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#the theme is just really fucking good on it's own? that's what i like about nathan johnson's music for this movie and knives out
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⎯ STOCKHOLM. christopher bahng chan
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🎧 : bang chan x female reader
TROPE. age gap! au (chan is 37, reader is 18), kidnapper x kidnapped
WORD COUNT. 2.5k
WARNINGS. drinking, mentions of drugs, illegal activities, nineteen-year age gap, kidnapping, reader falls in love with her kidnapper, sadism + masochism
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SYNOPSIS. on the morning of january first, y/n wakes up chained to a wall, stripped to her undergarments, and a camera pointed right at her. strangely enough, behind the camera is what looks like a harmless, friendly, incredibly attractive man. as y/n and the mysterious Bang Chan begin to learn more about each other, y/n finds herself succumbing to stockholm syndrome: falling in love with her very own kidnapper
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SMUT WARNINGS. sadism + masochism, use of vibrator, some non-con themes, sextape making, overstimulation + edging, corruption kink, exhibitionism, dumbification kink
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As your eyes opened, you expected to wake up somewhere you didn't know. You were absolutely wasted the night before - New Year's Eve - and you had been almost one-hundred percent sure you would wake up in someone else's bed. However, you hadn't imagined that you would wake up with shackles around your ankles and wrists, keeping you tight against a concrete wall in a cold room that somewhat resembled your great-grandmother's basement.
You're flabbergasted, to say the last. In all of your years getting drunk and fucking random people, you had never been kidnapped. And either this guy was really fucking kinky, or you had been kidnapped.
You suspect the latter, seeing the tape recorder set up on a tripod in front of you, facing you. As you survey your surroundings, you also take in your attire - completely nude, spare for your lacy white bra and matching panties, complete with a small white bow.
"Morning."
You look up, startled at the handsome guy that you hadn't noticed enter the room.
"Y/N, right? I'm not sure I caught your name last night."
You vaguely remember his face as one of the guys you had danced with the night before, letting him grind up against you and grope your body to the beat of the music. You nod at him.
"Do you know why you're here, Y/N?"
You shake your head, staying silent.
"I find you quite beautiful, actually." The man has a thick Australian accent, one you're sure you remember from the party. "Really, a work of art. An ass to kill for, and apparently, unmatched intelligence."
"That's just a rumor," you say finally.
"Ahhhh, she speaks. You have such a pretty voice, sweetie." He sends you a dimpled smile. "I really don't think it is, though. Your IQ is three higher than that of Albert Einstein. Do you know what that means, sweetheart?"
You watch him, waiting for an answer.
"It means you are a certified genius." The man's smile drops. "This is why you've peaked my interest."
"'Cause I'm good at taking tests?" you ask softly.
He shakes his head. "Much more than that. I want to pick your brain apart, pretty girl. I wanna find out what makes you tick." Then, he smiles again, wickedly. "But more than that, I want to humiliate and violate you in ways you wouldn't have thought possible."
So that's what he is, you think to yourself. A psycho with a god complex.
"Do you think I can do that?" he asks.
"Do what?"
"Everything I just said."
"Yes I do."
He tilts his head at me. "Giving in so easy?"
"What else should I do?"
He moves closer to you, taking your chin in his hand and examining your face. "I suppose you're right."
You watch him, utterly stunned at how fucking exquisite your kidnapper's appearance is.
He backs away from you now, moving behind the tape recorder. He repositions it so that it's trained on you, then turns the viewing component of it so that you can see yourself, dangling helplessly and half-naked from the wall. "I'm going to start, yes?"
You nod slowly. You know that fighting whatever this man was about to do to you would be futile, so you waited and watched, eyelashes fluttering.
He retrieves a knife from a table of dangerous-looking utensils off to your left, returning to you.
"What should I call you?" you ask him suddenly, dreading the feel of the knife tracing your skin.
"Chris," he says simply. "In Korea, they call me Chan. Here they call me Chris."
"Chris? Or Chan? Which do you prefer?"
He tilts his head, as if puzzled by the question. "I'm not sure."
"I like Chan. It suits your face."
"Does it now?"
You nod, humming a "yes."
Chan's lips quirk up in a half-smile, and you find yourself smiling back. "First things first," he says after a moment, "I need to mark you."
"Mark me?"
He nods. "It won't hurt long, love." He moves around you, to your left side, and grasps your thigh gently. You bite back a gasp, watching as he lifts the knife. It's digging into your skin before you can protest, drawing a thin line of scarlet over the plush skin. You register in your mind it hurts, but it fascinates you to watch, taking your thoughts off the pain and onto the beauty of the letters that he's now carved into your leg. B.C., in small, pretty writing right in the middle of your thigh.
"Painful?" he asks, moving back to the table to the side and retrieving some sort of paper towel, returning to you and gently dabbing at the blood.
You blink. "A little."
"You didn't scream," he says.
"I didn't."
"I wish you would have."
"Would you like me to now?"
"No, sweetheart, don't force it."
You're surprised at how easy this conversation comes to you. This man just cut his initials into your thigh, and all you could think about were his pretty dimples and crinkly eyes.
"Where are you from?" you ask.
Chan looks up at you. "You baffle me," he says, examining you. Then, "I was born in Seoul, but I grew up in Sydney." He pauses. "You?"
You tell him where you were born, surprised at how intently he listened to you.
"I like hearing you speak," he says. "Your voice is beautiful."
You stay quiet, unsure what to think.
"I bet your screams would be beautiful too." A mischievous expression flits across his face. "You know what I bet would be the most beautiful of all?" He leans in close to you, so that his lips are right next to your ear. "Your moans."
You blink dumbly up at him.
"Look at you." He cradles your cheek in his hand, watching you with a bittersweet expression. "Intelligence already crumbling. I thought you'd last longer, sweetie."
You're tongue-tied, both disgusted and turned on by the sadistic words.
He pats your cheek once, twice, then turns away. "I'll be back later to bring you dinner, and a fun little toy."
"What am I supposed to do until then?" you ask quickly, desperate for him not to leave you. As much as you don't want to be down here with him, you even less want to be down here without him.
He shrugs. "You'll find something." Then he pauses. "Actually . . . would you like your toy early, hmm?"
You nod slowly. Chan retreats from the room, returning a few minutes later with a white box. He opens it, inside awaiting what looked like a vibrator. Nope, scratch that, it was a vibrator.
You swallow, looking at it, and Chan grins at you. "The best form of torture is too much pleasure, don't you agree, sweetie?"
You swallow hard, finding yourself nodding nervously.
Chan moves back over to you, stepping gracefully, and smiles. "For the next three hours, this is going to be attached directly to your clit."
You only stare at him.
He begins by removing your panties, then your bra, leaving you completely bare for him, and for the tape recorder.
"Pretty pussy," he mumbles, as though to himself. He leans forward, using one finger to spread your lower lips and another to prod around your private area, poking gently into your hole, then around your clit. Finally, he stops, bringing up the vibrator and configuring it so that the head stayed directly on your clit. He gently turns it on, watching as you gasp a little.
"Three hours," he says, tapping his wrist, then turning the vibrator to the highest setting. "I'll see you, pretty girl."
The moment the door is closed, unable to bite back the noises produced from this torturous device.
Three hours later, you've passed out four times, came at least twenty, and are shaking, dripping sweat, and sobbing. Your clit burns with too many sensations, and your stomach convulses violently with every buzz being emitted into your core.
When Chan reenters the room, he carries with him a plate of food. He sets it down quickly upon seeing your ragged state, mouth open slightly as he watches you.
You hardly notice him enter, buzzing with too many sensations. You only snap back to reality when you hear a shutter flick in front of you, and you find that he's taken a Polaroid photo of you.
He stays silent, listening to you whimper as the film develops. When it's complete, he turns off the vibrator, and you slump in your shackles. You feel him unlock your ankles, then your wrists, and you drop to your knees on the floor, still shaking vigorously.
Chan kneels beside you, brushing your hair from your face and soothingly thumbing your cheek. "Tired?"
You nod.
"Too tired to eat?"
You nod again.
"No you're not." He stands, retrieving the plate of food he brought with him. On it is what looks like a rather appetizing piece of chicken, salad, and small bowl of pasta. "Eat."
"What if I don't want to?"
"I'll force feed it to you."
You can't tell if he's joking, so you shakily take a bite. You struggle as you pick up your fork, and Chan takes it from you exasperatedly. "Let me," he says. He gathers a bit of salad on the fork, taps your jaw for you to open your mouth, and puts it in. You close your mouth, letting the lettuce fall onto your tongue, eyes locked with his.
"I'm sorry," you find yourself saying.
"Why?"
"I'm shaking."
"That's not your fault, is it?"
You shake your head.
"Then why are you sorry? Hmm?"
You shrug as he puts another bite of salad in your mouth.
The two of you stay silent for the rest of the meal. That night, he doesn't reshackle you, but locks the door behind him. The next day, he returns. At least, you assume it's the next day. You're not sure how much time has passed since you've woken up in this dank room. He'll come for a few hours in the morning, then leave for a few hours, then return for a few more. Each time he returns, he asks about you. As if he truly wants to get to know you, instead of killing you. He continues torturous ministrations, destroying your body and your mind in one. And somehow, you hardly mind.
Finally, on the evening of what you can guess is the ninth day, he returns as usual, bringing with him a meal.
He watches you eat, tongue in his cheek. "I'd like to bring you upstairs today."
You pause to stare at him. "Up . . . upstairs?"
He nods. "You should shower, before you stink any more."
You look down. "It's not exactly that sanitary down here."
"I'm well aware. That's why I'm bringing you up. I quite like you, honestly. So I'd like to propose to you an offer."
"An offer?"
"An offer. An exchange, I suppose. Your freedom for your service."
"Go on."
"You will marry me. You will be presented as my wife, and you will act as such in the public eye. In private, you are mine. You're my slave - my belonging."
"I just have to stay with you?" You look up at him. You're smart enough to know that even seeing the sunshine for a day being married to a kidnapper would be better than rotting down here until he eventually decided he'd had enough and kill you. Your mind was made up, but you were curious.
"Yes, love. I'm fond of you, actually."
Fond of me. You ponder this. "Okay . . . I'll do it. First, though, I have a question."
"Shoot."
"How old are you?"
Chan looks down. "I'm thirty-seven."
"Oh."
He nods. "You?"
"Eighteen." You meet his eyes.
"So young and fragile." Chan traces his fingers over your cheek. "So much to corrupt, hmm?"
You nod.
"Come on, you need to shower."
You let him bring you upstairs. You leave the basement into a small house. The walls are pretty pastels, decorated with plants and paintings of all varieties. Chan brings you away from the main floor, up another flight of stairs to what you can guess is his bedroom. It's neat and tidy, and an open door off to your right is your best guess at a bathroom.
He brings you into the bathroom, letting you strip out of the clothes he gave you a few days before, after finally giving in to your begging for warmth. You jump a little as he starts to remove his shirt. "What are you doing?"
"Stripping. I'm joining you."
"Um, why?"
"'Cause I'm not letting you off yourself with a razor in my shower."
"I wasn't gonna off myself with a razor in your shower."
"How do I know that?"
You watch him, deciding not to argue. The water is already on, steaming up the room, and his skin glistens with every movement. You avert your eyes from his dick, but you can see its general shape in your peripheral vision. Huge.
He pulls you into the shower by your waist, stepping in behind you. He'd seen you naked before, but something about this close proximity and steamy room felt so much more intimate than the hours of sextapes he had filmed of you.
Chan helps you wash your hair, then your body. His touch lingers over your curves, rubbing you in a way that you didn't know was possible. It's only moments after that you find yourself hoisted up, legs tucked around his waist, hands running through his hair, head tipped back as his lips attach to your neck.
"Do you promise to be mine?" he whispers into your jaw, teeth grazing your Adam's apple.
