takes.
As in: Eddie doesn’t have to do more than pulls his key from the lock, kick the door closed behind him, open his mouth to spill his usual litany of adorations, multiple at least tenfold for the uncommon days—plural, two whole days—spent apart from his husband, from his beloved, from less his other half and more his entire whole, the soul and breath of him, the rhythm-maker of his heart entire, his—
Eddie gets so far as turning to start on spilling all the love he’s had to bottle up because Steve wasn’t next to him for a whole 63 hours, and voicemails are fine, phone calls are nice, texts are a gift from god but also the bane of his existence because they’re starting to pretend—as in, the wider-world-of-they—but they’re starting to pretend they’re sufficient, that they’re enough and, and…
Fucking never.
But Eddie’s been gone—label negotiations, shit they were digging their heels on being in person for no goddamn reason, as proven by the actual days in person—and now, as he takes in his husband at the island, sat on one of the bar stools, those legs danged low and crossed at the ankles, the fucking socks on him tantalizing, good goddamn, but he’s leans back from the waist and those…those arms. Crossed over his chest.
That’s never meant anything other than judgement. Than what the kids used to term Mom’s disappointed in you personally.
Except Steve is his partner. His til-death-do-us-part-and-then-some. And…
Oh. Oh, he’s got his glasses on when he’s not working—Eddie scans the countertop for papers, nothing obvious—which only enhances the effect of the look; gives it a whole new dimension of accusation as he looks over the tops of the frames and lets his gaze fucking…just sear into Eddie. Uncompromising. No mercy.
Eddie will not try to pretend his doesn’t fucking gulp, the violent motion of his throat around it undoubtedly obvious: but Steve doesn’t budge. Doesn’t grant him quarter.
Fuck. Right. Okay.
Diffusion tactics.
“I assume I deserve this,” Eddie starts, pitches the words to land gentle because, well, they’re honest. Steve’s a fucking drama queen, absolutely: but it’s never been without his reasons, and Eddie loves him with his everything, right, so he respects his reasons.
Even when they’re fucking absurd.
But there’s no evidence here yet either way, about the what, about the cause of the sheer fucking inferno blazing in those eyes, the venom that Eddie can almost taste in the air that seeps from his lips for just breathing, that could probably land a death blow on its own when he actually deigns to speak, and so: yeah.
Eddie does assume he deserves it, one way or another. Because Steve loves him with his everything, too, like for like and then some, both ways and all ways. So he doesn’t react quite like this; doesn’t pull this sort of shit lightly.
“But” and he’s still picking his way through the minefield, takes only the barest step closer palms open near his hips, plaintive-like as he…yeah, kinda he pleads:
“Can you tell me why you want to kill me this time?”
Steve—okay, so, in any other circumstance: the sounds Steve makes, the guttural fucking growl that rumbles from his chest: that’d be hot as shit.
In fact it’s still hot as shit, but: not the time. Because those eyes are still…like, third-degree-burn to the touch.
“You lied.”
Eddie blinks, because…he hears Steve’s words. They’re very simple, and very clear.
But they’re nonsensical.
“What?”
“You lied to me.” And then Steve’s grabbing something behind him, flinging it closer to where Eddie stands at the end of the island and oh, okay, a magazine and—
Oh. Oh.
Okay.
A magazine with Eddie on the front with some…
Wait.
“Stevie,” and Eddie’s not gonna be placating, he’s not going to be evasive or dismissive—Steve knows the other party hanging off Eddie in the photo, it’s Lance, the band’s media intern who has a not-so-secret infatuation with Steve of all people, and is about to be replace by a kid, Marvin maybe, in his senior year in PR and media studies who, honestly, Eddie suspects may have an even bigger infatuation with his husband, but that’s not a concern for right now; the concern for right now is that Steve’s looking at Eddie, glancing every half-second toward the photo again and looking…somewhere between enraged and betrayed.
And it’s so fucking sour in Eddie’s chest, god: he needs to fix it. He’s just, he’s got to fic it but—
He doesn’t know what the hell it even is.
“Baby, I would never, not ever lie to you. And you know Lance,” Eddie tries to point out soothing, rational, no hint of patronizing because he wouldn’t, he would never, especially not like this.
Steve’s scowl just depends, and he taps hard enough on the page to leave an indent, to score a line with his nail.
Right. Okay.
“Stevie—“
“You,” and Steve leans toward the far side, grabs something out of view before he points the something at Eddie almost threateningly:
“Lied.”
“Steve,” and Eddie’s eyeing the instrument leveled at him carefully before he notes what it actually is: a pen.
A red pen and oh. His Stevie. Always the consummate educator.