"I promise," you say desperately, watching him with hooded eyes.
He pushes inside you with no warning, already rock hard. You feel the tip of his member kissing your cervix, pressing in just the right ways against your walls. He kisses you hard, pushing you against the wall of the shower. Chan is thrusting inside you slowly, mouth struggling to stay attached to yours as the two of you are overwhelmed by emotions and sensations.
You cum at the same time as him, coaxing every last drop of cum from his cock.
You collapse into him, shaking as you come down from your high. He holds you gently, turning off the water and helping you out of the shower. He's wordless as he wraps a warm towel around you, kissing your forehead as he dries you, then himself, then helps you to his bed.
"Just sleep, love," he tells you softly. "I'll wake you up in the morning."
The next morning, Chan is beside you, sleeping soundly. For some reason, you're comforted by the sight. The man who kidnapped you nine days ago - who would have thought you'd be madly in love with him by the end of it all.
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TAGLIST ⎯
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some Thoughts on chapter 13 now that i've finished:
I LOVE HOEDERER.... i already did but like. Really enjoyable to get his POV in this event and see more of his inner thoughts and motivations. I'm fond of characters who are so tired and worn down and jaded, but manage to hold onto some scrap of hope regardless, even against their own better judgment. A lot like Mlynar in that way, tbh.
regrettably this chapter sold me on hoederines a little. i'm CONFLICTED because i love wines so much, dammit. (and manhoe, but there's not as much of a conflict with my headcanons there.) But their relationship is so good regardless of whether you read it as romantic or platonic.
speaking of, Ines was a delight in this chapter. Love her role as the resident non-Sarkaz Sarkaz who is completely unaffected by whatever arcane bullshit is getting to Hoederer and W in any given moment, so she can yell at them to snap out of it and save all of their lives lmao. I love her deep loyalty and care for them that she expresses in everything but words. ugh ugh i love her
the little subplot with Vendela and the Sarkaz commander who tried to keep her safe was sweet and sad, I wish he'd gotten a unique sprite at least. I kind of want to see her meet Flamebringer now and her reaction to the friendship between him and Perfumer... I feel like there's some parallels there.
We're starting to see some payoff to the buildup with Siege in this arc, and I'm so glad! I've never really understood the hate her arc gets - I know it's partly that I'm biased, she was my first 6* so I'm rather fond of her, and I just really like the whole concept of the Glasgow Gang. And I think it doesn't help that ch12 was (imo) the weakest part of act 2 so far. But also, it was always really clear to me that we've been just... laying the groundwork with her up til now, I didn't really expect her to have big moments or turning points yet? Idk. i kind of want to write a whole post about her arc and my thoughts on it at some point. BUT, I really liked her in ch13, seeing her start to really come into her own and how all the events of act 2 up until now have shaped her decisions.
I'M REALLY SAD ABOUT GUARD ACTUALLY??? :( Tbh I have not really cared much about New!Reunion until this chapter, except for Talulah, but I'm finally getting invested. And Talulah's confrontation with Eblana was AMAZING. I've always seen her as a foil to Talulah - while Talulah started down her path with good intentions and ideals, Dublinn seems to have been like late-stage Reunion from the very start, because Eblana has always cared more about seeking power than about the oppression of the people around her. SO FUCKING SATISFYING to see Talulah, of all people, calling her out on that, and protecting Reunion from her. I really hope we get more of these two in future, and also more Reed in main story please please pleeeaseee.
This chapter was wonderfully cohesive with the themes of tradition and bloodlines vs forging a new path. Siege, Delphine and Horn, all beginning to break away from their inherited roles in Victoria's hegemony and fight on their own terms instead. The Kazdel flashbacks, the spacetime feranmut, and Hoederer's POV - a character who wants to see a better future for Kazdel, while still remembering and learning from its past. Nine, Guard and Talulah dealing with what Reunion means as a symbol, and figuring out what it should become. Shining and Nightingale, confronting the Confessarii and their own past. Even Vendela, having to let go of the life and traditions she'd grown up in, the townspeople clinging to familiarity and the hope that things would go back to normal to the point that it was literally going to kill them. The confrontation with the Sanguinarch was such a great culmination of all of this, with his fixation on blood purity and the glorious lost past of the Teekaz. And he's defeated by several people who all soundly reject his vision of what the Sarkaz "should" be - Amiya, the outblood King; Logos, who does have a "pure" bloodline by the Sanguinarch's standards but refuses to be defined by the role he inherited; Hoederer and W, two of the mixed-race "commoner" Sarkaz he's so contemptuous of (and Hoederer specifically rejecting the idea that the Sarkaz's destiny must always be soaked in blood); Ines, who isn't a Sarkaz at all, except she is, because her family is Sarkaz, and she's always going to be one of them. It was! So fucking good!
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mdhwrites · 1 day
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Have you seen the leaked TOH pilot and pitch bible yet? IMO it’s crazy how most of it is better than the final product.
I have! And... I don't know if I entirely agree with that.
What I found most fascinating about it is that a lot of the contradictions and issues of scope with TOH that doomed it are still in the pitch bible itself. Just some quick examples of what I'm talking about: When talking about themes, they talk about Fantasy versus Reality but it's as shallow as it is in the show. After all, one of the episode concepts pitched within it features a plot that has Luz literally going "This is just like in my fanfiction!" and being better able to handle it because of that.
It builds up the emperor of the land and Belos (known as Oberon) when talking about them but NONE of the plotlines include Oberon in the episode pitches or even mention the coven system for that matter. They are still barely a thing to the show with the only episode concept about that part of the show being the one about William.
An utter lack of real stakes like how King has to face the deep crises of a decision of either being a lackey to the people he used to run with while also losing any chance to ever reclaim his lost power... Or he can save Eda and Luz and lose the chance to work with these people again. That's not really a compelling decision, is it?
The pitch also claims that the show will mostly be about Luz and Eda's relationship and how Luz's determination will push Eda to be a better person... And most of the episodes pitched are still not actually about the two spending time together. Just Eda making Luz upset so she goes off to do her own thing, just like the same problem as in the actual series.
You actually have MORE characters in this version which sucks harder for trying to narrow things down, especially since more of them are disconnected from each other than before. At least Boscha, unlike Pascha, has a connection to literally anyone in the main cast.
You also have stupidity with your magic still. "Look! I need to work hard to make small objects float!" And apparently that's enough to make all of Hexside lose their fucking minds. WHY!? In 90% of settings, that is as basic as the light spell Luz learns. It's why it's one of the first spells Harry learns.
Oh and let's not forget "Almost all known portals to the human realm have been severed" but apparently Amity has access to one of those known portals freely enough to attend two schools. It's a small thing but it would cause problems in theory.
BUT.
I will give credit to this: Luz is MUCH more compelling in this version. I think if there is something that is just unequivocally true, it's that. She is way less inoffensively nerdy, instead her interests being more upfront and troublesome, helping explain why that would be why she is rejected and not because, you know, she puts people in danger. Also her rise to power is just better.
Arguably, Luz in canon is a chosen one essentially from episode FOUR onwards. Now, this is up for debate but being given a power almost out of nowhere, with no training, that no one else has, is usually a sign of a chosen in a narrative. Episode 4 is when she gets the light glyph. She doesn't work for it, it's not a big character growth moment, etc. like that. She mostly just oops into it. Making it that Luz ACTUALLY has to work for her magic and the show actually has to explore how the magic works, making it so she has something to learn is just strictly better, especially for the concept of her learning to be a witch. Eda would actually be able to teach her something instead of shrugging and going "Welp, good luck!"
I will say that the bible does also lean more into an adventurous aspect though. This version of episodes would easily be more fantastical and include more magic in them which would help the Isles not feel so much like our realm. I will say the fact that there's also active anti-human prejudice also would be good because then Luz being human would, you know... Matter. Not that the Isles is really given a personality even here besides the oppression they're theoretically under. It's still a very generic fantasy setting.
A lot of the rest though? It's really not that unique or different from the show itself. Lilith is almost exactly the same, Tibbles is just Gus but a demon, there are slightly more restrictions on things like being human or magic but, you know, the show didn't care about its one law, why would it care about three? Even Amity, who does look better on here, is only because it's on paper. This is literally just Amity's pitch in S1 after all. All the reasons people loved Amity are here.
Conceptually it is fine but I am surprised about how not only this got picked up but also how it was greenlit so heavily as to get a pilot animatic, with voice acting, based on these concepts. There's just some very clear cleaning up that needs to be done, basic questions on its own setting and own logic that isn't even playing into the comedy/fantasy angles that could let you let it pass. It's not all of them or even the majority but a skeptical prereader could even raise these basic sorts of inconsistencies like the ones I brought up above. After all, this is half a season's worth of episodes pitched and a fifth of them are still going to Amity and more of them have Luz directly interacting with King than they do Eda.
There's a final thing I have to bring up due to it being why I think the show changed so drastically from this pitch bible to its final form: This is way more complicated. TOH already has extremely decompressed storytelling and too many elements working in tandem. Meanwhile, every character is MORE complicated in this one and less connected to each other, necessitating that each, except maybe Eda, will take more time to get through their stuff. The writing team either had to sharpen how much they could do in an episode or simplify and congregate elements. We see this a LOOOOT in S2A, especially Escaping Expulsion, where it seems the writers went "Even with three whole seasons planned, we don't have enough time to do everything we want to, the way we like to, so we need to start cutting and simplifying even more than before."
One example of this that's really easy: In the pitch bible, Willow is a random witch who lives near Eda. Well that means she'll likely either take time out of a couple episodes as she's introduced or take up an entire episode just for herself. Tibbles is also just on their own, like in the show. Introducing both of these characters is not really an option. However, put them both into Hexside and suddenly you can introduce three characters at the same time organically, like we saw with I Was a Teenage Abomination.
Luz just being gifted magic is another element to this. Her having to actually experiment for every spell and having to have a real system to her spells limits what she can do but also means spending a LOT more time on her magic. You can't just have a flower open up and give her the glyph of the day as easily, nor have her be able to throw her spells around as she wants. Making it so she just needs reams of paper and/or a marker makes it a lot easier and simpler to have her start casting magic.
This version of TOH would have SHATTERED under its own scope while the current version mostly bends and cracks from it. However, if people do use this to go "FUCK DISNEY EVEN HARDER!" I won't be surprised. Grand scope ALWAYS looks better on paper than it does in action. It sounds epic and multi-faceted and complex. The problem is that it still has to fit its format and it is MUCH harder to execute on than a more simple concept.
There's a reason the only perfect project is the one you never do because you can promise the world without ever having to deliver. So, while it's nice to see an earlier version, I am by no means going to say this would have been a better version of TOH.
======+++++======
Sorry for anyone hoping for a link to the pitch bible btw. I just don't have one as I got given it as a document.
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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ghostwnby · 7 hours
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Crashing Tides
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Authors note: So remember about 3 or 4 ish months ago I said I was working on a surfer shop worker!Daniel + moody rich 19 year old!Max age gap romance fic? Well, surprise! After a billion years the first part of it is finally here. I'm not 100% happy with it but I decided to finally just say fuck it and bite the bullet with it. I am hoping to write more in the future about this au but in the meantime if you have any suggestions or ideas about this au please feel free to share them with me :) my asks are always open <3 otherwise, I hope you enjoy!!
Warnings: language
Word count: 2,029 (2k)
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The warmth of the Australian sun beats down harshly on Daniel’s skin as he tries his best to dodge and weave through the crowded boardwalk, not wanting to run anyone over with his bike. He wipes the layer of sweat that had gathered on his forehead off on the back of his hand, cringing slightly at the sheer amount of it. 
He silently regrets not taking a shower before leaving the house, but at this rate, with the amount of people blocking his way, he was going to be late.
Damn tourists. 
He can hear his boss, Mark, now: "Look, who finally decided to show up! I’m glad you think this company runs on your schedule.” He rolls his eyes at the mental image of the older Australian man passive-aggressively scolding him. You would think a person who owns a beachside surf shop would be more laid-back, but no. Ever since his wife left him last summer, his boss has been nothing but a crotchety old man. And trust me, Daniel has tried many times to invite him out to bars to be his wingman for the night, but every time he offers, he gets immediately shut down and scolded for even offering. 
Sorry, he was just trying to be a good co-worker and get his boss some stress relief in the form of a one-night stand with a beautiful lady. 
Pulling up to the shop, Daniel rushes off his bike, hastily reaching into his bag to grab his bike lock and securing it to the pole near the side of the building. Once secure, he practically bolts into the front entrance of the shop, accidentally slamming the door open a bit too hard for his liking, causing a few customers and his coworker, Lando, to perk their heads up and look in his direction. 
“I know. I know. But technically, I’m early. I still have a minute until I’m supposed to be here.” Daniel says matter-of-factly, shining a bright smile at the younger man as he walks up to the front counter that his co-worker is lounging lazily against. 
“You're cutting it close, mate.” Lando comments as he glances up at the shark-themed clock on the wall. (What? His boss might be an ass, but at least he’s an ass with good taste.) 
10:59 am
Lando shakes his head. “I don’t know if you want to push your luck too much. Mark is in a pissy mood today.” He explains.
Daniel rolls his eyes. “When is he not?”
Lando glances over his shoulder, making sure the door to the manager’s office is shut before whispering, “I don't know, mate; he seems grouchier than normal. Like something’s really ticked him off.” 
Daniel raises an eyebrow at the younger man. He opens his mouth to respond, but before he can, the door of the manager’s office slams open, revealing his boss on the other side.
“Speak of the devil.” Lando whispers as both of the men straighten back up as their boss steps out of his office. 
"Daniel, I'm so glad you finally decided to join us for your shift that you were scheduled for.” Mark greets, scowling at him.
“Good morning to you too, Mark.” Daniel says, not bothering to hide the sarcasm that coats his words. The older man scoffs at him, rolling his eyes in a way Daniel can only describe as Oscar-worthy with how dramatic it was. 
“Whatever. It’s not like I have been waiting for you all morning to get your lazy ass here.” Mark hisses, motioning his hand to the shark clock on the wall. 11:00 am. Daniel has to repress the urge to roll his eyes. He’s been there for less than 2 minutes, and he’s already having to deal with Mark’s bullshit. That has to be a new record. 
"Sorry, I wasn’t here earlier. Emily decided to have a breakdown this morning about having to stay with my parents for the day.” Daniel explains half-heartedly, knowing no matter what explanation or excuse he gives the older man, he’s not going to be pleased either way.
“Well, maybe you should invest in some parenting classes then since you aren’t doing a great job at controlling your kid.” Mark sneers, “You know what? Never mind, I don’t care at this point.” 
Daniel can feel his frustration growing by the second. Honestly can’t he just back off? He’s here, isn’t he? It’s not like he’s one of the only workers there, besides Lando, who does his job. If it wasn’t for the fact that the pay was nice, Daniel would have been out of there the second Mark started acting this way last summer. Plus he’s been working at the surf shop for almost 5 years now and what has he gotten for it? Nothing except for the temporary title of shift lead whenever Mark isn’t there. 
As if he can sense the tension in the air between the two older men, Lando decides to speak up. 
“Oh uh..by the way, Mark, this dude called earlier. I think he said his name was Jos? He said his son would be here around 11:30.” 
Lando and Daniel both watch as Mark inhales deeply as if Lando’s words were the most aggravating thing he has ever heard. 
“That brings me to my next point. A friend of my old man asked me to hire his son for the summer while they are vacationing here.” Mark explains. Daniel and Lando share a confused look. Mark continues, “The reason why? I have no clue. Something about how he wants his son to learn what the real world is like even though his pocket money is more than what we all make in a year combined.” 
Daniel raises an eyebrow at him, “And you just agreed? Just like that? Who’s going to train him?”
Mark smirks devilishly, “Well that’s where you come in Daniel.” 
“What do you mean ‘that’s where I come in’?”
“Well, you are always complaining that you’ve been here the longest and still haven’t gotten any type of raise or promotion. Well here you go, I’m promoting you to training associate. You are in charge of training the kid and also keeping an eye on him and making sure he doesn’t get into any trouble.” 
Daniel can’t help but feel the heat of anger from earlier rise beneath his skin. “So you expect me to not only train this kid I’ve never even met but also babysit the little brat as well? What the hell do you think I am? A damn babysitter?!” He snaps, crossing his arms and scowling at the older man. 
“I’m nineteen. I don’t need a babysitter.”
All three of the men snap their heads back towards the front door, only to see, who Daniel presumes is the kid Mark was mentioning, standing in the entryway. Daniel blinks as he tries to take in the teen’s appearance. He doesn’t look like any nineteen-year-old Daniel has ever seen. Sure, he has semi-smooth skin, with a blemish here and there, and an overall youthful glow about him but for some reason, something’s off about him. Maybe it’s the way his shoulders are a bit broader than his own or how his jaw is a bit too sharp for Daniel’s liking. Either way, he doesn’t like it.
“Max! I didn’t expect you to be here so soon! Is it 11:30 already?” 
Daniel glances at the clock on the wall. 11:09 am.
The teen trudges over to the front counter where the others are standing and crosses his arms. “My dad said I should show up early just in case you guys were busy or something. But, by the looks of it, you aren’t and are instead talking bad about me behind my back.” Max explains, not bothering to hide the annoyance in his voice. 
Daniel looks over at the teen, studying his face more intently now that he is standing next to him instead of a few feet away at the door. His brow is furrowed. His pale skin is tinted with a shade of pink from the harsh Australian sun. There is a collection of freckles that are scattered across his jawline and up to the middle of his cheek, with a single one lying on his upper lip. He notices now that the teen is just a bit taller than him. Not by much but enough to make Daniel even more wary than he was before. 
Mark shakes his head, “Please forgive my employee, Daniel, here Max. He has had a bit of a rough morning so his mood isn’t the best right now.” 
‘The only reason why I have had a rough morning is because of you jackass.’ Daniel thinks to himself as he shoots a glare at his boss. 
Max rolls his eyes, “Whatever.”
Daniel and Lando exchange glances once again, as if to telepathically ask each other if this is what they are really going to have to deal with for the next two and half months. 
The sound of Mark clearing his throat makes the two of them look up towards their boss. 
“Anyway, as I was saying. My employee, Daniel here, will be in charge of training you and just overall making sure you're settling in here nicely.” Mark explains, clearly trying to skip over the part where Daniel called Max a brat that he has to babysit. 
Daniel shifts his eyes over to the teen next to him. Max doesn’t look impressed. He still has his arms crossed and his lips have formed a tight line of annoyance. Honestly, Daniel can’t blame him. If he was in his shoes, aka if he was a rich kid who probably hasn’t worked a day in his life and his parents suddenly made him get a job at a dingy old surf shop while they were on a  summer vacation, he would be pissed too. 
There is a beat of awkward silence that fills the air between the four. 
“I’m guessing this is the part where I introduce myself?” Lando chuckles awkwardly, drawing the other’s attention to himself. Max stares at him silently, as if he is waiting for the other to say something else that will ultimately aggravate him even more. 
“I’m Lando. I started working here about a year and a half ago. I go to the university just up the street. I usually work in the mornings because I have night classes.” He explains. Max doesn’t say anything, instead, he sighs, uninterested. 
Lando scratches the back of his neck awkwardly, “Uh..When I’m not working or in class you can usually find me in my dorm playing video games.” The mention of video games makes the teen’s ears perk up with interest.
“You play video games?” Max asks in a slightly less annoyed voice than before.
“Yeah! I play all sorts of games like GTA, God of War, and F123. I actually stream my gameplay on Twitch with my friends from time to time. You should join sometime. I bet it would be really fun.” 
Daniel doesn’t know if it’s the heat getting to him or what but he swears he sees the faintest hint of a smile on Max’s face when Lando mentions him joining him in a gaming session. 
“I’ll think about it.” 
Seemingly pleased with the exchange, Mark claps his hands together like a coach trying to round up his team for a debriefing after a game. “Alright, now that introductions are out of the way, Max, how would you like to follow Daniel around for today to get a feel of the environment and how things work around here?” 
Daniel can feel the teen’s eyes on him before he even turns his head. His stare is as cold as ice and Daniel worries that if the teen doesn’t look away, he might burn a hole through his head. 
The universe must have been on his side because just as Daniel thought he would never look away, Max shifts his eyes toward Mark. The stare he gives Mark is just as cold. 
“Whatever.” 
“Perfect. Now let’s get started.”
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nothingenoughao3 · 2 days
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Why we wanna transition to Mad Scientist (or, revulsion and queerness in horror)
(Hi, @ash-eats-film! This is the thing I mentioned!)
Horror has a few baseline emotions it tries to inflict on the audience. This has been written about for decades, most famously by Stephen King, but the baseline elements most writers agree on are as follows.
Dread: Anxiety over what is about to happen
Terror: The fear of what is occurring right this second
Revulsion: Being forced to interact directly with what's happening right now
Black comedy: Being tricked into laughing at either the terror or the revulsion
Horror: The trauma response to what just happened
A great example of this can be seen in The Evil Dead II (YT link that doesn't include the full context, but does have the, uh, money shot). There's the dread of realizing there's something in the root cellar; the terror of when the Deadite pops up in the trapdoor; the combined revulsion and black comedy of Ash jumping on the Deadite's skull/the door, popping out its eyeball which shoots into Bobby Joe's mouth, and then the horror of what just went down rolling over Ash and his current companions.
Often, revulsion and black comedy go hand in hand. That's because they're tension relievers. The revolting thing becomes ridiculous, and you laugh at how ridiculous it is. This lets you settle down in the midst of the gore and death, just slightly, just enough to get through it... so the horror can fully set in for you, too, once it's over.
You also, often, question your own stability if you laugh in the middle of a gross-out horror scene: "Am I sick? Is there something wrong with me for laughing at X?" This is even worse if the villain starts laughing--now you're questioning whether you're IDing with the monster. Are you okay? Is something wrong with you?
Revulsion is often framed as the slutty member of the good, proper, morally-upright brigade of horror. We have a name for folks who seek out gross-out horror--they're gore-hounds, a term that is virtually always pejorative when applied to other people. We call certain types of horror "torture porn" or "gore porn", as though it is inherently sleazy and sexual to rely on this specific emotional reaction. (Note that we don't have "black comedy-porn", or "dread hounds", even though a dread hound sounds really fucking cool.)
Not to go off on a huge tangent, but I think the issue with media that overly relies on revulsion is that it's unbalanced, not that it's bad. A movie that's nothing but dread never has any emotional payoff. A movie that's nothing but terror never lets the audience relax back into their seats and, paradoxically, will become boring (imagine two hours of jumpscares).
So forth and so on: all aspects of horror rely on each other to survive. That includes scenes that make you go "Awww, sick" while nervously cackling.
Here's the thing: in previous generations, revulsion was similarly understood to be an essential part of horror, but what led to a revolted reaction was very different.
Lovecraft (boo this man! BOOOOO) understood the power of revulsion, which was the source of a lot of his strangest and most vivid descriptions. It was also the source of some of his most bigoted ideas working into his stories. The undercurrent of "non-WASPs are evil because they are repulsive" is as pervasive in his work as "the universe is incomprehensibly vast". You kind of can't get around that.
But there's another thing Lovecraft did to generate revulsion. He wrote a number of stories where an unhealthy focus on corpses, graveyards, graverobbing, and the like is, indirectly or directly, associated with sexual perversion. 