And Steve does the growling thing again, probably because Eddie’s face goes lax, all soft and shit in the face of Steve being all competent in his profession in the small, sweet ways that pop up all the time, that Eddie loves so deep, so hard, but then Steve’s scribbling and oh, it’s one of the fancy pens, more like a marker that’s bright against the magazine gloss and he’s circling, he’s making arrows, there’s no rhyme or reason—
“Lies!” Steve declares, definitive as he throws down the pen and shoves the marked-up photo toward Eddie so it’s skids across the island, so Eddie has to catch it, and he squint a second, tries to make sense of what’s circled over and again and—
“You fucking promised me,” and Steve…yeah.
Steve sounds like Mom’s disappointed in him personally to a fucking T.
But so much worse again: because this is his husband.
“I did—“
“No!” Steve cuts him off; “no more bullshit,” and oh, fuck, Eddie knows it’s serious, that word’s got a premium still in their household, and then Steve’s leaning closer pointing forcefully at the image, at the red-ringed offenders:
“That,” Steve snarls; “is fucking frizz, Edward,” and Steve looks up at him, again, some combination of livid and offended on principle; “why did I even bother to pack you the conditioner that you swore to me you’d use—“
“I did, Stevie!” Eddie protests, pleads for leniancy; “I did, I swear, my bag got delayed the first night, it was only that first night that I showered without it,” and fuck, how’d they even get that photo, how the fuck did it get to print and in Steve’s hands even, how—
“You cannot maintain your curl pattern without proper maintenance,” Steve grits through clenched teeth and yes, yes: Eddie knows. He’s learned, and learned again, and learned some more, for…for years.
He kinda loves it. But he’ll never love making his husband sad. So, because he’s skilled on his feet, he tries for a compromise. A Hail-Mary, in sports ball speak—or he thinks that’s the right thing to call it.
“Maybe you can salvage it,” Eddie proposes, damn-near begs, and yeah, yes: he means that wholehearted, too; “maybe we can go upstairs and you can save it?”
And Eddie’s not even trying to make his eyes big, knows Steve’s largely immune unless he chooses not to be, but his eyes are stinging for how wade they’re stretched, and he holds the gaze, stares pitifully at Steve, pleads so hard, and then—
Steve smacks Eddie’s forearm with the rolled-up magazine and makes to leave the room; Eddie just stands, a little frozen, a little bewildered, until—
“Well, get your ass up here,” he hears from the staircase; “you better hope I can work miracles, dipshit, else your photocalls are gonna be stringy and sad all goddamn week.”
And Eddie grins because like: he knows his husband—and the man himself is already kind of a miracle.
So miracle working is kinda his area of expertise.
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permanent tag list (comment to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 
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brightgoat · 1 year
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I watched all of JJBA
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My thoughts on it, no major spoilers:
FIRST OF ALL: If I were to recommend it to someone, I would say watch the parts in the order of: 3, 1, 2 (although 2 is largely irrelevant), 4, 5, 6. By all logic, I should hate this anime. It goes almost completely against my taste in fiction.
Continued under cut
Watching this anime is like getting waterboarded, occasionally a genuinely good moment will come where I am allowed to take a breath, but before i even register it some bullshit happens and I am dunked back in.
However, while getting waterboarded, I’m in a desert, i see the fucking stardust crusaders in the back, this is the only water source so while i cant breathe i am glad to have access to it.
Then finally, a particular moment comes, and i start drinking all the water, until theres nothing left and i finally breathe, and that particular moment is when father Pucci appears on screen, an essay on why he’s the best character coming hopefully never.
Watching this is like being forced to bash my head against a wall at gunpoint, and then being happy that my blood made a cool pattern on the wall. None of the characters act like real people. Time and space does not exist. Inconsistencies are everywhere.
Set ups and no pay off. Pay offs withOUT setups?? The characters describe their every action so honestly you could watch this with forks in your eyes and still know whats happening, except you won’t know from the intense mindfuckery that takes place.
But overall I had a great time. Amazing soundtrack, loved the OPs, I love the char designs and I love art that isn’t afraid to be weird and unapologetic in its weirdness, it’s insanely creative and the humour can be great, some moments genuinely had me hyped and my eyes wide
I loved how in a lot of episodes it focuses more on the antags, making you root for them (though thats often cuz the protags are annoying-)
My fav part is absolutely Stone Ocean, it has the best protag and antag, best visuals, side characters that I actually gave a shit about unlike most side chars in the prev seasons. Still rooted for the antag though.
My fav Jojo is Jolyne, second is Giorno (but the version of him in my head anyway cuz he had an amazing set up but shitass payoff in my opinion)
Fav side chars are Rohan, Anasui, F.F., Ermes, Bucciarati was alright I guess, I like Trish’s design, Polnareff was entertaining.
Fav villain is hands down Father Pucci, he’s the reason I watched this entire thing, the character who apPEARS IN THE VERY FINAL FUCKING PAR- Dio close behind. Kira was fun as well.