How many, you may ask? Off the top of my head, there's "The Loved Dead", "In the Vault", "The Disinterment", "Pickman's Model", The Dream-Quest of Unknown Kadath, "The Hound" and "Herbert West: Re-Animator". All of these tales share certain themes, which don't repeat beat-for-beat in each tale but do overlap:
Male character becomes obsessed with dead bodies--whether that's stealing them, having sex with them, desecrating them, or resurrecting them.
He is comfortable around death and the dead to a degree that is unusual, sometimes explicitly stating that he prefers the smells/sights of death to those of life.
Terms like "fiendish", "hellish", "abnormal" and "perverse" are used to describe him; his gaze towards dead bodies or to experiments may be framed as "leering" or "speculative".
He is frequently a twink; often described as being frail, if not noticeably beautiful; he may recall being mocked for being "bookish" or "weak" as a child.
He is superficially charming in a way that gets him by in polite society, but not long-term nor in-depth.
He often ensnares an otherwise "normal" man to share his obsessions, effectively recruiting him as an assistant... until the "normal" guy realizes he's about to go on the chopping block (or, in at least one story, already was on the chopping block).
Their crimes involve a lot of sneaking around late at night, locked doors, whispering so they don't get caught (or they'll be killed), secretiveness, glee at getting away with it, and frequently, sharing the same living space.
The Unrepentant Evil Dude is often killed at the end of his tale in a way that implies vigilante/mob justice is at hand. 
The other may be allowed to live if he's very sorry and frames the whole story as being the fault of the other guy, or he may die too while affirming his horrible demise as just, even if it terrifies him.
(One could make an argument that Wilbur Whateley fits into some of these tropes. It's me I'm one)
If this all sounds very gay, Lovecraft probably would have agreed. He had as dim a view of homosexuality as he did on most other things that were Outside The Norm. In other words, we were supposed to see Richard Upton Pickman with his ghouls and think, "Ah, yes, this is a metaphor for queerness", only we were supposed to be revolted by that revelation.
This same attempt at revulsion can be easily read into Victor Frankenstein, and probably more Mad Scientists than I can name offhand (but feel free to in reblogs). Frankenstein's "crimes against nature" were connected to dead bodies as well, and likewise involved a lot of sneaking around, locked doors, and worry about what would happen were he caught with this naked man-thing he's keeping in his dorm. His crime, as with his parody character Herbert West, is creating life outside the bounds of heterosexual cisgender sex. This was meant to revolt readers' sensibilities as much as the whole cutting-up-corpses-and-stitching-them-back-together thing would.
This is why, if we're being honest, "Re-Animator" and "Bride of Re-Animator" are not necessarily gay… they're homophobic. This might be controversial, but stick with me.
I feel like Gordon and Yuzna were tapping into that old-fashioned Revulsion Handbook, including from the source material, which thematically linked Herbert West with queerness. (I'm using "queer" a lot here, but I would personally include trans-friendly readings under that rubric; I'm using "queer" in the analytical sense and not solely in the identity sense.) This means that, ironically, a lot of what we could point to as queer subtext is actually homophobic text.
This is reinforced by the novelization of the first film, written by a homophobe who got Trumpist brainworms later in life. He wanted to make West repulsive to the reader, and therefore, he tried to make West more gay. And IT WORKED. 
To be clear, I'm not accusing anybody, other than the novelist, of being a homophobe. There's a difference between possessing internalized bigoted beliefs which express themselves in writing, versus utilizing tropes originating in bigotry because That's What's Done Around Here. (I can understand why others might not perceive a meaningful difference.) Like the Cuzco lizards, this queerness-as-villainy is definitely a stupid thing ported in from the source material.
I do think that this is why everybody but Our Queen Barbara Crampton seems embarrassed or nonplussed by all the transfags pestering them about fellatio tapes. It's because they don't get why this thing appeals so much to us. It shouldn't. If anything, they should be canceled for having yet another queer-coded villain, along with a number of other plot choices of questionable taste (I'm looking at you, The Head Scene, and I don't like what I see).
Only, uh, it didn't work out that way long-term, did it?
I thank Cronenberg and venereal horror for this, in part. Brutally queer despite not being explicitly gay, venereal horror is what happens when the characters should be revolted, but aren't. 
This kind of thing is horrifying for crossing the line twice: first by being disgusting, then by having characters respond as though it is exciting, or sexually stimulating, or if nothing else, normal. They are perverse. They leer at the dead and the subjects of their experiments. And the disgusting monsters at the center of these narratives are celebrated. Their twisted sexualities are explored with the same brave frankness other filmmakers give to milquetoast cishet missionary nonsense. Their political views are given life and air, and usually, they're right. Their deaths, if they come at all, are framed as tragedies brought on by society's sick rejection of the flesh their brave experimentation.
Cronenberg's the dude who unironically thinks that Shivers (trigger warning for literally everything) has a happy ending. My man David's got subscriptions where others have issues.
Venereal horror has given us a new metaframework for looking at the repulsive, the monstrous, and the problematic and responding to it… differently.
Now here's another thing: Lovecraft likewise provided a structure for embracing the grotesque and the queer.
Pickman, the Decadent artist, paints photorealistic, enormous portraits of ghouls. Literal flesh-eaters. He is fascinated by them, comfortable with them. "Model" heavily implies that Pickman is a ghoul changeling--switched at birth with a human child. This leans into Lovecraft's ideas about heritability being a major source of horror, of course, and seems run of the mill until you get to The Dream-Quest of Unknown Kadath.
In there, Pickman appears again, but this time as a ghoul. He has cast off his human social shackles and joined the beings he loves, beings who understand him and support him. Kadath is notable in that the ghouls are actually... like... reliable, loyal, and morally good? Carter's opinion pretty much is, "They do eat human corpses and they smell awful, but they're all very nice and want to help me on my quest, so maybe they're not so bad (if not as good as the cat army)".
This feels like Lovecraft acknowledging that his entire approach of linking queerness, death, and revulsion is fundamentally flawed. Once you become familiar with the repulsive, it becomes not-really-that-repulsive-at-all. You can find beauty in it, and amusement, and love. Pickman embracing his ghoulish nature isn't all that different from Seth Brundle's overall lack of revulsion at his body's transformation. And it's not that different from what a lot of transmasculine folks go through, either.
It's not that transmascs, trans men, and/or transfags don't see what West does as crimes against nature. It's that we're all very fucking tired of being accused of crimes against nature. We're tired of not being able to look at socmed without finding accusations that we're disgusting perverts who sneak around behind closed doors to corrupt innocent, promising people to be our lackeys and partners in crime.
Hell, I refer to my wife as "my partner in crime" not because it's a cute way of acknowledging how well and how much we work together both in life and creativity. It's also because we could have been arrested for our relationship when we got together.
We were illegal.
There was a lot of sneaking around and whispering and trying not to get caught and "what if they call the cops on us if we're clocked". Can I tell my friends about this? Will they reject me or rat me out? Where am I safe? Nowhere. Best to lock the door and then check it again to be sure. Best to be very quiet.
Best to act like a graverobber trying to get their grisly wares back home before good, decent, Christian folk see them.
So when I hear "Blasphemy? Before what God?!", I read it as (whether he's ace or aro, gay or achillean, trans man or transmasc or genderfucked) a queer slogan of defiance, instead of a defense of graverobbing, corpse desecration, and non-consensual resurrection.
We're told we and our bodies are repulsive, so being told that Herbert is also repulsive makes him more relatable. Instead of wondering what the hell's wrong with him for shooting up reagent, we all theorize that it's actually T or has similar effects--because we're all told that T is a toxin that will horribly change and disfigure our bodies. He dresses in a three-piece suit for school, and instead of reading him as a stiff and overly-formal little freak, we assume he's layering up because he hasn't found a hoodie he likes yet. 
He cackles at his horrific creations, and instead of saying "What a fucking freak (anguished)", we say "What a fucking freak (affectionate)" and laugh along with him. Who among us hasn't taken apart our Barbies and tried to combine their parts with the Kens? What is a doll, or a human, but a collection of parts to be rearranged? Haven't we also been told we're freaks for rearranging our own parts?
We've already been told by society at large that we are Herbert West. We're just embracing it, in the proud tradition of venereal horror fans who are not revolted when they ought to be, and I think that's delightful.
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yardsards · 11 months
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clint mcelroy creating a dnd character: oh yeah, this bad boy can fit so much simple zest for life in him
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twinkdemise · 3 months
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#iasip#mac macdonald#s3e11 dennis looks like a registered sex offender#just rewatched this episode. god it's so good definitely in my top 10 overall in the show#the dinner scene my forever beloved i hold you close to my heart. it's so insanely satisfying from a writing perspective.#the way it all ties together and even though it's a scene about a dinner being fucking ruined and its got these#relatively high emotional stakes its so so. neatly written that it ends up feeling cathartic? in a way#idk what im saying man that scene's just really good#something about mac and charlie's scheme and motivations clashing with their parents' (and franks)#and them being kind of forced to reckon with the fact that their parents are real people with their owns wants and needs#(especially mac charlie ends up using this to his advantage and kind of betraying mac ig)#also a scene that emotional ending with a shot of charlie going Ohh and the seed has been planted is wild.#also mac being so worried about the fact that the vibe might be off... DO YOU WANT FLAT AMBIANCE???#he just wants things to be normal!! he just wants a normal nice dinner party and normal parents who are together and happy and love eo!!#also there's a motif that shows up repeatedly of him wanting to seem like a good dinner host lol just kind of noticed that idk#maybe reading into this too much but god the theme of him so often being in denial of reality in order to#live up to certain societal standards and achieve normalness.#this is kind of the first (and imo one of the best) episodes with a plot line about mac's relationships with his parents#and their family dynamic in general which i find so so fascinating.#also i think this is the only time (except for the christmas video) where we see mac's parents together.#on a lighter note ig the dinner scene has so many other great quotes... charlies so funny in it#the man doesnt blink mom the man doesnt blink!!#the charmac in this episode was so excellent in general. the car scene where they freak out and become convinced luthers going to kill them.#YOU DONT DO THAT! YOU DONT EAT SOMEONE BECAUSE THEY DONT HAVE HEROIN IN THEIR ASS!!#i do rmbr watching this ep with my dad and him going Well that one was just kind of sad.#which.... i mean yeah. real.#thats it im done i think#also i ended up having to type all this in my notes bc tumblr tagging is so painful#what if i said smth and then went Hey i want to say that a bit differently? oh? youre just straight up not gonna let me do that. oh okay.#fuck you
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hella1975 · 11 months
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assigning a character the highest honour like *adds go home by julien baker to their playlist*
#and by honour i mean pointing at them like TRAUMATISED! TRAUMATISED! TRAUMATISED!#like yeah relating to this song is a red flag actually. yeah it's one of the most personal songs in the world to me#and i actively am not allowed to listen to it some days bc it makes me significantly worse#even if im in a GOOD mood because of the layers upon layers of emotions ive associated with it#yeah i literally wont even blorbo post to this song even if it's accurate to a character because it's so personal#so they have to be REALLY FUCKING SPECIAL AND FUCKED IN THE HEAD to get this honour. enter touya#i made him a playlist im going crazy like yeah actually of course i was always gonna be weird about him#like he's got fire themes. he's got body horror. he just wanted to be good. he's ethel cain coded. he's georgia coded#he's got mommy AND daddy AND sibling issues. he's the only other character ive let even come close to mary on a cross#he's a waiting room girlie. he's an archer girlie. im tearing my hair the fuck out of my scalp#why does the first character ive latched onto this hard since CHUUYA have to be from mha of all things#like that's embarassing for me im embarassed to be here. and yet#touya todoroki#the thing that makes me sick about touya is yes the abuse he went through via his quirk and his dad etc etc#but also bc sekota peak happened when he was 13 right? and he's 24 now? that's 11 years unaccounted for#like ik it's confirmed his burns put him in a coma for 3 years and all for one and the dr guy just stapled his stubborn self together#which is something else i will YELL MY HEAD OFF ABOUT WHAT THE FUCKKKKK HE WAS A CHILD STOP IT STOP IT STOP IT#but im pretty sure it's confirmed that after 3 years he goes off again on his own? which still leaves him as a teenager?#like he straight up burns himself alive at 13 wakes up at 16 and reappears at 24 with dyed hair and piercings and a bad attitude#and im not supposed to wonder? or get upset? like i absolutely am leaning into the 'he was on the streets' angle bc i hate myself#and that's devastating and also what alternative is there logically like he has NOTHING#no home no money no name that he can feasibly use not even an appearance that will warrant anything but more cruelty#so youve got this child on the streets with injuries that absolutely cause insane amounts of pain daily he's literally STAPLED together#and he's completely alone and the only thing getting him through is this growing hatred and rage#like id set all my plans around killing the guy that put me there too actually just to fucking get me out of bed in the morning#I CANNOT STOP THINKING ABOUT HIM. WHERE WAS HE FOR THE PAST DECADE. HORIKOSHI PLEASE#I WANNA GO HOME IM SICK THERES MORE WHISKEY THAN BLOOD IN MY VEINS MORE TAR THAN AIR IN MY LUNGS#PIERCE MY SKIN NEEDLES TO WORN OUT RAGS THE FOLDS IN MY ARMS THE SICKENING BLACK AND I HAVENT BEEN TAKING MY MEDS#I KNOW MY BODY IS JUST DIRTY CLOTHES IM TIRED OF WASHING MY HANDS GOD I WANT TO GO HOME
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waywardsalt · 1 year
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i have planned to write a pseudo-essay or some kind of detailed look at linebeck in phantom hourglass and how he can be interpreted as autistic but thats not going very well right now so here are some autistic linebeck headcanons
He has low empathy and as such has a hard time responding very well to emotional situations, but he can take advantage of his lower empathy in situations where empathy could make things harder, like tending to wounds or rationally handling emotionally-charged situations
His coat is a comfort object and he made it specifically to act as a very slight accommodation; it’s heavy and barely lets any light through it, and he can keep all kinds of little things in pockets sewn into the inner lining, but larger objects do make it more uncomfortable to wear at times. It’s mostly good to carry around things to fidget or stim with and can be helpful in trying to recover from overwhelming sensory experiences
He doesn’t usually stim in public, but taps his fingers on tables quickly and tends to rhythmically snap his fingers when excited, and on his ship is more vocal and more willing to stim, even if around others. One of his main stims that he’ll do for no particular reason is that he’ll hold his arm or back of his wrist/hand up to his nose and mouth for the smell.
He masks frequently to please people. His default mask is that arrogant and brave front he puts up for islanders and other he may come across. Usually, if that mask doesn’t work, he tends to double-down because it usually works and, in his experience, dropping the mask has usually gone badly (non masking he’s rude and blunt but more outwardly excited about adventure and his ship and all of that, i consider it where overseas in the game is when he usually isn’t masking. this shifts his arc to be about him learning to stop masking and feel comfortable being himself)
His special interests could include stuff related to treasure hunting but it could really range from stuff about adventuring or the ocean or engineering (relating to his ship) to stuff not at all touched in the game like music. He really enjoys music, listening to it, playing it, and writing it. He also enjoys and is fascinated by shellfish.
When busy or otherwise occupied, he doesn't usually notice when he's hungry. He doesn't have as much of a problem noticing thirst or exhaustion, but feeling hunger is a problem for him, and often leads to him going a long time without eating. On the other hand, he doesn't mind eating the same thing repeatedly and is perfectly fine with blander foods, so handling food supplies for when he'll be overseas for a long time is easy for him.
He knows he's autistic, he's known for a pretty long time, and he has books on it; he also knows that Link is autistic, but doesn't say anything about it and instead waits until someone else tells him. Until (and after, I suppose) Link actually learns that he's autistic Linebeck just makes sure to keep note of what accommodations he might need and if there are any textures or tastes or smells he can't stand. He doesn't have much of a problem helping out during sensory overloads, even soon after meeting him. It's more out of understanding how it feels to not have your needs met and a sort of solidarity rather than actual friendship.
#loz#legend of zelda#phantom hourglass#linebeck#OBVIOUSLY he experiences some nasty rsd and he's a bitch about it that's like. basically canon so i didnt mention it#a lot of linebeck’s autism is based and referenced off of my own with some extra additions#which is why i have an easier time writing him as autistic than link#kindness is a choice and having low or no empathy does not in any way make someone heartless but linebeck does abuse his own low empathy#to be a mean bitch with minimal emotional consequences#i think linebeck would call link a dipshit to his face and then not feel bad about it for like a few weeks until he starts caring abt him#linebeck stimming by smelling his arm is actually my main stim. its probably why i sit all fucked up bc i sometimes do it w/ my legs lol#the masking bit does kinda fuck some stuff up but i personally enjoy that take on him#one of his comfort objects is an old orange cat plushie named copernicus and if you know what that is specifically from thank you im sorry#linebeck being way into music has no canon backup i just like the idea of him playing piano and composing some form of his own theme#piano is a mad sensory experience btw i dont yet know how to really play it but when i did keyboard in pit it was a fantastic feeling#bangin' out the tunes. it was a really good sort of stim if i was feeling a bit overwhelmed by all of the new tech and music too#salty talks#not entirely an autism headcanon but he thinks gender is a sham and less identifies as a man and more specifically considers#his gender identity to be 'real man of the sea' which is initially kinda silly but kind of a fucking gender move tbh#i dont think he's explicitly trans or nb he's just having fun fucking with his own gender and doing whatever he feels like doing#he isnt a man but he is a man. kind of like how im a dude but also not. yeah.#these were initally going to be call 'quick' headcanons but you can see why i uh. didn't end up going with that
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hecksupremechips · 4 months
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RE danganronpa not having the best writing I was talking to a friend the other day about v3 about how it sucks that they set up Kaede to be the protagonist but then killed her off because while yes, Shuichi is a very good protagonist and he’s the only one that really gets interesting character development, Kaede could have so easily been an insanely interesting protagonist if she got to live because she has plenty of room to grow since she’s very clearly scared shitless and is deeply insecure about her ability to motivate and lead the group, but she smiles through it and lies about her feelings so much that the player doesn’t even know about her creating an elaborate murder scheme. And I realized that the way to keep her as a protagonist is for there to be a way that the first trial ends and someone else is found to be the killer (for example it could be Tsumugi if she weren’t the mastermind, or maybe someone else was in the library and killed Rantaro) and they get executed and thats that. Then at the end of the chapter we get a scene where Kaede is alone in her room and sighs in relief as it’s revealed that she hatched an elaborate plan to kill the mastermind but she wasn’t found guilty, either because she wasn’t the actual killer or because she was being protected by the mastermind. And so we the player have to proceed with the new knowledge that Kaede not only wanted to kill someone, she actually went through with a whole plan to kill someone and we didn’t even know about it and neither did any of the characters. And Kaede is on edge because on one hand she has to live with the fact that she was perfectly okay becoming a killer and that she failed to kill the mastermind so the game is going to continue and someone else was unlucky and got executed instead of her,but on the other hand she’s relieved that she wasn’t the one who died and that she was given another chance to find the true mastermind and no one has to know what she did. And as the game progresses it gets more and more stressful for her because she tries to keep up the positive energy but she’s living with this massive secret and she can’t let anyone find out about what she did and she finds herself still wanting to kill the mastermind so we the player don’t know how much we can trust Kaede anymore since she’s lying to everyone including us and she can very well kill again if she wants to
#danganronpa#kaede akamatsu#of course we couldnt have something like this happen cuz yay misogyny killed kaede and also like mentioned#dr doesnt have good enough writing to pull this off lol#yttd is at least able to pull something similar off with sara so at least i have that but still god like can you IMAGINE#how good v3 wouldve been if it had done this and like what i think is really fun is like#shuichi figuring it out cuz you know he would hed know in the first trial but in this version doesnt say anything#and he doesnt have to cuz kaede conveniently isnt the culprit#but like now hes stuck with this knowledge that she so easily couldve been#and you know shuichi is just like that last person shed want to know about this#but shed also be eaten alive by guilt from keeping it from him cuz she trusts him most and was the one encouraging him to pursue the truth#even if its unpleasant#so i like to imagine one of two scenarios like either shuichi eventually confronts kaede about this after shes become a bit more corrupt#and he plans to tell and shes forced to kill him to keep her secret#or a scenario where shuichi chooses to protect kaede over the truth and he becomes her accomplice#both scenarios would fuck up kaede quite a bit#and then i guess itd be really interesting to see if she becomes more and more corrupt and eventually does get executed#or if she owns up to her mistakes and decides to reveal her truth that shes actually fucking terrified#and she doesnt have as much control as she wants to and she has no clue if its gonna be okay#i think that would fit so good with the truth/lie theme too#goddddd like im so mad now cuz this is just like so good like why cant dr just be good its so easy
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princekirijo · 10 months
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Istg I actually need to sit down and write a proper bio for Riku because even I get confused af as to what his personality is sometimes.