Gonna read Steel Ball Run maybe, because I’m still in the fucking desert and i need water-
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shoezuki · 26 days
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random divinity au things about Aha!Sampo to get it out of my skull cuz im bored n waiting for class rn
Aha is first and foremost The Elation, but it goes beyond that; Aha is the aeon of mortality. Things like emotions and feelings, desires, the very ability to change, etc. are only really afforded to mortal beings.
Aeons are the pinnacle of immortality; they can't feel emotions because of this. they can't really want for anything beyond what they are 'created' for in a sense. Qlipoth only really wants to build the wall. Fuli only wants to categorize/capture memories. Nous is endlessly curious yet allknowing at the same time. Lan feels nothing but a desire to destroy Yaoshi.
Aha is the exception to this.
long-lived species tend to be less emotional; the closer to immortal a being is, the less they Feel. Immortal beings are 'closer' to the divine, and closer to being a creation/construct/part of the very universe itself. its why many long-lived species tend to stagnate and be... repetitive? stuck in their ways?
Aeons are more like... objects. they are not entirely sentient, but are conscious. they have purposes, roles, etc. that the act on as a part of their Paths. but they are unable to act outside of it. it's like. a lack of free will.
Aha. is the exception.
Aha came into being when sentient creatures came into being. Aha is, technically, one of the 'first' aeons, alongside qlipoth, but Aha was fleeting and unformed at first. The first 'life' wasn't really capable of feeling yet, so Aha wasn't capable of existing yet. Humanity coming into existence is what really 'woke up' aha.
if, theoretically, all beings capable of thought and feeling in the universe were to vanish/die out, Aha would too.
other Aeons were around before Aha was fully formed, though.
no one fully knows about Aha's origins or the contingencies around Aha's existence, not even Aha themself. Qlipoth knows, though.
Aeons are completely unfeeling, except under one condition. When Aha is around, Aeons are capable of feeling emotions, too.
(usually annoyance or rage towards Aha because theyre such an annoying son of a bitch)
the reason other aeons, even Nanook and Oroboros, didn't ever want to destroy Aha is because Aha is the only way they could Feel. also Aha would be extremely difficult to destroy cuz they would just pop back into existence after some time. As long as a single mortal being remains and is capable of emotion, Aha exists.
Most other aeons fucking hate Aha. feeling emotions is strange and horrifying and suddenly being capable of Feeling is way, way too much for them. Some are exceptions to this: Qlipoth, who actually... enjoys Aha's presence for this reason; Lan, who would never admit they like feeling something other than bloodlust for once; and Nous, who is a freak.
In creating Sampo, Aha has technically severed themself into two beings. Aha IS sampo but also isnt.
Technically, Nous had been right in that aha couldnt become human/mortal without renouncing aeonhood and their Path. Its not technically possible for Aha to still be Aha And a human. But aha fucking did it
Aha basically severed themself, cut themself down into a smaller? Human-shaped form, shoved their consciousness into the human form they made, Became Sampo. The remains/clippings of Aha exist at the edge of Nothing.
Technically, aha didnt sever themself from the Elation. Rather they... became sampo, and left behind the remaims of Aha? Like. The majority of Aha is left behind there. Its like Aha cut off their limbs and outer flesh and made a new person out of their internal organs. Nous fucking hates it how dare Aha prove them wrong and find a loophole
Aha, now Sampo, doesnt know what he wants. He wants something desperately, though. He doesnt know what it is but he has always Always just. Wanted.
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charcubed · 10 months
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Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose
Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!
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Breaking news: I'm back on my bullshit!
A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.
You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.
In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.
[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).
Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.
I have two main reasons for why I'm defending examining this musical so closely:
1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?
2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.
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Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.
They've given me an inch with that sign and I'm taking a mile.
So if you're interested, please join me on this journey :)
For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.
It's also fucking maddening. LMAO.
Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.
And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.
For your reference, here's a list of the main songs and story beats:
• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.
Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.
And they took Bucky-related elements from canon and made them center more around Peggy instead.
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• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)
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• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.
Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.
And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.
Let me elaborate on that by describing the lead-up to the "End of the Line" song.
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So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.
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As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.
And then things get fucking weird.
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Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.
And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"
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Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.
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The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.
And then fucking Old Man Steve arrives.
He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.
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So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)
Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.
As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.
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OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”
Lmao???????
Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."
STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."
Me, watching this: the fact that he says this out of the blue makes absolutely no sense.
There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?
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That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.
More singing, and then: Peggy's silhouette.
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OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."
At this point I'm like, what in the hell?
Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!
Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.
It's truly some crazy shit.
[drags hands down face]
Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.
Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.
It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.
• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.
And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.
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There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.
Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.
But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.
How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?
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And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."
What on God's green earth am I meant to do with THAT?
Smh.
The vibes are fucked, folks.
The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.
Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.
Steve's ending had to be convincing.
It's theater.
And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?
Who would want to do that sort of propaganda, and why?
The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.
But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.
So. Sure, it's probably nothing.
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But what if it's not?
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UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)
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