#oc tag#“but prince he's your oc how tf did this happen” he has a mind of his own trust me#i mean this is literally one of the parts of his character he is literally so good at adapting his personality#because he felt he needed to as a kid both in school and in the business world#that barely anyone knows what he's actually like#like one minute he's a suave overconfident guy who can take on anything#but hes also the quiet dude in class who never participates is probably asleep but somehow gets everything right and is top of the grade#he loves to flirt but will absolutely blue screen if anyone flirts back because despite the fact he flaunts himself-#he doesn't think hes attractive LMAO#his biggest motivation is spite and he doesn't know when to quit#this boy has so many fucking issues istg#def one of those characters who has so many masks that he hardly knows himself#i have a fear that he's nearly too complex to the point where he's a confusing character and i personally dont think thats a good thing#so i really hope that's not the case for you guys 😬#over my break ive really spent time trying to iron out his character and just make him into soemthing im even more proud of you know#the good thing is that at least his story now has a clear arc and theme which im really proud of#so im gonna use that to build off and iron him out even more#the way i put more work into this funky dude i came up with than like my entire uni work#i love him so much sorry to be mentally ill about a guy i made because i liked a ship too much (and crossover i was having fun with too)#one day i will have a proper post for him with references and everything for him his outfits his personas the lot#one of these days
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lepidopteragirl · 2 years
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no but i could write a goddamn essay about all the ways making sophie sge a lesbian could have made those books one hundred thousand times better
#like obvs i get why he didnt do it but srsly everything weird about sophies character arc in the 6th book could be solved by having her end#up w a girl#like i am fully for tedros and agatha (at least in the first 3 we dont talk about what the fuck he did to them in 4-6) they're iconic#whatever etc#but sophie should have gotten a damn gf and ill die on this hill#like. everything about her and the way she thinks about needing 3 be with a prince is sooo. well#lets just say it reeks so dearly of girl who has grown up just extremely surrounding herself in traditionally soo strictly feminine social#roles and etc#trying to convince herself she does like boys she does she is attracted to boys#while developing deep emotional/romantic bonds with none of them and at them same time acting Like That about agatha#(clarifying that i think her and agatha together would be bad even if u ignore that whole magic twins shit. just do not have those vibes#but her friendship w aggie is SO lesbian who cares more about/is weirdly possessive of close female friend than guy she says shes into)#and her whole arc as a metaphor for her figuring out that she actually likes women would ahv been so fucking good#like i was v happy w the end of her book 3 ending on her own yknow? her ending up w a guy makes no sense and as fond as i am of hort#<- wet cat man supreme#it really fucks with her arc and how her relationship with men had been portrayed through the book#*books#like love is such a central theme in her character and i want her to have someone but i also think it being a boy falls flat#like honestly in my ideal world hort was just a girl#like no other change hort is a girl and they kiss#it really does work and also we would ahve gotten sad milk filled webkinz fcuking wet cat werewolf woman representation we all want#anyway#sophie's a lesbian in the same way regina george is a lesbian can anyone hear me#and agatha is bisexual in the same way elle woods is bisexual send post#tedros is also bi but thats like literally canon lmao
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vamptastic · 1 year
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danganronpa is whispering its siren song to me but alas nobody shares my big brain million iq opinions (drv3 hater) (korekiyo defender) (ishimaru understander) (celeste and hifumi apologist) (kaito hater) (protagonist love triangle poly advocate) (post sdr2 anime enjoyer) (fucking hates the writing bar the first half of sdr1 and ending of sdr2) (never even finished v3 because it was so dogshit terrible and also i genuinely can barely get through the minigames) (problematic psychological horror fan)
#the executions were not gorey enough they were not even that camp. except the celeste one.#leon baseball one was good. the korekiyo one had potential. kaedes ROCKED. taka's concept version was cool. everything else was shit.#everything about the way they wrote korekiyo drives me fucking insane ive written essay length posts on it before. i care him okay.#let me project onto the predatory fem gay man stereotype incestual serial killer.#mostly because his writing was wildly homophobic + transmisogynistic and a horrible depiction of abuse#but had so much potential for a genuinely good character if theyd pulled their heads outta their asses and deconstructed the tropes#which is what danganronpa is all about thats what makes the first game halfway secent#ughhh. its just so frustrating how all the writing js so close but so far.#like genuinely this is one place where i think fandom and fanfic is better than the original#say what you will but it's one of the only fandoms where ive felt p much all fanfic and headcanon done genuinely#has told a better and/or more complete story while keeping the original concepts and tone#unfortunately most of the fandom is insane and/or too preoccupied with shipping (understandable. i guess.) to like. engage with it fully.#and there's still such a dearth of content for my faves#kiyo is like at best a side character and at worse written as even more of a parody of himself 😭#theres literally like four people in the world who get it max. korekiyo eating spaghetti is still my favorite fan art of all time#...anyway. idk why im thinking about this rn but im nostalgic all of a sudden#i never really got invested into any of the crazy fandom stuff i just read old fanfic and watched from the sidelines#but me and a couple friends had a lot of own interpretation and theories and fanon sequel ideas n they mean a lot to me yk?#genuinely got me to do a lot more writing and art even if it was all korekiyo themed. im like soooo good at drawing him now (lie)#he's still my litmus test for picrews if i cant make him it's shit. he literally just has long hair a mask and pretty eyes. simple elements#anyway whatever he will live on in my head forever.
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#okay so obviously i fucking loved glass onion#as of right now i'm like twenty? thirty? minutes into my rewatch and i just gotta say the (musical) theme of this movie fucking slaps#i’m partially rewatching to analyze the music (the other part is analyzing everything else lol) and i just gotta say that along with#the soundtrack being amazing#the theme is just really fucking good on it's own? that's what i like about nathan johnson's music for this movie and knives out#(i haven't heard/seen his other stuff)#that the stuff he composes for the movie function on their own as beautiful complex and just COOL pieces of music#as well as Movie Music#i will say though maybe it's just cuz i payed TOO much attention to the music the first time i watched it#i feel like andi's theme is a liiiiittle overused at the beginning? like we see her as a mysterious figure and those scenes are kinda close#together#temporally speaking within the movie those scenes take place close to each other within the run of the movie itself#and so to me it feels a tiny bit like overused but also i completely understand why it comes up each time it's on screen#like audiences aren't supposed to be picking apart the music of a movie lol they're supposed to just kind of absorb (and enjoy it) kind of#in the background subconsciously (or consciously in some cases) enhancing the film#like i said i try to pay attention to the music in movies i watch#so it could just be me paying too much attention#but personally i feel like those scenes w/ andi are very close together and it feels like that music was very on the nose like#andi's on screen! play her theme!!!!#which again i completely understand that's totally valid and honestly i'd probably do that if i was the one writing the music#it's just a personal thing#but for real the music for this movie is so fucking GOOOOOOOOODDDDD#bluebird.txt#glass onion
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ivymarquis · 1 month
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The Neighbor
Hello friends I fucked off for a month but I’m back and I bring Price smut as an apology for my absence. @sky-is-the-limit’s “Im here to do what your boyfriend cant” prompt has lived in my brain rent free ecer since I read it and while I didn’t follow it verbatim, I did keep in spirit with the theme :)
Also womp I was gone for the Price challenge by @glitterypirateduck but this actually checks off a couple of the prompt options (first time being intimate, a confession/secret is discovered/revealed) so I’m submitting it.
There are a lot of tags. Make sure you read them.
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Pairing| John Price x Reader Rating| M Word Count| 4.8k Kinks/Content/Warnings| Accidental voyuerism by virtue of living in an apartment, the reader has a dogshit boyfriend at the beginning of the fic (there is no cheating), slut shaming (from the dogshit boyfriend), these two idiots are down bad for each other, sex toys, oral (F!receiving), unprotected PiV, gratuitous squirting because I’m me, not really heavy on BDSM elements but mentions of the following: bondage/restraints (John uses his hands, nothing crazy), something akin to subspace from how good the nut is, aftercare, John is a prick to the now-ex, very brief angst due to a quick misunderstanding, very vaguely implied somnophilia, rampant abuse of italics. Lemme know if I missed anything.
His neighbor is clearly used to Price being deployed.
She’s a sweet thing, really, and on the whole isn’t that disagreeable of a neighbor.
He just has one problem with her (not even her, really) that is a thorn in his fucking side- her boyfriend.
The boyfriend was not an issue when they first met- wasn’t in the picture at all.
And no John most assuredly hasn’t had it out for the guy since Day 1. The fact that John had gathered himself up to ask his pretty neighbor out when he came back from his latest mission, only to find out about the new boyfriend, does not color his impression of the other man. He’s grown and this is not the first time his advances have been turned away for whatever reason.
But there are, to his knowledge, no true redeeming qualities about the man and he is about as useful as a screen door on a submarine.
He catches bits and pieces through the walls. The boyfriend is not attentive, caring, or sweet to her. She is treated as a guest in her own home, and twice he’s heard bellowing shouts that had Price at the door with his fist banging against it- both to shut him up and make it exceptionally well known that if the boyfriend thinks intimidating a woman is going to fly, that Price will not hesitate to kick the door in.
The most appalling part of it all is that John has a front row seat to just how atrocious he is in bed.
For the life of him John does not understand. It’s not even like the lad’s a good lay.
He’s heard many stories of women tolerating absolutely atrocious behavior from the muppets they were with because he knew how to make them see stars.
That is exceptionally not the case here. And John is rapidly finding his patience wearing thin at continually being subjugated to his pathetic performance.
So what the hell is it about the boyfriend that keeps his neighbor so enamored with him?
John stares at the ceiling, watching the blades of the fan turn as he tries to tune out the thumping of the headboard against the wall.
He thinks that if the man was just a bad lay and completely incapable of getting her anywhere, that would be one thing and John would continue to be frustrated but ultimately understand. But it’s the way he seems to actively ruin it anytime she has the audacity to enjoy having sex with him that truly grates on John’s nerves.
It’s not often, but even a blind squirrel finds a nut every now and then. The thumping of the headboard is accompanied by her sweet voice moaning lowly in short staccato notes as the boyfriend appears to finally be doing something right.
The thumping comes to a halt, and John groans in frustration.
“Why’d you stop?” He can hear his pretty neighbor lament through the thin walls.
“Why the fuck are you being so loud? Trying to give the neighbor a show?”
John squints his eyes and pinches the bridge of his nose in annoyance. The fucking muppet can’t do anything right.
If the neighbor was his, John wouldn’t give a fuck who heard. Let all the neighbors know that he could fuck the sense clear out of her pretty little head. John could show the muppet what loud is.
“No! I’m not trying to do anything- it just felt good,” she defends herself.
“Well, be quieter about it, no one needs to hear that. You sound like a whore,” the muppet snaps at her irritably, and John is nearly at his fucking limit when the god damn headboard starts to thump against the wall again.
“Get out.”
Oh.
John is impressed- pleasure and pride coursing through him as his sweet neighbor stands up for herself rather than letting that ungrateful swine continue to berate her.
Good fucking girl.
“What did you just say?” The thumping stops.
“You don’t get to call me names. Get off of me and get out.”
For all his sins, it seems even the muppet has a line he’s not willing to cross.
There’s a shifting as he presumably pulls out and gets off the bed- the words are muffled but the tone is clear. The muppet isn’t above laying into her verbally though consent is (smartly) a line he won’t toe.
And good thinking on his part- John would probably tear through the drywall and turn him into a chew toy had that conversation gone in any other direction.
The door slams loudly, announcing the boyfriend’s departure.
John can’t help but keep his attention on his neighbor to see what her reaction is going to be. It is taking every ounce of self control he has to not follow the boyfriend and wring his neck in the parking lot.
There’s no conventional guide for how to address this situation with your neighbor. ‘Hello, I’ve fancied you for quite some time and that ungrateful prick somehow swept you up before I got the nerve to ask you out. I've had to hear you have the most lackluster sex ever for the past several months, and equal parts want to check in on how you’re doing emotionally after his latest stunt, and also want to bend you over and pin you to the mattress until you’re squealing. May I come in?’
He can’t say he is too surprised to hear things slamming about in the apartment- his pretty neighbor sounding more pissed off than upset, catching snippets of “Who the fuck does he think he is, talking to me like that” and “Motherfucker couldn’t find my clit with a map and a headlamp but can find the audacity to call me names-”
Okay, John has to fight back the urge to laugh at that last one lest she hear him. She’s quite the viper when (finally) provoked, and it just endears her more to him.
She doesn’t appear particularly distraught, the slamming and huffing and muttering concluding with her tossing herself on the bed.
It’s a very common occurrence that after the neighbor’s rendezvous with her lazy boyfriend, John is treated to a show where she finishes herself off with her toys.
The boyfriend, like many inadequate men, is threatened by them and John has heard the snide remarks.
Hilarious, he finds it, that a man incapable of getting her off is so adamant that she gets rid of them.
She hasn’t listened, clearly, as the low sound of her vibrator can be heard through the wall.
John is soon graced with the sound of her panting moans. His cock stiffens in interest at her voice, which is a frequent occurrence. She makes such pretty noises, mewling and whimpering as she works herself up.
Tonight is a whirlwind of emotions for his pretty neighbor, and at the end of the day her no-good boyfriend left her high and dry.
John will gladly enjoy the consequences of the boyfriend’s actions, one hand wrapping around his cock and beginning to stroke in time with her whines.
What he wouldn’t give for a chance to make her see stars. He’d be so good to her.
The reality of his job makes dating a logistical nightmare, part of what stayed his hand for so long.
He’s not blind. His neighbor is kind and sweet with a killer smile and wandering eyes. He’s caught her more than once ogling him when he’s returned home in uniform, or more nondescript tactical clothing.
Feeling her gaze on him always makes him puff up with pride, enjoying holding her attention no matter how fleeting. If he takes his time after a run and makes a point to pull the hem of his shirt up to wipe at his brow where she can see it, that’s his business.
So John thinks he’s dreaming when he hears that lovely voice whimper his name from the other side of the wall.
He stiffens, quietly waiting to see if he hears it again.
“John- Oh, fuck- please,” is all he needs to hear before he’s well and truly lost any semblance of patience.
Only having the presence of mind to dress himself enough to not warrant any errant looks from the other neighbors, he is at her door in a second.
It’s only after he knocks that he realizes he may well have killed whatever momentum she’s built for herself- given her muttering as she approaches the door- but he fully intends to make up for the stolen release.
She opens the door without looking through the peephole, obviously expecting it to be the ex based on the vitriol poised to spill at John’s chest, approximately eye level with where the (hopefully ex) boyfriend would be.
Once again he has to stifle a laugh, finding her a comical vision when the anger on her face melts away as her eyes flick up to his face with the realization that it is him at the door and not the object of her ire.
“What are you doing here, John?” Christ, he’s always been a sucker for pretty doe eyes. If he held even an ounce less of restraint he’d be mounting her right here for everyone to see.
“I’m here to do what your sorry excuse of a boyfriend can’t.”
Even as he reaches out to pull her in for a kiss, he’s watching her body language- gauging if she stiffens or shifts away.
She doesn’t.
In fact, her arms loop behind him and pull him closer, tugging on his hair and his shirt.
John’s not wasting any more time than he already has, walking her backwards into the apartment and shutting the door with his foot before reaching back to lock it- he’s got no desire for any interruptions from wayward former boyfriends.
They separate for a moment as she paws at the hem of his shirt, clearly wanting it off of him. John is all too happy to oblige, preening under her attention. He’s always had the stockier build of a man who’s fitness came from utility in the field, opposed to the hard defined abs of someone who spends most of their time in the gym.
It’s cute, the way she has to pry her eyes up to his face- clearly liking what she sees and flustered by the fact that John can see her staring.
“I broke up with him,” she clarifies.
“Good,” is his simplistic response, although if John’s being honest with himself he doesn’t really care about the finer details. The little prick never deserved to have her and John finally has his chance to prove himself worthy.
“The bedroom’s this way,” she prompts between kisses.
Their clothes are peeled off in turns as they stumble towards the room. The layout is inverted to John’s own flat nextdoor, so despite having never stepped foot inside before he guides her to keep her from crashing into something behind her.
By the time they are collapsing against her bed, they’re stripped of everything except a scant thong on her and his own boxers.
She’s just so delightfully soft in his grip, John can’t keep his hands or his mouth off of her.
The feeling is reciprocated as she pushes up off the bed to grind against him. As much as he’s relishing in them dry humping and making out like teenagers, he’s wanted her for so long and now that she’s finally willing and pliant underneath him, he’s itching for a taste of her.
Kissing his way down her body- starting at her jaw, the column of her neck, across her collar bone, down her sternum; latching onto each nipple and teasing them to hardened peaks before continuing his path down.
He’s compelled by the urge to turn her into a chew toy as he reaches her belly, although he stifles that urge and keeps his teeth to himself.
He can’t quite resist giving a small nip as she squirms, clearly excited by the implication of where he’s heading.
There’s a damp spot on her underwear already as he kisses along the waistband while his hands tease with the elastic on either side of her hips.
The sound of her breath hitching in anticipation makes him smirk, attention drifting further south.
The fabric is in his way as he presses a kiss against her clothed cunt, gripping handfuls of her hips to keep her still as she bucks in his grasp.
“Easy, sweetheart- we’ve got all night,” he soothes before moving his attention up one thigh to the backside of her knee.
Those sweet thighs are splayed open for him, giving John unfettered access as he continues to tease.
“When’s this sweet cunt been eaten last, hm?”
He knows he’s heard her give that undeserving muppet head, but can’t recall any reciprocation occuring. There’s not much that can shock John at this point in his life, and he’s willing to roll the dice by dragging up her now-ex because he knows this poor thing hasn’t been eaten until she’s begging him off in ages.
“I couldn’t even begin to tell you,” she answers breathlessly, anticipating having her thighs twitching in his hold.
Out of the corner of his eye, John spies a torn condom wrapper that didn’t quite make it into the bin. Well that keeps him from having to ask two questions, then. Smart girl.
“What a shame,” he tsks lightly, peppering kisses back up and down her thigh.
Deciding that she’s waited long enough and he’s had his fun being a tease, John is quick to remove the scant lace and pull it off of her legs before tossing it to who-knows-where.
The sounds she makes as he makes a meal out of her is music to his ears. Each hitched moan and breathy whimper makes him stiffen in interest.
His attention shifts to focus on her clit, tongue circling the sensitive nub as his hands hold her hips in place.
As focused as he is on what’s right in front of him, it takes a moment for John to realize that she’s stifling her noises. One hand is fisting the sheets beneath her while the other is clamped across her lips.
Well. That simply won’t do.
The ex may have trained and shamed her into silence, but John didn’t make it as a military captain without learning how to break someone else’s bad habits.
He ignores her whimper of protest as he stops, one hand abandoning the softness of her hip in favor of grabbing her wrist and pulling her hand away from her mouth.
“None of that,” he admonishes gently, pressing a kiss to one thigh. “Let me hear you.”
“I-I’m too loud,” she protests and for a split second John sees red.
To his credit, he does not leave her wet and leaking on the bed to go bludgeon her ex to death with a blunt object.
“No such thing, sweetheart,” he soothes before having a thought to tease her. “Who are you worried is going to hear you?” He asks kindly, a shit eating grin as he speaks again, “the neighbor?”
Her wide eyed expression is thoroughly scandalized and John can’t fight the chuckle that escapes him.
He hasn’t released her wrist yet, deciding that it’s time to get back to his meal. If she abandons gripping the sheet with her free hand to cover her mouth again, he simply plans to hold both of her wrists.
It’s tentative at first, still not entirely trusting John at his word that he wants to hear her.
But John is all for positive reinforcement as a motivator, crooking his fingers to stroke that one spot that makes her see stars to encourage more from her.
She’s a quick study, although when she releases the sheet John is watching her like a hawk.
Rather than clasping over her mouth again, John is pleased when her fingers end up burying in his hair.
More than happy to let her guide him, John takes his cues from how she pulls at his hair. The feel of her thighs twitching as she breathes in staccato breaths is all the reward he needs.
“You’re getting close,” he says against her cunt, pointing out the obvious before getting back to work. She’s anxious, he thinks, the closer she gets to her climax. Poor girl doesn’t know what to do with herself with an orgasm she hasn’t had to put all the work into.
“D-don’t stop,” she stammers, rewarded immediately with John redoubling his efforts.
He’s not going to stop. Pretty thing like her deserves nothing less than laying on her back and enjoying getting her cunt eaten out.
“O-oh fuck,” is his only warning before she’s gushing on his face and John is like a kid on Christmas morning.
He doesn’t even know if she realizes she’s squirted, too caught up in the pleasure of her high.
He’s always thought it was hot- now that he knows his pretty neighbor is a squirter he is more than willing to get on his knees and pray to whoever is listening that this isn’t a one time event. He’ll do anything to get her to keep him.
Even as her high fades he doesn’t let up on her, continuing to work his middle and ring finger inside of her. All he wants is to see her cum- wants to see those eyes roll as she squeezes them shut in anticipation.
Despite pulling his face away from her wet pussy, he doesn’t leave her clit unattended for long before his thumb is gently circling in time with the thrusts of his fingers.
Kissing his way back up her body, John can’t help but be pleased as she pulls him in to make out with him. Snatched gasps and bucks of her hips grace his ears as he works her from orgasm to the next, the wet sound of his palm slapping against her.
“John Im gonna cum again,” she whimpers in warning.
He feels like a god with the way she stares up at him reverently, eyes wide and desperate for another climax.
“Come on,” he goads, “Show me- let me see your face when you cum.”
Christ if her leg twitches any harder it’s going to start vibrating, serving to only encourage him.
“O-oh,” she mewls, “God- don’t stop, don’t stop, don’t-“ she’s pleading with him like he wouldn’t sit at her feet if she asked him to.
The bewildered look on her face is darling, and John nearly finishes untouched; he's so wound up it’s not going to take much.
A few choice thoughts keep his own eminent climax at bay and buys him enough breathing room. She bucks and trembles in his hold, a high pitched squeal escaping her as he proves not only can he make her cum twice, but he can make her squirt like a faucet twice.
As soon as she’s starting to come down from her high she’s pulling at him, drawing up her knees to spread her legs in invitation.
“Greedy girl,” he teases as he kisses her- wet fingers abandoning her cunt in favor of manhandling her, wrapping her legs around his waist as he positions himself.
“Please, please, please-“ she begs so prettily for him, pleading for him to do exactly what he’s been fantasizing about for months.
He’s not a small man and mindful of that fact, but she’s well prepped and takes him easily. The desperate whimper that escapes her sears into John’s memory.
The buildup of everything finally gets to him as he wastes no time setting a steady pace.
“That’s it, sweetheart, just like that. Let me hear you,” he encourages as she cants her hips in time with his, whines of pleasure escaping her on each thrust.
“John, please,” she begs, eyebrows furrowing in pleasure as she watches where they’re joined.
“Eyes up here,” he instructs and Christ he almost loses it when her gaze flicks from between their bodies up to his face.
His hands find hers, fingers lacing together as he lowers his torso in order to kiss the ethereal creature underneath him.
She whimpers into his mouth, her sounds only encouraging John.
Everything about her is warm and inviting, from her soft skin to her warm cunt and the way she sings for him at every thrust.
Maneuvering them so he can grip both her wrists with one of his hands, the other immediately dives between their bodies to find her clit again.
His pretty neighbor has spent months not having an orgasm she didn’t give herself, and John is determined to prove to her that he can give her as many as she can handle.
“John I can’t cum again,” she pleads even as her thighs shake on either side of him.
“Yes you can,” he assures her. “One more time for me, yeah?”
Now, should she insist she’s done and satisfied then John would leave her clit alone and finish up their fun. As it is, though, she nods in acquiescence before the trembling in her thighs increases.
“Good girl,” he praises, fingers continuing their steady pace around her clit as she creeps closer to the edge.
She’s babbling in his ear as he presses a kiss to her temple and he knows she’s almost there.
“Good girl,” he praises again, a cocksure grin pulling at the corners of his lips at her immediate response.
“My good girl,” he ups the ante, testing her response to John staking a claim on her. And God did it ever work. That last little bit is all it takes to finally tip her over.
She clenches down on him like a vice and John immediately loses it, groaning low as the haze of his orgasm washes over him.
It’s everything he wants- she’s everything he wants as he recovers enough from his climax to finally notice that the bed is an utter mess beneath them.
It’s not his immediate concern however, more interested in soothing her through the come down of her high. She’s shivering underneath him, eyes glossy from the intensity of her last orgasm.
“Easy, sweetheart,” he murmurs reassuringly. “Just breathe for me.”
He gathers her up in his arms, listening as her heartbeat relaxes in time with his own.
Eventually when enough time passes she’s more alert and happily snuggling against his chest. After giving her a chance to rest he herds her along to the bathroom so she doesn’t give herself a UTI. She tries to brush him off but her legs are taking their sweet time cooperating again.
Of course, she’s not exactly a recruit taking a piss test so he gives her her privacy and she’s able to return on her own albeit on shaky legs.
John pets at her head idly, attention drifting in post coital bliss as his hand strokes down along her back.
“I can’t believe you’re actually in my bed,” she giggles deliriously after a stretch of quiet.
“Only reason I wasn’t here sooner was because of that muppet,” he assures her. He doesn’t want her thinking that this is a one time thing for him. He’s wanted her for so long he can’t possibly be expected to turn her loose at the end of the night.
“I only dated him because I didn’t think you liked me,” she scoffs at herself.
“Oh, it was nearly the first moment I laid eyes on you. But with my work I kept talking myself out of doing anything,” he tells her. “Kept telling myself you deserve better. And then you brought the muppet home and kept him around,” John grouses good naturedly at her. “Think they say the definition of insanity is doing the same thing over and over again and expecting a different result.”
“I plead temporary insanity,” she jokes, snuggling closer against his chest. “But I got rid of him. And you finally made your move.”
He hums in agreement, sleep pulling at him now that he has her tucked up against his side.
John doesn’t remember falling asleep but he wakes with a jolt to the sound of pounding on her door.
He’s only been out for an hour or so when he checks the clock on the nightstand, his neighbor sprawled out next to him.
Well, now he knows she snores. The sound is light enough to have never heard it through the wall, but curled up next to him she’s like a cat purring loudly in his ear.
And he’s exceptionally pissed right off at the fact someone has woken him up. Especially considering he has one guess who it is.
He fully debates answering the door buck ass naked to teach the prick a lesson about banging on doors after midnight but settles on tossing his joggers on.
Much like when she opened the door for John, the ex is automatically trained at where her head would be rather than looking at John’s face.
“My eyes are here,” he quips sarcastically. “Why the fuck are you banging on the door this late.”
“Why th-“ the ex starts to parrot back before cutting himself off. “Why the fuck are you in her apartment? Why isn’t she answering?”
“She’s asleep,” John answers simply. There’s no obligation to explain the why and how he ended up in her apartment.
“What the fuck do you mean she’s asleep? How is she asleep after she just dumped me? And why the fuck are you here?”
The boyfriend (the ex boyfriend, he thinks with glee) is either oblivious or…
Well. The ex boyfriend is oblivious. Let’s just keep it at that.
“I’m here because you can’t do your job right. She’s asleep because I can. What part of that is confusing?”
“That stupid slag’s been fucking you behind my back-“
“No.” John is somewhat mindful of not giving a full on “screaming at recruits” bellow, but his voice booms into the corridor outside the apartment anyway. “You watch your fucking mouth. This” John gestures vaguely at his own presence in her flat, “just happened after she dumped you. You don’t get to hurl insults.”
“She hopped off of my cock and straight to yours- what the fuck else is it?”
“You couldn’t get her off,” John hisses in annoyance. “I’ve had front row seats to your shitty little performance more than once. Not 5 minutes after you leave and she’s having to handle it herself.”
“I can’t be expected to compete with a fucking vibrator!”
“Well I sure as shit didn’t need one to get the job done. Poor girl could barely get her legs to work to go to the loo and not give herself a UTI. Your skill issues are what started all of this.”
“You know what? Fucking have her. I don’t need this shit.”
Ah yes, because John needs the ex’s permission to date a newly single woman. Absolutely. That’s entirely how that works.
“Never needed your blessing. Now fuck off. I’m trying to sleep.”
The ex responds with a two finger salute as he spins on his heel and storms off.
John is almost tempted to grab him by the back of his neck and turn him into a chew toy. Given his military career, his patience for muppets giving him attitude is virtually nonexistent.
But the siren call of his pretty neighbor is a stronger pull than the muppet can ever hope to achieve. John’s succeeded in his mission to run the prick off, and he’s going to try to get a few more hours of sleep before seeing if she’s interested in another romp in the morning when she wakes up.
The bedroom is dark and poorly lit but John immediately picks up on the silence.
Rather than being sprawled out and snoring like when he left her, she’s quiet and curled into a ball.
She’s awake.
“Sweetheart?” He calls softly.
She jolts, fabric rustling from the sheets falling off her as she sits up.
“You’re still here,” the surprise in her tone cuts, although he knows she didn’t mean for it to.
She seems to realize how that comes across and clarifies further, “I- I heard the door shut.”
It falls into place for him then- she woke up to the sound of the door and John nowhere to be found. She thought he’d left.
“Oh, sweetheart,” he consoles, making his way back to the bed. “You’re not getting rid of me that easily,” he assures her while gathering her back into his arms.
Sleep comes back readily once the two of them are situated back in the bed.
Come morning, John’s got the patience and the presence of mind to throw a towel on the bed. He finds out for himself that his neighbor makes the prettiest noises with her arse propped up in the air and her face still buried in her pillow.
He can’t help but laugh later when she texts him that one of the neighbors made a noise complaint.
Age in bio/pinned or I will block you ♡
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seattlesellie · 21 days
Text
dads best friend!abby scenario cause why the hell not.
cw: sexual themes mdni, age gap, abby’s a cocky but charming asshole, power dynamics-ish? : ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :
— "Oh and honey? Doctor Anderson's coming over for dinner" Everything felt oppressively hot and everything felt impossibly tight. The food seared your tongue, humid steam rising from the vegetables on your plate causing your throat to constrict and your eyes to sting with tears. Your right hand was clenched in a tight fist, left hand gripping your fork like it might grow legs and run away if you let go of your grasp. Your tights were itching relentlessly, tank top strap kept sliding off of your shoulder and built itself a home down your arm. Your lipgloss felt too sticky and your palms too clammy, you felt agitated, uncomfortable and way too goddamn nervous.
You felt consumed.
You didn’t know why.
Sure, Doctor Anderson was attractive, with palms twice bigger than yours. She wore a tight fitted muscle tee that had you squinting then turning your head around fast enough to crack your neck, noticing a goddamn six pack poking through maroon fabric. And yeah, she had an intoxicating scent of pine and wood and a hint of pepper that made your eyes nearly roll back inside of your skull, voice silky smooth, thighs firm and muscular, eyes icy blue, a smile that made you melt and all that stupid jazz,
but none of these things were a good enough explanation to why you were feeling this way — dazed, stupid, all bothered.
She sat down on the dinner table’s leather chair in a manspread as if she owned the place, and her thighs bulked up even more, veins of her arms becoming more prominent. She always knew what to say, and when you cracked a joke about orthopedic surgeons she cheekily told you to “watch it” — which made you thickly gulp and sheepishly smile down to the floor like your idol from age thirteen just told you they want to marry you and have you forever.
You needed an ice bath, but she also wouldn’t stop goddamn looking at you, even when you made it clear that eye contact with the surgeon, your father’s best friend, was a task that you apparently couldn’t manage to complete.
Her look made you nervous, and when she narrowed her eyes you nearly choked on a carrot, and when your father asked you “What’s wrong, kid?” you couldn’t even answer because what was wrong — was that you had to cross your legs together cause of some aching down there, and what was wrong is that his best friend made you feel like you were losing your mind at 9pm with a fork glued to your palm.
So you lied.
“M’just... tired, I guess” you murmured, then fake yawned, then internally cringed at yourself for performing the worlds fakest goddamn yawn.
“Already?” he voiced, shifting his gaze towards a visibly amused Abby. “Quite the night owl, that one... usually”
"What can I say, dad, loooong day" answered you, with a syrupy voice she wanted to stick her fingers inside and lick.
Abby chuckled, then smirked at you even though the response wasn’t directed at her. Then, she looked over to your father who was gnawing on some overcooked steak.
“She’s a kid, needs to get her sleep”
You scoffed, which made doctor Anderson poke the inside of her cheek with her tongue. “What...?” she murmured cockily, cracking a toothy grin. Your tights felt tight again, glued to your hot flesh, then you realized why they fucking call them tights because dammit they really are tight.
“I'm not a kid, can, y’know... drink, and stuff. Plus... M'busy, with... College"
You sounded like a damn idiot. All Abby did was chuckle and tilt her head back slightly, leaning further back in her chair.
“T'aw, I know, What'ryou studying again? Fashion science?”
You scoffed, crossing your arms. That bitch.
"Sorry I don't wanna go to medical school and spend seven years of my life sticking my hands down a corpse"
So you didn’t go to your room after that, caught up in a whirlwind of proving a point. You stayed stubbornly with your feet glued to the floor and listened to Abby and your father ramble and yap on about work shenanigans. Usually, you’d semi doze off at this point, go on your phone and occasionally throw a snarky remark, but this was different. She was different than any of his other friends. Abby was actually funny, she didn’t brag too much, and if she did it faded quick cause she really was that good.
Abby threw a reference to a book you thought no one else had read except for you. You timidly lifted your gaze and remarked, “Oh, i read that book, actually”
Abby smiled and flattened her hands on the wooden table. “Smart cookie, huh? Did you like it?”
You batted your eyelashes like a kitten seeking more strokes at the praise, not noticing that body language of yours.
But she did.
You talked about the book for a solid ten minutes. Your father was the one, surprisingly, to go on his phone and faux-snort when he felt excluded from the conversation ran by two intellectuals and a giant elephant who goes by the name of "Tension", in the middle of the room.
Abby made you laugh and she made you think and she listened to your anecdotes. It made you buzz with electricity, and it made you yearn for her attention.
it also made her long for yours.
Your father interrupted by showing Abby a picture from work. When her eyes lowered to his phone, she shot you a lingering gaze and a smirk. You, feeling a rush of heat to your cheeks, shyly looked away.
It was tight everywhere all over again.
So they talked more about work, Abby’s patients, their coworkers, Doctor Martha’s chicken pot pie, Doctor Johnson’s bizarre antics, the glass door no one bothered on calling to be fixed, blah blah blah, an endless stream of chatter.
And you listened, you listened with rapt attention, every ounce of your focus aimed at the prospect of another one-on-one conversation with Abby. Each time the older woman casted you with a quick glance, you flushed even harder. You waited, and waited and waited but your father was a blabber mouth, and you were oh so impatient,
you began mindlessly kicking the wooden table's legs.
Your sock-covered feet shifted restlessly from side to side, then you tucked them beneath your chair and resumed kicking, the movements gaining force. You curled your toes and continued to play with the table's handles. Abby winced, but you didn’t pay her any mind. You kicked again, with more force now.
You sighed.
Abby cleared her throat, and her cheeks suddenly bore a faint crimson blush. You couldn't help but notice, hm, must be the red wine finally catching on to her form. Ignoring, you kicked again, and the doctors back straightened and she stiffened in response. Your father asked her a question, and Abby… stammered.
“Yeah, that guys… uh— yeah”
You rested your chin on your hands and lightly tapped your fingertips against your cheeks thrice.
Then you kicked again, harder, you were bored and restless, waiting, give me some attention, Abby —
And then, you felt a pair of shoes encase your feet, ankles creating a cage around yours. It was then and only then that you had the startling realization: you hadn't been kicking the table at all. Instead, you had been unknowingly engaged in a game of footsies beneath the table with a goddamn world class surgeon.
And oh god did you want to die.
And oh god did abby sport a shit eating grin on her face that only you seemed to catch.
You froze, not even able to release your feet from her iron like grip. Unmistakably, she didn’t seem to release her grip either. So she kept them there, caged and locked.
“Alright,” your father sighed and cleared his throat. “Got some cuban cigars in the yard, shall we?” he gestured towards Abby, who was still holding your feet in her tight grasp.
“Yeah, go ‘head, I’ll just clear the table” she murmured absentmindedly. So kind and polite, huh?
You father chuckled and tapped abby on her shoulder, as he rose from his sit and straightened his back. “Nah, let the kid handle it”
Abby shot you a glance. Your pupils were dilated and your chest heaved rapidly up and down.
“She's not a kid, remember?”
Abby let go of your feet and you rose from the chair with such haste, you nearly had whiplash. When you lifted your plate, staying mute, looking like a deer caught in headlights as your father paced towards the yard, Abby gazed at you, and her eyebrow arched up in utter amusement.
“You uh, play soccer, by any chance?” quipped her, crossing her arms on her firm hard muscly chest.
You gulped.
“Huh?”
Abby lifted her wine glass to her lips, taking a sip that left a glistening sheen on her bottom lip. A chuckle escaped her.
“Jus’, y’know… with all the kicking, and everything. I mean, take a girl out for a drink before you do all that, yeah?”
You stood in shock, you didn’t speak, didn’t mutter a word, merely humming in response. Abby grabbed the plates from your hand, and then she grabbed the salt.
She furrowed her eyebrows and huffed. “M'just ’joking, smart cookie. If you wanna play, let's play"
Then you heard your father’s voice down the hall.
“Sweetheart?” he paced closer as Abby walked towards the sink. He leaned over the wall,
“forgot to mention it to you but, Abby’s staying over for the weekend”
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